Professional Documents
Culture Documents
September 11
Elements of Pedagogy
Motivation: No student will learn with motivation; some bring it already, some dont. We
must instill in them a desire to learn. We can do it by tempting them; we must know what
it is that they like.
Exposition of the music: This will guide them to learn to love music
Guiding: We need to teach them a gradual sequence of actions; they must learn to
prioritize activities.
Criticism: We must find our own way of criticizing in a friendly manner; being
passionate about music when criticizing creates a non-threatening environment.
Right from the very beginning, it is essential to set the proper habits that will enable the
learner to acquire and develop a solid technique and musicianship.
Homework
1.
Internalize 2 slurred notes (legato)
Write a couple of pieces that would incorporate non-legato and slurred two notes
(short and comprehensible). One in major and one in minor, write words, draw a picture.
2.
Research and choose one method, why you chose it, why it is useful, why not.
3.
Research a short history of the piano, how did it start, why it became popular.
Piano Schools: Viennese schools , French School.(what did they do?) Organic School.
History of Teaching Keyboard
Parts of the piano
Ideally
Grade 10 before 14
Indicators
When the piece is too easy
When pieces can be sightread easily
when rhythmical pattern
September 18
Methods:
EXPLORING
Homework
1) Make a handout with notes on the following:
What to look for in methods
how to teach non-legato, two-note slurs; what do you look for in these articulations?
difference between elementary, preparatory, grade 1 levels
Concise summary of what has been taught so far
During the end of the 18th century a period of Empfindsamkeit ("Sensitivity", a tendency
that propagated impulsive and dynamic art) reached its peak. A new listener emerged, one
that demanded emotional expression from the compositions.
Harpsichords and clavichords could not satisfy these demands; the pianoforte, on the
other hand, enabled composers, as manufacturers kept on perfecting it, to explore not
only a wide range of dynamics, which lead to its characteristic legato effect, but also new
ranges of volume, enough to be heard in larger halls.
Composers started writing piano pieces that "called for greater physical endurance as
well as technique brilliance from the performer" (Kotchevitsky, 1967).
http://www.stanwatkinspiano.com/blog/how-to-learn-to-read-music
(About Middle-C, Intervalic, Multi-Key Approach)
October 2
Homework
Exchange info
Compose two pieces (1 sad, 1 happy)
They should include two-note slurs, three-note slurs, melodies by step and skips (thirds)
How they hand will move regardless steps or skips
Legato is an illusion (physically speaking). What is legato?
It is how we connect the sound. What do pedagogues say about legato? (Ahrens,
Robert.)
Two sets of programs
2 from Prep
2 from level 1