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There are three main categories to consider when dealing with sound and these are dialogue,
music and effects. The sound research I will be conducting will look into sound effects and music.
There are two types of sound:
Non-Diegetic sound is said to be non-diegetic when the source is
not present or implied in the narrative. Within my trailer, I would like to
use stringed musical instruments in the background to augment
emotions according to the trailers narrative because stringed
instruments are commonly associated with romance. In addition,
because Ill be incorporating gothic elements within the narrative, using
classical music would be impactful in creating a bone-chilling effect.
Research
On the theme of classical music, I researched composers whose music primarily
included piano and string instruments, a minor key and slow tempo. I found a
concerto by Alfred Schnittke and felt the opening passage had a particularly chilling
and disconcerting atmosphere that would be suitable for my trailer. However due
to copyright laws I would not be able to take the music directly so if I do use it in
my trailer, I would need to record my own version with credit to him - If I was really
producing and distributing a film for profit I would require the permission from the
composer (or whoever the ownership passed to when he died) to use his music in Alfred Schnittke - a Soviet
my film. and German composer
In this style of trailers, the music is often modified or combined with a synthesizer to add another layer to the
main track, creating an unnerving droning sound. I would like to experiment with using this effect to supplement
transitions in my trailer. I searched the internet for royalty free music sites like 'Incompetech' and 'freeSFX' and
browsed them for tracks that I could use for intensifying the background music in addition, or as an alternative to
the classical music. I also looked for effects that would be relevant to my trailer and that I could not easily
recreate myself. I was also thinking of filming some of the location shots in the park or by a stream. A common
convention of trailers in my chosen genre is for the sound effects to be amplified. This adds to the dramatic
soundscape and works to signify important props, places, events or ideas of the narrative to the audience. I can
incorporate this into my work in a few ways.
Furthermore, I researched into Interior monologues as I would like my
trailer to be a stream of consciousness from the protagonist towards the
anatagonist and the audience. Interior monologues involve a character
externalizing their thoughts so that the audience can witness experiences
that would otherwise be mostly internal. In contrast, a dramatic
monologue involves one-character speaking to another character