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Pentatonic Scales

The word pentatonic is derived from penta, mean- and solo material. Although they are diatonic, there is
ing five, and tonic, referring to tones. Thus, a penta- an inherent tonal ambiguity due to their "incomplete-
tonic scale is a five-note scale. ness" as compared to a seven-note chord-scale.
The use of pentatonic scales is quite common in There are many possible pentatonic scales. Some
all forms of contemporary music, and especially so in of the most common ones are: diatonic, peiog, hira-
improvisation, for example, John Coltrane's solo on joshi, and kumoi. These last three are derived from
"Giant Steps" from the album Giant Steps. Japanese music, much of which is based on the notes
Pentatonic scales can be used in both bass lines of these scales.

Diatonic

e D "
e ...
( )

II
Pelog

abe b"
( ).. II
Hirajoshi

e""
( ...
)
Kumoi

e h"
( . .)

" D
II 0 II

Each scales has its own inversions.

Diatonic
-eo e-.Q.
2: e a " e
II "
" e a " e
II
Root position 1st inversion 2nd 3rd 4th

Pelog
e-
tJ: be ho
II
h
II

Hirajoshi
r

""
"
II
:: ePa II

Kumoi
e
_1 I
e'o " ,"(1 II
Play each scale and its inversions.

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