ALLEGRO APPASSIONATO

for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer
q = 124 A l l e g r o
       
  
                                               
SOLOIST

mf

    
        
muted Open
Soprano Cornet          
f

   
Solo Cornets             
mf p

   
        
muted Open
         

Repiano Cornet
f


2nd Cornet     
 
        
mf p

 
            
 
3rd Cornet

mf p

            
Flugel      
f

       
                                             
Solo Horn
     
f p


                                        
1st Horn
                
f p

                
2nd Horn
           
        
             
   
 
f p

      
1st Baritone              
f p

               
2nd Baritone
   
f p

            
              
1st Trombone   
f p p

      
                       
2nd Trombone
 
f p

    
Bass Trombone
               
f p

      
             
 
Euph. tutti
f p
p

                 
Eb Bass                                         
f p


                            
                 
Bb Bass
 
f p
                


Percussion
SD f mf

© 2010 G Colmer (geoff_colmer@hotmail.com)

2

A
    
  
largamente

        
13

          3          
SOLO    
3 3 3
mf f mf

    
muted
Sop. Cor.               
p

    
a2 a2 a4

Solo Cor.         

   
pp pp f

     
muted
Rep. Cor.             
 
pp pp p

 
2nd Cor.       
      
pp
pp f

         
3rd Cor.
     
pp
pp f

                 
          
Flug.
  
pp f pp


                        

         
Solo Hn.
 
p f pp

            
1st Hn.                    
   
 
p f pp


                              
   
 
2nd Hn.

p f pp

         
                                 
1st Bar.
  
p pp p f pp

            
2nd Bar.        
  

            

      
p pp p f pp

                         
1st Tbn.      
pp pp f pp

       
2nd Tbn.                  
 
 
 
 
pp
pp f pp

     
B. Tbn. 
 
                 
pp pp f

        
       
  
      

Tutti.

p p

 
                          

  

  
 
 
Eb Bass
pp
p

   
               
               
Bb Bass

pp
p

          
       


Perc.
p cymb Tri mf p
 3


molto rall.
       3                         
25

     
 
       
SOLO
3 3 3
f mf p

    
muted open
Sop. Cor.               
p


a4

Solo Cor.  

           
f


   
muted open
Rep. Cor.      
 
       
p

 
2nd Cor.             
f

            
3rd Cor.
 
f

                 
Flug.           
pp p

 
                  
Solo Hn.
 
f pp

   
1st Hn.    
   
         
f pp

  
2nd Hn.
                   
f pp

                       

   
1st Bar.   
f pp p

      
2nd Bar.                     
pp p

                          
1st Tbn.   
f pp p

 
2nd Tbn.   
 
 
 
                 
f pp p

      
B. Tbn.        
f p

             
Tutti. 

  
                        
  
Eb Bass
p pp p


   
  

    

    

  
     
Bb Bass

p pp p

            
 


Perc.
mf p
4


poco accel. poco rit. meno mosso

     
B tempo
          
37
    
 

SOLO
mf 3 3 p
f (sub.)
    
Sop. Cor.       
p

 
a2
  
Solo Cor.             
p

      
Rep. Cor.     
p


     
a1
2nd Cor.     
p

    
a1
3rd Cor.
      
p

        
Flug.           
     
 

 

 

 


f (sub.) p

    
Solo Hn.    
                      
f mp p

 
                       
1st Hn.    
                     
f

mp
 p

                      
2nd Hn.
           
f p

 
     
     
         
1st Bar. 
f (sub.) mp

      
2nd Bar.
         
      
f (sub.) mp

 
     
           
1st Tbn. 
f (sub.) p

   
2nd Tbn.              
f (sub.) p

   
B. Tbn.
   
 
  
   
f (sub.) p

  
          

Tutti.


  
f
 
a1
  
               
a2
Eb Bass
   
 p
f
 
a1
  
                
a2
Bb Bass
      
f (sub.) p

   
          

Perc. 
f
   
     
Glock. 
mp
 5


poco accel. poco rit.

     
tempo meno mosso
         
45
    
   

SOLO
mf 3 3
f (sub.)
         
Sop. Cor.       
f (sub.) p

         
a4 a2

Solo Cor.      
      
p
f (sub.)

     
Rep. Cor.       
f (sub.) p

 
a2

           
a1
2nd Cor.   
f (sub.) p

 a2

      
a1
3rd Cor.
       
f (sub.) p

          
Flug.           

      
 
 

 


f (sub.) p

         
Solo Hn.                      
f (sub.) mp p

  
                        
            
            
1st Hn.

f (sub.) mp p

                      
2nd Hn.
              
f (sub.) p

           
1st Bar.             
mp

      
2nd Bar.
         
      
mp

 
             
1st Tbn.   
f (sub.) p

   
2nd Tbn.              
f p

         
B. Tbn.
       
f p

  
          
  
Tutti.


f
       
a1

           
a2
Eb Bass
       
 p
f
 
a1
  
               
a2
Bb Bass
      
f (sub.) p


Perc.   
           
f

         
Glock. 
mp
6

C tempo
     
     
   
53

      
SOLO    
    
mp


Sop. Cor.          


Solo Cor.          


Rep. Cor.          


2nd Cor.          


3rd Cor.          

           
Flug.     

       
Solo Hn.              
p


1st Hn.             
   

p

    
        
    
2nd Hn.
p

    
1st Bar.       
p

    
2nd Bar.
     
p

       
1st Tbn.              
p

        
2nd Tbn.          
 
p

                 
B. Tbn.
    
p

      
     
           
Tutti.
  
mp p

 a2

          
           
       
Eb Bass
p 
p

       
      
          
  
Bb Bass

mp p

     
     
     
   

  
Perc.     
p
 7


  
rall.
   
        
62

SOLO             

    
p p p

 
Sop. Cor.            

 
Solo Cor.            

 
Rep. Cor.            

 
2nd Cor.            

 
3rd Cor.
           

   
Flug.             
p p

  
Solo Hn.   

 



 



 

 
 
 
 
 



 



 



 





                   
1st Hn.                              

 
                     
2nd Hn.
                         

  
1st Bar.            

 
2nd Bar.
           

    
1st Tbn.            
p p

  
2nd Tbn.              
p p

B. Tbn.
            



p p

  
Tutti.            

 
Eb Bass       
   
 
   
 
    
  
    
    
   
 
   
 
  


 

   
Bb Bass                
   
p p

          
Perc.   
p p
8

D più lento                                        

stringendo tempo
      
73
    
SOLO          
3 3 3 3 3 3 3 3 3
3 mf p


Sop. Cor.             


Solo Cor.             


Rep. Cor.             


2nd Cor.             

            
3rd Cor.


             
Flug. 


Solo Hn.             


1st Hn.             


2nd Hn.
            

             
1st Bar. 

            
2nd Bar. 

         
1st Tbn.             
p mf

       
2nd Tbn.              
p mf

      
B. Tbn. 
                   
p mf

             
Tutti.             
p mf


 
a1
Eb Bass           
p mf


Bb Bass             

          
        
Perc. 
p mf
 9

                  
largamente

                               
85

       
SOLO

mf

     
Sop. Cor.          
p

 
a2

Solo Cor.             
pp

    
Rep. Cor.          
p pp


a1 a2
2nd Cor.                    
p pp

 a1 a2

         
3rd Cor.
      
p pp

               
   
Flug.

pp

             
                                           
Solo Hn.
   
p

                                  
1st Hn.                        
 
p

                                   

         
                
2nd Hn.

   
                     
1st Bar.

p pp

                    
2nd Bar.
    
p pp

     
                    
1st Tbn.
 
p p pp

    
2nd Tbn.       

    

    
p pp

      
B. Tbn.
                
p pp

             
       
  
Tutti.
p
p


                     
a2

Eb Bass                                       
p


                             
                      
Bb Bass

          
  
Perc.

p
10

  
                                         
97

  
SOLO 
3 3 3 3 3 3 3 3
mf f mf f mf

     

   
muted
Sop. Cor.                   
p p p p

     
a4

Solo Cor.       

   
p p f

    
muted
       
Rep. Cor.        
 
   
 
p p p p

2nd Cor.

  

           
p p f

             
3rd Cor.
   
p p f

 
Flug.                
 

      
 


p f pp pp pp

    
Solo Hn.                  

 
       

 

p p f pp f pp

      
1st Hn.                
  

   
  


p p f pp f pp

     
                 
 

        
 

 
   
2nd Hn.

p p f pp f pp

        
1st Bar.             



        



p p f pp f pp

                    

             
2nd Bar.
    
p p f pp f pp

 
                     
1st Tbn.    
p p pp f pp


             
2nd Tbn.
       
p p pp f pp

             
B. Tbn.
 
p f

              
 
Tutti.
  
p

       
                      
        
Eb Bass

p pp p pp

 
          
    
  

  
  
  

  

Bb Bass

p   pp

p
 pp

            
      

 
Perc.
mf p mf p
 11


molto rall. tempo poco accel. poco rit.
E
                              
109

                
SOLO
       
 
f

p f (sub.)

  
                
Open
Sop. Cor.
f

 

Solo Cor.            

  

 
f

 
     
Open
          
Rep. Cor.
 
f

 
                
2nd Cor.
 
f

 
                
3rd Cor.

f

  
                
Flug.
        
p f

  
Solo Hn.                 
f

  
1st Hn.                 
f

                
2nd Hn.
  
f

 
                      
1st Bar.
   
f mp


                      
2nd Bar.
       
f mp

 
 
               

      
     
1st Tbn.

p f mp

 
                       
2nd Tbn.
       
p f mp

          

       
B. Tbn.        
p f

          
Tutti.      


f
 
Eb Bass        

      


      
 

p

f

 
 


  
 


        
   
Bb Bass

p
 
f

               


Perc.

f
12


meno mosso tempo poco accel. poco rit.
                          
121

          
SOLO 


mf 3 3

 
p f (sub.)
       
muted

                     
Open
Sop. Cor.

p f

      
a2
 
a4

           


Solo Cor.
p f

 
              
Rep. Cor.

p f

 
            
2nd Cor.
 
f

 
           
3rd Cor.   
f

     
       
                
Flug.
       
p f

   
                       
Solo Hn.
    
p f

    
                                  
1st Hn.
       
p f

   
         
  
  
          
2nd Hn.
    
p f

 
                  
1st Bar.
 
f mp


                  
2nd Bar.
  
f mp

      

          
1st Tbn.    
p f mp

 
                
2nd Tbn.
   
p f mp

           
B. Tbn.
   
p f

     
Tutti.        


p
f
     
Eb Bass     

   
   
  
 
p

f

           
 
Bb Bass

p f

Perc.              
f

   
     
Glock.

mp p
 13
meno mosso tempo
                  
   
129

SOLO    
3 3
mp

     
muted Open
Sop. Cor.                       
mf p

    

a2

Solo Cor.          

mf

  
       
  

Rep. Cor.
mf p


2nd Cor.          
p

       
3rd Cor.   
p

                 
              
Flug.
     
mf p

   
Solo Hn.                    
    
mf

                         

1st Hn.              
    
mf

    
             
  
     
2nd Hn.
  
mf

            
1st Bar.   
mf

 
2nd Bar.
            
mf

             
1st Tbn.  
p

 
2nd Tbn.             
p

 
          
B. Tbn.
 
p

        
    
Tutti.
   
p


                
    
Eb Bass
p


Bb Bass                 
p

Perc.          

          
Glock.

mp p
14


                             
F
   
138

                        
 
   
SOLO
p f

       
                       
Sop. Cor.

mp f

a2  
     a4  
                     
Solo Cor.
 
mp f

     
                       
Rep. Cor.

mp f

         
                             
2nd Cor.

p f

   


                            
3rd Cor.
       
p f

                                     
                   
Flug.   
p f

                  

                                        
Solo Hn.

p f

                  
  
1st Hn.                                      

p f

                                   


  
            
      
2nd Hn.

p f

 
                 

  
1st Bar.      
mp f

   
2nd Bar.                      
mp f

           
1st Tbn.                            
p f

       
                           
2nd Tbn.
    
p f

        
                           
B. Tbn.
   
p f

                                     

  
                  
 
Tutti.
p f

 
   
                                         
               
Eb Bass
f 
p

    
                                        
            
     
Bb Bass
p  
f

 
                          
Perc. 
p f
 15

          
           
149
       
                  

SOLO
ff

  
Sop. Cor.          
      
ff

  
              
Solo Cor.
  
ff

  
Rep. Cor.          
      
ff

 
          
      

2nd Cor.
ff

             
3rd Cor.
    
ff

   
Flug.          
      
ff

 
  

   
Solo Hn.          
ff

 
    
1st Hn.     
 
    
ff

 
              
2nd Hn.
  
ff

   
1st Bar.          
      
ff

  
             
2nd Bar.
   
ff

   
1st Tbn.          
      
ff

  
              
2nd Tbn.
  
ff


               
  
B. Tbn.


  
             
Tutti.
     
ff 

     
Eb Bass     


  
    
ff 

 
        
     

   
Bb Bass

 
ff



      
  
Perc.
     
ff
16

157 G
                                         
    
SOLO

f


Sop. Cor.         


Solo Cor.         


Rep. Cor.         


2nd Cor.         

        
3rd Cor.


     
Flug.                         
p

                    
Solo Hn.    

  

  

    
          
p

                 
1st Hn.                 
 

 


 

 

 
p

      
                                
2nd Hn.
         
p

                                 
1st Bar.                 
p

 
                                
2nd Bar.
               
p

                          
                       
1st Tbn. 
p

  
2nd Tbn.                       
                       
p

 
B. Tbn.                                                
p

                                                
Tutti.  
p


Eb Bass      
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
p


                                
               
Bb Bass

       
Perc. 
 17

      
     
largamente
    
legg.

         
165

                
SOLO

f f f p

     
Sop. Cor.             
p f

 a4
        
a2
Solo Cor.             
p p f

   
Rep. Cor.              
p p f

  
2nd Cor.                
p p f

          
3rd Cor.
      
p p f

             
     
Flug.
p p f

                       

Solo Hn.                    
  
p f


1st Hn.                       
        
p p p f

                   
2nd Hn.
           
p p p f

      
                                
1st Bar.
 
p p p f

    
2nd Bar.
                      
p p f

   
1st Tbn.            
p f


2nd Tbn.         

   
p f

         
B. Tbn.        
p p p f

          
Tutti.                   
  
p p p f


                    

       
  
Eb Bass
p
f


              
               
Bb Bass

p
f

          
     
Perc. 
p f
18


più lento stringendo
 
          
rall.
      
H
  
                        
177

       
SOLO   
f p p 3 3
3

 
  
Sop. Cor.            
f

 
Solo Cor.               
f

   
Rep. Cor.   

        
f


              
2nd Cor.

f

              
3rd Cor.
 
f

  
              

Flug.

p f

   
Solo Hn.                    
p f pp

      
1st Hn.  
 
     

    
p f pp


                  
2nd Hn.
   
pp
p f

            
1st Bar.            
p f pp

   
2nd Bar.
             
p f

              
1st Tbn. 
p f


2nd Tbn.              
p f

 
B. Tbn.             
p f pp

   
Tutti.            
p f

  
a1

                   

Eb Bass
pp
p f


             
  
Bb Bass

p f

           
     
Perc. 
f p
 19

               3                                               
tempo
189

SOLO   
3 3 f 3 3 3 3
cresc poco a poco

   
Sop. Cor.                  
p f

 
                                   
a2 a4
Solo Cor.    
      
p
f
cresc poco a poco
      
Rep. Cor.                   
p cresc poco a poco f

 
2nd Cor.                         
p cresc poco a poco f

              
3rd Cor.
    

mp f

  
Flug.                
p p f

    
Solo Hn.                 
p f

   
              
 
1st Hn.
p f

           
     
  
2nd Hn.

p f

      

                                     
1st Bar.       
p cresc poco a poco f

 
                       
2nd Bar.
  
mp f

       
1st Tbn.                   
p cresc poco a poco f

 
2nd Tbn.                         
p cresc poco a poco f

             
B. Tbn.
    


mp f

   
                 
Tutti.     
p mp f

 
                  
a2

    

Eb Bass
p 
p f

   
       
   
Bb Bass
p 
p f

             
  
Perc.  
f

                      
Glock. 
p cresc poco a poco mf
20

                                                 
203

SOLO 

    
Sop. Cor.      
mp

  

Solo Cor.       
p

 
Rep. Cor.         
mp


        

2nd Cor.
f

      
3rd Cor.
  
 f

         
Flug.  
mp

    
Solo Hn.        

 

    

 

p

    
1st Hn.         

 

    

 

p

    
               
    
2nd Hn.
p

       
1st Bar.    
p

      
2nd Bar.
   
p

   
1st Tbn.          
p

 
2nd Tbn.         
p

    
B. Tbn.
    


p

  
Tutti.           
p


         
  
Eb Bass
 p


      
  
Bb Bass
 
p

    

 
Perc.

pp
 21

        
              
209

       
  
.
iss

SOLO gl
7 7
ff


      
Sop. Cor.    
f ff
 
         
 

   
 


Solo Cor.

f ff

    
Rep. Cor.   

     
f ff


2nd Cor.           
ff


    
     
3rd Cor.

ff

  
            
Flug.

f ff

  
Solo Hn.             
f ff

 

1st Hn.              
f ff

  
    
2nd Hn.         
f ff

   
       

3 3

           
3 3
1st Bar.

        
f 3 3  ff

   
       
3 3

        
3 3
2nd Bar.
          
f 3 3  ff

               
1st Tbn. 
f ff

 
2nd Tbn.              
f ff

     
B. Tbn.          
f ff

   
   3    
3 3
       
3
            
Tutti.
f 3 3  ff

 
      
3

Eb Bass             
f 3
ff 


3
         
3
Bb Bass
        
   
ff 

 
   
Perc.          
f ff
Soprano Cornet

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

 
q = 124 A l l e g r o
 A 
    
   
muted
f

23
        
          
open
p p

  
poco accel. meno mosso
molto rall. B tempo

35 poco rit.

 


poco accel.

        
tempo meno mosso
    
43

 
poco rit.
 
p f (sub.) p

C tempo   D  
più lento
 
stringendo
53 rall.

 
© 2010 G Colmer (geoff_colmer@hotmail.com)

 
tempo
     
   
80
 

p p p


102
     
             
muted Open
p p

  E tempo
 

115 molto rall. poco accel. poco rit.

      
f
2 Soprano Cornet


meno mosso
    
121

                    
muted p


poco accel. meno mosso

  
tempo poco rit.

                 
125

      
Open f muted mf


132 tempo   
F

         
Open p

        

             
139

      

mp f

     G      
152

       
ff p f

  
rall.
H
  
174

   
più lento

f

    
tempo

stringendo
  
 
186

         
p f

        
207


mp f

   
213

   
ff
Solo Cornets

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

 
q = 124 A l l e g r o
  
 A  
a2

   
mf p pp

17
  
a2

a4  a4 
   

 

pp f f

 
poco accel. meno mosso
B tempo

poco rit.
 
molto rall.

35

     
 
a2 p


tempo
  
poco accel.
 
meno mosso
   
44

a4

    
poco rit.
      
a2 
f (sub.) p

C   D  
più lento

stringendo
 tempo
53 rall.
 

© 2010 G Colmer (geoff_colmer@hotmail.com)

tempo       
   
80
  
a2 a4

   
pp p p
f

 E tempo   
  
meno mosso
  
115 molto rall.

       
poco accel. poco rit.

  a2 p
f


124
  poco accel.  poco rit.

   
tempo
    
a4
 

f
2 Solo Cornets

 
meno mosso

 
F
    
129 tempo
 

a2 mf


 a2     a4   
     
144

            




mp f



152
     G 
   
ff

 
167 a2
     a4

 
   
   

   
p p f f


181  rall. H  

più lento stringendo

                
192
 
tempo a2

                
p cresc poco a poco

   
   
199

  
a4

 
    
f

  
207
 
 
p f

  

     
211

   
   ff
 Repiano Cornet

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
 
arr. Geoff Colmer
q = 124 A l l e g r o A
   
          
muted
f
 Open pp

  
 
17

       
muted
 
pp p

  
 
25

      
molto rall.

  open
p

B  
 tempo     
meno mosso tempo
  
37
poco rit.
 poco accel.

p f (sub.)


46  poco rit. meno mosso
  
C 

tempo

poco accel.
p

 D    
più lento tempo
    
70
rall.
  

p pp

   Open
            
99

    
muted
p p p p

 E tempo  
meno mosso
 
     
molto rall.


poco rit.
   
115
 poco accel.
f p


tempo
  
125

   
poco rit.
  poco accel.
f
© 2010 G Colmer (geoff_colmer@hotmail.com)
2 Repiano Cornet


meno mosso tempo

  
129

        
mf p

F
     
                  
138

  
  
mp f

      
152  G  
   
 
ff p p

 
rall.

    
173

        
f f

H piùlento 
stringendo tempo
              
183

 
p cresc poco a poco


199
  
          
f mp

 
   
209

       

f ff
2nd Cornet

ALLEGRO APPASSIONATO
for euphonium and brass band
Saint-Saëns
arr. Geoff Colmer

 
q = 124 A l l e g r o
 A 
       
mf p pp

   
   
17

   
pp f f

 B tempo 
molto rall.

35 meno mosso

  
poco rit.

poco accel.    
a1 p

44
 
a2 tempo  meno mosso

        
poco rit.

poco accel.   
a1
f (sub.) p

53

C tempo   
D più lento 

rall.


© 2010 G Colmer (geoff_colmer@hotmail.com)

 
tempo

80 a1

               
p

  
 a2   
95

      
pp p p f
2 2nd Cornet

  
molto rall. tempo
E meno mosso
 
    
115

 
 
f

  
tempo meno mosso tempo

  
    
125

  
 
f p

F
       
       
138

      
p

         
145

            

f


152
   G  
         
ff p

 
rall.

   
172

        
p f f

H più lento stringendo


tempo

183

             
p cresc poco a poco

 
198
 
            
 f
f


209

       


ff
3rd Cornet

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer


q = 124 A l l e g r o
   A 
      
mf p pp

17
   
    



pp f f

 poco accel. 
meno mosso
molto rall. B tempo

35

 
a1

poco rit.     
p


tempo poco accel. meno mosso

44

 
   
a1
  
a2

   
poco rit.
f (sub.) p

C tempo  D  
tempo
53
 
 

© 2010 G Colmer (geoff_colmer@hotmail.com)

85
 a1 
  
         
p

95
 a2   
      
   
pp p p f
2 3rd Cornet

  
molto rall. tempo
E meno mosso
 
    
115

 
 
f

  
tempo meno mosso tempo

  
    
125

    
f p


F  
           
138

        
p

         
145

           
f
  


152  G  
  
       
ff p p

 
rall.


172

  
     
  
f f

H  
tempo

184


più lento

 
198 
          
  
mp f  f


209

    
     
ff
Flugel

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer


q = 124 A l l e g r o
 A  
    
     
  
f pp

 
     
17

        
  
f pp

 
 
25

 
 
 

    

pp p

molto rall. B tempo

 
32

 





      
f (sub.)

   
       
38 meno mosso
   
poco accel.
       
poco rit.
p


accel. 
          poco               
44 tempo meno mosso

    
         
poco rit.
  
f (sub.) p

53 C tempo
   

        
p

D 
più lento
 
68


rall.
  

p
 
© 2010 G Colmer (geoff_colmer@hotmail.com)
2 Flugel

 
tempo
              
80

 
 
pp p f

  

      
103

       
   

 

pp pp pp p


E tempo
   
113 molto rall. poco accel.

   



    
 f


meno mosso
 
   
119

            
poco rit.         
p

   meno mosso

                    
125 tempo poco accel.

        
poco rit.  
f mf

F
     
133 tempo

       
            
 
p p

                  

140

           

      
     
145

        
 
f


152
  G 
 


  
ff
 Flugel 3


161 
                            
p p

  
     
169

       

p f p f


181  H 

rall. più lento

 
tempo
  
192

           
p p f

  
207

         

mp f

 
213

      
ff
Solo Horn

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

   
q = 124 A l l e g r o

                          
    
f p

A
     
   
 
   
 
9

           
 

14
    
        
     
p

        

21

        
 
f pp f

© 2010 G Colmer (geoff_colmer@hotmail.com)

  B tempo
molto rall.
      
27

     
pp

f

  
poco rit.

         
38 poco accel. meno mosso

           

mp
  p

 
tempo poco rit.

44 poco accel.

              
          
f (sub.)
 mp
2 Solo Horn

       
49 meno mosso

                 
p

C tempo
     
     
53

     
p

  
62

                 
          


rall.
D più lento
   
68

           
      

      
tempo

stringendo

                               
75

    
p

       
       
92
     
        
p p


101
                  

     
f pp f pp

 E tempo  poco accel. 

molto rall.

  
               
115

     
meno mosso

f poco rit. p

 
tempo
 
poco accel.

                    
124

meno mosso

   
   
poco rit.
f mf


133 tempo


 Solo Horn 3

       
F
            
138

        
p


              
     
143

       
  
f

   
152  G              
                              
   
ff p

                          
164

                 
p

  
             
171

 
      
f p f

  rall. H
   

181


stringendo
    
più lento

pp

        
tempo

  
189

        
p f

   
205

                 
   
p f

    
211

      
ff
1st Horn

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

   
q = 124 A l l e g r o

                     
         
f p

A
             
9

          
   


14
   
         
     
p

    
21

     
   
    
f pp f

  B tempo
molto rall.

27

         
  
pp f

     
meno mosso

                 
38 poco accel. poco rit.

               
      
mp p

        
44 tempo poco rit.
   
poco accel.
     

          
f (sub.) mp

                     
meno mosso
 
49

           
p

© 2010 G Colmer (geoff_colmer@hotmail.com)
2 1st Horn
53 C tempo
  
          
   
p


62

             
               

D 
più lento
 
68
      
rall.

             

 
tempo

stringendo

                       
75

            
p

           
       
91

    
    
   
p p


101
    
               
   
f pp f pp

 E tempo  poco accel. 

molto rall.

  
meno mosso

              

115

      
poco rit.
    
f p

accel. 
       tempo    poco           
124 meno mosso

         
 
    
f poco rit. mf

    
     
131

  
tempo

       
 1st Horn 3
F
                    
138

          
p

           
     
143

      
 
         
f

   G
                       
152

                  
ff p

          
163
           
            
p p

  
    
171

       

p f p f

  H

stringendo
 
181 rall. più lento

       
pp


tempo
    
189

                  
p

f

 
205

               
       
p f

  
211

       
 
ff
2nd Horn

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

  
q = 124 A l l e g r o

                  
         
f p

A
        
9

            
        

14
    
 
            
p


21
 
                
f pp f

  B tempo
molto rall.

27

      
     
pp f

     
            
38 poco accel. meno mosso

     
poco rit. p

             
                
44 tempo poco accel. meno mosso

      poco rit.

    
f (sub.) p

53
 
C tempo 
      
© 2010 G Colmer (geoff_colmer@hotmail.com)
2 2nd Horn


60

   
 
  
 
 
 
  
 
  

p


65

    
 
  
 
  
 
 
 
  


D 
più lento
 
70 rall.

   



 
 

 
tempo

stringendo

                       
75

            
p

           
       
91

     
       
p p


101
          
              
f pp
  f pp  

 poco accel. 
molto rall.
E tempo

meno mosso

                  

115

     
poco rit. 
f p


124 tempo

poco accel. 
          
   poco rit.
f
 2nd Horn 3


meno mosso tempo

                
129

        
mf


F
         
   
138

             
  
p

              

     
143

           
      
f

        G
                       
152

              
ff p

          
163
          
             
p p

  
  
171

    

 
 
p f p f


181  H


rall. più lento
    
stringendo

   
pp


189 tempo 
            

 
p

f

 
205

              
    
p f

  
211

         
ff
1st Baritone

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

q = 124 A l l e g r o
     A
           
f p p

              
14

           
pp p

  
21

               
 
f pp f


      
27

  
 

    
pp p

B tempo
            
34 poco accel.
      
molto rall.
    
f (sub.) mp

    
       
40 poco rit. meno mosso tempo poco accel.
       

mp

48
   
poco rit. meno mosso
 C tempo
 
   
p

58
   
 
rall.

© 2010 G Colmer (geoff_colmer@hotmail.com)

2 1st Baritone
D   
più lento stringendo tempo

73

                        
93

     

p pp p p

 
               
101

 
f pp f pp

 E tempo
    
115 poco accel. poco rit.

     
molto rall.
     

f mp

  
            
121 meno mosso tempo poco accel. poco rit.

 
   
f mp

 
129 meno mosso

tempo  F 
      
mf

         
        
144

        
mp f

      
152  G             
                
             
ff p

   
     
164

                 

p p

          
           
169

   
p f
 1st Baritone 3

più lento


rall.
H

177
  
        
p f pp

  
stringendo
   
185

     



tempo
   
192

                             
p
cresc poco a poco


200
   
           
f p

  
   
209

  
3 3
     
3 3

  3
  
      
f 3

   
213

   
ff
2nd Baritone

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

 
q = 124 A l l e g r o
  A
            
f p p

      
         
14

         

pp
p

 
                 
21

     
    p  
pp pp
f

 
B tempo 
32


molto rall.
          
 
f (sub.)

    poco accel.   tempo 

  
38

   
meno mosso
   
poco rit.
   
mp

 
meno mosso
 C tempo
      
46

    
poco accel. poco rit.

      
mp p

58
   
D 
 
rall. più lento

tempo                         
80

 
  
p pp p p

 
                     
101

         
f pp f pp
115
molto rall. 

© 2010 G Colmer (geoff_colmer@hotmail.com)
2 2nd Baritone
117E tempo
    
poco accel. poco rit. meno mosso 
            
f

mp
 


poco rit. meno mosso

            
125 tempo poco accel.

 
     
 
      
f mp mf

  F  
       
133 tempo

   
mp

    
  

  

146

       

f ff

   
153  G               
                 
               
p

          
         
165

      
p p f p

 H più lento 
rall. tempo
 
179

            
 
f mp


200
   
             
f p

  
   
209

  
3 3
     
3 3

  3
  
      
f 3

 
213

    
ff
1st Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

             
q = 124 A l l e g r o
 
        

f p p

A
     
      
13

    
pp pp

               
21

            
f pp f pp p

B tempo
        
32


molto rall.
      
f (sub.)

   poco accel.  
meno mosso

   
tempo

38

    
 
poco rit. p f (sub.)

46
   meno mosso
  
C tempo 
    
poco accel.

poco rit. p

58
            
    
p p

D più lento
68
    
       
rall.

p p

75
 
stringendo     tempo  
     
mf

85
     
           

  

    
p p pp
© 2010 G Colmer (geoff_colmer@hotmail.com)
2 1st Trombone

        
99

          
   
p p pp f pp
molto rall.

       

109

      
p


E tempo
    
       
116 poco accel. poco rit.

      
meno mosso

 
f mp

      
      
124 tempo poco accel. poco rit.
     
meno mosso
  
p f mp

 tempo
133 F 
        

p

                    

  

  
142

        
p f

 G
              
152

   
ff p

      

162      
   
p f p f

  rall. H  
 
181

       
tempo
 più lento
p cresc poco a poco


197
   
         
f


205

             
 
p f

  
213

   
ff
2nd Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer
q = 124 A l l e g r o
       
                    

  
f
 p

A 
   
13

             
 
pp pp

 
   
21

             
  
f pp     f pp     p

B tempo
  
32

       
molto rall.
   
 
f (sub.)

38
  poco accel.  meno mosso

tempo

    poco rit.
       
p f

46
    poco accel.  meno mosso C tempo 
     
poco rit.
p

      
    
58

     

p p

D più lento
  
68 rall.

          
p p

    
 stringendo
 
75 tempo

       
mf
© 2010 G Colmer (geoff_colmer@hotmail.com)
2 2nd Trombone

  
     
85

     

    


p pp

 
99

           
       
p p pp f pp

  
109

     
molto rall.

  
  
p


116 E tempo
 
poco accel. poco rit. 
          
meno mosso
   
   
f mp

  
    
124 tempo poco accel. poco rit. meno mosso

 

      
p f
  
mp


133 tempo

F 
       
p

          
  

  
142

                       
p f

        G
                 
152

  
ff p


160
    

                               
 2nd Trombone 3

 
rall.


172

 
    
p f p f

H 
più lento tempo

184

                
p cresc poco a poco


200
  
         
f p


209

       
f


213

    

ff
Bass Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer
q = 124 A l l e g r o
      
            
f p

13A 
           
       
pp pp

21  
    
   
f f p

32
molto rall. B tempo poco accel.
    
      
    
f (sub.)

39 meno mosso tempo



    poco accel.

poco rit.         


p f

47  meno mosso C tempo

       
poco rit. p
    

58  

           
p p
© 2010 G Colmer (geoff_colmer@hotmail.com)
 2 Bass Trombone
68
rall.
D più lento
    
      
p p

stringendo tempo
75 
     
       
mf

85


  

     

       
p pp

97   
 
              
 
p f p

113 molto rall. E tempo

 poco accel.
            
  
f

meno mosso
119   tempo 
poco accel.
      
poco rit.
   poco rit.
p f

meno mosso  tempo


129
     
  
p

138 F        

                
p

146
    

   

     

f
  

153 
   

 Bass Trombone 3
157 G

                                         
p

164   
     
         
p p p f

178  rall.
H stringendo
più lento
    
  
p f pp
tempo
187 
    
    
mp

200 
        





f p
209
       

f

213
  
   
ff
Euph. tutti

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

  
q = 124 A l l e g r o
 
          
 
f p p

A
         
13

  
     

     

p p

 
molto rall. B tempo

21



poco accel.

    
 

f

meno mosso 
41 tempo meno mosso

poco accel.  
     
  

f

tempo  
C
       
       
53

    
mp p


70  rall.

D più lento

stringendo
        
  
p

 
tempo
    
78

  

 

 
  
  p
mf p

© 2010 G Colmer (geoff_colmer@hotmail.com)


94
  
            
  


p
2 Euph. tutti


tempo tempo
E meno mosso

117 

        
 

p

f f
  
meno mosso tempo


126

            
p

F
     
138
      
 
p                 

                 
143

              
   
f

  G 
              
152

         
ff  
  p

     
        
162

                        
 
p p

    
170 
            
p f p f

 H 
tempo

181

           
rall.
  
p mp


199
  
          
f p


      
207


3 3
           
3 3
       
3 3
      
f


213

    
ff

Eb Bass

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

   
q = 124 A l l e g r o
       
                       
f p

A
 
9

       
   
 
   
 
       


14
  
            
        
 
p

    
21

                   



pp p pp

p

B
 poco accel.
tempo
    
32 a2

molto rall.
      

   
   



f

 poco rit.  

tempo

            
40 meno mosso
     


a2 
a1 p
f

46
  poco accel.

© 2010 G Colmer (geoff_colmer@hotmail.com)
2 meno mosso tempo
Eb Bass
C
          
49 a2

       
a1 p
    p
  

 
58

                        
          
p


64

     
   
 
   
 
   
 
   

 
rall.
D più lento
   
69

     
   
 
   


  a1 p


tempo
 
75 stringendo

     

mf

          
85
          
a2

                               
p

  
        
94

 
               
p

      
103

                
    
pp p pp p


poco accel.
E tempo
 
113 molto rall.

         
  
  

f
tempo
 
meno mosso

 
120

           
 
 
 

poco rit. p
f
 Eb Bass 3


poco accel.
 meno mosso
 tempo

       
126

    
poco rit.     
p
F
 
138

         
   
 
   
 
   
     
p

  
               
143

             
     
f 

   G
     
152
           
                           
ff p

         
163

                   
  
  
p


171 
           
   
f p f


rall.
H
 più lento 
181 stringendo
       
a1 pp
 

    
189

       
tempo a2
    
 p   
p

 
200

         
 
 p

f


207
 
 3

          
  
   3
f

 
213

     
ff

Bb Bass

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

q = 124 A l l e g r o

             
            
f p
A

9

                   
        

  
14

      
  
   


  
p


21

           
        p  
 

pp p pp

B tempo

32

           
molto rall.

a2

 
   f (sub.)


meno mosso

   poco accel.     
38

       
 poco rit. a1
p    

    poco accel. 
 a1      
45 tempo meno mosso

     
a2   
f (sub.)
poco rit. p     

 C 
                 
    
53
tempo
mp p
 


62 
  


p

© 2010 G Colmer (geoff_colmer@hotmail.com)
2 Bb Bass

 D  
più lento

stringendo

68

 
   
rall.


p



tempo

80

                
               
p

 
93

            

    
    
p
 


103

     
 
  
 

     
    
  
pp p pp p

E tempo

113

          
molto rall. poco accel.

   
  
f

  
meno mosso

119 tempo
     
poco accel.
 
poco rit.    poco rit.
p f


129 meno mosso
 tempo

            
p

F
     
138
        
                
p  

  
143
  
      
                 
          
f


152 
    
  
ff   
 Bb Bass 3

G

157                                    
                
p p


166

         

            

f

 
rall.


174

    
  

p f

H  
più lento stringendo tempo

     

184


198 
     
   

p f


207


3
     
3

         

p


213

    
 

ff
Percussion

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer

q = 124 A l l e g r o
 A
         
SD f mf p cymb

14

     
    

Tri

21 
         
   
  

mf p mf p

35 
molto rall. B tempo

poco accel.
 meno mosso

  
 
   
BD
f

 
     
43 tempo poco accel. meno mosso

     
f

     
glock

      
mp mp

53 C tempo 


      
      
    
    
p

62 
  
p

© 2010 G Colmer (geoff_colmer@hotmail.com)

 2 Percussion

68 rall. 
D più lento stringendo

    
  
  tri
p p

76 tempo

         
        
cymb
mf p

99 
           
     
  

mf p mf p

115 molto rall.  E tempo

  meno mosso

  
 
   
f


123 tempo poco accel. poco rit.

    
 
     
f


glock
  
    
mp p

meno mosso
 
tempo
 F 
129    
mp p

  
142

                           
p f
 Percussion 3

 
152
   G 
  
   
     
ff p

169 
     
  
  
f f

rall. più lento stringendo

181  H
    
    

p

189 tempo

          
  

     
glock

           
p
cresc poco a poco

199
  
    

   
f pp


        
mf

   
209 
 
   
         
f ff
SOLOIST

ALLEGRO APPASSIONATO
for euphonium and brass band

Saint-Saëns
arr. Geoff Colmer


q = 124 A l l e g r o
   

                             

mf

                
A largamente
        
10

     

       
17

        
mf f

  3             
23

       
3
         
3 3 3 3 3 3
mf f mf


32

    
molto rall.
                
p


  
B tempo
                
poco accel.

    
f (sub.)
37
poco rit.

                 
41 tempo poco accel.

      



3
mf meno mosso 3 p
f (sub.)

   
      
47

   
poco rit.

© 2010 G Colmer (geoff_colmer@hotmail.com)

2 SOLOIST

          
meno mosso C tempo
       
49

      

mf 3 3 mp

         
58
          
        
p

64
             
        



              rall. 
 
68

             
p p

D più lento

73
        
stringendo
    
         
3 3
3

        
tempo
              
78


3 3 3
mf p

                                             
83

 
3 3 3 3

mf


          
largamente

       
91

     
mf

     
                 
98

 
3 3 3 3
f mf
 SOLOIST 3

                               
105

  
3 3 3 3
f mf f

E tempo

113

       
molto rall.
         
   
f (sub.)
 
    
118
      
poco accel.

      
poco rit.

         
meno mosso

121
      
tempo poco accel.

      

f (sub.)
3
mf 3

     
           
meno mosso
      
127

 
poco rit. 3 3

 tempo 
F  
             
133

 
mp p


139
     
   
      


142
        
            

           
146

             
f   

     
  
150

   
  
4 SOLOIST

        
153

      
         
ff


G
                 

         
156

                  

   
f

                
largamente
163

               

f f

 
legg.
             
 
173

              

f p f p



    
rall.

           
180

      

 H più lento
  stringendo
       
183

          
p 3
3

                   3                   
188 tempo

  
3 cresc poco a poco 3 3

                                      
197


f 3 3 3 3

                   
205

       

          
   
209

      
7 7

  

211
  
    gli
ss.  

ff
