Professional Documents
Culture Documents
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Mam m
hi- tec h paganism
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mythology
clear-channel mind-parasites and screaming memes.
The Reality Hackers Media House is a Simultaneous-
Translation Plagiarism-Vortex where agents from the
aditorial ever-stretching Edge meet to cross-pollinate, lift, and
transfer things from one medium to another a de-
crypting and encoding station for polysensory depre-
OLLY-OLLY-OXEN-FREE! dation.
"The lovely human beast always seems to lose its
high spirits when thinks well; it becomes 'serious.'
it TAKE A DEEP BREATH --THIS IS A CONSPIRACY
and 'Where joy and laughter are found, thinking Have you ever wondered about the numerological
doesn't amount to shit': that's the prejudice of this se- we know you have-
significance of "7-11" stores? Yes,
rious beast against all 'joyous science." Well then, let's -in your private moments. You know, of course, who
prove that this is a prejudice!"~Friedrich Nietzsche operates these twenty-four-hour surveillance bureaus?
Un-huh. That's exactly right. And you thought you
"A hacker... is someone who enthusiastically probes picked up this magazine by accident mistaking it for
and explores and plays with anything out of love and People. That's right we send all our magazines out
intellectual excitement, with strong initiative and per- with double covers. Deep-cover double-agents, they
sistence. "--Ted Nelson are. Time, Sports Illustrated, PC World are on the out-
side, but we're insiders.
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MYSTICAL PATHS
THINKING Four programs on one videocassette (Quartet #Q184)
D Beta Shipping'
Total
Watch THINKING ALLOWED every
$2.50/ 1st tape. $1.50/ea. two or more Quartet counts as one tape.
week on Public Television. Check Make check payaPle to Thinking Allowed
with your local PBS station for day and MC/Visa# Exp.
time. Signature
Name
Street
Additional feature Joseph Campbell, Fritjof
titles
City State Zip
Capra, Stanislav Grof,
Patricia Sun, Kevin Ryerson,
Rupert Sheldrake and many others. Write for a Please send me your complete video catalog. (HF)
complete catalog. L J
HIGH FRONTIERS
WMii
editorial
PUBLISHERS
Morgan Russell,
Alison Kennedy,
Ken Goffman
4 SOAPBOX
by Jas. Morgan and accomplices
EDITOR-IN-CHIEF
R. U. Sirius
6 HACKER BIOS
DOMINEDITRIX
Queen Mu
8 REALITY HECKLERS
ART DIRECTOR Letters to the Editor
Roger Raupp
MANAGING EDITOR
Uncle St. Nunzio columns
EDITORS
Judith Milhon, Morgan Russell
10 FRINGE SCIENCE
by Nick Herbert
MUSIC EDITOR The master of quantum reality says that the Universe is
Jas. Morgan
made of music.
CYBERNETIC SYNTHESIST
Michael Szesny 12 PSYCHOPHARMACOGNOSTICON: OUR MAN IN
PRODUCTION EDITOR
MRVANA KOH SAMUI
Nancy Schorr by Terence McKenna
Logomagician turned travel editor finds "mellow" in
TYPING & TRANSCRIPTION
Southeast Asia.
Loona Vermont, Dagen
David Flattery,
SPECIAL THANKS
Marc Franklin, Eric
14 MEGABRAIN UPDATE
by Michael Hutchison
Gullichsen, Carol O'Connell, Adam Zakin,
Ed Ellsworth & Pinnacle Type in S.F., A new column presenting the latest "nautilus machines
Paul & Tim at California Arts in Oakland. for the brain."
COVER PHOTOGRAPH
Tim Hildebrand 16 PSYCHEDELIC SCENARIOS
by Bruce Eisner & Peter Stafford
DISTRIBUTION REPRESENTATIVE:
The opening of the Albert Hofmann Library and the
Progressive Magazines, Inc.
P.O. BOX 423 latest on the legal status of MDMA.
Montvale, N.J. 07645
(201)573-9566
megabytes & minibytes
The Science of Music & Consciousness
Contents Copyright 1988
High Frontiers/Reality Hackers
18 ITS A GREAT TIME TO BE A MUSICIAN ADRIAN
Published quarterly. All rights reserved. No part
BELEW INTERVIEW
of this publication may be printed in part or whole by Tom Erikson
without written permission from the publishers,
High Frontiers/Reality Hackers is not responsible
for claims made by advertisers or opinions
expressed.
22 VISUAL MUSICAL INSTRUMENTS
by Ralph Abraham
Chaos theory meets VisMusic
High Frontiers/Reality Hackers
P.O. Box 40271, 27 DEPT: THE DISTORTION OF SOUND
BERKELEY, CA. 94704 by Alexander T Shulgin
415-845-9018
Single issues are $5 ppd. $7 Overseas Weird drug distorts music on the inside.
28 VISUAL MUSIC IN THE THIRD WORLD
By Queen Mu
Icaros, or magical shamanic melodies, of the ayahuasqueros
44
Eno interviewed by Charles Amirkhanian
nightcap
88 PEAK EXPERIENCE
by Hakim Bey
We present the winner of our Peak Experience Contest.
The personal computer revolution has vastly em-
soapbox powered the individual. Yet it is a fragile and vulnera-
ble system. Individuals have at their command the
means to capriciously misuse' the technology. Those
Information is true capital. Grain rots, you can't who hoard, damage, or destroy signals are committing
eat gold, you might not need medicines. All of these a crime against Species Intelligence. The hacker is a
commodities, capital, have been used for centuries as true Promethean and the guardian of personal liber-
barter. But what makes doctors, genetic engineers ties. Yet the hacker must forge a new ethic to guide
and, for that matter, plumbers, wealthy? Knowledge, himor he's in danger of being scapegoated for what
information, data. You can learn to grow crops, mine is mostly inter-corporate sabotage. The computer virus
gold, practice alchemy. Proudhon stated the crux of issue is likely to rage over the coming months. Send
the matter in three simple koans: "Property is theft. us your thoughts!
Property is freedom. Property is impossible." Infor- The communication of ideas is the very essence
mation equals property. of this magazine. We promote and endorse maximum
Property is theft. All that we know, we have neural fluxibility. A continuous stream of data allows
learned. All that we have discovered has been extra- you to integrate new models into your self-created re-
polated. We have simply stolen and built upon the ality, and discard outmoded ones. There are those
ideas of those who have gone before us, from lan- who cling tenaciously to the security of their present
guage to the lever, from agriculture to the atom bomb. belief system. And there are the intellectual faddists
Property is freedom. No one can steal your who will exchange their current model in favor of any
ideas. While others may utilize your concepts for their new model. model
Reality Hackers believes the best
own gain, you can still profit from them as well. Ein- is what works
more importantly, what works for
stein articulated the concept of General Relativity and you.. But be aware. We attempt to widen the band-
atomic theory, which much to his chagrin was used to width and present as many and varied ideas as possi-
develop nuclear weaponry. Nobody owns ideas and ble. We are willing to entertain nearly any notion pro-
nobody can control them. vided that it's resonant and interesting. So don't
Property is impossible. Information is free. In believe everything you read. Think for yourself.
Weather Report) are explored in THE Order by phone with VISA/MC or UPS-COD, call day or night
JOURNAL OF BORDERLAND RESEARCH, issued to To order by mail send $17.95 per book plus $4 shipping
Members of Borderland Sciences Res. Found. 800/858-2665 USA 415/548-2124 C A/Info
Membership in BSRF is $20/year (6 JBRs)
Books-by-Phone A
Box 522 Berkeley CA 94701
Sample JBR $5 * Book Catalog/ JBR Info $2 [= Ask for our FREE 24 page Catalog
B.S.R.F., PO Box 429, Garberville CA 95440
4 REALITY HACKERS
SYNCHRO ENERGIZING
"The Ultimate in Light and Sound Stimulation"
Undue stress will reduce your ability to experience the four states of mental activity
think clearly, relax, or perform effectively. A while awake. Light and sound coming to the
new brain technology machine that is on the brain at the user chosen rate tends to produce
cutting edge of scientific advances is now a type of copying effect, " Following Response"
allowing people to relax and accelerate their or entertainment effect. The brain tends to
learning abilities. This product has just synchronize with the frquency being
recently become available to the public at an transmitted from the device. This can be
affordable price.OPEN MIND ENTERPRISES shown through the use of an EEG Graph. The
has the pleasure of providing the most EEG for most individuals goes to the same
innovative brain relaxation technology ever frquency as the machine in a matter of
The Innerquest.
invented, minutes. A person could use the Innerquest
The human brain is a mass of neuron cells and choose a particular Brain State and within
storing, retrievingand transmitting tiny a few minutes could create a state of profound
electro-chemical impulses between themselves meditation, heightened
and the whole body by creativity or other
means of the central similar brain states.
nervous system. Each Don't be confused
burst of electro- by the variety of similar
chemical energy yet cheaper light and
generates an electro- sound devices. OPEN
magnetic field at MIND ENTERPRISES
frequencies ranging has researched and
from one to thirty Hertz found the Innerquest to
(cycles per seconds). be far superior to any
These combined signals other similar products.
form "Brain Waves" It is a two person unit
which can be recorded with sixteen programs
on an EEG Graph and and a built in cassette
divided into four player to provide your
groups. These groups choice of background
are divided by their frequency rates. Beta music. To order this product or for more
waves (12-30 Hz) occur when a person is information call OPEN MIND ENTERPRISES'
awake and alert, with the highest frequency toll free number 1-800-552-8868.
indicating more intense mental activity. Alpha OPEN MIND ENTERPRISES is currently
waves (8-12 Hz) occur during relaxation, seeking new distributors throughout the
especially in the twilight state just before United States and Europe. If you are
sleep. Theta waves (4-8 Hz) are emitted interested please contact OPEN MIND
during deep sleep or deep meditation when the ENTERPRISES at 1-800-552-8868.
subcoscious is being tapped. Delta waves (1-4
Hz) occur during deepest sleep and are seldom,
if ever experienced by the conscious mind.
This new Innerquest allows a person to Portions of this article can be found in
"The Ultimate Machine" by Ken Freed
> r "s r
RHAI.l'IY HACKERS
words I can write here are prisoners of the Terence McKenna: Logomagician and phi-
single-dimensional printed line, of the tyran- losopher, is author, with his brother Dennis,
ny of conventional typography." Specific of The Invisible Landscape. In California he
questions can be addressed to him at Auto- is and managing
currently writing, lecturing,
desk, Inc. in Sausalito where he writes soft- Lux Natura, facility which dis-
a publishing
ware systems to permit greater intimacy with tributes his Timewave computer software,
computer appliances (electronic mail code: books, and numerous audio tapes including a
acad !egullich@sun com). talking book, True Hallucinations. In Hawaii
he is secretary-treasurer of Botanical Dimen-
Nick Herbert: One of the original "Dancing sions, a non-profit research facility which cul-
Wu Li Masters," and long time student of the tivates and preserves plants of ethnophar-
Quantum Mechanics of Everyday Life, Nick's macological value.
writing has spanned the whole of Fringe
Science from Nikola Tesla, Bell's Theorem, Alexander T. Shulgin: Affectionately
and the physics of Psi Phenomena, to Houdi- known as "Sasha," Shulgin is one of the fore-
ni, the Metaphase Typewriter, and the sexing most researchers in the area of psychoactive
of quartz crystals. His book Quantum Reali- drugs. A
ready resource and gentle advisor
ty: Beyond the New Physics (Doubleday, for young researchers in ethnopharmacology,
1985) has been translated into six languages. he is also one of the chief authorities on that
His latest book on time travel, Faster Than class of compounds known as "empatho-
Light: Superluminal Loopholes in Physics is gens." His book, The Controlled Substances
just out (New American Library, hardcover, Act (Fall '88), is the definitive manual on the
$18.95). current status of federal drug laws. An ex-
haustive compilation, organized by drug
Michael Hutchison: Michael wrote the name, structure, & code numbers, it includes
book on isolation tank techniques, The Book drugs, solvents, vitamins, foodstuffs, "and
of Floating, which sparked a fascination with even things unrecognized." A must! (383
mechanical mind expansion equipment and pp. Available through mail order from A.T.
methods. His most recent book is the best- Shulgin, 1483 Shulgin Rd., Lafayette, CA
selling Megabrain (Beech Tree Books). 94549. $24.95 plus $1.62 CA tax and $1.60
Mike travels extensively, giving exposure to postage).
these "Nautilus machines for the mind" in his
Megabrain Workshops. Those interested in Peter Stafford: Peter Stafford, P.I. (Psyche-
his workshops or his soon-to-open Brain Re- delics Investigator) and Circuit Rider, co-
search Institute, should contact him at 193 authored LSD: The Problem-Solving Psyche-
Stanford Ave., Mill Valley, Ca. 94941; 381- delic, was advisor on psychedelics for Life
1731. magazine, and authored Psychedelic Baby
Reaches Puberty. Currently rewriting his En-
Timothy Leary: As Cyberdelic Guru of the cyclopedia of Psychedelic Substances (3rd ed.
'80's, he is now computers and soft-
utilizing due from Tarcher Books next spring). He is
ware His Future His-
to effect brain change. also writing two new books: Experiments in
tory Series is enjoying a renaissance through Short Term Memory Loss and Be He Male or
a new release by Falcon Press, who's also Female. He can generally be spotted in Hol-
scheduled to publish his latest Millennium lywood wearing one of his favorite T-shirts:
Madness: The Cyber Society. Tim's software "Everything's Peculiar," "Communist Party
company, Futique Inc., is progressing to- Animal," or "Absolutely NOT BUSH." He will
wards Head Coach. A newly-released anno- accept alms, volunteer project assistance, or
tated bibliography of his work (Shoestring royal patronage. Contact him at: 1625
Press, hardcover, $37.50) should once and Woods Drive, Los Angeles. CA 90069; (213)
for all establish him as MVP (most valuable 650-7512.
philosopher) of the twentieth century! (continued on page 80)
WINTER 7
success rate for technically complex government pro-
reality jects.
go to the kiosk and can't find a single copy of High Reality Hackers,
Frontiers. What I do find is Reality Hackers . . . be- Recently on the Usenix newsnet an accusation
tween Soldier of Fortune and True Detective. Obvious- was leveled at Timothy Leary as being popish and Re-
ly the newsie thinks Reality Hackers is some S & M ality Hackers for being stupid and parasitical. This
sicko mass-murder magazine ... I tell him to check it piece referred to Leary and associates as a "semi-
out, that it doesn't belong there. Next time I come by underground culture" and accused you folks of fool-
it's been moved. It's in with Apartment Life and the ishly thinking that computers are "miracle machines."
real estate guides. He thinks Realty Hackers is a jour- He also referred to you as "junkies" and accused you
nal for real estate sharks and subdividers. Are you of having too much fun..
guys having an identity crisis or just fucking with my I fail to perceive anything "underground" about
heads? Leary these days. Leary's commentaries on social,
Quizzically, technical, and political issues have recently appeared
Eddie Esposito in such mainstream publications as Rolling Stone, Atlan-
NYC tic Monthly, and the LA Times.
Computers aren't miracle machines? Webster's
Reality Hackers: defines a miracle as: "an extremely outstanding or un-
Artificial Reality Technology by Leary and Gul- usual event, thing, or accomplishment." Today, my
lichsen in Issue 5 makes me question the motives of personal computer permits me to interactively view re-
the esteemed authors. alistic 3-D scenes, efficiently communicate around the
The article brings up the issue of devices, some- globe, rapidly explore mathematical hypotheses, and
times known as waldos (Heinlein), battle armor (Hein- store, search, and organize vast amounts of diverse in-
lein and Haldeman), telefactoring units (Zelazny), or formation. Continuing growth in processor speeds
full body prosthetic appliances (medical science). make sensory-encompassing interfaces seem an inevit-
Humans need not be sent into the vacuum of able next step. Where else to put the user, who is to-
space or the eye of the battlefield, except virtually. day in direct control of the internal processing of the
page 26, issue 5 of RH. machine, than "through the looking glass."
While the major emphasis in fiction has been the Finally, as a recent advertisement for RH pro-
military use of such devices, and the major funding for claims, Reality Hackers are bringing together forces to
biocybernetics (man/machine interfacing) comes from create a future of abundance, individual freedom, crea-
Defense Advanced Research Projects Agency (DARPA), tivity, and novelty. As one who believes in this goal, I
the warping of such technology to military ends support and applaud this effort.
8 REALITY HACKERS
Is your life extension program really
working?
A glaring shortcoming in almost all of the popular life
"This is a greatly needed book which will be of particular value to individuals wishing to make
practical use of available life extension technology."
Roy L Walford, MD, Professor of Pathology, UCLA and author of Maximum Life Span:
"This book is an absolute must for anyone on a life extension program. ..the most pertinent life
Live Long and Well audiotape by Dr. Ron Klatz, The Center for Bio-Gerontology
President of the American Longevity Research P.O. Box 7837
Institute, contributor to The Life Extension Weight Thousand Oaks, CA 91359
Loss Program, and co-author of The E Factor. (805) 529-6665
[
magine a world made of plicated in an infinite num-
I music instead of solid ber of ways corresponding
objects. fringe science to the infinite number of
The essence of music- waveform families that ex-
world is vibration. There is B Nick Herbert ist. For instance, a proper
nothing in this world that combination of triangle
isn't vibrating, buzzing, ringing, clanging, self- waves could produce the sound "music" complete
possessed by its own rhythm. Taken together, these with all the subtle intonations peculiar to your own
numerous rhythms sometimes harmonize, sometimes vocal tract. Music synthesizers work on this principle,
clash, but never does the clamor cease. Since it is the commonly using either impulse waves or sine waves
very substance of the world, as long as the world ex- to duplicate the sounds of various musical instruments
ists so does the rhythm. The music goes on forever. and to create entirely new sounds.
The science of music-world is not tinker-toy me- Performing the synthesis operation in reverse, any
chanics but a science of vibration, a deep appreciation wave may be analyzed, broken down into elementary
of the ways that waves work. The first chapter in the waveforms belonging to any one of the various wave-
book of undulatory wisdom is a catalog of basic wave- form families. Here is the most important difference
the wave scientist can find the waves unique pieces. But a wave has no
produced by organ, cello, cymbals, parts it can be broken apart in an
piano, saxophone, tuba, violin, infinity of different ways, corre-
drums, human voice, and hundreds sponding to the infinite number of
of other musical instruments. Waves waveform families one might choose
created by electronic circuitry are as a basis for waveform analysis.
sounding C-sharp is a member of the piano-wave fam- The Exxons, for instance, can determine the sine-wave
ily. The other family members are the other notes that content of this new world. Because it is made of
the piano is capable of putting out. In principle, the waves, not things, music-world obligingly responds to
piano-wave family, and all others contain an infinite the Exxons' probings by breaking up into any wave-
number of members, one wave for each possible fre- forms they happen to choose. Each of these ways of
quency of vibration. probing music-world is valid, but each represents only
Chapter two in the Big Book of Waves describes a partial truth. Even if they could hear the music di-
how waves come together to make new waves. The rectly, the Exxons would miss much of music world's
most important tool for building waves from one an- import, for hearing, itself, is only one particular kind
other is called the "synthesizer theorem" which states of spectrum analysis. Because it is made of waves,
that any waveform whatsoever can be synthesized by not things, music-world is simply richer than any one
putting together (in the proper proportions) members description can encompass.
of any one of the waveform families. If you are reading this column hoping to discover
As a simple example of the synthesizer theorem, some new outlaw edge, as the title Fringe Science
imagine speaking the word "music." Your speech act suggests, then you are in for a surprise. What I have
produces a particualar waveform in the air, a com- fancifully called "music-world" is just our own world
plex, transient pattern of sonic vibrations. The synthe- as described by quantum physics, more than sixty
sizer theorem says that this sound can be exactly du- years old, the mainline, hardcore, establishment
10 REALITY HACKERS
science, the basis for computer chips, lasers and much way of splitting up the world's waviness into compo-
of today's matter-of-fact technology. nent waveforms. The quantum world, in the manner
Our world is made of atoms, but as quantum pio- of all worlds made of waves, obligingly splits apart
neer Werner Heisenberg put it, "Atoms are not things." any way we slice it this is what physicists call the
Atoms are, in essence, a certain kind of wave, cease- "observer-created reality" feature of the quantum
lessly vibrating, extended disembodied oscillations, in- world. What we see is partly a function of how we
dividual notes in the music-world symphony we all choose to look, or how we choose to fracture the
atomic music, but we can probe this world with a few instance, we have chosen to measure "position."
spectral analyzers. One of the most peculiar features Hence we see the world as a fixed pattern of localized
of quantum physics is that every physical attribute - events. If we break the world into sine waves, we
position, momentum and rotation, for example cor- have chosen to measure "momentum" and see the
responds uniquely to a particular waveform family. world as a pattern of rapid movement. Because it's
Thismeans that when a physicist makes a position made of waves, the quantum world can be constmed
measurement on the quantum music-world, he is, in in an infinity of ways. Unlike the Exxons, Homo Sapi-
effect, spectrally analyzing that world into the wave- ens' choice of spectrum analyzers for the quantum
forms that correspond to the position attribute which music-world is severely limited, consisting of our ordi-
happens to be the "impulse wave." Measuring an nary senses and their technical extensions.
atom's momentum attribute corresponds to analyzing The quantum physics
gist of our mainstream
the atom's music into sine waves; measuring the scientific wisdom
is that we live in a world made of
atom's rotation corresponds to breaking up its music music. The ancients were right. Not only the world
into waveforms called "spherical harmonics." but our own bodies are made of this quantum music.
Whenever we make a measurement on music- and probably our minds as well. Matter is made of it.
world, we are not quite measuring what's inherently more basic than lite itself, the music in your ears is the
there but are looking at the results of one particular music of the spheres.
WINTER 11
CanKathmandu an old tripper,
Class of
Koh is
this is
It is February 1988, and
not a vacation. This
Koh Samui beaches. This place feels
very right. Bo Phut is mel-
isan assignment. Real low and unspoiled and
Work. Check out Southeast deep as only Asia can be.
Asia. Clad in full safari drag, courtesy of the Banana becoming clear that Thailand itself is in full
It is
Republic, corseted with hidden money belts, and fes- flower. The rumors were true. A golden moment shim-
tooned with camera gear, I make a comic apparition. mers and shudders like a soap bubble whose delicate
"Our Man in Nirvana" the editors at Trips magazine beauty is always about to dissolve. The basic concern
have styled me. My expectations flicker like the lights of the Thais seems to be to have a good time. There is
of Bangkok beneath me. Editors operate on the Im- a real exuberance in the food, the culture, and the
pact Theory of Travel Journalism: Shoot the writer at people a sort of tropical Japan with a Latin beat.
the target and pick up the pieces. The larger waterfall is Na Muang. It is a ki-
called
The seatbelt sign comes on, the flaps go down. I lometer's walk off the main road to Lamai, a crowded
brace myself for the descent. Clutching my APA guide- party beach. Butterflies settleon the wet sand at the
book like a talisman, I get jostled through Customs base of the falls and rise upward in a startled variegat-
and disgorged into the sultry Bangkok night. And now ed cloud. Later we hitch a ride back to Na Thon, the
I remember the smell of Asia, smell of dust, diesel port and largest town on Samui. Na Thon teems with
fuel, human sweat . . . and something else. Is it ganja the low-budget international tourist set. There are very
or air pollution? It is I realize with delicious shock few Americans on the road in Asia. We seem to have
adventure. abandoned it to the ubiquitous Germans and the
Koh Samui . . . accounts differ. Is it a burnt-out French.
scene, now abandoned to European sex freaks? Or has Everything goes on in Koh Samui as if in a dream.
the scene moved on to other beaches, other islands, All the pleasures of the flesh are taken for granted.
leaving Nirvana to itself and to me? On the morning Thais seem naturally modest and at ease. Excesses,
flight to Surat Thani I mull the questions over in my though not flaunted, are no cause for comment. I
mind. I am braced for adversity, fended against disap- make my first serious visit to the beach and find the
pointment, but even Bangkok seems wonderful to one water a milky turquoise, the level of beach nudity
so long away from Asia. Hey, this is beginning to feel high, and the vibes thick. No question about it, this is
like fun. lotus-eater land. Name your pleasure and you will find
I have found the world in Koh Samui. By yester- it at hand.
day afternoon the mist-filled valleys and rugged Several of the local hotels have signs posted with
heights were jutting out of the Gulf of Thailand ahead messages on the theme, "Yes, we have Magic Mush-
of me. I chose my destination with an eye to avoiding room" and "Today Yes Mushrooms Today." The door-
German tourists. Fate, nevertheless, dished me up a way to the psilocybin spaces shimmers and opens on
truck-taxi filled with them. "Chaweng, Chaweng," they Koh Samui. Hard not to be won over.
intoned gutterally. I was dumped out at Bo Phut At Chaweng and Lamai beaches the sound of dis-
beach. The bungalows were of brick and teak. The tant rock & roll fills the air at night and there always
people seemed friendly so I settled in. Four minutes seems to be a party going on in the next coconut
later I had scored some ganja and embraced the place. grove. That side of the island swarms with libidinal
The beach sweeps away in a white coral curve in both energy; the meeting of tropical softness with the
directions. Across the water, forty minutes away, is slightly frantic juices of the mostly youthful travelers.
Koh Phangan, equally beautiful, still more remote. Chaweng beach has ocean surf and seems an endless
12 REALITY HACKERS
succession of beach clubs and
bungalows fronted by nearly nude
sun-bathers. For contemplative
types there are other options: Mea-
nam and Bophut are restful places,
pristine and apart.
In Na Thon, I see handmade
signs offering a six-year lease on a
working restau-
rant of twelve
beachfront acres
for an amount of
money that I dare
not report for fear
of causing mass
migrations. For
cheap one could
become the mas-
ter of a self-
sustaining settle-
ment in Paradise.
Every Chaw-
eng restaurant
worth its reputa-
tion offers movies
each night on
VCR. These are
usually ripened
American action
pictures. Pursuing
elusive drugs,
plants, women, or
contraband
sculpture might
be good strategies
for adventure. But
it would seem
somehow forced
under the circum-
stances. I doubt if
Dr. Hunter
Thompson him-
self could
squeeze much
horror out of this.
Mellow has
seized the high
ground on Koh
Photosynthesis
Samui. Photo by Faustin Bray/Sound
World Bunga-
lows at Bophut Beach, at six dollars a night, remains a head. Yes, she replies,
favorite. There are more comfortable upscale digs but she had gotten it only
then one crosses the line between traveler and tourist hours before in Na Thon.
and becomes anathema to really interesting people. She remarks on the tradi-
Pursuing the latter, I compliment a young Italiana on tional Thai skill in tattoo-
her dragon tattoo edging thighward. I ask if she had ing and instantly I feel
got it in Asia. Suddenly adventure raises its goatish the hot breath of excess
(continued on page 96)
|OCYBE
**SSONH*
One of the most
teresting areas
in-
in
ones who had
over twenty years. By using
meditated for
Long Term Potentiation requires a specific type of vestigating the use of the theta state for accelerated
neural firing consisting of a voltage change in the neu- learning. Bidzinski said "Theta, the twilight state, is
rons in the hippocampus. Then, a specific neuro- where a lot of learning gets done very quickly; where
transmitter, such as glutamate, must shoot into the re- you can get lots of information into the brain in a short
ceptor site of different neurons. The first part is like period of time." In other words, theta is an ideal state
cocking the trigger of a gun and the second part, like for learning.What you learn there becomes a part of
firing it. your long-term memory.
In recent months, Lynch ^^^ ^^^^ The Twilight Learning Device
and associates have been using is a very advanced biofeedback
Direct Electrical Stimulation of An excited Dr. Lynch tool that uses an EEG to meas-
the brain to generate LTP.
proclaimed , "We have ure brain wave activity. The
They've found that LTP is par- EEG is hooked up to a series of
ticularly effective when a sec- found the magic rhythm, tape recorders with audio head-
ond electrical stimulation, or the theta rhythm.... phones for monitors. When your
pulse, follows the first, or pri- brain begins to produce suffi-
mary pulse, by two hundred endogenous
the natural cient quantities of theta, and
milliseconds. The effect inten- rhythm of the hippocampus" only then, a tape plays the infor-
sifies when ten pairs of these mation you wish to learn. If
ly falling asleep. However, people can train themselves phisticated electronic console that controls an array of
to remain there. Research shows that long-term medi- computers, electronic synthesizers, power amplifiers,
tators are able to produce large quantities of theta and graphic displays.
waves. As music plays from all sides, sensors monitor vibra-
A study of Zen monks showed that in their medita- tional frequencies the body accepts or rejects by decod-
tive state, brainwave activity slowed down from beta ing energies given off by tensed or relaxed muscles.
into alpha, and then from alpha The most
into theta. The computer then calculates the data and reprograms
interesting discovery was that the monks who entered its field processor to intensify and enhance the various
theta the quickest, and with the greatest ease, were the musical densities (frequency, phasing, equalization,
14 REALITY HACKERS
equalization, and acoustical amplitude)
optimal resonances for the user.
that produce
MEGABRAIN
As you relax, the music's tonal quality changes. [NEW TOOLS FOR BRAIN GROWTH
you can hear yourself. You hear your
So, in essence,
AND MIND EXPANSION]
physical and mental states in tandem with the music
Experience consciousness-altering, intelligence-
you feel resonating in your body. boosting devices neuroscientists are calling "Nautilus
Although Genesis is currently being marketed to machines for the brain."
the corporate audience as a stress reduction device In a MEGABRAIN WORKSHOP you will have the
(It's quite expensive around $50,000 - $60,000), my opportunity to explore the effects of a variety of
sense is that it offers more interesting possibilities than brain-stimulating tools that have shown evidence of
producing dramatic increases in memory, intelligence,
simple stress reduction. I'll be experimenting with sensory acuity, creativity and receptivity to new
Genesis in depth over the next few months and will information. Neuroscientists have found that the
on my experiences.
issue a first-hand report Megabrain devices rapidly create the high-coherence,
peak efficiency mental states produced more slowly
I've of time at the Monroe Insti-
spent quite a bit
and less reliably by traditional techniques such as
tute where I went through their Gateway Experience meditation and yoga.
program. They've recently developed a special week- Among the "turbochargers for the mind" you may
long training session called H-Plus, or Human Plus, for experience first-hand:
people who have completed the introductory Gateway. - THE GRAHAM POTENTIALIZER revolves the user
through an electromasgnetic field, producing
This incorporates some of Bob Monroe's new research
meditative states, and "streamlining" neural activity by
into tapping higher human powers. I'm going to be increasing the Neural Efficiency Quotient.
there in October for the session and I'll write about THE MIND MIRROR provides the user with a
full-spectrum real-time image of the brainwave
,
that, too.
activity of both hemispheres and assists in producing
I'm also involved with a group that's opening the states of heightened awareness.
Brain Technology Research Institute in San Francisco. THE ALPHA STTM, a transcranial electrostimulator that
This non-profit facility is dedicated to conducting re- a recent study proved dramatically increased human
learning abilities and concentration.
search on the effects of various mind machines and HEMI SYNC delivers precisely tuned sound waves of
technology on brain functioning. We plan to gather differing frequencies to separate ears, increasing neural
objective data on these Megabrain devices. Manufac- organization and mental acuity and producing altered
states of consciousness.
turers have made a lot of claims; we want to separate
THE DAVID I - A sound and light device that
hard evidence from speculation, to determine what synchronizes brain wave activity and induces altered
really works and in what combinations. Hopefully, and enhanced states of consciousness.
the Institute will be open by early '89. Other devies include TRANQUILITE, which produces
an audio-visual "blank out" state and has been called a
"portable floating tank"; HYPNO-PEREPHERAL
PROCESSING, THE ALPHA-PACER, THE PULSED
ELECTROMAGNETIC FIELD GENERATOR and many
more.
To learn more about these and other devices, read
MEGABRAIN: NEW TOOLS AND TECHNIQUES FOR
BRAIN GROWTH AND MIND EXPANSION by Machale
Hutchison, a writer described by THE NEW
ORKER as
"out on the cutting edge" and by Dr. John Lilly as
"superb" (available in Ballantine paperback at your
Rare books and artifacts relating to local bookstore for $4.95, or add $1.00 for postage and
psychoactive drugs and send check or money order to the address below.)
'60s Counterculture
FOR INFORMATION about the dates and locations of
MEGABRAIN WORKSHOPS, and to learn more about
how you may purchase Megabrain devices, write or
Skyline Books call:
MEGABRAIN, INC.
Counterculture, Beat & Drug Literature 193 Stanford Ave.
Mill Valley, CA 94941
(415) 381-1731
387 Pine Hill Rd.
Mill Valley, CA 94941
415/381-5020
Please send for free catalog.
WINTER 15
psychedelic the members of the House
a soiree to benefit psychedelic scenarios of Representatives and 60%
the Albert Hofmann of the Supreme Court judg-
Memorial Library was re- es will have been Bob
cently staged at Holly- By Bruce Eisner & Peter Stafford Dylan fans. He declared,
wood's John Anson Ford "The fun has hardly begun!"
Theater. Over two hundred psychedelic cognoscenti, Janiger promises the library will be open by year's
at $50 a plate, milled and mingled about on the stage. end and other benefits are in the works. If you would
They were later joined by an additional 1500 persons like to donate money, psychedelic memorabilia, or ex-
for a presentation called "Beyond the Doors of Per- hibits or just want more information, write The Albert
ception." Hofmann Foundation, 1328 Westwood Blvd. Suite 36,
Dr. Oscar Janiger, the psychiatrist noted for turn- CA 90024. Its phone number in LA. is
Los Angeles,
ing on a bevy of celebrities and artists, compared the (213) 470-1624.
library to a time capsule, or fossil record, which will MDMA is in Schedule I The seesaw battle
again.
contain books and memorabilia of the half century over MDMA's legal status may have ended in Febru-
since Hofmann made his for- ary, with the DEA administra-
tuitous discovery of LSD. The ^^" ^""" tor again placing it into the
library will also house a psy- most severe category in the
wasn't fired. I didn't have a job there. I was a grad found this unconstitutional because, at that time, the
student. Subsequently, I changed my story because I DEA didn't have the authority.
realized it was much more interesting if I said I was At the conclusion of the hearings, the DEA's own
fired ..." judge recommended more benign
placing it in the
Richard Alpert (introduced by MC Paul Krassner as Schedule III. DEA Administrator John Lawn simply ig-
"Just Plain Ram Dass") gave a progress report on his nored the recommendation and whacked it back into
well-documented journey, promising another such re- Schedule I.
port ten years hence. He began by clearing up his The researchers led by Lester Grinspoon, M.D.
drug-taking status. "People are always asking me, of Harvard successfully appealed. The First Circuit
Well, you have stopped using drugs, haven't you?'" Court ruled that it should be taken off Schedule I and
He responded, "No, I take LSD about every two years reconsidered by the DEA. It did not take long for the
to find out what I forgot and to have faith in who we DEA to "reconsider" and put it back in Schedule I. At
are." He would have remained a middle-
said that he this point, those who have opposed the scheduling
class neurotic if not for Timothy Leary and the experi- are ready to give up. "When you're defanging a bear
ences that propelled him on his well-chronicled jour- one tooth at a time, you still got a problem," said a
ney. "As long as I live, I will be growing into what noted chemist and researcher.
happened to me on my first psychedelic experience." One diehard who is still hoping to get research
Timothy Leary paid homage to seminal brain ex- going again is Rick Doblin of Cambridge, Massuchu-
plorers and predicted that in ten years, 1998 75% of setts. His organization, MAPS, has conducted animal
16 REALITY HACKERS
research to examine the charges of possible neurotox-
lodged against MDMA. His conclusions are con-
r
icity
REDISCOVER ANCIENTTRADITIONS
tained in a report titled "Risk Assessment: The FDA NIGHTBLOOMERS & ROSETTA PRESENTS
and MDMA Research." (The report appears as an ap- A FASCINATING COLLECTION OF BOOKS
pendix in Bruce's book, Ecstasy: The MDMA Story & OBSCURE ARTICLES RELATING TO:
from Ronin Publishers in Berkeley, CA.) SHAMANISM, FOLKHEALING &
The non-medical use of MDMA has not stopped
with its scheduling and continues at a very significant
HALLUCINOGENS
rate in the United States while, at the same time,
MDMA has a great, but undeveloped, therapeutic po-
tential. If it can be demonstrated that MDMA-induced
neurotoxicity is temporary, and that there is a no-effect
level around the human dose level, the risk of using
MDMA infrequently in research seems very minimal.
Even if neurotoxicity does occur, there are presently
no behavioral orfunctional effects that have been
associated with it. Once careful risk/benefit analyses
can be conducted, rational decisions can be made
concerning future research. If the data comes in as WEAR THE ABOVE, CLASSIC CHAVIN MOTIF
Regular or Ex. Large, Radiant Blue Screen Print On Dark
preliminary indications suggest, there can be hope
Cotton TEE-SHIRT. $12, OR Display A Quality 9"x12"
that the FDA will permit direct MDMA research in hu- Print of the Above Motif, Matt Mounted $10.
mans to begin. Both the above include: Fascinating Literature
Those of you who are interested in donating time or Free Postage & Product Listing. $1/catalog only.
MAKE CHECK OR MONEY ORDER PAYABLE TO: ROSETTA
spinal fluid to Rick's studies can contact him at: (617)
P.O. BOX 4611 BERKELEY, CA 94704-0611
547-7271.
WINTER 17
INTERVIEW
WITH
ADRIAN BELEW
you just orchestrate it with all these tools. I look at of how my guitar playing is different. A lot of things
synthesizers and flangers and guitar effects as paint. Ido with the guitar are rhythm-oriented, and the rest
They're like little colors on your palette and hopefully of them are sound-oriented. I've pushed the guitar
you can use them judiciously. into other areas out of a consistent program of say-
ing, "I won't sound like someone else." It's just
but
I
it
also enjoy
thrills
I forced
sound
on
making a
me no end when
myself.
that the biggest joy for
like
guitar
My
all
lucky break
of a sudden
came
like a guitar,
I find a
that you have a prop department. These guys are new sound and it breaks open a whole new area.
just waiting for you to say something like "Build me a Have you been able to achieve a direct mind-to-
rubberneck guitar!" And they run off and build one! guitar-link at times?
It's incredible. If I had more time, there's no telling There are periods where you feel like you are trans-
what we'd have come up with! It didn't work as a gui- cending and you might even get lost in what you're
tar. In fact, they kept having to re-pour the rubber doing. I have that happen in songwriting, as well,
mold to find a consistancy that worked at all. They and those are usually the most incredible moments.
had to do three of them before they finally got limber It's very hard to bring that out because in our society
enough. But you couldn't play. I was faking it. It was you're just pounded to death with so much informa-
prerecorded. It did look pretty good, didn't it? tion and stuff. I tend to tighten up all the time, so
I'm always working to loosen up. I'm always stretch-
ing my body and I'm always trying to loosen my
mind up and let that stuff pour out more. It's hard to
You've pushed the guitar into new territory, like do
Hendrix. And you've been very influential. How
did your playing evolve?
From the time I was a child, age four I think, I used to
sing all the time. People would put money in the juke-
box; I would sing along with the records. I was kind
t aurie Anderson
whatever want. Usually she would say something
I
dolet me have a lot of room to
of an extroverted little child. That's how it began. like "Try to make it sound sorta like a chicken chasing
That fueled the next step, which was actually just hav- a steam roller." And I'd come up with something.
ing a passion for music itself, listening to it all the
time, being overwhelmed by it, and getting that real Do you use physical and mental exercises?
20 REALITY HACKERS
* *
Yes. I do some yoga exercises. I do some Tai Chi. I do you can turn them around backwards. It's simply an-
some meditation. Mainly, I do a lot of thinking. I bet I other tool.
think more music than I actually play.
W
course,
hat's
we
my opinion about sampling? Well, of
artists don't get paid when someone
Have you considered doing music for film?
Ialways think in cinematic terms when I'm doing mu-
sic. I try to produce, mix and write music in that way.
WINTER 21
Visual Music Instruments &
CHAOS
CHAOS THEORY HAS GIVEN
BIRTH TO VISUAL MUSICAL
INSTRUMENTS. RALPH ABRAHAM
TRACES THE GENESIS OF
THE MIMI PROJECT
By Ralph Abraham
was 1973.
During this six-year walkabout, I moved from
Princeton to the University of California at Santa Cruz
(UCSC), toured spiritual groups and techniques, saw
my family expand and contract, took leave to explore
Europe Hippie style, searched the Himalayan foothills own experiences, repeated during regular inward jour-
for traditional knowledge, trekked to the borders of neys over the six years, provided further teachings on
Tibet. In Santa Cruz there were rock concerts with the vibration model for mind and consciousness. My
light shows. In Amsterdam there were esoteric books study of Indian music furthered my understanding of
and video artists, and floors to sleep on. In India the wave metaphor, which is basic to the Samkya phi-
there were yogis, gurus, classical North Indian music losophy.
teachers, Sanskrit texts in English translation, and Dynamical systems theory, including catastrophes
caves to sleep in. and chaos, provides a mathematical framework for the
Reentry was difficult. After a cooling-off period in elaboration of the vibration model. Indeed, this elabo-
Tahoe, supported by mathematics applied to black- ration was already underway in the work of Thorn. In
jack*, I returned to my post at the University of Cali- fact, Christopher Zeeman described his own explicit
fornia in January, 1974. I tried to integrate what I had model memory, based on catastrophe theory and
for
gained from my journey with my work as a professor. excitable media, to me in Amsterdam, shortly before I
I gave seminars in vibrations, combining the Vedic flew to India. However, it was Jenny's work, provid-
concepts with European mathematics. My goal, in- ing visual representation of the basic concepts and
spired more by desperate need to communicate than phenomena, which seemed to me to have the greatest
the ideals of Boddhisatva or Toynbee, was to share potential for furthering our understanding of human
the essential visual aspect of the vibratory fields I had consciousness.
seen in my travels. The whole experience of the
Logos could not be shared, but perhaps a visual
representation would excite the full field in the
The idea was a
viewer's mind through morphic resonance.
The underlying idea was a vibration analogy for vibration analogy for mind,
mind, brain, and human behavior. At present, similar
and human behavior. At present,
brain,
ideas have become widespread and familiar, in the
form of neural nets, excitable media, cellular automa- similiar ideas have become widespread...
ta, and complex dynamical systems. But at the time,
neural nets, excitable media, cellular
they belonged to the fringe. Further, the edge of the
chaos revolution wave had just arrived at the shores of automata, and complex
the physical sciences. Some students, still under the dynamical systems.
influence of the lost Sixties, were attracted. Together,
we began the macroscope project.
stitut des Hautes Etudes Scientifiques near Paris, the reproduced Hans Jenny's kymatic device in my lab.
French equivalent of our Institute for Advanced Study. Our device was larger and less precise than Jenny's.
This is the home institution of Rene Thorn, who in- We used a four-inch dish for the water/glycerol solu-
vented catastrophe theory in 1966, and David Ruelle, tion, four-inch telescope mirrors loaned by Lick Obser-
who brought chaos theory to the attention of physi- vatory, and a color Schlieren filter developed by Gary
cists in 1973. Thorn showed me Hans Jenny's book, Settles. An analog electronic tone synthesizer was
Kymatics . I was immediately struck with a feeling of built especially for the device, and an industrial xenon
urgent importance. I called Jenny in Basel to arrange arc lamp provided the illumination. When finished, I
a meeting. Soon I was at Jenny's home, where he aligned the optics, approximating by eye, turned
showed me slides and films of his work, and shared everything on, and glanced at the screen. I was asto-
his ideas on the significance of vibrations and Chladni nished to see a perfect Jenny-style Chladni pattern, in
patterns in human physiology. He was a follower of full color. The experience overwhelmed me, and I re
Rudolph Steiner.
WINTER 23
experience with Indian music, Samkya vibration theo-
ry, Thorn's catastrophe theory, and the light shows of
the Sixties. Math, music, mysticism all are one!
Subsequently, we made systematic use of the in-
strument (with the tone generator, not my master's
voice) to study the bifurcations of chaotic motions of
vibrating waves until 1979. A video describing the in-
tached a micro-
phone to the am-
plifier that
vibrates fluid in
dimensional me- MARY DESIREE WALLER. Here she demonstrates her method, an extension of Jenny's work, for tele-
vision. The sand pattern is formed on a square plate, under the
action of a vibration maintained by dry
dia. It connected,
ice. Reproduced from Mary Waller (1961), Plate 2.
all at once, my
24 REALITY HACKERS
funded project to develop a massive teaching system
Box 1 : THE HISTORY OF VISUAL MUSIC
for beginning math courses, called VISMATH. It end-
Visual music is a traditional art medium, with an exten-
ed in 1982. sive (if little known) history. It probably played a basic role in
Part of our VISMATH program was an annual film the arts and rituals of the cave cultures of the European epi-
paleolithic, and the early civilizations of the Anatolian neolith-
show, at which almost all computer graphics films on
ic. Cave sanctuaries, rituals of Minoan Crete, and the deriv-
mathematics were shown. Each year it was longer,
ative mystery schools of Ancient Greece may have
and eventually multiple shows were necessary. As continued this artistic tradition, along with its mystical relig-
ious associations. Father Castel's Paris performances of
film artist John Whitney and his family, co-workers,
color music created with candlelight and cloths were famous
and followers were using mathematics in their works, in the eighteenth century.
we added a number of art films to the programs. In In recent times, visual music reappeared in the Theo-
this way we became familiar with the visual music me- sophical Revival at the turn of this century. Aleksandr Scria-
bin intendedPrometheus: The Poem of Fire (1910) to be ac-
dium, as used by frame-by-frame film animators. We companied by a light show. (By the way, begins in chaos.) it
also got to see Tom BanchofPs great classic of mathe- Alexander Wallace Rimington performed live color music in
matical animation, Hypercube, and Nelson Max's all- London at about this time. Claude Bragdon and Thomas
Wilfred in New York created keyboard instruments for live
time great Inversion Of The Sphere, and to meet their
performance of color music in the 1920's. In the same peri-
authors. In these two films, in particular, I recognized od, Arnaldo Ginna and Bruno Corra in Italy, and Oskar Fis-
actual images from my own inner experiences during chinger in Germany, laboriously made color music composi-
tions in the form of animated films. In 1936 Fischinger
my walkabout. Some were so accurate that a prior ex-
moved to California, where he continued his work, influenc-
perience in 1969 might almost have been a precogni- ing John Whitney and other major groups of color music film
tion of sitting in the film show in the UCSC auditorium artists in America.
in 1975. Patiently, I waited for computer graphic The live performance of color music survived in the
work of Mary Hallock Greenewalt in Philadelphia in the
hardware to evolve the capability to create and manip-
1940's (she invented the rheostat for her organ), Charles
ulate these images in real-time, so that I could use it to Dockum in New York and California in the 1950's, and of
share my own inner visual experiences with other course in the Hippie culture of the 1960's.
Further, because of the recent evolution of the MIDI used in the Fairlight CVI. However in MIMI, the oper-
standard for interconnection of digital musical instru- ation on a real picture would be defined mathemati-
ments, a digital video-based visual musical instrument cally, through the algorithms of dynamical systems
could be playable, via keyboard, guitar, flute, violin, or theory. Among these algorithms are the cellular au-
even voice. tomata invented by Von Neumann to simulate the hu-
In 1983, people began inviting me to speak at" man brain, cellular dynamata based on the heat and
non-mathematical events. My path along the New Age wave equations of mathematical physics, neural nets,
campsites eventually led to a stage in Hollywood, excitable media, turbulent fluids, and so on.
where I proposed a design for a Mathematically Illu- For example, with no keys pressed, we might be
WINTER 25
puter, and is available to the performer. Finally, the
B6x 2: THE HISTORY OF ACOUSTICS dynamic image process (a mathematical rule followed
The glass harmonica was invented by Benjamin Frank-
by the digital video processor) may have parameters
lin in Paris in 1761. It was popular until about 1800, and
harmonicas. In connection with this work, he developed the time performance. This may provide a new level of
technique (now called Kymatics) of sprinkling sand or pow- performance for reality hackers of the future.
der on glass plates, and bowing them with a cello bow. The
sand would move to a filigree of ridges, like ridges of sand
The first protrotype MIMI is now under constmc-
dunes, now called the Chladni Nodal Lines. The regions tion at UCSC, under a contract from Pacific Shift, a
between the nodal lines, called Antinodes, are responsible high-tech studio in Santa Fe, NM. It consists of a MIDI
for the sound produced by the vibrating glass plate, its
keyboard and sound synthesizer, a personal computer
pitch, timbre, and so on. Chladni searched for designs that
would have a specified timbre, like the electronic synthesiz- with MIDI interface, a real-time digital-video image
er programmer of today. His first report of this research processor, and a rack of analog video studio gear. All
was published in 1 787. In addition to pursuing his acoustic
this has cost about $100,000 so far, but prices are rap-
researches at home in Wittenberg, Chladni travelled exten-
sively around Europe giving performances and demonstra- idly falling for most of the components.
tions of music and sand figures. In 1800, he arrived in Par-
is and made a presentation to the Academy of Science, at ACKNOWLEDGMENTS. In Paris, Harold Rosenberg and the
the invitation of Laplace. Chladni had a private audience Institut des Hautes Etudes (especially the director, Nicolas Kuiper)
with Napoleon, which resulted in a prize competition in were very supportive. In Amsterdam, Simon Vinkenoog, Judith
1809 a mathematical explanation o< the nodal lines. Na-
for Schavrien, Thatcher Clarke, Bill Levi, Jack Moore, and the Matema-
poleon's prize was won in 1815 by Sophie Germain, one of tisches Instituutwere most helpful. In Uttar Pradesh, Neem Karoli
the first great woman mathematicians. As women were Baba and many Pahari people were very generous. My reentry in
prohibited from attending univeristy classes at that time, Santa Cruz was facilitated by Terence McKenna, Ray Gwyn Smith,
she obtained her mathematical training by impersonating a the Batish family, and the Abraham clan. It is a pleasure to ac-
truant male student, Lucien Leblanc, at the Ecole Polytech- knowledge the support of the University of California and the assis-
nique in Paris. Her prize paper founded the branch of tance of my students over the years in the macroscope project (esp.
mathematics, now known as Continuum Mechanics, the Paul Kramerson) and the Visual Mathematics Project (esp. Peter
basis for the modern science of acoustics and mathemati- Broadwell), and the support of Pacific Shift for the MIMI project.
cal theory of nonlinear vibration. Bill Moritz generously shared his rare knowledge of the history of
Chladni's experimental work has been repeated and visual music. am very grateful to all of these people and institu-
I
extended regularly over two centuries, most notably by tions for their kind support through these many years and changes.
Mary Waller (London, 1961), and by Hans Jenny (Basel, Thanks are also due to Hillevi Wyman and Rebekah Levi for their
1972). comments on the manuscript.
BIBLIOGRAPHY
Ralph Abraham, Vibrations and the Realization of Form, in:
watching an ordinary video of a dancer or surfer. Earich Jantsch and Conrad Waddington, (eds.), Evolution In The Hu-
When pressing a key and holdingdown, we get a it man World. Addison-Wesley, Reading, MA, 1976, pp. 134-149.
the freeze-frame image. In the case of an image pro- James Crutchheld, Video Feedback, video cassette, Aerial Press,
Santa Cruz, CA 1987.
cessing algorithm based on the heat equation, the pic-
Sigalia C. Dostrovsky, Ernst Florenz Friedrick Chladni, in:
key, the grey would fade back into the ordinary reality William Moritz, Abstract Film and Color Music, in: Maurice
Tuchman, ed., The Spiritual In Art: Abstract Painting 1890-1985,
of the moving surfer. Similarly, there are different
Abbeville, New York, NY. 1986: pp. 297-311.
ways to interpret a MIMI interval. Two keys pressed Gary Settles, The Amateur Scientist, in: Scientific American,
at once could initiate a combined effect, which may May 1971.
be totally unrelated to the individual effects pro- Mary D. Waller, Cbladni figures; A Study In Symmetry, Bell,
London, 1961.
grammed to follow each of the two keys singly. The
program attaching a dynamic image process to a key
(or combination of keys) ains in a personal microcom-
26 Rl'MlTY HACKKRS
The Distortion of
Music
By Dr. Alexander T. Shulgin
of DMT
(N,N-dimethyltryptamine),
decrease in would put such a poor recording on
the simplestand best studied of the the radio." The subjective decrease
group and a component of toad ven frequency of in the frequency of sounds is a fixed
om and several South American value rather than proportional, which
snuffs. DMT, like its close allies sounds is a fixed leads to jarring distortions of har-
DET (N,N-diethyltryptamine) and
DPT (N,N-dipropyltryptamine), is in-
value which leads monic intervals. Subjects vary in the
degree to which this auditory phe-
active when taken orally: it must be to jarring nomenon occurs, but there is a con-
absorbed parenterally [outside the sistently complete return to normal
intestine]. A well-known exception distortion of perception coincident with the disap-
is psilocin (4-hydroxy-N, N-
pearance of the other symptoms de-
dimethyltryptamine) and its phos- harmonic scribed. Subjects report little or no
phate ester, psilocybin the major intervals. euphoria and are curiously neutral
active components of Mexico's mag- when asked whether the experience
ic mushrooms
which are orally was unpleasant or pleasant. A single
active. These drugs are noted facili- i^^^ ^" trial conducted at 80 mg revealed
tators of visual imagery in conjunc- only a greater intensity of the same
tion with music. activity.
DIPT (N,N-diisopropyltryptamine), the structural One classical distinction between the "natural"
isomer of DPT with branched chains on the nitrogen, schizophrenic state and that induced by drugs ( the
is exceptional among the DMT congeners in that it is so-called "psychotomimetic" state) is that in the for-
orally active. Visual effects are non-existent. Its most mer, hallucinations are largely auditory, while in the
remarkable effect produce distortion in the hear-
is to latter, they are visual. DIPT produces changes only at
ing or perception of sound, whether voice or music. i the auditory level. Whether this occurs by affecting
The effective level of DIPT is from 20 to 50 mg. the musculature of the ear or the integrity of the audi-
Onset of symptoms occurs about half an hour after in- tory association areas remains unclear. What is clear
gestion; the full effects last from one to two hours; however, is that this unusual indolic drug, DIPT, could
with recovery to a symptom-free state by the fourth be uniquely useful in helping us map out the distinc-
hour. Side effects can include mild nausea and tion between endogenous and chemically-induced
WINTER 27
ural plant sources
of tryptamines,
such as Psychotria
added
have been
to aya-
huasca prepara-
Age ayahnasqueros, but the mere will create clear visions. Everything from the
mention of a "barf bowl" in their phase of the moon to the hour of prepara-
promo literature suggests some- tion combines to effect the quality of the
thing like an ordeal ritual. Few brew.
people are prepared to undertake Dennis McKenna, Terence's kid brother,
the dietary restrictions for weeks in has contributed valuably to this thorny area
advance, or the gastro-intestinal rig- of ethnopharmacological research with sever-
ors of the trip itself. The purga al technical papers. But for the nonspecial-
brava, while no doubt cleansing, ist, the most fascinating work to appear on
can feel like a boa entering one's the subject is Vegatalismo by Luis Eduardo
mouth and chewing through to the Luna. {Acta Universitatis Stockholmiensis
other end with involuntary defeca- no. 27, 1986). Ayahuasca is usually thought
tion and emesis. The experience, of as primarily a visionary experience, but its
under the best of circumstances, is effects on the auditory process are also strik-
INTENSE . Still it exerts an abiding ing.
fascination which the work of In 1906, Zerda Bayon described its use
scholars like Gerardo Reichel- in the Caqueta region of Peru: "They also
Dolmatoff and Michael Harner have tried repeatedly to give expression to their
there are perhaps as many additives have ever heard in my life, high-pitched and
designed to potentiate its effects, ethereal, emanating from myriad voices on
derived from botanical or faunal board the galley."
sources (e.g. toad skins). The ple- The basic notion exists that ayahuasca
thora of local vernacular names for teaches "magic melodies" known as icaros.
plant species has compounded the In fact, being a vegetalista is almost synony-
confusion. Commonly though, nat- mous with mastering a vast repertoire of
icaros each of the different psychoactive The icaros are the quintes-
plant spirits has its own icaro. Different sence of shamanic power. A
types of icaros serve a variety of purposes good vegetalista is able to "or-
The vegetalista
ranging from love magic to divination to the chestrate" beautiful or transforma-
regurgitates his yachay,
cure of snakebite. Shirohaehua or fun tive visions through his magic or supernatural
songs, for example, animate the patient, in- melodies. Competitions some- phlegm.
ducing joy and hope. Manchari are sung to times arise between maestros to This thick white phlegm
lies at the top of the
lead an abducted soul back to its owner. "monopolize" the visions of those
With the icaro de la aranita, a little spider present a kind of competitive
stomach, thought to be
the most vital part of the
spins a web around a man and woman unit- "jam session" where they unleash body. It is in this area
ing them for all eternity. all their tricks. that the shaman
Icaros are taught by the tutelary spirits Luna has included musical harbors the virotes-
of plants and animals: the raya-balsa, for ex- transcriptions of eight icaros thorns, razors, magic
darts, rock crystals,
ample, an aquatic plant, can teach one to culled from the repertoire of his
insects,and even baby
travel under the water. There are even ica- informant, Maestro Don Emilio, in
piranhas-which are
ros of perfumes, stones and resins. The sir- Appendix III of his book. Luna regurgitated with the
enas or mermaids are often invoked in aya- describes some of the icaros as yachay and used for
huasca sessions. They appear, singing having great unearthly beauty, magical purposes.
beautiful icaros, accompanied by string in- and urges ethnomusicologists to
Original painting by
struments. Their icaros can give one power record them soon, as they are an
Pablo Amaringo Shuha
over the underwater world, particularly over evanescent feature of shamanic (from Luna, op. cit. p1 14)
the bufeo or pink river dolphin. These crea-
tures are feared and seen as mighty sorcer-
ers, yet they are also invested with sexual al-
striking.
On the contrary, the music often
overwhelm even the
music that the BOC's uniqueness
The BOC understood that the power of
strongest lyrics, for
is most
it
CULT
&
does
ed, can
The unnatural added tones, to the uninitiat-
not.
THE CHORDS OF timbre and texture of heavy metal, serving the same
purpose as the orchestral texture or instrumental tim-
30 REALITY HACKERS
niacal speed, but with enough variation and flexibility Blues-based. There are those who find the roots of
to avoid the shoals of stultifying sameness. All this ef- Heavy Metal in Led Zeppelin and the Blues. It's not.
fort is for naught however if what comes out of your The Byrds have nothing to do with the Blues. The Va-
speakers is mud. Fortunately, the BOC albums are nilla Fudge don't have anything to do with blues ei-
carefully produced to provide an almost lushly tex- ther. It's essentially a development of heavily-
tured orchestral sound. amplified pop music. With an emphasis upon chords.
Several of the BOC's albums are absolute musts Upon the power of the chord. The reiterated chord.
for collectors. Tyranny and Mutation (1973) is a mas- The infinitely reiterated chord. . .
terpiece of heavy metal sensationalism still charmingly Heavily amplified, heavily distorted, heavy I.M.
appalling after the passage of fifteen years. Agents of (InterModular) distortion; so you have, in effect,
Fortune (1976), with its anthems of radical alienation random texture.
contains the hit Don Fear the Reaper..
't Reaper's guitar Right. Right. Exactly.
solo is for us the definitive fantasia on the tritone Unlike Blue Cheer, where you have texture com-
(considered the diabolus in musica since the twelfth ing out of the volume.
century). Spectres (1977) contains our favorite hymn The Blue Cheer is this in its most intentional form . . .
We were curious, then, when about a year ago we a great sense of discipline
read about an ambitious new BOC album
that would and structure. But it does not
elevate them once more Rock Firmament.
in the
possess the chords of doom.
Sandy Pearlman, the BOC's longtime producer and
contributing lyricist is the single person most responsi-
ble for the BOC's vision. He agreed to meet and talk
with us about the musical and moral underpinnings of but, you know, you've got to decide whether this, in
ON THE ROOTS OF HEAVY METAL with the Cream. Blue Cheer stole the Cream live.
WINTER 31
SBMwiai IMAGINOS
Blue Oyster Cult
mi CBS Records
1988 is the biggest year in the history of Heavy Met- acoustic grand piano provides percussive ornamenta-
al. Hence it's only fitting that the Blue Oyster Cult is tion to thesombre timbre of multiple metal guitars play-
back with their best album in years. Imaginos success- ing (or to sound as
produced they are playing) in tight
if
fully extends the range of Heavy Metal as music. The Lisztian ensemble. Best of all, Astronomy uses the gui-
album is a tone poem written as a song cycle, making tar ensemble sound most eloquently, transforming a
imaginative use of Romantic classical musical texture Doors leitmotif into the "rhythm of events onrushing,
and guitar-based metal timbre. evoking a star-strewn night sky overlaid with the silvery
This is still hook-laden Rock and Roll, folks, but if
shadows of those visible Invisibles who determine the
you are unaware of either the Romantic historical ele- "rush of events." The album's unique sound combines
ment or the lyrical use of noise as music, you'll miss the multiple guitars playing as in a chamber orchestra,
if
resonance of the story. It is a tale of the occult aliena- giving listeners the excitement of heavy metal virtuosity
tion underlying the destruction of the European Old Or- while transcending the trite limits of the conventional
der by World War I, musically realized through iterative rock guitar solo. However, if you dislike overt Romanti-
thematic transformations of leitmotives. cism or are allergic to Liszt or Ravel, this album is not
They range from the surface pop gloss of Del Rio's Imaginos' ambitious and innovative use of rock and
Song (which conceals a disturbing core) to the dense classical music technique is well realized in the album's
boogie for headbangers (I Am The One You Warned Me pand the band's musical horizons while still sounding
Of) ; two pieces of fin-de-siecle French musical color in- unmistakably like the Blue Oyster Cult of Tyranny and
terwoven with demonic banshee guitar wails (Les Invisi- Mutation or Agents of Fortune. The production is partic-
hardcore B.O.C. aficionados (Blue Oyster Cult). The sical material as there are instruments in a symphony
songs make extraordinarily effective use of an explicit orchestra. This results in a density of texture as satisfy-
guitar orchestra. In Imaginos, a dance melody is richly ing as that of classical music but still evoking the esoter-
embroidered with layered guitar textures. In The Siege ic occult/science fiction universe that was the B.O.C. 's
and Investiture of Baron von Frankenstein's Castle, an original contribution to rock and roll and heavy metal.
Oyster Cult has a much more sophisticated interest in Was there a point where you sort of had the
history and decadence. vision of what BOC would represent?
Was that more than just you; were there other I knew exactly what it was going to be and represent
members in the band who were interested in . . from the very beginning.
Well, I didn't write "The Reaper." But the framework; Were there any things going on in music that
you know, the grammar . . . the universe of discourse, influenced . . . ?
is mostly mine . . . and (Richard) Meltzer's, 'cuz Meltz I think the only things we really admired musically
also wrote lyrics. were the Doors and the Byrds . . . the Byrds from the
32 REALITY HACKERS
5D and Notorious Byrd Brothers period. And we got THE NEW SCIENTIFIC GRAMMAR
some musical grammar from Black Sabbath. By the
way, I think that the BOC is more influential than In effect, what is important or central to this
Black Sabbath because the Sabbath's attitude toward culture can't be expressed with the musical gram-
evil was less ambivalent than that of the BOC. mar that's been handed down to us. Whereas,
How would you describe that? what was important or central to the culture of
Well, our analysis of the role of evil in a culture is
the nineteenth century could be expressed with
straight out of La-Bas by Huysmans. That's where it
the musical grammar.
came from for me. I thought there was something The whole Artistic grammar may have well played it-
Black Sabbath has very much an anti-Church of * The fascination of Gilles De Rais is as an inversion of Joan
England black magician flavor to it, both in terms of Arc kust as the Black Mass is an inversion of the true
of the harmonic structure (S. Fifths) and in their Mass. For those of you unfamiliar with J.K. Huysman's La-
demonology. One of the things that makes the Bas; Gilles de Rais was a 15th Century French noble whose
Blue Oyster Cult interesting is that you don't have life forms a perfect diabolic contrast to Saint Joan of Arc. He
this continual rehash of the old Biblical Devil vs. was Joan's official military protector and was at her side for
the year from her triumph at Orleans until her capture.
God story to express the M anichean dichotomy.
Over the next 10 years de Rais squandered his estate and
Well, basically, yes. You know, Black Sabbath is Par-
turned to alchemy to regain it. "He resorted to necromancy,
adise Lost ? But with the same sort of ambivalence
satanism and finally the torture and ritual murder of kid-
that you see in Paradise Whereas the Blue Oys-
Lost..
napped children . .
." In 1440 he was sentenced to death,
ter Cult doesn't really have much to do with those sort where his confession, and demeanor the gallows were
at
of creatures at all. "acclaimed as an example of Christian penitance." (Quotes
from 1968 E. B.)
WINTER 33
J !
I t
Music For
Earthquakes
Brian Eno
vV 1 at the Exploratorium
in San Francisco
*3
"one." You decide.
Now he's in San Francisco where he's created an in-
WINTER 35
like Palace of Fine Arts. I march at the tail-end of a ness of the installation which is contained within a
procession of media acolytes from ABC, NBC, CBS, King Kong banana-shaped room, and stand in the re-
the wire services, the big dailies-all the annointed. We cesses as reporters shuffle and jostle one another,
faithfully file into the entrance of the installation, hid- staking out their turf. Grunts and expletives cut
den behind the shapely poured-concrete ankles of a through the air. "Hey, turn the lights on in here! How
giantnaked bored-looking rump-jutting nymph. A co- the hell am I going to video this?" a philistine moans,
lossal caryatid with R. Crumb idealized buttocks gaz- defiling the rich templelike atmosphere-an atmosphere
ing wearily, a hun- being continuously
dred feet above our created by subtly
heads, across a re-
flecting pool. But
who is this anony-
mous-looking chap
sitting on a green slat
parkbench serenely
observing the report-
ers file past, their
watching me watch him a curious feedback loop. images are simple geometric blocks of color on twen-
Amazingly, none of the professional newshounds take ty-five inch monitors which are not viewed directly
any notice of the man they're here to cover. I turn to but, rather, cast their light onto an angular canted and
my companion, Jude Milhon - arch Enophile, and indi- skewed German Expressionist cityscape ofexpanded
cate Eno with a nod of my head. polystyrene a simultaneous sunrise and sunset on an-
"My God," she exclaims. other planet endowed with multiple luminaries, seen
"Yes, exactly. Do you have a copy of High Fron- through shimmering atmospheric haze: another green
tiers on you?" and red and blue world.
"Yes," she says, fumbling in her bag. It is a world of nonredundancy and nonperio-
"Good. Give him one." dicity. It cannot be grasped intellectually only felt in
"I don't want to disturb him he may be meditat- a transitory way, slipping past one's senses like fine
ing." silt. Furnished with upholstered sofas, it might be a
"He's sitting here watching the bloody fucking waiting room on Sirius. It's like being abducted by ali-
squirrels in the park, this is a perfect opportunity!" ens and then having to wait for your brain-scan.
Jude and I walk past him and stop at the respect- Some people return day after day and stay for hours.
ful distance of eighty feet. Jude looks at him as a con- It's a space designed to linger in: a polysensory limbo
servationist might study an endangered skink. informed by one of the most interesting minds in mu-
"Don't disturb him," she says sternly, eyeing me as sic today: Eno.
she might a rabid propagandist, which I am. MORGAN RUSSELL
Sighing heavily, I file into the womblike dark-
36 REALITY HACKERS
OF CRESCENDOS AND RAINDROPS when you get on a plane?" And I was aware that the
CHARLES AMIRKHANIAN: How did you first get music that gets used in airports has exactly the oppo-
the idea for such a thing as ambient music? site effect that it's supposed to. It's supposed to make
BRIAN ENO: I can trace it to two things. One was you think, 'Don't worry. Everything's all right. It's just
idea...
I always make use of every-
but I was
^"^ ^
her up the bum" Baroque
these fixed grins
this
your very
music.
moment when
life into
And you can
on their faces, at
you're taking
your hands. And
feel
laid up in bed for awhile, and I there's on top of that, of course, the airlines
couldn't move. A friend who'd visit- never have decent cassette players;
something about
ed was leaving and I said, "Do you they're always going
mind putting a record on for me?" the condition of "nnnnrrrrrrrnnrnnrnr": like that. (He
She put on a record of virtuoso harp ignorance that laughs) So, you sit there thinking,
music and one of the
left. Well, "Jesus, if they can't get a cassette
speakers was on the blink and had produces charmed player to work, what am I doing in
^
gone out. And she'd put the music work this thing?"
of the harp . . . what you have to do is make them not care if they
The highest frequencies, probably. die.' I was thinking that Music For Airports should
That's right. It was sort of crescendos mixing in with give you the feeling that, 'Well, it doesn't really matter
the raindrops. was listening to that and thought,
I all thatmuch anyway. What's a few humans less?' So
'This is really beautiful. This is a use for music' It that's why the music has a slightly, I'd say, resigned
was a way I had never heard music before, not as the feeling to it.
central focus of attention, but part of the context that You could make us a Music For Earthquakes.
you live in. I mean, the idea wasn't unfamiliar be- (Brian laughslow roar in Auditorium.)
cause I had been aware of the various experiments Oh, yeah, that's right-you need some of that!
about it as a theory, but I'd never felt it as a real way FOUR-LAYERED SOUND SANDWICHES
of listening. As that record played, I thought about The music that goes with the installation was intend-
making music that didn't impose its presence. Music ed, at it's inception, to be always different at every
that was made to be useful. Music made
deliberately point in time and at every point in space. That is, you
to be what you might call, the acoustic con-
a part of, will never hear it the same, anytime or anyplace. This
text that you live in. This idea developed into Music has been achieved by an interesting inversion of the
for Airports. was sitting in the Cologne Airport
I principal recording. The idea is that with a tape recor-
which, I think, is a nice building. (It was designed by der, you can duplicate things perfectly. And the histo-
the father of one of the members of Kraftwerk.) It's ry of tape recording is a history of duplicating things
son of a triangular building with very high ceilings. more and more perfectly. We now have very faithful
And I like the building and I thought that the sense of tape recorders. So if you run four tape recorders to-
space should be celebrated in some way. So I gether, and you don't synchronize them in any way,
thought about how I could do that with sound. Obvi- the combination is always different. So the element
ously, it would have to be a music that didn't frighten on each individual tape recorder will be a repeating
people since they're already a bit timid about flying. loop. But the combination of all four is always a dif-
have to make a music that didn't demand resolution. ed out as a twenty-four track piece of music. Now,
People won't be around for the resolution. All sorts of normally you would mix those down to two tracks
interesting conditions started to come to mind. and that's the record. What I did with this piece was I
Then I thought: "What do you most want to feel mixed one set onto one two-track tape and then an-
WINTER 37
other and so on. ended up with four two track
I ber. I was fascinated by brightly-colored paintings.
tapes. If these tapes were perfectly synchronized and Where did you see brightly-colored paintings?
run together, they would produce an exact copy of I don't know, but I think my uncle was the formative
the original piece of music. What I do is run these person in this. I have a very eccentric uncle. He was
four layers out of sync with one another and, as a re- in the Hasad in India. One day he fell off a horse and
sult, they constantly create new sandwiches. They're became concussed... and he became a mystic (laugh-
auto-reverse cassette players and each mix fades ing). So if any of you are interested in that, that's how
and innocently that withstands the Another thing from that period I still have
test of time. You
remember
don't are the records. I was listening to Little Richard
how you did it. After finishing you it the time. My roots are Little Richard and Mon-
think; "Oh, yeah. This is a good idea drian, really. I became really fanatically interested in
I'll do another twenty." And then you go painting, though I had never seen a real painting ex-
back and try to do another one and can't remember cept Mondrian's. was also I fanatically listening to
what the important things about it were. Discreet Mu- rock & roll records. Rock & roll. And then a family
sic was a good example of that. The record, Discreet friend we called "Uncle Stan" left us his record collec-
Music, is a terribly simple system. So when I made tion to look after. was all music that I had never
It
the record, I thought; "... Piece of cake. I've got a heard before. Big Band music of the late forties, Jack
good formula here. I'll do a few of these." But I never Teegarden and Ray Coniff; big influence . . . formative
made another one liked as much as that. And
I I don't side of Music For Airports.
know what was that made that piece work.
it I think We had two big American airbases within five
there's something about the condition of ignorance miles of my house. So the town lived in had 5,000 I
that produces charmed work. inhabitants. The airbases had 15,000 inhabitants. So
every cafe in the town had this sort of pathetic, dread-
OF LITTLE RICHARD AND MONDRIAN ful English cover version of things like Cliff Richards
When did you first become interested in the arts? and Craig Douglas and all these miserable honkeys.
I was interested in painting as early as I can remem- But also, because of the huge American contingent,
38 REALITY HACKERS
they had the R & B originals of them. So I knew work you 've done with delays and modulation of
which ones I preferred. There was no doubt about phase relationships?
that at all. We heard all the R &B originals. But the What relates is the characteristic ability of that
funny thing was I never knew that they were Black - music to be able to absorb a number of levels at the
any of these people. I never saw pictures of them. It same time. When was in Ghana, went to a festival
I I
was many years later that I discovered that there was where the big chiefs are brought in on these ceremo-
such a thing as Black music
everything
of the,
America and
my
that it
-^^^
We
was
^
nial litters. And behind them followed the corps of
heard
drummers, and these guys
the talking drums, recount the histo-
ry of the tribe back for
that play
many, many
life. Good ole Gene, I wish he was generations on the talking drums.
here tonight. Send Me Some Loving all the R &B So there are three of these very old
inspired me most of all because it's men following the chief, and they're
such a tender song as well as being
originals. But the each beating a different story. It
pretty manic. And I'd never really funny thing was doesn't have any rhythmic relation-
heard insanity and tenderness mixed ship. They're not playing music.
in quite the way that Little Richard
I never knew that
Like in England, bell ringers -
did it. (to the audience) Do you they were campanologists - don't consider
^
want to hear a little bit of that? (a themselves to be playing music. If
Black.
resounding " Vest.") This is the good you like it musically, it's an accident
bit, right? Where we play all the old .as far as they're concerned What
records. Forget all this video stuff! they're doing is working through a
process. I got interested in bell ring-
OF AFRICAN MUSIC & THE WHOLE FIELD OF POS- ing. So Anthea, my wife, wrote to the head of the
SIBILITIES English Bell Ringing Foundation - there's this maga-
When did you become interested in the tradition- zine called Ringing Weekly and asked "Could we get
almusic of Africa and other countries. Was that a any transcriptions of your music?" We got back this
natural outgrowth of your interest in doo-wop quite angry letter saying; "This is not music." They
music? were very concerned that we realize that it was oper-
Well, I was set up for it by Doo-Wop, R & B and so ating on some other level. It was the same thing with
on. It wasn't difficult to go back one step further in the African trip - it was completely novel for me to
the chain of connections. But I think it really started think that you could have noise in a musical context
with Fela Ransom, I suppose. He's now called Fela that was not musically conceived noise.
Kuti or Anikulapo Kuti or various other names. In In the recordOn Land, which I released around
1972, I first heard a Fela record . . . Fela Ransom and the time of that Africa visit, I used a lot of non-musical
the Africa 70. It's now Fela Ransom and the Egypt 80. noise. Usually the way we think about music is that
It's contemporary Nigerian pop music. I'd heard we have instruments,and then we have the rest of the
James Brown and understood what that was about. aural universe; we have foreground and background.
Then I heard Fela, and he was an African who listened What about, instead of accepting these dichotomies,
to James Brown. And he'd taken what James was do- letting all of those things be a continuum. So, instead
ing, but really extrapolated it in a big way. The early of having musical instruments and noise we have: mu-
70's recordings were the best, I think. They had five or sical instruments, sort-of musical instruments, vaguely
six drummers, a big horn section, lots of back-up sing- musical instalments, kind-of-noisy-things-that-make-
ers.It was a very big band maybe 22 people. And - musical-sounds, things that are just noisy and are
thesound was really, really harsh. The sax players clearly not instruments at all. What about using that
worked on getting this kind of brutal, rhinoceros sax whole field of possibilities? And the same with fore-
sound which didn't sound anything like Western saxo- ground and background. When you
sit outside and
phone playing. You remember Boots Randolf who listen, you hear some things loud 'cause you're close
did "Yakity Sax"? Well, it was like Yackity Sax cubed, to them. It's just an accident. It's not because they're
you know? more important. But if you listen, you hear things that
Audience Member: I was wondering ifyou'd re- you know are actually loud but they're just on the
lated the African concept of cross-rhythm to the edge of your earshot. I wanted to make a music that
WINTER 39
placed you in a field of sound and implied that the then you don't release those ones!
horizon wasn't the end of it, that it continued right Somebody else does!
around the edge, right around the globe. Music that Charles is refering to the fact that he's got a bootleg al-
puts you in context. bum which I've never seen before - which I hope he
bloody won't play!
OF WORDS & TALKING HEADS Why did you choose as a kind of ostinato pattern,
Who wrote the lyrics to the Talking Heads' repeating "4m/ the Heat Goes On," constantly
Born Under Punch- throughout the. .
usuallymore difficult because of the awful threat of record, we didn't have any chord changes because
democracy creeping in. There's nothing more certain we'd been listening to a lot of funk and African music.
to kill an idea than democracy, as far as I'm con- We used riffs, grooves. It's a very different thing. If
cerned. I'm not making a political statement here, but you're writing over a chord change, you can stay in
one about how things get done creatively. For me, the same place. The energy of the song is created by
the only way anything interesting gets done in the stu- what's going on underneath. It drops, and it adds; it
dio is by someone saying; "I'm going to do this," not, gives a piquancy to the same note. I have lots of
"Do you think maybe we should do this?" or "Could songs that do that. In fact, that's the only trick I ever
we just do it a little more... could we?" learned, really. What you do is sing stay in place,
There's no point in taking a compromised stand. and let the music change so it drops away like a cliff
If you're going to make an experiment, just make it. I underneath you. Suddenly there's a real tension.
would hate to do something where people would When you're writing over riffs, that never hap-
think "Oh Christ! that's a bit off," "that's a bit weak, "
pens. you want to create the feeling of chord
If
or "just doing that old stuff again!" You make the ex- changes, you have to imply it in the voice. Like you
periment, and either it fails or it doesn't. And most sing sevenths, or ninths, or funny notes, to create
usually it fails - that's the nature of experiments. But those tensions. So, writing the songs on this record
40 REALITY HACKERS
was quite a problem for David. On this particular of the first performing electronic musicians. Who
song, it was really getting critical because we all liked else performed like that? He knew he was dealing
the music, but there was no song. So said; "Give me I with electronics. Now, the structure he was
twenty minutes." working within, the blues, was kind of an archaic
"Everybody leave the room", you mean? structure. But, if someone working within an archaic
Everybody leave the room because have to do Em- I structure does something exciting, that means the
barrassing Things. What did on this and on The I staicture isn't the important thing. The structure is just
way
^
Great Curve was to build the vocals that were reply- a of supporting what the guy is really doing. So
ing to the lead vocal that didn't yet to deal with contemporary popu-
exist. So, it was like I was filling in ^^ - lar music, you have to extend your
the answers. Now all David had to definition of what music is.
to point out that as many interesting things come from esting musical experience I had in Russia wasn't listen-
ignorance as skill. For me, rock 'n' roll is contempo- ing to all these new punk bands
that they have now,
rary electronic music. And the people making the or scratch or hip hop or anything like that. The ex-
records are not virtuosos in a musicological sense. perience that stayed with me was switching on the ra-
Musicology doesn't have a place for rock music be- dio in a friend's apartment one evening and hearing a
cause it doesn't extend music in a way that musicolo- Russian orchestra playing a contemporary Latvian or-
gists understand. chestral piece. It was sort of reminiscent of Shostako-
You hate most classical music. vich and wouldn't excite a Western musicologist - I
I despise it with a passion. A friend of mine who mean it wasn't radical. it was played was But the way
hates rock & roll and only cares for the classical absolutely galvanizing to me. Because it was played
pantheon says, "Well, everything that's happening to- with real muscle, you know. It wasn't this kind of
day in rock music had been done by 1820," ... or perfection-oriented approach to classical music. No-
1790, or whatever date he puts on it. See, all he's lis- body can make a mistake. It's got to be just so. God!
tening to is the chord sequences which are, of course, I hate that! I can't tell you how much that annoys me.
totally traditional. Then the rhythms, also, are boring am actually secretary-treasurer
I of the Society to Melt
and ordinary. What he isn't listening for are all the in- Down Flutes, if anyone wants to join, (laughter)
novations of popular electronic music. The extensions Classical music in England is about as interesting as
of sound and timbre that have never been possible be- watching someone do trigonometry exercises. But
fore. The ability of a contemporary composer work- when I heard these Russians, I suddenly realized that
ing in a studio to deal with place as a subject of the classical music lives for them. It means something
music. Then there's the fact that you're making a mu- now. It's not, "Isn't it comforting to hear these nice
sic that, within a week, touches three million people. songs again." It wasn't comforting. It was abrasive. It
Now these are all properties of music. But they're not was tough and powerful.
in the academic area of consideration. So you still get
whole books on electronic music that talk about Va- THE INFLUENCE OF MTV
rese, Stockhausen, and so forth but never mention Audience Member: What is the impact of com-
Jimi Hendrix. Well, surely Jimi Hendrix must be one mercial television on music, including MTV?
WINTER 41
MTV has had a funny impact on music because peo- deal with rugged field conditions.
ple started constructing records rather visually. I've
noticed it when I'm in the studio. They say things CAPITULATIONS AND RECAPITULATIONS
like: "Hold on, this bit! We could do a great thing Recently, I had to give a formal lecture on the
with the video here. Let's have it twice." But I don't evolution of my work, sopush it back be-
I tried to
find that uninteresting. The nature of pop music is yond Art School to what you might call the first imag-
that it's always absorbing other things. Suddenly, it inative enterprises I could remember. The first one on
isn't just dealing with music, it's dealing with televi- the list I call "making special places." That meant de-
sion, or it's dealing with safety pins the punk . . . signing houses. Thinking of places I would like to
thing. The breakdown in interest comes with the vid- live in. These places always have strange corners and
eos themselves, where you have absolutely huge bud- labyrinths and secret rooms. They had streams run-
gets and absolutely minute intelligence. And the re- ning through them, or trees growing up through the
sults are clear, you know? middle of them, or they would be suspended across
On the other hand, a lot of the Surrealist and chasms, things I was designing houses from
like that.
Dadafilm techniques have been incorporated the age of about seven. The second one was "rethink-
and included into the everyday language of vid- ing systems". These were not the names I gave them
eo. at the time, you understand. I had a train set, and in-
Yeah. I absolutely agree with you. If all of the Dada stead of making it into a loop and having the thing
stuff, and Maya Deren, and the futurists, and all the running around, I used to build these different struc-
various other people who've made avant-garde film in tures. Like I'd pile a few books up here and there and
this century, if that ever becomes part of the vocabu- the idea was to make the rails so the train would take
lary of film watching, it will be through pop videos. It the most gradual possible route to the ground. So it
won't be through obscure art cinema. was another way of using a train set. And the third
one I call "mud technology." This game involved me
THE GUERILLA ARTIST digging a hole and collecting a number of sticks that
I have never believed that artists work better with- were not long enough to span it, and then weaving a
out limitations. Art freed from limitations isn't neces- roof which I would cover with mud. And I'd weave a
sarily interesting, and art absolutely bound up in limi- second roof and cover that with mud as well. And
tations can sometimes be extremely interesting. So I then I would ask my Dad to jump up and down on it.
think that you can take a guerilla approach to being And if it could support my father I considered it a suc-
an artist. Iwas quite fascinated by military strategy for cess. Now these three games - I've been thinking
a long while. I gave a talk about the difference be- about this - were my earliest games, and I haven't real-
tween the traditional Western European army and the ly played any other games since. That's all I've done
guerilla army. One of the things that I realized from since. It's sort of depressing to think that every idea
that study was that, for a traditional army, every emer- you've ever had, you had by age four and a half. The
gency was... an emergency. Every lump in the "mud technology" one is really about enjoying limita-
ground, every deviation from the right time of day or tions. "Making special places" is installations, environ-
season for the battle, was an emergency. For the gue- ments or making places spe-
rilla army, every emergency is an opportunity. Every cial, as with Music for
bump in the ground is a place to hide. Every hole is a Airports and the con-
place to hide. Every spot of bad weather is a place cept of ambient mu-
where the regular army is going to get bogged down. sic. "Rethinking sys-
Applyingbeing an artist, you can be a
this to tems" is using video
regular army
where you walk in and say, "I've
artist monitors for lights,
got to have this and that and that's not good enough, or using tape recor-
plus want fifty thousand dollars." Or you can be a
I ders to make non-
guerilla artist and say "Well this situation is sort of repeating music, that
complicated and I've never been in one like this be- sort of thing. When this re-
fore, and somehow I'm going to try to turn all of these alization dawned, I was sort of jubilant thinking "God,
things to my advantage. I'll use this in my attack." there's a thread connecting everything I've ever done,"
And that, I think, is what makes artists interesting. Not and on the other hand thought "Christ! I It's time I
that they can specify ideal conditions but that they can had a few new ideas!" (laughter)
42 REALITY HACKERS
'it WW'*
a Watch \
Tesla Technology
Inspires Teslar Protection
By George Millett
Could I I was hearing?
believe what
The voice on phone was telling
the
me I could wear a small device on my
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phones, power lines, etc. Electromag- My new adventure in the world of think we may have opened our eyes to a
netic pollution! electrical and magnetic phenomenon new era of medicine. This could be the
ONE EXPLANATION
Byrd's explanation of how the
like a bubble or a cocoon around a per- periments with ELF. She worked with TESLAR works is a bit mind-boggling.
son, that interferes with harmful waves Dr. Andrija Puharich, M.D., LL.D., a "Maybe it works," he says, "on prin-
of energy coming at us from every direc- contemporary authority on Tesla. ciples of dielectric behavior of biologi-
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mic cycles of the body that lets it func- device" to counteract the harmful effects linear excitation that can give rise to
tion at its normal condition of health and of ELF. He said the shield would protect solitons (waves) in membranes and
well-being. It's been tested, proven, pat- one from negative biological and proteins. Research has shown that ELF
ent applied for, and now on the market." psychological effects of emissions com- pulse modulated microwaves do indeed
The TESLAR is named in honor of ing from electromagnetic energy sys- influence various physiological and be-
Nikola Tesla, the European born tems. Ilonka helped to put the shield into havioral processes in cells, tissues,
American electrical genius and inventor a bracelet and was later responsible for animals and humans. Cells apparently
who lived from 1856 to 1943. Tesla ex- developing the 'chip' which was incor- can act as sensitive detectors (receptors)
plored the phenomenal world of electri- porated into the shielding device the of ELF signals."
cal and magnetic instruments. He TESLAR. More then 15,000 TESLARS have
claimed the Tesla Magnifying Transmit- CARDIAC CONNECTION? been marketed in the United States
ter (TMT) as his greatest invention. The Amjad Zureikat, M.D. of Chicago, is Canada and Europe since its introduc-
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ogy used to produce the TESLAR is Order your TESLAR watch from:
in preventive medicine. Zureikat told
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without peer in his field. His instrument, the sarod, is he was born, his was genetically directed to-
future
a 25-stringed lute. His father, Allauddin Khan, is re- ward music. His instrument for a lifetime career was
garded in India as the musician-saint of the first half of chosen by his father. As a child his companions were
this century. Ali Akbar Khan, known as "Khansahib" other musical students. (Concurrently with Khansahib,
and friends, learned vocal and instru-
to his students Ravi Shankar studied sitar with Khansahib's father.)
mental music under the tireless guidance of his father/ Khansahib was educated with the princes and prin-
guru for more than twenty years. He teaches the cesses in the palace where his father was the es-
whole range of the music, from literature and tech- teemed court musician to the Maharaja of Maihar.
nique to performance, at his Ali Akbar College of Mu- Early professional concerts for Khansahib meant
sic in San Rafael, California; Basel, Switzerland; and stern, fatherly, on-stage instruction. Combining con-
Calcutta, India. He is a unique phenomenon com- stant rigorous practice, Allauddin's teaching, and his
pounded of tradition, talent and circumstances. His own inate ability, he evolved into a musician of une-
musical skill is the culmination of an ancient civila- qualed self-mastery. When, at last, the invitation to
tion's most refined art. become the chief court musician for a very rich and
44 REALITY HACKERS
talented Maharaja was offered to Allauddin Khan, he proper effect therefore, full of perfection. You have to
passed what was considered the job of a life-time on think of music touching your brain and heart. I al-
to his only son. ways start with the simple scales and ragas and I al-
At that time, in India, only royalty was permitted ways begin with the fixed composition. Like a child
to hear classical music. Khansahib became the teacher who first learns to draw by tracing a picture, slowly,
and court musician to the King and the Royal Family. slowly, it helps to learn by following the examples of
After many years with the King, the concert room in the teacher.
the Palace was named in Khansahib's honor. The dis- Some people say that the school and the study of
solution of the Raj gave both India and Ali Akbar a the music is like a religion. How do you feel
new sense of freedom. He went out "on the road" about this?
where he experienced a great variety of audiences and No, it is not like that. Nothing to do with religion actu-
locations. ally. It is just music, and the music is a yoga. A way
When their paths crossed, Yehudi Menuhin recog- to reach to God. Through music you can purify your
nized Ali Akbar Khan as "the greatest musician in the soul and mind, and drive out all the evils. This way
world," and arranged joint concerts in New York's Mu- you can love your neighbors, love the whole universe,
seum of Modern Art in 1955. Since those first domes- love the children, love yourself, and give more love to
tic concerts and recordings, Khansahib has made Cali- this world, not only to humans, but all the creatures
fornia hishome. The Ali Akbar College of Music was as well.
founded in 1968 and traces its ancestry back through
the l6th century to Mian Tan Sen, the chief musician The music is based on an oral tradition reaching
of the court of the Mogul Emperor Akbar the Great of back over 4,000 years. There are 22 basic microtones,
Agra. Tan Sen was said to be nad-siddha, one who 12 notes, creating an abundance of opportunities for
has the complete mastery over sound. subtle nuancesand ornamentation in the ascending
The study of the magic of sound through scientific, and descending scales allowing the profound effect of
ethnic, mystical, and practical applications drew us to calculatedly eliciting emotions. "Lord Shiva composed
Khansahib's door. six male ragas The rishis, or wise men, brought the
.
you can learn any kind of music, any style, more easi- other ragas, organized in the modal system to have
ly. It is a universal language which makes you free an emotional impact on the listener. There are phases
. like a bird, you can fly. I haven't found any other
. . of tempo changes within the performance of the raga
kind of music which opens so much. that are classical.The season, time of day, weather
So after learning this music you can go further in and mood desired, decide the raga that is most ap-
the other styles?" propriate to the moment. The "nine juices" or rasas
The student becomes familiar with the sound, all kinds are sentiments expressed in the arts. In Indian music,
of melodies, rhythm, the timing of the music, the sea- every composition is dominated by one or more hu-
sons, moods, and times of the day associated with the mours; i.e. courage, joy, pathos, and devotion. "If the
different ragas 'til you can turn your
it is like inappropriate raga is listened to or played, the effect is
switch to "on" and you're ready to compose music on not achieved and there bad luck. Notes can correct
is
the spot. effects like a doctor makes medicine. With the proper
How does a beginning student learn the tech- teacher giving the techniques in the proper way,
niques to open to the music? knowledge is built up in the student's mind and
First, they must learn to be in tune, to move their vo- body."
cal chords and fingers in the right way, and we give Khansahib closes the conversation by warmly in-
all kinds of exercises to help with that. It takes time; a viting interested people to the College, to watch class-
few years. Singing is most important, because, while es and see how it works. The best way to experi-
you play,you are singing through the instrument . . . ence the power of the tradition is to go to an Ali
actually, you are singing inside. You must learn how Akbar Khancert, sit as close to the action as possible,
to sing pure note, pure pitch. Each note must give the tune in, tune up and open yourself for the joy ride.
WINTER 45
Sun Ra's
Magical
Kingdom
By Ira Steingroot
strange cities, weird landscapes, un- theatre. All this visual splendor was set against an
eruption of swing material by Ra's old mentor, Fletch-
known monsters, hideous ceremonies, er Henderson, or perhaps against a half-hour chant of
Oriental mysteries of life, death, and an old Irving Berlin novelty tune. If this sounds
it was actu-
46 REALITY HACKERS
complete world with larger implications than we Afterwards, he went out on stage and generated the
usually expect from mere music. Duke Ellington's kind of transcendent musical experience he alone can
performances at the Cotton Club must have ap- create.
proached this kind of total theatre and Sun Ra seems
best equipped to fill the role that Duke played for his Reality Hackers: Obviously, music itself is very
niscent of the Gnostic Oxyrhynchus papyri. Ra de- you create your music?
clares himself another order of being, an ambassador Sun Ra: I'd prefer to use the word spirit, rather than
from outer space and an angel. Much of this may spiritual. And I'm dealing with spirit, eternal spirit.
seem downright demented to those whose atomistic Things that never had a beginning or an end and nev-
universe is stripped of mystery and magic, who have er will. It just is. It's been here all along. Total pos-
forgotten our relation to the stars and to one star in siblities. I'm dealing with that. The people on this
isolated solos or parts, but through the total experi- place, they could be not believing. If they didn't be-
ence of a Sun Ra performance. Skeptics search his lieve, I wouldn't blame them. It doesn't concern me.
music for referentials and are deaf to the reverential. The world is not ready for me. I have something
My interview with Sun Ra took place in his dress- to offer the planet that they never had before. It
ing room at the Kaiser Convention Center in Oakland wouldn't hurt them to spend a billion dollars for me to
just before an Arkestra benefit performance for Kon- try something different. They need new music. The
cepts Cultural Gallery in Oakland, California. He Russians say the nation that has the world's music is
spoke in a soft, calm voice throughout, full of Missis- going to rule the world. And they're right, too.
sippi musicality and his own innocence tempered by They're right. The Russians got germs and all that.
years of hurt and neglect. Throughout our conversa- But America's got the world's music namely jazz.
tion, he looked at himself in the dressing room mirror. Animals fight for their territory. I don't have a terri-
WINTER 47
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tory here, so I don't need to fight for it. I don't belong Have you read in the occult sciences and mystical
here. I don't know what happened but something literature or is your knowledge learned
happened why am here. just want to be a musi-
I I internally?
cian, play my music, and do beautiful things, see nice It's from personal experiences with a being who has
trees. taught me.
It's kingdom here. People think certain
a magic Not a human being?
thoughts and they start coming to be. Sickness and Yeah, it's non-human. And he taught me all kinds of
death and all that. It's not proper. What they're talk- things about Jewish mysticism, Egyptian, everything.
ing about could become a reality. So if they believe It's a matter of putting it together and using it
From the time that I was three years old. I remember Wasn't your given name "Herman?"
things images and scenes and feelings. I never felt Just out of nowhere, I said that I'd change my name.
like I was part of this planet. I felt that all this was a You've got this name "Herman" right there, but in the
dream, that it wasn't real. And suffering ... I just French language, it's spelled "Armand." If you just
delighted if they said the government of the leaders, played violin. His name was "Wesley Alexander."
for the leaders, and by the leaders of the people, by Why did they name you "Herman?"
the people, for the people, of the creator, for the crea- I was named after Black Herman. He was one of the
tor, by the creator. greatest magicians that ever lived. He was living dur-
ing the time of Houdini but because he was Black,
In my music, I'm trying to tell them things. Ever since you don't know anything about him. That's what my
I was had to fight against a force
a subteenager, I've mother named me, after him. Probably I've got some
that is doing its very best to keep people from hearing of his attributes. You name a child after a certain be-
me, from knowing me. I had this solid battle with this ing, some kind of vibrational thing right there. I
it's
force that was trying to humiliate me, trying to break was named after Black Herman so I'm always dealing
my spirit. with black.
Where does this force come from? I'm a wordologist. Words' what's doing this.
inghappens unless it come out of that book. You the creator told me in Alabama. I'm dealing with
have to judge the tree by the fruit. The book is just words that can prove themselves that can prove
like a tree. It's made out of tree. It's got leaves just themselves to be correct.
like a tree. You were born in Alabama?
50 REALITY HACKED
That's where I arrived Birmingham, Alabama. I ambassador of death, and the only way they can live
grew up in the Tabernacle Baptist Church. But I truly is they got to get permission from death to live. It's
was an Alien. And my father I really believe my fa- quite simple. They cannot make it without permission
ther was not a man. The last time remember him, I I from the ruler of this planet, which is death.
You were raised by your mother and your grand- I never felt like I was part of
mother? this planet. I felt that all this was
I was really raised by the creator of the universe who
guided me step by step. That's the reason I know
a dream ... I just couldn't connect.
what I know, even the music and all about Jewish his-
tory, Egyptian, mythology. I was taught that by the
creator.
to leave and let the rest of the nation have this planet. of the people in the band were my enemies. They
I don't want it. I came from somewhere else. came
I wanted me to play like other piano players. But I
from someplace so splendid that there are no words said, "No, Fletcher likes me to play like this; he likes
for it. And I always knew it. what I'm doing, so I'm playing this way." I played
How does that relate to your ideas about Saturn? with Fletcher 'till he left Chicago. He liked what I was
In ancient days, the Roman Empire had their treasure doing.
house in a temple which was the temple of Saturn. There has been a steady growth in the number of
Rome in early days was called Saturnian. Saturday is people who appreciate your work.
named after the seventh day. The Jews worship on Well, the music goes two ways. It enlightens the
the seventh day, so they were worshipping on the day minds of my friends and it darkens the minds of my
of Saturn. The six-pointed star represents the sixth enemies. It's a two-way thing, then. All my friends
planet from the sun. And the six-pointed star repre- can really feel and hear something wonderful, and
sents Saturn. they can be just so happy. And all my enemies say,
In alchemy, black is the color associated with "That music isn't anything."
Saturn. It's their loss.
Black is the color associated with Saturn, associated Yes, it's their loss. I'm making them lose things . . .
with the Tower of Babel, which is black. Black and For my friends, I've turned down money, fame, and
blue represents Saturn, the same way purple and everything. I don't have a pot to piss in. But basically
black represents death. My flag is purple and black. I can talk to the world. I can talk to the world about
I've got my flag. My flag is the flag of death, and I some marvelous things that you wouldn't believe
represent His Majesty Death to this planet. I'm the 'cause music is a language.
WINTER 51
general enquiry that is called harmonic
chant or harmonic music. We associate
the beginnings of this music with Tibet
and Mongolia. While singing a regular
fundamental tone, a singer can produce a
co-present harmonic or overtonal partial,
quality in sound
to,
David Hykes and the Harmonic Choir are inter- wanted what I thought of as a prismatically refracted
nationally renowned for their music and mastery in a sound. I sought it electronically, at first, using a device
field Hykes has unified, developed, and named called a harmonizer, it permits you to make a sound,
Harmonic Chant: contemplative music based on a record it, and change its pitch, all at the same time.
universal musical sound, the harmonic series. For Starting with one person's voice, I created a choir
those who think they don know David Hykes, it was
't using multi-track equipment. When showed I the film
his music that enriched the film, Meetings With in New York, accompanied by this electronic "choir,"
Remarkable Men, based on Gurdjieffs spiritual someone likened it to Tibetan sacred chant notes. It
is building dramatically. Has the time arrived for our musical practice and perhaps, in a wider sense,
this exotic music? what listening is actually for.
DAVID HYKES: We've been working since 1975. I'm What places or settings do you enjoy singing in,
surprised that it's already 1988, and this is our first tour or does location make a difference?
in California. For most of the group's lifetime, we've We work rather closely with the traditional places
been based in New York, perhaps because this kind where the music was practiced. For example, we've
of music is more needed there. done several projects with two Tibetan monasteries
Have you had different people involved with you, that practice a sub-harmonic chant. I also went to
or has the group stayed together since its Mongolia to have direct contact with that tradition.
inception? The harmonic series we're working with now remains
I'm still in touch with all the people who were with true to its origins; from the beginning it has been an
me when I founded the group. The music requires inclusive art a musical universe, if you will. It's in
that people work together a fair amount of time. everybody's voice; it is the genetic material in all
52 REALITY HACKERS
dedication that the traditional singers have. this theory?
I hope to have this music be as much help to us A problem with the number of
Yes, of course.
as it is for them. I mention all that because as the workshops around now is that many people have
group gains popularity, I wonder how the wider I received quasi-harmonic teachings. The hunger for
dissemination of this material will influence its basic technique is paramount in people's minds; they have
quality. If we play large "holes" requiring giant sound very fixed ideas about what they want in life. Many
systems, instead of playing in churches where we are reluctant to invest the time necessary for the real
need much less audio support, we could completely work of listening. Some other workshops propose
change the original intent. that with the technique of harmonic
Of our three released recordings, mhb tm^^mm singing, students will automatically
the first, Hearing Solar Winds, and open to a higher energy. That's
Harmonic Meetings, were
the third, singing a impossible. How can one go
both made in L'Abbaye du Thoronet, regular fundamental towards consciousness
in the Provence region of Southern unconscientious^?
France. In the 12th century the
tone... can produce Any kind of singing really
Abbey was a Cistercian monastery a CO-preSent harmonic does open up the breathing and
where monks kept a vow of silence. makes us aware, through the
Perhaps the acoustical proportion of
or overtonal partial...
various other senses, that we're
the architecture is the same as the even several at the here in a different way. Any
harmonic series. The space has a singing ... in the shower or
living quality, as though the stone
same time whatever. Let's bring back that
listens to any sound that is made. feeling of the open heart through
Harmonic Meetings was "B^" ^^^^~~ the singing which is free for
commissioned by a visual arts everyone. I think the complete
project called The Tent of Meeting. The project tried person must have this experience.
to bring sacred art from Christianity, Judaism and That's quite right. I think the voice is one of the
Islam together under one tent. As a focus for this vibrations that speaks for the whole person, the whole
broad goal, I tried to find sacred words common to all body, and I think there is a listening that has the same
three traditions, that none of them would go to war depth. There should be more choirs everywhere in
over some unifying vibration. I found "Hallelujah". the neighborhood, in the school, in the church. And
And indeed, it kept reverberating. that is the base of the pyramid. By the way, getting to
It's a question of how to share this discovery this natural first step is rather difficult. We all have
openly while also making a real stand for values a blocks around listening and relating to the voice,
stand for discrimination of different qualities in a because we are very conditioned about how to listen,
given area. It's a puzzle. It's difficult because, in our and our voice is very conditioned to normal speech.
naive way, we want it in a weekend. The Tibetans It's the silent half of creation that we are not in touch
have had to study for twenty years in a monastery with. This outward stream, that is quite resonant in a
before they could even apply to the Gyuto to practice. group of people singing, is a thrilling thing. There is a
The way I see it, it's helpful to maintain esoteric lack of schematic or formulative knowledge in this
values while leading people to an authentic tradition. area. This kind of work is extraordinarily relative and
Too often people are not really searching; they're just subtle, what Gurdjieff called the wish . . . the wish to
trying out another technique. It's a thrill to sing the be . . . it can help the wish spread in the body.
harmonics, so to me it's quite understandable that With the ingestion of psilocybin mushrooms or
people would tend to stop there, to settle for ayahuasca, celestial sounds from one's internal
technique. But the really interesting part comes after workings are frequently reported. Perhaps we're
the technique is mastered and one realizes that included in the cosmic symphony when
although one sings harmonics, there isn't necessarily a sensitized to that degree. Have you ever
profound effect. Then, like any good art or craft, you experienced anything resembling these sounds
use the practice itself as a lens through which your internally?
own effort is being expressed. You mean as if overhearing something?
Do you give workshops where participants Yes.
actually sing? And is there a practical side to all Let me answer this by way of a book I read recently.
winter 53
David Bohm writes of music as a manifestation of the My theory is that in contrast to everyday
implicit order. He says that when you listen to music, conditioned listening, we have no habits about
the present moment of listening blends with your listening to the harmonic chant. It's something new
recent impressions. It's a sort of timestream. And in being said to us in the language of vibrations and
another part of his book he talks about his vision of therefore it calls for an energy of listening which is
the Big Ring. In his view, before the creation there What you're saying is reminiscent of Rudolf
was an ocean of energies of all wave lengths, all Steiner's ideas. Have you had any connection
possible frequencies, including frequencies much finer with that school?
than current sciences can see or predict. We can The Steiner people's achievement is in agriculture and
predict the finest degree of matter being something products derived from organic sources. The work of
like ten to the minus thirty-three centimeters, and we Hans Jenny, who was a pupil of Steiner, meant a
can observe distances of ten to the minus seventeen tremendous amount to me. He lived in the Steiner
centimeters, but in David Bohm's view these are just Community at Dornach near Basel in Switzerland. He
grosser frequencies. The universe is not empty. It's was an M.D., a painter, and a physicist, working in
quite full. It looks empty because we can't perceive visualizing sound vibrations in physical media, liquid,
what's there. In this pre-creation state, the ocean of particles, and all sorts of things. went to Switzerland
I
energies was in a state of chaotic vibration, and for and got permission to continue his work using the
some reason it began to come into a kind of order sounds of the harmonic chant. This work has been a
what I would call harmonic order. Bohm says that big part of a multi-media opera that I've been working
when frequencies align or summate in that way, it's on for several years, called "In Light of Sound". The
along the lines of the harmonic series. All these piece includes live translation of the harmonic sound
energies began to harmonize the frequencies and into visual energy. We formulated the idea of six
produced a cresting wave of sufficient creative levels of harmonic chant to unify the field, bringing
the spheres, but that, in a certain way, music made the compositions with the group; where each singer could
spheres. That is, a harmonic movement of energy, sing a different note and share the same harmonic, or
which is a good definition of music. Therefore the sing the same note and sing different harmonics, with
universe is not a random accident, as we tend to think. all possibilities in between.
In fact, it is the expression of a harmonious process. Level two is where the singer moves melodically
So, it's quite reasonable that on a cellular level, there and the harmonic moves along at the same time in
hear when we are quiet enough or when our state of Level three was by the Mongolian Hoomi,
inspired
mind has been transformed. I mean, we are that. Of or "throat", singing. The Mongolian and Tibetan
course, that's not the state that we always live in; music, largely influenced by China, makes almost
that's why we need to work. exclusively pentatonic choices. The singer maintains
You spend a lot of time harmonizing within the fundamental note and sings melodies from that
yourself in sound. How harmonious are you in fundamental note's harmonic series. What interests us
your everyday life? is a balanced co-presence between the note, what we
Oh, I'm a mess, just like everybody else. I have two would ordinarily call the note, and the other harmonic
young kids., yelling and screaming day-in and day-out. sound. There is no audible gap in the scale of
Of course, my wife Michelle has been a member of listening. There is a flow between the fundamental
the music group for years, so it's not separated from frequency and the harmonics.
my regular life. I have very intensive musical work Level four has the harmonic staying the same, and
that embodies a real contemplative dimension. But it's the notes changing, as opposed to level three where
not a solution. It's an energy which can deepen the the notes stay the same and the harmonics change.
questioning one may already have, or wish to have. Level five allows the harmonic to move in one
direction, and the note in another.
S4 RFAIITY HACKFRS
Level six is best represented by "Hallelujah" on
Harmonic Meetings, which was based on the
sub-harmonic chant of the Gyuto Monks who sing
fundamental tones and then refract them an octave
downward. So the actual tone is done at about sixty
cycles, producing harmonics from that sub-harmonic
fundamental. "Kyrie," the solo on Hearing Solar
Winds, part one, provides a good demonstration of all
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WINTER 55
m
i
V 'V*
TV*' ^
1
.;; - c <
v? .V *i V C -
# - '.
:*?*yfV
I *
f .-.
THE SHADOW WORLD OF
HEAVY
METAL By Gracie & Zarkov
next door. Through the magic of mu- . . . placing truly awesome technical cap-
sic video let Gracie & Zarkov take you abilities in the hands of the most musically
on a guided tour. Welcome to The limited . . .
--R. McGuinn into the 90's as the longest continuous style in rock
and roll. Despite repeated (and perhaps wishful)
declarations of its demise, 1988 has been the biggest
year in the history of metal. New bands are being
formed and obtaining record contracts by the score.
Photo: Rob Halford of Judas Priest
Old bands, once thought dead, have returned from
WINTER 57
fflSm .
SjL Jk
al its power to convert
teenagers, frighten parents,
thrives on, and is actually enrage the media and
dependent upon, overt dis- probably prevent Senator
approval and
when it comes
hostility
to provid-
But
L*. ^ Gore from ever becoming
President?
ing fuel in the form of mil- It is powered by noth-
new
lions of
sumers, it's
teenage con-
hard to
overestimate the contribu-
m V
ing less than the Shadow
of Western Civilization.
Heavy Metal has become a
tion made by MTV. Heavy catch-all label for music
Metal has often been de- about the unconscious, un-
nied airplay. Metal bands
have relied on almost con-
tinuous touring to get their
& speakable underside of
Western Civilization:
reach only a fraction of metal's mil- dom in the name of social control
lion consumers. Is Heavy Metal and "good government."
MTV now provides Heavy Metal
satanic? Through solid state physics, one
with an electronic fifth column. of the crowning achievements of
While dad subscribes to cable for The envelope Western Civilization's bright high
ESPN and mom for HBO, Junior can please. technology, Heavy Metal can now
record the "Headbangers Ball" shout out these previously unspeaka-
three hours of HM video every Sat- ^^^^ ^^^^^ ble subjects at a volume that will
urday night, even if Junior resides in East Jesus, North drown out a 747. MTV provides Heavy Metal a Pla-
Carolina or Frostbite Falls, Minnesota. And he doesn't tonic cave wall for the projection of this previously oc-
even have to fork over the money he earned at McDo- culted knowledge. The graphic presentation ensures
nalds to take his first voyage into the shadow world of that even the stereotypical HM "drooler" cannot avoid
Heavy Metal video, a world that resembles a crude illumination.
and non-interactive prototype of the cyberpunk ma-
trix. Once initiated, if Junior is at all susceptible, it's a Germanic bardic tradition which
...
one-way ticket to Heavy Metal Hell posters of de- turned cattle thieves into heroes...
mons on his bedroom wall, T-shirts with appalling and
frightful images, long hair, leather and studs, the Atti-
Mircea Eliade
tude, and, most of all, the music loud, obnoxious,
ugly, objectionable music at all hours of the day and Heavy Metal is an attitude
night until his parents cry out in anguish and rage. a bad attitude.
Another All-American soul lost to Heavy Metal. As Helix
U.S. News and World Report said
rather melodramatically: "By the time Photo above: Ozzy Osborne
58 REALITY HACKERS
The Heavy Metal universe is circumscribed by its "good" people and "good" nations condone heinous
audience demographics. The traditional white sub- actions such as repression of individual freedom, poi-
urban male is gaining urban and female compatriots. soning the planet, democratic governments financially
But more importantly, the overwhelming majority of supporting torture, murder and genocide. It should
fans are teenagers. While most met- not appear strange that so many ordinary teenagers,
alheads come from relatively com- struggling with personal powerless-
fortable socioeconomic strata and ness and social hypocrisy, express
their problems are not those of pov- Wagner their bafflement and rage by playing
erty and utter social disenfranchise- such loud and offensive musical at-
doesn't include the future university routinely dealt In the Republic, Plato's hand-
graduate. These are your troubled book for all future literate authoritar-
and delinquent youths. These are
with selling one's ians, he advocated strict control of
not the best and brightest, not future soul to the devil, both the content and, particularly,
yuppies, but kids whose circum- the types and styles of music lest
perverse sexuality,
stances, parents and institutions impressionable youngsters escape
have denied their inalienable rights violence, black proper state indoctrination. This
to intense human feeling, freedom
magicians idea is not without foundation. Nor
of action and expression, and per- is it surprising that Dr. Bloom, Pla-
ceived self-worth. Nor are they pro- stock subjects to's unworthy second-rate interpret-
vided the social and financial re-
of Heavy Metal er, expends his most puerile histri-
wards that young achievers get in onics on rock music and MTV. For
exchange up their free-
for giving video. music does have an ability, unique
doms. among the arts, for arousing strong
Purchasing a record or concert and even overwhelming passions
ticket, or even switching on MTV, and emotions.
provides the key to an electronic shadowland where Heavy Metal musical style has greatly developed
the participant joins like-minded fans and thrills to un- and sharpened Rock & Roll's historic ability to express
familiar feelings of acceptance and power. "People try rebellion and rampaging sexuality and, more recently,
to take my soul away / But I don hear the rap that
't violence, intoxication, and anti-religiosity. Further-
they all say. / They try to tell us we don belong / That's
't more, the style is uniquely suited to offend middle
all right, we're millions strong ..." sings Kiss {Crazy Heavy Metal accomplishes this by
class sensibilities.
ar war.
recently, political helplessness
In these areas the repressiveness and
and nucle-
Gustav Mahler
hypocrisy of conventional mores are glaringly exposed
to the hypersensitive gaze of hormonally-intoxicated Heavy Metal is the totality of existence-
adolescents. Rob Halford, Judas Priest
There are two other key points. First, all the old
myths are new to a 14-year-old. Deep archetypal is- The usual complaint is that Heavy Metal isn'tmu-
sues of heroic action (and its shadow, senseless vio- sic just noise and distortion. While this is true on
lence) or romantic love (and its shadow, fixated sexu- the surface, HM uses noise as a musical technique in a
ality) are painfully, personally relevant. Second, since manner similar to the use of orchestration, color and
the 60's, the message has been passed on to each gen- timbre in classical music. Without its noise and awe-
eration of kids "They're lying to us." Mainstream some volumes, Heavy Metal band would most re-
a
conventional consumer culture is hiding things from semble a drum kit. After all, a
string quartet with a
us and themselves. Adolescents face a world where classical symphony is formally identical to a string
WINTER 59
quartet, distinguished primarily by orchestrated color is the acoustical definition of noise.
and texture. Deafening, chest-crunching volume Actually, in Heavy Metal the "noise" is not ran-
makes a live Heavy Metal concert a form of physical dom, it's carefully controlled by the instrumentalists.
assault. Analyzed fractally, the distortion, feedback The noise becomes the music. If one is familiar with
and noise so characteristic of HM have a dimension the idiom, it's possible to enjoy a musical texture as
different from those of voices, natural sounds or rich, if not as conventionally beautiful, as that of a
acoustic instruments. Literally thousands of tones all symphony orchestra. To the unsympathetic, it is sonic
across the sonic spectrum are generated by distortion. mud or painful noise. However, this was the Vien-
These tones don't have the simple harmonic relation- nese musical establishment's opinion of Richard
ships of acoustic musical overtones. In the case of a Wagner's music in the last century. Just as Wagner
complex multi-amp, multi-instrument HM perfor- used "objectionable" sound to convey his themes,
mance, they are distributed in a mathematical pattern Heavy Metal uses its uniquely objectionable style for
almost approaching randomness. A random spectrum conveying its intensely objectionable content. By
now, Heavy Metal has borrowed
such a wealth of musical tech-
niques that it has created a lan-
guage approaching the minor
Romantic composers in expressive-
this approximates: licks build riffs, riffs build sequenc- were the first group to make extensive use of distor-
es, sequences build songs. A particular twelve-bar tion as music. As Psychedelia blossomed, distortion,
blues progression with its endless I-I, IV-I, I-V, V (IV) high volume, country, Middle Eastern, and Indian se-
I sequences can be thought of as a predetermined way quences (ragas are modal compositions) enriched and
to harmonize that mode, giving it its "bluesy" sound. transformed rock & roll into rock. During this period
The chord, as such, dates back to 1600 A.D. In of fertile experimentation, the Rolling Stones reached
Johann Cruger's Synopsis Musicae ,
back to the 12th century trope from
he described the emotional and h^^mm i^^M the Mass for the Dead, the Dies Irae,
poetic content of various chord pro- and combined it with a sitar drone
gressions, an interpretive content The divine in Paint it Black.
that has remained surprisingly con- spark of humanity Out of the "smoky wisps of
stant over the intervening 400 years. psychedelia" arose Metal, with such
Classical music in the 18th and 19th is trapped in the stupefying transitional works as In-
centuries concentrated on diatonic undeniably ugly A-Gadda-Da-Vida and the oeuvre
major and minor harmonic develop- of the Vanilla Fudge.
ment, along with formal techniques
clay of Throughout Metal's heyday in
for creating large scale works, and Angus Young. the 70's, innovative groups added
often used melodies so simple that now-standard techniques. (For a
Kiss wouldn't touch them. Romantic ^^mnm wmmm Heavy Metal see Heavy
history of
fashion often used other modal Metal Thunder by Philip Bashe.)
scales to evoke Gothic or occult atmospheres. Liszt Heavy Metal continued to expand its range by gradu-
and Paganini were masters of this technique. Through ally stealing sequences and ideas from wherever it
Liszt's technique of thematic transformations (the best could; it's a folk art and, unlike "high" art, you don't
example being the B minor Piano Sonata), a quick go to school to learn it. You listen and imitate. Then
moods is made possible by moving deft-
succession of you throw in some ideas of your own a sequence
ly between the diatonic and the modal. This tech- from a horror movie, a chord progression from Paga-
nique, greatly simplified, is beloved of Heavy Metal nini, and great bleeding chunks from your favorite
guitar heroes, who usually borrow from Paganini, band's last album. This is how Metal expanded its
ambiguous modal fourths offer new possibilities for Change in Heavy Metal now
limited by its audi-
is
modulation. These fourth intervals, harmonized as the ence's inherent conservatism. band moves too far,
If a
tritone and considered the "devil in music" since the too fast, fans desert it. For example, the catcalls and
16th century, give Heavy Metal "instant occultism." poor sales that greeted Judas Priest's radical shift in
Similarly, John Coltrane and Miles Davis made exten- (continued on page 90)
WINTER 6l
The Liberation of Sound
The Magic of Music: Despite the superficial appearance of stagnation in
pop music, modern music is very much alive. The
twentieth century has experienced the liberation of
sound. Seemingly every conceivable permutation of
still nearby animals. In many primi- experienced the Foday Musa Suso and the Mandingo Gri-
tive cultures, the sounds of musical Mandingo
ot Society (Celluloid) Exu-
intruments represented the voices of liberation of berant blend with electric kora.
the spirits. In later civilizations,
myth, ritual, and music were inter- sound. Seemingly WOMAD Talking Book series Intro-
WINTER 63
clouds. Manfred Clynes, ed.. Music, Mind and Brain: The Neuro-
The Sounds ofJust Intonation Two cassettes with 64 psychology of Music, 1982.
pages of documentation available from the Just Intonation Ronnie Graham, The De Capo Guide to Current African
Network. Music, 1988.
Ihe Science of Sound (Folkways). Produced by Bell Labs Peter M. Hamel, Through Music to the Self, 1976.
in I960. Hans Jenny, Cymatics: The Structure and Dynamics of
Holophonics Live! Amazing sound effects, pre-Columbian Waves and Vibrations, 1967 and 1974, Basil: Basilius Press
instruments, and a symphony in 3D Brain/Mind Bulletin, (Out of print. Get the videos from Macromedia, P.O. Box
Box 42211 LA, CA 90042. 1223, Brookline, Mass. 02146)
Negativland Escape from Noise (SST). Elizabeth May, (ed.) Music of Many
Man with his tape splicer on fire wants Cultures: An Introduction, 1980. Handy
to get you into the hole he's in. collection of ethnomusicology pieces.
R. Carlos Nakai Sundance Season (Ce- Ernest McClain, Meditations Through
lestial Harmonies) Native American flute the Qu'ran, 1985. Explores sacred archi-
music with drums, chants, rattles, and tecture through number and tone. See
eagle bone whistle. also his earlier, more difficult books on
Ravi Shankar Introduction to Indian the Hindus and Greeks.
Classical Music with Musical Exam- Thomas Rossing, The Science of Sound,
ples (cassette). Ravi Shankar Music Cir- 1983 Introductory textbook of acoustics
cle, 7911 Willoughby Ave., LA, CA. covering physics, psychology, speech,
Music of the Pygmies (Ocora). Protean hearing, music, architecture and technol-
yodels and polyphony. ogy-
Gilbert Rouget, Music and Trance: A
Organizations/Publications Theory of the Relations Between Mu-
Ear Magazine, 325 Spring St., Rm 208, sic and Possession, 1985. Illuminating
NY.NY. 10013. Monthly updates on the because it asks the right questions but
East Coast new music scene. See special materialist bias results in rigid, predicta-
design, construction and enjoyment of new sound sources." John Schaefer, New Sounds: A Listener's Guide to New
Fact sheet 5, $2 from Mike Gunderloy, 6 Arizona Ave., Rens- Music, 1987. Excellent review guide of current trends in el-
selaer, NY. 12144. Unbeatable guide to offbeat mags, espe- ectronic, new classical, world music, ususual folk, and more.
cially fanzines. Lists labels and distributors.
Internal, Box 8027, San Diego, CA.92102. Exploring the David Seay and Mary Neely, Stairway to Heaven: The
harmonic series with new instruments and scales. Spiritual Roots of Rock n' Roll, 1986 Waiting for a mes-
Just Intonation Network, 535 Stevenson St., SF, CA. 94103. siah with a guitar.
Publishes 1/1, holds monthly meetings, and sells educational Paul Williams, The Map: Rediscovering Rock and Roll
materials. (A Journey) Founder of Crawdaddy on the energy of the
New Music Distribution Service, 500 Broadway, NY, moment.
NY. 10012. Distributes avant-garde recordings of every con- John Whitney, Digital Harmony: On the Complementar-
ceivable type. ity of Music and Visual Art 1980. (Byte Books).
,
OPtions Magazine, Sonic Options Network, 2345 Westwood Joachim-Ernst Berendt, Nada Brahma: Music and the
Blvd. #2, LA, CA. 90064. Great all-around coverage of alter Landscape of Consciousness 1987 ,
native music. Yehudi Menuhin and Curtis Davis, The Music of Man ,
Visual Music Alliance, 8435 Geyser Ave., Northridge, CA. 1979. Good introductory survey with great pictures.
91324. Promotes the new art-form through screenings and Rogan Taylor, The Death and Resurrection Show: From
seminars with film and music professionals. The Creative Shaman to Superstar, 1985.
Film Society, which sells and rents avant-garde and visual-
music classics is also at this address. A cultural treasure!
64 REALITY HACKERS
Anywhere in the universe!
NORMAN SPINRAD
R jJ
mmmJi-
A j J liEJC
hmJ TtMo nanl mmJI wmmmM wmmmM|| 11tJ wmmmM mmmm*
'
l
R| '
I II E Sm j
i l
Trajectories is your kind of reading if you'd rather create the future than worry
about it.
Each issue features news of new discoveries. Wilson's wild humor. feminist . . . .
futurism by Arlen Riley Wilson... interviews with leading futurists like Linus Pauling,
Tim Leary, Barbara Marx Hubbard, etc.... a no-holds-barred readers' forum, and more!
Paganism- could
People jacked in so they
Put the trodes
hustle.
on and they were out there,
all the data in the world
Is governed by a single
programming rule.
Edward Fredkin
A UNIVERSE OF BITS AND BYTES ergy/matter were sub-atomic bits of programmed in-
Major historical accomplishments of the 20th cen- formation that zoom around in clouds of ever-
tury included the personalization and popularization changing, if/then, start/stop, off/on, 0/1, yin/yang
of Quantum Physics, an acceptance of self-reference probabilities in clusters of pixels, up-and-down recur-
and circular causality in systems of mathematics and sive stairways of paradox.
psychology, and the resulting development of cyber- When they started out, no one understood what
netic society. these guys were talking about. They expressed their
This philosophic achievement, which has domi- unsettling theories in complex equations written on
nated the culture of the 20th century was based on a blackboards with chalk. Believe it or not, these great
discovery by nuclear and quantum physicists around physicists thought and communicated with a neolithic
1900, that visible-tangible realities are written in a dig- tool chalk-marks on the wall of the cave. The irony
ital assembly language we could accurately call "bas- was this: Einstein and his brilliant colleagues could not
momentum, and inertia, cast into a Manichaean drama to describe in dusty symbols on his blackboard.
levity, entropy vs. evolution and coerced by such A WILD AND SCARY HALLUCINOGENIQUE
pious Bank-of-England notions as conservation of en- Now let us reflect on the head-bursting adjustment
ergy. This dependable, static, predictable, universe required here. The relativistic universe described by
suddenly, in the minds of Planck/Heisenberg became Einstein and the nuclear physicists is alien and terrify-
digitized, transformed into shimmering quantum ing. Quantum physics is quite literally a wild, confus-
screens of electronic probabilities. ing psyberdelic trip. It postulates an Alice-in-
Up here in 1988, we are learning to experience Wonderland, Sartrean universe in which everything is
what Neils Bohr and Werner Heisenberg could only changing. As Heisenberg implied: nothing is certain
dream of. The universe, according to their cyberdelic except uncertainty. Matter is energy. Energy and mat-
equations, is best described as a digital information ter are temporary states of info-bits, frozen at various
It seems to follow that the great intellectual chal- People living in the solid, mechanical world of
lenge of the 20th century was to make this universe 1901 simply could not understand or experience a
"user friendly," to prepare individual human beings to quantum universe. Dear sweet old Einstein, who
decode, digitize, store, process & reflect the sub- couldn't accept his own unsettling equations, was de-
programs which make up his/her own personal reali- nounced as evil and immoral by Catholic bishops and
ties. sober theologians who sensed how unsettling and rev-
olutionary these new ideas could be. Ethical relativity
NOBODY KNEW WHAT THESE GUYS is still the mortal sin of religious fundamentalists.
WERE TALKING ABOUT
The chain of events that elevated us to this new THE CYBERPUNK AS MODERN ALCHEMIST
genetic status, HOMO SAPIENS CYBERNETICUS, be- The baby boom generation has grown up in an
gan around the turn of the century. electronic world ofTV and personal computing
Physicists, we recall, are traditionally assigned the screens. The cyberpunks offer metaphors, rituals, life
task of sorting out the nature of reality. So it was the styles for dealing with the universe of information.
quantum philsophers who figured out that units of en- (continued on page 82)
WINTER 67
Why would a well-fed software sultan even
take note of an infidel hacker's existence, let alone
CYBER want
viruses.
alert.
to extinguish
Computer viruses
don't want
phones. They don't want to be quoted.
Computer
are the number one health
in its
when my
to talk
boots.
questions
on
All
their
my
TERRORISTS
cellular
VIRAL
full
for sixty hours, their flesh ent. All part of my head-hunting. I've been recruiting
al rising stars."
existence, and then they
I stirs two
broach the subject of viruses as Mabuse
should be taken out and packets of bright greenpowder into his glass of Calis-
shot" toga mineral water and dumps a handful of pills from
a hammered-silver pillbox. I peer intently at the de-
-attributed to Bill Atkinson
68 REALITY HACKERS
sign~a pyramid with a shining eye. He's even worked for the government sporadically,
"Well, the West German hacker cabal known as but in his heart of hearts, he's an anarchist dedicated
"
Chaos distributed a 'how-to-make-a-virus' routine for to the revaluation of all values...
those too deficient to design their own, but that's a "Sounds terribly earnest."
crude, easily-thwarted stab for anarchy. Viruses, like "Oh, nohe's a terrific prankster keeps us all
suits and shoes, are best custom-made. A much more amused. At the age of sixteen, while under Crowley's
interesting and elegant virus than the mass-market spell, he shaved his head, filed his teeth, and created
Chaos model, is one which a protege of mine released the 'DO WHAT THOU WILT' virus. He released it at
recently. Manipulation of behavior is the best hack. the University of Chicago, allowing time for it to dis-
The virus is subliminal. It displays text for a bare able hard disks, and then went round offices and labs
fraction of a second." offering to exorcise the computers with a 'love ritu-
"What's the message?" al'. ..but here he comes now..."
"Oh, it alternates between 'DO WHAT A jumpsuited figure
THOU WILT' and 'QUESTION AUTHOR- in black approaches
ITY'" our table. I figure
He tosses the handful of pills
into his mouth and downs it with
the emerald elixir.
chlorella, Hydergine..." He
glances up and catches my
blank expression. "Prozac
potentiates neurotransmitter
production and has protein-
binding characteristics which
are used to full advantage by
taking it concommitantly with
chorella which provides nineteen
of the twenty-two amino acids. Hy-
dergine allows dendrites to become
branchier... which reminds me, I know
whom you should talk toMichael Synergy,
one of my most able apprentices. He begged me,
when he was a mere computer whelpling, to, uh,
'modify' him if it would enhance his hacking."
"Modify him?"
"Well, I gave Synergy the full treatment: wrote him
prescriptions for all the smart pills; gave him all the cy-
ter interface."
WINTER 69
the cafe, he's written the
Table layout of disk directory
Figure 1
complete text of the fol-
another doppio cappuccino. Anyone for a coffee or ruses are highly optimized, highly specialized operat-
dessert?" ing systems. They monitor traffic through storage and
"I don't allow myself to ingest caffeine or sugar; it interface, analyzing the signals, looking for the specific
disrupts my delicate neuropeptides," Synergy says with patterns that will trigger them into action. What's it
Spocklike restraint. Practices which are not wholly going to be then? Bloody chaos? Or just a bit of the
life-enhancing he simply jettisons. I'm impressed. old self-replication, all lying snug in the host until the
By the time I return to the table, Synergy has chance comes to forward a few over the lines, or to
made several diagrams of viruses. And before I leave pack some off on the floppy. They don't mind a delay
Figure 2
management. R
E
C
T
R
Y
Block 1 D Block 3B
SB Block 2
R
E
MHH
1
C 1
70 REALITY HACKERS
until activation, and their maker can be
faraway when they do superhero out. Figure 3
This is the ideal weapon for electronic
terrorism and espionage, the equivalent
of a suitcase-sized fusion device.
-a program is encapsulated to define start and finish
-the prolog and epilog contain important information such as where to load
VIRUS TAXONOMY the file to in memory, file length, where to begin program
execution, checksum
Computer viruses can be only loose -data storage has not evolved much beyond papertape
ly classified by their 'host' computer sys-
an insider's knowledge. The video scan (relative sizes shown here are not meant to be significant)
age: publishing software and word pro- t_ a section of code which is longer than
cessors could lose the ability to format it needs to be
WINTER 71
Figure 6
PROGRAM TOOLBOX
ROUTINE
CALL
X
PROGRAM SYSTEM
HEAP
CALL
TOOLBOX
a virus can intercept a subroutine call by being inserted on the ROUTINE
system heap, execute its instructions when a routine is called,
then pass the call off to the debugged code on the system
heap or the original tool box routine
disk drive controller (ROM) 'bootstraps' (loads a large ICING THE BODY ELECTRIC
program into memory by loading successively larger A virus which finds an uninfected program can
sections of code which then load others) the operating use a variety of ways to insert itself. A 'salami' model
system into RAM and begins execution at the designat- is the most common: the virus splits the program and
ed starting point. It is important to note that an oper- inserts itself at a convenient point, usually at the very
ating system is a program just like all others stored on beginning of the code (see figure 4). A more subtle
disk. Disk organization is a set of concentric circles approach is possible, where the virus inhabits only
('tracks'), subdivided into pie-like sections ('sectors'), certain programs (such as operating systems) by re-
on which the data is stored. To keep track of impor- placing a section of seldom-used code, or replacing a
tant information about stored data (type, name, size, section of sloppy code with a tighter version coupled
creation date, disk location of first sectorsee figure with the virus code (see figure 5). Buffer areas are
1), a directory track is needed, usually located in the also easy targets for a virus to inhabit.
middle of the disk. When a file/program is loaded Viruses can do their damage only if they have
from disk, it is again bootstrapped. This is due to sec- control of the processor. As DOS is automatically exe-
tor allocation interleaving ('soft partitioning' see figure cuted at boot, viruses with hooks in the OS are best
2) which allows dynamic management of non- able to do damage. Programs with viruses injected
contiguous disk storage space. A program is stored spread the infection, since they can be exchanged via
on disk much like a glorified paper tape. There is a disk or modem. The initial 'vector' by which a virus
prolog, which identifies the start of the file, the length, invades a computer is usually some attractive program
and the point in memory it is to be loaded to. The such as a utility (an anti-virus program for instance), a
body of the program follows, and it is immediately fol- game some irresistible computerized pornography.
or
lowed by the epilog, signalling the end of the program In IBM-DOS, the system utilities are standard pro-
and a checksum to insure an accurate load (see figure gramsalways present, and identical across DOS ver-
3). Structured in such a way, the DOS and files stored sions; an easy vector. On the Macintosh, the ROM
under it are open to a viral attack. trap reroutes toolbox calls and redirects them to the
Figure 7
The Multics model of security - the closer to the core (depth 0), the
greater the abilities of the user and programs, and the more 'sensitive'
the information. Security rings stop the flow of data from secure rings to
unsecure rings.
v
o =X> v
2
transmission pathways could be the protection bits on a file (such as a mailbox) which both
viruses can access, acting as a data channel. Vg can transmit data it now has access to (such
system heap, wherein viruses may lurk (see figure 6). of public domain or 'shareware' authors to eliminate
Mac whipped up from the system
viruses can be the competition. Hunter/killer viruses are being used
BIOS (IBM Reference Manuals) and the Macintosh to seek Microsoft product and Lotus data files and
toolkit, released as a limited concession to the 'open' erase them. Microsoft and Lotus are targets due to
architecture philosophy. The 'closed' system architec- their unpopular pursuit of near-monopoly power,
ture, also present in both machines, complicates mat- which greatly hinders innovation within the computer
ters. Systems calls are 'black boxes' and great sections industry.
of both machines are undocumented, allowing techni-
cally savvy programmers to create undetectable virus- SEARCH AND DESTROY
es that exploit this obfuscation for their own protec- Hunter/killer viruses are used as a guerrilla weap-
tion. 80286 and 80386 architecture will also allow on to express the displeasure of their creators with a
viruses to remain undetected through the virtual- 'closed shop'. A disgruntled employee of Electronic
machine capabilities of the chips. If software were to Data Systems (EDS) wrote a virus intended to wipe
run in the 'protected' mode, viruses would be much out the in-house software. This 'scores' virus, intend-
more difficult to implement on the IBM-PC line, but ed to damage EDS, in fact did little or no damage, if
DOS cannot be run in the 'protected' mode. Operat- EDS reports are to be believed. Many other sites have
ing systems are open enough to allow virus designers been hurt, however Apple, IBM, defense contractors-
to create viruses, but closed enough to cause a 'securi- even Stephen Wolfram's Mathetnatica was used as a
ty through obfuscation' for the viral code and prevent vector, causing damage at the product's beta-test sites.
WINTER 73
Figure 8
1 IBMmodule
1 PRIMEmodule These sections of code are stored as data, encapsulated from the module which is
executing.
1 HPmodule
When the virus infects another computer, it undergoes a topological transformation, spool-
ing the proper module first and insulating the remaining modules as data.
For instance, the polymorphous configuration shown above (executing on a DEC system)
would spool the HP module into the active position and then port the rest of the modules
using the active module as a gateway.
This ability allows sophisticated viruses to cross barriers assumed able to stop them,
1 Active viru3 module-HP whether between micro's, minis or mainframes.
1 DECmodule
1 IBMmodule
PRIMEmodule
be extremely difficult for SEC to pursue. Blackmail of fare arena. The Pentagon's decontamination drill com-
corporations or governments enters a new dimension mands the destruction of disks presumed infected, and
with the use of viruses. Clearly, the next wave of the literal bulldozing of hard drives. No nation's mis-
profitable computer crime will involve the use of vi- sile computers (or SDI systems) are safe when a virus
ruses or tapeworms. could turn the swords into plowshares.
Chaos would follow targetting the IRS computers
MILITARY AND COUNTER-MILITARY to destroy records selectively or wholesale. The likeli-
Although military viruses might seem to be in the hood of such a penetration is almost a certainty.
realm of science fiction, they have already been imple-
mented. Israeli computer systems governing the Gaza HERE THERE BE TAPEWORMS
strip occupation have been successfully attacked by vi- Viruses are not necessarily designed only for dam-
ruses which destroyed birth records, population con- age. A tapeworm is the next level of computer pene-
trol data, operations plansthe information necessary tration, taking advantage of computer virus theory and
to maintain the suppression of the inhabitants of the programming techniques generated by artificial intelli-
region. gence research. A tapeworm is a program structure
The infiltration of civilian computers with viruses with a head, a body, and a tail. The head contains
designed to be activated on a future occasion has ob- penetration programming and a pattern matcher, the
vious usefulness to military organizations. The Swift body is an expandable encapsulated area designated
Telex International Funds Transfer computers, Missile to contain the data used by the head and the data ac-
Control computers (both U.S. and Soviet), cryptogra- quired using the pattern matcher, and the tail is the
phy computers, telecommunications computers (Elec- success qualifier which directs a change in action for
tronic Switching Systems) all provide vulnerable tar- the tapeworm. A tapeworm is highly useful for a 'cov-
gets of opportunity. In the event of a first strike or ert channel' attack. It can be introduced into a target
invasion, a virus to 'soften up' the enemy must be computer and linked lamprey-style to a commonly
viewed as the first logical step in the electronic war- used program (mail or spool demon) through an ac-
74 REALITY HACKERS
Figure 9
Viruses could inhabit each processor, growing and dying off as needed on a local
level, in neural network fashion. Locality is defined by connectivity.
count without privileges. The tapeworm will eventu- that recognizes the computer it is infecting; it adjusts
ally cross a security level, most likely through its exe- itself to conform to the specs of the system it rides,
cution by a super-user. The tapeworm can, at this transforming its once unexecutable data into the active
point, transmit data back to module on the new host.
the public-access tape-
^^^ ^^^^ Such a virus can spread to
worm, which will store it. computers made by differ-
stored alike, whether it's programming, text, graphics, rus mission, the larger
1
WINTER 75
and not betray their presence by an unlimited growth
GIVE ME A COOKIE... OR ELSE! The PLATO net-
made by
pattern. All function calls a virus can use a
work contained a novel and 'friendly' virus, called
depth of indirect reference, making a scan for com-
Cookie. Whenever a user engaged in text-entry (the
mon calls useless. and code should never
Its size
programs targeted by this virus), at random intervals
change, preventing checksums and file length checks
the message, "Give me a cookie!" would appear. Im-
from finding it. It is entirely possible to write a virus
mediately typing "cookie" would banish the virus for a
that will use bootstrap hooks to load itself in from
while, but failing to appease its appetite would cause
'unformatted' disk areas. The game of cat and mouse
lock-out from the work, or deletion of random text.
between viral and anti-viral programswill usually be
Cookie later migrated to printer drivers where it would
won by viruses, since they are custom written and can
put "Give me a cookie!" into the formatted output from
avoid the common traps.
the system. This minor annoyance has also been im-
plemented on DEC systems.
ARE YOU HAVING AN OUT-OF-ANTIBODY
EXPERIENCE?
Anti-viral agentswhich simply execute a one-to-
a hay stack of uninterpretable code. Larger viruses are one comparison on a system are simply useless. They
harder to hide in code, their 'salami' techniques are need a 'clean' system as a control, which cannot be as-
easier to spot, patterns of code are more likely to be sumed to be available. A system 'snapshot' used to
matchable, checksums are harder to fool or pad out. compare for changes is worthless-it is negated by any
The maxim goes: small viruses are stoppable, larger change in the system, is as large as the system itself
viruses are detectable. Of course, size is relative (megabytes in most cases), and must become memo-
'small' undetectable viruses on microcomputers need ry-resident and thereby itself vulnerable to tampering.
to be shorter than a few hundred bytes, while on In fact, all commercial anti-viral programs are useless,
mini's and mainframes the viruses can be thousands of in time. As viruses are customized and can be written
bytes long, a needle in a much larger haystack. Tape- to evade searches by antibodies, so anti-viral program-
worms, for instance, have little utility for microcom- ming must be custom written. Concerned users
puters, but gain immense power with the resources should create their own code; such decentralized and
available on larger systems. varied techniques can outmaneuver viruses designed
to slip through the usual cracks, to evade 'standard'
LITTLE TRIGGERS search patterns. Consider the hybrid cloned wheat
Time-triggered viruses such as the "Friday the crop. Homogeneity makes for a standardized product,
13th" virus are easily detected by scanning for clock but a single (biological) virus could blast the entire
chip access or for the pattern matcher's comparison crop. Genetic diversity, more than just a good idea...
string. no
In fact, a properly designed virus will carry
text string, since text and graphics can be identified PURGING YOUR SYSTEM
with a variety of utilities; classical messenger viruses The key to stopping viruses is two-fold. A virus
are mercilessly spotlighted. De-worming cycle checks can't do any harm unless it has control of the proces-
can get you; they just advance the time setting at soft- sor. Also, it can't damage a disk if it's blocked, either
ware speeds and wait for the viruses to pop out. Sim- by a write protect (hard partitioning for hard drives) or
ply bypassing the activation date (April 1st, for sure) by the absence of important system subroutines such
will make these viral triggers worthless. as formatting or deleting utilities.
Viral triggers can be smarter. A virus can be The first you can take to stop viruses is to re-
step
subtle. A virus can always wait: for a certain number move file management calls from the operating system
of accesses to a file or disk; for specific characters or and isolate them on a disk for use only on an external
commands from the interface devices; for a target soft- drive. Write-protect this disk so a virus can't infect it.
ware house product or data file to be loaded; for a Always coldboot the computer-turn the power and off
single random byte on a disk to change value; for a back on before and after use. This prevents memory-
certain amount of disk space to be used. resident viruses from accessing the routines. Since this
one disk is now your main maintenance disk, thor-
THE ELEGANT PARASITE oughly examine it for viruses. Viruses must either tar-
Subtle viruses can be programmed to be self- get this disk specifically, or carry their own disk access
limiting, to strike only certain targets in certain ways routines, thus increasing their size and vulnerability to
76 REALITY HACKERS
a search for such routines. with computational power, and could be self-
To keep a virus from gaining control of your pro- organizing in a neural network fashion (the viruses
cessor, use a simple level of encryption. Read/write replicate and die in accord with the need for proces-
functions of the operating system can be rewritten to sor control), they should be exploited as simply anoth-
encompass a decrypt/encrypt function using a one- er tool of computational theory.Communication be-
time pad or fast knapsack trapdoor-type cipher. This tween viruses/processors would be achieved by
prompts for the key, or takes the key from a file tapeworms, which are inherently packet-switched and
whose name is changed at each load with the file- goal/destination-oriented. will work
These techniques
name prompted for, rendering lam- with modern Von Neumann bus ar-
prey-type 'salami' viruses useless. If ^^^ chitecture, but are more directly ap-
a stored and encrypted file is modi- plicable towards optical communica-
fied by a virus, it will be obvious at Viral triggers tion pathways (see figure 9). While a
load time. The decryption function great deal of the focus on viruses has
can be smarter.
would make the program executable been negative due to the damage
again while encrypting the virus, A virus can they can do, I see them as the next
making it an unexecutable section of be subtle. A generation of programming, designed
programming which will crash on for parallel decentralized processing.
entry. A sophisticated virus could at- virus can always
tempt to simulate a decryption wait... LIKE HAVING BEES IN YOUR
prompt, but, once again, this elabo- HEAD...BUT THERE THEY ARE!
ration will
tion.
open the virus to detec-
Virus-breeders can be placed
^i mm The desire to create viruses has
been caused largely by an environ-
between this rock and that hard mental change in the software/
place: small undetectable viruses can't counter- hardware industry. While the software industry has
maneuver, and larger wilier viruses become detecta- moved away from 'copy protection', a corresponding
ble. opening of hardware and the operating systems has
not followed. The computer industry is now being
THE KINDLY ONES forced to choose between implementing entirely
There are beneficial uses for computer viruses as 'closed' systems with ROM DOS's and little usefulness
well. Viruses can be written to 'tail chase' known vi- (and hence marketability), or allowing diverse, non-
ruses and deactivate them, thus removing the necessi- standardized, well-documented operating systems with
ty for constant checking with customized anti-viral 'open' architecture.
programs. Viruses are utilizable for computer security A final word: computer viruses do exist and are
(and copy protection, a direction hope they do notI active. It will take a great deal of luck to find them
take) with telecommunications. A user calling a com- and stop them, as they have already infected compil-
puter could be sent a virus with a time coded one- ers, in-house software tools, and archived files. The
time pad cipher which will handle all communications potential effects of military viruses are staggering. In-
traffic between the computer and the remote site. Af- ternational funds transfers are in jeopardy, missile and
ter the session is completed, the virus erases itself and code-breaking computers won't function when they
any storage utilized. The security of such a technique receive their orders, and projects like SDI will never
lies in the encrypted communications channel, and the work (millions of lines of code are impossible to
unwillingness of an unauthorized user to abdicate search for a bug, let alone a virus). The industry and
control to a potentially hostile program which has the other potential targets are at the stage of 'damage con-
ability to disallow certain functions from the remote trol': attempting to minimize the effects when the vi-
site itself. ruses are triggered.
Most importantly, viruses and viral theory (with Ignoring the problem won't make it go away. In
overlaps into cellular automata) have direct applica- essence, the creators of viruses can declare the game
tion to the field of artificial intelligence, especially over, with themselves as the winners. Either the com-
since they couldbe used as the control mechanism puter industry will suffer enormous losses, or comput-
and computational engine for massively parallel com- ers and software will open back up, a major benefit to
puters such as the Connection Machine. As viruses all.
WINTER 77
letters
Give my regards to the esteemed R. U. Sirius and
( continued from page 8) keep the lasagna flying over Berkeley!
nu-wave media: Power to the People and Freedom of Con- Los Angeles
uplifting media into the local reality. About Durk and Sandy . . . Are they superheroes or
Hail Eris! what? I mean, they look like mutineer Starship Enterprise
Warm Regards, crewmembers beamed, as a tag team, into the ring of an All-
Paul White for Maggie's Farm Star Wrestling match. Do you really expect us to believe
Bellingen, NSW, Australia that beings like this truly walk the earth, even if they do live
in LA? And can / look like Durk Pearson (or Sandy, for that
I just saw a copy of Reality Hackers. It arrived in an matter) if I stoke my brain with sufficient shovel-loads of
unusual way, which might amuse you. None of my friends Psychoactive Softdrink powder (even accompanied by goo-
in the Bay Area sent it, or even told me that such a maga- gols of squat-thrusts)? Truly, Durk and Sandy appear to be
zine existed. A friend from Berlin, visiting the U.S., picked it
the end result of a selective-breeding program, or UFO
up in San Francisco and showed it to me . . . One more abductees whose nervous systems have been massively
proof we're living in the Global Village, I guess. rewired. Are they wearing prostheses? Are the photos
retouched? Were they grown in vitro ? Well, someone has
to ask. I know I'm not the only one thinking it. I ask this
of the Dolphin and Altered States. titude toward the sixties nostalgia frenzy currently being
mm Wanderings of a Spiritualist
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78 REALITY HACKERS
promulgated throughout the mass media by a scurrilous co- to see more articles by Timothy Leary, William Burroughs,
terie of sixtiesists. and Robert Anton Wilson. Also, an article relating all of this
Yours, with no "peas" or love, but rather with a clear- to the 3rd, 4th, and 5th worlds, rather than mall-culture
headed recognition of the importance of intoxicants, of a would be highly appreciated.
certain nature, in the inner life of mankind. All's Quiet On the Western Front,
Count Screwloose William Dozier
San Francisco, CA Richmond, Kentucky
Thanks, Wm. In answer to your intelligent questions; 1)
Dear Sirius or Madamu, The closestwe get to being a descendant of Crawdaddy is Pe-
I only recently encountered your magazine. Needless ter Stafford, who co-authors our Psychedelic Scenarios col-
to say, I was floored by RH #5's content and quality so umn. Peter was editor of Crawdaddy for a couple ofyears in
much so, that occupational thought viruses compel me to the mid-70's. 2) "New Age ",
like "Drugs", is one of those ge-
enroll in your neuro-network. neric words that has a lot of associations but has lost precise
Questions: 1) Are your publications descended from meaning. The bottom-line is that the "New Age" is now defin-
Crawdaddy! 2) How are you oriented to the "New Age" able as a consumer market. We happen to reach a substan-
movement? 3) Are you, in fact, a post-modern Fabian Soci- tial portion of that market. Transformation of the species?
ety? 4) Does your philo-policy exclude the establishment of We're still interested. 3) I always preferred Frankie Avalon.
global institutions as a possible solution? 4) Establishment:' Institutions? How about non-coercive glo-
R.H. is a welcomed alternative to XXX, boasting ads bal organisms?
that are as enjoyable to read as its articles, but I would like Also, you 11 be happy to know that we'll soon be esta-
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the esteemed R. A. Wilson. R.U. Sirius
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WINTER 79
hacker profiles
(continued from page 7)
Ira Steingroot: A jazz critic since 1973, Ira claims that jazz is
a student of the
shares the fruit
Western occult tradition
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phapacers, P.O. Box 2385, Eugene, OR 97402. (503) 683-
dent of Shamanism and the effects of music on conscious-
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80 REALITY HACKERS
Tibetan Bells, singing bowls, tinkerballs (celestial spheres),
Chinese chime balls, drums, incense, silk pouches, jewelry
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PRODUCTS
Higher & Higher is the Infozine for Moody Blues enthu- INSTITUTE
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WINTER 81
Load & Run and
medes.
to this end the computer is the universal lever of Archi-
High-tech Paganism - Digital Polytheism The parallels between the culture of the alchemists and
(continued from page 67)
that of cyberpunk computer adepts are inescapable. Both
More and more of us are becoming electro-shamans, mod- employ knowledge of an occult arcanum unknown to the
speaking to friends distant or dead. Writings of Paracelsus struct computer operating systems to complete Herculean
describe a mirror of electmm magicum with telegenic prop- tasks. Knowing the precise code name of a digital program
erties, and crystal scrying was in its heyday. permits it to be conjured into existence, transcending the la-
of a precision and power unimagined by their predecessors. phors still can be identified as the constituents of some pro-
Computer screens are magical mirrors, presenting alternate cesses in the external reality, and within the inner psycho-
realities at varying degrees of abstraction on command (in- logical world of humankind.
vocation). Aleister Crowley defined magick as "the art and Each of the four elements is an archetype and a meta-
science of causing change to occur in conformity with will," phor, a convenient and appropriate name for a universally-
In the SOMATRON MUSIC RECUNER you relax and let go of stress while your entire the buffers ("buffer pools"), the water, the passive element
body is massaged by high density music vibrations.
capable only of receiving impressions and re-transmitting,
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82 REALITY HACKERS
periodic table of possibilities, the Western form of the East- monotheism emerged to unify pagan tribes into nations, so
ern I Ching. Traditional word-oriented programming lan- did the Boomers re-discover fundamentalist Judaism and
guages, FORTRAN, COBOL, and the rest, are a degenerate Christianity in their young adulthood.
form of these universal systems, grimoires of profit-oriented Even far-away Islam attracted gourmet Blacks and ex
corporations. hippies such as Cat Stevens. Bob Dylan nicely exemplifies
self is the reward for immaculate conceptualization and exe- bling at Hassidism before returning to his ole-time faith of
The universality of and 1 throughout magic and relig- We can laugh at this trendy shopping around for the
ion: yin and yang, yoni and lingam, cup and wand, are man- custom-tailored designer god, but behind the faddism we
ifested today in digital signals, the rwo bits underlying the find a powerful clue.
implementation of all digital programs in the world, in our Notice how Dylan, for example, preserves his options
brains and in our operating systems. Stretching it a bit, even and tries to avoid shoddy or off-the-rack soul-ware. No
the monad, symbol of change and the Tao, visually resem- "plastic christs that glow in the dark" for Bob! The religion
phen Jobs to the Ashram! ers, fertilizers, books - you name it, we have it! The owner,
Jorge Cervantes, author of Gardening Indoors, the BIBLE
Born-again Paganism! Pan-Dionysius on audio-visual
on indoor growing, personally selected and tested each
cassettes Mick Jagger had them sympathizing with the product we stock. Give us a call, we'll be happy to answer
devil. The Beatles had them floating upstream on the Gan- your questions.
ges. Jimi Hendrix taught them how to be a voodoo child. Is Satisfaction guaranteed or your money back!
WINTER 83
here is Evolutionism, based on the classic humanist, trans- and intolerance, and uncomprehending neglect of the ecolo-
cendental assumptions: gy, they have developed a healthy skepticism about collec-
tive solutions.
1 God is not a tribal father nor a feudal lord nor an engi- They can't retreat back home because Mom and Dad
neer-manager of the universe. There is no god (in the are divorced.
singular) except you at the moment. There are as many No wonder they have created a psychology of individu-
gods (in the plural) as can be imagined. Call them al The basic idea is self-
navigation. Singularity.
whatever you want. They are free agents like you and responsibility. You
depend upon anyone else to
just can't
jieff, Werner Erhart, Shirley is this: native. You "steer" your own course. You start your own re-
Take care of your self so you can take care of others. If ligion. The Temple is your body. Your mind writes the the-
any. ology. And the Holy Spirit emanates from that infinitely
mysterious intersection between your brain and your DNA.
with a irrnjE help from your friends The attainment of even the suburbs of Paradise involves
This generation, we recall, had been disillusioned by good navigation and planning on your part. Hell is a series
the religions, politics, & economics of their parents. Grow- of redeemable errors. A detour caused by failure to check
ing up with the threat of nuclear war, the assassination of the trip-maps. A losing streak. Many people are carefully
beloved leaders, immune deficiencies, a collapsing industrial conditioned from birth to live in hell. As children, they are
system, an impossible national debt, religious fundamental- largely ignored until something happens to cause them pain
isms (Christian-Jewish-Islamic) that fanatically scream hatred or injury. Then, mommy and daddy quickly lavish aid, atten-
live
It's
pained lives of
to live in hell, to
woven together to stretch your mind and it is necessary to maintain personal equivalents for all the
delight your imagination. departments and operations of the bureaucracies that per-
Sixteen separate talks are available on lating personal political platforms, conducting your own
domestic and foreign relations, establishing trade policies,
individual tapes or as The Collected Talks
defense and security programs, educational and recreational
of Terence McKenna, Volumes One and
Two. Send for a free catalog of these tapes events. On the upside, one is free from dependence upon
bureaucracies, an inestimable boon. (Free agents can, of
and more from:
course, make temporary deals with organizations and
84 REALHY HACKERS
THE PERSONAL MYTHOLOGY Guys.
So you search and research your very own genetic- Why? Because there's only one of you, and even with
memory banks, the Old Testaments of your DNA-RNA, the help of your friends the amount of damage an individual
including, if you like, past incarnations and Jungian arche- can do is insignificant compared with the evil-potential of a
types. And funky pre-incarnations in any future you can im- collective.
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Illustrated by Kat
88 pp., color cover
18 b&w drawings
53 b&w photographs
Available from:
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WINTER 85
I. u Steering. slowly increase the thoroughness of brain/external-world in-
Relativity means that everyone "sees" or reacts to tilings tegration. A profound change can come with the develop-
differently, depending upon location, velocity and attitude ments of biotechnology, genetic engineering, and the slight-
The word "humor" comes from the Latin word for liquid silicon basically as it did on the meatware of the brain,
romantics
Norman Spinrad, from TheNeu-
III lii
the
this
somewhat
CD?" "Ah,
droll scenario: "What's
now reached a turning point in the oper- One speculation is that such viral
.^r i^^He^ ^H ^f- .
ation of the digital programs of evolu- human forms might already inhabit our
tion, a point at which the next evolution- computer systems. Cleverly designed,
ary steps of the species become they would be very difficult, if not theo-
'
apparent to us, to surf as we will. Or, retically impossible to detect.
more correctly, as the evolutionary pro- Current programs do not permit
grams run and run, the next stages pop mi 1
concepts of what is known as "human" subjective and irrelevant, except for the
continually change. For example, we are purposes of interface.
no longer as dependent on physical fit- Of course, there is no reason one
ness lor survival. Our quantum appliances and improved needs to restrict one's manifestation to a particular form.
mechanical devices can generally provide the requisite One will basically (within ever-loosening physical con-
means or defenses. In the near future, the methods of infor- straints, though perhaps inescapable economic constraints)
mation technology, molecular engineering, biotechnology, be able to assume any desired form.
nanotechnology (atom slacking) and quantum-digital pro- Authors of current science fiction of the cyberpunk or
gramming could make the human form a matter totally de- "neuromantic" school have approached this idea from many
termined by individual whim, style and seasonal choice. angles. Bruce Sterling's novel Schismatrix recognizes the
Humans already come in some variety of races and siz- fact that human evolution moves in chides, radiating omnidi-
es. In comparison to what "human" might mean within the rectionally, not moving in a line along a single path. His
next century, we humans are at present as indistinguishable "Mechs" and "Shapers" correspond closely with our notions
from one another as are hydrogen molecules. Along with of electronic and biogenetic paths to evolutionary diversity.
the irrational taboo about death, the sanctity of our body im- Given the ease of copying computer-stored information,
age seems to be one of the most persistent anachronisms of it should be possible to exist simultaneously in many forms.
Industrial Age thought. Where the "l's" are in this situation is a matter for digital phi-
We see evolutions oi the human form in the future; one losophers. Our belief is that consciousness would persist in
more biological-like: a bio/computer hybrid of any desired each form, running independently, cloned at each branch
form - and one not biological at all: an "electronic entity" point.
in the digital inlo-univcrse
llumaiw/.s programs, and human- in -programs. 1. Detection of a virus seems to imply the necessity of rebuilding
86 REALITY HACKERS
Mathematical
The
Revelation
Santa Clara. June 23, 1988. I'm at The Techmart, Yes, almost too good to be true, Mathematica is
a marble and glass monument to New Technology, all these and more. Unlike many promises of Silicon
where champagne and dainty hors d'oeuvres herald Babylon, vapourous proclamations from even the
the unveiling of the latest oeuvfes of heroic outlaws finest, Mathematica sprang from Wolfram's cerebral
operating at the frontiers of computer-assisted cogni- womb fully grown. Forsaking parched academe for
tion. bubbling business, Wolfram has decided to make a
Today at the center is the cherubic genius Steve buck and have fun too.
Wolfram. Cosmologist, Caltech physicist, mathemati- With deft conjuring motions, he yanked the
can, theoretician of the chaos of cellular automata assembled dignitaries from their seats one-by-one to
systems, and garrulous biz wiz, he's here to unleash have them outdo one another in impassioned testimo-
Mathematica, his astonishing computer system. nials to the wonders of Mathematica. Steve Jobs (who
The era of doing mathematics by hand and brain mentioned he sold a few computers in the 70's, slight
has now ended. From arithmetic to calculus, Eigen underemphasis of the $611 million Apple's bank
analysis to symbolic matrix inversion, Airy functions account now sports) declared that Mathematica would
(The Airy function is a solution to the differential be bundled with his new computer, NeXT's mythical
equation d A 2 y/dx A 2 - xy = 0) to Weierstrass ellipticals black cube. Bill Joy, founder of Sun Microsystems, and
Mathematica can do it all. Larry Tessler of Apple both enthusiastically applauded
Accepting mathematics in its conventional form, the next step in humankind's intellectual evolution
Mathematica crunches symbols as well as numbers, heralded by Mathematica. High school math teachers
displaying its results as formulae or glorious, shaded, and quantum gravity physicists paraded to the podium
3-dimensional color plots. An interactive symbolic and vouched their support. Yes, even IBM was in
super-calculator, it's also a programming language, attendance. In uncharacteristically True Blue fashion,
supporting sequential, recursive, and logic they were the swiftest of all companies to make a
interpreter elegantly commingling, nestled in the CPU from the last word that the program is both blazingly
of the machine of your choice. 150,000 perky lines of fast and intuitively obvious in its syntax. What's per-
C code, bothering with the detail of your bidding, haps best of all is that this wonder is available today
freeing your brain of the tedium of mathematical cal- on a gamut of machines. From the crisp velocity of a
culation, unfettering your creativity through a flexible Sun workstation to the dizzying perspectives rendered
tool to explore intuitive avenues. Or, as in the Mathe- by a Silicon Graphics IRIS engine, to the ubiquity of a
matica interface on the Mac, a dynamic book of Macintosh ($495) you can buy it now. An IBM AT OS/
words that conjoins living breathing mathematical 2 version will soon be available from the
objects, & dynamic illustrations. computer-aided-design wizards at Autodesk.
WINTER 87
Wa
ay back last winter, in Issue 4, we an-
nounced a peak experience contest. Ihe flood of en-
tries kept us wallowing vicariously in other peoples'
trips for many months. The judges decision was unan
imous, however. For sheer coruscating, unabashedly
rococo special ejfects, no entrant matched Hakim Bey
description of the nethenvorld of the Trogs. Dr. Light-
ning's entries, in each of his three lovingly crafted
Cyclope-
an caverns, cathedralspace fractal networks, labyrin-
Hakim Bey, thine gargantuan tunnels, slow black underground
rivers unmoving stygian lakes, pure & slightly lumin-
are Trogs living off the pallid old Trog pamongs less no-count hicks. . .
ers,
men &
drug-addicts, sorcer-
smugglers, remittance-
perverts live in
roll
up their eyes
MHBMi
lives
less
ware
jacked into the flesh-
realm of ancient
& holography, so eu-
soft-
crumbling basalt-&-synthplast hotels half-encaisted clidian, newtonian, clean & patriotic-L.A. will never
with pale green vines, along the lakefront, an avenue understand this innocent filth-sorcery, this "spiritual
of squalid cafes, gem emporia guarded by armed nin- materialism," this slavery to the volcanic desires of se-
jas, Chinese krill-noodle shops, the crystal-tinselled cret cave-boy gangs like laughing flowers jetting with
hall for slow fusion-gamelan dancers, boys practising dynamo erections pulsing up pure life curved as taut
mudras on sleepy electronic dark blue after-
their bows, & the smell of water, pond scum, nightbloom-
noons to the rippling of synthgongs & metallophones. ing white flowers, jasmine & datura, urine, children's
. . & below the pier perhaps a few desultory bathers wet hair, sperm
mud. &
white toadstools springing. .
along the black beach, genuine low-budget tourists up on the spots where Trog boys have masturbated
gawking at the shrine behind the bazaar where pallid alone in the dark. . . possessed by cave-spirits, per-
old Trog pamongs tranced out on fungus drool & roll haps ghosts of ancient aliens now wandering as de-
up their eyes, breathe in the fumes of heavy incense, mons seeking to re-new long-lost pleasures of flesh &
everything seems suddenly menacingly bright, flicker- substance ... or else the Zone has already been re-
ing with significance. . . a few cases of webbed fin- born, already a nexus of autonomy, a spreading vims
gers but the rumours of ritual promiscuity are true of chaos in its most exuberant clandestine form.
hEmmt p
P. O. Box 1360
AERIAL PRESS publishes a bi-monthly NEWSLETTER on new developments in chaos theory, research
announcements, conference reports, book reviews. $30/year. Ralph Abraham, Editor. Bob Lansdon, Reviews Editor.
AVAILABLE NOW: Books, software, films and videos on Chaos Theory. Authors: Abraham Shaw
Fischer Thompson Devaney Hayashi Berge Jordan & Smith Arrowsmith & Place Peitgen Zeehman
Stewart Crutchfield Langton Send for free catalog or order directly from publisher today!
THE SHADOW WORLD OF / can imagine a lot.
Han Solo
HEAVY METAL Heavy metal video has a long way to go before it can
(continued from page 61)
be called a Gesamtkunstwerke, but it is certainly following,
however ineptly, in the paths of Carl Maria von Weber, Rich-
style on the Turbo album, forced them back to a heavier- ard Wagner and Richard Strauss. Their operas routinely
than-shit, demons and death follow up Ram it Down. dealt with selling one's soul to the devil, fixated on sexuali-
Within the circumscribed world of the alienated adoles- ty, illicit sexuality, perverse sexuality, Pagan gods, violence,
cent, Heavy Metal has achieved Mahler's goal. Its musical heroic confrontation, and black magicians the everyday
expression serves as a powerful vehicle for delivery of its stock subjects of Heavy Metal video.
obnoxious subject matter. It is also important to understand that Metal's lack of
The music is so powerful and dense that most people originality is its major strength, not its weakness. Just as
can't even hear the words. The lyrics have a "purloined Aeschylus, Sophocles and Euripides retold the same stories
letter" protection until Tipper Gore ferrets them out, to new generations of Athenians, so do the heavy metal
demanding they be printed on the album cover. As Ozzie bands recycle the same societal myths and fixations to each
Osborne said, "You've got to listen to my words." However, succeeding wave of adolescents. For Heavy Metal does
Heavy Metal video gives us a new source of information to have content, mythic content in the sense that Joseph Camp-
help penetrate the shadow world of Heavy Metal content. bell describes in his book Creative Mythology. Heavy Metal
in general, and its videos in particular, is creating an infor-
The complete artwork of the future will mation world that never was and never will be. Just as its
contain the perfect mix of music, music is syncretic; its mythic world is syncretic built out
poetry, stage craft and dance. of pieces of modern technology, science fiction, horror
Richard Wagner movies, comic books, Western mythology, religion and ado-
lescent experience. Just because it is considered simplistic,
crude, or "bad art" by adults doesn't mean that its millions of
fanatic followers are not receiving good mythological value,
for Heavy Metal creates a shadow world where the normally
The powerless adolescent can party all night, walk with heroes
SAN FRANCISCO or fly with demons. It's precisely due to their content that
HM videos stand out from the otherwise bland wasteland of
ORACLE commercial music video.
Facsimile Edition We'll begin at the light, frivolous exterior of metal
the boogie. Heavy Metal boogies are paeans to, and accom-
Edited and With an
Introduction by
paniments for, mindless partying usually under severe in-
90 REALITY HACKERS
Certainly, in the realm of the melodramatic and obses- good. Who made who/ who made you/ if you made them/
sive lies the ubiquitious Heavy Metal Ballad. These tear and made you/ who picked up the devil? AC/DC (one of
they
jerking songs of loss are wildly popular with the crowds and Tipper's favorite bands) asks the basic Gnostic questions in a
seemingly irresistible to bands. They include the straightfor- stunning video allegory (the title track to a Stephen King
wardly romantic, such as Judas Priest's Out in the Cold, and movie) of the Gnostic creation of the world by the evil ar-
the traditionally romantic, such as Scorpions' Still Loving You. chons. The divine spark of humanity is trapped in the un-
The Ballad moves into self-pity and sentimentality with deniably ugly clay of Angus Young. AC/DC also states the
Whitesnake's Here I Go Again and Heart's Alone (Yes, they basic Gnostic epistemological tenet "ain't nobody told you."
are H.M. "Joni Mitchell meets Led Zeppelin"). Aerosmith's Orthodox religion won't tell you the truth; the truth is found
video Angel is extreme enough to be a parody of the genre, only by direct personal illumination. This theme is recurrent
while Motley Crue's Home Sweet Home cannot fail to remind in Heavy Metal from the Blue Oyster Cult's E.T.I. (1976) to
anyone of Dr. Frankenfurter's exit performance. Firmly the recent Voivod video Tribal Convictions.
mired in the treacle of utter bathos is Yngwie Malmsteen's It's not suprising that the Gnostic heresy is so appeal-
You Don Remember,
't I'll Never Forget". Interestingly ing, particularly to kids forced to swallow the fundamentalist
enough, the Crue's Home Sweet Home was one of MTV's and Catholic notion of sin. If you really believe this anti-
most requested videos for almost two months. quated twaddle, it's easy to see how listening to Heavy Met-
It might seem incongruous for a musical style notorious al marks the entry to "illicit" sex, and then you're on the
for obnoxious aggression and rebellion to produce so many slippery slope to eternal damnation moving on to harder
ballads until one recalls Achilles' initial reaction to the death sins such as S/M, satanism and ritual murder (see Spin Mag-
of his friend Patroclus. Adolescent males feel intensely, azine, August, 1988). Of course the Church holds out grace
even obsessively, over love lost. Yet our society discourages for those who repent, just as it did for Gilles de Rais, but the
open displays of such emotions by a male. Furthermore, damage in the here and now is already done. The Mani-
parents almost invariably dismiss adolescent attachments as chaean heresy dispenses with the notion that "God" is all
only "puppy love" and somehow trivial. Recall that Romeo powerful and theorizes that "Evil" is as powerful and (gasp)
and Juliet were entering the prime age for Heavy Metal fan- maybe even more powerful. This ever-popular heresy
dom, and that seeking solace in sentiment is preferable to among the theologically naive but otherwise seemingly or-
seeking solace in suicide. This brings us to the black heart thodox lends credence to "satanism".
WINTER 91
For this obsession with Satan is a natural outgrowth of The easiest way out of the Problem of Evil is to drop GOD
Christian Soteriology, let the Devil successfully tempt you as the Buddhists and Pagans do and go beyond good and
just once and your soul is lost. In this particular sense Chris- evil to an ethic of individual responsibility and self-worth.
tianity is Satanic and fuels the demonic legions of of B- For by reifying Good and Evil as God and the Devil, person-
minus horror movies such as Prince of Darkness and Hell al responsibility in the here and now is diminished, as can
Raiser. These beliefs also fuel multitudes of third-rate, semi- be witnessed in the doctrine of predestination expressed in
underground and totally forgettable "Black Metal" bands. the popular excuse, "the devil made me do it." The surprise
Just as Motley Crue were whiting out their pentagrams, MTV hit of the summer 1987 video season was Ozzie Osbourne's
shifted to overt fundamentalist baiters such as Kind Dia- Crazy Train, a tribute to his lead guitarist the late Randy
mond, Marillion, Hel- Rhodes. Ever since the
loween and numerous earliest Black Sabbath
others of this ilk, rising days (whose perfor-
from well-deserved ob- mance videos Iron Man
scurity to display their and Paranoid are MTV
occult jewelry collection staples) old Bat Breath
on the little screen. has been dogged by fun-
But despite fun- damentalists with charg-
damentalist overreaction es of satanism. But
or horror movie triviali- watching the Ultimate
zation, it's impossible to Sin tour video one can
deny that unspeakably see that the Oz has be-
evil acts occur every come a psychopomp for
mance video of 18. Decadents and libertines throughout the ing color to play the guitar, while Ozzie delivers, in stark
Christian era since at least the Hell Fire Club have realized black and white, the standard 60's message Crazy, but that's
that all the best people must be in Hell. And as any book how it goes/ Millions ofpeople living as foes/ Maybe its not too
on the Decadent movement will tell you, this can lead to late/ to learn how to love and forget how to hate. However,
evil as an artistic statement of freedom from the Judeo- within the visual context and the Oz's facial expressions, the
Christian world view. But this can trap you in a hell of your lines The media sells it/and you live the role, cause us to of-
own making, as Metallica alludes to in their neo- fer the follow interpretation: this society is so insane that
expressionistic chiller, Master of Puppets (no video buy sometimes it seems better off to be crazy or dead, and I
the record!). know because I'm crazy and he's dead. Significantly, the
The orthodox Christian doctrine, made painfully obvi- video spent most of a summer on the number one slot of
ous during the witch burnings, has never been recanted, PMRC's most dangerous and offensive list.
92 REALITY HACKERS
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BELEW
(continued from page 21)
this anymore. Our keyboard player
going to quit after this." And she
didn't
said, "Well,
show up. I'm just
Frank Zappa
just called." It's the truth! That's exactly what happened.
t's pretty hard for me, personally, to watch much MTV for
very long, or any of those shows. Oh, I mean, it's just not
Brian Eno?
my cup of tea. I'm not putting it down it just sucks, that's
I think he is very intelligent, has very unusual ways of work-
all.
ing. I always liked what he brought out of me as a guitarist.
I
it was rather Oh, how should put this?
. . . I I didn't think
"Hey, wait a minute. Let's try this." Carlos Alomar was the
Zappa came along. At the time, Margaret was three
musical director of the band. So the music would be put to-
months pregnant with our first child. We were three months
gether by Carlos and the band would play it. David would
behind on our rent. We had nowhere to go, and no plan of
just come in and sing.
action. It was at that point that I went to North Carolina with
a disco band called 1 02 In The Shade. And I remember it
every night, he
w, hat is Robert Fripp doing? I don't know what Robert's
doing. The last postcard he sent me, every word started
would fall asleep on the keyboard. I went to North Carolina
with a different letter of the alphabet. In order. . It's quite a
for a week long gig. One whole week at this hotel. Stormy
piece of literature.
didn't even show up. I guess he fell asleep at the wheel or
something. So I called Margaret up and said, "I can't take
94 REALITY HACKERS
You haven't let the business tangle you. Bowie has been times we suc-
stance, if you just your finger off the note a little bit,
lift
an Edward Van Halen song on it, it would sound like it I use a Roland GR700 for most of those strange sounds.
was from outer space. I like it. It's bound to be used a It's a digital guitar synthesizer that allows you to design
lot in the Bears right now. your own sounds and store them on cartridges. So can I
R
it, it's
and B's. It's kind of like a manual chorus. The last two ight now, we combine Analog and Digital machines.
strings are the same. So, it reads E, B, E, E, E, E. And it's You get some things from the Analog machines that you
a very nice feeling. It leaves you absolutely stumped. For don't get from the Digital machines. But the Digital ma-
quite a while, you have to figure out new shapes and new chines have much
sound and frequency response,
better
things to do with it. And that's the reason I like fooling with and they're also better at restoring changes no matter how
those kinds of tunes; it's free. many times you replay the tape. So currently, we work in a
studio that has both.
singer and lyricist. He would often say, "Whatever you need without letting it take over and make the sound syn-
for the song, Adrian." He was also very frustrating to work thetic.
with because he had very specific ideas of what King Crim- Well, I work real hard on that part of it. Because most
son was supossed to sound like, holistically, which didn't al- synthesizer stuff, I just detest the sound of it. It's too syn-
ways jive with what someone else's version might be. He thetic and I strive to make natural things. That's what I like
had four very headstrong musicians, any of whom could about the animal sounds. They're natural. They're a part of
have taken the band in any number of directions. So there our environment. It's a big challenge to get a guitar synthe-
were points of friction. sizer to sound like that. It's a real rewarding feeling. It's
I look back on the whole scene fondly. I feel that some fun. I tell you, it's a great time to be a musician.
WINTER 95
psychopharmacognosticon
(continued from page JJJ
odwaiia and
air, me
license.
appealing. A
Suddenly the idea of a tattoo seems weirdly
by a Thai master, perhaps in the open
tattoo,
juice harmonics to Na Thon for my tattoo. The entire town is without elec-
tricity, so the electric tattoo machine is not working. That
juice harmonics swim in the surf. Waves are high as a black storm moves off
and a little sad. Yet, perhaps that is the key to the survival
of the scene. To have it cool.
antly zany Tokyo girls with perfect British accents and the
utterly boffo style of the Japanese ultra-cosmopolite. I con-
sider bringing them home with me but suspect I could not
keep them.
Then there was the old Thai gentleman, covered in tat-
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