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In Fall Semester of 2017 I took my first drawing class. I had always been interested in
drawing as a hobby and as a way to express myself creatively but I didnt really know where to
begin and it just seemed like I would never have enough time to sit down and teach myself how
to do it. Luckily, though, I didnt need to. When my sister suggested that we take a drawing
class at SLCC to hang out together, I admit I was hesitant, at first, but, eventually I warmed up to
it quite a bit. I made a great deal of friends, my sister and I were able to bond, and the way that
the professor was able to engage us with the material really helped me to spark my creativity.
Most of all, it showed me that drawing skills can be learned by anyone and that you dont
necessarily have to be the next Van Gogh or Rembrandt in order to begin. All you have to have
First off, this class helped me to realize that there are a lot more elements that go into a
drawing than most people think that there are - elements like line, form, value, and space. You
could just draw without any knowledge of these elements, at all, but not everyone is guaranteed
to be a drawing savant nor will you have knowledge of the basic tools that allow you to turn
Its kind of like the difference between making a silly home movie with your friends and
making an Oscar-worthy, cinematic masterpiece. Theres nothing inherently wrong with making
home movies. Theyre fun, theyre a way that you can goof off and relax from all the daily
struggles of the world, and there are a lot of good and long-lasting memories that can be created.
You might even enjoy the process of making these movies so much that it inspires you to pursue
filmmaking as a career. However, if moviemaking is the reason you get up in the morning and
you know that its your destiny to create a timeless and thought-provoking film, its safe to say
that youll do almost everything in your power to achieve a total mastery of the art form. Youll
stay in school as long as possible, youll practice every day, and youll take a variety of jobs and
internships to gain the experience necessary, all of which increase the odds of you being
The end result of your work, therefore, depends on the level of dedication you can put
towards it. Plenty of people see drawing as just a hobby or something fun to do and kudos to
them. Whether they realize it or not, theyre dipping their toes into a highly satisfying and
rewarding art form. But if you really want elevate your craft, if you really want to take your
talent to the next level, the means to your success will be to never stop learning and practice,
practice, practice!
But even if you do view art as just a hobby, there are a great deal of benefits that one can
derive from drawing. I know that for myself that drawing can be pretty meditative. It not only
allows me to represent my feelings on the page but it serves as a quiet time in the middle of the
week where I can put aside my worries and work on something thats just for me. I cant really
describe it, but its like everything else in the world fades away except for what Im working on.
In a world where we are becoming angrier and more divided than ever before, perhaps art should
promoted as a stress-relieving activity. Just the fact that it teaches children to expand their
Art also teaches you solve problems and to let go of perfection. When our professor
announced that the two weekly sketches that we required to do at home could only be completed
with a pen, I was terrified that my work wouldnt be nearly as good as if I were told to use a
pencil. I clung onto the idea that my drawing had to be impeccable and I liked having the
freedom to erase whenever I wanted. But as I soon found out, drawing with a pen encouraged
me to try to get the strokes right the first time and helped me to realize that my mistakes really
werent all that bad. In fact, it taught me to work around my mistakes in a way that still
produced a good final product, referred to as restating in Bert Dodsons book Keys to Drawing.
Now drawing in pen has become my favorite art medium to use. Pen strokes glide more
smoothly across the page than pencil strokes, in my opinion, and I like how the right kind of pen
can allow you create different and dynamic textures. Theres a sort of complex simplicity that
can be found in pen drawings and they give me a great sense of inner fulfillment.
Furthermore, this class also taught me to let go of perfection because there would be
deadlines that we had to get our drawings done by. I admit that there were days when I struggled
and it seemed like I couldnt create anything good, but then there were other days in which the
limited amount of time to complete the task helped me to prioritize which aspects of the painting
to do first. In other words, this prioritization helped me to work both fast and accurately.
There were also times in class where we would share what we had created with the rest of
our classmates. The teacher would analyze the paintings, gives his own personal feedback, and
then ask us for our own thoughts and opinions. It made it impossible to hide any of the faults in
our drawing but at the same time it felt pretty liberating to know that all of us struggled in our
own, individual ways. If I didnt completely finish a drawing or it didnt turn out quite as good
as what I had envisioned in my head, then too bad. Since there wasnt anything that I could
actually do about it, I learned pretty quickly to just let it go, take what I needed to learn, and
make a promise to myself that I would do better the next time around.
Actually, in all seriousness, I didnt do as bad as I thought. I have taken different art
classes before in Junior High and High School but I always thought the work I produced was
awful and that I just didnt have the talent to master the basics - let alone make art a possible
career. And while I still dont think that Ill add art to my possible list of career choices, I am
really glad that this class showed me the potential I could have with the subject and that I got to
see myself improve week after week. If I had to describe my drawing style by comparing it to a
few artists, I would probably say that its a mix between Albrect Durer and Alan Cober. Im not
nearly any as good as those amazing artists, but I can draw contours with a fair amount of detail
the same Alan Cober and the thick, stylized, and linear lines of Durers etchings fit perfectly
alongside my own.
I also like the artwork of Brad Holland and Dilleen Marsh. We didnt work with color
mediums at all in the class since it wouldve been much too complicated for us to handle, but I
feel like if I did explore color drawing, my style would match up quite similarly to theirs. I love
how Brad Hollands paintings have a surreal, almost creepy vibe to them and always feel like
theyre part of a dream. With Dilleen Marsh, Im impressed how well the colors work together
to represent reality despite the fact that sometimes they can look rather blocky.
Some of the artists that I admired before this class were Claude Monet, Leonardo Da
Vinci, Vincent Van Gogh, and Degas. Impressionism, hands down, has to be my favorite art
genre out of all the others because I like how masterfully the light is scattered throughout the
painting. Its almost like youre looking at reflection in the water as ripples come by and distort
the image, somewhat. It all feels very airy and dreamy and, thus, I have a big admiration for
them. Maybe if I work hard enough I can become as great as them? Im not sure, its tough to
say. All I know is that Im going to try my best and Im going to blast while doing it.
The concepts that were taught to us in class that I thought I did well at include measuring
techniques and composition. The measuring techniques were extremely useful to me because
they helped to prevent my drawings from becoming squished and distorted (especially the
finding the midpoint technique which was described in Keys to Drawing) and the unit on
composition was enlightening because it taught me that not every subject has to be centered in
the middle of the page. Sometimes if you find an interesting angle or part of your subject that
you wanted to draw or if you simply placed your subject near one of the four edges of the page it
would be enough to create a visually-interesting piece. I still have to remind myself, sometimes,
that I dont always need to choose a reference photo with the subject in the middle but overall, I
think the unit ended up teaching me to think outside the conventions that society often takes for
granted. Art is SUPPOSED to be creative, for heavens sakes! Knowing how to perfectly render
something from real life is still important and should not be undervalued but it is the people who
look at an object in an unconventional way and are able to imbed their own, unique point of view
onto the page who are going to succeed at art the most.
I also really enjoyed the unit on figure drawing even though it was rather challenging for
me. I admit that I primarily joined the class hoping that it would help me to draw better
landscapes and objects but once we reached the assignment where we had to gesture-draw
different figures in two minutes or less, I became hooked. I also really enjoyed what we learned
about mannequinization (taking a figure and breaking it down into its basic parts) as that was a
real eureka moment for me. I feel like it helped me to get a better grasp on human anatomy and
it was interesting to me to learn how the different body parts of a human being fit together like a
puzzle. I also think I did some of my best and most creative drawings during that unit so in the
Finally, I learned a great deal about what it means to draw convincing textures. Towards
the beginning of the semester I drew a drawing of my dog using a reference photo and for the life
of me, I could not get the lines in her fur down. They just didnt seem to match what was
occurring in real life and, as a result, I was frustrated. However, when I spoke to my professor
about it, he suggested that I try to find shapes in the fur and pay more attention to the direction
that the lines were going in. Combined with the repeat and vary technique in Keys to Drawing,
in which Bert Dodson describes how one should look for common patterns in a texture but vary
the pen strokes at same time, I then was able to use these two techniques to create a pretty
compelling drawing of a panda, later on - one of the best drawings I did the class, if I do say so
myself.
However, its important to note that I wasnt successful at everything. If there is one
aspect of the class that I think I could definitely improve upon, it would be shading. I understood
it, for most the part, as we were practicing shading techniques on spheres and cubes, but when it
comes to shading any other object I have a difficult time making it look natural and not like a
bunch of tacked-on shapes. I think a major solution to this problem would be to really study the
subject and break down its shading into the simplest terms. I need to get better at creating soft
edges between the different regions and an general awareness of how the different parts of a
Also, although this isnt a concept per se, while it was true that rubbing my canvas down
with a layer of charcoal beforehand and erasing out the highlights helped in my shading
considerably, I just didnt like how messy charcoal could get. It stained my clothes (and once
even the carpet of my living room), it dirtied up my art supplies and the feel of it on my hands
just felt really weird and foreign to me. I understand the potential benefits that using charcoal
can bring to your drawing, but I just didnt gravitate to it as much as I did the other art mediums
we learned about. In the future, I dont think Ill use it quite as often as I will use pen or pencil.
Overall, I feel as if this was a really good class for me to take. I feel like Ive grown a lot
compared to the beginning of the semester and I enjoyed how friendly and amiable our professor
was. I also like how he didnt push us to do anything artistically until we were ready to. In fact,
sometimes, he let us do things that were beyond the scope of a typical ART 1020 class. We were
still beginners, thought, dont get me wrong. Even though we did have a ton of talented people
in the class no one person was so good that they blew the rest of us out the water. However, the
professor was so impressed with our collective talent and cared so much about the direction that
the class was going that he would often let us take an active role in kinds of projects we wanted
to do. It kept the class from becoming boring and monotonous and, in my minds eye, it
The class also helped me to appreciate the importance of art not just on an intellectual
level but on an emotional level, as well. Ill use the example used in Good Will Hunting to
explain what it is that I mean. In the movie, Robin Williams character explains to Matt
Damons character that although you could learn everything about the Sistine Chapel its
architecture, the artwork painted on the ceilings, what specific ceremonies are performed there,
the history of everything that the chapels been through and yet if you dont go and visit the
Sistine Chapel itself, youll be missing out on a significant portion of what the Sistine chapel is
and what it means to other people. In short, you cant really understand the entirety what
All my life Ive had a great appreciation for art and knew about its importance. I knew
that art allowed us to communicate across time and space, I knew that art could be used as a
vehicle for important messages, and I knew that it was an extension of human ingenuity and a
reminder of all the beautiful things of this world. But I never really got art until I took this
class. Only then was I able to see skill and technique that goes into every single drawing. Only
then was I able to see how art could personally connect to my own life. Only then could I really
appreciate how important it is for everyday people to learn about art and actually use it on a daily
basis. Without this class, for which I am very grateful, I feel as if I wouldve gone my whole life
thinking about art from a single, narrow-minded viewpoint. With the well-rounded perspective I