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Isabella Brown-Quigley
English 102
01 November 2017
Where are the monsters hiding? Everywhere and deep inside our unconscious minds. In
everyday life, we walk amongst and contain monsters without realizing. The corrupt human
nature is what is monstrous. An author commented on monsters in nonfictional stories and said,
not all monsters look like monsters. There are some that carry their monstrosity inside
(Fredrik Backman). In the small southern town of Bon Temp, Louisiana, vampires come for the
first time and chaos rises amongst the townspeople. The white townspeople want segregation
between themselves and the vampires while the monsters are seeking equal rights similar to
African-Americans. Whereas vampires are the obvious monsters, Harris novel depicts
humankind as being even more monstrous for failing to resist primal desires, and engaging in
A major theme in Harris novel is desire, which is a base for destruction. According to
Purdue OWL, Freuds psychoanalytic theory describes that the Id is the part of the unconscious
mind that contains instinctual drives. All of our primal desires are located in the Id. Throughout
the novel, the characters are connected by primal desires. These desires include sexual
intercourse and the sucking of blood. Libidinal desire can be caused by primal instincts. Harris
created a monstrous human by the name of Rene to depict the most repulsive being
possible. Hed strangled her with her apron strings. And hed had sex with her, after she was
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dead (Harris 277). Rene murdered his sister and had sex with her corpse. He engages in
necrophilia and incest. Renes libidinal desires are abnormal given the atrocities he
commits. The monster is not only a murderous pervert, but he is a human. It is horrifying to
Bill Compton, the vampire, portrays human qualities when he controls his primal
instincts and tries to fight against the prejudices of the town. His nature and appearance are
monstrous, but his interior is humane. He was turned into a vampire when he was infected
with a virus and was killed during the Civil War. Bill fought for the South during the Civil War
in his hometown known as Bon Temp. He is a cautious, intelligent, and respectable gentleman
and treats Sookie like a lady. Bill falls deeply in love with Sookie and wants to stay in his
hometown with her. Becoming a vampire was traumatic for him because he had to kill humans,
and leave behind his wife and children. His libidinal desire is to connect with Sookie, which is
done through sex and the exchange of blood. The Id wants to drink blood, but he controls his
hunger and mainstreams, which is when a vampire relies on synthetic blood. The synthetic
blood is an alternative food source to prevent feeding on humans. The synthetic blood enables
vampires to shed their monstrosity, leaving just the monstrosity of the humans.
Harris compares African-American rights in the real world to vampire rights in her
fictional world. It takes place in a small town that fought for the South in the Civil War. During
the Civil War, the Southern states were pro slavery, largely because their economy depended on
it, unlike the north who had the advantage of an industrial economy that used machines rather
than slaves for production. African-American slaves supported the economy and prejudice was
used to justify the enslavement. The town was initially racist towards African Americans. The
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setting of the southern town establishes the tone for racism. Harris only includes two African-
Americans in her novel, with very little dialogue. She wrote, He was furious that someone had
killed a woman he knew, and he was hoping it wasnt a black man because that would make his
relationship with Kenya even more tense (81). The white townspeople are prejudice towards
minorities and seem more willing to accept the white vampires rather than different colored
The author comments on the real world of racism towards African-Americans through the
fictional world where there is prejudice towards vampires. The author comments on such a
heavy and deep topic to make people aware of their monstrous actions such as racism. A lot of
the humans in this town do not take kindly to vampires because they are inhuman like how
slaves were considered to be. In an interview with psychoanalyst, Dr. Sullivan, he said You
cant learn to trust white people by one nice one (98). Sookie for example demonstrates
compassion that is not show by the townsfolk. Sookie is among a minority of townspeople who
accept vampires. The white townspeople try to accept a species that kills humans and does not
The humans sense of superiority is used to justify depriving vampires not only of
equality, but of life itself. In the beginning of the novel, a couple attacks the vampire, Bill, to
drain him and sell his blood as a drug (Harris 8). Vampire blood is illegal and has effects
including heightened senses, improved libido, and strengthened muscles in humans. The couple
treated Bill like he was a commodity. This is similar to how African-Americans were treated
during slavery. Even though African-Americans were considered livestock and inhuman, their
white slave owners were the inhuman and monstrous beings. The couple in the novel slashed
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and wrapped Bill with silver chains like how slaves were bonded and tortured. Harris compares
Bill to a slave here. The couple is prejudice towards Bill, but also want to exploit him as
chattel. White owners used their slaves as a means to produce goods such as cotton and
tobacco. The blood that the couple wanted was simply a product from which to profit and they
The author demonstrates prejudice through villainous human acts. Humans are
monstrous towards one another. Psychoanalyst, Dr. Mark J. Blechner, provides an example in
his journal, which states, We are prejudiced about genocides. In the last 20 years, the United
States intervened vigorously in the genocide in Kosovo, where the victims and the perpetrators
were white skinned. But in Rwanda and Darfur, where the victims are black skinned, we have
shied away from active intervention (Blechner 245). Humans have tortured their own to appear
more superior than the other. We fight for power and create arbitrary rules to display dominance
over other humans. This thirst for power and dominance leads to many profound issues such as
racism. In one instance in the novel, some humans set fire to a house knowing vampire
occupants could not escape because of the daylight that burns them. The most monstrous
human, Rene, goaded the arsonists and murdered three fangbangershumans who volunteer
their necks to vampires because they enjoy the pain. His prejudice against vampires led him to
believe that, Anyone whod let a vampire do that deserved to die (277). When he found out
that his sister was a fangbanger, he killed her and then had sex with her corpse. He repeated this
act with other women when Bill first came to town, giving the appearance that Bill was the
culprit. Rene took advantage of a vampire moving to town and set Bill up.
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Harris shows that prejudice is awful and preventable because it is learned; it is not
innate. The United States has been dealing with the issue of prejudice since its beginnings. The
colonists from Europe had believed that whites were superior to every other color, and even that
some whites were better than others. That learned prejudice was brought to America and
prejudice is learned and often covert. He stated, Even the most open minded of us cannot
completely eliminate the prejudices that were programmed in us from a very early age (244). It
is nearly impossible to stop a seed of prejudice that has already been planted into someones
Rene is the ultimate monster, but this is hidden throughout the novel until the end. He
flies under the radar because his hatred for vampires is withheld and he is made to seem like a
good-hearted man. Rene exclaims, You dont touch anyone who works here. Thats the rule
(43). He defended Sookie when a customer was acting rude. This is a humane action of
Rene. He appears to be a kind man throughout the novel to the townspeople, but he ended up
being a murderer. Sookie was shocked to learn that Rene was the killer all along. Motivated by
his prejudice, he murders his promiscuous coworkers fangbanger lady friends. His prejudice
against vampires was exacerbated when his sister became a fangbanger. Rene blamed the
vampires for corrupting his little sister. As his prejudice manifested, his hatred spread to his own
kind and kinfangbangers. Renes acts of murder, necrophilia, and prejudice are what make
him monstrous. His actions contradict his thoughts because he is worse than the monsters
Through a psychoanalytic lens, Harris depicts primal instincts, murder, necrophilia and
prejudice to illuminate the monstrosity of humankind juxtaposed against one of the most
notorious monsters in fiction. Primal instincts reside in the Id and some people cannot or choose
not to control them. Renes sexual desires include necrophilia and domination. Dead until Dark
other monsters to encapsulate our true Ids and what we dread most in life (Donovan). We
do this to make ourselves feel like less of a monster by comparison. The vampires represent
our primal instincts--what makes them monstrous is beyond their control until synthetic blood is
available, at which point it becomes possible for them to shed their monstrosity and become
more humane. However, humans in the novel do not need to be monstrous to survive. Prejudice
is a monstrous quality possessed by humans. We are the monsters. Humans kill for sport,
commit acts of genocide and torture our own kind. Martin Luther King once said, Dont judge
someone by the color of his or her skin, but by the content of his or her character. Humans are
prejudice towards innocent African-Americans for their appearance and in the novel, towards
vampires for their actions needed to survive, yet we do not even glance at our own kinds
actions.
Works Cited
https://owl.english.purdue.edu/owl/resource/722/04/
content/uploads/2015/08/Blechner-MJ-The-Role-of-Prejudice-in-P Psychopathology-and-
Psychoanalytic-History-p239-250.pdf
2017. https://www.depts.ttu.edu/vpr/focus/posts/2017/erin-collopy-
Fiction and Film of the United States. University of Nevada, Las Vegas. May 2012.
Hunter, Jeffrey W. Contemporary Literary Criticism. Vol. 330. Detroit: Gale. Literature
Resource Center.