Contexts of Art

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1. Appropriation Transforming existing materials through 16. Filipino Face tattoos symbolize that they are warriors or
juxtaposition of elements taken from one Tribal have killed enemies (from other tribes)
context and placing these in another to Tattoos
present ALTERNATIVE MEANINGS,
17. Fritz Lang "Metropolis" (1927)
STRUCTURES, AND COMPOSITION
2. Artist's Artist's AGE, GENDER, ECONOMIC Maker of this Expressionist film which is widely
Background CONDITIONS, SOCIAL ENVIRONMENT, regarded as the first sci-fi epic.
AND DISPOSITION affect art production
18. Kidlat "Perfumed Nightmare" (Mababangong
3. Artist's An example is National Artist ABDULMARI Tahimik Bangungot"
Background ASIA IMAO
"I choose my vehicle, and I can cross any
4. Artist's Imao's "Sarimanok" and "Sari-fish"
bridge."
Background
19. Lino he makes installation art with bicycle and
5. Artist's Victorio Edades' context
Salvador motorcycle parts
Background
20. Mideo Exhibit: Poleteismo (2011, CCP) (where the walls
6. Artist's Kenneth Cobonpue's context (furnitures)
Cruz had merged religious images and campaign
Background
posters)
7. Artist's Context of:
21. Mode of Context of "Manila sa mga Kuko ng Liwanag"
Background Asin
Reception
Joey Ayala
Bullet Dumas 22. Mode of Context of the graffiti attributed to Banksy,
Reception "Dismaland" (Banksy; an attack to the
8. Bulul A human-like figure made of hardwood
consumerism and capitalism culture of Disney)
believed to be a granary god that assures
the community of a bountiful harvest
Note:
9. Context Settings, conditions, circumstances, Nobody really knows who Banksy is.
occurences affecting production and
23. Mode of Context of "McSupersized" by Ron English
reception or audience response to an
Reception
artwork
24. Mode of Context of Mideo Cruz's works
10. Context A set of background information that enables
Reception
us to formulate meanings about works of art
and note how context affects form 25. Mode of The artist's GENDER, CULTURE, ECONOMIC
Reception CONDITIONS, SOCIAL ENVIRONMENT AND
11. Context "We can look at art in a critical manner by
DISPOSITION AFFECT PRODUCTION AS WELL
understanding its _______."
AS RECEPTION.
"________ may shape our understanding of 26. Mode of Presents the idea that an artwork may acquire
works of art." Reception NEW MEANINGS even after the creator
CEASES TO MANIPULATE ITS FORM.
"The ________ affecting production and
27. Nature Context of Filipino Tribal Tattoos
reception are active and tend to overlap."
28. Nature Can be seen as a SOURCE OF INSPIRATION
12. Everyday Life Contex of Lino Salvador's
and a wellspring of materials for art production
installations/sculptures
29. Nature Context of T'nalak
13. Everyday Life Context of Taka
30. Nature Context of Tinikling
14. Everyday Life Context of Pabalat
31. Nature Kinetic Installation by Theo Jansen
15. Everyday Life PH traditional art has always been an integral
part of daily life 32. Pabalat Delicate pastillas wrappers from Bulacan
33. Society, The economy, sociopolitical structures, and
Its significance lies not only in its aesthetic Politics, historical circumstanes affect the CULTURE
appearance but also in its funtionality and its Economy, AND IDEOLOGIES that directly influences the
value to the community that produced it and life of the artist
History
34. Society, Politics, Economy, and Context of BenCab's "Brown Brother's Burden" (1972)
History
35. Taka Made from paper mache

Strong sculpture

From Rizal
36. Tinikling From the movement and courtship dance of buff-banded quail locally known as "tikling"
37. T'nalak Made from Abaca fibers which traditionally has three primary colors: red, black and the original
color of the Abaca leaves;

worn by T'boli;

found in Mindanao;

Lake Sebu, South Cotabato