Professional Documents
Culture Documents
MODULE10PRACTICALASSIGNMENTNOTES
Here,wehaveaselectionofmixesofAllOrNothingbyAudioMasterclassFeaturedArtists,FoolsFaith.You
willhearfivestudentmixes,withaninterestingcombinationoffeatures,a'broadcastquality'mixbyAudio
Masterclass,andfinallytheoriginalproducer'smix.
Examplefile:AllOrNothingMix1.wav
InMix1itisevidentthattherearesomeclicksinoneoftheopeningguitars.Thesearepresentinthe
originalmultitrackrecording.Dependingonhowtheguitarsaremixed,theseclicksmayormaynotbe
audible.Itwouldbebettertoremovethemjusttobesurethattheyarenot.
Assoonasthedrumsstartitisevidentthatthereisaratherlongandpoorqualityreverbapplied.Thereis
noabsolutenecessitytoputreverbonthesedrumsasthereissufficientlivelinessavailableinthe
overheadsandroommics.Itmightbedesirablehowevertoputsomereverbonthesnareandtoms,but
notsolong,andofbetterquality.
Thevocalismixedratherlowinthisversion.Itisaudible,butitdoesn'tstandoutasthemaincomponentof
thesong,whichitis.
Thetomsareratherloudandprominenthere.Itisimportanttomakethedrumsetsoundlikeadrumset,
withallthedrumsandcymbalsgellingtogether.Ofcourse,youcanbringoutcertaindrumsifyouwantto,
butalwaysitisagoodplantomakethedrumsworktogetherwellasaunit.
At2.33,clearlythereisamistakeasthecymbalcutsoffearly.
Intheinstrumentalsection,thesologuitartrackismissingentirely!
Thesolovocalsectionat3.16hashadadistortioneffectapplied.Thisdoesnotseemtoworkaswellasthe
delayinMix1.However,itcouldhavebeenmadetoworkbetterwithalittleEQ.
Thenewguitaratat4.06comesoutquitewellhere.Nottooquiet,nottooloud.Onceagain,EQmight
havehelpedthesoundblendinalittlebetterandseemlikeanintegralpartoftheband.
Examplefile:AllOrNothingMix2.wav
InMix2,onceagainthereisreverbonthedrums.HoweverhereitsoundsmuchbetterthaninMix1.The
higherpitchedofthetwomainguitarsisratherthinandlackinginlevel.
Thevoiceisquitedullsoundingonthismix.Itishighenoughinleveltobeclearlyaudible.Howeveritis
takinguprathertoomuchspaceinitslowerrangeoffrequencies.Also,thereisaratherlongand
unpleasantreverbonthevocal.Itisusuallyagoodideatooptimizethevocalasmuchaspossible,andthen
considerwhetheritneedsreverb.Ifyoucansayexactlywhyitneedsreverbthenyouareprobablymixing
alongtherightlines.
Onceagaintheguitarsoloismissing.Butthedoublekickdrumpedalisheardtofulleffect!Perhapstoo
full.
Bythefinalchorusesofthesong,thesoundisbecomingverythickandcongested.Themainguitarsare
Module10PracticalAssignmentNotes
actuallydifficulttohearexplicitly.
Examplefile:AllOrNothingMix3.wav
Mix3isinterestingbecauseitisdifficulttopickoutmanyfaults,althoughthesolovocalsectioncoulddo
withsomeattention.Thismixiswellbalancedamongtheinstrumentsandthebandsoundslikeacohesive
whole.However,youmightconsiderwhetherthesoundisdullandcongested.Ifitismerelydull,then
applyingEQinthemasterchannelscouldhelp.Butcongestionthatiscausedbyinstrumentsfightingeach
othertoclaimspaceinthefrequencyspectrumisimpossibletocure,otherthanbymixingthetrackagain.
It'sworthsayingthatitispossibleforamixtohavetoomuchclarity.Youshouldjudgethisyourself,in
comparisonwithothersongsinasimilargenre.
Examplefile:AllOrNothingMix4.wav
InMix4theopeningguitarsaremuchlouder,whichisgood.However,theyarereallytooloudfortherest
ofthesong.Theyshouldhavebeendroppeddowninlevel.Thevocalhereisquitedifficulttopickout
clearlyduetotheoverloudguitars.
Thesolovocalsectionhasaninteresting'radiovoice'effect,whichshowscreativityinthestudio.However,
overallthismixisaboutasthickandcongestedasitispossibletoget.
Examplefile:AllOrNothingMix5.wav
Mix5featureswaytoomuchreverbinadditiontocongestion.Onethingyouwillrealizeasyourcareer
progressesisthatwhenyoufirststartedyouusedalotofreverb.Butasyougotbetterandbetterat
mixing,youusedlessandless!
Thetomsinthismixareabsolutelythunderous,waybeyondanynecessity.Theguitarsoloisoddlyquietin
comparisontotheotherinstruments.
Onegoodpointaboutthismixisthattheorganblendsinwell.Theorgancanbeatrickyinstrumenttomix;
togetjustrightsoitfulfillsitsfunction,butdoesn'tstandouttooprominently.
Examplefile:AllOrNothingMix6.wav
ThismixhasbeenpreparedbyAudioMasterclassasanexampleofa'broadcastquality'mix.Atop
professionalmixengineerwouldspendawholedayperfectinghisorherwork.OnrecordingsmadeforTV
orradio,orlivebroadcasts,theengineerhastogetthemixtogetherveryquickly.
Whatyoushouldnoticeaboutthismixisitsclaritycomparedtotheothers.Thishasbeenachievedby
EQinginstrumentssothateachhasitsownfrequency'territory'whereitisstrong.Otherfrequencieshave
beencutbacksothattheydonottrespassontootherinstruments'territories.
Examplefile:AllOrNothingProducerMix.wav
Finally,theoriginalproducer'sthoughts.Havingreadthecommentsoncongestionearlier,youmight
considerthatthismixiscongestedtoo.Butitisn't.Listenagainandyouwillnoticethatyoucanhearevery
Module10PracticalAssignmentNotes
instrument.Eachinstrumenthasbeenoptimized,toahigherdegreeoffinessethanMix6.Theresultisa
trackthatpossessesclarityand'weight',whichisnotatalleasytoachieve.Therearenotricksorquickfixes
thereisnosubstituteforexperiencehere.
Youwillnoticethatthistrackappearsdifferentfromtheothersinthewaveformdisplay.Thatisbecause
theoriginalproducerhasappliedlimitinginthemasterchannels.Thelevelhasbeenloweredinthiscopyso
thatitissubjectivelymoreinlinewithalltheothermixes.
Inconclusion...
Therearenorightsorwrongsinmixing.Theessenceofthemixisallaboutlevel,panandequalization.
Instrumentsneedspace,instrumentsneedtoblend.Thevocalshouldbeclearandsupportedeffectivelyby
everythingelse.
Aimtomixasmuchasyoucanandasoftenasyoucan.Thegreaterthevarietyofmusicalstyles,thefaster
youwillprogress.
Endofassignmentnotes
Module10PracticalAssignmentNotes