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Oconee Sketches Gregory Day

 
For Gina Cain and the Walhalla MS Band 2001

                      
  
  

Flute



                        
   

Oboe


             
               
    
Clarinet 1

   
            
   
           
Clarinet 2

                  
 
Bass Clarinet

      
                
                 
Alto Saxophone
   
   
Tenor Saxophone    
       
                             
 
Baritone Sax 

                 
    
                   
Trumpet 1  

           
        
 
  
       
                              
  
Trumpet 2


                          
        
   
  
Horn in F

   
      
  
           
           
             

 
Trombone

 
Baritone
  
                 

       
           

Tuba

 
String Bass
                    

              
                     
    
  
Snare and Bass

         
Percussion              

Sus Cym    
Sus Cym            
              
Triangle     
         
        
Triangle

Timpani 
 IBG Music 2002
Oconee Sketches

 
        

Fl.     


9

      
        

Ob

          
9

                  
Clar. 1
 


          
                     
Clar 2
9

       
       
      
BCL


9

A. Sx.                                           

     
T. Sx.                           
 
                    
B Sax
9

               


Tpt 1
9

                 

Tpt 2

                              
9

Hn.     

                              
                   
Tbn. 
      
 

 

  
 

 

 
Bar 
9

               
Tba.
       
               
St. Bass        
       
9

                       
        
Perc.
9

        
Vibraslap
Perc.
9   11   13  14  15  

S. Cy.  Claves
                                      

     


9

Tri.         
                    
9

9
    

-2-
Oconee Sketches

                   
             
             
Allegro

Fl.  
Allegro

  
17

Ob     Allegro                  
17

                   
Clar. 1     
  Allegro                    

   Allegro             
 
Clar 2
17

       
   
BCL
Allegro

   
17

A. Sx.                     
Allegro

T. Sx.                        
Allegro

   
       
B Sax
17
 Allegro

Tpt 1             
17 Allegro

        
 
Tpt 2
17
Allegro

       
  Allegro            
Hn.

                 
Tbn.  Allegro   

Bar
  
          
17
Allegro

        
Tba.
 Allegro   
St. Bass
            
17
Allegro

Perc.           
17
Allegro

                               
Trianlge Beater on Cymbal Dome

Perc.
17
Allegro

S. Cy.         
 
17 Allegro

Tri.  
Allegro
       
            
17

17
 

-3-
Oconee Sketches

     
Fl.                

  
25

                
Ob
25
 

          
Clar. 1          

            
Clar 2
25
      

     
        
 
BCL

       
25

A. Sx.                 

T. Sx.                   

B Sax 
                
25

Tpt 1                   
25

                 
Tpt 2
25

Hn.                           
               
Tbn.   
     
Bar
  
         
25

        
Tba.
        
     
St. Bass
           
25

Perc.             


25

                                
Dome, small cymbal with triangle beater
Perc.
25

S. Cy.         
     
25

Tri.            
           
25

25
             

-4-
Oconee Sketches

             

Fl.      

  
33

Ob                  
33

                   
 
Clar. 1

              
Clar 2
33
      
      
     
         
BCL

    
33

A. Sx.                

T. Sx.            
            
B Sax         
33

                  
 

Tpt 1
33

                   
 
Tpt 2

 
33

Hn.                   

                 
Tbn.     

                     
Bar 
33

        
            

Tba.

St. Bass
                     

  
33

Perc.                                       
   
33

Perc.   
          
33

     
S. Cy.            
        
33

    
      
Tri.

         
33

33
   

-5-
Oconee Sketches

Like a chorale

              
     
Like a chorale
Fl.

       
41

        
rit.

   

Ob
41 Like a chorale

   
rit.

         Like
        
   a chorale
Clar. 1

rit.

          Like a chorale
  
       
Clar 2
41
rit.

         Like a chorale   
    

BCL


41
rit.

                
  
A. Sx.
Like a chorale
      
 
rit.

  Like a chorale  

T. Sx.

  
rit.

            
  
B Sax
41
Like a chorale
rit.

          Like a chorale
       
 
Tpt 1
41
rit.

         Like a chorale


  
     

Tpt 2
41

    
rit.

      Like a chorale
       
  
Hn.

   
rit.
            
        
  Like a chorale
Tbn.

   
rit.
    
         
  Like a chorale
Bar
41

 
rit.

Tba.
      rit. Like a chorale      
 
           
   
  
Like a chorale
St. Bass
41

     
rit.
     
     

Perc.
41
Like a chorale

        
rit.

Like a chorale
Perc.
41
rit.

        

S. Cy.

  
41 Like a chorale

 
rit.

 
Like a chorale
   

Tri.

   rit.        
41

41
 
rit.

-6-
Oconee Sketches

            
Fl.  

   
    
   
49 simile

      
Ob
49


simile

          
Clar. 1

simile

       
       
Clar 2
49 simile

       
  simile    
BCL


   
49

A. Sx.                   

      
simile

T. Sx.     
 
simile

B Sax          
49 simile

Tpt 1              
49 simile

Tpt 2              
49


simile

            
Hn.
  
            
simile

Tbn. 
        
  
simile

Bar     
49

 
simile

     
Tba.
       
         
 
simile

St. Bass     
49 simile

Perc.         
49
simile

Perc.    Wind Chimes     


49 simile

S. Cy.         
49 simile

Tri.         
         
49 simile

49 simile

-7-
Oconee Sketches

           
Fl.   

 
57 rit.

   
Ob 
57
         
rit.

    
            
   
Clar. 1
rit.

            rit.
  
Clar 2
57

   
BCL
           rit.   
 
57

A. Sx.                  
   
rit.
rit.

T. Sx.            

rit.

             
B Sax
  
57 rit.

Tpt 1                
57 rit.

   
        rit.    
Tpt 2
57

            rit.
  
Hn.

                    

Tbn. 
         
rit.

Bar          
57 rit.

          
     
 
Tba.

          
    
rit.

St. Bass
   
57 rit.

Perc.         
57 rit.

Perc.         
57 rit.

 
S. Cy.          
 
57 rit.

Tri.        
         
57 rit.

57 rit.

-8-
Oconee Sketches

  
                          
a tempo

 

Fl.


65 a tempo

                          
  
 
Ob
65

        
a tempo

       
    
a tempo        
Clar. 1


     
          

       
 
a tempo  
Clar 2
65

     
      
BCL

  
            
65

    
a tempo

 
             
a tempo
A. Sx.


        
                
T. Sx.          

        
a tempo

      
B Sax

 
   
65

         
a tempo

                      
Tpt 1
 


65
a tempo

                        
Tpt 2
        

        
 
65 a tempo

              

  
a tempo
  

Hn.

          
                      
 

Tbn.


 
          
a tempo

Bar     

65

 
a tempo

    
  


   

Tba.

 
  
       
a tempo

St. Bass     

65 a tempo

                

                  
      
  
Perc.

       
65 a tempo

Perc.                
atempo
65

  
         
Sus Cym

S. Cy.

           
65
a tempo

Tri.   
  
a tempo

      
  

Triangle
65


65

-9-
Oconee Sketches

 
     
       
    
      

Fl.

     
73

        
   
       
   
Ob

       
    
73

          

Clar. 1


                  
     
Clar 2

 
73

         
             

BCL

                        
  
73

        

A. Sx.

    
                
             
              
T. Sx.

  
       
  
 
       

 
  
B Sax

                          
73

                  

   
Tpt 1

    
73

                                
            
Tpt 2

      
73

                             
               
Hn.

     
                   
As Is    
        
Optional 8vb

Tbn.  
              
Bar              
 
73

                 
 

 

    

Tba.

             
St. Bass             
    
73

                                      


                
Perc.

               
73

Perc.               
73

   
S. Cy.          
           
73

Tri.       
                     
      
73

73

- 10 -
Flute
Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band


                
  

         
  
5
4

        
    

13

            
              
Allegro



17

                  
  

21

         
   
25

     
        
2

30

        
    

36

 
Like a chorale
         
  
40
IBG Music 2002 rit. 
Flute


Oconee Sketches
        

45

        
 
50 simile

         
 
56

    

 
a tempo

  
61 rit. 

 
                   

67

  
               
  
71

     


     
76 -2-
Oboe

Oconee Sketches
For Gina Cain and the Walhalla MS Band Gregory Day

 
                 
 


             5

5
 
Allegro

    
             
14 

 
              
19

  
      
24

  
          
29

             

2

33

        
     
39
rit.
Like a chorale

     

       
44
 IBG Music 2002
Oboe


Oconee Sketches
   
       
49 simile

          
    
54

      
    
59 rit.


a tempo

               
64
 

  
                 
69 

  
              

73

          
77  -2- 
Clarinet 1
Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band

     
 
     
  
  


          
5
  
9
   

    
   
10
            
Allegro
    
              
14

                          
19

           
23

          
28
  

           
2

33

          
   
39
 rit.
IBG Music 2002
Oconee Sketches
ClarinetLike
1 a chorale

          
   
44

  
      
49 simile

        
55 

    
        
60     rit.

 
a tempo

    
65
          

              
 
70

    
      
  
75 -2-
Clarinet 2

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

 
 

  
 

  
    

      
5          

  
      
10
             
Allegro

          
14

            
19

          
24

    
2

30
      

             
36  
Like a chorale

         
  
41
 rit.
Clarinet 2

Oconee Sketches

  
46
       

       
51    simile

      
57    

a tempo

       
62
  rit.    

    
68
         
  
 


              
73
    

   
78   -2-
Bass Clarinet
Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band

         
3

  

       
8
 9
       

    
12
  
 

 
  
Allegro

 
6

17
         

  
4 2

    
27
  

  
36
            
Like a chorale

         
41    
rit.

       
simile 
47

  
53      
IBG Music 2002
Bass Clarinet Oconee Sketches

      
58    
a tempo

   
3

     
 
63 rit.

   
           
  
 
70

 
      
       
 
75
    

-2-
Alto Saxophone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

  

    
           
 

         

                      
5

   
                  
9

   
                  
13

Allegro

          
    
17


               
22

               

27

         
 
2

32

    
           
38  
IBG Music 2002
Alto Saxophone Oconee Sketches


Like a chorale

        
43
rit. 

    
          
48 simile

    
        
53


           
58

 

a tempo

     
   
    

63 rit.
rit.

     
           
68 

                       

72

      
         
76 -2-
Tenor Saxophone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

  
                 

             
               
5

                    
9

Allegro

                
13

             
18

           
23

          
4 8

27

Like a chorale

   
     
42
rit. 

        
48
simile

IBG Music 2002


Tenor Saxophone

   
Oconee Sketches


   

54


         
60 rit.

                 
a tempo

    

66

          
                      
71    

   
                   
75     

-2-
Baritone Sax

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


 
3
          

      
           
9
8

 
             
12

Allegro

 


6
        
17


    4
      
2

27

             
 
36

Like a chorale

  
        
41   rit. 

 
        
46

 
     
6

52
  
simile
IBG Music 2002
Baritone Sax


Oconee Sketches a tempo

     
3
 
 
62 rit.

 

               
69

  
   
  
 
        

74
    

  
 
79

-2-
Trumpet 1

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


                
 


              
     
          
5

  
4
           
9 
Allegro

        
6 2

17

              
28

    2
        
33

         
39   
  
rit.
Like a chorale

         
44

         
49
simile

IBG Music 2002


Trumpet 1

Oconee Sketches

          
55



         
61 rit.

a tempo

                
66
 

       
            
             
70 

                   
   
74
 

 
 

78

-2-
Trumpet 2

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


             
 

       
             
            
5

             
4

9 
Allegro

      
6 2

17  

              
29

            
2

34

Like a chorale

     

40  
  
rit.
 

         
45

         
51
simile
IBG Music 2002
Trumpet 2

Oconee Sketches

         
57

a tempo

          
rit.     
63

            
68
 

       
                         
72
           

   
                
76   

-2-
Horn in F

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


 

  
    
   
   

             
               
5

         
           
9

         
           
13

Allegro

     
       
17

             
22

             
27

         
2

31


 
              
37
IBG Music 2002

Horn in F Oconee Sketches
Like a chorale

           
42  rit. 

         
47  

         
52
simile

     
58
     


a tempo

 
    
rit.  
  

63

        
   
         
68  

      

                       
73       

 
        
77  -2- 
Trombone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


                   


       
                   
   
5  

                

         
9


  
            

         

13

 
Allegro

            
17

     
        
22

    
4
      
2

27

               
36

Like a chorale

              
  
41
rit.  IBG Music 2002
Trombone Oconee Sketches

            

46

         

optional tacet until m. 59


51 simile

              
57


        
a tempo

 

62 rit.

                     
67

          
                
  

    
  
Optional 8vb

72  

     
    
As Is
 
76 -2-
Trombone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band


                   


       
                   
   
5  

                

         
9


  
            

         

13

 
Allegro

            
17

     
        
22

    
4
      
2

27

               
36

Like a chorale

              
  
41
rit.  IBG Music 2002
Trombone Oconee Sketches

            

46

         

optional tacet until m. 59


51 simile

              
57


        
a tempo

 

62 rit.

                     
67

          
                
  

    
  
Optional 8vb

72  

     
    
As Is
 
76 -2-
Baritone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

         
3

  

8            
   
 9

      
   
   
12

Allegro

          
6

17

  
4
       2

27

             
36  
Like a chorale

      
41        
rit.

   
47       simile

        

53
IBG Music 2002
Baritone

Oconee Sketches

    
        
59 rit.

a tempo

        
3

  

64

     
 
         
72  

  
       
76   

-2-
Baritone

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

  

3
          

              
    
8
9

            
   
12

Allegro

   
6
        
17

    
     4
 
2

27

              

36

Like a chorale

     
      
41   rit. 

   
   
  
46


          
52
simile IBG Music 2002
Baritone

Oconee Sketches
   
       
 
57

       

a tempo

 
3


62 rit.

    
  
           
69

      
            
74

     
79

-2-
Tuba

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

    

3

       
  

    
      
8  9       

             
12
  
Allegro

  
6

17
         

  4
 
2

27
       

     
         
36
 
Like a chorale

 
     rit.   
 

41

 
    
46
   

         
52
simile  
IBG Music 2002
Tuba

Oconee Sketches
  
        
57  

  
a tempo

    
3

62
 

rit.

   
            

69
 

    
       
          
74
 

   

79

-2-
String Bass

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

             

3


            
      
8 9

            
   
12

Allegro

   
6
        
17

    
     4
 
2

27

              

36

Like a chorale

           
  
41
rit. 

       
  
46


          
52
simile IBG Music 2002
String Bass

    
Oconee Sketches
        

57

       

a tempo

 
3


62 rit.

    
  
           
69

      
            
74

     
79

-2-
Snare and Bass

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

              
  
     
   

  



  





              
        
5

   
             
9        

   
              
13        
Allegro

                
7

17

     
5
              

27

                
     
36

 
Like a chorale

        
    
 8

40
rit. 
a tempo

               

8 6

  

52
simile

IBG Music 2002


Snare and Bass

Oconee Sketches
       





  





       
   
69

    
                            
73      

 
                    
77
  

-2-
Crash Cymbals

Oconee Sketches Gregory Day


For Gina Cain and the Walhalla MS Band

   
        

     
         
Vibraslap

5 9 

    
10  11   13  14 
Allegro

             
Trianlge Beater on Cymbal Dome

15  

               
20

               
24

               
Dome, small cymbal with triangle beater

28

   
           
8

32

Like a chorale

a tempo

     
7 Wind Chimes 8 6

44
 simile IBG Music 2002 
Crash Cymbals Oconee Sketches

     
          
68

       
        
73

        
     
77

-2-
Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band
Sus Cym

   
      
3

                   
Claves

                       
12

 
Allegro

     
  
11 5

16

   
      
2 3

35

 
Like a chorale


a tempo

  
8 7 5 3

44
 simile

    

69
       

 
   
3

75

IBG Music 2002


Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band
Triangle

          


        
    
3
6
9

           
Allegro

   
7

13

       
       
8

24

                       

36

   
Like a chorale

   
8 8

40
rit.  simile

          
a tempo

 
4


60

       
 
2

68

          

75
 IBG Music 2002
 
Timpani Oconee Sketches Gregory Day
For Gina Cain and the Walhalla MS Band

          

6

     

9

           
    
10

Allegro

           
6

14
   

     
24
       

        
28
       

  
33
          


Like a chorale

  
a tempo

       
8 8 6 6

    
38 simile
rit.

      
72
              

            
76
      
IBG Music 2002