Professional Documents
Culture Documents
walls by sucking salt from the rock into the plaster where it
The conservation work in the six-year joint project of the the tomb increased -as it surely did following the rare,
ambitious, multidisciplinary, international collaboration servation of the paintings is complete, it is clear that the
cess: The authenticity of the wall paintings was not com- deserts of the Nile. Today, as never before, mass tourism
tomb, were supported by countless hours of laboratory deterioration is accelerating as uncontrolled tourism, pollu
tion, vandalism, and often theft are tipping the scales fur·
analysis, photographic documentation, materials testing, ther against the long-term survival of artworks,
exemplary in its collaborative efforts as well as its results and wear away the very substance that has drawn them to
123
hands on fragile paint, the moisture that each exhalation
notwithstanding.
For the present, the tomb will remain closed for moni
plan that will take into account these results and findings.
124 AGNEW
Source Materials for the Study
of the Nefertari Wall Paintings
MAHASTI AFSHAR
1954, with twenty color plates illustrating the introductory jects surveyed.
text, and 170 plates in black and white and color in a sep Also of interest are the approximately 350 facsimiles
arate chapter. For purposes of comparison with other The of Egyptian wall paintings copied by the Graphic Section
ban tombs, the reader may consult Norman de Garis of The Metropolitan Museum of Art's (MET) Egyptian Expe
Davies' voluminous output done under the aegis of The dition from 1907 to 1937, which are on permanent display
Metropolitan Museum of Art in New Y ork, and the publica at the MET. Three paintings of the tomb of Nefertari by
tions of the Egypt Exploration Society in London during the Nina de Garis Davies dated 1921-22, and one by Charles K.
period ca. 1913-48. Wilkinson dated 1923-24 are reproduced in Egyptian Wall
A concise introduction to the subject aimed at the Paintings: The Metropolitan Museum of Art's Collection of
general reader and students alike is Egyptian Painting and Facsimiles, which was published by the MET in New York in
Relief by Gay Robins, who was at the time of publication 1983. The text, written by Wilkinson, contains biographical
a member of the Oriental Faculty at Cambridge University. information on the principal participants during the three
Published in 1986 by Shire Publications Ltd. in England, decades of the MET expedition. The catalogue is compiled
the book elucidates the principles, materials, and methods by Marsha Hill and is informative and methodical in the
of ancient Egyptian art in both religious and domestic con presentation of the facsimiles.
texts, with a separate section devoted to Amarna art. Of The most recent publication on the Nefertari wall
particular interest are discussions of the varied conven paintings is the exhibition catalogue In the Tomb of Nefer
tions for representing the parts of the human figure in for tari: Conservation of the Wall Paintings. This was pub
mal and mundane scenes, the horizontal registers and the lished on the occasion of an exhibition jointly organized
scale system used to organize the material and to under by the j. Paul Getty Museum UPGM) and the Getty Conser
score the relative importance of the figures depicted, and vation Institute that was held at the JPGM from November
the grid system used for drawing proportional outlines of 12, 1992 to February 21, 1993. The catalogue includes an
james F. Romano's Death, Burial, and Afterlife in University Art Gallery, on the Getty Conservation Institute's
Ancient Egypt, published in 1990 by the Carnegie Museum work in the tomb from 1986 to 1992. It also includes con
of Natural History in Pittsburgh, Pennsylvania, is a concise tributions by Robert S. Bianchi, j. Clawson Mills Fellow at
survey of the broader context of ancient Egyptian funerary the MET, on the life and times of Nefertari and on Egyptian
customs, art, and architecture. A more detailed survey is wall paintings. Bianchi proposes a new reading of the data
provided in a 1988 publication, Egyptian Civilization: Reli related to Nefertari and suggests that she was of royal
director of Turin's Museo Egizio. This is an informative pub The publications cited below comprise the most
lication on matters related to the religious traditions of important sources related to Nineteenth Dynasty history
ancient Egypt, including funerary structures and paintings. and art. A number of books that carry illustrations of the
It is of interest to the general reader as well as to the spe Nefertari wall paintings have been included regardless of
cialist, with a well-selected bibliography classified accord their literary significance. Plate numbers, figures, or pages
ing to archaeological sites, historical periods, mummifi on which illustrations appear are shown in parentheses
cation materials and rites, and funerary objects and cus following citations. For a survey of photographic records
toms. A companion volume titled, Egyptian Civilization: the reader should consult the article on photodocumenta
Daily Life, was published simultaneously and provides tion in this volume.
126 AFSHAR
FIGURE 1. ENTRANCE TO THE TOMB Basch, M. A., et al. La Tumba de Nefertari. Photographic
OF NEFERTARI, CONSTRUCTED BY
Reconstruction: Kodak, S.A. Museo Arqueol6gico Nacio
SCHIAPARELLI, CA. 1905.
nal. Ministerio de Cultura, Direcci6n General del Patrimo
Badawy, A. A History of Egyptian Architecture: The New Baud, M. Les Dessins ebauches de la necropole thebaine
Kingdom, from the Eighteenth Dynasty to the End of the (au temps du Nouvel Empire). Memoires de l'lnstitut
Twentieth Dynasty, 1580-1085 B.C. Berkeley and Los Fran�ais d' Archeologie Orientale du Caire. Vol. 63.
Baedeker, K. Egypt and the Sudan: Handbook for Travel Benedite, G. A. L'Art egyptien dans ses lignes generales.
lers. 6th remodelled ed. Leipzig and London, 1908. (316) Paris, 1923. (PI. xxxi)
Baikie, J. Egyptian Antiquities in the Nile Valley: A Bianchi, R. S. "Some Royal Women of the Seventeenth
Descriptive Handbook. London, 1932. (PI. xix) and Eighteenth Dynasties," "Nefertari as Chief Queen and
ed. 60 min. color film. National Geographic Society and (PI. xxx)
WQED,1982.
__ . Egyptian Wall Paintings from Tombs and Tem
Botti, G., and Peet,T. E. /I Giornale della necropoli di ples. UNESCO. New York,1962. (Pis. 20-22)
Tebe. Fasc. I-II. Turin,1928.
__ . La Femme au temps des Pharaons. Paris,1986:
128 AFSHAR
Edwards et aI., The Cambridge Ancient History. III. Cam __ . Pyramiden, Sphinxe, Pharaonen: Wunder und
bridge, 1975. (81, 231, 232, 250; and VIII, PT. I., Pis. 91-3) Geheimnisse um eine grosse Kultur. Munich, 1952. (120,
tan Museum of Art 24 (1924). (Pis. xvii, xxi, xxiii [R & LD Lange, K., and Hirmer, M. Agypten. Landschaft und Kunst.
Wall Paintings of the Tomb of Nefertari. First Progress Lawton, J. "Ramesside Renaissance Restored." Aramco
Report, July 1987. M. A. Corzo, ed. Cairo and Century City, World (1988): 14-19.
Gitton, M. Les Divines epouses de la 18e dynastie. Centre ouest et son histoire. I. Cairo, 1989. (Photos: F. Ibrahim,
de Recherches d'Histoire Ancienne, 61. Paris, 1984. CEDEA, black·and-white pis. CLlI-ClVIII; ClX-ClXVI; ClXIII
and Nefertari, Wives of Rameses II." In Festschrift zum Lefebvre, C. "L'Heritage spirituel de l'Egypte." In L'Amour
150. jahrigen Bestehen des Berliner Agyptischen Muse de I'Art 28 (1948): 179.
Hari, R. "Mout-Nefertari, epouse de Ramses II: une II, black and white, reproduced from a Museum of Turin
descendante de I'heretique Ai?" Aegyptus 59 (1979): 3-7. photograph; color pis. 36, 81)
Heick, W., and Otto, E. "Nofretere." In Lexikon der Mace, A. C. "The Egyptian Expedition: 1921-22." Photo:
Agyptologie 4. Wiesbaden, 1982: 518-19. Henry (Harry) Burton. Illustrations: N. de Garis Davies.
Emmer. Geneva, 1954: 14-35, 138-39. (PIs., pp. 140, de la civilisation egyptienne. Paris, 1959. 2d ed., 1970.
__ . Egyptian Painting. S. Gilbert, tr. New York, 1954. Price, W. "By Felluca Down the Nile." Photo: B. Anthony
(140, 142, 143) Stewart. National Geographic Magazine 77, NO. 4 (April
tions." The Photographic }ournal73. New Series, LVII Rachewiltz, B. de. Egyptian Art, an Introduction. R. H.
Oanuary 1933): figs. on pp. 12, 13, 14. Boothroyd, tr. New ed. London, 1966. (Originally published
1967. In Japanese. (PIs. 134, 135) Robins, G. Egyptian Painting and Relief. Aylesbury,
Bucks, 1986.
Moriarty, D. Chronicle: The Tomb of Queen Nefertari. 60
min. color video production. British Broadcasting Corpora __ . "A Critical Examination of the Theory that the
tion, 1987. Right to the Throne of Ancient Egypt Passed through the
antiken Welt. Vol. 26. Mainz, 1985: 12-39. Romano, J. F. Death, Burial, and Afterlife in Ancient Egypt.
92: 254) Romer, J. Ancient Lives: The Story of the Pharaoh's Tomb
the Motion Picture The Ten Commandments. Los Angeles, Sauneron, S. Les Pretres de I'ancienne Egypte. Paris, 1967.
Nofret-die Schone: die Frau im Alten Agypten (exhibition Archeologica Italiana in Egitto (1903-20). 2 vols. Vol. 1.
catalogue). Photo: JUrgen Liepe. Haus der Kunst MUnchen, Esplorazione della "Valle delle Regine" nella Necropoli
Madrid, 1932: 453-457. (Figs. 608-611) Smith, W. S. Ancient Egypt as Represented in the Museum
of Fine Arts. Boston, 1942. (Fig. 85). Repr., 1952 (Fig. 83);
Porter, B., and Moss, R. Topographical Bibliography of
1960 (Fig. 96).
Ancient Egyptian Hieroglyphic Texts, Reliefs and Paintings.
7 vols. 1927-75. I. The Theban Necropolis. Part 2. Royal __ . The Art and Architecture of Ancient Egypt.
Tombs and Smaller Cemeteries. Oxford, 1927. Revised and Harmondsworth, 1958. (PI. 159 [BD
augmented, 1970.
130 AFSHAR
Smith, W. S. Die Kunst der Agypter: Bauten, Plastik, II. Abu Simbel: General History, Art,
Steindorff, G., and Wolf, W. Die Thebanische Graberwelt. illustrious spouse-iconographic and epigraphic data
GIUckstadt, 1936. (Black·and-white pis. 22 [bj, 23 [a, bD found at the Small Temple at Abu Simbel, dedicated by
Valbelle, D. Les Ouvriers de la Tombe: Deir E/-Medineh tion, her thirty-three-foot-high colossi stand one on either
a /'epoque ramesside. Chap. 2: Ramses II. Cairo, 1985. side of the central entrance in niche-like recesses, each
(167-74; tomb of Nefertari: 171) flanked in equal proportion by those of the pharaoh.
Weigall, A. Ancient Egyptian Works of Art. London, 1924. shown in relief performing the queen's coronation cere
mony. The walls and three sides of the pillars in the hypo
(Pis. 275, 276)
style "Hall of Appearance" show Rameses II and Nefertari
Wildung, D. Die Kunst des alten Agypten. Freiburg im
before different divinities in low relief. In the rear central
Breisgau, 1988. (Pis. 6, 67, 80) sanctuary, a statuary group believed to represent the royal
Winlock, H. E. "Excavations at Thebes" [The Egyptian Temple dedicated by the pharaoh to Amon-Re of Thebes
Expedition: 1921-22j. Bulletin of The Metropolitan and Re-Herakhty of Heliopolis. Among other representa
Museum of Art 17, No. 12, Pt. ii (Dec. 1922): 19-48. tions, the fa�ade of this imposing construction bears
__ . Die Welt der Agypter. Zurich, 1955. (PI. 105) from the rising waters of the Aswan High Dam as part of
Hieroglyphic Texts, Reliefs and Paintings. VII. Nubia, the between Hathor and Isis)
Desert and Outside Egypt, first published in Oxford, 1952;
Blackman, A. M. Luxor and Its Temples. Illustrated by
reissued by the Griffith Institute, Ashmolean Museum,
Major Benton Fletcher. London, 1923. (65, 67; pis. x, XIV)
1975: 111-17· A subsequent source is Christianne
Desroches-Noblecourt and Charles Kuentz's Le Petit Bonneval, H. Rapport sur les missions photogram
Temple d'Abou Simbel: "Nofretari pour qui se leve Ie metriques de I'I.G.N. en Nubie egyptienne. Missions
Dieu-Soleil." The dedication of this valuable publication to d'octobre-novembre 1956, d'aoOt-septembre 1960, de
Rameses II, Champollion, and UNESCO sums up its scope
septembre-novembre 1961. Paris, 1961.
and intention. The study was published in two volumes by
the Ministry of Culture, Centre de Documentation et ___ . "Utilisation de la photogrammetrie pour les leves
d'Etude sur l'Ancienne Egypte (CEDEA) , in collaboration architecturaux: application au temple d'Abou Simbel."
The first volume of this work includes thirty-three Travaux historiques et scientifiques 71 (1958-59): 1-12.
glyphics and translation is accompanied by exhaustive his Carbon nell, M. "L'lmportance de la photographie dans la
torical and epigraphic documentation. The second volume
campagne de sauvegarde des monuments de la Nubie."
reproduces 127 plates and photogrammetric reconstruc
Terre d'images, NO. 2 (March-April 1964): 168-83.
tions, plans, cross sections, and elevations of the temple.
It also includes photographs taken at the beginning of this ___ . Mission photogrammetrique en Nubie (Septem
century before the construction of the Aswan High Dam ber-November 1963). Paris, 1964.
as well as an aerial view of the temple dated 1959 (PI. I).
___ . "Le Releve photogrammetrique des ensembles
A 1:750 photogrammetric map of the respective positions
architecturaux." Bulletin de la Societe Fran(aise de
of the two temples, the stela, and the rock drawings pre
Photogrammetrie, No. 19 Ouly 1965): 91-120.
pared by I'lnstitut Geographique National (IGN) , Paris,
appears at the end of the second volume. A number of the ___ . "Les Releves photogrammetriques des monu
photogrammetric records of this volume have appeared in ments de Nubie." Archeologia, NO. 3 (March-April 1965):
small scale in the various articles of Maurice Carbonnell 66-72.
and are cited below.
Christophe, L.·A. Abou-Simbel et /'epopee de sa decou
A Common Trust: The Preservation of the Ancient Monu flowers; 20-21, general views of the two temples; 27,
ments of Nubia. UNESCO, 1960. French edition: Un devoir northern half of the fa�ade)
132 AFSHAR
Curto,S. Nubia, storia di una civilta favolosa. Novara, Lalouette,C. L'Empire des Ramses. Paris,1985: 421-23.
1965. (Figs. 241-56)
Langdon,S.,and Gardiner,A. H. "The Treaty of Alliance
Desroches-Noblecourt, Ch. "Le Petit Temple d'Abou Sim between Hattushili,king of the Hittites and the Pharaoh
bel et son message." Rotary Bulletin (Cairo),No. 219 Ramesses II of Egypt." Journal of the Egyptian Antiquities
Uune-July 1964): 26-33. (26, Nefertari between Hathor Organization 6 (1920): 184, 204-5.
and Isis; 28, Nefertari before the cow Hathor in her boat;
Lefebvre,C. "Une Version abrege de la Stele du Mariage."
and behind Ramses massacring his enemies; 29, pan
ASAE 25 (1925): 34-45.
orama of the two temples; 33, fa�ade)
MacQuitty,W. Abu Simbel. London,1965. (14, 73 123,
__ . "Temples de Nubie: Des tresors menaces." Art et
126, 149, 159, 161)
Style 58 (1960). (Fig. 43, fa�ade; 44, photogrammetric
. Ramesses the Great: Master of the World.
renderings of gradation levels; 45, massacre of the north
New York,1978.
ern enemies; 46, first Hathoric column of the southern
row; 47, Nefertari between Hathor and Isis) Martini, R. H. "Comment sera sauve Abou-Simbel."
Soleil." 2 vols. Vol. 2, Plates. Centre de Documentation et Montet,P. Everyday Life in Egypt in the Days of Ramesses
d'Etude sur l'Ancienne Egypte, Memoires. Cairo,1968. the Great. A. R. Maxwell-Hyslop and M. s. Drower,tr.
London,1958.
Drioton, E.,ed. "Le Site et la signification des temples
d'Abou Simbel." Nubie. Cahiers d'histoire egyptienne x, Nawrath,A. Agypten. Bern,1962. (90: 252, the three
1967: 19-22. colossi of the northern section of the fa�ade; 91, 92: 254,
Emery,W. Egypt in Nubia. London,1965. (PI. XXXI) in color,the fa�ade,southern and northern views)
The Great Pharaoh Ramses 1/ and His Time. An Exhibition Egyptian Antiquities 57 (1971): 110-19.
of Antiquities from the Egyptian Museum, Cairo. Palais de
Schmidt,J. D. Ramesses 1/: A Chronological Structure for
Civilisation, Montreal. June 1-September 29, 1985. (Nefer
His Reign. Baltimore and London,1973. (23, 172-73)
tari, following §32)
Velikovsky,I. Ramses 1/ and His Time. Garden City,New
Kitchen, K. A. Pharaoh Triumphant: The Life and Times of
York,1978.
Ramesses 1/. Warminster,1982.
Wood, R., and Drower, M. S. Egypt in Colour. London,
Kuentz, Ch. "La Stele de mariage de Ramses II." Annales
1964. (PI. 58, Nefertari between Hathor and Isis)
du Service des Antiquites de l'Egypte (ASAE) 25 (1925):
181-238.
Scientific and paintings conservation studies directly McDonald in the 1992 exhibition catalogue In the Tomb of
related to the wall paintings of the tomb of Nefertari, as Nefertari: Conservation of the Wall Paintings. This essay is
well as a number of works of general scientific interest that aimed at the general reader and surveys the EAO-GCI con
have been cited in these studies, are listed below. As yet, servation project from inception to completion.
no attempt has been made to characterize the collectivity Unpublished topographic and drainage pattern maps
of ancient Egyptian tomb paintings within their varied geo of the Valley of the Queens may also be cited here, as
logical, architectural, and environmental contexts from a they comprise indispensable tools for defining the scope
scientific point of view. Nor has there been a critical survey of deterioration and site protection problems of the tomb
of the different theories and methodologies that have been of Nefertari. A topographic map of the Theban necropolis
applied to date to confront the problems of deterioration, was produced in 1981 during the fourth season of a The
despite the undisputed recognition of the paintings' histor ban mapping project undertaken by the University of Cali
ical and aesthetic significance. The increasingly vital sub fornia, Berkeley. The work was directed by Kent R. Weeks,
ject of site management is equally neglected in the former professor of Egyptology at the University of Califor
literature-a lack that is all the more conspicuous consid nia at Berkeley, and current chairman of the Department
ering the active interests of the Egyptian Antiquities Orga of Egyptology at the American University of Cairo (see
A valuable study that offsets the above-mentioned based engineering-survey company-undertook a survey
lacunae in a singularly important area is Ancient Pigments ing project in the Valley of the Queens under the direction
in Wall Paintings of Egyptian Tombs and Temples: An of Farouk El-Baz, director of the Remote Sensing Center at
Archaeometric Project, published in 1986 by Ahmed El-Gor Boston University. The project was funded by Earthwatch
esy of Heidelberg's Max Planck Institut fUr Kernphysik. The and equipped with surveying instruments on loan from
study is based on two field trips funded by the Stiftung the Topcon Instrument Corporation of America and the
Volkswagenwerk in 1981 and 1982. It is a systematic sur Carl Heinrich Company (see Cherrington 1987). Because
vey of the variety of natural, synthetic, and semisynthetic of the lack of adequate aerial photographs required to
pigments found in polychromic decorations in more than cover the proposed soo-acre study area, Cameron decided
fifty tombs and twelve temples across Egypt-including instead to use ground survey methods to update a
the tomb of Nefertari-and the innovative technologies 1:2000 stereo photogrammetric survey produced in 1969
developed from the Old Kingdom to the New Kingdom for by the Centre de Photogrammetrie Architecturale et
the manufacture and application of these pigments. The Archeologique of the Institut Geographique National de
article was co-authored with H. jaksch of Tracor Europa Paris (IGN ) . The 1969 survey was based on aerial photo
BV in Karlsdorf, M. Abdel Razek of the Egyptian Antiqui graphs taken in 1964. A detailed topographic survey locat
ties Organization ( EAO) in Cairo, and K. L. Weiner of the ing the tomb entrances and some of the lower areas was
Institut fUr Kristallographie und Mineralogie of the Univer thus produced (see Wissmuller and Gonzalez 1989). Swiss
sity of Munich, and includes a brief review of past contri Air Photo later synthesized these data, and a topographic
butions to the field. map of the Valley of the Queens was completed
lished in july 1987 as part of the joint project of the Egyp was launched in 1986, it became necessary to prepare a
tian Antiquities Organization ( EAO) and the Getty drainage pattern map of the Valley of the Queens. The
Conservation Institute (GCI) , is the main source for an project had access to a set of Egyptian Survey Organiza
understanding of the biological, chemical, and physical tion base maps prepared by a British team in 1926, as
characteristics of the exquisite and extremely endangered well as the Berkeley map of the Theban necropolis, both
134 AFSHAR
of which proved inadequate for the undertaking. Dr. Arosio, R., and Nicola, G. L. "Ricerca chimica nella pratica
Farouk El·Baz was at this time entrusted with the task of del restauro: il caso della 'Madonna della Consolata' di
using advance technologies to map the region in the Torino." In L'lmpresa del restauro: materiali delle Gior·
immediate vicinity of the tomb of Nefertari. The objective nate di studion sui tema "Artigianato e ricerca scientifica
was to determine the drainage pattern and develop a
nel restauro d'arte." Aramengo Restoration Laboratory
hydrologic model of the terrain, and to locate areas of the
Report, January 12-17, 1983. Bologna, 1985: 93-100.
walls in the tomb that needed emergency treatment. The
Barbieri, M., Calderoni, G., Cortesi, C, and Fornaseri, M.
results and recommendations of the study were published
"Huntite, a Mineral Used in Antiquity." Archaeometry 16,
as a monograph in 1986 and appeared in an edited ver
sion in the First Progress Report (see El·Baz 1987). The NO. 1 (1974): 211-20.
of Associated Research (URA 1064) at the National Center El-Baz, F. Egypt as Seen by Landsat. Cairo, 1979.
appeared at the end of chapter 1 in volume one of Leb· ___ . Geographic and Geologic Setting of the Tomb
lanc's Ta Set Neferou: une necropole de Thebes-ouest et of Nefertari, Egypt. Boston University Center for Remote
son histoire, published by Dar al·Kutub in Cairo in July Sensing. Technical Paper NO. 1, 1986.
1989 (seeSection I of this article). It derives from the IGN
___ . "Geographic and GeologicSetting." In Wall
stereophotogrammetric survey mentioned above. Chris
Paintings of the Tomb of Nefertari. First Progress Report,
tian Leblanc is currently working jointly with the EAO Doc·
umentation Center (CEDEA) on a project to restore the July 1987. M. A. Corzo, ed. Cairo and Century City, Calif.,
Valley of the Queens to its original pharaonic level. The 1987: 46-52.
___ . "The Environmental Analysis of Archaeological El-Baz. F., Koc�, M., Mojzsis, 5., and Toth, E. "Hydrologic
Sites." Trends in Analytical Chemistry 9, NO. 7 (August Modeling of the Tomb of Nefertari, Luxor, Egypt." 28th
1990): 215 ff. International Geological Congress. 9-19 July, 1989. Wash
___ . "On Microorganisms in the Tomb of Nefertari." ington, D.C. Vol. 1. Abstracts, 1989: 442-43.
Science for Conservation, No. 27 (1988): 19-20. Berry, L. G., et aI., eds. Powder Diffraction File: Joint Commit-
Billard, T. c., and Burns, G. "Solution of the continuity Corzo, M. A. "Project Background." In Wall Paintings of
equation at Karnak." Nature 285, No. 5767 (26 June 1980): the Tomb of Nefertari: Scientific Studies for their Conser
653-55· vation. First Progress Report, July 1987. Cairo and Century
Technology. 2d ed. New York, 1981. Curtis, G., and Rutherford, J. "Expansive Shale Damage,
Information Center Monograph. Warsaw: ICCROM, 1973: Deer, W. A., Howie, R. A., and Zussman, J. An Introduction
16-36. to the Rock Forming Minerals. London, 1976.
Burns, G., and Wilson·Yang, K. M. The Tomb of Nefertari, Delbourgo, S. "Application of the Electron Microprobe
Valley of the Queens and Its Conservation Problems. Pre· to the Study of Some Italian Paintings of the Fourteenth
liminary Report, Archaeometric Laboratory. Toronto, 1981. to the Sixteenth Century." Conservation and Restoration
Cherrington, M. "Paintings in Peril: Volunteers Search for Paintings. Conservator's Information Center Monograph.
the Source of Water Damaging Nefertari's Tomb." Earth Warsaw: ICCROM, 1973: 45-59·
Corfield, M. (Review.) Wall Paintings of the Tomb of Nefer Tomb of Queen Nefertari: Problems of Conserving Wall
tari: Scientific Studies for their Conservation. M. A. Corzo, Paintings. Conservator's Information Center Monograph.
ed. Cairo and Century City, Calif., 1987. Conservation Warsaw: ICCROM, 1973: 37-44.
(1985).
136 A FSHAR
Dondelinger, E. Der jenseitsweg der Nofretari. Graz, 1973. Glass." J. Colloid and Interface Science 45 (1973): 154-69.
Esmael, F. A. "Microclimatic Conditions." In Wall Paintings Lucas, A., and Harris, J. R. Ancient Egyptian Materials and
of the Tomb of Nefertari. First Progress Report, July 1987. Industries. 4th ed. London, 1962.
___ . The Tomb of Queen Nefertari: An Overview. In In the Tomb of Nefertari: Conservation of the Wall
Preliminary Report to the Egyptian Antiquities Organiza Paintings. Santa Monica, Calif., 1992: 12-35.
EI-Etr, H. A., Moustafa, A. R., and EI-Baz, F. "Photo linea ter. Working Group of the State Ateliers for the Preserva
ments in the ASTP Stereostrip of the Western Desert of tion of Historical Property. S. Rakowski, tr. Warsaw:
Gauri, K. L. "The Deterioration of Ancient Stone Structures M. A. Corzo, ed. Cairo and Century City, Calif., 1987:
Goldstein, J. I. et al. Scanning Electron Microscopy and "Condition Survey." In Wall Paintings of the Tomb of
X-ray Microanalysis. New York and London, 1981. Nefertari. First Progress Report, July 1987. M. A. Corzo, ed.
Egyptian Tombs and Temples: An Archaeometric Project. Mora, P., Mora, L., and Phillipot, P. Conservation of Wall
Iskandar, Z. "Some Restoration Problems in Egypt and Mora, P., Mora, L., and Porta, E. "Conservation et
Their Treatment." In Recent Advances in Science and restauration de la tombe de Nefertari dans la Vallee
Technology of Materials. Vol. 3. A. Bishay, ed. New York, des Reines." In Proceedings, ICOM Committee for
und mogliche Herkunftsbeziehungen. Dissertation, Mora, P., Torraca, G., Schwartzbaum, P., and Smith, E.
University of Heidelberg, 1985. Luxor West Bank Visitor Management Study: Possible
1987: 35-38. Nicolini, L., and Santini, M. "Contributo allo studio dello
Blaupigmente." N. Jahrb. Min. Mh., H. 5 (1975): 209-14· Wall Paintings of the Tomb of Nefertari. First Progress
cus University, Institute of Conservation and Restoration of Simon, F. T., and Goodwin, W. J. "Rapid Graphical Compu
Cultural Property. Torun, Poland, September, 1988. tation of Small Color Differences, Union Carbide." Ameri
vas con Arte Rupestre aplicada a tumbas egipcias: Tumba Smeaton, J. E., and Burns, G. "The physicochemistry of the
de Nefertari." In Actes. Journees Internationales d'etude Tomb of Nefertari, Egypt." In Materials Issues in Art and
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Preusser, F. "First Report on Analyses of Samples." In Wall Stanley Price, N. P. "Preventive Measures During Excava
Paintings of the Tomb of Nefertari. First Progress Report, tion and Site Protection: A Review of the ICcRoM/Univer
July 1987. M. A. Corzo, ed. Cairo and Century City, Calif., sity of Ghent Conference, November, 1985." In In Situ
138 AFSHAR
FIGURE 3. NEFERTARI PARTICI·
SIMBEL.
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