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  • Re-Amp AxeFXII With External Audio Interface PDF

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    Zvonimir Baljak
    86 views2 pages
    This document describes a process called "Re-Amping" for guitar recording using separate digital and analog audio paths. It involves: 1) Recording the dry guitar signal digitally and wet effected signal analog in one take. 2) Sending the dry recording back through effects processors to create a new wet signal for a second take. 3) This allows maintaining the same DAW configuration while recording different amp and effect combinations.

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    Re-Amp AxeFXII with External Audio Interface.pdf

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    This document describes a process called "Re-Amping" for guitar recording using separate digital and analog audio paths. It involves: 1) Recording the dry guitar signal digitally and wet effected signal analog in one take. 2) Sending the dry recording back through effects processors to create a new wet signal for a second take. 3) This allows maintaining the same DAW configuration while recording different amp and effect combinations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    86 views2 pages

    Re-Amp AxeFXII With External Audio Interface PDF

    Uploaded by

    Zvonimir Baljak
    This document describes a process called "Re-Amping" for guitar recording using separate digital and analog audio paths. It involves: 1) Recording the dry guitar signal digitally and wet effected signal analog in one take. 2) Sending the dry recording back through effects processors to create a new wet signal for a second take. 3) This allows maintaining the same DAW configuration while recording different amp and effect combinations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Re-Amping using S/PDIF

    · Dry Project Settings:


    and Analog through DAW
    Three
    · Wet · Sample Rate: 48kHz
    Tracks
    separate Audio Interface Settings · Re-Amp · Bit Depth: 24-bit

    How does it work? Why do it this way?


    · You record a digital version · You can maintain a static First take (dry and wet) Second take (Re-Amp)
    of the dry guitar signal in configuration for your DAW Track 1 (dry) (mono): Track 1 (dry) (mono):
    one track and an analog (i.e., easier for monitoring, · Source: Digital input (L) · Source: Digital input (L)
    version of the wet (effected recording other devices, etc.) · Destination Digital Output (L) · Destination Digital Output (L)
    guitar) in another in the · Digital provides a high SNR
    which is important with the
    · Rec Enabled · Rec Disabled
    first take
    · Then you send the dry low audio levels of dry guitar
    recording back through the signals Track 2 (wet) (stereo): Track 2 (wet) (stereo):
    AxeFXII for the second take · Easier to maintain unity gain · Source: Analog (L/R) · Source: Analog (L/R)
    creating a new wet track through audio interface and · Destination: Main Output (monitoring) · Destination: Main Output (monitoring)
    (different amp, effects, DAW
    etc.)
    · Rec Enabled · Rec Disabled
    · Mute
    Track 3 (re-amp) (stereo):
    · Source: Analog (L/R) Track 3 (re-amp) (stereo):
    You can keep your
    monitors connected · Destination: Main Output (monitoring) · Source: Analog (L/R)
    to your audio · Rec Disabled · Destination: Main Output (monitoring)
    interface when
    recording
    · Mute · Rec Enabled
    Analog R Analog L

    Audio Interface Settings AxeFXII Front Panel Settings

    First take (dry and wet)


    · Master Clock
    I/O->Audio
    · Sample Rate: 48kHz
    · MAIN INPUT SOURCE: ANALOG IN 1
    · Bit Depth: 24-bit
    · WORD CLOCK: SPDIF/AES IN
    Analog R
    Analog L Highly recommend using Balanced Audio
    · SPDIF/AES SELECT: SPDIF
    · USB/DIGI OUT SOURCE: INPUT
    Second take (re-amp)
    I/O->Audio
    · MAIN INPUT SOURCE: SPDIF/AES
    · WORD CLOCK: SPDIF/AES IN
    · SPDIF/AES SELECT: SPDIF
    · USB/DIGI OUT SOURCE: INPUT
    SPDIF 1
    SPDIF 2 These must be 75Ω Digital Audio coaxial cables
    Re-Amping using AES
    · Dry Project Settings:
    and Analog through DAW
    Three
    · Wet · Sample Rate: 48kHz
    Tracks
    separate Audio Interface Settings · Re-Amp · Bit Depth: 24-bit

    How does it work? Why do it this way?


    · You record a digital version · You can maintain a static First take (dry and wet) Second take (Re-Amp)
    of the dry guitar signal in configuration for your DAW Track 1 (dry) (mono): Track 1 (dry) (mono):
    one track and an analog (i.e., easier for monitoring, · Source: Digital input (L) · Source: Digital input (L)
    version of the wet (effected recording other devices, etc.) · Destination Digital Output (L) · Destination Digital Output (L)
    guitar) in another in the · Digital provides a high SNR
    which is important with the
    · Rec Enabled · Rec Disabled
    first take
    · Then you send the dry low audio levels of dry guitar
    recording back through the signals Track 2 (wet) (stereo): Track 2 (wet) (stereo):
    AxeFXII for the second take · Easier to maintain unity gain · Source: Analog (L/R) · Source: Analog (L/R)
    creating a new wet track through audio interface and · Destination: Main Output (monitoring) · Destination: Main Output (monitoring)
    (different amp, effects, DAW
    etc.)
    · Rec Enabled · Rec Disabled
    · Mute
    Track 3 (re-amp) (stereo):
    · Source: Analog (L/R) Track 3 (re-amp) (stereo):
    You can keep your
    monitors connected · Destination: Main Output (monitoring) · Source: Analog (L/R)
    to your audio · Rec Disabled · Destination: Main Output (monitoring)
    interface when
    recording
    · Mute · Rec Enabled
    Analog R Analog L

    Audio Interface Settings AxeFXII Front Panel Settings

    First take (dry and wet)


    · Master Clock
    I/O->Audio
    · Sample Rate: 48kHz
    · MAIN INPUT SOURCE: ANALOG IN 1
    · Bit Depth: 24-bit
    · WORD CLOCK: SPDIF/AES IN
    Analog R
    Analog L Highly recommend using Balanced Audio
    · SPDIF/AES SELECT: AES
    · USB/DIGI OUT SOURCE: INPUT
    Second take (re-amp)
    I/O->Audio
    · MAIN INPUT SOURCE: SPDIF/AES
    · WORD CLOCK: SPDIF/AES IN
    · SPDIF/AES SELECT: AES
    · USB/DIGI OUT SOURCE: INPUT
    AES 1
    AES 2 These must be 110Ω Digital Audio cables

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