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MASTERCLASS BOOKLET

Claudio Pietronik

CINEMATIC
SOLOING
MASTERCLASS

INTRODUCTION
In this masterclass, we’re exploring ways of creating a “cinematic” sound, exploring a range of
scales and melodic devices to create sweeping lines and dramatic tension. The solos and all
the licks and exercises are based around this chord progression…

Cm – G#m – Cm – B

If you know some theory, you might have noticed something unusual. Normally, you would look
for a series of chords that would work with one scale. For example, Am-G-F would work with A
Aeolian (A B C D E F G) or A minor pentatonic (A C D E G).

However, in this progression, we’re going from Cm to G#m, but there’s no regular major or
minor key with both of those chords. This means we’re going to be changing key midway
through the progression, which instantly forces us to find unusual melodic lines.

WWW.JAMTRACKCENTRAL.COM
CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

GENERAL THOUGHTS

I would suggest not to try looking for full scales, but to focus on the intervals that you’d like to
emphasise. A single interval, when played on one chord, has a characteristic sound, but if the
chord changes, that note has a totally different sound. Try listening to composers like Danny
Elfman. You’ll often notice that themes are built on one chord only, not an overall tonality.

For instance, on the Cm chord in these licks, you’ll find that I often target the b6 and 5
intervals, implying the Aeolian or natural minor scale (C D Eb F G Ab Bb). But then I also like to
hit the #4, an outside note. If we look amongst less-known scales we might find a scale that
includes all those notes, but why should we always have to work with standard seven-note
scales? If a note sounds cool, just play it!

One of the most common problems is that players base everything on a seven-note scale
before they even start to play! We see a chord progression and decide we’re going to play
Lydian, Dorian or whatever. Our first step should be to find the BEST NOTES, regardless of the
scales they come from.

You don’t have to completely stop working with scales; just remember that there’s another
approach. Both approaches have to be considered equals.

WARM-UP LICKS

These patterns are played at two speeds, and they’re designed to get your fingers moving
around some of the shapes I like to use. I like to use a lot of hybrid picking (pick and fingers)
which allows me to move across the strings quickly. Watch the videos carefully, to see how I do
this.

Here’s a quick summary of the warm-up licks…

1. This is based on a Cm6 arpeggio (C Eb G A) implying the Dorian scale (C D Eb F G A Bb).

2. This one has some big stretches. Is it Dorian (C D Eb F G A Bb) or Aeolian (C D Eb F G Ab


Bb)? We never hear the A or Ab notes, so it remains ambiguous and myseterious!

3. Now moving to G#m, this is based on a G#m arpeggio, but with the added 9th (A#) creating
some interesting melodic contours.

4. Although this is loosely based around G# melodic minor (G# A# B C# D# E# Fx) this is a
good example of what I said before… it’s all about the intervals, not the scale. I found some
cool chromatic lines that I could build around the G#m chord notes. (By the way, you might find
it easier to think of those E# and F double-sharp notes as F and G)

5. Over the B chord, this lick uses B Lydian (B C# D# E# F# G# A#) but note how I’ve made a
feature of the major 3rd intervals (the 7-11 jumps between F#-A# and B-D#).

(Scroll down for the ‘Warm Up Licks’ TAB files)

WWW.JAMTRACKCENTRAL.COM
WARM-UP LICK 1
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
V V V V V V V V V V V V V V
8va

e ee 4 V V V V
1
I 4 V V V V V V V V V V V V V V
11 15 11 11 15 11
T 13 13 13 13 13 13
A 12 14 14 12 14 12 12 14 14 12 14 12
13 13 13 12 13 13
B 15 15
H H H P H H H

e j
8va
3
Ie e V
T
A
B 15
sl.

V
8va

e V V V V V
5
Ie e V V V V V V V V V V
11 15 11
T 13 13 13
A 12 14 14 12 14 12
13 13 13
B 15
H H H P

V
8va

e V V V V V
7
Ie e V V V V V V V V V V
11 15 11
T 13 13 13
A 12 14 14 12 14 12
12 13 13
B 15
H H H

e W
9
Ie e
T
A
B 15
sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
WARM-UP LICK 2
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
V V V V V V V V V V
e 4 j V V V V V V V V V
1
Ie e 4 V V V V V V V V V
8 3 6 6 3
T 8 6 8 4 6 6 4
A 7 7 5 7 5
8 8 5 8 5
B 6 6 5 6 8 10
P H P H P H P P P P P P sl. H H

e
3
Ie e W
T
A
B
8
sl.

V V V V V V V V V V
e V V
5
Ie e
8 3 6 6 3
T 8 6 8 4 6 6
A 7
B
P H P H P H P

e V V V V V
7
Ie e V V V V V V V V V V V

T 4
A 7 5 7 5
8 8 5 8 5
B 6 6 5 6 8 10
P P P P P sl. H H

e
9
Ie e W V
T
A
B
8 (8)
sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
WARM-UP LICK 3
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
g V V V V V V V V V V V V V V V V V V V V
g
1
I g gg 44 V V V V V V V V V V V V

11 7 7 7 11 7 7 7 11 7
T 9 11 9 9 9 9 11 9 9 9
A 8 8 8 8
9 8 9 9 8 9
B 11 11
P H P H H P H

gggg W
3
I g
T
A 8
B
sl.

V V V V V V
gggg V V V V V V V V
5
I g V V
11 7 7 7 11
T 9 11 9 9 9
A 8 8
9 8 9
B 11
P H P H

V V V V V V
gggg V V V V V V V V
7
I g V V
7 7 7 11 7
T 9 11 9 9 9
A 8 8
9 8 9
B 11
H P H

gggg W
9
I g
T
A 8
B
sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
WARM-UP LICK 4
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
gggg 4 V V V gV f V V
3 3
V V gV V fV V fV V V
3 3
1
I g4 V } V gV V V V V V V
3 3 3 3
7 6 4 4
T 6 5 4 5 6 6 5 4
A 7 6 4 4
6 5 3 5 6 6 5 3
B
P P P P H H P P P P P P H H P P

gggg 3
V
3 3

I g V V V
3 3
V fV gV V V
2
V V V fV V V
T
A 4
8 8 8
B 6 5 4 6 6 6
7 6 5 4 4
P P

gg
P P sl.

3
I g gg j
V
T
A
B
4
sl.

g g V V V gV f V V gV V V fV V
g V fV V V V 3
3
g V
3
5
I g 3
} V gV V V V V V
3 3 3 3
7 6 4 4
T 6 5 4 5 6 6 5 4
A 7 6 4 4
6 5 3 5 6 6 5 3
B
P P P P H H P P P P P P H H P P

gggg 3
V
3 3

I g V fV V V V V
3 3
gV V V
7

V V fV V V
T
A 4
8 8 8
B 6 5 4 6 6 6
7 6 5 4 4
P P

gggg
P P sl.

9
I g
V V
T
A
B
4 (4)
sl.
JamTrackCentral Ltd 2016
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
WARM-UP LICK 5
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
g V V V V V V V gV V V V V V V V V V V V V V V V V V gV V V V V
g V V
1
I g gg 44
7 11 7 11 13 11 7 11 7 7 7 11 7 11 13 11 7
T 7 11 12 12 12 12 11 7 11 12 11 12 12 12 11
A
B

gggg V
H H H H H P P P P P H H H H H H P P

3
I g j
T 7
A
B

V V gV V V
sl.

gggg V V V V V V V V V V V
5
I g
7 11 7 11 13 11 7 11 7
T 7 11 12 12 12 12 11
A
B

V V gV V
H H H H H P P P P P

gggg V V V V V V V V V V V V
7
I g
7 7 11 7 11 13 11 7
T 7 11 12 11 12 12 12 11
A
B

gggg V V
H H H H H H P P

9
I g
T 7 (7)
A
B
sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

LOOPED LICKS

It’s important that you don’t just learn a lick and then play it the same way every time. These
looped patterns force you to listen to licks in different ways. We’re taking short phrases and
playing them in 8th notes, 8th-note triplets and 16th notes. BUT… the phrases are different
lengths so they don’t fit exactly into the rhythms. That means the phrases start on different
beats as you loop them.

1. B Lydian (B C# D# E# F# G# A#), 20-note phrase.


2. Cm triad with added chromatic notes, 13-note phrase.
3. G#m triad with added 9th (A#), 7-note phrase.
4. Cm triad with added 9th (D), 11-note phrase.
5. Tapped Cm arpeggio with added b6 (Ab), 18-note phrase.
6. B Lydian, 7-note phrase.
7. G#m triad with added 9th, 9-note phrase.
8. Cm triad with D diminished fragment, 8-note phrase.
9. G#m6 with chromatic movement, 12-note phrase.
10. Cm triad with chromatic movement, 14-note phrase.

(Scroll down for the ‘Looped Licks’ TAB files)

WWW.JAMTRACKCENTRAL.COM
LOOPED LICK 1
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
V V V V
B

gggg g 4 V V V V V V
V V V V V V
1
I g 4
11 14 13 11
T 12 14 12
A 11 10 11 11
11 9 11 13 13
B
P P H sl. P sl.

gg g V V V V V V V V
gg V V V V V V V V V V V V V V V V
3
I g 3 3
3 3 3
3 3 3
11 14 13 11
T 12 14 12
A 10 11 10 11 11 10
11 9 11 11 9 11 13 13 11 9 11
B
sl. P H P P H sl. P sl. P H

g V V V V V V V V V V V V
g g V V V V V V V V V V V V V V V V V V V V
5
I g gg
11 14 13 11 11 14 13
T 12 14 12 12 14
A 11 10 11 11 10 11 10 11
11 9 11 13 13 11 9 11 11 9 11 13
B
P P H sl. P sl. P H P P H sl. P

g V V V V V V V V V
g g V V V V V V V V V V V V V V V
7
I g gg 3 3
3 3
3 3 3 3
11 11 14 13 11
T 12 12 14 12
A 11 10 11 10 11 11
13 11 9 11 11 9 11 13 13
B
sl. P H P P H sl. P sl.

V V V V V
gg g V V V V
9
I g gg V V V V V V V

11 14 13
T 12 14
A 10 11 10 11
11 9 11 11 9 11 13
B
P H P P H sl. P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 2
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
Cm

V V V V eV
8va

e V V V V fV V gV
1
Ie e 44 V fV V V
15 11 16 15 11 13 11 12 13 14 15 11
T 13 12 15 13
A
B
P P sl. P H sl. P P

V V V V V V f V V gV V e V V V V V V V f V V gV V
8va

e V fV
3
Ie e f V
3 3 3 3 3 3
3 3
16 15 11 13 11 12 13 14 15 11 16 15 11 13 11 12 13 14 15
T 12 15 13 12 15
A
B
sl. P H sl. P P sl. P H sl. P

e e V V f V V V V V V V f V V gV V e V V V V V V V V V f V V gV V e V V
V fV V V
8va

5
Ie
11 16 15 11 13 11 12 13 14 15 11 16 15 11 13 11 12 13 14 15 11 16 15 11
T 13 12 15 13 12 15 13 12
A
B
P sl. P H sl. P P sl. P H sl. P P sl. P H

V V V f V V gV V e V V f V V V V V V V f V V gV V e V V f V V
8va

e
7
Ie e
3 3 3 3 3 3
3 3
13 11 12 13 14 15 11 16 15 11 13 11 12 13 14 15 11 16
T 15 13 12 15 13 12
A
B
sl. P P sl. P H sl. P P sl.

V V V V
8va

e V V V V fV V gV V V V V
9
Ie e fV
15 11 13 11 12 13 14 15 11 16 15 11 13
T 15 13 12
A
B
P H sl. P P sl. P H

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 3
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

bP = 146
Gm

gggg 4 V V V V
8va

1
I g4 V V V V V V V V V V V V

16 11 11 16 11 11 16 11
T 12 11 12 12 11 12
A 13 13
B
P P P P P

8va

g gg V V V V V V V
V V V V V V
3 3 3
3
I g g V V V V V V V V V V V
3 3 3
3 3
11 16 11 11 16 11 11 16 11
T 12 11 12 12 11 12 12 11 12 12 11
A 13 13 13 13
B
P P P P P P P

8va

gggg V V V V V V V V V
V V V V V
V V V V
V V V V V V V V V V V V
5
I g V V
11 16 11 11 16 11 11 16 11 11 16 11 11 16 11
T 12 12 11 12 12 11 12 12 11 12 12 11 12
A 13 13 13 13
B
P P P P P P P P P

8va

g gg V V V V V V V
V V V V V V
3 3 3
7
I g g V V V V V V V V V V V
3 3 3
3 3
11 16 11 11 16 11 11 16 11
T 12 11 12 12 11 12 12 11 12 12 11
A 13 13 13 13
B
P P P P P P P

8va

gggg V V V V V V V V V V V V
9
I g V V V V
11 16 11 11 16 11 11
T 12 12 11 12 12 11 12
A 13 13
B
P P P P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 4
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
Cm

V V V V V V
8va

e V V V V V V V
1
Ie e 44 V V V
15 20 22 20 15 20 15 15 20 22
T 16 16 15 16
A 17 17
B
H T P P T P P H T P

V V V V V V V V V V V V V V V V V V V
8va

e V V V V V
3
Ie e 3
3
3 3
3 3 3 3
20 15 20 15 15 20 22 20 15 20 15 15 20 22 20 15
T 16 15 16 16 15 16
A 17 17
B
P T P P H T P P T P P H T P P

V V V V V V V V V V V V V V V V V
8va

e V V V V V V V V V V V V V V V
5
Ie e
20 15 15 20 22 20 15 20 15 15 20 22 20 15 20 15 15 20 22 20
T 16 15 16 16 15 16 16 15 16
A 17 17 17
B
TP P H TP P TP P H TP P TP P H TP P

V V V V V V V V V V V V V V V V V V V
8va

e V V V V V
7
Ie e 3 3 3 3
3 3 3 3
15 20 15 15 20 22 20 15 20 15 15 20 22 20 15 20
T 16 15 16 16 15 16
A 17 17
B
T P P H T P P T P P H T P P T P

V V V V
8va

e V V V V V V V V V V V V
9
Ie e
15 15 20 22 20 15 20 15
T 16 15 16 16 15 16
A 17 17
B
P H T P P T P P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 5
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
Cm
8va

e V V V V V V V V V
1
Ie e 44 V V V V V V V
15 16 15 11 15 11 11
T 13 16 13 13 16 13
A 12 17 12
B
T P P T P H T P H T P H T P H

8va

e V V V V V V V V V V V V V V V V V V V V
3
V V V
3
Ie e V
3 3 3 3 3 3
3
15 11 15 16 15 11 15 11 11 15 11 15 16 15 11
T 13 16 13 13 16 13
A 12 17 12
B
T P H T P P T P H T P H T P H T P H T P H T P P

8va

ee e V V V V V V V V V V V V V V V V V V V V V V V V V V V V
5
I V V V V
15 11 11 15 11 15 16 15 11 15 11 11 15 11
T 13 16 13 13 16 13 13 16 13 13 16 13
A 12 17 12 12 17 12
B
TP H TP H TP H TP H TP H T P P TP H TP H TP H TP H TP H

8va

e V V V V V V V V V 3
V V V V V V V V V
V V V V V
7
Ie e 3
V 3
3 3 3 3 3
15 16 15 11 15 11 11 15 11 15 16 15 11 15 11
T 13 16 13 13 16 13
A 12 17 12
B
T P P T P H T P H T P H T P H T P H T P P T P

V V V V
8va

e V V V V V V V V V V
9
Ie e V V
11 15 11 15 16 15 11
T 13 16 13 13 16 13
A 12 17 12
B
H T P H T P H T P H T P H T P P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 6
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
gg g V V V V V V V V
B

1
I g gg 44 V V V V V V V V

T
A 13 13
13 16 15 15 13 16 15 15 13
B 14 16 14 16 14

gggg g V V V V V V V V V V V V V V V V
H H H

3
I g V V V V V V V V
3 3 3 3 3
3 3 3
T
A 13 13 13 13
16 15 15 13 16 15 15 13 16 15 15 13 16 15
B 16 14 16 14 16 14

gggg g V V V V V V V V V V V V V V V V V V
V V V V V V V V V V V V V V
H H H

5
I g
T
A 13 13 13 13
15 13 16 15 15 13 16 15 15 13 16 15 15 13 16 15 15 13
B 16 14 16 14 16 14 16 14 16 14

gg g V V V V V V V V V V V V V V V V
V V V
V V V V
V
H H H H H

7
I g gg
3 3 3 3 3
3 3 3
T
A 13 13 13 13
16 15 15 13 16 15 15 13 16 15 15 13 16 15
B 16 14 16 14 16 14

gg g V V V V
H H H
V V V V V
9
I g gg V V V V V V V

T
A 13 13
15 13 16 15 15 13 16 15 15
B 16 14 16 14 16
H H

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 7
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

bP = 146
gggg 4 V V V V V V V V
Gm

1
I g4 V V V V V V V V

7 7
T 9 11 9 9 11 9
A 8 8 8
8 9 9 8 9
B
H P P H P

g g V V V V V V V V V V
3
Ig gg V V V V V V V V V V V V V V
3 3
3 3 3 3 3 3
7 7
T 9 11 9 9 11 9 9
A 8 8 8 8 8 8
9 8 9 9 8 9 9 8 9
B
P H P P H P P H

gggg V V V V V V V V V V V V
V V V V V V V V V V V V V V
5
I g V V V V V V
7 7 7 7
T 11 9 9 11 9 9 11 9 9 11 9
A 8 8 8 8 8 8 8
9 8 9 9 8 9 9 8 9 9
B
P P H P P H P P H P P

g gg V V V V V V V V V V V V V V
7 g
I g V V V V V V V V V V
3 3 3
3 3 3 3 3
7 7 7
T 9 11 9 9 11 9 9 11
A 8 8 8 8 8
8 9 9 8 9 9 8 9
B
H P P H P P H P

gggg V V V V V V
9
I g V V V V V V V V V V

7
T 9 9 11 9 9
A 8 8 8 8
9 8 9 9 8 9
B
P H P P H

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 8
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
V V V V V V V V V
Cm

e V V
1
Ie e 44 V V V V V
3 3 4 3 3 4
T 4 6 3 4 6 3
A 5 5 5 5
B

V V V V V V V V V V V V V V V V V V
P P

3
e
Ie e V V V V V V
3 3 3
3 3 3 3 3
3 3 4 3 3 4 3 3 4
T 4 6 3 4 6 3 4 6 3
A 5 5 5 5 5 5
B

ee V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
P P P

5
Ie
3 3 4 3 3 4 3 3 4 3 3 4
T 4 6 3 4 6 3 4 6 3 4 6 3
A 5 5 5 5 5 5 5 5
B

V V V V V V V V V V V V V V V
V V V V V
V V V
P P P P

e V
7
Ie e
3 3 3
3 3 3 3 3
3 3 4 3 3 4 3 3 4
T 4 6 3 4 6 3 4 6 3
A 5 5 5 5 5 5
B

V V V V V V
P P P

e V V V V V V V V V V
9
Ie e
3 3 4 3 3 4
T 4 6 3 4 6 3
A 5 5 5 5
B
P P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 9
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

bP = 146
gggg 4 V V V V gV V V fV V gV
Gm
1
I g4 V V V V V V

T 4 6 4
A 8 4 4 8 8 7 4 8 4 4
6 6 6
B
P H H P P H

g gg V V gV V V f V gV
3
V V gV V V f V V V gV V V V
3
3
Ig g V V V V V
3 3 3 3
3 3
T 4 6 4 4 6 4
A 8 8 7 4 8 4 4 8 8 7 4 8 4 4
6 6 6 6
B
H P P H H P P H

gggg V V gV V V f V V gV V V V V V V V f V V V gV V V V V V gV V V f V V V
5
I g V V

T 4 6 4 4 6 4 4 6 4
A 8 8 7 4 8 4 4 8 8 7 4 8 4 4 8 8 7 4
6 6 6 6 6
B
H P P H H P P H H P

gggg V V gV V V f V V V V V V V V gV V V f V V V
7
I g V V V V V
3 3 3 3
3 3 3 3
T 4 6 4 4 6 4
A 8 4 4 8 8 7 4 8 4 4 8 8 7 4
6 6 6 6
B
P H H P P H H P

gggg V V V gV V V fV
9
I g V V V V V gV V V V

T 4 6 4
A 8 4 4 8 8 7 4 8 4 4
6 6 6
B
P H H P P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
LOOPED LICK 10
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
V fV V V
Cm

e V V V V V V V V
1
Ie e 44 V V V V
8 8
T 12 11
A 8 12 12 8 12 8 8 12
10 10 10 10
B
H P P H

V
e V V fV V V V eV V V V V V V V V
fV V V
V
eV V V
V
3
Ie e 3
3 3 3 3 3 3 3
8
T 12 11 12 11
A 8 12 12 8 12 8 8 12 8 12 12 8 12 8
10 10 10 10 10
B
H P P H H P P

e V V V V V V fV V V V eV V V V V V V
V V V fV V V eV V V V V V
V V V
5
Ie e
8 8 8
T 12 11 12 11
A 8 12 8 12 12 8 12 8 8 12 8 12 12 8 12 8 8 12
10 10 10 10 10 10 10
B
H H P P H H P P H

V
e V V fV V V V eV V V V V V V V V
fV V V
V
eV V V
V
7
Ie e 3
3 3 3 3 3 3 3
8
T 12 11 12 11
A 8 12 12 8 12 8 8 12 8 12 12 8 12 8
10 10 10 10 10
B
H P P H H P P

V V V fV V V V V
e V V V V V V V V
9
Ie e
8
T 12 11
A 8 12 8 12 12 8 12 8 8 12
10 10 10
B
H H P P H

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

SLOW LICKS

These are licks extracted from the main solo and played at a slower tempo, so you can work
on them in isolation.

Here are how the slow licks fit in with the full solo:

Slow Lick 01 - Bars 13-16


Slow Lick 02 - Bars 17-18
Slow Lick 03 - Bars 19-20
Slow Lick 04 - Bars 21-25
Slow Lick 05 - Bars 29-33

(Scroll down for the ‘Slow Licks’ TAB files)

WWW.JAMTRACKCENTRAL.COM
SLOW LICK 1
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 80
V V V V V V V V V V V V V V V V
8va

e ee 4 V V V f V V V V V V V f V V gV
1
I 4
15 11 16 15 11 13 11 12 13 14 15 11 11 15 11 20 11 15 20 15 11 20 15 22 15
T 13 12 15 13
A
B
P sl. P H sl. P H P TP H TP P TP TP sl.

V V fV V V V V V
8va

e V u V V V V V
3
Ie e u u fV eV V W
M O
Full

16 23 16 19 23 19 23 (23) (23) 19 (19) 16 (16) 11


T 12 11
A 13 (13)
B
sl. T P H T P T P P sl. P

JamTrackCentral Ltd 2016


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SLOW LICK 2
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 80
V V V V V V V V V V
8va

e 4 V V V V V V V V V V V V V V V
1
Ie e 4 V V V V
15 20 22 20 15 22 15 11 22 11 15 22 15 11 15 16 15 11 15 11
T 16 13 16 13
A 17 12 17 12 8
B

e U
H TP P TP sl. TP H TP P H TP P TP H TP H TP sl.
3
Ie e
T
A
B

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
SLOW LICK 3
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 80
V V V V V V V V V V V V V W
gggg g 4 V V V V V
1
I g 4 3
3 3 3
3 3
11 13 11
T 12 14 12 14
A 13 11 13 11 13
13 16 15 13 15
B 14 16

JamTrackCentral Ltd 2016


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NE
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GBE
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JTCMASTERCLASS BOXSET

VOL1FUNDAMENT
ALS
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ASPARTOF:
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STRI
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BOXSET!
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SLOW LICK 4
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 80
V fV V V
8va

V V gV 3 c V
3
e c
3

Ie e 44 V V V V c V f V gV
3
V gV
3
V
1
gV 3

3
15 15 14 10 13 9
T 13 13 12 13 12 13 8
A 12 11 10
13 12 11
B

V V fV eV fV V V V fV V V
sl. sl.

e V V U
3
Ie e fV u V
u 3
3
u 3
M
3 3
Full

T 11 9
7
11
7
9
6
9
7
9
O 8
A 8 7
9 8
B
sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
SLOW LICK 5
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 80
ee e 4 V V V V V V V V V V V V gV V V V V V V V V V V V V V V V V V V V
1
I 4
3 3 4 3 3 2 2 3 3 4 3 3
T 4 6 3 4 3 4 6 3 4 6 4
A 5 5 5 5 5 5 5 7 5
B

e e V V fV V V V V V V V V V V V eV V V V f V V V V V V V V V V V f V V gV
P sl. P P P

3
Ie

T 6 6 4 5 6 7
A 8 4 8 8 4 8 4 8 7 3 7 8 4 8 8 4 7 4 7
6 6 6 6 6 6 6
B

U
H P H sl. H sl. H P H H H H
e
5
Ie e
3
T
A
B

JamTrackCentral Ltd 2016


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CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

FULL SOLO

To start with, I suggest playing over the backing track improvising on the triads of the chords…

Cm = C, Eb, G
G#m = G#, B, D#
B = B, D#, F#

… then adding intervals to your taste without forgetting the nature of the chord in the backing
track and to feel how these new intervals would work with the triad. In the first ten bars only
the main triads are used adding the 2nd interval (D over Cm, A# over G#m, C# over B).

The only exception to this is in bar 7 where the guitar solo plays the 7th interval on the G#m
chord (the note G, but in this context it’s correctly notated as F double-sharp or Fx) creating
the G#m/maj7 arpeggio. This is a minor triad with a major 7th added, and it’s a feature of both
melodic minor and harmonic minor scales. I recommend using melodic minor (G# A# B C# D#
E# Fx; the last two notes can also be read as F-G) because it has more notes in common with
the preceding C Aeolian (C D Eb F G Ab Bb).

Here’s what happens later in the solo…

Bar 11: Here we use the B major triad (B D# F#) adding the #4th (E#) and 2nd (C#) intervals.

Bars 13-14: C minor arpeggio (C Eb G) with the added b6th (Ab) and some chromatic notes.
I’m using Aeolian (C D Eb F G Ab Bb) and harmonic minor (C D Eb F G Ab B) as my reference
scales here.

Bar 15: G#m arpeggio (G# B D#) adding the 6th interval (E#). Here, my reference scales are
Dorian (G# A# B C# D# E# F#) and melodic minor (G# A# B C# D# E# Fx).

Bar 17: C minor arpeggio (C Eb G) adding the 2nd and b6th intervals (D and Ab).

Bar 19-20: Taking the Lydian mode (B C# D# E# F# G# A#) as reference scale, here we have
inversions of the B major (B D# F#) and C# major (C# E# G#) triads.

Bar 21-22: In this case, I’m alluding to the Dorian #4 (C D Eb F# G A Bb), which is one of the
modes of the harmonic minor scale (C Dorian #4 has the same notes as G harmonic minor). We
can find an interesting structure in the Dorian #4… it contains a minor triad on the root (Cm: C
Eb G) and a dominant 7th a wholetone above (D7: D F# A C).

Bars 23-24: This is exactly the same thing again, but now in G#m… I’m using G# Dorian #4 (G#
A# B Cx D# E# F#) so we have the G#m triad (G# B D#) and the A#7 (A# Cx E# G#). If all these
sharps and double-sharps are confusing, you might prefer to think of it as Bb7 (Bb D F Ab). It’s
not 100% correct, but it’s easier on the brain!

Bar 29: Here’s a similar approach to bars 21, but this time, I stayed in C Aeolian for most of bar
29. After the first Cm triad (C Eb G) I played a Dm7b5 arpeggio (D F Ab C). After the second Cm
triad I then moved to D7, as in bar 21.

Bar 31: And again, this follows a similar pattern to bar 23, but I stayed in G# Dorian until the last
beat of the bar, when I switch to the A#7 arpeggio, as in bar 23.

WWW.JAMTRACKCENTRAL.COM
CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

Bar 34: Look out for the little chromatic descent within the Cm arpeggio.

Bar 35-36: This is B Lydian (B C# D# E# F# G# A#).

(Full Solo TAB can be found after the ‘Methodical Analysis’ section)

METHODICAL ANALYSIS

In the notes above, I’ve described how I approached the solo, but there’s lots more that you
can do. When a chord progression allows you to choose a tonality for each chord, you have a
huge range of possibilities.

As I said before, start with the triad for each chord (C minor, G# minor, B major) and then add
intervals that sound good to you. If you like the way the melodies are developing, you can then
open up to the full scales. This is the opposite of the normal approach, where we choose the
scale FIRST, and then worry about the intervals.

With this alternative method, we can take a methodical approach. Think like this… “I started
with the C minor triad over the Cm chord, and I then liked the sound of the A note (major 6th) -
what scales can I use?”

Here’s a list of how intervals can then link to some of the most common scales…

C minor triad (C Eb G)
Cm + major 7th (B) → melodic minor (C D Eb F G A B), harmonic minor (C D Eb F G Ab B).
Cm + major 6th (A) → melodic minor, Dorian (C D Eb F G A Bb).
Cm + minor 6th (Ab) → Aeolian (C D Eb F G Ab Bb), harmonic minor.
Cm + 4th (F) + major 7th (B) → melodic minor, harmonic minor.
Cm + 4th (F) + minor 7th (Bb) → Aeolian, Dorian, Phrygian (C Db Eb F G Ab Bb), Dorian b2 (C Db
Eb F G Ab Bb).
Cm + #4th (F#) → Dorian #4 (C D Eb F# G A Bb), Hungarian Minor (C D Eb F# G Ab B), Lydian
minor (C D Eb F# G A B: a mode of G harmonic major).
Cm + 4th (F) + major 6th (A) → Dorian, melodic minor.
Cm + #4th (F#) + major 6th (A) → Dorian #4, Lydian minor.
Cm + b2nd (Db) → Phrygian, Neapolitan minor (C Db Eb F G Ab B).
Cm + b2nd (Db) + major 7th (B) → Neapolitan minor.
Cm + minor 6th (Ab) + major 7th (B) → Neapolitan minor, harmonic minor.

G# minor triad (G# B D#)

G#m + major 7th (B) → melodic minor (G# A# B C# D# E# Fx), harmonic minor (G# A# B C# D#
E Fx).
G#m + major 6th (E#) → melodic minor, Dorian (G# A# B C# D# E# F#).
G#m + minor 6th (E) → Aeolian (G# A# B C# D# E F#), harmonic minor.
G#m + 4th (C#) + major 7th (Fx) → melodic minor, harmonic minor.
G#m + 4th (C#) + minor 7th (F#) → Aeolian, Dorian, Phrygian (G# A B C# D# E F#), Dorian b2
(G# A B C# D# E# F#).
G#m + #4th (Cx or D) → Dorian #4 (G# A# B Cx D# E# F#), Lydian minor (G# A# B Cx D# E# Fx),
Hungarian minor (G# A# B Cx D# E Fx).

WWW.JAMTRACKCENTRAL.COM
CINEMATIC SOLOING MASTERCLASS
CLAUDIO PIETRONIK

G#m + 4th (C#) + major 6th (E#) → Dorian, melodic minor.


G#m + #4th (Cx) + major 6th (E#) → Dorian #4, Lydian minor.
G#m + b2nd (A) → Phrygian, Neapolitan minor (G# A B C# D# E Fx).
G#m + b2nd (A) + major 7th (Fx) → Neapolitan minor.
G#m + minor 6th (E) + major 7th (Fx) → Neapolitan minor, harmonic minor.

Remember: ‘Fx’ is the symbol for F double-sharp, the same note as G, but with a different
name because broadly speaking, in music theory and scales we try to keep some iteration of
each scale ‘letter’ in the scale formular. So, some form of ‘A’, some form of ‘B’ etc. The usual
options are double flat ‘bb’, flat ‘b’, natural, sharp ‘#’ and double sharp ‘x’.

For example in the G# Lydian Minor scale example above we have G# A# B Cx D# E# Fx... The
Fx (F double sharp) was required because without it (by using G instead of Fx) we would have
two forms of the G note and no form of the F note. It’s complicated, but makes sense in the
long run!

B major triad (B D# F#)


B + 2nd (C#) + #4th (E#) → Lydian (B C# D# E# F# G# A#), Lydian Dominant (B C# D# E# F# G#
A).
B + major 7th (A#) → Lydian, Ionian/major (B C# D# E F# G# A#).
B + minor 7th (A) → Lydian Dominant, Mixolydian (B C# D# E F# G# A).
B + #4th (E#) + b7th (A) → Lydian Dominant.
B + 4th (E) + major 7th (A#) → Lydian, Ionian/major.

That’s everything for this masterclass lesson pack. Be sure to jam over the backing tracks to
put everything you have learned to practise and really try to take the time to master all of the
examples in this pack.

Good luck, and I’ll see you in the next one!


P.S - We've also included 7 extra bonus licks in audio form only for you to learn and enjoy.
(Please scroll down past the 'Full Solo' TAB to find the 'Bonus Licks' TAB files.

WWW.JAMTRACKCENTRAL.COM
FULL SOLO
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

x
Cm 3 fr.
b
Gm 4 fr. x B x

P = 146 Although we've used different key signatures in the individual licks to reflect the temporary C minor tonality and the

fV
Cm Lydian flavour of the B major chord, we figured it'd be clearer to use a Bmaj/G#min key signature for the whole solo.

aP f V V V fV fV eV V
gggg 4 z u u u u
1
I g4
T 13 8 13 13 15 15 16 16 20
A
B
b sl. sl. sl. sl.

}U W V
Gm

gg
3
I g gg }
M
1/2

T 20 (20) (20)
A x
B
sl. sl.

gggg bP f V eV V V fV V
Cm

I g aP f V V V z u fV
z u
5
u
1/2

T 6 3 3 4 (4) 8 4
A 5 5
10 5
B
b sl. sl. sl. H P H

gggg W V }V
Gm

V V V R
7
I g V V V V V P V
3
1/2

T 9 (9) 8
A 8
9 6 8 (8) 9 8 6 6 8
B
P H P P sl. sl.

gggg aP e V V
Cm

fV fV V P V fV
3
9
I g fV u V eV fV fV eV V fV z z
T
5 7 5 7 8 7 8 7 5
A 5 5 5
B 6 3 5 6
sl. sl. sl. P sl. sl. sl. sl. sl. P
JamTrackCentral Ltd 2016
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FULL SOLO - jamtrackcentral.com Page 2 of 4

V V gV V V V V V V V
B

gg V gV V V V V V V V V
11
I g gg 3

M
3
1/2 1/2

T
11 10
O 11
12
11 14 13 14 13 11 11 13 (13) 14

A 11 9 11 13
B
sl. P sl. sl. sl. P H H

Cm

fV eV fV V V V fV V V V V V V V fV V
8va

gggg f V e V f V V gV f V V gV f V e V f V gV V
13
I g
1/2
15 11 16 15 11 13 11 12 13 14 15 11 11 15 11 20 11 15 20 15 11 20 15 22 15
T 13 12 15 13
A
B
P P sl. P H sl. P P TP H TP P TP TP sl.

Gm b
V V V V V V V Vu V
8va

gg V V V V V
15
I g gg u u V V V
M
Full
O
16 23 16 19 23 19 23 (23) (23) 19 (19) 16 (16) 11
T 12 11
A 13
B
sl. T P H T P T P P sl. P sl.

Cm

fV fV V V V V V V V V V
8va

gggg f V e V f V V V f V gV f V e V V V f V V V
17
I g fV V V eV
15 20 22 20 15 22 15 11 22 11 15 20 15 11 15 16 15 11 15 11
T 16 13 16 13
A 17 12 17 12 8
B
sl. H T P P T P sl. T P H T P P H T P P T P H T P H T P sl.

V V V gV W
B

g g V gV V V V V V V V
19
I g gg V V V V V
3
3 3 3
3 3
11 13 11
T 12 14 12 14
A 13 11 13 11 13
13 16 15 13 13
B 14 16
sl. P

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FULL SOLO - jamtrackcentral.com Page 3 of 4

fV V V gV
Cm

gggg fV V fV V V fV V V fV
eV fV fV V V gV
21
I g 3 3 3
15 15 14 10 13 9
T 13 13 12 13 12 13 8
A 12 11 10
13 12 11
B
b sl. P sl. sl.

gggg V V V V V V V V V V V
Gm

23
I g V V V fV
3 3
M
Full

T 11 9
7
11
7
9
6
9
7
9
O
A 8 7
9 8
B
sl.

fV V
Cm

g gg f V eV V V fV V V V V f V V V V e V gV V V V V V e V
25
I g g fV fV
1/2 M M
Full M
Full

T 8 13 8 4 8 4 O 4 6 (6)
O
(6) (6)
O
(6) 4
A 5 8 5 7 (7) (7) 5 4 5 7
5
B
H P sl. H P P P sl. H H H P
B

gggg V V V V P V V V R
27
I g z V P V fV V V V V V
FullM
T 7 7
6 6 8 4
A 6 4 6 7 6 4
B 6 2 (2)
sl. sl. sl. H P sl. sl. sl.

gggg f V f V e V V gV gV f V V f V V e V V V V V V f V f V e V V gV gV f V V f V V e V V gV e V V V
Cm

29
I g
3 3 4 3 3 2 2 3 3 4 3 3
T 4 6 3 4 3 4 6 3 4 6 4
A 5 5 5 5 5 5 5 7 5
B
b H P sl. H P P P

gggg V V V gV V V V V V f V V V V V gV V V V f V V V V gV f V gV V
V V V
Gm

31
I g V V V

T 6 6 4 5 6 7
A 8 4 8 8 4 8 4 8 7 3 7 8 4 8 8 4 7 4 7
6 6 6 6 6 6 6
B
H P H sl. H H P H H H H
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FULL SOLO - jamtrackcentral.com Page 4 of 4

fV V eV V V fV V fV
Cm

g gg f V e V V gV gV f V f V e V V V V V l k u
33
Ig g fV V V
M
1/2

3 3 4 3 3 8
T 4 6 3 4 12 11 15 15 13
A 5 5 5 8 12 8 8
10
B
H P sl. H
B

V V gV V V V V V V V V V V V V V
8va

gggg V
35
I g 3

M
Full FullM O
16 18 19 21 23 23 (23)
T 19 19 18 18 19 21
A 18 20
B
sl. P H H H sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org


EXTRA LICK 1
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
eV
Cm

gggg 4 fV fV V V V V V fV V V gV
1
I g4
M
Full FullM
T 8 13 13
11
13 (13)
O 13 9
A 12
B
sl. sl.

b
gggg V V V W P fW
Gm

3
I g z W

T (9)
O 9 9 4 6
A
B
sl. H sl.

V V V fV V V V V V fV V V V fV eV V V V
Cm

g g fW fV V V V V
5
I g gg
1/2 1/2 M
8 6 6 3
T 8 7 8 8 7 8 7 8 8 7 6 6 4 6 4 6 6
A 8 5
B
sl. H P H H P P sl. H H

g g f V V V V f V gV V V P V k f Vu k gVu k Pz V
7
I g gg V V V V z u

T (6)
O
(6) 4 3 4
6 6 4 4 6 6 8 10 11 11 13
A 6
B
P sl. P sl. sl. sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
EXTRA LICK 2
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
fV V V V fW aP V fV V gV P fV fV
Cm

gggg 4 z z V fV
1
I g4
T 13 12 13 13 11 10 11 11 10 8
A 12 10
B
bsl. sl. sl. P

gggg fV fV k bPz f V fV
Gm
V V V W R
3
I g u P V V

T 8 9 8 6 6 8
A 10 8 8
8 9 8
B
sl. P sl.

V f V V f V V V e V V V V gV V V f V e V V fV
Cm

g g fW V f V gV V V V
5
I g gg fV V V
3 3 3 3 3
5 3
6 11
T 6 7 8 8 7 6 8 11 11 8 8 11 13
A 10 11 11 10 8 12
10 8 10 13
B
H H P P sl. H P H P P P sl. H H sl.

W V V V V U
B

gggg
7
I g
M
Full 1 1/2

T 16 (16) 16
O 16 (16)
A
B
sl.

JamTrackCentral Ltd 2016


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EXTRA LICK 3
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
gggg 4 fV
8va

1
I g4 j k u
T 20
A
B

Cm
8va

gggg f V V f V V V e V V V f V V V V V fV fV V fV V V V V V V
2
I g V V fV V V
fV
15 13 11 (11) 10 8 11 13 10 11 (11) 10 10
T 20 18 20 18 16 20 16 13 13 11 11 8 13 13
A 10
B
P H sl. P sl. sl. sl. P P sl. P P

Gm b
8va

gg aP f W V V V fW gV f V
4
I g gg V V V V z
M
1/2
O
1/2
13 15 (15) (15) (15) 13 16 15
T 12 11 12
A
B
sl. P H P

Cm

gggg f V V V fV fV V eV fV fV fV V fV
8va
V V V V V
6
I g u V V fV eV V
1/2

(15) 18 (18) 17 15 11 15 13 11 10 13 11 10
T 18 16 15 11 13 11 13
A 15
B
H P P H H sl. P P

aP gV V V V V V V V V fV V fV
B

gggg z V V V V V V
8
I g
10 11
T 14 12 11 12 (12) 11 16 15
A 13 11 10 11 13
13 13 13
B
sl. P P P P P H sl. sl.

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
EXTRA LICK 4
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
gg fW V V W f V gV f V e V f V
Cm

1
I g gg 44 fV fV V
3
1

T 8 8 7 6 7 6 4
A 5 5 5
7
B
b P H P P

gg P f V gV f V V V gV f V V P V fV fV
Gm

I g gg V V
3
3
z z fV V
3
V
T 4 6 7 6 4 6 7 6 4 7 9 8 6
A 9 6 5
B 6
7
sl. sl. P sl. P sl. P P sl.
Cm

gg
3
5
I g gg R
aP f V
k c
V V fV
V V fV fV fV eV
V V u
T
A 7
9 10
B 3 5 10 6
8 (8) 3 3 (3)
sl. sl. P
sl.

V V f V gV fV V V V V V
B

gggg f V gV V V V fV V V V
I g f V gV V V V V V V
V V V V
7

11 13 14 13 11 13 11
T 11 12 12 12 11
A 8 10 11 11 10 8 10 8
8 9 9 9
B 6 8 9 9
7 6 7
H H H H H H H H P P P P P P
P H

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
MAJ
OR
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LEA
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OI
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UDES
Maj
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aleSol
oing:BEGI
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Maj
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NTERMEDIATE AVAI
LABL
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Maj
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AMTRACKCENTRAL.
COM
EXTRA LICK 5
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
Cm

gggg 4 fV V fV
8va

fV fV V `P f V
1
I g4 z fV
15 14 13
T 13 15 14 16 13
A 12
B
b
Gm
sl. sl.

gggg fW
8va
3 R 3 fV V V
3
I g V fV gV P fV fV V
3
15 13 11
T 12
13 12 13 15 12 10 12
A
B
sl. sl.

fV fV V fV fV eV fV V
Cm

gggg u u fV V eV f V V V V fV
5
I g u 3 3
3
10 11 10
T 13 13 13
A 12 12 12
12 (12) 13 13 12 10
B
sl. sl. P P sl.
B

V f V V V f V V V gV V gV V V
8va

g g V V V V V V V V W
7
I g gg V V V

M
Full

13 14 19 14 21 14 19 21 19 21 23 21 (21)
T 12 14
A 11 13 15 16
9 13 13 15
B
sl. H sl. sl. P T P sl. H T H H T P

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
EXTRA LICK 6
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
Cm

V fV V V fV fV V V V V
8va

g g e V V V f V V V eV fV fV V V V V V V V fV
1
I g gg 44 f V V V f V V
11 13 15 11 20 11 15 20 19 20 19 18 20 18 17 20
T 12 13 12 13 15
A 11 12 11 12
12 13 12 13
B 15 14 15

b Gm
P H
P H P H P H H H P T P sl. TP TP P TP P T P

gggg V V V V V f V V V V V f V V V V V V V V V V f V gV V V f V gV f V gV V f V
8va

3
I g 3
V
3 3 3
3
16 19 16 18 16 13 19 13 16 13 10 19 10 13 10 7 19 7 10 11 10 11
T 11 12
A 12 13
12 13 12
B 13 14
TP H P sl. TP H P sl. TP H P sl. TP H H P H H H H H

gggg Cm
fU
5
I g
T
A
B 15

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
EXTRA LICK 7
As recorded by jamtrackcentral.com
(From the 2016 Album CLAUDIO PIETRONIK: CINEMATIC SOLOING MASTERCLASS)

P = 146
eV fV fV
fV fV V V V V eV V V V V V V
Cm

gggg 4 fV eV fV V V V V V
1
I g4 fV V fV fV V V V V
11 8 7 8
T 10 8 10 8 6 8 10 6 8 10 6 6
A 10 8 8 8 8 5 8
10 10 7 10 7 5 7 7
B 8

b P P sl. P H H P H H P P P sl. H

fV V V V
Gm

V V f V V V
gg fV V V fV fV V V V V
3
I g gg V V f V V V V V V V V V V V V
T 9 9 12 12 15 15 18 18
A 6 6 8 8 10 8 10 10 10 13 13 16 16 19
9 6 9 9 9 11 11 12
B 8 8
P H H H H sl. H sl. H sl.
Cm

gg fU U
8va

5
I g gg
M
Full

T 20 23
A
B
B

gg U W W
8va

7
I g gg
1/2 M M
Full

T 23 21 21
A
B

JamTrackCentral Ltd 2016


Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org