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Cost Accounting, Cdn. Ed., 7e (Horngren)

Chapter 2 An Introduction to Cost Terms and Purposes
From Black Panther to an adult animation about sexual mores in Iran, these are

movies worth making a trip to your cinema for, writes Christian Blauvelt.

Did You Wonder Who Fired the Gun?In case the striking poster of a negative-

exposed Atticus Finch – or rather Gregory Peck as Atticus Finch in the 1962

film adaptation of To Kill a Mockingbird – didn’t already suggest it, Did You

Wonder Who Fired the Gun? is a whip-smart documentary deconstruction of

historical whitewashing in the US, the idea of “white saviours”, and racist

miscarriages of justice. Its filmmaker is Travis Wilkerson, whose own great-

grandfather murdered an African-American man in 1946 and got away with it.

Wilkerson turns his lens on his own family and, as Manohla Dargis writes in

The New York Times, he “sifts through the personal and the political, travels

down eerily lonely Alabama byways and deep into anguished history. The result
is an urgent, often corrosive look at America’s past and present through the

prism of family, patriarchy, white supremacy and black resistance.” Released 28

February in the US. (Credit: Grasshopper Film)

The TraderNetflix may have purged most films made before 1980 from its

streaming library, but there’s still some indication that the service yet may hold

interest for serious cinephiles – particularly in its commitment to documentary.

In the next few months Netflix will release documentaries on such wide-ranging

subjects as psychedelic pioneer Ram Dass; an Indian girl who rose from poverty

to become the world’s number-one-ranked archer; and experimental medical

researchers. First up, though, is The Trader by Tamta Gabrichidze, which won

best documentary short at Hot Docs. It’s a verite-style look at a Georgian man

named Gela who drives around the economically ravaged Caucasus nation

selling odds-and-ends and collecting potatoes, which are worth as much (and

more) than hard currency. Released 9 February on Netflix. (Credit: Netflix)

I, TonyaTonya Harding is one of figure skating’s most notorious figures. Now

we get her side of the story in I, Tonya – was she or was she not involved in the

conspiracy to club her main competition, Nancy Kerrigan, in the lead-up to the
1994 Winter Olympics? As played by Margot Robbie, who BBC Culture film

critic Caryn James said “gives the film its heart” in her four-star review,

Harding is a sympathetic, if far from saintly, figure. The film, presented at times

like a mockumentary with the actors playing real-life Harding associates talking

directly into the camera as if they’re being interviewed, shows the abuse and

poverty the figure skater suffered growing up. Allison Janney, as Harding’s

foul-mouthed, violent mother, is a leading contender for best supporting actress

at the Academy Awards on 4 March. If it’s script is a little too “on the nose” at

times, it’s an arresting vision of an athlete who tried, and failed, to live and

compete on her own terms. Released 1 February in Singapore and Russia, 9

February in Mexico and 23 February in the UK and Spain. (Credit: Neon)

Dark RiverClio Barnard is one of the most exciting voices in British cinema

today. She won the best newcomer award at the London Film Festival in 2010

for The Arbor, an experimental documentary about Yorkshire playwright

Andrea Dunbar. Then she followed it up with the Oscar Wilde adaptation The

Selfish Giant that drew comparisons to the realist work of Ken Loach. Now

she’s set to release Dark River, a thriller about a woman (Ruth Wilson) who

returns to her hometown after a 15-year absence to reclaim her family farm
following the death of her father. Justin Chang of the Los Angeles Times called

Dark River “superbly atmospheric… a ferocious drama” at last year’s Toronto

Film Festival. Released 23 February in the UK and Ireland. (Credit: Film4)

Early ManNick Park might not be a well-known name outside of the UK, but,

as the creator of Wallace & Gromit and Shaun the Sheep, he is one of the most

influential figures in the history of animation. A four-time Oscar winner, Park is

directing his first feature film since Wallace & Gromit: The Curse of the Were-

Rabbit 13 years ago. The film? Early Man, which pits proud young caveman

Dug (Eddie Redmayne) and his wild boar Hognob (Park himself) against the

wily machinations of Lord Nooth (Tom Hiddleston), who’s entered the Bronze

Age faster than Dug’s tribe and wants to conquer them with his superior

weaponry. Think The Flintstones but with characters who describe their

hardships in terms of “sticky wickets”. Released 1 February in Greece, 8

February in Brazil and Croatia and 16 February in the US (Credit: StudioCanal)

Tehran TabooBetween Loving Vincent and Window Horses, 2017 was a

landmark year for animations geared to adults. But 2018 is right away building

on the achievement of those films with Tehran Taboo, in which Iranian-born

filmmaker Ali Soozandeh examines what she perceives as some of the

hypocrisies and corruption of life in the theocracy. It follows several characters,

including a prostitute being extorted for favours by a divorce court judge, a

woman trying to get an operation that can “restore” virginity, and young women

being sold for sexual slavery in Dubai. Using a rotoscoping technique in which

actors film the scenes and the animation is traced over their performances, much

like Richard Linklater’s Waking life and A Scanner Darkly, Tehran Taboo is,

according to Wendy Ide of Screen Daily, “A lively, irreverent animated assault

on Iranian morality… [that] fizzes with energy and bad behaviour”. Released 8

February in Hungary and 14 February in the US. (Credit: Kino Lorber)

AnnihilationAlex Garland dazzled audiences with Ex Machina, a sci-fi indie

with a $15m budget but a $150m look. He’s back with another genre-expanding

inquiry perched somewhere between science and fantasy with Annihilation, an

adaptation of the 2014 Jeff VanderMeer novel about a soldier grievously injured

on a plot of land cut off from civilisation and strangely altered by

extraterrestrial forces, and his scientist wife who ventures inside the alien zone

looking for a way to save him. Oscar Isaac – who danced his way into gif

infamy in Ex Machina – plays the husband, and Natalie Portman is his brainy
spouse – with Tessa Thompson playing another scientist. Expect your brain to

be teased and your eyes to pop. Released 22 February in Brazil, Hong Kong and

Israel and 23 February in the US and UK. (Credit: Paramount Pictures)

Black PantherThe Marvel Cinematic Universe turns 10 this year, and they’re

kicking off their second decade with what may be their coolest film yet: Black

Panther, the story of the king of Wakanda – in Marvel lore, the most

technologically sophisticated nation on earth – and his exploits moonlighting as

a superhero. A largely black cast is made up of such heavyweights as Chadwick

Boseman (who dons the title character’s claws), Lupita Nyong’o (who leads

Wakanda’s all-female special forces team), Danai Gurira, Daniel Kaluuya,

Angela Bassett, Forest Whitaker and Michael B Jordan (as the ripped, oft-

shirtless villain Killmonger). Its director, Ryan Coogler, blew audiences and

critics away with Fruitvale Station and Creed and possesses an ability to wed

deep emotion to virtuosic camerawork – aided by cinematographer Rachel

Morrison, who just became the first woman ever nominated for best

cinematography at the Oscars. And on top of this, there’s a Kendrick Lamar-

produced tie-in album! Released 13 February in the UK and Taiwan and 16

February in the US, Canada, India and Pakistan (Credit: Marvel Studios)
The 15:17 to ParisNot even time can stop Clint Eastwood. To put this singular

career in perspective: Eastwood was the star of a top-rated US TV series,

Rawhide, in the 1950s – and he managed to direct the top-grossing film of 2014

in American Sniper. No one else can lay claim to being so relevant for so long.

His new effort behind the camera is based on the true story of the US

servicemen and their friend who, while on leave, foiled a would-be assailant on

an express train from Belgium to Paris. The twist here is that the real-life

individuals involved with stopping the attack are playing themselves. Can they

act? Does it matter? We’ll see. Released 9 February in the US and UK and 23

February in Spain and Sweden. (Credit: Warner Bros)

A Fantastic WomanChile has produced two of the most interesting film-makers

in the world right now. Between Pablo Larraín, who crossed over to Hollywood

with 2016’s Jackie, and Sebastián Lelio, who made the 2013 festival darling

Gloria, the nation has become one of the most interesting movie exporters in

South America. Lelio’s latest, A Fantastic Woman, has just been nominated for

best foreign language film at the Oscars, and is only now being released around

the world. It’s about a romance between an older man and a much younger
transgender woman, and the horrible abuse she takes from his family after he

dies. Daniela Vega, who is herself transgender, distinguishes the film with her

performance – especially considering how so many filmmakers still cast

cisgender actors in transgender roles. Lelio is about to cross over to Hollywood

himself for two more films scheduled to be released this year: Disobedience, an

adaptation of the Naomi Alderman novel starring Rachel Weisz and Rachel

McAdams, and a remake of Gloria starring Julianne Moore in the title role.

Released 2 February in the US, 24 February in Japan and 2 March in the UK

and Ireland. (Credit: Sony Pictures Classics)

Texas inmate busted while reentering prison with booze, home-cooked meals:

cops

An inmate who escaped from a federal prison in southeast Texas was arrested

Wednesday while allegedly trying to sneak back in with snacks, alcohol,

tobacco and cooked food, the Dallas Morning News reported.

Jefferson County Sheriff’s Office said in a statement they had been tipped off

that inmates had been sneaking out of the prison complex and reentering with

contraband.

Joshua Randall Hansen, 25, was spotted by sheriff’s deputies and U.S. marshals

running out the back of a federal prison in Beaumont on Wednesday evening,

the statement said. Hansen picked up a large duffle bag that a vehicle had

dropped off at a private property adjacent to the prison, authorities said. The

deputies said they arrested Hansen as he was trying to reenter the prison.

The duffle bag contained three bottles of brandy, a bottle of Whisky, packages

of tobacco, salty snacks, fruit, and home cooked foods like BBQ sausage and

fried chicken, FOX 40 reported.

Hansen, had been serving a 27-month sentence for drug-related charges. He

now faces additional charges of escape and marijuana possession.

According to Deputy Marcus McLellan, inmates walking off the prison grounds

only to return with contraband is not a new phenomenon. He told the Beaumont
 Enterprise that similar incidents have been occurring, “pretty much since Day

1.”

The Sheriff’s Office said an investigation is ongoing.

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Cost Accounting A Managerial Emphasis Canadian 7th Edition Horngren
Solutions Manual
Full clear download( no error farmatting) at:
https://testbanklive.com/download/cost-accounting-a-managerial-emphasis-
canadian-7th-edition-horngren-solutions-manual/
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