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  • JPG Issue13

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    Robert Turner
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    The document discusses techniques for creating multiple exposures on film, including overlapping two images on the same frame, achieving a mirror effect by flipping the camera and re-exposing, and getting unpredictable results by unloading film and reloading it in a different camera. Masking parts of the film plane and reloading film in cameras with different lenses are also presented as ways to achieve creative effects. The goal is to produce strange and interesting images without relying on photo editing software.

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    JPG_issue13

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    The document discusses techniques for creating multiple exposures on film, including overlapping two images on the same frame, achieving a mirror effect by flipping the camera and re-exposing, and getting unpredictable results by unloading film and reloading it in a different camera. Masking parts of the film plane and reloading film in cameras with different lenses are also presented as ways to achieve creative effects. The goal is to produce strange and interesting images without relying on photo editing software.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    13 views1 page

    JPG Issue13

    Uploaded by

    Robert Turner
    The document discusses techniques for creating multiple exposures on film, including overlapping two images on the same frame, achieving a mirror effect by flipping the camera and re-exposing, and getting unpredictable results by unloading film and reloading it in a different camera. Masking parts of the film plane and reloading film in cameras with different lenses are also presented as ways to achieve creative effects. The goal is to produce strange and interesting images without relying on photo editing software.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

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    I love the satisfaction that I get when I create something place in the finder and take another exposure. The two
    genuinely strange with my camera without the use of exposures should blend into each other for a strange, mirrored
    3KRWRVKRS7KLVLVRQHRIP\PDLQUHDVRQVIRUVWLOOVKRRWLQJ HIIHFW3OHDVHQRWHWKLVZRUNVEHVWZLWKFDPHUDVWKDWKDYH
    film most of the time over digital. With digital, I would have HLWKHUDFHQWUDOO\SODFHGYLHZILQGHURUDUH6/5VDVWKHLPDJH
    WR³FKHDW´ZLWK3KRWRVKRSSRVWĥSURGXFWLRQZRUNZKHUHDVZLWK ZLOOEHEHWWHUDOLJQHGħEXWLQWHUHVWLQJHIIHFWVFDQEHREWDLQHG
    film, I can take multiple exposures on the same frame. with any camera.
    )LUVWWKLQJVILUVW\RXPXVWEHVXUHWKDW\RXUFDPHUDFDQ )XUWKHUHIIHFWVFDQDOVREHDFKLHYHGZLWKFUHDWLYHPDVNLQJ
    IDFLOLWDWHPXOWLSOHH[SRVXUHVħPRVWFDQZLWKVRPHILGGOLQJ This is done by masking parts of the film plane of the camera
    The easiest type of camera to use is one with an uncoupled VRWKDWRQO\SDUWVRIWKHIUDPHDUHH[SRVHG)RUH[DPSOH
    ILOPDGYDQFHDQGVKXWWHUFRFNĪVXFKDVWKH+ROJDīRURQHZLWK you could mask half of the frame, then the other half after
    DVSHFLDO³PXOWLĥH[SRVXUH´VZLWFKWKDWUHĥFRFNVWKHVKXWWHU UHORDGLQJWKHILOPWRREWDLQDKDOIĥIUDPHHIIHFWĪWLSPDNHWKH
    ZLWKRXWDGYDQFLQJWKHILOPĪVXFKDVWKH/RPR/ĥ&$ī,I\RXU HGJHVRIWKHPDVNURXJKIRUDGGHGFKDUDFWHUīRU\RXFRXOG
    FDPHUDGRHVQ¶WKDYHHLWKHURIWKHVHIHDWXUHV\RXPD\VWLOOEH shape the mask for strange, abstract effects.
    DEOHWRJHWPXOWLĥH[SRVXUHVZLWKWKHIROORZLQJWHFKQLTXHVKRRW You can get unpredictable results when the film is unloaded
    your first shot, then, using the film rewind crank, make sure after shooting and reloaded into another camera. I choose to
    WKHILOPVWLOOLQWKHFDQLVWLJKW+ROGLWWKHUH&RQWLQXHWR H[SRVHWKHILOPLQHWKHUP\=HQLW6/5RU/ĥ&$IROORZHGE\
    hold the crank while you press and hold the film rewind button P\6XSHUVDPSOHUPXOWLĥOHQV
    while advancing the film; the shutter should cock, but the small )RUWKHODVWWZRWHFKQLTXHVLWLVUHTXLUHGWKDW\RXXQORDG
    sprocket that advances the film should be loose, keeping the the film with some of its header still sticking out of the film
    film still. canister. This is achieved by rewinding the film very slowly.
    If your camera has automatic exposure, the film speed is set When the film is felt to slacken off, it becomes disconnected
    to double the normal value to obtain the correct exposure. If from the takeup spool. Open the back and take out the film. It
    the camera is manual, you should underexpose each image by is now ready to be loaded into a different camera, be it yours or
    one stop. DIULHQG¶V
    7KHILUVWWHFKQLTXH,ZLOOFRYHULVRYHUODSSLQJWZRLPDJHV These methods have resulted in a lot of fun and some very
    on the same frame. I normally opt for a fairly plain background interesting images; I hope that they will do the same for you,
    texture for my first exposure and an interesting subject for the too.
    VHFRQG,TXLWHRIWHQXVHDIODVKRQWKHVHFRQGH[SRVXUHĪRIWHQ
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    $QRWKHUFRROWHFKQLTXHLVWKHPLUURUHIIHFW)LUVWWDNHDVKRW GdWIjgcZg^hVbjh^XhijYZci[gdbAZZYh!J@VcY^hVY^Z"]VgY
    RIDQLFHWDOOVXEMHFWĪEXLOGLQJVZRUNWKHEHVWLQP\RSLQLRQī VcVad\jZe]did\gVe]Zg#
    then flip the camera over, lining up the subject in the same _e\bV\#Xdb$eZdeaZ$WaVX`cd^hZ

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