Position Sex Bible

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POSITION
SEX BIBLE
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Job No:12-00684 Title: Position Sex Bible

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POSITION
SEX BIBLE
MORE POSITIONS THAN YOU COULD POSSIBLY IMAGINE TRYING
RAY(Text)
RAY
QUIVER
R A N D I F OX X
Sex Bible Job No:12-00684 Title: Position Sex Bible

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© 2004 by Hylas Publishing

The moral right of the author has been asserted.
This 2008 edition published by

Quiver, a member of
Quayside Publishing Group
100 Cummings Center
Suite 406-L
Beverly, MA 01915-6101
www.quiverbooks.com
First published in 2004 by Hylas Publishing

129 Main Street, Suite C
Irvington, New York 10533
www.hylaspublishing.com
All rights reserved under International and Pan-

American Copyright Conventions. No part of this
publication may be reproduced, stored in a
retrieval system, or transmitted, in any form or
by any means,electronic, mechanical, photocopying,
recording, or otherwise, without prior written
permission of the copyright owner.
ISBN-13: 978-1-59233-349-3
ISBN-10: 1-59233-349-4
12 11 10 09 08 12345
Publisher: Sean Moore

Publishing Director: Karen Price
Art Directors: Gus Yoo, Edwin Kuo
Editor: Angda Goel
Production Manager: Sarah Reilly
Photographer: Robert Wright
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Printed and bound in TK

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Contents
Section One: Bed Action . . . . . . . . . 12 27 Lateral Kneel and Extend . . . . . . . 66
1 Straight-Edge Sex A . . . . . . . . . . . . 14 28 Kneel and Push Back . . . . . . . . . . . 68
2 Foot Rub with Rhythm . . . . . . . . . . . 16 29 Side-to-Side Kneel and Extend . . . 70
3 Straight-Edge Sex B . . . . . . . . . . . . 18 30 Surf’s Up . . . . . . . . . . . . . . . . . . . . 72
4 Always by Your Side . . . . . . . . . . . . . 20 31 Pelvic Thrust . . . . . . . . . . . . . . . . . . 74
5 Pig in a Blanket . . . . . . . . . . . . . . . . 22 32 Pelvic Lap Dance . . . . . . . . . . . . . . 76
6 The Penitent Forgiven . . . . . . . . . . . . 24 33 Locked Lap Dance . . . . . . . . . . . . . 78
7 The Awakening . . . . . . . . . . . . . . . . . 26 34 Kama’s Wheel . . . . . . . . . . . . . . . . 80
8 The Piked Awakening . . . . . . . . . . . . 28 35 Reclining Kama’s Wheel . . . . . . . . 82
9 Inner Awakening . . . . . . . . . . . . . . . 30 36 Snake Trap . . . . . . . . . . . . . . . . . . . 84
10 Scissors . . . . . . . . . . . . . . . . . . . . . 32 37 Full Reclining Snake Trap . . . . . . . 86
11 Splitting of a Bamboo . . . . . . . . . . 34 38 The Neverending Hug . . . . . . . . . . . 88
12 Hammerhead . . . . . . . . . . . . . . . . . 36 39 Paired Feet . . . . . . . . . . . . . . . . . . 90
13 Jackknifed Splits . . . . . . . . . . . . . . 38 40 “X” Marks the Spot . . . . . . . . . . . 92
14 Lateral Jackknifed Splits . . . . . . . . 40 41 The Mare’s Trick . . . . . . . . . . . . . . 94
15 Climbing Ivy . . . . . . . . . . . . . . . . . . 42 42 Pair of Tongs . . . . . . . . . . . . . . . . . 96
16 Inverted Wheelbarrow . . . . . . . . . . 44 43 The Spinner . . . . . . . . . . . . . . . . . . 98
17 The Crab . . . . . . . . . . . . . . . . . . . . . 46 44 Back to Meditating . . . . . . . . . . . 100
18 The Wrapped Crab . . . . . . . . . . . . . 48 45 The Pin . . . . . . . . . . . . . . . . . . . . . 102
19 The Open Crab . . . . . . . . . . . . . . . . 50 46 Spoon-on-Spoon . . . . . . . . . . . . . 104
20 The Press . . . . . . . . . . . . . . . . . . . . 52 47 Stretched Spoon-on-Spoon . . . . . 106
21 The Bicycle . . . . . . . . . . . . . . . . . . . 54 48 Sliding Into Home . . . . . . . . . . . . 108
22 Side-to-Side Press . . . . . . . . . . . . . 56 49 The Recliner . . . . . . . . . . . . . . . . . 110
23 Half Lotus . . . . . . . . . . . . . . . . . . . 58 50 The Wrap Around . . . . . . . . . . . . 112
24 Full Lotus . . . . . . . . . . . . . . . . . . . 60 51 The Bucking Bronco . . . . . . . . . . 114
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25 Wife of Indra . . . . . . . . . . . . . . . . . 62 52 Will You Do Me? . . . . . . . . . . . . . 116

26 Kneel and Extend . . . . . . . . . . . . . . 64 53 Crouching Tiger, Hidden Passion . . 118

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54 Let Us Pray . . . . . . . . . . . . . . . . . 120 77 The Backbend B . . . . . . . . . . . . . . 170

55 The Body Hug . . . . . . . . . . . . . . . 122 78 The Pushover . . . . . . . . . . . . . . . . 172
56 Flexed Body Hug . . . . . . . . . . . . . 124 79 The Cobra . . . . . . . . . . . . . . . . . . . 174
57 Reclining Body Hug . . . . . . . . . . . 126 80 The Pilot . . . . . . . . . . . . . . . . . . . 176
58 Crying Out . . . . . . . . . . . . . . . . . . 128
59 Sweet Abandon . . . . . . . . . . . . . . 130 Section Four:The Standing O . . . . 178
60 The Corkscrew . . . . . . . . . . . . . . . 132 81 The Stick Up . . . . . . . . . . . . . . . . 180
61 The Flexed Corkscrew . . . . . . . . . 134 82 Stand by Your Man . . . . . . . . . . . 182
62 Inverted Headlock . . . . . . . . . . . . 136 83 The Tango . . . . . . . . . . . . . . . . . . . 184
63 The See-Saw A . . . . . . . . . . . . . . 138 84 The Harness . . . . . . . . . . . . . . . . . 186
64 The See-Saw B . . . . . . . . . . . . . . 140 85 The Backbend C . . . . . . . . . . . . . . 188
65 The Backbend A . . . . . . . . . . . . . . 142 86 Congress of the Cow . . . . . . . . . . 190
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66 The Throne . . . . . . . . . . . . . . . . . . 144 87 The Hoover . . . . . . . . . . . . . . . . . . 192
88 The Hoover Upright . . . . . . . . . . . 194
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Section Two: Back Door Policy . . . 146 89 The Handstand . . . . . . . . . . . . . . . 196
67 See Spot Come . . . . . . . . . . . . . . 148 90 The Leg Up . . . . . . . . . . . . . . . . . 198
68 The Dutch Doggy . . . . . . . . . . . . . 150
69 Taking Sides . . . . . . . . . . . . . . . . . 152 Section Five: Chair Action . . . . . . 200
70 The Back Scratcher . . . . . . . . . . . 154 91 The Chair Lift . . . . . . . . . . . . . . . 202
71 Enveloped in Love . . . . . . . . . . . . 156 92 Purrfect Plunge . . . . . . . . . . . . . . 204
72 Baby Elephant . . . . . . . . . . . . . . . 158 93 The Lounge Cat . . . . . . . . . . . . . . 206
73 Open Elephant . . . . . . . . . . . . . . . 160 94 Fido’s on His Feet . . . . . . . . . . . . 208
74 The Elephant . . . . . . . . . . . . . . . . 162 95 The Wheelbarrow . . . . . . . . . . . . . 210
96 Lay-Z Girl . . . . . . . . . . . . . . . . . . 212
Section Three: On the Edge . . . . . 164 97 Tug of War . . . . . . . . . . . . . . . . . . 214
75 Sitting Body Wrap . . . . . . . . . . . . 166 98 Come Sit on My Lap . . . . . . . . . . 216
76 Sitting Flexed Body Wrap . . . . . . 168 99 In Reverse . . . . . . . . . . . . . . . . . . 218

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100 My Knight, My Chair . . . . . . . . . 220 126 A Bridge to Pleasure . . . . . . . . . . 274

101 Chair Twister . . . . . . . . . . . . . . . 222 127 Tunnel of Love . . . . . . . . . . . . . . . 276
Section Six: Foreplay and 128 Checking the Oil. . . . . . . . . . . . . . 278
Oral Sex. . . . . . . . . . . . . . . . . . . . . . 224
102 Backseat Driver . . . . . . . . . . . . . . 226 Section Seven: Advanced Positions. . 280
103 Prepare for Takeoff . . . . . . . . . . . 228 129 Bumper Cars. . . . . . . . . . . . . . . . . . . 282
104 The Magic Lamp . . . . . . . . . . . . . 230 130 Back in the Saddle. . . . . . . . . . . . 284
105 Third Wish . . . . . . . . . . . . . . . . . . 232 131 The Plow . . . . . . . . . . . . . . . . . . . 286
106 Cat in the Cradle . . . . . . . . . . . . . 234 132 My Door Is Always Open. . . . . . . 288
107 Spank Her Thrice. . . . . . . . . . . . . 236 133 The Nexus. . . . . . . . . . . . . . . . . . . 290
108 The Double Grip . . . . . . . . . . . . . . 238 134 Elephants on Parade . . . . . . . . . . 292
109 The Slippery Slope . . . . . . . . . . . . 240 135 Table Saw. . . . . . . . . . . . . . . . . . . 294
110 The Jigsaw. . . . . . . . . . . . . . . . . . 242 136 Queen of the World . . . . . . . . . . . 296
111 Put You on a Pedestal . . . . . . . . . 244 137 Fantasy City. . . . . . . . . . . . . . . . . 298
112 Under the Hood . . . . . . . . . . . . . . 246 138 The Dinner Party . . . . . . . . . . . . . 300
113 Pumping Petrol . . . . . . . . . . . . . . 248 139 The Kissing Lotus. . . . . . . . . . . . . 302
114 Sweet Spot. . . . . . . . . . . . . . . . . . 250 140 The Sheath . . . . . . . . . . . . . . . . . 304
115 Australian for Sex . . . . . . . . . . . . 252 141 Members Only Entrance . . . . . . . 306
116 Rising Sun . . . . . . . . . . . . . . . . . . 254 142 Lean on Me . . . . . . . . . . . . . . . . . 308
117 The Dip. . . . . . . . . . . . . . . . . . . . . 256 143 The Consolation . . . . . . . . . . . . . . 310
118 The Bird Feeder . . . . . . . . . . . . . . 258 144 Lady Godiva. . . . . . . . . . . . . . . . . 312
119 Chasing the Cat . . . . . . . . . . . . . . 260 145 The Bare Hug. . . . . . . . . . . . . . . . 314
120 Seat of Honor . . . . . . . . . . . . . . . 262 146 Cupid’s Bow. . . . . . . . . . . . . . . . . 316
121 Give and Take. . . . . . . . . . . . . . . . 264 147 Tight Quarters . . . . . . . . . . . . . . . 318
122 Downtown Girl. . . . . . . . . . . . . . . 266 148 I’ve Found My Niche . . . . . . . . . . 320
123 Slippery When Wet . . . . . . . . . . . 268 149 The Long and Deep of It . . . . . . . 322
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124 Always on Your Side . . . . . . . . . . 270 150 Into Each, His Own . . . . . . . . . . . 324
125 The Grateful Hostage. . . . . . . . . . 272 151 The Door Jam . . . . . . . . . . . . . . . 326

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152 Climbing the Walls . . . . . . . . . . . . 328 178 Climbing the Ladder . . . . . . . . . . 382
153 Synchronized Deep Diving . . . . . . 330 179 Behind on Work . . . . . . . . . . . . . . 384
154 Long Night, Full Moon . . . . . . . . 332 180 Flex Benefits . . . . . . . . . . . . . . . . 386
155 Spreading Some Joy . . . . . . . . . . 334 181 Double Shift. . . . . . . . . . . . . . . . . 388
156 Deep Satisfaction. . . . . . . . . . . . . 336 182 The Profit Share . . . . . . . . . . . . . 390
157 Surfing the Wave . . . . . . . . . . . . . 338 183 Take a Letter Please . . . . . . . . . . 392
158 Leapfrog . . . . . . . . . . . . . . . . . . . 340 184 Sharing Your Assets. . . . . . . . . . . 394
159 Blooming Lotus . . . . . . . . . . . . . . 342 185 Squeeze Me In. . . . . . . . . . . . . . . 396
160 Speaking In Tongues . . . . . . . . . . 344 186 The Ruthless Negotiator. . . . . . . . 398
161 The Nail-Gun . . . . . . . . . . . . . . . . 346 187 Appealing to Your
162 Praying Mantis . . . . . . . . . . . . . . 348 Target Market . . . . . . . . . . . . . . . 400
163 Lowered Inhibition. . . . . . . . . . . . 350 188 Better Than Phone Sex . . . . . . . . 402
164 Meet Me in the Middle . . . . . . . . 352 189 Tight Schedule . . . . . . . . . . . . . . . 404
165 Studying Geometry . . . . . . . . . . . 354 190 Getting the Memo . . . . . . . . . . . . 406
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166 Behind the Scenes . . . . . . . . . . . . 356
167 Hopping the Fence. . . . . . . . . . . . 358 Section Nine:Toys . . . . . . . . . . . . . . 408
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168 I Saved Your Seat . . . . . . . . . . . . 360 191 Rough Rider. . . . . . . . . . . . . . . . . 410
169 Upside Down You Turn Me. . . . . . 362 192 Performance Art . . . . . . . . . . . . . 412
193 Smear Tactics . . . . . . . . . . . . . . . 414
Section Eight: At the Office. . . . . . . 364 194 Prisoner of Love . . . . . . . . . . . . . 416
170 The Corporate Merger . . . . . . . . . 366 195 Love Slave . . . . . . . . . . . . . . . . . . 418
171 The Motivator . . . . . . . . . . . . . . . 368 196 Impaled Passion. . . . . . . . . . . . . . 420
172 Working Your Way Up . . . . . . . . . 370 197 Working Every Angle . . . . . . . . . . 422
173 Out of the Box . . . . . . . . . . . . . . . 372 198 Trapped Bumblebee . . . . . . . . . . . 424
174 Power Broker. . . . . . . . . . . . . . . . 374 199 Fire and Ice . . . . . . . . . . . . . . . . . 426
175 Giving Her a Raise. . . . . . . . . . . . 376 200 The Earthquake . . . . . . . . . . . . . . 428
176 Entry-Level Position . . . . . . . . . . 378
177 Loving Takeover . . . . . . . . . . . . . . 380

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Section Ten: Advanced Foreplay 222 Learning to Walk . . . . . . . . . . . . . 476

and Oral Sex . . . . . . . . . . . . . . . . . . 430 223 The Golden Eagle. . . . . . . . . . . . . 478
201 The Classic . . . . . . . . . . . . . . . . . . 432 224 Crossing the River . . . . . . . . . . . . 480
202 Eating In . . . . . . . . . . . . . . . . . . . 434 225 The Carriage House . . . . . . . . . . . 482
203 Stand and Deliver. . . . . . . . . . . . . 436 226 Catch You on the Flip Side . . . . . 484
204 Nose to the Grindstone . . . . . . . . 438 227 The Intertwined Links . . . . . . . . . 486
205 Take It Sitting Down . . . . . . . . . . 440 228 Chain Me Up . . . . . . . . . . . . . . . . . . 488
206 The Happy Puppy. . . . . . . . . . . . . 442 229 Shucking the Oyster . . . . . . . . . . . 490
207 The Ben Dover . . . . . . . . . . . . . . . 444 230 Under Wraps . . . . . . . . . . . . . . . . 492
208 The Circle of Pleasure . . . . . . . . . 446 231 The Kitchen Sink . . . . . . . . . . . . . 494
209 Kiss My . . . . . . . . . . . . . . . . . . . . . 448 232 Rock-a-Bye Baby. . . . . . . . . . . . . 496
210 The Elevator. . . . . . . . . . . . . . . . . 450 233 The Curling Iron . . . . . . . . . . . . . . 498
211 The Landscape of 234 Like a Cat . . . . . . . . . . . . . . . . . . 500
Two Mountains . . . . . . . . . . . . . . 452 235 On the Road. . . . . . . . . . . . . . . . . 502
212 The Curled 69 . . . . . . . . . . . . . . . 454 236 The Whoopie Cushion. . . . . . . . . . 504
213 Slap and Tickle . . . . . . . . . . . . . . 456 237 Sailor’s Knots . . . . . . . . . . . . . . . 506
214 Oh, Adam,What an Apple . . . . . . 458 238 The Cancan Dancer . . . . . . . . . . . 508
215 Give Him a Hand . . . . . . . . . . . . . 460 239 The Venus Flytrap . . . . . . . . . . . . 510
216 O Marks the Spot . . . . . . . . . . . . 462 240 The Homestretch . . . . . . . . . . . . . 512
217 Mistress May I?. . . . . . . . . . . . . . 464 241 The Three-Chair Double Squat. . . 514
218 The Sack of Potatoes. . . . . . . . . . 466 242 Doing Cartwheels. . . . . . . . . . . . . 516
243 The Headstand of Pleasure . . . . . 518
Section Eleven:Taking It to 244 Pole Vaulting . . . . . . . . . . . . . . . . 520
Another Level . . . . . . . . . . . . . . . . . . . . 468 245 Springing . . . . . . . . . . . . . . . . . . . 522
219 The Cradle . . . . . . . . . . . . . . . . . . 470 246 The Plow and Hoe . . . . . . . . . . . . 524
220 Hammocking . . . . . . . . . . . . . . . . 472 247 Roll Your Rs. . . . . . . . . . . . . . . . . 526
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221 Salted or Unsalted?. . . . . . . . . . . 474 248 That’s a Wrap. . . . . . . . . . . . . . . . 528

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249 Mountain’s Majesty . . . . . . . . . . . 530 Section Twelve: Advanced Toys . . . 584

250 Crisscross Apple Sauce . . . . . . . . 532 276 From Both Sides Now . . . . . . . . . 586
251 Welcome Home . . . . . . . . . . . . . . 534 277 Good Vibrations . . . . . . . . . . . . . . 588
252 Ice Hot. . . . . . . . . . . . . . . . . . . . . 536 278 Hugging the Pole . . . . . . . . . . . . . 590
253 What’s for Dessert? . . . . . . . . . . . 538 279 Missile Launcher . . . . . . . . . . . . . 592
254 Sole-ful . . . . . . . . . . . . . . . . . . . . 540 280 The Impaled Seesaw . . . . . . . . . . 594
255 Stiletto High-Rise . . . . . . . . . . . . 542 281 Pulling the Plug. . . . . . . . . . . . . . 596
256 See You Later . . . . . . . . . . . . . . . 544 282 Watch Out Behind You . . . . . . . . . 598
257 The Great Plains . . . . . . . . . . . . . 546 283 Acrobatics . . . . . . . . . . . . . . . . . . 600
258 For Your Thighs Only . . . . . . . . . . 548 284 The Gladiator’s Torch . . . . . . . . . . 602
259 Sandy Dunes . . . . . . . . . . . . . . . . 550 285 Magna Cum Laude . . . . . . . . . . . 604
260 Sail Away. . . . . . . . . . . . . . . . . . . 552
261 The T-Bone . . . . . . . . . . . . . . . . . . 554 Section Thirteen: Swing Time! . . . . 606
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262 Rolling Hills . . . . . . . . . . . . . . . . . 556 286 The Shrieking Monkey . . . . . . . . . 608
263 Ready, Set, Go! . . . . . . . . . . . . . . 558 287 Sweet Chariot . . . . . . . . . . . . . . . 610
264 The Black Spider . . . . . . . . . . . . . 560 288 Get Sprung. . . . . . . . . . . . . . . . . . 612
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265 The Intimate Hip Grasp . . . . . . . . 562 289 The Rocking Cradle . . . . . . . . . . . 614
266 Fighter Planes . . . . . . . . . . . . . . . 564 290 Dinner for Two . . . . . . . . . . . . . . . 616
267 Riding into the Sunset . . . . . . . . . 566 291 Dinner for One . . . . . . . . . . . . . . . 618
268 The Alligator . . . . . . . . . . . . . . . . 568
269 Linking Logs . . . . . . . . . . . . . . . . 570 Position Sex Bible Checklist . . . . . . 620
270 The Most Beautiful Flower . . . . . 572
271 The Contortionist . . . . . . . . . . . . . 574
272 The Cricket. . . . . . . . . . . . . . . . . . 576
273 Flambé. . . . . . . . . . . . . . . . . . . . . 578
274 Hottest Snow . . . . . . . . . . . . . . . . 580
275 Vroom,Vroom . . . . . . . . . . . . . . . 582

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Section One:
Bed Action
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14 • Position Sex Bible

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1
Straight-
Edge Sex A
RAY(Text)
Most commonly known as the
Missionary Position; also called
RAY
the Clasping position.The man is
on top and the legs of both the
man and woman are stretched
out straight.The partners face
one another.
Bed Action • 15

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2
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Foot Rub with Rhythm

In Straight-Edge Sex A (1), the man turns a full 360º while
in union.When he is 180º to his partner, he can stop to give her a
nice foot massage! (She can take this opportunity to caress his
buttocks and get a new view of her lover’s body). It takes a lot of
practice to do this move without the penis slipping out repeatedly,
but the angles of penetration are worth it!
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RAY
Bed Action • 17

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3
Straight-
Edge Sex B
RAY(Text)
Straight-Edge Sex A (1),
but with the woman on top.
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Bed Action • 19

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4
Always by
Your Side
RAY(Text)
Variation of Straight-Edge Sex,
with both partners face to face,
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but on their sides. A hand is then
free to explore the rest of your
lover’s body.
Bed Action • 21

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5
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Pig in a Blanket
The most natural progression from Straight-Edge Sex A (1)
While the man is on top, the woman wraps her legs
around his waist, pulling him into her more.
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6
The
Penitent
RAY(Text)
Forgiven
A slight shift from the Pig in
RAY
a Blanket (5); the legs of the
woman are still wrapped
around the man (who is on
top), but the man is kneeling
with his arms at her sides.
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7
RAY(Text)
RAY
The Awakening
Also known as the “Yawning posi-
tion,” but hardly boring. A natural
progression from Penitent Forgiven
(6).The woman, whose thighs are
wrapped around her lover, raises her
legs and keeps them apart in the air,
allowing for full penetration.
Bed Action • 27

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8
The Piked
Awakening
RAY(Text)
Acrobatic variation of the
Awakening (7); the woman
RAY
throws her raised legs back in a
pike position and lifts her vagina,
allowing for full and deep pene-
tration. For better control, she
can hold her calves with her
hands. (A pillow under her lower
back also helps).The man, who is
on top, relies mostly on upper-
body strength and can lie or
kneel over the woman.
Bed Action • 29

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9 Inner
Awakening
Variation of Awakening (7), with
the legs of the woman on the
inside of the man’s arms, allowing
her to rest her legs on his shoul-
ders, or to bend them back over his
arms.This position is more com-
fortable for the woman than the
Awakening, and can be sustained
for longer. She also has better
access to his buttocks and face.
RAY(Text)
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10 Scissors
Similar to Splitting of a Bamboo (11); while on
RAY(Text)
her back, the woman moves her legs back and
forth in the air while penetrated by her kneeling
RAY
lover.This motion squeezes the penis, causing
powerful sensations for both partners.
Bed Action • 33

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11
Splitting of
a Bamboo
RAY(Text)
Straight from the Kama Sutra—an easy progres-
sion from the Inner Awakening (9).The woman
RAY
uses the motion of her legs to squeeze the penis
while it is in the vagina. A single leg rises onto her
partner’s shoulder and then lowers; the other leg
repeats this motion.
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12 Hammerhead
Variation of Splitting of a Bamboo (11);
the act is similar to hammering in a nail—
while the man kneels and thrusts forward,
the woman places her foot on his
forehead instead of on his shoulder.
RAY(Text)
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13
Free ebooks ==>
Jackknifed Splits
Similar to Splitting of a Bamboo (11), but the
RAY(Text)
woman has one leg under her kneeling lover and
the other raised across his body, resting against his
RAY
face. From this vantage point, the man can see his
penis thrust in and out of the vagina, and the
woman’s breasts undulate in rhythm to the motion.
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14 Lateral
Jackknifed Splits
In a natural move from Jackknifed Splits (13), the
woman’s leg comes over the side of her partner,
resting against his thigh.This position is the perfect
prelude to the Elephant (74).
RAY(Text)
RAY

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15 Climbing Ivy
The man kneels while facing his lover who lies on her
back. She raises her legs and wraps them around his
neck, allowing for deep penetration. He can take hold
of her thighs and guide himself into her.
RAY(Text)
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16 Inverted
Wheelbarrow
RAY(Text)
An extreme variation of Climbing Ivy (15);
the woman is almost upside-down, with only her
RAY
head and neck on the bed. Her legs are on either
side of her lover’s head, and her lower back and
buttocks are in the air. She may want to hold onto
his thighs for support, and he will have to hold her
legs while inside of her.
Bed Action • 45

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17 The Crab
Moving from the Awakening (7), the man
takes a more dominating role and the woman
pulls herself into a ball, with her legs folded
against her chest.The man straddles her
while kneeling, allowing for deep penetration.
RAY(Text)
RAY

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18 The Wrapped Crab

The man crouches on the balls of his feet, and
the woman, on her back, moves from the Crab
(17) and wraps her legs over his thighs.
RAY(Text)
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www.
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19 The Open Crab

Instead of pushing the folded legs against her chest,
the woman opens her legs and rests her feet on
her lover’s thighs. Her vagina is fully open and her
breasts are also exposed.The man is in control
and can add to his dominance by pushing down
on her shoulders.
RAY(Text)
RAY

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20 The Press
The woman is on her back and presses her
feet against her partner’s chest. He faces
her while sitting up on his back legs, allowing
for deep penetration.
RAY(Text)
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21 The Bicycle
Similar to Splitting of a Bamboo (11); the
woman presses one foot against her lover’s chest
and raises the other leg in the air, as though she
were riding a bicycle.
RAY(Text)
RAY

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Bed Action • 55

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2
RAY(Text)
RAY

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22 Side-to-Side Press
Variation of the Press (20); the man takes
RAY(Text)
his lover’s ankles, removes them from his
chest, and shifts them from one side of his
RAY
body to the other.This motion causes her
vaginal muscles to contract around the
penis. At the same time, he can kiss and
caress her legs, ankles, and feet.
Bed Action • 57

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Half Lotus
Natural progression from the Crab (17); the man leans
forward and supports his lover’s body.When she pulls her legs
RAY(Text)
RAY
up, she crosses her shins while pressing her thighs against her chest.

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23
RAY(Text)
RAY
Bed Action • 59

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24 Full Lotus
Takes the lotus position of yoga and brings
RAY(Text)
it into the bedroom.The woman assumes
this position while on her back with her
RAY
legs folded above her. Her partner leans
forward and enters her while facing her
and resting back on his legs.
Bed Action • 61

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25Wife of Indra
Extreme variation of the Crab (17); the woman pushes
RAY(Text)
her legs back and to her sides instead of letting them
rest against her chest.This position fully opens the
vagina to the man for deep penetration.
RAY
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26 Kneel and Extend

The woman lies on her back and pulls in her
knees.The man kneels in front of her and
enters her. She then extends both legs to one
of his shoulders.This position allows him to
caress her thighs.
RAY(Text)
RAY

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27 Lateral Kneel
and Extend
Instead of raising her legs to her lover’s shoulder,
while on her back, the woman drapes her legs over
one of his thighs.The man sits back on his legs and
faces her. From this vantage point, he can see her get-
ting aroused and may stroke her clitoris and breasts.
RAY(Text)
RAY

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28 Kneel and Push Back

Variation of the Kneel and Extend (26);
instead of letting her legs rest on his shoulder,
the man holds them away from him, altering
the angle of penetration.
RAY(Text)
RAY

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Side-to-Side
Kneel and
Extend
Variation of the Lateral
Kneel and Extend (27); the
woman swivels her legs back
and forth from one of her
lover’s thighs to the other.
This angle works well for
G-spot arousal.
29
RAY(Text)
RAY

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29
RAY(Text)
RAY
Bed Action • 71

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30 Surf’s Up
The woman lies on her back with her legs
RAY(Text)
extended above her.The man lies across her,
preparing to catch the next wave of pleasure.
RAY
Bed Action • 73

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31The Pelvic Thrust

From Straight-Edge Sex A (1), the woman moves
RAY(Text)
her legs apart so that they are on the outside of the
man’s legs.The woman lowers her head, and raises
her pelvis toward her partner. In this position, the
RAY
vagina is fully open, allowing for deep penetration.
Bed Action • 75

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Pelvic Lap
Dance
32
While on her back,
the woman places her feet
down and thrusts her pelvis
up toward the man who is
sitting on his hind legs.
Similar to the Pelvic
Thrust (31) with one
important difference:
the woman’s buttocks are
resting on her lover’s
thighs.While the woman
arches her back, the man
has full access to her
stomach and breasts.
RAY(Text)
RAY

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2
RAY(Text)
RAY
Bed Action • 77

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33
Locked Lap Dance
During the Pelvic Lap Dance (32), the woman takes her
RAY(Text)
RAY
feet and locks them behind her lover, pushing herself against him.
This allows for maximum clitoral stimulation.

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RAY
Bed Action • 79

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34
Kama’s Wheel
Both partners sit facing one another, with
the woman on the man’s lap.The man sits
with his legs outstretched and his lover mirrors
his position (thus creating the spokes of a
wheel with their legs).
RAY(Text)
RAY

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35 Reclining
Kama’s Wheel
While in the Kama’s Wheel (34), the woman leans
back on her elbows, altering the angle of penetration.
Her legs wrap around the back of her partner.
RAY(Text)
RAY

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36
Snake Trap
RAY(Text)
RAY
While in the Kama’s Wheel (34), the woman leans back

and grasps her partner’s ankles. She uses her pelvic muscles
to grip her lover’s penis and rock gently back and forth.

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36
RAY(Text)
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es

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37
RAY(Text)
RAY

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Full Reclining Snake Trap

Both lovers lean back while in the Kama’s Wheel (34), forcing
the woman to use her vaginal muscles to maintain his erection.
The couple focuses on stimulating their subtle energy bodies
rather than their physical bodies—very tantric!
RAY(Text)
RAY

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38 The Neverending Hug

The lovers sit face to face, straddling each
other’s bodies. A position that allows for deep
penetration, kissing, and eye contact.
RAY(Text)
RAY

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Bed Action • 89

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39 Paired Feet
From the Kama’s Wheel (34), the woman leans
back and draws her legs up so that her shins are
resting on her partner’s chest.The man opens his
legs wide apart, with her body between them, so
that the woman can experience full penetration.
Then he presses her thighs together to intensify
the sensations.
RAY(Text)
RAY

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Bed Action • 91

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40 “X” Marks
the Spot
Combination of the Full
Reclining Snake Trap (37)
and the Jackknifed
Splits (13); the woman
lies on her side with her
legs apart.The man lies
back with his legs apart.
They meet in the middle,
with one of her legs
underneath him and her
feet beside his face
if he lies back.
RAY(Text)
RAY

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Bed Action • 93

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41 The Mare’s Trick

More of a technique than a position, this
method allows the woman to forcibly hold
the man’s penis in her vagina. She can
usually achieve this by pressing her legs
together. Best during Straight-Edge Sex B
(3), where the woman is on top and can
better control the action.
RAY(Text)
RAY

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Bed Action • 95

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Pair
of Tongs
Similar to the Mare’s
Trick (41); it is more of
a sexual technique than
a position. Once again,
the woman straddles the
man, who is facing her
while lying on his back.
The woman holds the
penis in her vagina—
42
drawing it in, pressing it
and keeping it in for a
long time. Intense eye
contact and the woman
stroking her lover’s
chest and testicles
enhance this technique.
RAY(Text)
RAY

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RAY(Text)
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43
The Spinner
From the Bucking Bronco (51),
the woman rotates 360º,
experiencing every angle of
penetration. She has the
potential for G-spot activation
while her back is to her lover.
Perfect for smaller women
with larger partners.
RAY(Text)
RAY

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3
RAY(Text)
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44 Back to
Meditating
As the man lies on his
back, his partner sits on
him cross-legged with her
back to him. Although
there is little eye contact,
the angle of entry is per-
fect for G-spot activation.
RAY(Text)
RAY

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RAY
Bed Action • 101

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45
RAY(Text)
RAY

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45 The Pin
The counterpart to Foot
Rub with Rhythm (2);
from Straight-Edge Sex
B (3), the woman turns
180º and has her body
between his legs while
she rests on her hands
(he is still on his back).
Her legs straddle his.
RAY(Text)
RAY
Bed Action • 103

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46
RAY(Text)
RAY

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Spoon-on-Spoon
Variation on part of the Spinner sequence (43); while the woman
has her back to the man, she lies on top of him.This allows him to
run his hands all over her body, concentrating on her clitoris.
RAY(Text)
RAY
Bed Action • 105

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47
RAY(Text)
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Stretched
Spoon-on-Spoon
From the Spoon-on-Spoon (46), the woman bends her
legs back, increasing the angle of penetration and the
opportunity for clitoral stimulation.
RAY(Text)
RAY
Bed Action • 107

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48 Sliding
Into Home
Variation of the Bucking
Bronco (51); the man’s
knees are bent so that the
woman slides into him
while on top of him.
She can lean back onto his
thighs as she rides him,
leaving one hand free.
RAY(Text)
RAY

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RAY

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49
RAY(Text)
RAY

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The Recliner
Another variation of the Bucking Bronco (51); while sitting and
facing the man, the woman leans back onto her elbows. Her back
is arched and he has full access to her clitoris. In this position,
she can push his penis against the wall of her vagina.
RAY(Text)
RAY

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50 The Wrap Around

A shift from Sliding Into Home (48); the woman
RAY(Text)
has her back to her lover and wraps her arms
around his thighs as she sits straddles him.
RAY
Bed Action • 113

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51The Bucking Bronco

The man lies on his back while the woman
straddles her lover, facing him. She sits on him and
rides him back and forth, and can place her hands
on his chest while doing so. He has full access to her
breasts and both partners can stimulate the clitoris.
RAY(Text)
RAY

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RAY(Text)
RAY

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52 Will You Do Me?

The man kneels on one bended knee as though he
were going to propose and enters his partner who
faces him while kneeling with her legs apart.
RAY(Text)
RAY

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RAY
Bed Action • 117

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53Crouching Tiger,
Hidden Passion
RAY(Text)
Both partners rest on the balls of their feet.
Similar to Let Us Pray (54); the man is between
RAY
his lover’s legs. She places her arms around his
neck for better support and he guides her in with
his hands on her waist.
Bed Action • 119

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54 Let Us Pray
Both partners are on their knees, sitting back on
their legs, facing one another. He is between her
legs and can hold her for better control.
RAY(Text)
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RAY

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55The Body Hug

A sitting position, where the man sits cross-
RAY(Text)
legged and his partner sits in his lap facing him.
She straddles him and wraps her legs around his
RAY
back.This position allows the bodies to rub
against each other fully and sensually.
Bed Action • 123

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56 Flexed
Body Hug
While in the Body Hug
(55), the woman raises her
leg, and hangs it over her
lover’s arm.This alters the
angle of penetration and
tension between the vagina
and penis.
RAY(Text)
RAY

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RAY(Text)
RAY

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57 Reclining
Body Hug
RAY(Text)
While in the Body Hug
(55), the woman leans
RAY
back onto her elbows,
changing the angle of
penetration and exposing
her breasts for fondling.
Bed Action • 127

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58 Crying Out
From Paired Feet (39), the
man slips his arms under his
partner’s knees and puts his
hands on her waist to lift her.
If there is too much strain on
him, the woman can lean back
and support some of her
weight on her arms.The man
then raises her and moves her
from left to right to intensify
the experience.
RAY(Text)
RAY

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RAY

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59
RAY(Text)
RAY

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59 Sweet
Abandon
The woman leans back
onto her elbows, with her
legs clasped behind her
lover as she sits facing him.
RAY(Text)
RAY
Bed Action • 131

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60 The Corkscrew
While sitting up with his legs apart, knees bent
and hands behind his back, the man welcomes his
partner, who sits on his penis with her legs
wrapped around his waist.
RAY(Text)
RAY

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RAY
Bed Action • 133

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6
RAY(Text)
RAY

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61 The Flexed
Corkscrew
Variation on the Corkscrew
(60); the woman’s legs rest
on her partner’s shoulders
instead of wrapping around
his waist.
RAY(Text)
RAY
Bed Action • 135

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62Inverted Headlock
The woman, on her back, faces her lover, who sits
RAY(Text)
up while he straddles her. She raises her legs to
either side of his head and locks her ankles behind
RAY
his neck.
Bed Action • 137

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63 The See-Saw A
The man kneels and leans back on his legs,
putting his arms behind him. His lover straddles
him and rests her weight on the balls of her feet.
She then rocks back and forth while on top.
RAY(Text)
RAY

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RAY

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64 The See-Saw B
While in See-Saw A (63), the woman turns from
RAY(Text)
facing her lover and continues with her back to him.
RAY
Bed Action • 141

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65 The Backbend A
Also called the Swing, the man does a
backbend and maintains this position while
the woman mounts and rides him.
RAY(Text)
RAY

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RAY(Text)
RAY
Bed Action • 143

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66 The Throne
The man lies back on the bed or on the
floor and bends his knees above him.
His partner sits on the back of his thighs,
which form a sort of throne, and she
mounts him in this fashion. Difficult to
maintain, but worth the effort!
RAY(Text)
RAY

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RAY
Bed Action • 145

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B
RAY(Text)
RAY

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RAY
Section Two:
Back Door Policy
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67
RAY(Text)
RAY

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See Spot
Come
The perennial doggy-
style.The woman
kneels on all fours and
her partner kneels
upright behind her,
thrusting from that
position. Her legs
straddle his.This position
allows for maximum
G-spot activation.
RAY(Text)
RAY
Back Door Policy • 149

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68
RAY(Text)
RAY

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The
Dutch
Doggy
Variation of See Spot
Come (67); requires
athleticism and some
well-placed pillows.
The woman, while
being penetrated
from behind, stretch-
es out one leg, then
the other in a wind-
RAY(Text)
mill motion under
her lover.This position
RAY
allows for intense
angles of penetration.

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69 Taking
Sides
Variation of See Spot Come
(67) that allows the man
to sit instead of kneel.
The woman reclines with her
back to her lover, partially
resting on her side and sup-
porting herself with her elbow.
(A large pillow or cushion also
helps to support her body).
In this position, the woman
does all of the work, sliding
her pelvis back and forth to
RAY(Text)
RAY
intensify the experience.

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RAY

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70 The Back Scratcher

The woman kneels on all fours in front of her lover,
RAY(Text)
he kneels behind her and enters her from behind.
She lifts a leg up and scratches his back with her foot.
RAY

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71 Enveloped
in Love
RAY(Text)
In an inverted Press
(20), the woman lies
RAY
on her stomach with
her legs tucked under
her and the man
kneels over her, enter-
ing her from behind.
Her exposed back is a
sensitive area that
will welcome the
man’s gentle caresses
and warm chest.

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72 Baby
Elephant
RAY(Text)
Prelude to the Elephant
(74); both partners are
RAY
on their sides, supporting
themselves with one arm.
The man is stretched fully
behind the woman and
penetrates her from this
position, which frees up
his other hands for breast
and clitoral stimulation.

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Open
Elephant
While in the Baby
Elephant (72), the
woman opens her leg,
allowing for better
clitoral stimulation.
RAY(Text)
RAY

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73
RAY(Text)
RAY

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7
RAY(Text)
RAY

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74 The
Elephant
The woman lies on her
stomach and the man
lies on top of her, full
body. His legs lie
straight between hers
and he penetrates her
from behind, forgoing
kissing and eye contact,
but increasing G-spot
activation angles and
deep penetration.
RAY(Text)
RAY

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Section Three:
On The Edge
RAY(Text)
RAY

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RAY

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75 Sitting Body Wrap

The man sits on the edge of the bed or in a
RAY(Text)
backless chair; his partner sits on his lap facing
him and wraps her legs around his back.
RAY
On the Edge • 167

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76 Sitting Flexed
Body Wrap
While in the Sitting Body Wrap (75), the woman
hangs her legs over her lover’s arms, allowing for
even closer contact and better clitoral stimulation.
RAY(Text)
RAY

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RAY(Text)
RAY

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77 The Backbend B
While in the Sitting Body Wrap (75), the woman
does a backbend, easing her hands behind her so
that her palms rest on the floor.
RAY(Text)
RAY

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RAY

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7
RAY(Text)
RAY

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78 The
Pushover
The woman’s legs wrap
around the waist of her
lover, and she leans forward
over his lap and places her
hands on the floor. Perfect
prelude to the Hoover (87).
RAY(Text)
RAY
On the Edge • 173

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79 The Cobra
From the Pushover (78), the woman raises her
torso and rests her hands on the knees of her
seated lover.
RAY(Text)
RAY

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RAY(Text)
RAY

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80 The Pilot
Instead of being a Pushover (78), the woman extends
her legs back and her arms to her sides, assuming an
airplane position while on her lover’s lap.
RAY(Text)
RAY

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RAY

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Section Four:
The Standing O
RAY(Text)
RAY

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www.
RAY(Text)
RAY
O
www.
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81 The Stick Up
From the Tango (83), the woman turns to have her
back to her lover and lifts one knee up, which the
man can hold in place. He then has access to enter
her from behind.
RAY(Text)
RAY

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82 Stand by Your Man

The woman stands in front of her lover with her
back to him. She straddles him, bending one leg
behind his back. She may need to hold onto him
for balance.
RAY(Text)
RAY

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RAY

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83 The Tango
Both partners stand and face each other.
The woman wraps her arms around her lover’s
neck and one leg around his for leverage.
RAY(Text)
RAY

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RAY

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84 The Harness
The man stands with his feet shoulder-width apart.
RAY(Text)
He holds his partner as she wraps her legs around
his waist.This position requires strong upper-body
strength for the man.
RAY
The Standing O • 187

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85 The Backbend C
While in the Harness (84), the woman eases herself
back and tries to touch the floor with her hands.
Her legs are still locked behind her lover’s back for
control and his arms must be strong to support her
weight.To reduce the strain on both partners, try it
off of the bed instead.
RAY(Text)
RAY

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RAY

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86 Congress of the Cow

The woman stands on the ground and places
her palms flat in front of her, (or on the bed or
a chair if she is not flexible enough).The man
enters her from behind, and has full access to
her buttocks in this powerful sexual stance.
If the woman begins to feels lightheaded, move
into the Stick Up (81).
RAY(Text)
RAY

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RAY(Text)
RAY

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87 The Hoover
The woman rests her forearms on the floor while
RAY(Text)
her partner lifts the rest of her body waist-level
and enters her from behind. She can clasp her
RAY
legs around her lover’s waist for better control.

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88 The Hoover Upright

The Hoover (87), but with the woman’s feet
RAY(Text)
clasped behind her lover’s neck.
RAY

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89 The Handstand
The Hoover Upright (88), but a little higher.
RAY(Text)
The woman shifts her weight to her palms instead
of resting on her forearms.
RAY

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90 The Leg Up
Both lovers face each other while standing.
RAY(Text)
The woman drapes her left leg over her partner’s
thigh and grabs on to allow for deep penetration.
RAY

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RAY(Text)
RAY
Section Five:
Chair
Action
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91 The Chair Lift

With the help of a chair and a cushion, this kneeling
RAY(Text)
position allows for deep penetration and new angles.
The woman leans on the chair sideways, while her
RAY
lover kneels in front of her. She can drape a leg over
his thigh, allowing for clitoral stimulation.
Chair Action • 203

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92 Purrfect Plunge
The Cat position; similar to See Spot Come (67)
without the woman as prostrate.The woman kneels
upright and leans over a bed or rests against
a chair while her lover enters her from behind.The
woman’s legs remain in between his, and her
vertical posture allows for the fondling of her
breasts and clitoris.
RAY(Text)
RAY

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RAY(Text)
RAY

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93 The Lounge Cat

While assuming the Purrfect Plunge
(92) on a chair, the woman is ready
for her lover to stand and enter her
from behind.
RAY(Text)
RAY

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RAY(Text)
RAY

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Free ebooks ==>
94 Fido’s on His Feet

Doggy-style off the bed.The woman is on all fours
RAY(Text)
or simply kneeling on a chair, and the man stands
behind her, mounting her from this position.
RAY

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95 The Wheelbarrow
The Hoover (87) for your bed or chair.
Same concept, except that the woman has a
cushiony support for her forearms, and the
angle is not as extreme.
RAY(Text)
RAY

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RAY(Text)
RAY

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96Lay-Z Girl
The woman sits in a large easy chair and the man
RAY(Text)
kneels in front of her. She wraps her legs around his
back. Easy on both partners, as no one has to
RAY
support the other’s weight.

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97
Tug of War
While sitting in a chair, the man
slides forward so that only his shoulders
and head are resting against the back of
the chair. His lover mounts him, resting her
feet against the lower back or on the arms
RAY(Text)
RAY
of the chair while holding onto his hands.

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RAY(Text)
RAY

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98 Come Sit
on My Lap
The man sits or lies on a chair and
his partner slips onto his lap backwards.
RAY(Text)
RAY

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RAY(Text)
RAY

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99 In Reverse
Instead of sitting on her lover’s lap, the woman
RAY(Text)
stands with her back to him while he is in the
chair and holds up his legs while he enters her
from behind, pulling her down onto him.
RAY

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100 My Knight,
My Chair
The man lies in a chair upside-down. His
lover mounts him from above, resting her
knees on the arms of the chair. He can
hold her ankles for support, so he doesn’t
slip off. (He could get light-
headed, so work quickly!)
RAY(Text)
RAY

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RAY(Text)
RAY

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101 Chair Twister

The man sits in a chair and the
woman gets in the Hoover (87)
in front of him, with her legs
resting on either side of his face.
Both partners win, but the games
have just begun!
RAY(Text)
RAY

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Section Six:
Foreplay and
Oral Sex
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102 Backseat Driver

Both lovers face the same direction on the
bed with the man sitting between the
woman’s legs and her breasts pressed
against his back. She reaches around his
torso with both hands and encircles his
penis, bringing him to orgasm while she
enjoys watching over his shoulder.
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Prepare for Takeoff
103
With the man on all fours, the woman grabs
RAY(Text)
him tightly from the rear with her torso
flattened against his buttocks. She massages
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his penis with one hand and reaches between
his legs with the other, fondling his testicles
while he comes to climax.
Foreplay and Oral Sex • 229

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104
The Magic
Lamp
back while the man pushes
her leg high up against her
body.With open access to
her taut labia, the man
rubs her. He maintains the
contrast between the tight
grip on her ankle and
more fluid motion of hand
on her genitals,
coaxing her to orgasm.
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105 Third Wish

Variation of the Magic Lamp with the couple
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standing up, the woman’s back against a wall
or doorway.The man lifts her leg with one hand
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and “rubs her lamp” with the other.

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1
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106
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Cat in the Cradle
The woman lies on her back while the man
lies on his side next to her. One arm slips under
her neck and reaches down to fondle her
breast.The other slips in between her legs
massaging and teasing and eventually hooking
inside her.The man kisses her, capturing her
complete sensory experience.

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107 Spank
Her Thrice
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She’s on all fours.
He kneels beside her.
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He caresses her breasts
while his other hand
explores her back, belly
and thighs, at last find-
ing her vagina. He grabs
her buttock, holding it
tight, and maybe gives
her a slap.This is a
good prelude to See
Spot Come (67).

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108 The Double Grip

Moving from The Crab (17), he holds her feet with his
thumbs between her big toes and the rest. He enters her,
pressing her knees against her breasts, stimulating her vagi-
na and feet for a double erogenous explosion.
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1
The Slippery Slope
Covered in massage oil, the man and woman take turns slipping and slid-
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RAY
ing over each other, first with her facing downward and him on top of her
and then reversing. Penetration is not the goal, just sensuous stimulation.

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109
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110
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Jigsaw
The woman curls up on the bed, her delicate parts
exposed to her lover. He embraces her with his legs
and fits in perfectly.
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111 Put You on a Pedestal

Woman or man leans against the wall, legs spread.
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Partner sits on the floor between spread legs,
wrapping arms around lower back and pays
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homage to the other.

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112
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Under the Hood

Woman sits on floor leaning back on
her forearms. Man kneels in front
between her legs, bending down into
her labia. She rests her legs on his
back while he licks her.
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Pumping Petrol
11
Man lies on his back with his legs straight up.Woman
sits on man’s face, and grabs his penis, bringing him to
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climax while he does the same for her.
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249
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114
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Sweet Spot
The couple lies head to foot.The man moves the woman’s knees
up and out of the way as he delves between her legs. She reaches
for his penis. He covers her genitals with his mouth.
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Foreplay and Oral Sex• 251

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115 Australian for Sex

Woman lies on her back with her legs in the air.
Man lies on his stomach with his head down under,
between her legs.
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116 Rising Sun

Woman lies on her back with feet
on the floor lifting her hips to the ceiling.
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Man goes on all fours, leaning his head
between her legs with his feet behind her
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head. She undulates her pelvis,
rising up to meet him.

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117 The Dip

With legs splayed, the man lifts the woman’s
RAY(Text)
hips and legs in the air. Balancing against
each other, the man dips into her genitals
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while he holds her firmly.

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118 The Bird Feeder

Like The Dip, (117) the woman rests on
her shoulders, her high legs in the air.
This time he approaches facing her, his
hands supporting her lower back, her legs
on his shoulders. His face easily reaches
her pleasure spots. She practices yoga
while he practices his technique.
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www.
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www.
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119 Chasing the Cat

The woman crawls on the floor, the man
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catches her on all fours, his face and arms
in between her legs. For added spice, try
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this using a skateboard!

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120 Seat of Honor

The man lies on his back.The woman takes her
seat on his face, knees around his head, facing
away from his body.
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121 Give and Take

The man lies on his back.The woman lies over him with her
vagina on his mouth. She takes his penis in her mouth. She
undulates, controlling both ends of the situation.

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122 Downtown Girl

(or Time-Tested)
The classic blow-job.The man stands with
the woman kneeling in front of him,
grasping his thighs.
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123 Slippery
When Wet
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With lubricated hands,
the man kneels in front
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of the prone woman,
massaging her torso
with teasing light
strokes.Will his hands
move all the way down?
He keeps her guessing.

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Always on Your Side

Give and Take (121) with a twist.The couple turns on
their sides, top most leg bent with the foot on the
ground so their parts are easy for the other to access.
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This comfortable position feels luxurious.

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124
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125 The Grateful Hostage

She sits in a chair, legs open, her ankles and wrists
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tied to the chair legs. He performs cunnilingus on his
thankful prisoner.
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126 A Bridge to
Pleasure
The woman stands bending over so her hands
are resting on the floor, her back arched like
a cat.The man sits between her legs and
stimulates her until he hears her mew.
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127 Tunnel of Love

She lies on her back. He squats over her placing
his penis between her lubricated breasts as she
holds them together creating a pleasing
“titty” tunnel of tightness.
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1 Checking the Oil

The man stands leaning on a table.The
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woman approaches him from behind,
279 caressing his buttocks with her lubricated
hands while she masturbates him.
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28
Sex Bible
Page:278

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Section Seven:
Advanced
Positions
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129
Bumper Cars
The man lies on his side and folds
his top leg over her left leg. She
leans back on her arms while he
enters her, interlocked and colliding
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RAY
at a new angle.

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130 Back in
the Saddle
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stomach.The man pene-
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trates her from behind,
deliciously stroking her
back. She lifts up her
buttocks to meet him.
Advanced Positions • 285

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131 The Plow

From The Tango (83), the woman wraps both legs
around the man. She then arches backward and
reaches and rests her hands on the floor. He con-
tinues thrusting until he plants his seed.
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132 My Door Is
Always Open
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Man braces himself face up between a
doorway, his back on one side and his feet on
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the opposite side.The woman straddles him
leaning against the same side as his feet
while he knocks pleasurably on her door.

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133 The Nexus

The man kneels on the floor, sitting on his feet with
his arms behind him on the floor for support.
The woman approaches with the same leg position
while he enters her. She leans back on her arms,
allowing each of them to thrust back and forth.
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1
Elephants on Parade
While in the Baby Elephant (72), the woman
RAY(Text)
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twists on her side, throwing her leg over the man.

He finds his way deep inside of her.

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134
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135 Table Saw

The woman holds herself horizontal,
her right arm on floor, her right leg
resting on a chair. Her left leg points to
the ceiling while the man supports her
back with his hands as he precisely
guides himself to his mark.
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RAY

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136 Queen of the World

While balanced in the Tug of War position (97),
the woman turns 180 degrees to face outward on
the man’s lap. He holds her arms while she
stretches outward, calling forth favorable winds.
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ebooks ==>
PM Page 299
137 Fantasy
City
In Straight-Edge Sex A
RAY(Text)
(1) the addition of a
chair acts as a barrier
RAY
between the lovers. As
the man rests his arms
on the chair, he enters
her at a 45-degree
angle, giving them both
a new perspective.

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138 The Dinner Party

The woman lies on her back on a table, her
leg resting on a chair or stool.The man
stands at the edge of the table, straddling
her leg and entering her as he leans over to
sample her treats.
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RAY

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139 The Kissing Lotus

Moving from The Crab (17), the man intertwines
RAY(Text)
his legs with hers.They are now kissing distance
while they make love.
RAY

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140 The Sheath

A reclining variation on the standing
Hoover (87).The man seats himself while
inside his lover. She drapes herself over his
lap and pushes up against the floor. Not
for the weak of tricep.
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141 Members Only

Entrance
The man leans against a doorpost and
invites the woman to climb aboard. She
straddles him holding on to his neck, and
he braces himself for the ride.
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142 Lean on Me
The woman leans back against the wall.The man
faces the woman standing in between her legs.
RAY(Text)
The woman captures her lover’s weight while he
dips and raises himself in and out of her.
RAY

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143 The Consolation

The classic doggy-style with equipment.
The woman lies face down on a chair and
the man enters her from behind. Great for
G-spot stimulation. Don’t forget the pillow
for the knees!
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144 The Lady Godiva

Using a rocking chair or the edge of the
bed, the woman sits on her lover’s lap
RAY(Text)
facing away from him and pulls his legs
up between hers.They let the motion of
RAY
the chair rock them to climax.

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145 The Bare Hug

Like the Sitting Body Wrap (75), the woman sits on the
man’s lap pressing her body against his.
This position allows her to control the movement by
pushing her feet downward on the chair.
RAY(Text)
RAY

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146 Cupid’s Bow

Starting from Come Sit on My Lap
(98), the man stands supporting the woman at a
right angle at hip level. Her legs are folded
against him. He grasps her hands tightly to keep
her safe. Only for the agile in mind and body.
RAY(Text)
RAY

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147 Tight Quarters

The woman kneels across an armless
chair, her hands on one side, her
RAY(Text)
knees on the other. The man
penetrates deeply from behind.
RAY

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148 I’ve Found My Niche

The woman leans face-first into a door jam.The man
leans back against the opposite side, his feet braced
where she’s leaning. He straddles her right leg.Her
left leg is bent and rests on his left leg.
RAY(Text)
RAY

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RAY

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149 The Long

and Deep of It
The woman lies facedown on a rocking chair with
knees on the floor.The man enters her from behind
as he holds one leg up. Deep penetration for him,
increased clitoral stimulation for her.
RAY(Text)
RAY

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RAY

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150 Into Each, His Own

The couple is interlocked with the woman lying
RAY(Text)
across a footstool and a bed.With her arms
free, the woman can fondle the man’s testicles
as she stimulates her clitoris as well.
RAY

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151 The Door Jam

Propped against the door jam like My Door
Is Always Open (132), this time the woman
faces her lover, allowing them to kiss as she
presses into him. His solid stance gives her
freedom of movement.
RAY(Text)
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152 Climbing the Walls

From The Door Jam (151) she climbs
RAY(Text)
aboard, her feet against the wall as he
supports her weight. He can move deeply
RAY
inside her as she clings to him.

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RAY(Text)
RAY

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153 Synchronized
Deep Diving
RAY(Text)
From The Long and Deep of It (149),
he raises her leg higher, supporting it
RAY
on his bent right knee.The bed acts
as a buffer and he can thrust even
deeper into her.

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154 Long Night,

Full Moon
Woman leans in a rocking chair, her butt on
the edge of the chair, her feet on the floor.
He lies across her body, supporting himself on
his elbows. Her free hands can caress his legs,
buttocks, and testicles.
RAY(Text)
RAY

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4
RAY(Text)
RAY

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1
RAY(Text)
RAY

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155 Spreading
Some Joy
RAY(Text)
She is on her back. He kneels and enters
her, holding a firm group on her ankles.
RAY
Her legs are wide open, giving him a
clear view of her genitals as he watches
himself move in and out.

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156 Deep Satisfaction

The woman does a modified headstand, careful
to support her neck and head with her hands.
She leans over to give her man full access to her
as he holds her steady and enters her from
behind. She can’t see what he’ll do, leaving her
with just the sensation of his thrusting.
RAY(Text)
RAY

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RAY(Text)
RAY

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157 Surfing the Wave

The man lies down faceup. His lover lowers
herself sideways on him. Both have a hand
free and easy access to rubbing her clitoris.
RAY(Text)
RAY

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RAY(Text)
RAY

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158 Leapfrog
A simple hop into her lover’s lap offers
the woman an opportunity for G-spot
activation. She controls the movements
while he massages her back.
RAY(Text)
RAY

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RAY(Text)
RAY

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159 Blooming Lotus

From The Kissing Lotus (139), the couple
spread their bodies apart, leaning back on
their hands.This position allows the point of
penetration to be lower down, conferring
new sensations with each movement.
RAY(Text)
RAY

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RAY(Text)
RAY

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160 Speaking
in Tongues
He lies on his back on the bed.The woman
squats over her lover’s face, resting on his
knees with her hands. He kisses her genitals
while she moves back and forth, helping
her to orgasm.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY 224-351_00684.qxd 12/17/07 1:27 PM Page 346

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161 The Nail-Gun

He stands on the floor facing the bed, knees
RAY(Text)
slightly bent. She leans on the bed as he
holds her by the hips, her legs straddling him.
RAY
Her knees are bent behind him, her heels on
his upper back. He finds his target each time.

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RAY(Text)
RAY

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162 Praying Mantis

The man is on his back on the bed with his legs
RAY(Text)
up and knees bent.The woman crouches on top
of him. She squats to meet his penis as it
RAY
disappears inside of her.

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RAY(Text)
RAY

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163 Lowered Inhibition
RAY(Text)
The man assumes the yoga bridge position.
The woman lowers herself onto him, leaning
RAY
against his hips. She can bounce up and down
using her legs as leverage.

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Meet Me in the Middle

Moving from Lowered Inhibition (163), the woman faces the opposite
direction from the man and assumes a modified yoga cobra position.
1
RAY(Text)
RAY
They are joined only in the middle, creating a large X with their bodies.

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RAY (Text)
Sex Bible
Page:352
164 Advanced Positions • 353

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RAY

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165 Studying Geometry

She lies on the bed near the edge on her side with
RAY(Text)
one leg on the floor. He straddles her bottom leg,
holding her top leg up and against his body.
RAY
He pushes into her at a whole new angle.

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166 Behind the Scenes

The man enters from the rear as she kneels on
a footstool, leaning against a table or chair. He
uses one hand to caress her buttocks as his
other moves her back and forth.
RAY(Text)
RAY

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RAY (Text)

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 358

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167 Hopping the Fence

The man is at the edge of the bed so his lover
RAY(Text)
can hop aboard.With her legs spread, she has
access to both her own parts and his.
RAY

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168 I Saved
Your Seat
Difficult but worthwhile,
the woman leans back and
provides a place for her
lover to “sit.” He enters her
while supporting himself
with his arms on the floor.
An unforgettable position.
RAY(Text)
RAY

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RAY(Text)
RAY

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169
Upside Down
You Turn Me
She lies on the bed on her
back, her legs together and
raised toward the ceiling.
He faces the opposite
direction, backing into her,
his legs straddling her body.
She pulls him in closer and
he rocks back and forth on
his elbows.
RAY(Text)
RAY

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RAY

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RAY (Text)
Section Eight:
At the Office
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RAY(Text)
RAY

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170
RAY(Text)
RAY
The Corporate
Merger
She’s in the seat of power, asking him to join
her company. He leans back against the desk,
their bodies merged as one. His hands are free
to provide extra service.
At the Office • 367

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 368

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171 The Motivator

The Hoover (87) with a little office support. His but-
tocks and her legs are supported by the table. He gives
RAY(Text)
a taste of her year-end bonus.
RAY

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RAY(Text)
RAY

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172 Working Your

Way Up
RAY(Text)
(or Let’s See Who’s Boss)
She’s on his lap one minute, the next he pushes her
RAY
over. Holding on around his neck, she allows him to
continue thrusting with increased leverage.

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173 Out of the Box

The woman goes into a modified yoga
shoulder stand, while the man takes
advantage of her openness. He gently
offers a new way of looking at things.
RAY(Text)
RAY

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RAY

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RAY

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174 Power Broker

She sends the profit line straight up as she straddles
RAY(Text)
her lover. He supports himself while he lets her ride
the momentum.
RAY

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175 Giving Her a Raise

After he claims her on the bed, the woman is raised
up and fully supported. Her feet are wrapped around
her lover’s head.They use their arms to come closer.
RAY(Text)
RAY

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RAY

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 378

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176
Entry-Level Position RAY(Text)
RAY
While engaging in sex in the classic missionary position, the
woman stimulates the man’s hind parts.This double-entry
position provides bonus pleasure for both lovers.

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RAY(Text)
RAY

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177 Loving Takeover

The woman takes charge, crouching over her
lover’s body. In this position, the vagina is fully
RAY(Text)
open, allowing for deeper penetration. She can
take over her own pleasuring by rubbing
RAY
herself against her lover as she moves.

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178 Climbing the Ladder

Climbing on a chair, and each other, the couple
engage in rear penetration. Be careful not to tip
over as you make your way to the top.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 384

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179 Behind on Work
RAY(Text)
Using a desk and chair, the woman leans
forward onto the desk.The man straddles
RAY
the chair, and gets to work from behind.
Recommended for after-hours catch-up only.

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180
Flex Benefits
Because the woman is
bridging between the chair
and the bed, she is free to be
flexible with how her lover
enters her. He can drape
one leg over her and twist
himself to make it work.
RAY(Text)
RAY

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RAY(Text)
RAY

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181 Double Shift

He enters her from behind while leaning back
against a wall. She brings his hands around to
her clitoris, instructing him in the best way to
pleasure her.They can time their orgasms to
clock out at the end of their shift.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY

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182 The Profit Share

The woman is supported by her lover, while
RAY(Text)
she wraps herself around him. She uses a
footstool to rest her feet, relieving the man
RAY
of some of his supporting duties.The
footstool helps the lovers merge.

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Take a
Letter Please
The man is on the edge of his chair, leaning
back, feet braced against the desk.The woman
backs into him while pushing against the desk.
183
RAY(Text)
RAY

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Sex Bible
Page:392
#175 (P) Dtp: 177 Page:393
RAY
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1
RAY(Text)
RAY

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184 Sharing
Your Assets
RAY(Text)
Another opportunity for a
complete merger.The chair
RAY
lifts her off the ground to
meet her lover’s body as
they share their pleasure.

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185 Squeeze Me In
The woman curls up in a ball on the desk,
facedown.The man casually walks up and
lets himself in.
RAY(Text)
RAY

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RAY

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186 The Ruthless

Negotiator
The woman lies back on a footstool,
legs in the air. She leaves the man no
choice but to make a counteroffer.
RAY(Text)
RAY

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RAY

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RAY

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187 Appealing to Your

Target Market
RAY(Text)
Right on target, the couple converge.With the woman
crouching, she can press against her lover bringing his
RAY
mouth to her.They have one goal in mind.

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188 Better Than

Phone Sex
She sits on the edge of the desk leaning
back on her arms. He stands before her and
enters her while caressing her breasts.
RAY(Text)
RAY

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RAY

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189 Tight Schedule

Even with a heavy deadline, there’s time
for a quickie. She leans forward on the
desk, her buttocks thrust out, one leg
raised, giving him easy access to the
break in her schedule.
RAY(Text)
RAY

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RAY

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190 Getting the Memo

Classic, but still exciting. He’s in his chair.
She’s under the desk, bringing the project to
its climactic conclusion.
RAY(Text)
RAY

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RAY

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Toys
RAY(Text)
RAY
Section Nine:

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RAY

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 410

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191 Rough Rider

While enjoying See Spot Come (7), the man uses
RAY(Text)
anal beads to help take her for a wild ride.When
she is ready, he gently inserts the beads one at a
RAY
time, using a lubricant if needed. As she is cli-
maxing, he slowly removes the beads, intensifying
the experience.
Toys • 411

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192 Performance Art

Better than canvas, the lovers paint
strokes of pleasure onto each other
using body paint and their moans to
guide their inspiration.
RAY(Text)
RAY

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RAY

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RAY(Text)
RAY 352-429_00684.qxd 12/17/07 1:30 PM Page 414

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193 Smear Tactics

He enters her from behind, drawing sensuous
RAY(Text)
patterns with body paint where she cannot
see. He leaves his mark inside and out.
RAY
Toys • 415

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RAY(Text)
RAY

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194 Prisoner of Love

His passion (and handcuffs) keep the woman
RAY(Text)
available to her lover’s every whim. He chooses
to take her from behind, holding her firmly,
RAY
telling her he’s in charge.
Toys • 417

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195
RAY(Text)
RAY

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RAY(Text)
5
Sex Bible
Page:418
Love Slave
(or the Benevolent Dictator)
Power has its privileges and responsibilities.The helpless
woman, tied to the bed with love and ropes accepts her lover’s
munificence as he shows his appreciation for her loyalty.
Toys • 419

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RAY
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RAY

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196 Impaled Passion
RAY(Text)
The suction-cup dildo stays in place on the table as the
woman moves up and down on it. Ah, the wonders of
RAY
science. She presses close against her lover allowing his
living equipment to rub against her. He adds to the mix
by caressing her breasts.
Toys • 421

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197
Working Every Angle
She’s draped over an ottoman. He uses a
vibrator to tease and touch her vagina and
clitoris. He uses a hand to tickle her anus.
She grabs at the floor in pleasure.
RAY(Text)
RAY

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RAY(Text)
RAY

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198 Trapped
Bumblebee
A pair of tight panties holds a vibrator
snuggly in just the right spot.The man can
then make the other parts of the woman’s
body buzz with his mouth and hands.
RAY(Text)
RAY

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RAY

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RAY

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199 Fire and Ice

The ice is cool, his mouth is hot. He alternates
RAY(Text)
using both on his lover’s nipples. She closes her
eyes.Which will it be—fire or ice?
RAY
Toys • 427

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RAY

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200 The Earthquake

(Butterfly on a Pin)
RAY(Text)
The man kneels on the bed. His lover squats in front
of him. He holds tightly on a vibrator, allowing her to
lower herself onto the moving earth.
RAY
Toys • 429

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Section Ten:
Advanced Foreplay
RAY(Text)
RAY
and Oral Sex

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RAY
y

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RAY

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201 The Classic

Sitting down, the man is pleasured orally
RAY (Text)
by the woman, who kneels before him.
He is able to enjoy the view from this
position of power. His hands are free to
caress her head, but this position is
focused on him.
Advanced Foreplay and Oral Sex • 433

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2
RAY

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202 Eating In
Allowing the woman full control, the man lies
RAY (Text)
on the bed with his head over the edge. She sits
spread above him and straddles his face as he
explores her most delicate parts with his lips
and tongue, bringing her to climax.

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RAY

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203 Stand and Deliver

He stands behind the chair, and asks,“Yes?”
RAY (Text)
Wearing a blindfold, she kneels beside the chair
and leans over it, clasping the side of the seat
with both hands and elbows at her side. She
replies,“Yes.” He rests one hand on her back,
holding her securely in place as he firmly slaps
her buttocks before gently tickling her anus.

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204 Nose to the

Grindstone
RAY (Text)
Still blindfolded, she kneels on the floor and sits
on her feet with her hands tied securely behind
her back. Holding her shoulder, he bends his
knees slightly and guides her head to lick and
suck his testicles and penis.

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205 Take It Sitting Down

The woman sits before the man and pleasures him
with her mouth. More comfortable for the giver than
the typical kneeling position, the man receiving fellatio
here will appreciate his partner’s added attention as
he is penetrated anally.
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RAY

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206
The Happy Puppy
The woman lies on her back and the man kneels on top of her, doggie
RAY(Text)
RAY
style. She is given a full view of him as she takes him into her mouth,
leaving a hand free to massage his testicles or finger his anus.

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207 The Ben Dover
RAY (Text)
As the man bends over, he opens himself
up for her tongue to stimulate his anus.
She uses her free hands to touch his
penis, giving him two pleasures for the
price of one.

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208 The Circle of
RAY (Text)
Pleasure
The woman lies on the floor and is lifted by the man,
who bends slightly over her to pleasure her with his
tongue. She is able to return the favor by touching
him with her two free hands.

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209 Kiss My . . .
As the woman stands with her bottom slightly out, the man
sits and pleasures her with his mouth. She can keep her
hands on the back of his head, and control the depth of his
tongue. From this position, the woman can fantasize that
anyone, including her partner, is behind her, making her come.
RAY(Text)
RAY

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RAY

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210 The Elevator
RAY (Text)
She raises her legs and balances on her shoulders
as he bends down to perform cunnilingus on her,
supporting her back and stomach.This can easily be
modified for multi-partner sex, but we’ll leave that
to your imagination.

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211 The Landscape of

Two Mountains
The man lies on his back with knees bent as the
woman straddles his face, leaning her weight on his
chest. He proceeds to provide oral sex while lifting
her up with his hands on her behind, giving himself
room to breathe.
RAY(Text)
RAY

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212 The
Curled 69
The man and woman
perform oral sex on each
other simultaneously, but
curl into a tucked
position to create a
tighter, more intimate
position as they cradle
each other into orgasm.
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RAY

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213 Slap and Tickle

The man sits in a chair with the woman standing
RAY (Text)
beside him. She stretches herself over his lap,
supporting herself on her hands and the tips of her
toes. He holds her by pressing the lower half of his
arm to keep her firmly in place, while he spanks
and strokes her buttocks, making her bottom red,
tingly, and hot.

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214 Oh, Adam,
RAY (Text)
What an Apple
The man lies face up so that his head is at or
near the edge of the bed; the woman straddles
his face, keeping her feet on the floor and lowers
her vagina to his mouth. He can use his hands to
stimulate her clit and her anus.

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215 Give Him

a Hand
The reversal of the Slap and Tickle, the man
extends himself over the lap of his partner and
is spanked repeatedly, turning his bottom a
pleasurable shade of apple red.
RAY(Text)
RAY

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216 O Marks the Spot
RAY (Text)
He leans on the edge of the bed and straddles
his partner, who is bent before him. He licks
her anus and fingers her clitoris and nipples,
stimulating several erogenous zones at once to
create a powerful orgasm.

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217 Mistress May I?

Blindfolded, the man crouches on the floor
with his hands secured around him with his
tie. The woman stands before him and, cup-
ping her hands around his head, guides his
mouth to her nether regions and instructs
him to do precisely what she desires.
RAY(Text)
RAY

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RAY

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218 The Sack of

Potatoes
As the man lifts the woman by her hip and
turns her slightly, she stimulates his penis
with one hand, while caressing his body
with the other.
RAY(Text)
RAY

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RAY (Text)
Section Eleven:
Taking It to
Another Level

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219 The Cradle

While in the missionary
RAY (Text)
position, the man brings his
legs up to cradle his partner,
as he slowly kisses her
breasts, creating a sensual
and intimate moment for
the two.
Taking It to Another Level • 471

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220 Hammocking
Squatting to form a chair, the man takes the woman onto his
lap, rocking back and forth on the balls of his feet.The woman
might want to take control and rock—letting their bodies fall
where they may.
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Salted or Unsalted?
The man spreads his legs horizontally and enters the
woman, who opens her legs in the opposite direction.
She leans back and grasps his leg for support as she
orgasms in this delicious pretzel of pleasure.
RAY(Text)
RAY

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221
RAY(Text)
RAY

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222 Learning to Walk

She lies on her back on the bed with her feet
resting on the floor. He straddles her, facing away
from her and enters her upside-down and hanging off
the bed, using his arms for balance. She wraps her
left leg around his back and to his right shoulder.
RAY(Text)
RAY

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2
The Golden Eagle
She lies facedown on the bed with one leg
perpendicular to the edge of the bed and the
other hanging off. He stands beside the bed
and straddles her hanging leg, entering her;
she raises her hanging leg to go between his
legs and rub against his testicles.
RAY(Text)
RAY

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RAY

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Crossing the River
The man enters the woman from behind, arching his back and allowing her to
imagine her deepest fantasies. He supports her with his leg, and the couple
creates a bridge to paradise.
RAY(Text)
RAY

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RAY

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The
Carriage
House
She gets down on all
fours, allowing him to
kneel down and enter her
from below. He now leans
back and watches as she
slides back and forth.
225
RAY(Text)
RAY

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226 Catch You on

the Flip Side
He lies face up on the bed, and facing away
from him, she straddles him, bending her
knees behind her, leaning back on her hands
and sliding down to mount him. He loosely
grazes his hands around her hips, helping
her to pace her strokes.
RAY(Text)
RAY

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RAY

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7 The Intertwined Links

Lying on their sides, head to toe, the couple merge
their private parts. She may now kiss his feet or
massage his testicles, while he should feel free to
caress her buttocks and thighs.
RAY (Text)

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Chain
Me Up
Lying on the floor with
his legs in a V, the man
enters the woman anally
while she bridges over
him, creating a chain link.
This position requires
effort, but is well worth it.
228
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RAY

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RAY

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229 Shucking the Oyster

She rests her legs on the chair while keeping her
RAY (Text)
weight on her arms as he enters her from behind and
caresses her body with his hands.

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230 Under Wraps

The man sits on a chair and wraps his legs
around his partner’s waist, as she supports him
from below. She takes the lead and decides when
and how deep to thrust.
RAY(Text)
RAY

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RAY

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RAY

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231 The Kitchen Sink

She sits on his lap and balances herself with her
RAY (Text)
hands on his thighs, squeezing as she orgasms. He
is free to watch himself penetrate, as she spreads
her legs over his shoulders.

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232 Rock-a-Bye Baby

As he sits on a chair, she straddles him and leans for-
ward as they clasp hands for support. If he is on a
rocking chair, he might rock slowly, while he is afforded
a beautiful view of her from behind, and she
is rewarded with a feeling of flying.
RAY(Text)
RAY

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233 The Curling Iron

The woman rests her torso on a rocking
chair, and he enters her perpendicularly
as she curls her legs around him. She can
easily stimulate her clitoris, and he is
free to stroke her whole body.
RAY(Text)
RAY

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234 Like a Cat
RAY (Text)
He lies on the bed on his back, and she straddles him
facing his feet, with her back arched. He rubs ice on
her buttocks and back, cooling her kittenish heat.

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235 On the Road

He bridges on his shoulders as she squats
above him, grabbing one of his calves and
pulling it forward, controlling his movement
with as much precision as she would
handle a standard shift automobile.
RAY(Text)
RAY

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RAY

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236 The Whoopie
RAY (Text)
Cushion
Grasping the back of the chair, the man lifts
himself up and balances on the seat on the
balls of his feet, entering the woman, who
stands before him, from behind. She holds the
legs of the chair for extra support and balance.

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237 Sailor’s Knots

The man sits in a rocking chair as the woman
leans down opposite him, raising her legs to
rest behind his head. He rocks them back and
forth while penetrating.This position can be
reversed, and the woman is free to stimulate
the man’s prostate while taking the lead.
RAY(Text)
RAY

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238 The Cancan Dancer

The woman raises one leg and rests it on the chair
while she is penetrated from behind. Her hands are
free to grab his thighs to pull him deeper into her,
and his are free to caress her body.
RAY(Text)
RAY

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RAY

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239 The Venus

Flytrap
The man lies back on an ottoman, lifting
his bent legs, and takes the woman onto
himself as she leans back into him. She can
grasp onto his legs and caress his feet to
increase his sensations.
RAY(Text)
RAY

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240 The Homestretch

Resting his head on the chair, the man supports
himself with his hands, and enters the woman,
who holds her legs back and open as far as
they’ll go while lying on the ottoman.This
stretch is a good preparation for the
Three-Chair Double Squat (241).
RAY(Text)
RAY

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241 The Three-Chair

Double Squat
The woman squats between the man’s legs,
which he has spread open and supported by
a chair each, as he leans back on the
ottoman, supporting himself with his hands.
RAY(Text)
RAY

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242 Doing Cartwheels

The man lies on his back and lifts his legs in a
split.The woman then sits between his legs,
allowing him to enter her. From this position, she
is able to control every movement.
RAY(Text)
RAY

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243 The Headstand

of Pleasure
As the woman lies on the floor,
the man lifts her so that she is parallel to him,
supporting herself with her shoulders.They grasp
behind each other’s knees, an erogenous zone,
and support each other this way.
RAY(Text)
RAY

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RAY

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244 Pole Vaulting

The man lifts the woman sideways and enters
her as she supports herself with her arms.
He grasps her by the thighs and behind, so as
to make her feel secure as well as pleasured.
RAY(Text)
RAY

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Springing
As he crouches and lifts her legs and torso,
she balances herself with her hand behind
her head.With her free hand, she can touch
herself, providing herself some pleasure and
him a show, as he penetrates.
245
RAY(Text)
RAY

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246 The Plow and Hoe

As the man lifts her legs around him, the woman
supports herself with her two arms, bridging back
in ecstasy. Here he controls the pressure and timing
of the thrust as she balances back and enjoys.
RAY(Text)
RAY

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RAY

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RAY(Text)
RAY

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247 Roll Your Rs
RAY(Text)
The woman balances on her hands as she
leans against the man, putting her feet on his
RAY
shoulders. He grabs her behind, supporting her
while providing a pleasurable massage to her
bottom, as she roars with rapture.

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2
That’s a Wrap
Curled up on the floor, the man enters the woman wrapped up in
passion and cradling each other in an intimate and trusting position.
The man is free to stimulate the woman’s anus orally.
RAY(Text)
RAY

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248
RAY(Text)
RAY

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Mountain’s
Majesty
Facing opposite each other, the man
penetrates the woman from behind
and both raise their legs and
bottoms to create a mountain of bliss.
2
RAY(Text)
RAY

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249
RAY(Text)
RAY

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250 Crisscross
Apple Sauce
He lies on the floor, legs crossed,
and she sits on top of him, crossing
her legs and stroking his face.The
pressure that comes from her
crossed legs is sure to give him
intense and tight pleasure.
RAY(Text)
RAY

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RAY(Text)
RAY

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251 Welcome Home

The man kneels and the woman crouches
as she hugs him and he enters her. A highly
intimate position, both partners’ hands are
free to explore various erogenous zones.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY

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252 Ice Hot

The woman bends in front of the man,
RAY(Text)
who enters her from behind, controlling
the rhythm of the act. At just the right
RAY
moment, he places an ice cube to roam
down her back, cooling her heated body.

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253 What’s for

Dessert?
The woman lies on her back
and takes the man, who sits
between her legs. He holds
her torso to maintain a
steady thrusting rhythm,
while licking chocolate paint
from her nipples.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY
Sole-ful
During missionary-style intercourse, the
woman strives to connect her feet with her
partner’s. Tilting her pelvis up as she reaches
his feet will create more clitoral contact and a
spectacular explosion of an orgasm.

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255 Stiletto
High-Rise
Wearing stilettos, she faces the wall, bracing her
hands against it.With her added height, he can easily
enter her from behind while fingering her anus.
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256 See You Later

The woman lies on her back and raises
her legs as the man sits facing the same
direction and enters her. This leaves him
open to fantasies, and renders her capable
of scratching or rubbing his back.
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RAY

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257
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The Great Plains
The man enters the woman facing opposite her as
her leg is bent to provide ample space for him. He
is free to stimulate her feet and enter deeper than
ever before, while she can anally stimulate him.

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258 For Your Thighs Only
RAY(Text)
She bonds herself onto his penis and faces
sideways and forward so that her clitoris rubs
RAY
against his raised thigh, creating sizzling friction
and an exciting climax.

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259
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RAY
Sandy Dunes
As he lies on his back, she faces opposite him and lowers herself onto
him. From here, each partner might fantasize about anyone, as well as
caress other areas of the body with free hands.

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260
Sail Away
She lies on her stomach, and he enters her
from behind, lifting her leg to meet his back,
allowing for deeper penetration and sending
them on a voyage of titanic pleasure.
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RAY

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0
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261 The T-Bone

The kneeling man lifts the woman’s hips as she lies on the
bed in front of him. He enters her from behind, using his free
hand to stimulate her clitoris, creating a tender, juicy orgasm,
cooked to perfection.
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RAY

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262 Rolling Hills
RAY(Text)
The man sits in the center of the bed, leaning back
on a large cushion with his legs slightly open and his
RAY
knees bent.The woman lies in the man’s lap with her
knees falling over his shoulders and her hands gripping
his upper arms. He enters her, clasping her waist and
rocking their bodies back and forth.

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Ready, Set, Go!

The woman crouches on all fours before
the man who is seated on the ottoman.
He penetrates from behind, leaning back
RAY(Text)
to give her the full length of himself.
Sex Bible
Page:558
263 Taking It to Another Level • 559

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The Black Spider

He lies on his back near the edge of the bed
and swings his open legs up in the air. Facing
away from him, she crouches on her hands
and knees on the bed and leans back until
their butts are touching.Then she pushes her
elbows off the bed until her arms are fully
extended and hangs one leg down off the
side of the bed. He positions his penis to
enter her and then fingers her clit.
264
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4
Sex Bible
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265 The Intimate

Hip Grasp
Kneeling on a kitchen chair, the couple can be
adventurous in their setting, but maintain an
intimacy as he enters her from behind and holds
her hips close to his. He is also free to fondle
her breasts and stimulate her clitoris.
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RAY

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266 Fighter Planes

She lies faceup and parallel to the edge of
the bed, with her arms by her sides; he lifts
her legs up until they are at a 45-degree
angle to her body; then he enters her so that
he is perpendicular to her body, supporting
his weight with one foot and one arm and
raising the others as if flying.
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RAY

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RAY

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267 Riding into
RAY(Text)
the Sunset
The man lies on his back on the bed and
RAY
pushes his bottom up off the bed (like an old-
fashioned bicycle exercise) and lifts his legs,
bringing his knees toward his chest. She
straddles his body and slides down onto his
erect penis. She then bends and straightens
her knees, controlling the thrusts.

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268 The Alligator
RAY(Text)
She lies on bed with her top half hanging off
facing the floor, using her hands on the floor to
RAY
support her. He enters her anally and holds his
upper half off of her so that their top halves
are at a 90-degree angle.

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RAY

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Linking Logs
He lies on his side on the bed with his
legs hanging off; she straddles his legs
RAY(Text)
with her top half hanging off the bed and
269
her arms out for support.
RAY

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The Most
Beautiful Flower
He sits on the bed slightly away from edge, and she sits
on him and slides herself onto his penis. She wraps legs
around his bottom, and he holds her by the forearms as
she relaxes and reclines almost to the floor, and he pulls
RAY(Text)
RAY
her toward him and slowly lets her fall away.

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270
RAY(Text)
RAY

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271 The Contortionist

She starts on all fours and proceeds to rest
on her shoulder and head.The man squats
above her, penetrating her well-lubed anus
and using her as a seat in this unusual and
unusually pleasing position.
RAY(Text)
RAY

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RAY

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RAY

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The Cricket
He lies on his back on the bed
with knees bent and to the
side; she lies on top of him
with her back to him, and he
holds her legs spread open and
penetrates from behind. He is
able to squeeze her legs closed
272
for a tighter fit.
RAY(Text)
RAY

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273 Flambé
He lies on his back on the bed and holds his left leg up
and out in contact with her right hip; she kneels in
between his legs and rides him while both garnish each
other with chocolate body paint.
RAY(Text)
RAY

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RAY

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274 Hottest Snow
RAY(Text)
The man lies on his back on the bed;
the woman straddles and sits on his penis,
RAY
her legs bent under her.They massage
each other with ice cubes to quench their
fiery passion for just a moment.

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RAY(Text)
RAY

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275 Vroom, Vroom

As his lover lies facedown on the bed, the man
RAY(Text)
should penetrate her while standing behind her,
and lift her by the hips as she grasps onto his
RAY
arms for support as she orgasms in the air.

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Section Twelve:
Advanced Toys
RAY(Text)
RAY

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RAY

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276
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RAY

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RAY(Text)
RAY
From Both Sides Now
Lying on the edge of the bed, the man takes the
woman on top of him and uses a toy to anally
penetrate her as he enters her vaginally.

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277 Good Vibrations

She sits on edge of bed with a dildo; he
bends forward, resting his hands on his
knees. She penetrates with the dildo and
perhaps stimulates his penis manually.
RAY(Text)
RAY

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RAY(Text)
RAY

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278 Hugging the Pole

The woman lies on her right side on the
bed and pulls one leg up into the air (like a
half-split); man kneels in front of her and
rubs his penis against her raised leg, and
she rests her leg on his shoulder; he inserts
a dildo into her and strokes both.
RAY(Text)
RAY

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RAY

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279 Missile
Launcher
A quick move from Fighter
Planes (266), the woman
uses her left hand to
insert an anal plug,
allowing him to feel
weightless and grounded
at the same moment.
RAY(Text)
RAY

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RAY

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RAY

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280 The
RAY(Text)
Impaled
Seesaw
RAY
The man leans back on
his knees and enters his
lover anally, as she inserts
her string of pearls and
stimulates her clitoris.
He supports himself on
his fists and pulls the toy
out slowly as they climax.
Advanced Toys • 595

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RAY(Text)
RAY

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281 Pulling the Plug
RAY(Text)
A quick movement from Under Wraps
(230), here the man flips the woman onto
RAY
her stomach, and uses a toy to doubly
penetrate her, adding to the sensual
experience for both of them.

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282 Watch Out Behind You

Resting one lifted leg on the chair, the woman opens
herself up for deep penetration with a toy.The man is
free to move all around her, creating immense pleasure
without having to remain stationary.
RAY(Text)
RAY

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RAY

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283 Acrobatics
The woman sits on a chair with the man
lying below her. He brings her to orgasm
using toys and his fingers, and she is free
to watch from above. Her hands are
loose to support her, or assist him by
stimulating herself.
RAY(Text)
RAY

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RAY

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RAY

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284 The Gladiator’s Torch
RAY(Text)
Moving from The Circle of Pleasure (208),
the man enters the woman with a toy, leaving his
RAY
mouth free to kiss up and down her legs, as he
continues supporting her torso.

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Magna Cum Laude
She lies face up on bed with her head hanging
off edge. He kneels at edge of bed facing her.
She sucks his penis while he stimulates her
nether regions with a vibrator.
RAY(Text)
RAY

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285
RAY(Text)
RAY

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Section Thirteen:
Swing Time!
RAY(Text)
RAY

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RAY(Text)
RAY

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286 The Shrieking

Monkey
Practically weightless, the woman goes
bananas as she swings freely back and forth
onto her lover’s tongue. He can alternate
between manual and oral stimulation until she
is shrieking with orgasm.
RAY(Text)
RAY

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RAY(Text)
RAY

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287 Sweet Chariot

The man stands while the woman crouches in
the swing in front of him.This allows for deep
penetration and a combination of bouncing and
thrusting, all of which the man can enjoy without
the overexertion related to lifting his partner.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY(Text)
RAY

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288 Get Sprung
RAY(Text)
The woman sticks out her gorgeous behind,
and is anally or vaginally penetrated from
RAY
behind while the man stands, able to grip any
part of her or the swing itself. As in Sweet
Chariot (287), each can fully enjoy bouncing
and thrusting without worry of strain.
Swing Time • 613

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289 The Rocking

Cradle
As the man sits in the swing, the woman
lowers herself onto him, feeling every long
inch of him in all new places as each leans
back and rock gently, suspended and
weightless.
RAY(Text)
RAY

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RAY(Text)
RAY

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RAY

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290 Dinner for Two
RAY(Text)
With no worries of smothering the bottom
partner, the couple engages in mutually
RAY
beneficial oral sex.They bring each other to
climax while swaying gently, enjoying the
feel of air all over their bodies.
Swing Time • 617

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RAY(Text)
RAY

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291 Dinner for One
RAY(Text)
The woman arches her back in comfortable
ecstasy, using her arms to control her pleasure
RAY
level.The man crouches with his partner’s feet
planted on the floor or her legs draped over his
shoulders, enjoying his meal.
Swing Time • 619

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Checklist
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RAY

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Checklist
This handy checklist is useful in many ways. Not only does it give you a thumbnail
visual of each position for quick reference, but it also allows you to keep track of the
positions as you enjoy them. Or, be creative and make icons for your favorite positons,
easy positions, and positions that will take some yoga classes to master!
1 Straight-Edge Sex A 5 Pig in a Blanket 9 Inner Awakening 13 Jackknifed Splits
2 Foot Rub with Rhythm 6 The Penitent Forgiven 10 Scissors 14 Lateral Jackknifed Splits
3 Straight-Edge Sex B 7 The Awakening 11 Splitting of a Bamboo 15 Climbing Ivy

RAY(Text)
RAY
4 Always by Your Side 8 The Piked Awakening 12 Hammerhead 16 Inverted Wheelbarrow

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17 The Crab 22 Side-to-Side Press 27 Lateral Kneel and Extend 32 Pelvic Lap Dance
18 The Wrapped Crab 23 Half Lotus 28 Kneel and Push Back 33 Locked Lap Dance
RAY(Text)
19 The Open Crab 24 Full Lotus 29 Side-to-Side Kneel and Extend 34 Kama’s Wheel
RAY
20 The Press 25 Wife of Indra 30 Surf’s Up 35 Reclining Kama’s Wheel
21 The Bicycle 26 Kneel and Extend 31 Pelvic Thrust 36 Snake Trap
623

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37 Full Reclining Snake Trap 42 Pair of Tongs 47 Stretched Spoon-on-Spoon 52 Will You Do Me?
38 The Neverending Hug 43 The Spinner 48 Sliding Into Home 53 CrouchingTiger,Hidden Passion
39 Paired Feet 44 Back to Meditating 49 The Recliner 54 Let Us Pray
40 “X” Marks the Spot 45 The Pin 50 The Wrap Around 55 The Body Hug
RAY(Text)
RAY
41 The Mare’s Trick 46 Spoon-on-Spoon 51 The Bucking Bronco 56 Flexed Body Hug

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57 Reclining Body Hug 62 Inverted Headlock 67 See Spot Come 72 Baby Elephant
58 Crying Out 63 The See-Saw A 68 The Dutch Doggy 73 Open Elephant
RAY(Text)
59 Sweet Abandon 64 The See-Saw B 69 Taking Sides 74 The Elephant
RAY
60 The Corkscrew 65 The Backbend A 70 The Back Scratcher 75 Sitting Body Wrap
61 The Flexed Corkscrew 66 The Throne 71 Enveloped in Love 76 Sitting Flexed Body Wrap
Checklist • 625

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77 The Backbend B 82 Stand by Your Man 87 The Hoover 92 Purrfect Plunge
78 The Pushover 83 The Tango 88 The Hoover Upright 93 The Lounge Cat
RAY(Text)
79 The Cobra 84 The Harness 89 The Handstand 94 Fido’s on His Feet
RAY
80 The Pilot 85 The Backbend C 90 The Leg Up 95 The Wheelbarrow
81 The Stick Up 86 Congress of the Cow 91 The Chair Lift 96 Lay-Z Girl
Position Sex Bible • 627

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97 Tug of War 102 Backseat Driver 107 Spank Her Thrice 112 Under the Hood 117 Th
98 Come Sit on My Lap 103 Prepare for Takeoff 108 The Double Grip 113 Pumping Petrol 118 Th
99 In Reverse 104 The Magic Lamp 109 The Slippery Slope 114 Sweet Spot 119 Ch
100 My Knight,My Chair 105 Third Wish 110 The Jigsaw 115 Australian for Sex 120 Se
RAY(Text)
RAY
101 Chair Twister 106 Cat in the Cradle 111 Put You on a Pedestal 116 Rising Sun 121 Gi

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d 117 The Dip 122 Downtown Girl 127 Tunnel of Love 132 My Door Is Always Open
l 118 The Bird Feeder 123 Slippery When Wet 128 Checking the Oil 133 The Nexus
RAY(Text)
119 Chasing the Cat 124 Always on Your Side 129 Bumper Cars 134 Elephants on Parade
RAY
Sex 120 Seat of Honor 125 The Grateful Hostage 130 Back in the Saddle 135 Table Saw
121 Give and Take 126 A Bridge to Pleasure 131 The Plow 136 Queen of the World
Checklist • 629

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137 Fantasy City 142 Lean on Me 147 Tight Quarters 152 Climbing the Walls
138 The Dinner Party 143 The Consolation 148 I’ve Found My Niche 153 Synchronized Deep Diving
RAY(Text)
139 The Kissing Lotus 144 Lady Godiva 149 The Long and Deep of It 154 Long Night, Full Moon
RAY
140 The Sheath 145 Bare Hug 150 Into Each, His Own 155 Spreading Some Joy
141 Members Only Entrance 146 Cupid’s Bow 151 The Door Jam 156 Deep Satisfaction
Checklist • 631

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157 Surfing the Wave 162 Praying Mantis 167 Hopping the Fence 172 Working Your Way Up
158 Leapfrog 163 Lowered Inhibition 168 I Saved Your Seat 173 Out of the Box
159 Blooming Lotus 164 Meet Me in the Middle 169 Upside Down YouTurn Me 174 Power Broker
160 Speaking in Tongues 165 Studying Geometry 170 The Corporate Merger 175 Giving Her a Raise
RAY(Text)
RAY
161 The Nail-Gun 166 Behind the Scenes 171 The Motivator 176 Entry-Level Position

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177 Loving Takeover 182 The Profit Share 187 Appealing to Your… 192 Performance Art
178 Climbing the Ladder 183 Take a Letter Please 188 Better Than Phone Sex 193 Smear Tactics
RAY(Text)
179 Behind on Work 184 Sharing Your Assets 189Tight Schedule 194 Prisoner of Love
RAY
180 Flex Benefits 185 Squeeze Me In 190 Getting the Memo 195 Love Slave
181 Double Shift 186 Ruthless Negotiator 191 Rough Rider 196 Impaled Passion
Checklist • 633

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197 Working Every Angle 202 Eating In 207 The Ben Dover 212 The Curled 69
198 Trapped Bumblebee 203 Stand and Deliver 208 The Circle of Pleasure 213 Slap and Tickle
RAY(Text)
198 Fire and Ice 204 Nose to the Grindstone 209 Kiss My . . . 214 Oh,Adam,What an Apple
RAY
200 The Earthquake 205 Take It Sitting Down 210 The Elevator 215 Give Him a Hand
201 The Classic 206 The Happy Puppy 211 The Landscape of Two 216 O Marks the Spot
Mountains

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217 Mistress May I? 222 Learning to Walk 227 The Intertwined Links 232 Rock-a-Bye Baby
218 The Sack of Potatoes 223 The Golden Eagle 228 Chain Me Up 233 The Curling Iron
219 The Cradle 224 Crossing the River 229 Shucking the Oyster 234 Like a Cat
220 Hammocking 225 The Carriage House 230 Under Wraps 235 On the Road
RAY(Text)
RAY
221 Salted or Unsalted? 226 Catch You on the Flip Side 231 The Kitchen Sink 236 The Whoopie Cushion

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237 Sailor’s Knots 242 Doing Cartwheels 247 Roll Your Rs 252 Ice Hot
238 The Cancan Dancer 243 The Headstand… 248 That’s a Wrap 253 What’s for Dessert?
head-
stand_of_ple
asure.tif
RAY(Text)
239 The Venus Flytrap 244 Pole Vaulting 249 Mountain’s Majesty 254 Sole-ful
RAY
240 The Homestretch 245 Springing 250 Crisscross Apple Sauce 255 Stiletto High-Rise
241The Three-Chair Double 246 The Plow and Hoe 251 Welcome Home 256 See You Later
Squat
Checklist • 637

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257 The Great Plains 262 Rolling Hills 267 Riding into the Sunset 272 The Cricket
258 For Your Thighs Only 263 Ready, Set, Go! 268 The Alligator 273 Flambé
259 Sandy Dunes 264 The Black Spider 269 Linking Logs 274 Hottest Snow
260 Sail Away 265 The Intimate Hip Grasp 270 The Most Beautiful Flower 275 Vroom, Vroom
RAY(Text)
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261 The T-Bone 266 Fighter Planes 271 The Contortionist 276 From Both Sides Now

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277 Good Vibrations 282 Watch Out Behind You 287 Sweet Chariot
278 Hugging the Pole 283 Acrobatics 288 Get Sprung
RAY(Text)
279 Missle Launcher 284 The Gladiator’s Torch 289 The Rocking Cradle
RAY
280 The Impaled Seesaw 285 Magna Cum Laude 290 Dinner for Two
281 Pulling the Plug 286 The Shrieking Monkey 291 Dinner for One
Checklist • 639

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Job No:12-00684 Title: Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

© 2004 by Hylas Publishing

This 2008 edition published by

First published in 2004 by Hylas Publishing

All rights reserved under International and Pan-

Publisher: Sean Moore

Printed and bound in TK

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

25 Wife of Indra . . . . . . . . . . . . . . . . . 62 52 Will You Do Me? . . . . . . . . . . . . . 116

Job No:12-00684 Title: Position Sex Bible

54 Let Us Pray . . . . . . . . . . . . . . . . . 120 77 The Backbend B . . . . . . . . . . . . . . 170

Sex Bible Job No:12-00684 Title: Position Sex Bible

100 My Knight, My Chair . . . . . . . . . 220 126 A Bridge to Pleasure . . . . . . . . . . 274

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

Section Ten: Advanced Foreplay 222 Learning to Walk . . . . . . . . . . . . . 476

221 Salted or Unsalted?. . . . . . . . . . . 474 248 That’s a Wrap. . . . . . . . . . . . . . . . 528

Job No:12-00684 Title: Position Sex Bible

249 Mountain’s Majesty . . . . . . . . . . . 530 Section Twelve: Advanced Toys . . . 584

Sex Bible Job No:12-00684 Title: Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

14 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Foot Rub with Rhythm

Sex Bible Job No:12-00684 Title: Position Sex Bible

18 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

20 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

22 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

24 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

26 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

28 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

30 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

32 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

34 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

36 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible

Sex Bible Job No:12-00684 Title: Position Sex Bible

38 • Position Sex Bible

Job No:12-00684 Title: Position Sex Bible