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Another unusual aspect for this symphony is its creative use of musical form and
orchestral sound. Berlioz used brass and percussion combined to produce bombastic
effects, and bizarre string writing produces and eerie sound. Berlioz also includes some
unusual instruments such as ophecleides and serpents for example.
The first movement of the piece is entitled ³Daydreams, passions.´ In the long
introduction, marked ³Largo,´ the young musician remembers the indefinable yearning
he experienced before meeting his beloved. The main part of the movement is in
modified sonata form. The idée fixe, the main theme, is an expansive, elegantly
contoured theme that conveys the beloved¶s noble nature.
The second movement of the piece is entitled ³A Ball.´ The young musician
glimpses his beloved amid and tumult and excitement of a brilliant ball. Marked ³Allegro
no troppo,´ this movement is a waltz in ternary form. The idée fixe appears as a hunting
melody in the middle section.
The third movement of the piece is entitled ³Scene in the Fields.´ The young
musician hears two shepherds piping on a summer evening in the country. Their pastoral
duet in such quiet surroundings induces a feeling of calm, but it is interrupted by a vision
of the beloved that alarms him, producing painful forebodings. Marked ³Adagio,´ this
expressive movement is in ternary form.
The fourth movement of the piece is entitled ³March to the Scaffold.´ Here the
young musician dreams that he has killed his beloved and had been condemned to death
and is being led to the scaffold. The idée fixe appears at the end, played by clarinet like
³a last thought of love,´ buit is cut off by a loud chord that represents the fall of the axe.
This quadruple meter march in G minor is in sonata form.
The fifth and last movement of the piece is entitled ³Dream of a Witches¶
Sabbath.´ Here the lovesick young musician sees himself at a witches¶ Sabbath
surrounded by a crowd of ghosts who have gathered for his funeral. This concluding
movement contains several themes and sections. The movement begins with an
Introduction marked ³Larghetto´ that evokes an eerie, hellish scenario.
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At the beginning of Section B, the first phrase of the Dies irae, a solemn chant
melody from the Catholic Requiem Mass, is played slowly by bassoons, ophecleides and
serpents, twice as fast by trombones and horns, then faster again in an awkward dotted
rhythm by the strings and woodwinds.