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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

CHAKRABJA MANDALA K«„HÍ|˚ =∞O_»ÅO

Vol. 19 MARCH – 2018 No.3

'VAK' is available on www.archakaseva.com
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^èŒfi*Ï~ÀǨÏ}=Ú : =∞OQÆà◊"å~°O (L^ŒÜ«∞O) 27–03–2018 (QÆ~°∞_» „Ѩ™ê^ŒO)
u~°∞Hõ¯àϺ} L`«û==Ú : QÆ∞~°∞"å~°O (~å„u 10–30 QÆO.) 29–03–2018
~° ^ ä À `« û ==Ú : â◊x"å~°O (~å„u) 31–03–2018
K«„Hõf~°÷O : ™È=∞"å~°O (L^ŒÜ«∞O 11 QÆO.) 02–04–2018
ÀƒuÀo»y uƒ¬Ê§åÁ™ ÃʃnÃ∫ Y{fi ∆ÏM¬ t∆u™ ÃÁz™ƒÁ∫ ut. 26–3–2018 Ãz Y{fi §“Ϭ u˚oyÆÁ ÃÁz™ƒÁ∫
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∆Ïß EƒÃ∫ ú∫ úáÁ∫N˛∫ t∆|å osÁ oys|üÃÁt N˛Á ¬Áß GeÁƒı@
܃\Á∫Áz “ m : ™Ê T pƒÁ∫ (ÃÏ § “) 27–03–2018 (Tªg üÃÁtÊ )
TÏ ª ƒÁ∫ (∫Áo 10–30 §\z) 29–03–2018
∫sÁz n Ù : ∆uåƒÁ∫ (∫Áo) 31–03–2018
YN¿ ˛ oys| : ÃÁz ™ ƒÁ∫ (ÃÏ § “ 11 §\z ) 02–04–2018
The Brahmotsavam of Sri Balaji Venkateswar Swamy at Chilkur Temple will be held from Monday 26-3-2018 to
Monday 02-4-2018. Devotees are cordially invited to have darshan and receive the blessings of Lord Venkateswara.
Dwajarohanam : Tuesday (Morning) 27-03-2018 (Garuda Prasadam)
Kalyana Utsavam : Thursday (10-30 p.m.) 29-03-2018
Dr. M.V. Soundararajan
Rathotsavam : Saturday (Night) 31-03-2018
C.S. Gopalakrishna
Chakra Theertam : Monday (11 a.m.) 02-04-2018 Hereditary Archaka cum Trustees
Date / Day Morning Utsavam Evening Uthsavam
26-03-2018, Monday Selver Koothu ÃãÅfi~ü ‰õÄ`«∞Î JO‰õΩ~å~°Ê}=Ú
Ankurarpanam
27-03-2018, Tuesday Dwajarohanam ^èŒfi*Ï~ÀǨÏ}=Ú âı+¨"åǨÏ#=Ú
Seshavahanam
28-03-2018, Wednesday Gopa Vahanam QÀѨ "åǨÏ#=Ú Hanumantha Vahanam ǨÏ#∞=∞O`« "åǨÏ#=Ú
29-03-2018, Thursday Surya Prabha ã¨∂~°º„ѨÉèí Garuda Vahanam QÆ~°∞_» "åǨÏ#=Ú
Kalyanotsavam HõàϺ}À`«û==Ú
30-03-2018, Friday Vasanthothsavam =ã¨O`À`«û==Ú Gaja Vahanam QÆ[ "åǨÏ#=Ú
31-03-2018, Saturday Pallaki ѨšH˜ Rathothsavam ~°^äÀ`«û==Ú
01-04-2018, Sunday Mahabhishekam =∞Ǩaè¿+Hõ=Ú Aswa Vahanam Jâ◊fi "åǨÏ#=Ú
Asthana Seva P™ê÷# ¿ã= Dhop Seva ^ÀÑπ ¿ã=, Pushpanjali ѨÙëêÊO[e
02-04-2018, Monday Chakra Theertham K«„Hõf~°÷O Dwajaavarohanam ^èŒfi*Ï=~ÀǨÏ}=Ú
Dwadasaradhanam ^•fi^Œâß~å^èŒ#=Ú

CONTENTS Page ÃÊúÁtN˛yÆ ............. 15

Editorial ................... 3 uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 204 ............. 16
Anecdotes on Vishnu Sahasranamam-204 ....... 4 ™áÏ∫Á uƒ\ÆΩ -77 ............. 18
Madhura Vijayam - 77 ................... 6 Ahobilam and Ahobila Mutt - 63 ................. 20
ã¨Oáê^ŒH©Ü«∞O ................ 9 N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-7
.. ............... 21
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–204 .............. 10 Ramanuja's Journey to Sharada peeth-vii .......... 22
=∞^èŒ∞~åq[Ü«∞O 77 .............. 12 News ................. 24
Devotee's Experiences ................. 26
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EDITORIAL... ✍
PRAYERS AT CHILKUR FOR SOLVING THE BANKING CRISIS
Presently there is a deep crisis in the Banking sector .... Crores of people are worried about the
safety of their money in the Banks.
Special Pujas were performed at Chilkur Balaji Temple on 19th February at 12 Noon to save all
of us from the severe threats to our Money in the Banks due to Political and Governmental
Interference in the Banking system. This is a sevre crisis where the hard earned money of Crores
of Indians is looted by the Corporate Houses.
At Chilkur Temple, the Devotees in thousands chanted the "Runa Vimochana Nrusimha Stotram"
a special chanting invoking the Lion God. The Head Priests had suggested that such an invocation
will help the recovery of money from defaulters, however big they are.
"Sree Nrusimham Mahaaveeram, Namami Runa Mukthaye…" goes the chanting 8 times at the
end of each verse; meaning "I pray to Lord Lashmi Nrusimha, the Lion God seated with the
Goddess of wealth to tide over these debts" There are 9 verses in total and the chantings were
done 11 times.
Few questions to be answered ….
1) Why are we worried when some banks in the country have large defaulters who are
bankrupt?
Answer : Will it not impact us? Please go back and see how many of your cousins, relatives and
friends are sitting with their fingers crossed over the safety of their money in the Banks.
2) What is the connection between Chilkur Balaji Temple and the Banking turmoil?
Answer: A Temple has to pray for the well being of the Humanity and this is the crisis which will
have spiraling effect on the common man and hence this prayer. Chilkur Balaji temple featured on
the front page of Wall street Journal on 31st December, 2007 in the USA signifying that He is the
savior when such turmoil occurs. Also, Chilkur Temple was the first one to prescribe dress code
of handloom for devotees to help the weavers. It has always responded to Social causes and
hence this unique prayer.
3) What is the benefit of such a prayer?
Answer : Devotees also made two extra Circumambulations, Pradakshinams around the Temple
with these prayers. The Lord blessed us when we prayed similarly in September 2008 when
there was power crisis. He will definitely fill us with Credit flows and save the Banks. He will help
nab the Defaulters and recover the Money belonging to the Crores of people who deposited their
money in the banks in Good faith. The puja was done so that the people who are affected already
will have a solace that thousands of Devotees are chanting and praying for the safety of the money
in the Banks and the future of the Banking system and the problems would be gone very soon.
O

There should be no regional boundaries for temples.

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Anecdotes on Vishnu Sahasranama - 204
CONVENOR & SUSTAINER OF CROWDS
My disciple Dr. Uppili Venkatesh called on
me last week. During the course of our talks I enquired
him, “How was your Thiruppavai discourse during
Margazhi month at Aandaal sannidhi at Lord
Sarangapani temple in Kumbakonam?”
“It went on very well Swamin! With your
blessings!” he said. “Hundreds of people thronged
the venue and listened to the discourse discourse!”
“It’s all because of the grace of Lord Nrusimha!”
I said.
“How Swamin?” he asked.
I then narrated to him this anecdote to show
how Lord Nrusimha acts as a Convener and Sustainer
of crowds of Devotees
— Nadadoor Azhwan did japa of Nrusimha mantra,
When Ramanuja was in his advanced age,
he was thinking of a way to sustain the Sri Vaishnava
tradition.
At that time, he consulted Varada Vishnu,
also known as Nadadoor Azhwan, his nephew, who
would always accompany him like his shadow.
“Varada! My dear Nephew!” he said, “Do you
remember? We four, I, Kooraththazhwan, you and
Mudaliyandan started our journey in this philosophy
of Lord Varada eight decades ago. Now
Kooraththazhwan and Mudaliyandan have reached
the feet of Lord Ranganatha. We two alone are left
and we are also becoming old. I am thinking of
establishing seventy four simhasanadhipatis, as we
all decided when we were on the banks of Veeranam
Lake having Seventy four sluice gates. Their scions
would sustain this tradition for generations. Is there
any way to provide special Divine support to them
for this task?”
“Swamy!” said Nadadoor Azhwan “Who am
I to suggest ideas to you? I have become an entity
because of your grace. That Grace of Yours makes
you speak like this. But since you have asked me,
it is my duty to say something. When you initiated
me with Nrusimha mantra and taught me the secrets
of Tapaneeya Upanishad, You had told me that Lord
Nrusimha is referred to as the “Convenor &Sustainer
of Crowds” and can attract the masses easily. Why
not teach all of the Seventy four you would be
appointing the Nrusimha Mantra and give an idol
of Lord Lakshmee Nrusimha for worship as their
family deity? The convener and Sustainer of crowds
of devotees will bless them with many disciples!”
“Fantastic!” said Ramanuja. “Let us implement
this!”
Ramanuja asked king Vishnuvardana to make
hÖ’ Ö’áêÅ#∞ QÆ∞iÎOK«∞ - Ѩ~°∞Å =∞Ozx QÆ=∞xOK«∞.
Sri V.S.Karunakaran, Chennai
seventy four idols of Lord Nrusimha. He then handed
over those seventy four idols to Nadadoor Azhwan
to worship till the day came.
When the day of his departure to Vaikunta
was approaching, he taught the Nrusimha mantra
and Taapaneeya Upanishad to those of the seventy
four who had not got to these earlier and gave an
idol of lord Nrusimha to each of the 74
Simhasanadhipatis.
Nadadoor Azhwan was also one among those
74. Even today those 74 disciples of Ramanuja are
sustaining this tradition by the grace of Lord Nrusimha,
given to each of them by Ramanuja through the
suggestion of Nadadoor Azhwan.
contemplated on the meaning of Taapaneeya
Upanishad and did puja to Lord Nrusimha. By the
grace of Lord Nrusimha, his son Devaraja after a
big wait got a son who was born on a Nrusimha
jayanthi day. That day also coincided with the day
of the Lord incarnating as Varadaraja with the
Punyakoti Vimana in Kanchee during the horse
sacrifice of Brahma. He was therefore named as
Varada and also Nrusimha. He was the very same
one who later became to be known as Vatsya
Varadaguru and Nadadoor Ammal.
Ghatikasatam ammal, the grandson of
Nadadoor Ammal’s grandson thus was a devotee
of Lord Nrusimha through generations.
He dreamt of taking the tradition of Ramanuja
to the next level by magnetizing more disciples
through an institution of teaching and learning - a
Mutt. He taught the Nrusimha Mantra to his pet
disciple, a young scholar named Srinivasa, who had
hailed from Melkote and come to study the four
important Granthas of Ramanuja sampradaya - Sri
Bhashyam, Geeta Bhashyam, Bhagavad Vishayam
and Rahasya Trayasara under him.
Sri Srinivasa did japam of the mantra with
utmost devotion and attained siddhi rapidly. He had
a dream in which Lord Nrusimha appeared before
him and asked him to come to Ahobilam.
He approached his preceptor Ghatikasatam
ammal, who in turn asked him to adhere to the order
of the Lord. He went to Ahobilam, the abode of the
nine forms of Lord Nrusimha. The Lord appeared
before him and initiated him into sanyasam. Lord
Nrusimha, in the form of Maalola - one of the nine,
landed into his hands and commanded him to establish
an institution.
He returned to Kanchee with Maalola and
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reported the happenings to his Guru who was elated
at his prayers being answered by Nrusimha. He
blessed his disciple and expressed his gratitude
to Nrusimha. Soon the institution Ahobila Mutt was
established. Sri Srinivasa became Satakopa after
he took sanyasa and became to be known as Adi
Vann Satakopa - the “first and generous” Jeeyar
of the Ahobila mutt.
Ghatikasatam Ammal advised Adi Vann
Satakopa to take Lord Maalola Nrusimha on tour
always with Him to several villages so that Lord
Nrusimha who is a crowd puller and sustainer the
same would attract more and more disciples and
bring them under the fold of Ramanuja’s philosophy.
The Ahobila mutt grew from strength to strength
through successive Jeeyars called Azhagiya singars
adorning the throne of Adi van Satakopa and still
continues to catch the attention of many people.
-—
“Thus the Crowd-puller Lord Nrusimha, who
creates a centre of attraction for many people and
sustains them, is called SANDHIMAAN.
My dear Dr. Venkatesh! That Sandhimaan has
showered His blessings on you. That is why people
had turned up in large numbers to listen to your
Tiruppavai discourses for a whole month!” I concluded.
I thought I could use this as the anecdote
for explaining the name No.204 “Sandhimaan” of
Sri Vishnu Sahasranamam. I asked Dr.Uppili
Venkatesh to record this and send to me. He
did it no time. I was stunned. I envied Him. He
was humble. He said “I had virtually cut and
pasted the anecdote for name 200”.
I got worried. Is it proper to repeat the
same anecdote for name 200 and Name 204.?
At that I heard voice of Laughter. It appeared
to be the voice of the Lord’s laugh.
He showed the Garuda at his feet and told
me “See this Devotee Garuda travelling with me
always. I thus convene the devotees and sustain
them always like this.
At the end of Ramavatara I took the whole
of Kosala Country with me. Because the association
of me with me proving I am the Sandhi man.
Nirukti puts this crisply as:
ü⁄ÁtÁ˘{ u å| n ÆÃuãá: ÆÀÆ ÀÆÁoΩ Ãuãá™ÁåΩ À™w o : @@
Those who want people to turn up in large
numbers their discourses, concerts or other such
programs, can do well to meditate on the form of
VISA Balajee at Chilukur, who Himself is
SANDHIMAAN attracting huge crowds every day,
and chant the name SANDHIMATHE NAMA
Dear Devotees !
Come on Let us chant
O
@@H Ãuãá™oz å™:@@
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of books
on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project of explaining
the significance of the 1000 names. Since the English meaning of this hymn is
given in this work, many in this country and those living abroad, will welcome it.
Every name is a mantra by itself, some with two and some ranging up to eight
words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji
temple who are the regular readers of VAK in which these Anecdotes have been
serialised. There is immortal ecstasy that can be experienced by chanting these
names individually.
The second Volume has been released on 6th September 2017, as a part of
the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find
the devotees chanting these names endlessly at the Balaji Temple Chilkur. The
benefit of chanting individual names for particular needs to be granted by Almighty
is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar
Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

=∂@Å∞ Y~°∞Û ÖËxq, HÍh qÅ∞"≥·#q.

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Madhura Vijayam - 77 Sri Ranganatha Travel Part – II
Tamil Manuscript : Sree Venugopalan, Chennai
Story so far: The story based on the 14th century
incidents, was written by Sri Venugopalan which is
based on the historic facts elucidated in Madhura
Vijayam composed by Maharani Ganga Devi, Chief
Queen of King Kampana Rayaaya. Two young men
Vallabha and Dutta set out on an expedition to locate
the idol of Lord Ranganatha of Srirangam, which was
saved by four Kodavas from being ransacked by Muslim
invaders. After several adventures the two boys, found
the idol along with one Kodava who protected the idol
for more than eighteen years deep inside the forest
of Chandragiri. Lord Ranganatha was brought to Tirumala
and King Ranganatha Yadavaraya the ruler of that place
patronized the upkeep of the idol with daily pujas.
Coincidentally Sri Gopanna, commander-in-chief of the
Vijayanagara’s mulvoy province reaches Tirumala in
search of Lord Ranganatha and he promises Vallabha
to restore Lord Ranganatha to Sri Rangam with the
help of Vijayanagara king. Meanwhile, as a first step
the Vijayanagar army mission was undertaken to
conquer Sambuvaraya of Rajagambhira. Kanchee
puram was conquered and Kampana Raya’s army
advanced to Rajagambhira mountain conquered it and
killed the Raja Gambhira king. The Madurai princess
was rescued. Vallabha who was on a mission to
safeguard Pandya princess Makaravizhiyaal to pandya
kingdom fell in love with her but promised to marry
her only after completing his mission. Meanwhile, Lord
Ranganatha has been brought to Chenghee by Gopanna
the commander of Vijayanagar army belonging to
Mulvoy province. Vallabha, Datta and Vallabha’s mother
Vasanthika meets Gopanna to find out about the plans
of restoring Lord Ranganatha to Sri Rangam. It was
10 years since the Rajagambhira Kingdom became
part of Vijayanagar and still no further advancement
action was taken against Madurai Sultan due to trouble
from Bahamani sultans. Gopanna takes up on him and
vows to take up the expedition now and reaches Kanchi,
the capital of King Kampana Raya. Kampana who was
having fever at that time was feeling guilty that he did
not take any action to restore Lord Ranganatha. In
his dream, he felt that Goddess Parvathi herself comes
and blesses him to continue the mission. Later
Vasanthika briefs her son that she is the one who spoke
as Parvathi to Kampana and she has also left the dagger
with Kampana which was presented by Makaravizhiyal
to Vallabha. Meanwhile Gopanna meets Kampana, and
the King with all others has an extensive meeting with
ministers regarding an attack on Sultan. As per the
discussion they all decided to send Vallabha and Dutta
to study the Mughal army, their strengths and
weaknesses. Vallabha and Dutta set on this expedition
and went through different villages and finally decided
to go to Srirangam. On the way to Srirangam they reached
Azhagiya Manavalam village. There they met
Thriumanathoon Nambi, the son of Singapiran and
was surprised to know many things including the secret
pooja being done for idol of Ranganatha. After analyzing
the situation, they worked out a plan and made Sultan
^èŒ#O HÀã¨O HÍ^Œ∞ - QÆ∞}O HÀã¨O áê@∞ Ѩ_®e.
English Translation : CSL Narasimhan
infected with a disease through a devadasi named Tara
which made him shift to Madurai. Taking the advantage
of the situation the Vijayanagar armies started towards
Kannanoor. Enroute, many villagers in Tamil speaking
land joined to Army to fight for their freedom from Sultan.
Vijayanagar army launched a two pronged attack on
Kannanoor fort which surprised the Sultan’s army. The
Sultan’s army outside the fort was defeated with a sound
military strategy. A siege was laid on the fort. From
Kannanore, a big procession carrying Lord Ranganatha
started and entered the Srirangam temple successfully
with great enthusiasm. Huge crowed from surrounding
villages were visiting and having darshan of Lord
Ranganatha. Gopanna said that Lord Rangantha will
be reinstated back to Garbhagriha only after the arrival
of swami Deshika, a great vaishnavite scholar , the
ardent guru of Gopanna who was the main reason to
protect Lord Ranganatha idol at the time of invasion
and a lone survivor from that time. Meanwhile Vallabha
happened to overhear the conversation of a group.
They were claiming the idol which they have been
worshipping all these days must be reinstated back
to the temple and not the one that has been brought
from somewhere. Vallabha controlling his anger left
the place as he was called by Gopanna. According to
Gopanna’s instruction the army left Kannnore and
reached Madurai for the next attack.
The army crossed the Kaveri river and went
southward further to Vaigai river on whose banks
Madurai is situated. While crossing Vaigai river,
both Kampanna and Gangadevi got mersmerised
by its beauty and stopped. Though it was summer,
the pure water was flowing with a bend like a nice
creeper. The surrounding was lush green and looking
beautiful. When they touched the river, they recited
hymns in praise of the river and sprinked the water
on their head. Gangadevi lit oil lamps and sent it
on the river along with some garlands. Suddenly
they realized a flash from the southern direction.
They could see across the trees , a bright dhoobi
from a top of gopuram of a temple. The flashlight
was coming from there only. Kampanna suddenly
realized and shouted ‘Meenakshi!” with great
excitement. At the same time there, before him,
suddenly appeared a young lady with a graceful
smile on her face and was standing there, who
had all the beauty of the green surroundings and
the gopuram. The forehead had thiruneeru, eyes
full of affection, nose mesmerizing, glowing face,
ears and neck adorned with ornaments, having a
parrot at her hand, and body shining like gold.
“Meenakshi” whispered Kampana Raya. He
raised and folded his hands with full of emotions.
He was having a complete spiritual experience at
the time.
Oh mother! I will definitely complete the task you
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have ordained to me. The lady blessed him by
showing hands. Ganga devi got hold of Kampana
Raya who was standing there dazed.
“Swami!! What happened to you? Enquired
Ganga worrying. His body was fully wet because
of sweat. He was all the time closing his eyes.
The sweat from his body smelled like sandalwood,
which surprised Ganga even more.
“Swami! Swami! This is some divine
experience. The sandalwood without any reason,
good sounds, and some good lights indicates some
good omen as well as some divinity. Whom did
you see swami? Please let us know! Tell us! She
shook Kampana hastily.
Kampanna slowly opened is eyes.
“Meenakshi” he told again.
‘Meenakshi? Asked Ganga.
When she realized what Kampanna told,
she immediately cried Amma! And started folding
her hands seeing the sky. Though I could not see
you directly, I did experience you, through the
emotions of my husband. Oh divine mother! The
queen of Madurai! If at all I happen to visit your
temple and happen to have your darshan, I will
definitely write about this victory as “Madura
Vijayam” which means “Madurai’s victory”. Please
bless me for that. She deeply prayed for such
thing to happen.
At that time Gopanna came near to
Kampanna, Kampanna started saying,” Gopanna
swamy, ”you waged a war to Kannanoor on the
divine order of Lord Ranganatha. Likewise now I
will fight this war for Madurai as per the divine
order of Meenakshi devi.
Soon the Madurai fort was surrounded by
an huge army in the afternoon.
Swords, bows an arrows, spears, and other
things all these were shining under the bright sun.
“the roaring noise of “Jaya Vijayeebhava” were
fully surrounded across the fort wall.
The elephants were moving around here and
there like huge whales.
More than anything, the confidence and
enthusiasm of the brave soldiers, was seems to
the biggest strength for the attack.
The enemies were given time for a day to
come out of the fort. Since they did not come
out, the army started the attack. The entire tamil
speaking regions showed their anger while getting
into the fort. The scene was appearing as though
it is end of the world which brings down even the
mountains. Same way a huge crowd of people
moved towards the fort. The water area surrounding
the fort was closed within a day. Many items were
destroyed.. The fireballs which was thrown filled
the sky before falling inside the fort. The sounds
=∞x+≤H˜ =∞Oz QÆ∞}"Õ∞ =∞Oz PÉèí~°}=Ú.
of arrows were heard as they tore the wind.
After few hours, the protest by the sultan army
from the fort wall got weekend. That same moment
immediately the rope ladder was placed everywhere
and the vijayanagar army started climbing the wall
like ants. The thunderous noises were made by
elephants as they were trying to break the huge
door of the fort. Within a span of time, the for wall,
and the surrounding was seized by vijayanagar army.
The turks who got terribly afraid were running for
their lives. The western gate got successfully opened.
The army entered inside like water gushing breaking
all the barriers. Thousands of turks got injured and
died and the vijayanagar soldiers were moving ahead
jumping over their bodies.
Kampana Raya along with his few soldiers
came near the entrance of sultan’s palace. There
was a severe battle at the entrance for some time.
The Sultan Bahruddin Mubarakshah who got wild
came outside and was ready to fight for himself.
When Vallabha and Dutta immediately started to
attack the sultan, Kampana told, Vallabha please
leave this task to me and started raising his sword.
Kampana and the Sultan fought for a while like two
tigers .The swords were swirling and both of them
fought with vigor jumping around. Suddenly, when
Kampana got an opportunity, he hit Sultan with the
sword and sultan fell down like an animal.
The whole place was surrounded by roaring
of success and was hitting the sky. The entire Madurai
was fully vibrant with energy with this victory and
they were shouting continuously “Jaya Vijayee
Bhava”. Everywhere the flags having Varaha (boar)
started flying. Evening has come. Kampanna and
others had a quick bath and immediately rushed
to the temple. Here too a wall covering the main
idol of meenakshi like Srirangam was found.
Kampana Raya was restless to see the famous
meenakshi idol. So he instructed to remove the wall
quickly .The workers were doing it swiftly. Kampanna,
Gangadevi, Gopanna, Salva Mangu, Somappa,
Vittappa nobody so far in their life has not seen
Goddess Meenakshi. So they were all excited. After
few minutes, the wall was broken completely.
Kampana Raya slowly took steps forward
and went inside. Then he raised his head and had
darshan of the idol. The moment he saw, he had
a shock of his life. The garlands, sandal powder
and kumkum on the idol was so fresh as though
it was all put just now without a bit of sign of
perishment.
The garland which was adorned 48 years back
for the goddess remained the same as it was adorned
fresh. This took Kampana by great surprise. He
immediately started patting his cheeks with devotion
and fell on the floor before Goddess. Slowly he got
up and spoke:
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“Oh goddess! Got to see the wonder! Oh
mother! Whatever little doubt about you also got
vanished completely. Today I take an oath that I
will restore your glory and make people aware your
grace by building a huge temple here. This I promise
and please help me in fulfilling this promise”.
(The Meenakshi temple which we see
presently has its own glory because of Kampana
Raya and his heirs of the vijayanagar empire. The
prakaram, gopuram and all mandapas have been
built by them only)
When Kampana Raya came out, rest of the
people went inside and were awestruck to see the
fresh garlands. Then they reached the
Sundareshwara sanidhi. Most of the gopurams of
the temples and the walls of the temples were in
dilapidated state under sultan regime. Only these
two sanidhi and ardha mandapam was in tact. When
they reached swamy’s sannidhi, they had break
the wall again, Here too they saw the same. The
garlands were fresh and frangrance surrounded were
as fresh as ithas to be. Everyone had darshan of
swamy to their fulfillment and came out.
Kampana Raya sent in search of various
hereditary temple servants and their families in
Madurai who were serving the Meenakshi temple
before it got occupied by the Turks and handed
over charge to them for the upkeep of the temple.
Similarly he restored many other temples in tamil
Nadu in a short period of time and handed the temple
over to the respective denominations and service
All slokas Chant 28 times
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó
G J  yNz ∆ ÁÆ å™:
For overcoming bad habits
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™:
For Success in Business, Interviews, Visa
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO
HÍ=_®xH˜ 㨇iOK«O_ç.
FO N=∞`Õ #=∞ó G »y™oz å™:
Please Chant for Handsome Appearance and wealth.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:
For Education and better Financial strength.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
JO^Œi P#O^Œ"Õ∞ rq`« Ѩ~°=∂~°ú=Ú HÍ"åe.
bearers. He identified the rightful guardians of the
temples and handed over the management and
services back to them. History says he repaired
and restored worship in thousands of temples in
matter of a few months. Today when we visit temples
in Tamil Nadu we will find a mixture of Vijayanagar
architecture and ancient architecture which is a
testimony to this restoration service. All the South
Indian temples freed by Kampana Raya from the
clutches of the Turks should be indebted to this
great valiant ruler-cum-devotee.
Today, in free Independent India, we are still
unable to protect our religious institutions from our
ownsleves. In democracy people are the rulers and
people need to understand that secular governments
don’t have constitutional mandate to protect religious
institutions from Govt exchequer or rule. Because
Kampana was a Hindu king he could do so to all
Hindu religious institutions in those days. It becomes
now the duty of all Hindus to unite and restore their
places of worship which is rotting under the negligent
rules of respective Government institutions.
In this context I would like to bring to the
attention of the viewers on the recent negligence
of Madurai Meenakshi temple authorities belonging
to HR&CE dept of Tamil nadu which cost in various
damages to the temple and Vasantha raya mantapa.
This only goes to say that the Devotees have to
join hands to protect their respective institutions
and not let the secular government do that for them.
(to be continued)
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
For self employed people, for promotions and
success in games.
„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For better health. =∞Oz P~ÀQͺxH˜.
FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
peace
=∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
q=ÚH˜ÎH˜.
FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satisfaction
L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
March '18 w w w w w w w w w w w w w w w w w w 9 wwwwwwwwwwwwwwwwwwwwww VAK
ã¨Oáê^ŒHÜ
© ∞« O✍
ÉϺO‰õΩÅ#∞ ~°H˜∆OK«_®xH˜ zÅ∞‰õÄ~°∞Ö’ „Ѩ`ÕºHõ ѨÓ[Å∞...
ÉèÏ~°`«^Õâ◊O „Ѩã¨∞Î`«O Z^Œ∞~˘¯O@∞#fl ÉϺO‰õΩÅ ã¨OH∆ÀÉèíO QÆ∞iOz JO^ŒiH© `≥eã≤#^Õ. ÉϺO‰õΩÅÖ’ ^•zÃÑ\ì̃#
HÀ\Ï¡k „Ѩ[Å Hõëêìi˚`«"≥∞ÿ# ™⁄=Ú‡ ã¨∞~°H˜∆`«"Õ∞<å J#fl ÉèíÜ«∞O JO^Œih Ѩ\ ˜ì Ñ‘_çã¨∞Î#flk. D ã¨OH∆ÀÉèÏxH˜ „Ѩ^è•#
HÍ~°}O ÉϺO‰õΩÅ ÖÏ"å^ÕgÅ∞, |∞∞}ÏÅ =∞OEsÖ’ HÍ~˘Êˆ~@¡‰õΩ =`åÎã¨∞ ѨeˆH ~å[H©Ü«∞ *’HõºO =∞iÜ«Ú „ѨÉèí∞`åfiÅ
*’Hõº"Õ∞! D ã¨OH∆ÀÉèíO #∞O_ç =∞=∞‡efl ~°H˜∆OK«=∞x 2018= ã¨O=`«û~°O, Ѷ≤„|=i 19= `Õn# zÅ∞‰õÄ~°∞ ÉÏÖÏr
PÅÜ«∞OÖ’ 12 QÆO@ʼnõΩ „Ѩ`ÕºHõ ѨÓ[Å∞ x~°fiÇ≤ÏOK«|_®¤~Ú. PÅÜ«∞OÖ’x =ÚY=∞O_»Ñ¨OÖ’ K«„HÍ|˚ =∞O_»ÅOÖ’xH˜
P ™êfiq∞x P"åǨÏ# KÕã≤, "ÕÖÏk ÉèíHõÎ[#O '|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`åxfl— [Ñ≤Oz, P ã≤OǨÏ^Õ=Ùx ѨÓlOKå~°∞.
D ™È΄`« áê~åÜ«∞}O, Pi÷Hõ ã¨OH∆ÀÉèíO `«yæOz, ÅaÌ^•~°∞Å#∞O_ç _»|∞ƒ uiy á⁄O^ÕÖÏ KÕÜ«∞QÆÅ^Œ∞.
''N #$ã≤OǨÏO =∞Ǩg~°O, #=∂q∞ |∞∞}=ÚHõÎÜÕ∞...—— WÖÏ ™êˆQ ™È΄`«O, „Ѩu â’¡HõO z=~° PYi =~°∞ã¨Ö’
8=∂~°∞¡ ѨiOî K«|_»∞`«∞Ok. J~°O÷ : ^è<Œ åxˆH x"åã¨"∞≥ #ÿ N =∞ǨÅH©; ã¨"∞Õ `«∞_≥#· N#$ã≤OǨϙêfig∞, =∂ Pi÷Hõ W|ƒO^Œ∞Å#∞O_ç
=∞=Ú‡Å#∞ ~°H˜∆OK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. D ™È΄`«O, 9 â’¡HÍÅ∞ Hõey LO@∞Ok. "≥Ú`«ÎO D ™È΄`åxfl 11 =∂~°∞¡
Éèí‰õΩÎÅ∞ ѨiîOKå~°∞.
H˘xfl „Ѩâ◊flʼnõΩ ã¨=∂^è•#O HÍ"åe....
1. _®Å~°∞ ˆ~@∞ ÃÑiy`Õ =∞#O ZO^Œ∞‰õΩ qKå~°Ñ¨_®e?
["å|∞ : Wk =∞#‰õΩ W|ƒOk HõeyOK«^•? XHõ¯™êi uiy K«∂ã¨∞‰õΩO>Ë `≥Å∞ã¨∞ÎOk. ZO`«=∞Ok =∞# K«∞\ÏìÅ∞,
¿ãflÇ≤Ï`«∞Å∂ "åi Éèíq+¨º`«∞Î#∞ `«Å∞K«∞‰õΩO@∂, ÉèíÜ«∞O ÉèíÜ«∞OQÍ L<åfl~À, ÉϺO‰õΩÅÖ’ "åi Hõëêìi˚`«O
„Ѩâßfl~°÷HõOQÍ Tyã¨ÖÏ_»@O =∞#H˜ `≥eÜ«∞x q+¨Ü«∞=∂??
2. zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∂xH˜, ÉϺO‰õΩÅ ã¨OH∆ÀÉèÏxH˜ ã¨O|O^èŒO Uq∞\˜?
["å|∞ : `«# K«∞@∂ì L#fl „Ѩ[Å∞ "åi ã¨∞ã≤÷~° „ѨâßO`« Éèíq+¨º`«∞Î H˘~°‰õΩ „Ѩu PÅÜ«∞O áê@∞Ѩ_®e. P ÉèíQÆ=O`«∞_çx
ã¨~°fi=∂#= „ѨâßO`« r=<åxfl PHÍOH˜∆ã¨∂Î „áêi÷OKåe. 2007, 31 _çÃãO|~°∞ =∂ã¨O, Ü«¸ZãπUÖ’x
"åÖò„ã‘ì\ò Ѩ„uHõ, „ѨѨOK«OÖ’ K≥ň~QÆ∞`«∞#fl qq^èŒ Hõ+¨ì#ëêìÅ#∞O_ç HÍáê_Õk zÅ∞‰õÄ~°∞ ÉÏÖÏrÜÕ∞ Jx
„ѨK«∞iOK«|_çOk. áê~î°‰õΩÅ∞ Wk K«k"Õ LO\Ï~°∞. JÖψQ „Ѩ[Å HõëêìʼnõΩ D ™êfiq∞ ã¨ÊOkOKå~°∞. QÆ`«OÖ’
KÕ<`Õ « HÍi‡‰õΩʼnõΩ KÕ^À_»∞"å^À_»∞QÍ LO_®Åx, zÅ∞‰õÄ~°∞ PÅÜ«∞O KÕ<`Õ « =„™êÎÅ#∞ =∂„`«"∞Õ PÅÜ«∞„áêOQÆ}OÖ’
^èŒiOKåÅ<Õ x|O^èŒ##∞ qkèOzOk. ™êfiq∞"å~°∞ ã¨=∂[OÖ’x W|ƒO^Œ∞Å#∞O_ç =∞#Å#∞ HÍáê_®e HÍ|\˜ì
WѨC_»∞ D „áê~°÷#.
3. D „áê~°÷# =Å# ÖÏÉèíO Uq∞\˜?
["å|∞ : |∞∞} q"≥∂K«# ™È΄`«O Ѩiîã¨∂Î, Éèí‰õΩÎÅ∞ PÅÜ«∞OK«∞@∂ì JkèHõOQÍ Ô~O_»∞ „Ѩ^ŒH˜∆}Å∞ KÕ™êÎ~°∞. QÆ`«OÖ’
2007= ã¨O=`«û~°OÖ’ ‰õÄ_® WÖÏO\˜ Hõ+ì¨ ã¨=∞Ü«∞OÖ’ Éè‰í Ωõ ÅÎ ∞ KÕã#≤ „áê~°#÷ Å∞ PÅH˜Oz ™êfiq∞ Pj~°fikOKå~°∞.
PÜ«∞# `«Ñ¨ÊHõ WѨC_»∞ ‰õÄ_® =∞#Å#∞ HõëêìÅ#∞O_ç `«Ñ≤Ê™êÎ~°∞. ÉϺO‰õΩÅ#∞ ‰õÄ_® |∞∞} ÉÏ^èŒÅ#∞O_ç
`«ÑÊ≤ OK«QÅÆ _»∞.
D ѨÓ[ =Å# ÉÏkè`« „Ѩ[ʼnõΩ `«=∞ÔH· „áêi÷OKÕ "ÕÖÏk Éèí‰õΩÎÅ∞ L<åfl~°<Õ Éèí„^Œ`å ÉèÏ=O U~°Ê_»QÆÅ^Œ∞. "ÕÖÏk
Éèí‰õΩÎÅ Ñ≤Å∞ѨÙ#∞ ™êfiq∞ PÅH˜Oz ÉϺO‰õΩÅ#∞, "å\˜Ö’ L#fl =∞# ã¨OѨ^Œ#∞ ~°H˜∆Oz, P^Œ∞‰õΩO\Ï_»x =∂
„ѨQÍ_è» qâßfiã¨O. O

™ê~°=Ú "≥^Œ∞‰õΩ "å~°∞ ÉèÏ~°=Ú#∞ K«∂_»~°∞.

March '18 w w w w w w w w w w w w w w w w w w 10 wwwwwwwwwwwwwwwwwwwwww VAK
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 204
ã¨Okè=∞`Õ #=∞ó
POQÆ¡=¸ÅO : N q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£
QÆ`"« å~°O, <å t+¨µº_»~Ú# _®. LÑ≤Êe "≥OHõ>âË O◊ <å=^Œ‰Ì Ωõ
~å=@O [iyOk. =∂@Å ã¨O^Œ~ƒ° Où Ö’ J`«_xç <Õ#∞ ''=∂~°tæ ~°=∂ã¨O
(^èŒ#∞~å‡ã¨O)Ö’ ‰õΩOÉèíHÀ}OÖ’ #∞#fl ™ê~°OQÆáê}˜ =∞Ok~°OÖ’,
PO_®à◊√ ã¨xflkèÖ’ h=Ù u~°∞áêÊ"≥· g∞^Œ KÕã≤# „Ѩã¨OQÍÅ∞ ZÖÏ
[iQÍ~Ú——? Jx „ѨtflOKå#∞.
''g∞ Pj~åfi^ŒO =Å# KåÖÏ ÉÏQÍ [iQÍ~Ú QÆ∞~°∞=ÙQÍ~°∂!
=O^ŒÅ =∞Ok Éèí‰õΩÎÅ∞ P „Ѩã¨OQÍÅ#∞ q#\ÏxH˜ =zÛ, ã¨ÉèíÅ#∞
[Ü«∞„Ѩ^ŒO KÕâß~°∞ ™êfig∞!——
''J^ŒO`å ÉèíQÆ=O`«∞_»~Ú# #~°ã≤OǨϙêfiq∞ =∞Ç≤Ï=∞!——
J<åfl#∞.
''J^≥ÖÏ ™êfig∞?——
`«# ã¨O^ÕǨxfl f~°Û\ÏxH˜ <Õ#∞ ÉèíQÆ=O`«∞_»~Ú#
#~°ãO≤ Ǩϙêfiq∞, ZÖÏ Éè‰í Ωõ ÅÎ #∞ PHõi¬Oz "åix x~°fiÇ≤Ï™êÎ_À `≥eÜ«∞
K≥Ü«∞º_®xH˜ D L^ŒO`åxfl q=iOKå#∞.
0-0-0
~å=∂#∞*ÏKå~°∞ºÅ"å~°∞ =$^•úѨºOÖ’H˜ „Ѩ"ÕtOz#
`«~°∞}OÖ’ D N"≥·+¨‚= ã¨O„Ѩ^•Ü«∂xfl xÅɡ>Ëì LáêÜ«∞"Õ∞q∞\Ï
Jx x`«ºO =∞^èŒ#Ѩ_Õ"å~°∞.
PÜ« ∞ # `« # "Õ ∞ #Å∞¡ _ » ∞ , `« # #∞ x`« º O h_» Ö Ï
JO\˜ÃÑ@∞ì‰Ωõ x LO_Õ =~°^Œ q+¨µ=‚ Ù#∞ ã¨O„ѨkOKå~°∞. =~°^Œ q+¨µ=‚ Ù#∞
#_®^Œ∂~°∞ PàÏfi~ü Jx =º=ǨÏiOKÕ"å~°∞.
PKå~°∞ºÅ "å~°∞ WÖÏ `«# =∞<ÀÉèÏ"åÅ#∞ "≥Å¡_çOKå~°∞
- ''<åÜ«∞<å =~°^•! h‰õΩ QÆ∞~°∞ÎOk Hõ^•! <å`ÀÉÏ@∞ #∞=Ùfi,
‰õÄ~°`åÎàÏfi~ü, =Ú^ŒeÜ«∞O^Œ<Å£ ∞ ÉèQí =Æ O`«∞_»~Ú# =~°^~Œ å[™êfiq∞"åi
D "Õ^•O`« =∂~°æOÖ’ Zxq∞k ^ŒâßÉÏÌÅ =ÚO^Œ∞ =∞# „Ѩܫ∂}Ïxfl
P~°OaèOKåO. ‰õÄ~°`åÎàÏfi~ü, =Ú^ŒeÜ«∞O^Œ<Å£ ∞ ~°OQÆ<å^䙌 êfiq∞ "åi
ã¨xflkèH˜ KÕ~°∞‰õΩ<åfl~°∞. q∞ye# =∞# W^ŒÌiH© ‰õÄ_» =Ü«∞ã¨∞û g∞^Œ
Ѩ_»∞`ÀOk. D ã≤^•ÌO`åxfl =ÚO^Œ∞‰õΩ fã¨∞‰õΩáÈ=\ÏxH˜ =∞#O
'g~°}O K≥~∞° =Ù—QÆ@∞ì =^Œ,Ì P K≥~∞° =Ù‰õΩ 74 [Å^•fi~åÅ∞#fl>Ë¡ =∞#=¸
74 =∞Ok ã≤OǨã¨<åkèÑ`¨ ∞« Å#∞ „Ѩu+≤Oª KåÅx x~°~‚ ÚOK«∞‰õΩ<åfl=Ú
QÆ∞~°∞ÎOk Hõ^•! WHõ P Ѩx<Õ K≥Ü«∂ºÅx PÖ’K«# KÕã¨∞Î<åfl#∞. "åi
=Oâ◊ã∞¨ Å÷ ∞ D Ѩ~O° Ѩ~#° ∞ "å~°ã`¨ fi« OQÍ JOkѨÙK«∞Û‰õΩO\Ï~°∞. "åiH˜
„Ѩ`ÕºHõ"≥∞ÿ# ^≥·= ã¨Ç¨ÏHÍ~°O U^≥·<å ÅaèOѨ*Ë¿ã =∂~°æO LO^•?——
#_®^Œ∂~°∞ PàÏfi~ü WÖÏ ã¨=∂^è•#q∞KåÛ_»∞ - ''™êfig∞
g∞‰õΩ PÖ’K«# K≥Ñʨ QÆeQˆ @O`«_ç "å_ç<å <Õ#∞? <å‰õΩ g∞ ^ŒÜ∞« =Å#
XHõ QÆ∞~°∞ÎOѨ٠=zÛOk. g∞Q˘Ñ¨Ê^Œ#"Õ∞ g∞ KÕ`« D q^èŒOQÍ
ѨeH˜™ÈÎOk. J~Ú`Õ, g∞~°∞ J_çQÍ~°∞ QÆ#Hõ U^≥·<å K≥ѨÊ_»O <å qkè.
g∞~°∞ <å‰õΩ #$ã≤OǨÏ=∞O„`åxfl LѨ^ÕtOz, '`åѨhÜ«∞ LѨx+¨`«∞Η
É’kèOz# ã¨=∞Ü«∞OÖ’ #~°ãO≤ Ǩϙêfiq∞, Éè‰í Ωõ ÅÎ #∞, Jâı+¨ [#"åÇ≤Ïxx
F~°∞Ê#∞ q∞Oz# <Õ~°∞Ê - âßOux q∞Oz# ™ê^èŒ# ÖË^Œ∞.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
`«O_ÀѨ`«O_®Å∞QÍ PHõi¬Oz "åix xeÑ≤ LOKÕ â◊H˜Î=∞O`«∞_»~Ú#
Ѩ~°=∂`«‡ Jx `≥eÜ«∞*Ëâß~°∞. g∞~°∞ xÜ«∞q∞OK«É’ÜÕ∞ 74 =∞Ok
ã≤OǨã¨<åkèѨ`«∞ʼnõÄ #~°ã≤OÇ¨Ï =∞O„`åxfl LѨ^ÕtOz, "å~°O^ŒiH©
`«ÖÁHõ #~°ã≤OǨϙêfiq∞ q„QÆǨxfl |Ǩ˙HõiOz, ‰õΩÅ^Õ=`«QÍ
P~åkèOK«=∞x K≥¿ÑÎ ÉÏQÆ∞O@∞O^Õ"≥∂! Éèí‰õΩÎÅ#∞, „Ѩ[Å#∂
PHõi¬OK«∞HÀ QÆeˆQ P ÉèíQÆ=O`«∞x ^ŒÜ«∞=Å#, Pjã¨∞ûÅ =Å# giH˜
‰õÄ_® ZO`À =∞Ok t+¨µºÅ∞ ÅaèOK« QÆň~"≥∂!
D PÖ’K«# q#fl ~å=∂#∞AÅ"å~°∞ ''J^Œ∞ƒù`«OQÍ LOk!
nxx =∞#O PK«i^•ÌO!—— J<åfl~°∞.
~å=∂#∞AÅ"å~°∞ q+¨µ=‚ ~°#ú ~åA#∞ 74 #~°ãO≤ Ǩϙêfiq∞
q„QÆǨÅ#∞ `«Ü«∂~°∞ KÕ~ÚOK«=∞x P^ÕtOKå~°∞. J@∞ÃÑ·# P 74
q„QÆǨÅ#∞ `«y# =ÚǨ˙~°ÎO =KÕÛ=~°‰õÄ Ñ¨Ólã¨∂Î LO_»=∞x
#_®^Œ∂~°∞ PàÏfi~ü‰õΩ ÉÏ^茺`«#∞ JѨÊyOKå~°∞.
`åxHõ "≥‰· Ωõ O~îåxH˜ KÕ~∞° ‰õΩ<Õ ã¨=∞Ü«∞O Pã¨#fl=∞=Ù`ÀO^Œ#fl
"Õà◊, PÜ«∞# #~°ã≤OǨÏ=∞O„`åxfl, `åѨhÜ«∞ LѨx+¨`«∞Î#∞ WO`«‰õΩ
ѨÓ~°fiO LѨ^Õâ◊O á⁄O^Œx P74 =∞OkH˜ (ã≤OǨã¨<åkèѨ`«∞Å∞QÍ
ZOÑ≤Hõ KÕã#≤ "åiH˜) LѨ^tÕ OKå~°∞. JO^Œ~∞° ã≤OǨã¨<åkèÑ`¨ ∞« ʼnõÄ
XH˘Hõ¯ #~°ã≤OǨϙêfiq∞ q„QÆǨxfl JO^Œ*Ëâß~°∞.
P 74 =∞OkÖ’ #_®^Œ∂~°∞ PàÏfi~ü ‰õÄ_® XHõ~°∞. D
<å\˜H© P 74 =∞Ok ã≤OǨã¨<åkèѨ`«∞Å∂ P #~°ã≤OǨϙêfiq∞
J#∞„QÆǨÏO =Å# D ã¨O„Ѩ^•Ü«∂xfl H˘#™êyã¨∂Î xÅɡ@ìQÆÅ∞QÆ∞
`«∞<åfl~°∞. #_®^Œ∂~ü PàÏfi~ü QÍ~°∞ P<å_»∞ ã¨∂zOz#"Õ∞~°‰õΩ Wk
™ê^茺Ѩ_çOk.
#_®^Œ∂~°∞ PàÏfi~ü #~°ã≤OǨϙêfiq∞ =∞O„`åxfl [Ñ≤ã¨∂Î,
`åѨhÜ«∞ LѨx+¨`«∞Î J~å÷xfl =∞##O KÕã¨∂Î, #~°ã≤OǨϙêfiq∞x
ѨÓlOK«@O [iyOk. #~°ã≤OǨϙêfiq∞ J#∞„QÆǨÏO =Å# PÜ«∞#
Ѩل`«∞_»~Ú# ^Õ=~åA#‰õΩ, ZO`À HÍÅO xsH˜∆Oz# Ñ≤^ŒÑ¨
#~°ã≤OǨÏ[Ü«∞Ou <å_»∞ Ѩل`À^ŒÜ«∞ =∞~ÚOk. ÉèíQÆ=O`«∞_»∞ „|Ǩχ
QÍqOz# Jâ◊fi"Õ∞^èŒ Ü«∂QÆã¨=∞Ü«∞OÖ’ HÍOpѨÙ~°OÖ’ ѨÙ}ºHÀ\˜
q=∂#O`À =~°^~Œ åAQÍ Pq~°ƒqù Oz# k#O ‰õÄ_® P<å_Õ HÍ=@O
Ü«∂^Œ$zÛùHõO. JO^Œ∞ˆH P<å_»∞ [x‡Oz# P ÉÏÅ∞xH˜ =~°^Œ,
#$ã≤OÇ¨Ï ¿Ñ~°∞¡ Ô~O_»∂ ÃÑ@ì_»O [iyOk. D ÉÏÅ∞_Õ L`«Î~À`«Î~å
=`«ûº=~°^Œ QÆ∞~°∞ Jx, #_®^Œ∂~ü J=∂‡àò Jx „Ѩã≤kú K≥O^•_»∞.
#_®^Œ∂~°∞ J=∂‡àò QÍi =∞#∞=∞_çH˜ =∞#∞=∞_≥·#
Ѷ¨∞\˜Hõâ◊`«"£∞ J=∂‡àò, P q^èŒOQÍ `«~°`«~åÅ∞QÍ =ã¨∞Î#fl #~°ã≤OǨÏ
™êfiq∞ "åi ÉèíH˜ÎH© "å~°ã¨∞_Õ!
PÜ«∞# ~å=∂#∞[ ã¨O„Ѩ^•Ü«∂xfl =∞iO`« L#fl`«OQÍ
fiÛ k^ŒÌ\ÏxH˜, =∞iO`«=∞Ok t+¨µºÅ#∞ PHõi¬OK«\ÏxH˜ 'J^茺ܫ∞#
- J^蕺Ѩ# Hˆ O„^ŒO— - J<Õ XHõ =∞~îåxfl ™ê÷ÑO≤ KåÅx JaèÅ+≤OKå~°∞.
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Nx"å㨠∞ J<Õ `« # „Ñ≤ Ü « ∞ t+¨ µ ºxH˜ #$ã≤ O Ǩ Ï =∞O„`åxfl #~°ã≤OǨϙêfiq∞, 'ã¨Okè=∂<£— J#fl <å=∞O`À Ñ≤Å=|_»`å_»∞.
LѨ^ÕtOKå~°∞. "Õ∞ÖÁ¯>ˉõΩ K≥Ok# P Ü«Ú=‰õΩ_»∞ ~å=∂#∞[ „Ñ≤Ü«∞"≥∞ÿ# _®. "≥OHõ>Ëâò, P 'ã¨Okè=∂<£— Jx Ñ≤Å=|_Õ
ã¨O„Ѩ^•Ü«∞Ѩ٠<åÅ∞QÆ∞ =ÚYº „QÆO^ä•Öˇ·# 'NÉèÏ+¨ºO, w`å ÉèÏ+¨ºO, Ѩ~°=∂`«‡ hÃÑ·# `«# Pjã¨∞ûÅ#∞ =i¬OKå_»∞. JO^Œ∞=Å#<Õ ÃÇÏK«∞Û
ÉèíQÆ=kfi+¨Ü«∞O, ~°Ç¨Ï㨺„`«Ü«∞™ê~°O—Å#∞ gi=^ŒÌ J^茺ܫ∞#O ã¨OYºÖ’ Éèí‰õΩÎÅ∞ =∂ã¨=∞O`å =zÛ h u~°∞áêÊ"≥· QÆ∞iOz#
K≥Ü«∂ºÅx =KåÛ_»∞. „Ѩ=K«<åÅ#∞ q#@O [iyOk.—— JO@∂ <Õ#∞ =ÚyOKå#∞.
Nx"åã¨∞_»∞ `«#‰õΩ QÆ∞~°∞=ÙQÍ~°∞ LѨ^ÕtOz# =∞O„`åxfl q+¨µã‚ Ǩ Ϩ „ã¨<å=∂=oÖ’x 204= <å=∞"≥∞#ÿ 'ã¨Okè=∂<£—‰õΩ
J`«ºO`« ÉèHí -Θ „â◊^ÅúŒ `À [Ñ≤Oz, j„Ѷ∞¨ OQÍ<Õ ã≤kxú á⁄O^•_»∞. J`«xH˜ D L^ŒO`åxfl <Õ#∞ LѨÜ≥∂yOK« =K«∞Û#x ÉèÏqOKå#∞ JO^Œ∞‰õΩ
#~°ã≤OǨϙêfiq∞ ã¨fiѨflOÖ’ ™êH∆Í`«¯iOz, JǨϟaÖÏxH˜ ~°=∞‡x <Õ#∞ _®. LÑ≤Êe "≥OHõ>Ëâ◊√#∞ nxx „"åã≤ ѨOѨ=∞x J_çQÍ#∞.
P^ÕtOKå_»∞. J`«_»∞ Ju H˘kÌ ã¨=∞Ü«∞OÖ’<Õ Ñ¨OѨ@O K«∂ã≤ <å‰õΩ Pâ◊Û~°ºO
"≥O@<Õ J`«#∞ `«# =∂~°æ^Œ~°≈‰õΩ_»~Ú# Ѷ¨∞\˜Hõ â◊`«"£∞ "Õã≤, W^≥ÖÏ ™ê^茺Ѩ_çO^Œx J_çQÍ#∞. J`«_»∞ ZO`À q#Ü«∞OQÍ -
J=∂‡àò =^Œ‰Ì Ωõ áÈ~Ú `«# ã¨fiѨfl =$`åÎO`åxfl `≥eÜ«∞*ËÜ∞« QÍ, PÜ«∞# ''x[O K≥áêÊÅO>Ë <Õ#∞ Hˆ =ÅO 200= <å=∞ QÍ^ä•=oÖ’x ÉèÏQÍÅ#∞
"≥O@<Õ Ñ¨~"° ∞Õ â◊fi~°∞x P#ux áê\˜OK«=∞x ÃãÅqKåÛ~°∞. P „ѨHÍ~°"∞Õ fã≤ g∞‰õΩ *’_çOz WKåÛ#O`Õ!—— Jx `≥eÜ«∞*Ëâß_»∞.
J`« _ » ∞ #=<å~° ã ≤ O Ǩ Ï ˆ H ∆ „ `åÅÖ’ XHõ @ ~Ú# JǨ Ï ŸaÖÏxH˜ Wk q#fl <å‰õΩ, 200= <å=∞ QÍ^ä•=o<Õ 204= <å=∂xH˜
KÕ~°∞‰õΩ<åfl_»∞. ÉèíQÆ=O`«∞_»∞ „Ѩ`«ºHõ∆=∞~Ú ã¨<庙êxfl ã‘fiHõiOK«=∞x ‰õÄ_® LѨÜ≥∂yOK«@O ZO`«=~°‰õÄ ã¨=∞O[ã¨O J#fl ÉèÏ=O
P^ÕtOKå_»∞. #~°ã≤OǨϙêfiq∞, #=<å~°ã≤OǨÏ~°∂áêÅÖ’ XHõ@~Ú# =zÛOk.
JǨϟaÅOÖ’x =∂Ö’Å∞xQÍ J`«x ǨϙêÎÅÖ’ „Ѩ`º« Hõ=∆ ∞~Ú =∞~îåxfl WO`«Ö’ <å‰õΩ ǨÏ~îå`«∞ÎQÍ Z=~À #qfi#@∞¡ JxÑ≤OzOk.
™ê÷Ñ≤OK«=∞x P^ÕtOKå_»∞. Jk ÉèíQÆ=O`«∞x Ǩ㨠^èŒfixQÍ ÉèÏqOKå#∞.
J`«_»∞ =∂Ö’Å∞x`À ã¨Ç¨ HõOzH˜ KÕ~°∞‰õΩx, `«# QÆ∞~°∞=Ù ÉèíQÆ=O`«∞_»∞ `«# K«~°}ÏÅ =^ŒÌ#∞#fl QÆ~°∞_»∞_çx K«∂Ñ≤ã¨∂Î,
QÍiH˜ [iy# qâıëêÅ#∞ `≥eÜ«∞*Ëâß_»∞. Jkq#fl QÆ∞~°∞=ÙQÍ~°∞ `«# WÖÏ J<åfl~°∞ - ''D Éèí‰õΩÎ_»~Ú# QÆ~°∞_»∞_»∞ <å`À ZšѨC_»∂
„áê~° ÷ # Å∞ PÅH˜ O z# #~° ã ≤ O Ǩ Ï ™êfiq∞ Pj~° fi kOKå_» x Ѩܫ∞xã¨∂Î<Õ LO\Ï_»∞. P q^èŒOQÍ <Õ#∞ Éèí‰õΩÎÅ#∞ ZšѨC_»∂
ã¨O`À+≤OKå~°∞. `«# t+¨µº_çx nqOz, ÉèíQÆ=O`«∞xH˜ Hõ$`«[˝`«Å∞ PHõi¬OK«∞‰õΩx "åix WÖψQ Ѩ\ ˜ì LOK«∞`å#∞, P„â◊Ü«∞q∞™êÎ#∞.
`≥Å∞ѨىõΩ<åfl~°∞. P `«~°"å`« H˘kÌ HÍÖÏxˆH JǨϟaÅ =∞~î°™ê÷Ѩ# ~å=∂=`å~° Ѩiã¨=∂Ñ≤Î ã¨=∞Ü«∂# <Õ#∞ HÀã¨Å ^Õâ◊O
[iyOk. Nx"åã¨∞_»∞, ã¨<åºã¨O ã‘fiHõiOKåHõ â◊~î°QÀѨÙxQÍ ¿Ñ~°∞ "≥Ú`åÎxfl <å`ÀÉÏ@∞ fã¨∞‰õΩ "≥à‹§#∞. "åiH˜ JѨC_»∞ <å K≥O`«<Õ
=∂iOk. 'Pk=<£ â◊~Q°î ÀѨÜ∞« u— <å=∞O`À PÜ«∞# JǨϟaÅ=∞~îåxH˜ P„â◊Ü«∞O W=fi@O =Å# "å~°∞ <å`À Hõeã≤ LO_»@O, <Õ#∞
`˘e rÜ«∞~°∞QÍ Jkè+Oª≤ z, J`«ºO`« L^•~°"∞≥ #ÿ =ºHÎ̃QÍ ¿Ñ~°∞ Ѩ_®¤~∞° . 'ã¨Okè=∂<£— Jx x~°∂Ñ≤™ÈÎOk.——
Ѷ∞¨ \˜Hâõ `◊ "« ∞£ J=∂‡àò Pk=<£ â◊~Q°î ÀѨÙx`À ÉèQí =Æ O`«∞_»~Ú# x~°∞H˜Î „ѨHÍ~°O
=∂Ö’Å #~°ã≤OǨïx `«#`ÀÉÏ@∞ ZšѨC_»∂ ^Õâ◊OÖ’x Ñ¨Öˇ¡- ü⁄ÁtÁ˘{ u å| n ÆÃuãá: ÆÀÆ ÀÆÁoΩ Ãuãá™ÁåΩ À™w o : @@
Ñ¨Öˇ¡Ö’ Ü«∂„`«Å∞ K≥Ü«∞º\ÏxH˜ "≥O@ fã¨∞‰õΩ"≥à◊¡=∞x K≥áêÊ~°∞. ^•x
=Å#, ZO^Œ~À ÉèHí Îõ ã¨O^ÀǨÅ#∞ PHõi¬Oz xÅɡ>ìË #~°ãO≤ Ǩϙêfiq∞, Z=~° ~ Ú`Õ `« = ∞ „Ѩ = K« < åʼnõ Ω , „Ѩ ã ¨ O QÍÅ=O\˜
=∞iO`« = ∞Ok t+¨ µ ºÅ#∞ PHõ i ¬Oz, "å~° O ^Œ ~ ° ∂ ~å=∂#∞[ HÍ~°º„Hõ=∂ʼnõΩ ÃÇÏK«∞Û ã¨OYºÖ’ „¿ÑHõ∆‰õΩÅ∞ ~å"åÅx HÀ~°∞‰õΩO\Ï~À
ã¨O„Ѩ^•Ü«∞OÖ’ xez LO_Õ@@∞¡ J#∞„QÆÇ≤ÏOK«QÆÅ_»∞. "å~°∞ zÅ∞‰õÄ~°∞Ö’ "≥Åã≤# ÉÏÖÏr ~°∂áêxfl =∞#™ê~å ^蕺xã¨∂Î
<å<å\˜ H © JǨ Ï ŸaÅ=∞~î ° O "Õ ~ ° ∂ #∞‰õ Ω x Pk=<£ 'ã¨Okè=∞`Õ #=∞ó— J#fl <å=∂xfl ÉèHí QΘ Í [Ñ≤ã∂¨ Î LO_®e. zÅ∞‰õÄ~°∞Ö’
â◊~î°QÀѨܫ∞u`À "≥Ú^ŒÖˇ· XHõi `«~°∞"å`« XHõ~°∞QÍ 'Jà◊wÜ«∞ "≥Åã≤, ã¨fiÜ«∞OQÍ ã¨Okè=∂<£ J~Ú# ÉÏÖÏr ^Œ∂~°^Œ∂~åÅ#∞O_ç
QÍÜ«∞‰õΩÅ∞—QÍ ¿Ñ~°∞á⁄Ok# rÜ«∞~°∞™êfi=ÚÅ "åi P^èŒfi~°ºOÖ’ J#∞x`«ºO Éèí‰õΩÎÅ#∞ `«# =^ŒÌ‰õΩ PHõi¬OK«∞‰õΩO@∂<Õ LO@∞<åfl_»∞
D<å\˜H© ZO^Œi<À `«# =OHõ PHõi¬OK«∞‰õΩO\’Ok. Hõ^•!
0-0-0 „Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å! ~°O_ç ÉèíH˜Î`À [Ñ≤^•ÌO -
''Pq^èŒOQÍ Éèí‰õΩÎÅ#∞ PHõi¬Oz =ÚYºaO^Œ∞=ÙQÍ q~ålÖË¡ ''FO ã¨Okè=∞`Õ #=∞ó—— O
NEWS "LOOK INTO WELFARE OF ARCHAKAS"
Hyderabad : The Temple Protection Movement (TPM) has represented to the Joint Fact Finding
Committee (JFC) comprising Jana Sena Chief Pawan Kalyan, former MP Undavalli Arun Kumar and
Lok Satta founder Jayaprakash Narayana to look into issues related to temple administration and
welfare of the impoverished Archaka (Temple Priests) community.
TPM Conver M.V. Soundararajan sent a representation to the JFC, which held its first meeting
here on Friday to look into the promises made under the AP State Reorganisation Act and their
implementation, including demand for Special Category. (The Hindu 17.2.2018)

*Ï˝<å~°˚#ÜÕ∞ - ã¨`«º"≥∞ÿ# ^èŒ<å~°˚#.

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=∞^èŒ∞~åq[Ü«∞O ^è•~å"åÇ≤ÏHõ...77 =∞^äŒ∞~å q[Ü«∞O - 11

QÆ`« ã¨OzHõ `«~°∞"å~Ú ÉèÏQÆO.... J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
[iy# Hõ^äŒ : Z<Àfl Kåi„`å`«‡Hõ x*ÏÅ∞ `«#Ö’ á⁄O^Œ∞Ѩ~°K«∞‰õΩ#fl D Ãã·<åºxfl Pâ◊Û~°ºÑ¨~°zOk. =∞~°∞ã¨\ ˜ ~ÀA L^ŒÜ«∂<Õ q[Ü«∞#QÆ~° ¿ã#Å∞
=∞^è∞Œ ~åq[Ü«∞O, =∞Ǩ~åA HõOѨ#~åÜ«∞x Ѩ@=ì ∞Ç≤Ï+≤ =∞Ǩ~å}˜ QÆOQÍ^ÕqKÕ Hõ#fl#∂~°∞ HÀ@ =Ú@ì_ç "≥Ú^ŒÅ~ÚºOk. ã¨∞ÖÏÎ#∞ Ãã#· ºO`À [iy# Ü«Ú^ŒOú Ö’
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‰õΩ=∂~°HõOѨ#~åÜ«∞_»∞. Hõ^ä•Ñ¨~°OQÍ q[ÜÕ∞O„^Œ =Å¡Éèí =∞iÜ«Ú ^Œ`«∞Î_»∞ J<Õ P |OnÅ∞, HÀ@֒ѨŠL#fl S~Àáê Ããx· ‰õΩÅ#∞ F_çOK«_®xH˜ `«=∞ ã¨Ç¨ Ü«∞O
W^ŒÌ~°∞ Ü«Ú=‰õΩÅ∞ N~°OQÆOÖ’x N~°OQÆ<å^èŒ∞x q„QÆǨxfl "≥^ŒHõ_®xÔH· fã¨∞HÀ=∞x QÀѨ#fl#∞ "Õ_∞» ‰õΩ<åfl~°∞. QÀѨ#flQÍi`À [iy# XѨÊO^ŒO „ѨHÍ~°O,
|Ü«∞Å∞^Õ~°`å~°∞. ã¨∞ÖÏÎ#∞ Ãã·#ºO #∞O_ç D q„QÆǨxfl #Å∞QÆ∞~°∞ H˘_»=~°∞Å∞ |OnÅ∞QÍ zH˜¯#"åiÖ’ ã¨QOÆ Ããx· ‰õΩÅ∞ HÀ@Ö’xH˜ „Ѩ"tÕ Oz ֒ѨÅ∞#fl S~Àáê
HÍáê_ç ~°Ç¨Ï㨺 „Ѩ^Õâ◊OÖ’ ^•zÃÑ_®Î~°∞. Z<Àfl „Ѩܫ∂ã¨ÅHÀiÛ, ZO^Œi<À Ããx· ‰õΩÅ`À "≥∞~°∞Ѩ٠ܫÚ^ŒOú „ѨH\õ O˜ Kå~°∞. P q^ÕjÅ∞ Pâ◊Û~°ºO #∞O_ç `Õ~∞° ‰õΩ<Õ
„ѨtflOz# Ñ≤^ÑŒ ,¨ K≥OK«∞`≥QÅÆ "åi ã¨Ç¨ Ü«∞O`À W^Œ~Ì ∞° Ü«Ú=‰õΩÅ∞ N~°OQÆ<å^ä∞Œ x ֒ѨÅ, Hõ#fl#∂~°∞ HÀ@ q[Ü«∞#QÆ~° Pnè#OÖ’xH˜ =KÕÛã≤Ok. Hõ#fl#∂~°∞ #∞O_ç,
q„QÆǨÏO =∞iÜ«Ú 18 Uà◊√¡QÍ q„QÆǨxfl „áê}ÏkèHõOQÍ HÍáê_»∞`«∞#fl PYi N~°OQÆ<å^ä∞Œ x ÉèHí Îõ |$O^ŒO Tˆ~yOѨÙQÍ |Ü«∞Å∞^Õi "≥o§ N~°OQÆO PÅÜ«∞OÖ’xH˜
H˘_»=~°∞x ‰õÄ_® K«O„^Œyi J_»=ÙÖ’¡ Hõ#∞HÀ¯QÆÅ∞QÆ∞`å~°∞. ^Œ`∞« _Î ∞» H˘O`«=∞Ok J`«∞º`åûǨÏO`À „Ѩ"ÕtOzOk. ^Õt‰õΩÅ"å~°∞ =zÛ# `«~°∞"å`« N~°OQÆ<å^èŒ∞x
"Õ@QÍà◊§ ã¨Ç¨Ü«∞O`À P „Ѩ^Õâß<ÕflÖË ~å*ˇ·# N~°OQÆ<å^äŒ Ü«∂^Œ=~åÜ«∞xH˜ QÆ~ƒ° Qù ∞Æ _çÖ’ „Ѩu+¨ì [~°QÍÅx NQÀѨ#flQÍ~°∞ P^ÕtOKå~°∞. Ѩ~=° ∞Éè‰í Ωõ _Î ∞» , N"≥+· =‚¨
ã¨O^Õâßxfl KÕ~°"Õ™êÎ_»∞. ~åA Ǩï\ÏǨï\˜# ã¨Ãã·#ºO`À Hõ^Œe=™êÎ_»∞. ..... QÆ∞~°∞=Ù =∂„`«"Õ∞ H͉õΩO_® N~°OQÆ<å^äŒ∞x â◊„`«∞=ÙÅ ÉÏi#∞O_ç HÍáê_ç# ÉèíHõÎ
"å~°∞ H˘kÌ ~ÀAÅ∞ JÖψQ „ѨÜ∂« }˜Oz ѨÙ^Œ∂~°∞‰õΩ KÕ~∞° ‰õΩO\Ï~°∞. `«#∞ ѨÙ\˜#ì |$O^ŒOÖ’ q∞ye# PYi =∞iÜ«Ú UÔHH· õ =ºHÎ̃ N^Õt‰õΩÅ"å~°∞ HÍ=Ù# PÜ«∞#
„Ѩ^ÕâßxH˜ KÕ~°∞‰õΩ<åfl#<Õ L`åûǨÏO`À =∞^èŒ∞~° Jâßfixfl Ô~\˜ìOz# "ÕQÆO`À D ã¨O`À+¨ ã¨=∞Ü«∞OÖ’ PÜ«∞# LO_çf~åÅx QÀѨ#fl JaèÖÏ+¨. QÀѨ#fl
Ѩ~°∞ÔQuÎã¨∞ÎOk. =∞^èŒ∞~åOy}˜x `«e¡^ŒO„_»∞Å =^ŒÌ‰õΩ KÕiÛ =Å¡Éèí^Œ`«∞ÎÅ∞ u~°∞QÆ∞ P^Õâß#∞™ê~°O Ãã·#ºO Hõ#fl#∂~°∞ =ke =∞^èŒ∞Ô~· HÀ@#∞ =Ú@ì_çOK«_®xH˜
„ѨÜ∂« }O Hõ\Ïì~∞° . =∂~°=æ ∞^躌 OÖ’ |ã¨KãÕ #≤ KÀ@ ~å„u"Õà◊ =Å¡É∞íè _»∞ =∞^è∞Œ ~° |Ü«∞Å∞^ÕiOk. ..WHõ K«^Œ=O_ç...
TǨÏÖ’ FÅÖÏ_»∞`«∞O_»QÍ =Å¡Éèí∞_»∞ JHõ¯_çH˜ =zÛ J`«x „¿Ñ=∞ `«=∞
ÅHõ∆ º™ê^èŒ#‰õΩ P@OHõO HÍQÆÅ^Œx ÃÇÏK«Ûi™êÎ_»∞. =∞^èŒ∞~° =∞m§ =∞m§ *Ï˝Ñ¨HõO
HÍ"Õi#kx ^•\˜ Ãã·#ºO ^ŒH˜∆}kâ◊QÍ "≥o§ "≥·ÔQ·#k X_»∞¤#
~å=_»O =Å# =Å¡É∞íè _»∞ `åq∞^Œ~Ì O° q_çáÈ~Ú# „Ѩ^âÕ ßxH˜ uiy "≥àÏÎ_∞» . JHõ¯_» QÆÅ =∞^èŒ∞Ô~· "≥·Ñ¨Ù „Ѩܫ∂}˜OK«™êyOk. "≥·ÔQ· #kx ^•@∞`«∞#fl
ã¨=∞Ü«∞OÖ’ HõOѨ#∞_»∞ =∞iÜ«Ú QÆOQÍ^Õq JHõ¯_ç „Ñ¨H$õ u JO^•Å‰õΩ
=∞^è∞Œ ~°#∞ HõÅ∞ã¨∞‰õΩO\Ï_»∞. W~°∞=Ù~∞° "åi „¿Ñ=∞#∞ =ºHõΠѨ~K° ∞« ‰õΩO\Ï~°∞. =∞^è∞Œ ~°
`«##∞ ÃÑo§ KÕã∞¨ HÀ=∞#QÍ N~°OQÆOÖ’ ~°OQÆ<å^ä∞Œ x ѨÙ#ó „Ѩu+≤Oì z# `«~∞° "å`« "≥∞ÿ=∞~°z H˘O`«¿ãѨ٠PQÍ~°∞. Jk ZO_»Å∞ =∞O_Õ ZO_®HÍÅ"≥∞ÿ<å,
KÕã¨∞‰õΩO^•=∞x JO\Ï_»∞. Wk WÖÏ [~°∞QÆ∞`«∞O_»QÍ q[Ü«∞#QÆ~° ™ê„=∂[º P #n „Ѩ"åǨÏO fQÆÖÏQÍ „Ѩ=Ç≤Ïã¨∂Î HõxÑ≤OzOk. K«∞@∞ì ѨHõ¯Å
Ãã<· åºkèÑu¨ NQÀѨ#flQÍ~°∞ N~°OQÆ<å^ä∞Œ x =ÚÖˇ· fi ~å*ºOÖ’x yOw „áêO`åxH˜ „ѨHõ$u ѨK«Ûx ~°OQÆ∞`À Hõ#∞flÅ qO^Œ∞QÍ LOk. "åi~°∞=Ù~°∞ P #n
fã¨∞‰õΩx =KåÛ_»∞. =∞Hõ~° qiÜ«∂àò `«##∞ ÃÑO_ç¡ KÕã¨∞HÀ=∞x J_»∞QÆQÍ, [ÖÏÅ∞ `«ÅÃÑ· K«Å∞¡‰õΩx, #kx á⁄QÆ∞_»∞`«∂ â’¡HÍÅ∞ K≥ѨC‰õΩ<åfl~°∞.
~°OQÆ<å^äŒ∞x N~°OQÆOÖ’ ѨÙ#ó „Ѩu+≤ìOz# `«~°∞"å`« ÃÑO_ç¡ KÕã¨∞‰õΩO^•=∞x QÆOQÍ^Õq =∞\˜ì náêÅ∞ "≥eyOz h\˜Ö’ =keOk. JO`«Ö’
JO\Ï_»∞ =Å¡É∞íè _»∞. q[Ü«∞#QÆ~° ~å[º ã¨~fi° Ãã<· åºkèÑu¨ QÀѨ#fl N~°OQÆ<å^ä∞Œ x JHõ™ê‡`«∞ÎQÍ "åiH˜ ^ŒH˜∆}O"≥·Ñ¨Ù, XHõ "≥Å∞QÆ∞ HõxÑ≤OzOk. JHõ¯_çH˜
*ˇOlH˜ fã¨∞‰õΩx =KåÛ_»∞. =Å¡É∞íè _»∞ `«# `«e¡ =∞iÜ«Ú ^Œ`∞« xÎ `À Hõeã≤ QÀѨ#fl#∞
^Œ∂~°OQÍ, K≥@¡#∞ ^•\˜, PÅÜ«∞ QÀѨÙ~° HõÅâ◊O Ü≥ÚHõ¯ HÍOu "åiH˜
HõÅ=_®xH˜ =™êÎ_∞» .. QÀѨ#fl `«#∞ =Å¡É^íè `Œ ∞« ÅÎ ‰õΩ `«Ñʨ Hõ ã¨Ç¨ Ü«∞Ѩ_`» å#x "åQÍú#O
KÕã≤, ã¨Ãã·#ºO`À |Ü«∞Å∞^Õi, ‰õΩ=∂~°HõOѨ# ~åÜ«∞x ~å[º"≥∞ÿ# HõOzH˜ HõxÑ≤OzOk. HõOѨ#∞_»∞ P HÍOux QÆ∞iÎOz ''g∞<åH˜∆!!—— JO@∂
KÕ~∞° ‰õΩO\Ï_»∞. ~åA#∞ HõÅ"åÅx J#∞‰õΩO\Ï_»∞. HÍh HõOѨ#∞_»∞ [fi~° f„=`« ã¨O`À+¨O`À aQÆæ~°QÍ JiKå_»∞. JѨC_Õ, XHõ Ü«Ú=u K«Hõ¯x #=Ùfi`À
=Å# Jã¨fiã¨∞_÷ Qç Í L<åfl_»x `≥Å∞ã¨∞‰õΩO\Ï_»∞. ~°OQÆ<å^äŒ∞x N~°OQÍxH˜ uiy "åi =ÚO^Œ∞ xÅ∞ÛOk. P"≥∞ =ÚYOÖ’ K«∞@∞ì ѨHõ¯Å L#fl „ѨHõ$u
KÕ~°Û_®xH˜ `«#∞ Z@∞=O\˜ K«~°º KÕѨ@ìÖË^Œx HõOѨ#∞_»∞ ÉÏ^èŒÑ¨_»∞`«∞O\Ï_»∞. ѨKÛ« ^Œ#O, QÀѨÙ~° ™œO^Œ~º° O HõxÑ≤OzOk. #∞^Œ∞@ qÉè∂í u uÅHõO`À,
J`«x HõÅÖ’ ™êH∆Í`«∂Î =∞^èŒ∞Ô~· g∞<åH©∆^Õq =zÛ, `«fi~°QÍ P ã¨OHõÖÏÊxfl ѨÓiÎ Hõ~∞° } xO_ç# Hõà§◊ `À, K«H¯õ x n~°<… åã≤H`õ À, „ѨHÍâ◊=O`«"∞≥ #ÿ =ÚYO`À,
K≥Ü∞« º=∞x P^ÕtOz "≥à√◊ OÎ k. `«~∞° "å`« "åã¨OuHõ, `«<Õ g∞<åH˜Q∆ Í HõOѨ#∞x`À K≥=ÙʼnõΩ =∞iÜ«Ú "≥∞_»Ö’ PÉèí~°}ÏÅ∞ KÕuÖ’ zÅ∞Hõ#∞ ^èŒiOz,
=∂\Ï¡_Oç ^Œx, =∞Hõ~q° oÜ«∂àò =Å¡É∞íè xH˜ |Ǩï=∞uQÍ WzÛ# Kè∞« ~°Huõ xÎ `å#∞ ã¨fi~°‚HÍOu`À „ѨHÍtã¨∂Î HõxÑ≤OzOk.
HõOѨ#∞xH˜ WKåÛ#x =Å¡É∞íè xH˜ K≥|∞`«∞Ok. Wk q#fl =Å¡É∞íè _»∞ ǨÏ`åâ◊√_Ò`å_»∞.
WO`«Ö’ QÀѨ#fl HõOѨ#∞x HõÅ∞ã¨∞‰õΩO\Ï_»∞....... HÀ@ ~°Ç¨Ï™êºÅ∞ ''g∞<åH©!∆ —— JO@∂ z#fl ã¨fi~°O`À Ñ≤eKå_»∞ HõOѨ#~åÜ«Ú_»∞.
ÉèÏ"À^ÕfiQÆO`À KÕ`«∞ÖˇuÎ #=∞㨯iOKå_»∞. PHõ∆}O J`«_»∞ ã¨OѨÓ~°‚
`≥Å∞ã¨∞H˘<ÕO^Œ∞‰õΩ u~°∞=∞}`«∂}Î ü #Oa ã¨ÅǨ "Õ∞~°‰Ωõ J<ÕHõ ~°H=õ ÚÖˇ#· HÍ#∞HõÅ∞
=∞iÜ«Ú ^Õ=^•ã≤`À Hõeã≤ Hõ#fl#∂~°∞‰õΩ |Ü«∞Å∞^Õi "≥àϧ~°∞. Hõ#fl#∂~°∞Ö’x ÉèíH˜Î áê~°=â◊ºO`À xO_çáÈÜ«∂_»∞.
ã¨∞ÖÏÎ#∞ |ÅÇ‘Ï#`«#∞ ѨijeOz ^Œ`«∞Î_»∞ XHõ Ѩ^äŒHõO "Õâß_»∞. ...... ã¨∞ÖÏÎ#∞ ''`«b¡! h=Ù P^ÕtOz# HÍ~åºxfl `«Ñ¨ÊHõ =ÚyOz f~°∞`å#∞——
~å[ºOÖ’xH˜ „Ѩ"ÕtOz Hõ#fl#∂~°∞‰õΩ „Ѩܫ∂}˜OK«™êQÍ~Ú. (=∂~°æ =∞^茺֒ J<åfl_»∞. P„ã‘Î ~Ô O_»∞ KÕ`∞« Å`À ã¨O`À+¨OQÍ HõOѨ#∞x Pj~°fikOzOk.
QÆÅ J<ÕHõ `«q∞à◊ ~å*ϺŠ„Ѩ[Å∞, ã¨∞ÖÏÎ#∞ #∞O_ç ¿ãfiK«Û#ù ∞ ™êkèOK«_®xÔH)· D ™ê÷}∞=ÙÖÏ xez# Éèí~°Î#∞ QÆOQÍ^Õq ‰õΩ^Œ∞ѨÙ`«∂,
Ãã#· ºOÖ’ Ѩ~"° ∂≥ `åûǨÏO`À KÕ~™° êQÍ~°∞. q[Ü«∞#QÆ~° Ãã#· ºO Hõ#fl#∂~°∞ HÀ@#∞
~Ô O_»∞ ~°HÍÅ∞QÍ =Ú@ì_Oç K«_O» ã¨∞ÖÏÎ#∞ Ãã<· åºxfl Pâ◊Û~°ºÑ¨~z° Ok. HÀ@ |Ü«∞\˜ ''™êfig∞! ™êfig∞! Uq∞ [iyOk?—— JO@∂ P`«$`«`À
Ãã·<åºxfl Ѩ~ål`«OKÕã≤ "å\˜ Ãã·x‰õΩÅ#∞ Ãã·<åºkèѨÙÅ#∞ |OnQÍ KÕâß~°∞. „ѨtflOzOk. HõOѨ#∞x â◊s~°O ¿ãfi^ŒO`À (K≥=∞@)`À `«_ãç ≤ áÈ~ÚOk.
q[Ü«∞#QÆ~° Ãã#· ºO Hõ#fl#∂~°∞ HÀ@#∞ ~Ô O_»∞ ~°HÍÅ∞QÍ =Ú@ì_Oç K«_O» ã¨∞ÖÏÎ#∞ WO`«¿ãÑ¨Ó J`«#∞ Hõà◊√¡ =¸ã¨∞‰õΩ<Õ L<åfl_»∞. PÜ«∞# ¿ãfi^ŒO #∞O_ç
ã¨~°∞fiÅ#∞ „¿Ñq∞OK«∞ - ã¨~°∞fiÅ#∞ ¿ãqOK«∞.
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K«O^Œ# Ѩi=∞à◊O =ã¨∞#Î flk. W^Õ QÆOQÍ^ÕqH˜ J`«ºO`åâ◊Û~°ºO HõeyOk.
''™êfig∞! ™êfig∞! g∞‰õΩ W^Õ^À ^≥g· Hõ J#∞Éè=í O Hõey#@∞ìOk.
JHÍ~°} K«O^Œ# Ѩi=∞à◊O, K«Hõ¯x â◊ÉÏÌÅ∞, K«Hõ¯x qO`« HÍO`«∞Å∞
Jhfl â◊√Éèí ã¨OˆH`åÅ∞ =∞iÜ«Ú ^≥·= ™êH∆Í`å¯~åxH˜ zǨflÅ∞QÍ
HõxÑ≤ã∞¨ <Î åfl~Ú. g∞~°∞ Z=ix ^Œi≈OKå~°∞? ^ŒÜ∞« KÕã≤ K≥Ñʨ O_ç! JO@∂
HõOѨ#∞x ‰õΩ^Œ∞Ѩ™êyOk.
HõOѨ#∞_»∞ "≥∞Å¡QÍ Hõà◊√§ `≥iz, ''g∞<åH˜∆—— Jx K≥áêÊ_»∞.
''g∞<åH∆Í?—— J_çyOk QÆOQÆ.
HõOѨ#∞_»∞ K≥Ñ≤Ê#k qx "≥O@<Õ P"≥∞ ''J=∂‡!—— Jx Jiz,
=Ú‰õΩo`« ǨϙêÎÅ`À PHÍâ◊O "≥·Ñ¨Ù K«∂_»™êyOk. ''`«b¡! x#∞fl <Õ#∞
„Ѩ`«ºHõ∆OQÍ K«∂_»ÖËHõáÈ~Ú<å, <å Éèí~°Î ÉèÏ"åÅ ^•fi~å h LxH˜x
J#∞ÉèíqOK«QÆÅ∞QÆ∞`«∞<åfl#∞. `«b¡! =∞^èŒ∞~å ~ål˝! h PÅÜ«∂xH˜
XHõ"àÕ ◊ <Õ#∞ ~åQÆey`Õ x#∞fl ^Œi≈OK«∞HÀQÆey`Õ, <Õ#∞ „"åÜ«∞É’`«∞#fl
D kyfi[Ü«∞ Ü«∂„`«‰Ωõ ''=∞^è∞Œ ~å q[Ü«∞O—— JO>Ë ''=∞^è∞Œ ~Ô · q[Ü«∞O——
Jx ¿Ñ~°∞ ÃÑ_»`å#∞ ##∞fl Pj~°fikOK«∞ `«b¡—— JO@∂ "Õ_»∞‰õΩxOk
JO`Õ HÍ^Œ∞ `«#∞ HÀ~°∞‰õΩ#flk [~°QÍÅx „áêi÷OzOk ‰õÄ_®.
J^Õ ã¨=∞Ü«∞OÖ’ QÀѨ#flQÍ~°∞ HõOѨ#∞x =^ŒÌ‰õΩ =KåÛ~°∞.
HõOѨ#∞_»∞ WÖÏ K≥áêÊ_»∞ ''QÀѨ#fl ™êfig∞! N~°OQÆ<å^äŒ∞x P[˝`À
g∞~°∞ Hõ#fl#∂~°∞ ÃÑ· Ü«Ú^ŒúO „ѨHõ\ ˜OKå~°∞. JÖψQ <Õ#∞ g∞<åH©∆^Õq
P[˝#∞ t~°™ê=Ç≤Ïã¨∂Î =∞^èŒ∞Ô~· HÀã¨O Ü«Ú^ŒúO KÕ™êÎ#∞—— J<åfl_»∞
P"Õâ◊OQÍ.
H˘kÌ ~ÀAÅ =º=kèÖ’<Õ, XHõ =∞^蕺ǨÏflѨ٠"Õà◊ =∞^èŒ∞Ô~·
HÀ@ Ãã·x‰õΩÅ`À K«∞@∞ì=Ú@ì|_çOk.
Hõ`«∞ÎÅ∞, ^èŒ#∞~åƒ}ÏÅ∞, |ÖÏ¡Å∞ "≥Ú^ŒÅQÆ∞ PÜ«Ú^è•Å∞
ã¨∂~°∞ºx fHõ∆}`«‰õΩ `«à◊`«àÏ "≥∞~°∞ã¨∞Î<åfl~Ú. ''[Ü«∞ q[~¸ Éèí=——
x<å^•Å∞ HÀ@ K«∞@∂ì q#Ѩ_»∞`«∞<åfl~Ú.
ÃÑ^ŒÌ ÃÑ^ŒÌ uq∞OQÆÖÏÅ =Öˇ U#∞QÆ∞Å∞ JHõ¯_çH˜ WHõ¯_çH˜
u~°∞QÆ∞`«∞<åfl~Ú.
Jxfl\˜H© q∞Oz, Ãã·x‰õΩÅ ^è≥·~°ºO, #=∞‡HõO =∞iÜ«Ú
L`åûǨÏO, W"Õ "åiH˜ JuÃÑ^ŒÌ |ÅOQÍ HõxÑ≤OzOk.
â◊„`«∞=ÙʼnõΩ "≥Å∞ѨeH˜ ~å=_®xH˜ XHõ ~ÀA J=HÍâ◊O
W=fi|_çOk. "å~°∞ ZO`«‰õΩ "≥Å∞ѨeH˜ ~åHõáÈ=_»O =Å#, Ãã·#ºO
HÀ@ =Ú@ì_ç „áê~°OaèOzOk. `«q∞à◊ ÉèÏëê „Ñ¨ÜÚ« HõÎ „áêO`« „Ѩ[ÅO`å,
HÀ@ „Ѩ"ÕtOKÕ@ѨC_Õ `«=∞ P„QÆǨÏO =ºHõΠѨ~°K«™êQÍ~°∞. P ^Œ$â◊ºO
|Ǩïâß W^Õ Ü«ÚQÍO`«=∂ J#fl@∞ìQÍ `ÀzOk. "åi P"ÕâO◊ =ÚO^Œ∞
cèHõ~° Ѩ~°fi`åÅ∞ ‰õÄ_® xÅ∞==xÑ≤OzOk. JÖÏ ÃÑ^ŒÌ Ãã·xHõ |$O^ŒO
HÀ@"≥·Ñ¨Ù HõkeOk. HÀ@ K«∞@∞ì L#fl h~°∞, XHõ ~ÀAÖ’<Õ
PÑ≤"ÕÜ«∞|_çOk. Z<Àfl =ã¨∞Î=ÙÅ∞ ^èŒfiOã¨=∞Ü«∂º~Ú. Ãã·#ºO qã≤i#
Jyfl QÀàÏÅ`À PHÍâ◊O xO_çáÈ~ÚOk. QÍex pÅ∞ã¨∂Î =ÚO^Œ∞‰õΩ
™êˆQ ÉÏ}ÏÅ â◊|ÌO`À P „Ѩ^Õâ◊O xO_çáÈ~ÚOk.
H˘kÌ QÆO@Ö’¡<Õ, ã¨∞ÖÏÎ#∞ Ãã·#ºO |ÅÇ‘Ï#Ѩ_çáÈ~ÚOk. P
Hõ∆}"Õ∞, HÀ@ K«∞@∞ì `åà◊§ xK≥Û#Å∞ "Õã¨∞‰õΩx, q[Ü«∞#QÆ~° Ãã·x‰õΩÅ∞
#∂~°∞ =∂@Å∞ K≥ѨÊ@O HõO>Ë XHõ\˜ KÕã≤ K«∂Ñ≤OK«@O "Õ∞Å∞.
p=∞Å =Öˇ HÀ@#∞ ZHõ¯™êQÍ~°∞, HÀ@ "åH˜e `«Å∞ѨÙ#∞ U#∞QÆ∞Å∞
ÃÑ^Œ Ì ÃÑ^Œ Ì J~° ∞ Ѩ Ù Å`À =ÚO^Œ ∞ ‰õ Ω #_» ∞ 㨠∂ Î q~° Q ˘@ì _ ®xH˜
„Ѩܫ∞uflOK«™êQÍ~Ú. H˘kÌ ã¨=∞Ü«∞OÖ’<Õ, HÀ@ QÀ_» =∞iÜ«Ú P
K«∞@∞ì „Ñ¨Hõ¯Å ã¨÷Å=∞O`å q[Ü«∞#QÆ~° Pnè#OÖ’xH˜ =KÕÛã≤Ok.
`«∞~°∞+¨µ¯Å∞ „áê}ÏÅ~°KÕ`«∞Ö’¡ ÃÑ@∞ì‰õΩx Ѩ~°∞ÔQ`«Î™êQÍ~°∞.
`«∂~°∞Ê ^•fi~°O q[Ü«∞=O`«OQÍ `≥~°|_çOk. Hõ@ìÅ∞ `≥y# „Ѩ"åǨÏO
=Öˇ Ããx· ‰õΩÅ∞ ֒ѨeH˜ „Ѩ"tÕ OKå~°∞. ã¨∞ÖÏÎ#∞ |ǨÏ$nÌ<£ =ÚÉÏ~°Hë± ê
"≥Å∞ѨeH˜ =zÛ Ü«Ú^ŒúO K≥Ü«∞º_®xH˜ ã≤^ŒúѨ_®¤_»∞. =Å¡Éèí ^Œ`«∞ÎÅ∞
ã¨∞ÖÏÎ#∞`À Ü«Ú^ŒúO K≥Ü«∞º_®xH˜ ã≤^ŒúѨ_»QÍ, HõOѨ#∞_»∞ P J=HÍâ◊O
`«# H˜=fi=∞O@∂ `«# HõuÎx ^Œ∂ã≤ =ÚO^Œ∞‰õΩ "≥àϧ_»∞. W^ŒÌ~°∞ Ô~O_»∞
ѨÙÅ∞Å=Öˇ H˘@∞ì‰õΩ<åfl~°∞. P „Ѩ^Õâ◊O Ü«∂=`«∂Î Hõ`«∞ÎÅ â◊|ÌO`À
xO_çáÈ~ÚOk. J=HÍâ◊O ^˘iH˜#O`«<Õ HõOѨ#∞_»∞ HõuÎ`À ã¨∞ÖÏÎ#∞x
^≥ | ƒfâß_» ∞ . JO`Õ ! 㨠∞ ÖÏÎ # ∞ ^≥ | ƒu#fl =∞$QÆ O ÖÏQÍ
„H˜O^ŒÑ¨_çáÈÜ«∂_»∞.
JO`Õ , Ãã· x ‰õ Ω Å q[Ü≥ ∂ `åûǨ Ï O, "åi J~° ∞ Ѩ Ù Å∞
PHÍâß#flO@∞‰õΩ<åfl~Ú. =∞^èŒ∞Ô~· Ѩ@ì}=∞O`å KåÖÏ ~ÀAÅ `«~åfi`«
ÅaèOz# q[Ü«∞O`À L`«û=ã¨∂ÊùiÎ`À xO_çáÈ~ÚOk. „Ѩ[ÅO`å
q[Ü«∞ - x<å^•Å∞ KÕã∂¨ ΠѨ@} ì =∞O`å u~°Q™Æ êQÍ~°∞. Ѩ@}
ì =∞O`å
=~åÇ¨Ï ˆH`«<åÅ∞ Ô~ѨÔ~ѨÖÏ_»™êQÍ~Ú. ™êÜ«∞OHÍÅѨ٠"Õà◊,
HõOѨ#~åÜ«∞Å∞ W`«~°∞Å∞ ѨÙ}º™êfl<åÅ∞ KÕã≤ ^Õ"åÅÜ«∂xH˜
|Ü«∞Å∞^Õ~å~°∞. WHõ¯_» ‰õÄ_® N~°OQÆO PÅÜ«∞O=Öˇ, g∞<åH˜∆ =¸Å
q„QÆǨÏO ~åu QÀ_»KÕ HõѨÊ|_çOk. „Ѩã≤kúQÍOz# g∞<åH˜∆ q„QÆǨxfl
K«∂ã≤ HõOѨ#∞_»∞ K«eOzáÈÜ«∂_»∞. HÍ=Ù# P QÀ_»#∞ `«fi~°QÍ
fã≤"ÕÜ«∞=∞x P*Ï˝Ñ≤OKå_»∞. JO`Õ, Ѩx"å~°O`å P ѨxÖ’
=ÚxyáÈÜ«∂~°∞. HõOѨ#∞_»∞, QÆOQÍ^Õq, QÀѨ#fl, ™êÅfi=∞OQÆ∞,
™È=∞ѨÊ, q~î°ìÑ¨Ê "≥Ú^ŒÅQÆ∞ "åÔ~=fi~°∂ "åi rq`«OÖ’ g∞<åH˜∆
q„QÆ Ç ¨  xfl ^Œ i ≈OK« Ö Ë ^ Œ ∞ . JO^Œ ∞ =Å# q„QÆ Ç ¨ Ï ^Œ ~ ° ≈ <åxH˜
Lqfià◊¥§~°™êQÍ~°∞. H˘kÌ x=ÚëêÅÖ’ QÀ_» ѨÓiÎQÍ q~°Q˘æ@ì|_çOk.
HõOѨ#∞_»∞ z#fl z#fl J_»∞QÆ∞Å∞ "Õã¨∂Î =ÚO^Œ∞‰õΩ #_çKå_»∞.
`«~°∞"å`« `«Å ZuÎ q„QÆǨxfl K«∂™ê_»∞. P q„QÆǨxfl K«∂ã≤#
=∞~°∞Hõ∆}O, rq`«OÖ’ =Ú#∞ÃÑ#fl_»∞ Z~°QÆ#O`«QÍ Pâ◊º~°ºÑ¨_®¤_»∞.
P ѨÓÅ=∂ÅÅ∞, K«O^Œ# á⁄_ç, ‰õΩO‰õΩ=∞`À JÅOHõiOK«|_ç# P
^Õg q„QÆǨÏO ZO`À `å*ÏQÍ HõxÑ≤OzOk.
48 ã¨O=`«û~åÅ „H˜`O« JÅOHõiOK«|_ç# ѨÓÅ=∂Å WѨC_Õ
"Õã≤#O`« `å*ÏQÍ "å_»‰õΩO_® LOk. Wk HõOѨ#∞_çH˜ ZO`À
Pâ◊Û~åºxfl HõeyOzOk. J`«#∞ "≥O@<Õ Ô~O_»∞ K≥OѨÅ∞ "Õã¨∞‰õΩx,
^Õq=ÚO^Œ∞ ™êëêìOQÆ Ñ¨_®¤_»∞. "≥∞Å¡QÍ ÖËz xÅ|_ç,
''J=∂‡! J^Œ∞ƒù`åxfl K«∂¿ã J=HÍâ◊O HõeyOKå"å? ^Õg!
hѨ @ ¡ <å‰õ Ω Hõ e y# Ju z#fl 㨠O ^Õ Ç ¨ Ï O ‰õ Ä _® <Õ \ ˜ ` À
Ѩ\ÏѨOK«Öˇ·Ok. D Hõ∆}O <Õ#∞ h áê^•Å =^ŒÌ â◊Ѩ^äŒO KÕã¨∞Î<åfl#∞.
h ѨÓ~°fi "≥·Éèí"åxfl uiy fã¨∞‰õΩ =zÛ, WHõ¯_» h‰õΩ JuÃÑ^ŒÌ HÀ"≥Å
Hõ\ ˜ì™êÎ#∞ `«b¡! <å "åQÍÌ#O xÅɡ@∞ì‰õΩ<ÕÖÏ ##∞fl Pj~°fikOK«∞
=∂`å!—— Jx „áêi÷OKå_»∞.
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(ÃÑ·# ~åã≤#^•xx |\˜ì WѨÊ\˜ g∞<åH˜∆ PÅÜ«∂xH˜ QÆÅ
"≥·Éèí=O HõOѨ#~åÜ«Ú_»∞ =∞iÜ«Ú q[Ü«∞#QÆ~° ™ê„=∂[º "å~°ã¨∞Å
=Å# HõeyOk. PÅÜ«∞ „áêHÍ~°O QÀѨÙ~°O =∞iÜ«Ú Jxfl =∞O@áêÅ∞
"åiKÕ xi‡OK«|_®¤~Ú.
HõOѨ#~åÜ«Ú_»∞ "≥Å∞ѨeH˜ =zÛ# `«~∞° "å`« q∞QÍ`å "å~°O`«
֒ѨeH˜ "≥àϧ~°∞. ֒ѨŠq„QÆǨÏO g∞^Œ L#fl `å*Ï Ñ¨ÓÅ=∂ÅÅ#∞
K«∂ã≤ "åi <À@ =∂@ ~åÖË^Œ∞. `«~°∞"å`« "å~°O`å ã¨∞O^Œˆ~â◊fi~°
ã¨xflkèH˜ KÕ~°∞‰õΩ<åfl~°∞. ã¨∞ÖÏÎ#∞ áêÅ#Ö’ PÅÜ«∞OÖ’x QÀѨÙ~åÅ∞,
QÀ_»Å∞ Jhfl, r~å‚=ã¨÷Ö’ L<åfl~Ú.
ˆH=ÅO D Ô~O_»∞ ã¨xflkèÅ∞ =∞iÜ«Ú J~°ú=∞O_»Ñ¨O =∂„`«O
K≥‰õΩ¯K≥^Œ~°ÖË^Œ∞. ™êfiq∞ ã¨xflkèÖ’ ‰õÄ_® g~°O^ŒiH˜ JÖÏO\˜ QÀ_»<Õ
HõxÑ≤OzOk. WHõ¯_» ‰õÄ_® QÀ_» q~°Q˘æ\ ˜ìOK«|_çOk. q„QÆǨÏOÃÑ·
=∂ÅÅ∞ `å*ÏQÍ L<åfl~Ú. ã¨O`À+¨OQÍ JO^Œ~°∂ g∞<åH˜∆ ^Œ~°≈#O
KÕã¨∞‰õΩx |Ü«∞@‰õΩ =KåÛ~°∞.
Hõ O Ѩ # ∞_» ∞ "≥ O @<Õ , g∞<åH˜ ∆ PÅÜ« ∞ OÖ’ Ѩ x KÕ ã ≤ #
=Oâ◊áê~°OѨ~°º PÅÜ«∞ ¿ã=‰õΩÅ#∞ fã¨∞‰õΩ ~°=∞‡x P*Ï˝Ñ≤OKå_»∞.
`«∞~°∞+¨¯ ^ŒO_»Ü«∂„`«‰õΩ =ÚO^Œ∞ PÅÜ«∂xfl x~°fiÇ≤ÏOz# "åiH˜ D
PÅÜ«∞ ÉÏ^茺`«Å∞ JѨÊyOKå_»∞. J^Õ q^èŒOQÍ `«q∞à◊<å_»∞Ö’ QÆÅ
Z<Àfl r~°‚ ^Õ"åÅÜ«∂Å#∞ L^ŒúiOz, "å\˜ x~°fiǨÏ} ÉÏ^茺`«Å#∞
¿ã"å^Œ$HõÊ^èŒO`À L#fl"åiH˜ JѨÊ*ˇáêÊ_»∞. H˘kÌ <≥ÅÖ’¡<Õ, Z<Àfl
^Õ"åÅÜ«∂Å#∞ "≥Å∞ѨeH˜ fã≤ JHõ¯_» x`«ºÑ¨Ó[Å∞ [iˆQÖÏ
K«∂ã¨∞‰õΩ<åfl_»∞ Jx K«i„`« K≥|∞`«∞#flk. WѨC_»∞ `«q∞à◊<å@
PÅÜ«∂Å#∞ ѨijeOz#>ˇÂì`Õ JHõ¯_» q[Ü«∞#QÆ~° =∞iÜ«Ú Ñ¨Ó~°fiѨÙ
HõàÏ x~å‡}ÏÅ∞ Hõ#Ѩ|_»`å~Ú. `«∞~°∞+¨¯ Hõ|O^èŒ Ç¨Ï™êÎÅÖ’
qÅqÅÖÏ_»∞`«∞#fl ^ŒH}∆˜ Ïk PÅÜ«∂Å#∞ q_çÑO≤ z# g~°∞_»∞, â◊¥~°∞_»∞,
=∞iÜ«Ú Éè‰í Ωõ _Î #·≥ HõOѨ#~åÜ«ÚxH˜ =∞#=∞O^Œ~O° |∞∞}Ѩ_ç LO_®e.
„Ѩã¨∞Î`«O, ã¨fi`«O„`« ÉèÏ~°`«^Õâ◊OÖ’ =∞# =∞`« ã¨Oã¨÷Å#∞ =∞#
"åi#∞O_Õ HÍáê_»ÖHË áõ È`«∞<åflO.„Ѩã∞¨ `Î Ñ« Ù¨ _≥=∂„Hõã‘ („Ѩ*ÏáêÅ#)Ö’,
„Ѩ[ÖË áêʼnõΩÅ∞ "å~°O`å J~°úO KÕã¨∞HÀ=Åã≤O^Õ=∞O>Ë Ãã‰õΩºÅ~ü
„ѨÉèí∞`åfiÅ∞ =∞# =∞`« ã¨Oã¨÷Å#∞ ~°H˜∆OK«ÖË=Ù. "åiH˜ ~å*ϺOQÆ
JkèHÍ~åÅ∞ ÖË=Ù. HõOѨ#∞_»∞ Ç≤ÏO^Œ∂~åA HÍ=_»O =Å#, JѨÊ\˜
Jxfl Ç≤ÏO^Œ∂ PÅÜ«∂ʼnõΩ ã¨Oã¨÷ʼnõΩ ZO`À "Õ∞Å∞ KÕâß_»∞. HÍ=Ù#
J@∞=O\˜ PÅÜ«∂Å#∞ ѨÙ#ó xi‡OK«_®xH˜ ѨÓ#∞HÀ"åe. „ѨÉèí∞`«fi
ã¨Oã¨÷Å x~°¡Hõ∆ º áêÅ#Ö’ =ÚiyáÈ`«∞#fl Ç≤ÏO^Œ∂ „áê~°÷<åÅÜ«∂Å#∞
uiy ѨÙ#~°∞^ŒúiOK«_®xH˜ #_»∞O ayOKåe.
D ã¨O^Œ~°ƒùOQÍ áê~î°‰õΩÅ ^Œ$+≤ìH˜, J^Õ g∞<åH˜∆ PÅÜ«∞OÖ’
[iQÆ# x~°H¡ ∆õ ºO QÆ∞iOz K≥Ñʨ ^ŒÅK«∞‰õΩ<åfl=Ú. `«q∞à◊<å_»∞ „ѨÉ∞íè `«fiO
Ü≥ÚHõ¯ ÃÇÏKü P~ü   ã≤D _çáê~°∞"ì ∞≥ O@∞ x~°H¡ ∆õ "≥Y· i =Å# PÅÜ«∂xH˜
=∞iÜ«Ú =ã¨O`«~åÜ«∞ =∞O@áêxH˜ #+¨Oì HõeyOk. HÍ=Ù# „Ѩ[ÅO`å
KÕ~¸ KÕ~¸ HõÅ∞ѨىõΩx =∞# Ç≤ÏO^Œ∂ PÅÜ«∂Å#∞ HÍáê_»∞HÀ"åe,
=∞# Ãã‰õΩºÅ~ü „ѨÉèí∞`åfiÅ∞ =zÛ, =∞#‰õΩ =∞Oz ~ÀAÅ∞ fã¨∞‰õΩ
=™êÎÜ«∞x â◊√+¨¯ „Éèí=∞Ö’ q∞yeáÈ=^Œ∞Ì.
(ã¨âı+¨O)
All slokas Chant 108 times

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó

G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™: G [ÆÁz u o ÁÊ ú oÆz å™:
In moments of distress and despair For aspirants of Plots and own residence.
For good eye - sight.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.

EãJmy \ÁÆoz Ã˘Áz áåÊ ∆yV¿ ™ ƒÁúÏ Æ ÁoΩ @ @

W`«~°∞Å#∞ =∞Oz KÕã¨∞HÀ"åÅ#∞‰õΩO>Ë =∞#O JO^Œi`À =∞OzQÍ LO_®e.

 ✍
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uƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁ - 204
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uoªõúÁƒ{ ú∫ üƒYå utL sz, N{˛Ãz ÃÊúëÁ “ÏL>>?
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Nz˛ §Á∫z ™ı ™Êså N˛∫åz ¬Tz@
Gã“Áıåz Eúåz ßÁÊ\z, ƒ∫t uƒ…mÏ Ãz ìÁ“ N˛y@ å‰gÁtÓ∫
EÁ∏ƒÁ∫Ω Nz˛ åÁ™ Ãz üuÃÚ ƒ∫t uƒ…mÏ EÁYÁÆ|\y Nz˛ ÃÁs Ãt{ƒ
GåN˛y ZÁÆÁ Nz˛ ÙÁå ∫“oÁ sÁ@
EÁYÁÆ|\y åz Eúåz uƒYÁ∫Áı N˛Áz √ÆMo N˛∫oz “ÏL N˛“Á -
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Y∫mÁ∫uƒãtÁı ™ı ¬yå “Áz TL@ §Yz “™ tÁzåÁı ßy ƒwÚÁƒÀsÁ ™ı ú“ÏÂY
∫“z “¯@ Fà ÃÊütÁÆ N˛Áz EÁTz §jÁåz Nz˛ u¬L “™ YÁ∫Áı åz u™¬N˛∫
uåm|Æ u¬ÆÁ sÁ uN˛, u\à üN˛Á∫ Ãz Fà <ƒy∫m Ã∫Ázƒ∫> Nz˛ YÁ{“ ∫
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GåNz˛ ƒÊ∆\ Fà ú∫Êú∫Á N˛Áz EåσÊu∆N˛ øú Ãz úÁLÊTz@>>
ågÁtÓ∫ EÁ∏ƒÁ∫Ω åz §‰gy uƒå™¿oÁ Ãz G ∫ utÆÁ - <<MÆÁ ™¯
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EuÀonƒ u™¬Á “{@ EÁúN˛y ™“ÁåoÁ Nz˛ “y N˛Á∫m EÁú ™Ï^Ãz Æ“
ü≈å N˛∫ ∫“z “¯@ u¢˛∫ ßy EÁúåz ü≈å uN˛ÆÁ “{ oÁz GÃN˛Á G ∫ tzåÁ
™z∫Á N˛o|√Æ §åoÁ “{@ EÁúåz ™Ï^z åwuÃÊ“ ™Êfi N˛Á Gútz∆ tzoz ÙÆ,
oÁúåyÆ Gúuå tΩ Nz˛ TÓ‰jÁsÁz˙ N˛Áz ßy Ù^ÁÆÁ sÁ@ Gà EƒÃ∫ ú∫
EÁúåz ™Ï^z §oÁÆÁ sÁ uN˛ ßTƒÁå åwuÃÊ“, ßO˛Áı N˛Áz ETumo ÃÊPÆÁ
~ÀE ~°∞„^Œáê~åÜ«∞}O KÕ¿ã"å_»∞ ~°∞„^Œ∞_Õ J=Ù`å_»∞.
EåσÁtN˛ : gÁ} . ÃÏ ™ å¬oÁ
™ı Eúåy EÁz∫ EÁN˛u |o N˛∫oÁ “{@ EÁúÃz uåÆÏO˛ “Ázåz ƒÁ¬z 74
uÃÊ“ÁÃåÁuáúuoÆÁı N˛Áz å∫uÃÊ“ ™Êfi N˛Á Gútz∆ N˛∫, Gå ç N˛Áz
LN˛-LN˛ å∫uÃÊ“ N˛y ™Óuo| ütÁå N˛∫ı@ ƒz EÁ{∫ GåNz˛ ƒÊ∆\, ú∫™Án™Á
å∫uÃÊ“ N˛Áz NÏ˛¬tzƒoÁ Nz˛ øú ™ı EÁ∫ÁáåÁ N˛∫ıTz oÁz GÃy ú∫™Án™Á
N˛y EåÏNÊ˛úÁ Ãz, EÁ∆yƒÁ|t Ãz Fã“ı ßy N˛F| u∆…ÆTm üÁõo “Áz\Áåz
N˛y ÃÊßÁƒåÁ “{@>>
FÃz ÃÏåoz “y EÁYÁÆ| ∫Á™ÁåÏ\ åz N˛“Á - <<Euo G ™ “{@
FÃz “™ EÁY∫m ™ı ¬ÁLÊTz@>>
∫Á™ÁåÏ\ÁYÁÆ|\y åz ∫Á\Á uƒ…mσá|å N˛Áz EÁtz∆ utÆÁ uN˛
å∫uÃÊ“ ÀƒÁ™y N˛y 74 ™Óuo|ÆÁ §åƒÁN˛∫ tı@ §Át™ı Gå ™Óuo|ÆÁı N˛Áz
å‰gÁtÓ∫ EÁ∏ƒÁ∫Ω N˛Áz ÃÁzÊúoz “ÏL EÁtz∆ utÆÁ uN˛ uåáÁ|u∫o ™Ï“Ï∫o oN˛
Gå ™Óuo|ÆÁı N˛y úÓ\Á EÁ{∫ EÁ∫ÁáåÁ N˛∫åÁ oÏ©“Á∫Á N˛o|√Æ “{@
\{Ãz “y ∫Á™ÁåÏ\ÁYÁÆ|\y åz EåÏ߃ uN˛ÆÁ uN˛ E§ ™z∫Á
ƒ{NÏ˛leƒÁÃy “Ázåz N˛Á Ã™Æ EÁTÆÁ “{, ƒ{Ãz “y Gå YÁ{“ ∫ u∆…Æ,
u\ã“Áıåz FÃÃz úÓƒ| Gútz∆ å“Î u¬ÆÁ sÁ, N˛Áz åwuÃÊ“ ™Êfi N˛Á Gútz∆
EÁ{∫ oÁúåyÆ Gúuå t N˛Á §Ázá N˛∫ÁN˛∫, ünÆzN˛ u∆…Æ N˛Áz LN˛-LN˛
åwuÃÊ“ N˛y ™Óuo| ty@
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“¯@ EÁ\oN˛, Gå YÁ{“ ∫ uÃÊ“ÁÃåÁuáúuoÆÁı Nz˛ ƒÊ∆\, ßTƒÁå
å∫uÃÊ“ ÀƒÁ™y N˛y Nw˛úÁ Ãz Fà ÃÊütÁÆ N˛Áz u§åÁ uN˛Ãy Eƒ∫Ázá Nz˛
EÁTz §jÁ ∫“z “¯@ å‰gtÓ∫ EÁ∏ƒÁ∫Ω N˛y Gà utå N˛y ÃÓYåÁ Nz˛ N˛Á∫m
Æ“ ç ÃÁÜÆ “ÏEÁ@
å‰gÁtÓ∫ EÁ∏ƒÁ∫Ω åz å∫uÃÊ“ ÀƒÁ™y Nz˛ ™Êfi N˛Áz \Áúoz “ÏL,
oÁúåyÆ Gúuå oΩ Nz˛ Es| N˛Áz ™åå N˛∫oz “ÏL ú∫™Án™Á åwuÃÊ“ ÀƒÁ™y
N˛y úÓ\Á N˛y sy@ ßTƒÁå å∫uÃÊ“ N˛y Nw˛úÁ Ãz GåNz˛ úÏfi tzƒ∫Á\ N˛Áz,
¬Ê§y üoyqÁ Nz˛ ú≈YÁoΩ åwuÃÊ“ \ÆÊuo Nz˛ “y úÁƒå utƒÃ ú∫ úÏfiÁztÆ
“ÏEÁ@ ÃÊÆÁzT ƒ∆, ƒ“ utå, ú∫™Án™Á §¿÷Á Ãz ÃÊúëÁ EæÁ™zá Ær
Nz˛ ÙÆ, N˛ÁÊYyúÏ∫™ ™ı <úÏlÆN˛Ázub uƒ™Áå> Ãu“o üN˛b “Ázåz N˛Á
uƒ∆z  utƒÃ ßy “{@ Eo: LzÃz uƒ∆z  utƒÃ ú∫ \ã™z Gà §Á¬N˛
N˛Áz ƒ∫t EÁ{∫ åwuÃÊ“ Nz˛ tÁzåÁı åÁ™ utL TL “¯@ Æ“y §Á¬N˛
ú∫ƒoy|N˛Á¬ ™ı <ƒnÀÆ ƒ∫t TϪ> EÁ{∫ <ågÁtÓ∫ E©™Á¬> Nz˛ åÁ™ Ãz
üuÃÚ “ÏEÁ “{@
ågÁtÓ∫ E©™Á¬ Nz˛ úÁ{fi Nz˛ úÁ{fi <VubN˛∆o™ E©™Á¬>, FÃ
üN˛Á∫ Ãz uƒTo N˛F| úyujÆÁı Ãz “ÏL å∫uÃÊ“ ßTƒÁå Nz˛ ßO˛Áı N˛Á
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Nz˛ GÒz≈Æ Ãz <EÜÆÆå - EÜÆÁúå Nz˛ã¸> åÁ™N˛ LN˛ ™e N˛y ÀsÁúåÁ
N˛∫åz N˛Á ÃÊN˛¡ú uN˛ÆÁ@ »yuåƒÁà åÁ™N˛ Eúåz uüÆ u∆…Æ N˛Áz
åwuÃÊ“ ™Êfi N˛Á Gútz∆ utÆÁ@ Æ“ ÆσN˛ ™z¬N˛Ázbz åÁ™N˛ ütz∆ Ãz
∫Á™ÁåÏ\ ÃÊütÁÆ Nz˛ YÁ∫ ü™ÏQ T¿ãá - <»yßÁ…Æ™Ω, TyoÁ ßÁ…Æ™Ω,
ßTƒu˚ Æ, ∫“ÀÆfiÆÃÁ∫> N˛Á EÜÆÆå N˛∫åz FåNz˛ úÁà EÁÆÁ sÁ@
»yuåƒÁà åz Eúåz TϪ Ãz üÁõo ™Êfi N˛Á \Áú EnÆão ßuMo
EÁ{∫ »ÚÁ Ãz N˛∫, Euo ∆yV¿ “y uÃuÚ úÁF|@ GÃz ßTƒÁå å∫uÃÊ“
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GÃåz oÏ∫ão Eúåz ™ÁT|t∆|N˛ VubN˛ ∆o™ E©™Á¬Ω Nz˛ úÁÃ
\ÁN˛∫ Eúåz Àƒõå Nz˛ §Á∫z ™ı §oÁÆÁ@ Gã“Áıåz oÏ∫ão ßTƒÁå Nz˛ EÁtz∆
N˛Á úÁ¬å N˛∫åz Nz˛ u¬L N˛“Á@ ƒ“ ÆσN˛ åƒåÁ∫uÃÊ“ qzfiÁı ™ı Ãz
LN˛, E“Ázu§¬™ ú“ÏÂYÁ@ ú∫™Án™Á åz t∆|å tzN˛∫, ÃãÆÁÃÁ»™
ÀƒyN˛Á∫ N˛∫åz Nz˛ EÁtz∆ utÆz@ ßTƒÁå å∫uÃÊ“, åƒåÁ∫uÃÊ“ øúÁı ™ı
Ãz LN˛, E“Ázu§¬™ Nz˛ ™Á¬Áz¬ Nz˛ øú ™ı GÃN˛y EÊ\Ϭy ™ı üN˛b
“ÏL EÁ{∫ GåÃz ™e N˛y ÀsÁúåÁ N˛∫åz Nz˛ EÁtz∆ ßy u™¬z@
»yuåƒÁÃ, ™Á¬Áz¬ N˛y ™Óuo| Nz˛ ÃÁs N˛ÁÊYyúÏ∫™ ú“ÏÂYÁ EÁ{∫
Eúåz TϪ N˛Áz Vubo ÃÁ∫y VbåÁEÁı N˛Á £ÆÁz∫Á utÆÁ@ FÃz ÃÏåN˛∫, TϪ
N˛Á ”tÆ úϬuN˛o “ÏEÁ EÁ{∫ Gã“Áıåz ßTƒÁå Nz˛ üuo Eúåy Nw˛oroÁ
üN˛b N˛y@ Eúåz u∆…Æ N˛Áz üÃëÁoÁ Ãz EÁ∆yƒÁ|t utÆÁ@ GÃNz˛ sÁz‰gz
“y utåÁı Nz˛ §Át E“Ázu§¬ ™e N˛y ÀsÁúåÁ “ÏF|@ »yuåƒÁà ÃÊãÆÁÃ
ÀƒyN˛Á∫ N˛∫åz Nz˛ ú≈YÁoΩ <EÁutƒå ∆eTÁzúÆuo>> åÁ™ Ãz üs™
\yÆ∫ §åÁ@ E“Ázu§¬ ™e Nz˛ üs™ EÁ{∫ EnÆão GtÁ∫ √ÆuO˛ Nz˛ øú
™ı GÃz PÆÁuo u™¬y@
VubN˛∆o™ E©™Á¬ åz EÁutƒå∆eTÁzúÆuo N˛Áz EÁtz∆ utÆÁ
uN˛ ú∫™Án™Á ™Á¬Áz¬ å∫uÃÊ“ N˛Áz Eúåz ÃÁs ÃtÁ tz∆ Nz˛ TÁƒ-TÁƒ ™ı
ÆÁfiÁ N˛∫oz Ã™Æ ¬zN˛∫ “y \ÁåÁ@ oÁuN˛ EåuTåo ßO˛ ÙӓÁı N˛Áz
EÁN˛u |o N˛∫ Gã“ı ∫Á™ÁåÏ\ ÃÊütÁÆ Nz˛ ÃÁs ∫“åz ™ı ÓÁÆN˛Á∫y ∫“ıT@z
utå üuoutå E“Ázu§¬ ™e ÃÏuÀs∫ “Ázoz “ÏL EÁutƒå
∆eTÁzúÆuo Ãz EÁ∫Êß “ÁzN˛∫, N¿˛u™N˛ øú ™ı EÁ\oN˛ ÃÏYÁª øú ™ı
ET¿Ã∫ “Áz ∫“Á “{@ <EpTyÆTÁÆN˛> Nz˛ åÁ™ Ãz üuÃÚ \yÆ∫ ÀƒÁu™ÆÁı
Nz˛ åzownƒ ™ı EÁ\ ßy N˛F| ¬ÁzTÁı N˛Áz Eúåy EÁz∫ EÁN˛u |o N˛∫åz ™ı
E“Ázu§¬ ™e uƒPÆÁo “{@
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<<Fà üN˛Á∫ Ãz ßO˛Áı N˛Áz EÁN˛u |o N˛∫, Nz˛ã¸ u§ãtÏ §å
uƒ∫Á\™Áå å∫uÃÊ“ ÀƒÁ™y, <ÃÊuá™Áå> åÁ™ Ãz uƒPÆÁo “¯@ uüÆ gÁ.
™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)
ƒıN˛bz∆! <ÃÊuá™Áå> åÁ™ Ãz ÃʧÁzuáo Gà ú∫™Án™Á åz oÏ™ ú∫ Eúåz
EÁ∆yƒÁ|tÁı N˛Áz ƒ Á|ÆÁ “{@ Æ“y N˛Á∫m “{ uN˛ EuáN˛ Ãz EuáN˛ ÃÊPÆÁ
™ı ßMoÁı åz EÁN˛∫ oÏ©“Á∫z uoªõúÁƒ{ üƒYåÁı N˛Áz ÃÏåÁ>>@ ™¯åz Eúåz
N˛så N˛Áz úÓ∫Á uN˛ÆÁ@
™Ï^z uƒYÁ∫ EÁÆÁ uN˛ uƒ…mÏ Ã“œÁåÁ™Áƒ¬y Nz˛ 204 ƒÁÂ
åÁ™ <ÃÊuá™Áå> Nz˛ ÃÊtß| ™ı Fà TÁsÁ N˛Á ™¯ GúÆÁzT N˛∫ ÃN˛oÁ
“Ó @ Eo: ™¯ åz gÁ. ƒıN˛bz∆ Ãz FÃz u¬QN˛∫ ßz\åz N˛Á EåÏ∫Ázá
uN˛ÆÁ@ GÃÃz EnÆão Àƒ¡ú Eƒuá ™ı “y üzu o ÃÁ™T¿y N˛Áz úÁN˛∫
™Ï^z §‰gÁ EÁ≥ÁÆ| “ÏEÁ EÁ{∫ úÓZÁ uN˛ Æ“ N{˛Ãz ÃÊ߃ “ÏEÁ? GÃåz §‰gy
uƒå™¿oÁ Ãz G ∫ utÆÁ uN˛ - <<ÃY §Áo oÁz Æ“ “{ EÁYÁÆ| \y uN˛,
200 ƒı TÁsÁƒ¬y Nz˛ ßÁTÁı ™ı Ãz NÏ˛Z u“ÀÃÁı N˛Áz uåN˛Á¬N˛∫ ™¯
åz EÁúN˛Áz utÆÁ “{@>>
FÃz ÃÏååz Nz˛ §Át ™Ï^z ¬TÁ uN˛ 200ƒzÊ åÁ™ N˛y TÁsÁ N˛Á “y
GúÆÁzT, Fà 204 ƒı åÁ™ Nz˛ u¬L ßy N˛∫åÁ N˛“Á oN˛ GuYo “{?
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TÆÁ@ N˛ÁzF|ßy uN˛¬z Ãz §Á“∫ å uåN˛¬oz tzQ, ÃzåÁ åz uN˛¬z N˛Áz Vz∫
u¬ÆÁ@ ou™¬ ütz∆ Nz˛ ¬ÁzT, uN˛¬z ™ı üƒz∆ N˛∫oz Ã™Æ “y EúåÁ
N¿˛Ázá √ÆO˛ uN˛ÆÁ@ Æ“ tzQ ¬TÁ uN˛ MÆÁ Æ“y ÆÏTÁão “{? GåNz˛
úÁ{ª  Nz˛ EÁTz ¬TÁ uN˛ úƒ|o ßy ubN˛ å úÁÆıTz@ LzÃÁ §‰gÁ Ã{uåN˛
Ùӓ uN˛¬z N˛y EÁz∫ Y¬ ú‰gÁ@ uN˛¬z Nz˛ YÁ∫Áı EÁz∫ Nz˛ úÁåy N˛Áz LN˛
“y utå ™ı ∫ÁzN˛ utÆÁ@ N˛F| Yy\Áı N˛Á ܃Êà “ÏEÁ@ ÃzåÁ Nz˛ ¢ı˛Nz˛ EuTí
TÁz¬ Ãz EÁN˛Á∆ ß∫ TL@ “ƒÁ N˛Áz Yy∫oz EÃÊPÆÁ §ÁmÁı N˛y ܃uå Ãz
ƒ“ ütz∆ ßyN˛∫ §å TÆÁ@
NÏ˛Z VÊbÁı ™ı ÃÏ¡oÁå N˛y ÃzåÁ N˛™\Áz∫ ú‰g TF|@ GÃy ÙÆ
uN˛¬z Nz˛ YÁ∫Áı EÁz∫ ∫ÀÃy Nz˛ åÃ{åy ¢ı˛N˛, uƒ\ÆåT∫ Nz˛ ƒy∫ Ã{uåN˛
YyubÆÁı ÃÁ uN˛¬z ú∫ Y‰j TL@ GÃy Ã™Æ uN˛¬z Nz˛ tƒÁ\Áı N˛Áz §‰gz-
§‰gz “Ásy uYÊVÁ‰goz oÁz‰gåz ™ı ¬Tz sz@ NÏ˛Z Ã™Æ ™ı uN˛¬z N˛y tyƒÁ∫
EÁ{∫ YÁ∫Áı EÁz∫ N˛Á ütz∆ uƒ\ÆåT∫ Nz˛ Ã{uåN˛Áı Nz˛ EÁáyå “Áz TÆÁ@
oϪN˛ “ÁsÁı ™ı üÁm¬zN˛∫ tÁ{‰gåz ¬Tz@ úÓ∫§ N˛Á ˚Á∫ QϬ ú‰gz
EÁ{∫ üƒÁ“ Nz˛ ÙÁå Ã{uåN˛ ßyo∫ ú“ÏÂY TÆz@ ÃÏ¡oÁå §“ªÒyå
™Ï§Á∫N˛ ∆Á“ §Á“∫ EÁN˛∫ ÆÏÚ Nz˛ u¬L o{ÆÁ∫ “ÏEÁ@ ƒ®ß EÁ{∫ t
ÃÏ¡oÁå Ãz bN˛∫Áåz o{ÆÁ∫ sz@ NÊ˛úå∫ÁÆ åz GåÃz N˛“Á uN˛ ƒz Æ“ ™Á{ N˛Á
Gã“ı tı@ o¬ƒÁ∫ “Ás ™ı ¬z NÊ˛úå∫ÁÆ ÃÏ¡oÁå Ãz bN˛∫Áåz ¬TÁ@ tÁzåÁı
tÁz ∆z∫Áı N˛y o∫“ ¬‰g ∫“z sz@ o¡ƒÁ∫Áı N˛y EÁƒÁ\ Ãz ƒ“ ütz∆ ß∫
TÆÁ@ ™Á{N˛Á u™¬oz “y NÊ˛úå åz ÃÏ¡oÁå ú∫ ƒÁ∫ uN˛ÆÁ@ §Ã MÆÁ sÁ,
ÃÏ¡oÁå V∫Á∆ÁÆy “ÁzTÆÁ@
EÁ{∫ MÆÁ sÁ? Ã{uåN˛Áı N˛Á uƒ\ÆÁznÃÁ“, GåN˛y YyQ - úÏN˛Á∫
EÁN˛Á∆ ™ı ZÁ TF|@ \åoÁ uååÁt N˛∫oy åT∫ ß∫ “¬Y¬ N˛∫åz ¬Ty@
åT∫ß∫ ™ı ƒ∫Á“ Nz˛oå ¬“∫Áåz ¬Tz@ ∆Á™ Nz˛ ÙÆ, NÊ˛úå∫ÁÆ EÁut
úÏlÆÀåÁåN˛∫ ™Êut∫ Y¬ ú‰gz@ Æ“Á ßy »y∫ÊT™Ω ™Êut∫ Nz˛ ÙÁå ™yåÁqy
N˛y ™Ó¬ ™Óuo| úns∫ N˛y tyƒy∫ Ãz jN˛ ty TF| sy@ üPÆÁoΩ ™yåÁqy N˛y
™Óuo| tzQ uƒYu¬o “ÁzTÆÁ@ FÃN˛Á∫m NÊ˛úå åz úns∫ N˛y tyƒÁ∫ N˛Áz
“bÁ tzåz N˛Áz N˛“Á@ §Ã, N˛Á™ƒÁ¬z Eúåz N˛Á™ ™ı ¬T TÆz@ NÊ˛úå,
TÊTÁtzƒy, TÁzúëÁÁ, ÃÁ¡ƒ™ÊTÏ, ÃÁz™õúÁ, uƒf¬ EÁut uN˛Ãy åz ßy GåNz˛
\yƒå ™ı ™yåÁqy N˛Áz tzQÁ å“Î sÁ@ Fà N˛Á∫m ™Óuo| t∆|å Nz˛ u¬L
N˛Á{oÓ“¬ utQÁ ∫“z sz@ NÏ˛Z “y Ã™Æ ™ı tyƒÁ∫ j“Á ty TF|@
NÊ˛úå ZÁzbz-ZÁzbz ú{∫ §‰jÁoÁ EÁTz §‰jÁ@ §Át™ı uÃ∫ GeÁN˛∫
™Óuo| N˛Áz GÃåz tzQÁ@ GÃz tzQåz Nz˛ ET¬z ú¬, EÁ≈YÆ| - ÃÁT∫ ™ı
gÓ§ TÆÁ@ ¢Ó˛¬™Á¬ÁLÂ, YÊtå, NÏ˛ÊNÏ˛™Ãz Ã\y ƒ“ tzƒy ™Óuo| o∫Áz oÁ\Á
¬T ∫“y sy@
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II
Kaameshwaraya Kaamaya Kaamapalaya Kamine
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also
this sloka bestows intimacy, mutual affection and
trust between couples.
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜
=∞^èŒ∞~°"≥∞ÿ# "å‰õΩ¯ Q˘Ñ¨Êk, ZO^Œ∞HõO>Ë „¿Ñ=∞ ^Õ=Ù_ç`À ã¨=∂#O.
48 ƒ | úÓƒ| tzƒy ™Á Ã\ÁF| TF| ßy@ u¢˛∫ ßy ¢Ó˛¬™Á¬Á
Eßy-Eßy ú“åÁF| TF| Ãy ¬T ∫“y sy@ Æ“ tzQ NÊ˛úå Nz˛ EÁ≈YÆ|
N˛y Ãy™Á å sÎ@ NÊ˛úå oÏ∫ão tzƒy Nz˛ EÁTz tlgƒoΩ “ÏEÁ@ áy∫z Ãz
Ge Qgz “Áz -
<<“z ™ÁÂ! Fà EtΩßÏo N˛Áz tzQåz N˛Á ™Á{N˛Á utÆÁ å? tzƒy
™ÁÂ! oÏ™Ãz ™z∫Á ZÁzbÁ ÃÊtz“ sÁ@ ƒ“ ßy oÏ™åz tÓ∫ uN˛ÆÁ@ ™¯ Fà ú¬
oÏ©“Á∫z Y∫mÁı Nz˛ úÁà ∆ús ¬z ∫“Á “ÓÂ@ oÏ™Á∫z úÓƒ| ƒ{߃ N˛Áz ¬Á{ bÁN˛∫
™¯ Æ“Á LN˛ ogÁT N˛Á uå™Á|m N˛∫ƒÁHÂTÁ@ ™¯ EÁúN˛Á ƒYå úÓ∫Á N˛øÂ,
LzÃÁ EÁ∆y  tÁz@>> GÃåz üÁs|åÁ N˛y@
FÃÃz ™Á¬Ó™ “ÁzoÁ “{ uN˛ ™yåÁqy ™Êut∫ N˛Á \Áz ƒ{߃ EÁ\
“™ tzQ ∫“z “¯ ƒ“ NÊ˛úå∫ÁÆ LƒÊ uƒ\ÆåT∫ ÃÁ™¿Á[Æ Nz˛ ƒÁu∫ÃÁı N˛y
tzå “{@ ™Êut∫ N˛Á üÁÊTm, TÁzúÏ∫ EÁ{∫ ÃÁ∫z ™lgú GåÃz “y uåu™|o “¯@
NÊ˛úå∫ÁÆ Nz˛ §Á“∫ EÁåz Nz˛ §Át EãÆ Ãßy ¬ÁzT ßyo∫ TL@
ƒ“Á N˛y uÀsuo tzQ Ãßy tÊT ∫“ TL@ FÃNz˛ §Át Ãßy ÃÏÊt∫zæÁ∫ ÃuëÁuá
™ı ú“ÏÂYz@ ÃÏ¡oÁå Nz˛ ∆ÁÃå ™Êut∫ Nz˛ Ãßy ßÁT qym “Áz TL sz@
Nz˛ƒ¬ Æz tÁz ™Êut∫ EÁ{∫ Es|™lgú ÃÏ∫uqo sz@ üßÏ N˛y
ÃuëÁuá ™ı ßy LzÃy tyƒÁ∫ utQÁF| ty@ Æ“Á ßy tyƒÁ∫ j“Á ty TF| ßy@
™Óuo| ú∫ ™Á¬ÁL oÁ\y ßÎ@ ç ÃÊoÁz úÓƒ|N˛ ™yåÁqy Nz˛ t∆|å N˛∫
§Á“∫ EÁTL@
NÊ˛úå åz oÏ∫ão ™yåÁqy ™Êut∫ ™ı N˛Á™ uN˛Æz ƒÊ∆ú∫Êú∫Á Nz˛
™Êut∫ ÃzƒN˛Áı N˛Áz §Ï¬ÁÆÁ@ oÏ∫N˛Áı Nz˛ úÓƒ| u\ã“Áıåz ™Êut∫ N˛y tzQßÁ¬
N˛y sy, Gã“ı úÏå: tÁuÆnƒ ütÁå uN˛ÆÁ@ GÃy üN˛Á∫ ou™¬åÁgÏ Nz˛ N˛F|
\ym|-∆ym| ™Êut∫Áı N˛Á GÚÁ∫ N˛∫, ÃzƒÁ á™| ú∫ EÁÃuO˛ ∫QåzƒÁ¬Áı
N˛Áz Æ“ N˛ÁÆ| ÃÁ¯ú utÆÁ@ NÏ˛Z “y ™“yåÁı ™ı N˛F| ™Êut∫Áı N˛Áz ú“YÁå
uånÆúÓ\ÁEÁı N˛y √ƃÀsÁ N˛y TF|@ EÁ\ ßy ƒ“Á Nz˛ ™Êut∫Áı ™ı
uƒ\ÆåT∫ N˛Á¬ Nz˛ uå™Á|m TÁzY∫ “ÁzÊTz@ tuqm Nz˛ ™Êut∫Áı Nz˛ GnsÁå
™ı NÊ˛úå∫ÁÆ N˛Á ™“nƒúÓm| “Ás ∫“Á @ ƒz ç NÊ˛úå∫ÁÆ Nz˛ Jmy “¯@
EÁ\N˛¬ ÀƒoÊfi ßÁ∫o ™ı Eúåy “y áÁu™|N˛ ÃÊÀsÁEÁı N˛Áz
“™Á∫z ¬ÁzTÁı Ãz §YÁ å“Î úÁ ∫“z “¯@ “™z E§ Ù^åÁ Æ“ uN˛ ÃzMÆϬ∫
Ã∫N˛Á∫z “™Á∫y áÁu™|N˛ ÃÊÀsÁEÁı N˛y ∫qÁ å“Î N˛∫ úÁÆıTy@ Gã“ı
Ãʃ{áÁuåN˛ EuáN˛Á∫ å“Î “{@ Ã∫N˛Á∫ N˛Áz YÁu“L uN˛ Få ÃÊÀsÁEÁı N˛y
ÃÏ∫qÁ ™ı EúåÁ tÁuÆnƒ uåßÁN˛∫ GåN˛Á úÏåªÚÁ∫ N˛∫ı@
Fà ÃÊtß| ™ı Æ“ ßy úÁeN˛Áı Nz˛ é™ÏQ ¬ÁåÁ YÁ“oÁ “Ó uN˛
ou™¬åÁ‰g N˛y “zY.EÁ∫. EÁ{∫ Ãy.F|. uƒßÁT N˛y GtÁÃyåoÁ Nz˛ N˛Á∫m
™Êut∫ osÁ ƒÃão∫ÁÆ ™lgú N˛Áz “Áuå “ÏF|@ Fà N˛Á∫m \åoÁ ÃÁznÃÁ“
ET¿Ã∫ “ÁzN˛∫ LN˛ \Ïb Ãz u“ãtÓ ™Êut∫Áı N˛y ∫qÁ N˛∫ı@ N˛ÁzF| EÁÆz TÁ,
“™Á∫Á GÚÁ∫ N˛∫zTÁ - Fà ߿™ ™ı ∫“z å“Î@
(Ã∆z )
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times
=∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
=∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
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AHOBILAM AND AHOBILA MUTT - 63
So far we have been enlightening ourselves with the
greatness of Ahobilam. We are continuing this journey
and will now change the course to understand this
holy place even deeper with the eyes of two celestal
beings Gandharvas who keep wandering to various
holy places. These Gandharvas have been imagined
by a writer to have visited Ahobilam during the period
of 41 Jeer of Sri Ahobila Mutt and it has been brought
out in form of a fiction anecdote linking with various
events during 1916-17 and is published in Vedanta
Deepikai. The writer is anonymous and he had
performed the holy journey to Ahobilam. The coverage
is titled as Ahobilam and the two Gandharvas. VAK
will be presenting this to the readers:
AHOBILAM AND THE TWO GANDHARVAS
– Vedanta Deepikai, Vol 7, No 4p 171
He was praised by Swamy Vedanta Deshika as:
EÁåyÆÁåy¬»wWï˘Ïuo∫uYo\T¸±ÁåÁ¸z:
∆z±ÁÆÁ™Á∫ÁÜÆ NÊ˛uYnÙƙs uå“nÆÁzÚåÏ…N˛ÁåΩ oϪ…N˛ÁåΩ@
¬fl™yfl™Á•ÆÁ™ÏßÁ•ÆÁÊ Ã“uå\uå¬Æz ÀsÁúÆå¿WïåÁsÊ
éÆMYÆÁ˙ÃúÆÁ|™Nw˛oßÏuƒÆ∆: üÁúmÁz TÁzúmÁÆ|:@@
Even separated, the Archa beram has the power of
the Lord. Proof for this is the story of Lord Selvapillai
who was taken away by Sultan of Delhi from Melkote.
Later when Lord Ramanuja approached the Sultan and
sought the idol of Selvapillai, the Sultan responded
by saying “you look at the idols here and take your
Selvapillai”. When Lord Ramanuja was looking, the
idol of Selva pillai walked with the noise of anklets
and came to Lord Ramanuja on his call. He took the
idol in his lap and brought Ramapriya (selva Pillai)
to Melkote. This is recorded by 3rd Parakala Jeer in
his Guruparampara Prabhaavam. Although these
separations have been forced there is no issue with
Sannidhyam (power) of the idols. Similarly in the case
of Ahobila Mutt, this is ordainment of Lord Lakshmi
Narasimha himself through a differentiated
Preshopadesham and hence is having sanctity. This
separation is due to Lord’s Niyamana (order). In many
divyakshetrams there are at times no bali or homas
and due to which the sanctity of the Lord is not affected.
Similarly the Yaatra beram which is taking daily poojas
as per shastras has no depletion in sanctity. Thus many
great scholars, devotees such as 6th pattam Jeer have
accepted and practiced. Hence this doubt need not
come to you any more” concluded Madhuraalapa.
After the clarification about utsava murthy travelling
outside the temple premises, the two gandharvas left
that place and reached the inner Mantapa of the temple
of Lord Lakshmi Narasimha. There Madhuraalaapa
looked at Valgubhashana and said My dear friend !
look at the pillar here. In one of them Lord Narasimha
is going behind Goddess Lakshmi convincing who
has turned her face away knowing that Lord has married
Chenchu Lakshmi. The hillock you see here is known
as Chenchu hill. Chenchu Lakshmi came here through
this cave only. On the western side of Vedadri Lord
^èŒ#=Ú`À ZO`À Q˘Ñ¨Ê"å_≥·#ѨÊ\˜H© ^èŒ#"Õ∞ ã¨~°fiã¨fiO HÍ^Œ∞.
– M.V. SOUNDARARAJAN
Varaha Narasimha is there with Lakshmi as said in
the purana sloka:
ƒÁ∫Á“Ê øú™ÁÀsÁÆ á z\ÁÆÁÊ ƒÃÏãá∫ÁÊ@ ƒztÁ¸z: úw…eßÁTzoÏ@
Here we can see the Varaha lakshmi Narasimha
sanndihi (temple). This is in between Ahobila Narasimha
and Lakshmi Narasimha temples. This N˛Á∫±ÁÁ“Ázu§¬-N¿˛Ázá-
™Á¬Áz¬ temples (temples of Karanja, Ahobila, Krodha,
Malola Narasimhas) are within 2 miles. You can see
in a small distance from here between Vedachalam
and Garudachalam there is a hill called Achalachaya
meru. In this mountain there exists Jwala Narasimha
sannidhi. Here Lord Narasimha is in the form of highly
radiant fire G˘ÙÁÀƒnÓœÁüß™∆uåuåßÊ @ As sung by Sri
Kurathalwar or Kuresha,“z™n©Æ|uÃÊ“ ƒúÏ Àoƒoz\ÃÁÊ∆z ∆ÊßÓß|ƒëÁÏ
u“ ∆∫ß≥Á¬ßÁz §ßÓƒ which means that Oh! Lord
Narasimha, before your radiance the radiance of other
demi gods like Siva has become like the Shalabha insect
or the flies that get attracted to light. To provide coolness
to this hot Narasimha, Devas bathed him with Akasha
Ganga. This is running today as Bhavanashini. This
is described in the Purana sloka below:
EÀÆYÁzT¿ÀÆ tzƒÀÆ ∆ÁãnÆs˙ tzƒoÁTm:@
TWΩTÁÊ ufiúsTÁÊåyÆ ŒÁÁúÆÁ™Áà ÃÁt∫Ê@@
ÃÁ úu≥Á™Áuß™ÏQy üƒ“nÆuoßy mÁ @
߃ÃÊoÁú“∫mÁ oëÁÁ™Áz ߃åÁu∆åy @@
This ksehtra is not easy to attain by pedestrian devotees.
But for us who travel by Vimaana this is easy. Look
here on the south side on the banks of Paavana theertha.
There stands the temple of Paavana Narasimha. As
said in the below sloka:
TªgÁ¸zt|uqmo: úÁƒåÊ åÁ™ oys|N˛Ê@
ofiÁÀoz ßTƒÁåΩ uƒ…mÏ: åwuÃÊ“ÀÆ ÀƒøúáwN˛Ω@@
EÁu»oÁåÁÊ Y \ãoÓåÁ™ßy…bÁs|ütÁÆN˛: @@
Here Lord Narasimha listens to the pleas of people
and gives all what they ask for.
Look here the hill seems to have been broken into
two. This is called Ugra stambha. Please pay respects
to Lord Narasimha who has taken birth here and who
is seen in that form. The sloka describes Lord
Narasimha in the form of expanding fire form with
radiance of growing Sun.
E˘Áuú–≈Æozofi ™ÜÆtz∆z “u∫ÀƒÆÊ@ [ƒÁ¬ÁN˛Á∫åwuÃÊ“ÁÆ ™ÆÏoÁN|˛Ã™üß:@
This is the place where Lord Narasimha took birth in
the Hiranya kashipu’s house. The bhakthas who realized
the Lord here say that this is exactly the same way Lord
Narasimha emanated in the pillar of the palace of Hiranya
kashipu and over the period of time the remains of the
palace got converted in the current form and the pillar
turned into hillocks. Some People say that In Punjab which
was previously known as Panchala there is a place called
Hiranyapuram and there is a pillar where Lord Narasimha
is born. Because lot of time has elapsed, it is very difficult
to get a proper location identification. We had taken the
darshan of nine Narasimhas here. Now lets go to Punjab
and take the darshan of nine Narasimhas there also.
Saying this the two Gandharvas left on the skyline.
(to be continued...)
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~å=∂#∞AÅ∞ - Hõj‡~°∞Ö’x âß~°^•Ñ‘~î° „Ѩܫ∂}O
^è•~å"åÇ≤ÏHõ 7= ÉèÏQÆO....
N~å=∂#∞*ÏKå~°∞ºÅ∞ ÉèÏ~°`^« âÕ O◊ QÆifiOK«^QŒ æÆ Ju Q˘Ñ¨Ê "≥+· "‚¨ åKå~°∞ºÅ∞.
D ã¨O=`«û~°O PÜ«∞# 1000= ѨÙ\ì̃#~ÀA#∞ =ã¨∞^è≥·= ‰õΩ@∞O|HõO -
„ѨѨOK«=∞O`å XˆH ‰õΩ@∞O|O J#fl q+¨Ü«∂xfl D =∞Ǩ=∞Ǩï_»∞
ZÅ∞ÔQuÎ Kå\˜K≥áêÊ~°∞. WO`Õ H͉õΩO_® "Õ^•Å‰õΩ ã¨Ô~·# ÉèÏëêºxfl
x~°fizOz, ÉèQí =Æ O`«∞x =ÚO^Œ∞ `«##∞ ã¨=∞iÊOK«∞‰õΩ#fl „ѨurqH˜ "≥∂H∆Íxfl
á⁄O^ŒQÅÆ J=HÍâ◊O L#fl^Œ#fl JuQ˘Ñ¨Ê â◊~}° ÏQÆ`« `«`åfixfl =∂#"åoH˜
„Ѩ™êkOKå~°∞. `«#∞ „ѨuáêkOz# D `«`åfixfl =∞iO`« =ÚO^Œ∞‰õΩ
fã¨∞‰õΩ"≥àı§ „Ѩܫ∞`«flOÖ’ `«# =ÚO^Œ∞ `«~°OÖ’x PKå~°∞ºÅ∞ "Õ^•Å‰õΩ
K≥ÑÊ≤ # ÉèÏëêºxfl J~°O÷ KÕã∞¨ HÀ"åÅx PÜ«∞# J#∞‰õΩ<åfl~°∞. D „ѨÜ∞« `«flOÖ’
PÜ«∞# Ô~O_»∞=∂~°∞¡ Hõj‡~°∞Ö’x âß~°^•Ñ‘~îåxH˜ "≥àϧ~°∞. D „Ѩ^Õâ◊O
K«^Œ∞=ÙÅ `«e¡ ã¨~°ã¨fiuH˜ xÅÜ«∞=∞x JO^Œi #=∞‡HõO, JO`Õ H͉õΩO_®
JuÃÑ^ŒÌ q*Ï˝# ™ê~°ã¨fi`«"≥∞ÿ# NÉèíO_®~°O ‰õÄ_® JHõ¯_Õ HõÅ^Œ∞.
N~å=∂#∞AÅ "å~°∞ KÕã#≤ Hõ$+≤Ö’ Z<Àfl Pã¨HHΘ ~õ "° ∞≥ #ÿ q+¨Ü∂« Å QÆ∞iOz
áê~î°HõÖ’HÍxH˜ `≥eÜ«∞*ˇ¿ÑÊ „Ѩܫ∞`åflxfl '"åH±— KÕѨ\ ˜ì#k.
[iy# Hõ^Œä : HõOz =~°^~Œ å[™êfiq∞ Pj~°fiK«<åÅ`À, N~å=∂#∞AÅ"å~°∞
=∞iÜ«Ú ‰õΩˆ~â◊√_»∞ É’^è•Ü«∞# =$uÎ „QÆO^ä•xfl, K«^Œ=_®xH˜ HÍj‡~°∞Ö’x
âß~°^•Ñ‘~åî xH˜ |Ü«∞Å∞^Õ~å~°∞. "å~°∞ HÍj‡~°∞‰õΩ ^ŒQiæÆ ^•ix ZOK«∞‰õΩx
6 <≥ÅÖ HÍÅOÖ’<Õ HõOz#∞O_ç HÍj‡~°∞‰õΩ KÕ~°∞‰õΩ<åfl~°∞...
N~å=∂#∞AÅ"å~°∞ =∞iÜ«Ú ‰õΩˆ~â◊√_»∞ HÍj‡~°^Õâ◊ á⁄e"Õ∞~°Å‰õΩ
KÕ~∞° ‰õΩ<åfl~°∞. JHõ¯_ç „Ñ¨H$õ u â’Éè‰í Ωõ Ѩ~=° tOzáÈÜ«∂_»∞. ''F! PKå~åº!
ã¨$+≤ìHõ~°Î JѨÓ~°fi ã¨$+≤ì K«∂™ê~å? P H˘O_»Å∞, K«∞@∂ì ѨK«Ûx |Ü«∞Å∞,
P ѨÓÅ∞, ѨO_»∞,¡ H˘Å#∞Å∞, xã¨ûO^ÕÇϨ OQÍ Wk Éè∂í Ö’Hõãfi¨ ~°"æ ∞Õ —— J<åfl_»∞
‰õΩ~ˆ â◊√_»∞.
''WHõ¯_» L#fl „Ѩu =ã¨∞Î=Ù <å~åÜ«∞} ã¨fi~°∂Ѩ"Õ∞. PÜ«∞# ™œO^Œ~°º=Ú
<Õ#∞ WHõ¯_» K«∂ã¨∞Î<åfl#∞. WHõ¯_ç#∞O_ç =∞#O =ÚO^Œ∞‰õΩ ZÖÏ "≥àϧÖÏ
Jx PÖ’zã¨∞<Î åfl#∞—— J<åfl~°∞ P Ü«Ú=ã¨<åºã≤.
''PǨ! PKå~°º=~åº! Ü«∞u~å*Ï! ZO`« K«H¯õ QÍ K≥áêÊ~°∞! P Ѩ~=° ∂`«∞‡x
ã¨$+≤ìx ™êH∆Í`«∂ΠѨ~°=∂`«‡QÍ ÉèÏqOz P#OkOK«_»O ##∞fl HõkeOz
"ÕãO≤ k. D ÉèÏ=# Ü≥ÚHõ¯ ~°ÇϨ 㨺O <å‰õΩ q=iOK«O_ç.—— Jx „ѨtflOKå_»∞
‰õΩ~ˆ â◊√_»∞.
''‰õΩˆ~âß! D „ѨѨOK«O JO^Œ∞Ö’x r"åÅ∞ â◊s~°O ÖËHõ P <å~åÜ«∞}∞x
â◊s~°O. PÜ«∞<Õ JO`«~å`«‡ P ã¨~åfiO`«~åºq∞ HÀiHõ =Å# D ã¨$+≤ì
J=`«iOzOk. PÜ«∞<Õ ã¨$+≤ì ã≤u÷ ÅÜ«∞HÍ~°‰Ωõ _»∞. ã¨~ˆ ! =∞#O KÕÜ∞« =Åã≤#
HÍ~°º„Hõ=∂xH˜ „Ѩ}ÏoHõ "Õã¨∞‰õΩO^•O—— J<åfl~°∞ ~å=∂#∞AÅ"å~°∞.
''PKå~°º=~åº! g∞ q=~°} ##∞fl HõkeOz"ÕãO≤ k. D q=~°} "Õ^•ÅÖ’
ZHõ¯_» HõxÑ≤ã¨∞ÎOk ™êfig∞? WO`«H˜ =∞# Hõ~°Î=ºO Uq∞\˜ ™êfiq∞?——
„ѨtflOKå_»∞ ‰õΩˆ~â◊√_»∞.
''F! N=`«ûzǨÏfl q∞„âß! <Õ#∞ h‰õΩ =ÚO^Œ∞ K≥Ñ≤Ê#@∞¡QÍ, "Õ^Œ"åºã¨
=∞Ǩ|∞∞+≤ Ü≥ÚHõ¯ „|Ǩχ ã¨∂„`åxH˜ ÉèÏ+¨º"≥∞#ÿ É’^è•Ü«∞# =$uÎ „QÆO^ä•xfl
K«^Œ"åÅx <å JaèÖÏ+¨. <Õ#∞ ã¨<åºã¨O ã‘fiHõiOKÕ =ÚO^Œ∞ N Ü«∂^Œ=
„ѨHÍâ◊√Å"åi t+¨ºiHõOÖ’ â◊OHõ~åKå~°∞ºÅ J^≥· fi`« ã≤^•úO`«O QÆ∞iOz
`≥Å∞ã¨∞‰õΩ<Õ J^Œ$+¨ìO HõeyOk. HÍh <åÖ’ Z<Àfl ã¨O^ÕǨÅ∞
L^Œ~ÚOKå~Ú. "å\˜H˜ WOHÍ ["å|∞ ^˘~°HõÖË^Œ∞. P ~ÀAÖ’¡ "Õ^Œ"åºã¨
„|Ǩχã¨∂„`åxH˜ â◊OHõ~°ÉèÏ+¨ºO =∂„`«"Õ∞ UÔH·Hõ "åºMϺ# „QÆO^èŒO.
â◊OHõ~åKå~°∞ºÅ∞ É’^è•Ü«∞#∞x QÆ∞iOz Z<Àfl=∂~°∞¡ LÖËd¡ OKå~°∞. PÜ«∞#
u#_»O HÀã¨O |uˆH"å_»∞ Éè’y, |`«Hõ_®xH˜ u<Õ"å_»∞ Ü≥∂y.
`≥Å∞QÆ∞ J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
É’^è•Ü«∞# ÉèÏëêºxfl ѨÅ∞=∂~°∞¡ JOwHõiOK«Ö^Ë ∞Œ . =∞# Ѩ~=° ∂Kå~°∞ºÅ∞
N Ü«∂=Ú# =Ú#∞Å Pâ◊Ü«∂xH˜ <åºÜ«∞O K≥Ü«∂ºÅO>Ë =∞#O D
Ѩ^äŒHÍxfl [Ü«∞„Ѩ^ŒOQÍ x~°fiÇ≤ÏOKåe—— ѨeHÍ~°∞ N~å=∂#∞AÅ∞.
''PKå~åº! É’^è•Ü«∞# |∞∞+≤ Jã¨Å∞ Z=~°∞? =∞ǨÉèÏ~°`«OÖ’ K≥ѨÊ|_ç#
P É’^è•Ü«∞# =∞Ǩψ~¬ g~å? =∞#‰õΩ =$uÎ „QÆO^äŒO JO`« =ÚYº=∂?——
t+¨µºx „Ѩâfl◊ ‰õΩ N~å=∂#∞AÅ"å~°∞ |^Œ∞e=fi_®xH˜ L^Œ∞º‰õΩÖÎ =·ˇ Ù#flO`«Ö’<Õ
"å~°∞ |ã¨KãÕ #≤ KÀ@ `«∞Åã≤ Ѩi=∞à◊O`À ‰õÄ_ç# K«Åx¡ QÍe gK«™êyOk.
gi ã¨OÉèÏ+¨}#∞ ™êH∆Í`«∂Î P <å~åÜ«∞}∞_Õ „ѨK«Ûù#flOQÍ qO@∞<åfl_»<Õ
ã¨OˆH`åxflzÛO^• Ѩi=∞à◊ Ѩ=#O.
(N~å=∂#∞AÅ"å~°∞ =∞iÜ«Ú ‰õΩˆ~â◊√_»∞ q[ÜÕ∞â◊fi~° ˆH∆„`«OÖ’
ÉèÏQÆ"≥∞ÿ# K«„Hõ^Œ~° ˆH∆„`«OÖ’ |ã¨KÕã≤ L<åfl~°∞. WHõ¯_» q`«ëê („Ѩã¨∞Î`«
Ѷ∞‘ Å"£∞) #k X_»∞#¤ ÃÑ^ŒÌ HÀ@=O\˜ q+¨µ‚ PÅÜ«∞O HõÅ^Œ∞. D „Ѩ^âÕ ßxfl
WѨC_»∞ a*òÉËǨÏ~å Jx Ñ≤Å∞™êÎ~°∞. Wk „Ѩã¨∞Î`« N#QÆ~ü‰õΩ PˆQflÜ«∞
k‰õΩ¯Ö’ 54 H˜.g∞. ^Œ∂~°OÖ’ L#flk. P HÍÅOÖ’ HÍj‡~° ~åAÅ
~å[^è•x „Ѩ=~°Ñ¨Ù~° „Ѩã¨∞Î`« áê"£∞áÈ~ü (‰õΩO‰õΩ=∞ ѨÓ=ÙÅ „Ѩ^Õâ◊O)
Wk N#QÆ~ü‰õΩ PˆQflÜ«∞ kâ◊Ö’ 16 H˜.g∞. ^Œ∂~°OÖ’ HõÅ^Œ∞. q[ÜÕ∞â◊fi~°
=∞Ǩ`«‡ºO „ѨHÍ~°O, =~åǨ=`å~°OÖ’ N=∞Ǩq+¨µ‚=Ù ÉÁ~°=ÚÖÏ¡
(=~åǨÏ=ÚÅ¡) =^ŒÌ H˘O_»#∞ `«qfi =∂~åæxfl U~°Ê~°z# `«~°∞"å`«,
Hõâ◊ºÑ¨=Úx Ѷ¨∞’~° `«Ñ¨ã¨∞û‰õΩ "≥∞zÛ ã¨fã¨~°Ö’x h\˜x WOˆHÖÏ KÕâß_»∞.
`«~°∞"å`« `«# k=º K«„HÍÜ«Ú^èŒO`À [Ö’^Œƒù=Ù_»<Õ ~åHõ∆ã¨∞_çx
ã¨OǨÏiOKå_»∞. P k"åºÜ«Ú^ŒO Ju "ÕQÆOQÍ u~°∞QÆ∞`«∂ XHõ ÃÑ^ŒÌ
Jyfl QÀà◊OQÍ =∂iOk. ^•xÖ’x ÃÑ^ŒÌ JOâ◊O <ÕÅÃÑ· Ѩ_çOk. P
KÀ@∞#∞ K«„Hõ^èŒ~° Jx Ñ≤Å∞™êÎ~°∞. W^Õ „Ѩã¨∞Î`«O q[ÜÕ∞â◊fi~° ˆH∆„`«OÖ’x
K«„Hõ^èŒ~°. WHõ¯_ç JO^Œ"≥∞ÿ# PÅÜ«∞O, H˘O^Œ~°∞ HÍj‡~° ~åAÅ =Å¡
=∞iÜ«Ú 14= â◊`å|ÌOÖ’ ã≤HOõ ^Œ~ü „Ѩãk≤ Qú ÍOz# `«# ã≤HOõ ^Œ~ü ëêg∞~ü
g∞~ü ~å[=Oâ◊O áêÅ#Ö’ KÕã≤# W™ê¡O =∞`« =∂iÊ_»∞Å∞ =∞iÜ«Ú
"åi ^•_»∞Å =Å#, <åâ◊#"≥∞ÿ#k.)
~å=∂#∞AÅ"å~°∞ =∞iÜ«Ú ‰õΩâı~°∞_»∞ `«∞Å㑠Ѩi=∞àÏxfl P™êfikã¨∞Î#fl
ã¨O^Œ~°ƒùOÖ’ 12 T~°úfiѨÙO_®Å∞ `«# â◊s~°OÖ’ ^èŒiOz k=º `Õ[ã¨∞û`À
"≥Å∞QÆ∞`«∞#fl =$^Œú „ÉÏǨχ}∞_»∞ "åi =^ŒÌHõ =KåÛ_»∞. PÜ«∞#
~å=∂#∞AÅ"åiH˜ ™êëêìOQÆ „Ѩ}Ï=∞O KÕã≤ <À\˜ #∞O_ç =KÕÛ QÍe
QÆ∞~°∞=ÙQÍiÃÑ· Ѩ_»∞‰õÄ_»^Œ<Õ L^ÕÌâ◊O`À `«# J~°KÕ~Ú q#Ü«∞OQÍ <À\˜
=ÚO^Œ∞ ÃÑ@∞ì‰õΩx =∂\Ï¡_»™êQÍ_»∞.
''Q“~°=hÜ«ÚÖˇ·# "≥·+¨‚"åKå~°º! WO`«\ ˜ k=º`Õ[ã¨∞û`À "≥eˆQ "åix
<Õ#∞ "≥Ú^Œ\™˜ êi K«∂ã¨∞<Î åfl#∞ g∞Ö’x D =~°Ûã¨∞û ##∞fl g∞"≥Ñ· Ù¨ Jq∞`«OQÍ
PHõi¬ã∞¨ #Î flk.——
''F! ÉèÏQÆ=`«„âı+¨µª_®! <å ¿Ñ~°∞ ~å=∂#∞AÅ∞. W`«#∞ <å t+¨µº_»∞
N=`«û zǨÏflq∞„â◊√_»∞, W`«#∞ HõOzÖ’x ‰õΩ„~°O‰õΩ JkèѨu. W`«xx
"Õ∞=Ú ‰õΩˆ~â◊√_»∞ Jx Ñ≤Å∞™êÎ=Ú. "Õ∞=Ú HÍOpѨÙ~°O #∞O_ç =∂
Ѩ~°=∂Kå~°∞ºÖˇ·# N Ü«∂=Ú# =Úx Pâ◊Ü«∞O <≥~°"Õ~°Û_®xH˜ WHõ¯_çH˜
=KåÛ=Ú. JO@∂ N~å=∂#∞AÅ"å~°∞ `«# <À\˜H˜ J^Õ q^èOŒ QÍ K≥~Úº
J_»¤O ÃÑ@∞ì‰õΩx |^Œ∞eKåÛ~°∞.
''Ѩ~°=∞ѨÓAºÖˇ·# Ü«∂=Ú#=Úx t+¨µºÅ#∞ HõÅ=_»O <å J^Œ$+¨ìO. P
™êfiq∞ QÆ∞iOz Z<Àfl=∂~°∞¡ q<åfl#∞. N~°OQÆHˆ „∆ `åxH˜ "≥o§#ѨÙ_»∞ PÜ«∞#
^Œ~°≈# ÉèÏQƺO <å‰õΩ HõeyOk. ##∞fl JO^Œ~°∂ ˆHâ◊=Ù_»O\Ï~°∞. J<åfl~°∞
ˆHâ◊=Ù_»∞ ÉèíH˜ÎQÍ. (ã¨âı+¨O)
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Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 7
Lord Ramanuja, the great Vaishnavite seer whose 1000
th year birth day was celebrated this year throughout
India with pomp and glory. He was a seer who brought
to light the concept of the whole universe as one family
: Vasudhaiva kutumbakam and brought to light the right
understanding and interpretation of Vedas and established
equal chance for all living beings to attain salvation at
the end of the current birth by surrendering before the
Lord – Saranagathi. In order to putforth his understanding
Lord Ramanuja had to first understand what his predecessor
Acharyas have done to explain the Vedas. On this account
he visited atleast twice to Sharada Peetham of Kashmir
which was the seat of Goddess Saraswathi and a huge
store house of learning known as Shree Bhandaram.
VAK is attempting to bring the interesting items of this
effort of Lord Ramanuja to its readers.
Lord Ramanuja and Kuresa camped at the outskirts
of Kashmir. The beauty of the place enchanted Kuresa.
He said “Oh! Acharya, please look at the great creation
of the Lord, the hills, the greenery around, the flowers,
fruits, lakes around, there is no doubt that this place
is like Swarga on earth”
“Every item here is Lord Narayana. I see his beauty
in here. I am now thinking how do we proceed with
our mission?” responded the young saint.
“Oh! Revered Acharya, Yathiraja, I am moved by the way
you are enjoying the creation of the Lord as Lord himself.
I would like to understand the secret of the same”
“Oh! Kuresa, my beloved, the whole world along with
the living beings are shareera or body to Lord Narayana
and he is the antharathma. He has desired and this
manifestation has happened. He is both the material
cause and the efficient cause. Now let us plan our
next action with regard to our mission” replied Lord
Ramanuja.
“Acharya varya! I am moved by your explanations. Where
can we get indications of your explanations in Vedas?
What is our actual mission?” enquired Kuresa
“Oh! Srivatsachinha mishra! As indicated by me before,
I would like to study the Boudhayana vrutti Grantha
which is a detailed treatise commentary to Sage Veda
Vyasaas Brahma sutra. Before becoming Sanyasin,
I had spent significant time understanding the Sankara’s
advaitha school of thought under Saint
Yaadavaprakaasha and had several unanswered
questions in my mind. Sankara Bhashya was the only
available commentary for Veda Vyaasaas Brahma sutra
in those days. Sankara quotes in many places
Boudhayana and seemed to disagree with the
interpretation of this great Sage. If I have to do justice
to the wishes of our paramaacharya Sri Yaamuna muni
we have to achieve this mission” replied Lord
Ramanuja.
“My beloved Acharya, who is Sage Boudhayana, is he
the one who is referred in Mahabharatha? Why is this
vritti grantha so important to us?”
HõëêìÅ#∞ JkèQÆq∞Oz`Õ ÉèíQÆ=O`«∞x ѨsHõ∆Ö’ <≥yæ#>Ë¡.
CSL Narasimhan
When Lord Ramanuja was about to answer the question
chilly wind blew in the place of their camp which had
tulasi fragrance. It somehow indicated that Lord
Narayana himself was listening to their conversations
in a form around unknown to them.
Obtaining the ordainment of Lord Varadaraja of Kanchi,
Lord Ramanuja and Kuresa set out to study Boudhayana
Vrutti Grantha at Sharada peetham in Kashmir. They
had taken a fast route and reached Kashmir in just
about 6 months time from Kanchi travelling almost
everyday.
Lord Ramanuja and his disciple Kuresha were camping
in the Chakradhara kshetra which is part of the
Vijayeshwara Kshetram where a fortress like temple
of Lord Vishnu on the banks of River Vitastha (present
day Jhelum) existed. This place is currently known as
Bijbehara and is about 54 km south east of modern
day Srinagar. The capital city of Kashmir Kings in those
days was Pravarapura which is modern day Pampore
(the place of saffrons) which is 16 km south east of
Srinagar. As per Vijayeshwara Mahatmyam, it is said
that pleased by the penance (Tapasya) of Kashyap
Muni, the water of SATISARA was drained out by lord
Vishnu’s incarnation as Boar (Varaha) after making
a passage at Baramulla (Varahmulla) by cutting the
mountain. Thereupon, by using His Divine weapon
CHAKARA ,he killed Jalodbhava Asura. The speed of
the divine weapon was so fast that it turned into a huge
fire ball and a large portion of it fell at a place which
came to be known as CHAKRADARA i.e. present
Chakdhar in Vijeshwara Khestra. This beautiful temple
got destroyed due to feuds of the Kashmir kings and
invasion of Sikandar Shah Miri better known as Sikandar
Butshikan in 14 th century who ensured strong
Islamisation of Kashmir during his Miri dynasty rule.
When Lord Ramanuja and his disciple Kuresha were
overwhelmed by Tulasi fragrance, an old Brahmin with
twelve urdhvapundras (vaishnava marks) in his body
entered the place with great radiance. He prostrated
before Lord Ramanuja and started speaking covering
his right hand close to his mouth so that the air from
his mouth should not hit directly the revered
Vaishnavas :
“Oh! Revered Vaishnava saint! For the first time I am
seeing a person with such special radiance which
attracted me towards you.”
“Oh! Revered Bhavagatha, my name is Ramanuja and
he is my disciple Srivatsa chinha mishra and is owner
of Kuram in Kanchi. We call him Kuresha. We have
come from Kanchipuram to fulfill the wishes of our
Pramacharya Sri Yaamuna Muni” responded Lord
Ramanuja in the same way keeping his right hand
close to his mouth.
“I am blessed to meet the disciples of the great Yamuna
muni. I have heard of him several times and had the
opportunity of falling at his feet when I had been to
Sri Ranga kshetra. People call me Keshava.” Said
Keshava with devotion. (to be continued....)
March '18 w w w w w w w w w w w w w w w w w w 23 wwwwwwwwwwwwwwwwwwwwww VAK

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xtK«~°Ñ¨u ã¨OHõ∆Ü«∞O qk`åfi ã¨∞~°QÆ} =∞^茺QÆ`À =K«ã¨Î fiˆ~u II
W`庈~¬ N=∞„^•=∂Ü«∞}Ë "åb‡H©ÜÕ∞ PkHÍ"Õº Ü«Ú^ŒúHÍO_Õ Ñ¨OKåkèHõ â◊`«`«=∞ ã¨~°æó II
=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L Chant 28 times

FO #"≥∂ <å~°ã≤OǨÜ«∞ =„[^ŒO„ëêìÜ«∞ =„l}ËI =„[^ÕǨÜ«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II

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™êÜ«∞O ã¨O^茺֒ Nã¨∂HõÎO Ѩiî¿ãÎ Jhfl ã¨OѨ^ŒÖË.

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NEWS
Banking on Chilkur Balaji to save Nation from PNB crisis
Hyderabad : Days after the Nirav Modi loan fraud scam rocked the Punjab National Bank, special pujas were
performed on Monday to save banks from large defaulters at the visa fame Chilkur Balaji temple at Chilkur on
the outskirts of Hyderabad.
"With the banking sector plunging into a deep crisis and crores of people worried about safety of their
wealth in the banks, we decided to hold special pujas." M.V. Soundara Rajan, the temple hereditary priest and
convener, Temple Protection Movement, told TOI.
"To save us from the severe threat in the banking system. I thought chanting the "Runa Vimochana
Nrusimha Sthotram" (special invocation to the Lord Narasimha) is the only remedy" he added.
The "Runa Vimochana Nrusimha Sthotram" chanting began at noon at the temple with devotees
sitting at their places and chanting it, instead of doing 'pradakshinas' (circumambulations). Nearly 800 devo-
tees took part in the chanting of the Sthotram for about 15 minutes, the priest said.
The devotees chanted the "Sree Nrusimham Mahaaveeram, Namami Runa Mukthaye (I pray to Lord
Lakshmi Nrusimha, the Lion God seated with the Goddess of wealth to tide over these debts)" eight times at
the end of each verse. There are nine verses and the devotees chanted them 11 times. "Once the sthotram
chanted, the Lion God was invoked to provide strength and power. The invocation will help recovery of money
from defaulters, however big they are," explained Soundararajan.
Temple authorities have chanted "Runa Vimochana Nrusimha Sthotram" for the third time now, firs
during the global economic melt down in 2007 followed by the power crisis in 2008. "God will help nab the
defaulters and recover the money belonging to the crores of people, who have deposited their wealth in banks,"
Soundara Rajan added. After the chanting session, the devotees made two extra pradakshinas around the
temple. (Times of India 20.2.2018)
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N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II
#=„QÆǨʼnõΩ P=ÙáêÅ∞ ã¨=∞iÊOK«O_ç ™œYºOQÍ LO\Ï~°∞.
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FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
™êÇ≤Ï`«ºO XO@|_ç`Õ „Hõ=∞OQÍ ã≤÷`«„Ѩ[˝`« U~°Ê_»∞`«∞Ok.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
March '18 w w w w w w w w w w w w w w w w w w 26 wwwwwwwwwwwwwwwwwwwwww VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ – DEVOTEES' EXPERIENCES
Chilkur Balaji's Grace - 161 zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 161
27 =∂iÛ 2018 # - QÆ~°∞_» „Ѩ™ê^ŒO Garuda Prasadam on 27th March 2018
Jk K≥·„`«=∂ã¨O, â◊√Hõ¡Ñ¨Hõ∆ UHÍ^Œt, N~å=∞#=q∞ The Month of Chaitra (March - April) Ekadashi
`« ~ ° ∞ "å`« Ô ~ O_» ~ ÀA, ÖÏOKè « # „áêÜ« ∞ OQÍ zÅ∞‰õ Ä ~° ∞ day... two days after Sriramanavami.
„|Ǩϟ‡`«û"åÅ∞ „áê~°OÉèí=∞ÜÕ∞º ~ÀA ^èŒfi*Ï~ÀǨÏ}‰õΩ HÍ=eû# Dhwajarohanam or the flag hoisting to signal
U~åÊ@∞¡ KÕã¨∞‰õΩO@∞<åfl=Ú. ^èŒfi[OÃÑ· ^èŒfi[ z„`åxfl z„uOz# the beginning of the annual utsavams. We were
`«~°∞"å`«, ^èŒfi[ã¨ÎOÉèíO „H˜O^Œ L#fl QÆ~°∞`«‡O`«∞x z#fl q„QÆǨxH˜ making arrangements for the drawing of the
Jaè¿+HõO KÕÜ«∞|_çOk. K«Hõ¯~° á⁄OQÆe <≥·"Õ^ŒºO W=fi|_çOk. Garuda Image on the cloth to be tied and dis-
nxfl QÆ~°∞_»Ñ≤O_»O ÖËHõ QÆ~°∞`«‡O`«∞x <≥·"Õ^ŒºO Jx Ñ≤Å∞™êÎ~°∞. played during the Brahmotsavams. Celestial
Abhishekam on the Garuda Image at the floor
''Ü«∂„ã‘Î Ñ≤O_»O *Ï˝f `å„ã‘ΠѨل`«g Éèí"Õ`ü—— of the Dhwaja sthambham was performed and
''U „ã‘ Î D QÆ ~ ° ∞ _» Ñ ≤ O _®xfl „Ѩ ™ ê^Œ O QÍ Éè Ï qOz Naivedyam was offered in the form of Sugar
uO@∞O^À, P „ã‘ΠѨل`«=u J=Ù`«∞Ok—— Jx PQÆ=∞ â’¡HõO. Pongal.
H˘xfl ã¨O=`«û~åÅ „H˜`«O, D q+¨Ü«∂xfl "≥∞Å¡QÍ Ya Sthree Pindam Ashnthi Tha sthree
PÅÜ«∞OÖ’ =zÛ# H˘O^ŒiH˜ K≥áêÊO. JѨÊ\’¡ „Ѩ™ê^ŒO fã¨∞‰õΩ#fl Puthravathi Bhaveth...
Éèí‰õΩÎÅ∞ `«‰õΩ¯= ã¨OYºÖ’ |Ǩïâß UHõ ã¨OYºÖ’ L<åfl~°∞. Any issueless lady taking this Garuda
„Ѩ™ê^ŒO J`«ºO`« â◊H˜Î=O`«"≥∞ÿ#k HÍ=Ù#, ^•xfl fã¨∞‰õΩ#fl Prasadam will bear children. Agamas proclaim
"å~°O`å ^•^•Ñ¨Ù QÆ~°ƒù=`«∞Öˇ·Ü«∂º~°∞. this.
áÈ~Ú# ã¨O=`«û~°O H˘xfl "ÕÅ=∞Ok Éèí‰õΩÎÅ∞ D Few years back we announced this to a few
„Ѩ ™ ê^•xfl f㨠∞ ‰õ Ω <åfl~° ∞ . "åiÖ’ KåÖÏ=∞Ok WѨ C _» ∞ devotees assembled at chilkur. Those days
PÅÜ«∂xH˜ Ñ≤Å¡Å<≥`«∞ΉõΩx =zÛ, D áêѨ/ÉÏ|∞ QÆ~°∞_» „Ѩ™ê^Œ very few of them took this prasadam. All of them
concieved.
Ѷ¨e`«=∞x =∂‰õΩ K≥ѨÙÎ<åfl~°∞.
Last year we gave to a few thousand devo-
D 㨠O =`« û ~° O U„Ñ≤ Ö ò =∂㨠O Ö’ „|Ǩ Ï Ÿ‡`« û "åÅ∞ tees. Many of them are coming back with chil-
„áê~°OÉèíO HÍ#∞<åfl~Ú. =∂iÛ 27= `Õn<å_»∞ ^èŒfi*Ï~ÀǨÏ}=Ú. dren and announcing that they have been
P ~ÀA Éèí‰õΩÎÅO^ŒiH© QÆ~°∞_» „Ѩ™ê^ŒO W=fi|_»∞`«∞Ok. blessed.
Éè í ‰ õ Ω Î Å O^Œ ~ ° ∞ P ~ÀA „á⁄^Œ ∞ Ì # 8.00 QÆ O IIʼnõ Ω =zÛ
This year the Brahmotsavams begin in
ѨÓ*Ï#O`«~°O 10 QÆO@ʼnõΩ W=fi|_Õ QÆ~°∞_» „Ѩ™ê^•xfl March and the Garuda Prasadam will be
ã‘fiHõiOK«=K«∞Û#∞. „Ѩ™ê^ŒO HÀã¨O =KÕÛ „ã‘ÎÅ#∞ 8.00 QÆOIIňH given on March 27th at around 10 AM but
~° = ∞‡x ZO^Œ ∞ Hõ O @∞<åfl=∞O>Ë , ZO`« „Ѩ ™ ê^Œ O `« Ü « ∂ ~° ∞ the ladies have to assemble by 8.00AM...
K≥Ü«∂ºÖ’ JOK«<å "Õã¨∞HÀ=_®xH˜ =∂‰õΩ J=HÍâ◊=ÚO@∞Ok. so that we can prepare the Prasadam in
„Ѩ™ê^ŒO `«‰õΩ¯"≥· Éèí‰õΩÎÅ∞ x~åâ◊Ѩ_»‰õÄ_»^Œx =∂ HÀiHõ. sufficient quantity without disappointing
q*Ï˝# âß„™êÎxH˜ Jf`«OQÍ XHõ â◊H˜Î LO^Œx, P â◊H˜Î anyone.
=∞Ç≤Ï=∞Å∞ ˆH=ÅO J#∞ÉèíqOz# "åiˆH `≥Å∞™êÎ~Ú. `«Ñ¨Ê ZO`« The success of this prasadam indicates that
K≥Ñ≤Ê<å J~°÷O HÍ=Ù =∞iÜ«Ú "å\˜x |∞∞A=Ù K≥Ü«∞º=∞x #"Õ∞‡ there is a divine force which is supreme than
"≥·^Œ∞ºÅ HÀã¨"Õ∞ <å D z#fl „Ѩܫ∞`«flO. what can be percieved by sciences.
The 69th Acharya of Sri Kanchi Kamakoti Peetam, Jagadguru Pujyashri Jayendra
Saraswathi Shankaracharya Swami attained Siddhi on 28 Feb. 2018 at Sri Kanchi
Kamakoti Peetam Sankara Matam, Kanchipuram.
'VAK' is saddened to hear this! Jayendra Saraswathi Swami was a great inspiring
force for the Temples protection Movement. He had been at the forefront in our
fight against the Draconian Endowments Act 30/87 and similar such Legislations
in Tamil Nadu, Karnataka and Kerala.
Devotees and Temple lovers will miss such a beacon for reviving the Spiritual atmosphere
in temples. –EDITOR
"≥·Ñ¶¨ÖϺÅ#∞ JkèQÆq∞Oz ÅHõ∆ºO"≥·Ñ¨Ù ѨÙ~ÀQÆq∞OK«_»"Õ∞ ™êǨÏã¨O.
 27

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Date of Posting 6th & 7th 28 Date of Publication 1st of every month

Registered as a News Paper RNI. No. AP/BIL/2000/2474 Title Code : TELMUL00053

Vol.19 VAK / MARCH / 2018 Postal Registration No. HSE/738/2017-19 No.3
∫nåüßÁúb¬YN¿˛™åÁz“∫Á nƒnƒÊÊ Oh Manipaaduka! You describe a circle of lustrous halo of supreme
charm. The Lord's Feet present a picture of lotuses of red hue.
úˆÁªmÊ útu™tÊ nƒuÆ ∫WïßoÏ|:@ The circle and lotus constitute, to my mind, a Chakrabja mandala
™ãÆz otzotÏßÆÊ ™umúÁt∫qz@ (people offer their worship to a Yanthram(geometric pattern)
consisting of a lotus inside a disc.)(500th Sloka from Paduka Sahasram)
YN¿ Á £\™lg¬™uN˛ØÁå∫qmÁs| ™ Ω @@@@ F =∞}˜áê^Œ∞HÍ! =∞}∞ÅHÍOu ã¨=Ú^•Ü«∞O Ü≥ÚHõ¯ =∞O_»ÖÏHõ$uKÕ`«
~°`«fl „ѨÉèÏѨ@Å K«„Hõ=∞<ÀǨÏ~å`«fiO =∞#ã¨∞û#∞ PHõi¬OKÕ^•#=Ù h=Ù. hÜ«∞O^Œ∞ Hõ=∞ÅѨÙ+¨ÊO =Öˇ J~°∞}=~°‚O
Ѩ^•‡~°∞}O Ѩ^Œq∞^ŒO `«fi~Ú ~°OQÆÉèí~°∞Îó I HõÅk N~°OQÆ „ѨÉ∞íè áê^ŒO. Jn, Wn ~Ô O_»∞ JH˜OK«#∞Å ~°H}∆õ ‰õΩ Ü≥∂Qƺ"≥∞#ÿ
=∞<Õº `«^Õ`« ^Œ∞ÉèíÜ«∞O =∞}˜áê^Œ~°ˆH∆! K«„HÍ|˚=∞O_»ÅOQÍ ÉèÏq™êÎ#∞.(K«„HÍ|˚ =∞O_»ÖÏ~°Û# KÕ¿ã"å~°∞, Uk‰õΩ¯ ÖËx"åˆ~
J~Ú<å, ã¨HõÖÏ~°÷ ã¨OѨ#∞flÅ=Ù`å~°∞. Ѩ~°=∞Ѩ^Œ<å^äŒ∞x ã¨xflkèÖ’ âßâ◊fi`«
K«„HÍ|˚ =∞O_»Å=∞H˜OK«# ~°Hõ∆}Ï~°÷(~°›)"£∞ II ÔH·OHõ~°ºO „áêÑ≤Îã¨∞ÎOk.) (áê^Œ∞HÍ ã¨Ç¨Ï„ã¨O 500= â’¡HõO)
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) SB A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of Hyderabad, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ ÃÇ·Ï^Œ~åÉÏ^£, "≥Ú~Ú<åÉÏ^£ âßY,
~°OQÍÔ~_ç¤ lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) SB A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra
Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any
branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) SB A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of Hyderabad, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad
situated in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'ANDB0000911'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. BOOK – POST
Colony, Bagh Amberpet, Hyderabad-500 013. Ph : To STAMP
27425640. Only local cheques and DDs drawn in favour
of VAK will be accepted. Subscriptions can be sent
through money orders also. Give your correct address.
Owned, Edited, Printed and Published by : Dr. M.V. Soundara
Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, Be-
side Karur Vysya Bank ATM, D.D. Colony, Bagh Amberpet,
Hyderabad-500 013; Website : www.vakchilkur.org
Phone : 27425640 Cell : 9246505058
Printed at : M/s. Vakdevi Printers, # 1-8-732/22/B,
N a l l a k u n t a , H y d -4 4 .
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.