Professional Documents
Culture Documents
To
T he G reatest G uru I n M y U niverse
Yogamaharishi
Dr. Swami Gitananda Giri Guru Maharaj
(24.07.1907 - 29.12.1993)
Published by :
44, Ist Cross, Iyyanar Nagar
Puducherry - 605 013. South India.
E-mail: yognat@gmail.com
Ph : 0413 2241561
Preface i
About the Compiler and Editor iii
Acknowledgments xi
About this Book xv
Chapter I: What is Yoga? 1
Chapter II: Yogic Prayers 7
Chapter III: What is Ashtanga Yoga? 9
Chapter IV: Yama and Niyama 11
Chapter V: What is Asana? 13
Chapter VI: What is Pranayama? 19
Chapter VII: Hatha Yoga 23
Chapter VIII: What are the Chakras? 33
Chapter IX: Nature of Man 41
Chapter X: Yogic Texts 47
Chapter XI: Yoga Sadhana 55
Chapter XII: Yoga Therapy 65
Chapter XIII: Yoga in Modern India 75
Chapter XIV: Yoga and Spor ts 79
Chapter XV: Stress: The Bane of Modern Living 81
Chapter XVI: Viva Questions 83
Chapter XVII: Mahabharata Quiz 105
Chapter XVIII:Quiz Questions 113
Chapter XIX: Model Theor y Papers 125
Index 151
PREFACE
One of the most gratifying events for any author is when their publisher
gives them the good news that it is time for a new edition of their
book. Such a feeling of satisfaction fills my heart as I work on this
fourth edition and so many changes and improvements come to
mind. However as it is being used for so many Yoga Sport events, I
control myself from adding more and more information so as to not
tax the young minds who are already so burdened with their scholastic
studies. I will keep those additions for an enlarged version that I
plan for university students some time in the near future.
May this new edition serve its purpose of educating us all in the
great art and science of Yoga and dispelling any false impressions
of Yoga being “just a physical exercise”.
He began his studies of classical Carnatic Vocal Music at the age of four
years under Puduvai Kalaimamani Sri V. Manikannan performing Vocal
Music Arangetram at the age of 12 years at Marie Hall, Podicherry
on August 11, 1984. At the age of seven, he began arduous training in
Carnatic Music under the tutorage of Kalaimamani Srirengam R.
Ranganathan of Pondicherry, one of the most famous Carnatic Vocalists
of South India. He continued his training for twenty years until his Guru’s
death in 2002. He has studied Mridungam since the age of five, beginning
with world-famous Master Sri K.M. Vaidhyanathan in 1977. Later,
Thiruvarur Sri R. Krishnamurthy, one of the most respected classical
Mridungists of modern times, accepted him as a disciple. He completed
his Mri dungam Aran getram in 1987. He began the study of
Bharatanatyam under his mother Puduvai Kalaimamani Smt. Meenakshi
Devi Bhavanani in the Kalakshetra tradition of Rukmani Arundale when
he was five years of age. At the age of eight, world-famous Bharatanatyam
master Natya Kalanidhi Padmasri Adyar K. Lakshmanan of Chennai
accepted him as a disciple and he performed many performances under
the guidance of Lakshman Sir. For the past decade he has shared a
special Manasika Guru-Sishya relationship with Padma Bhushan Sri T.V.
iv PRIMER OF YOGA THEORY BY DR. ANANDA BALAYOGI BHAVANANI
He has written a book on Yoga For Children at the age of 12 years itself
and has written and edited 22 other books including Yoga and Modern
Man that takes a look at various Yogic concepts with humorous cartoons
and line drawings and A Yogic Approach to Stress that deals with the
Yogic and medical explanations and management of stress. His A Primer
of Yoga Theory that has also been published in Tamil as Yoga Vina Vidai
Thoguppu has become a standard textbook for Yoga Sport events and is
also prescribed in many academic Yoga courses. It is now in its 4th edition.
Yoga: 1 to 10 explains numerous concepts of Yoga and Indian Culture
through a numerical codification and has been translated and published
in Italian along with four other books of his. He co-authored Tamil books
with Yogachemmal Smt. Meena Ramanathan on Basic Hatha Yoga
Lessons of Gitananda Yoga as well as Yoga for Weight Loss. In the past
few years he authored, Yoga for Health and Healing, Yoga for Weight
Reduction, Chakras, Hatha Yoga of the Gitananda Tradition, Meditation
the inner Yoga, Yoga and Wellness, Suryanamaskar and Understanding
the Yoga Darshan (an exploration of the Yoga Sutra of Maharishi Patanjali).
He recently published a text book on Yoga Chikitsa: The Application of
Yoga as a Therapy and Saraswati’s Pearls a book on Yoga and Music co-
authored with Yogacharini Dr. Sangeeta Laura Biagi of Italy.
He has also edited and revised new editions of Dr. Swami Gitananda
Giri’s Correction of Breathing Disorders through Rishiculture Ashtanga
Yoga and also Pujya Swamiji’s books on Mudras, Surya Namaskar and
Pranayama in the Gitananda Tradition. He has had 135 scientific and
Yoga papers and 60 scientific abstracts on Yoga and Yoga research
published along with 16 notes compilations on Yogic education and
therapy. He has also scripted and presented 19 DVDs on Yoga that are
being marketed for a worldwide audience in different languages by the
famous Super Audio Company in Chennai.
Gitananda Giri in 1991 and following this joined medical college in order
to combine the best of eastern wisdom with the best of modern medical
science. During his Medical Studies at J.N.M.C Wardha (Nagpur University),
he was the top student in a class of hundred. He secured Distinction in
Surgery and a Gold Medal in Community Medicine in his final year,
topping five Medical Colleges affiliated to Nagpur University. He was
also the Student Representative at Medical College. Later he completed
his internship at JIPMER Hospital, Pondicherry, India.
vocal and instrumental recitals all over and it is notable that he has
performed five times in the Isai Vizha (Music Festival) conducted by the
Govt of Pondicherry. He has also performed in Italy, Switzerland, Germany,
UK, South Africa, USA, Australia and New Zealand in recent times.
Yoga for him is not just the performance of a few Asanas or Pranayamas
but is a means for evolution of the human mind in to further states of
consciousness and awareness. He has been instrumental in developing
the concept of Yoga Tableaus as a performing art and has trained hundreds
of young people in the difficult art of acrobatic Yoga Asanas. The Yoga-
Asana Tableau Concept has been developed by Dr. Ananda as a vital
tool to inculcate the sense of team spirit and mutual cooperation in
youngsters. His pioneering efforts in this field have been widely applauded.
Dr. Ananda has also been a pioneer in the revival of the use of the
acrobatic Natya Karanas (difficult, athletic and acrobatic postures of
Bharatanatyam) into the modern dance repertoire. W ith his finely
developed aesthetic sense, he tastefully weaves these acrobatic poses
into his classical dance choreography and productions.
Dr. Ananda is currently Deputy Director of the Centre for Yoga Therapy
Education and Research (CYTER), MGMC&RI, Pondicherry under
auspices of Sri Balaji Vidyapeeth. He is extremely proud of his illustrious
and dear student Yoga Chemmal Smt. Meena Ramanathan who is working
as Coordinator and Yoga Therapy Consultant for this centre that is serving
thousands of patients, medical prof essionals and paramedi cal
professionals through Yoga.
I gratefully acknowledge the great blessing and good fortune I have had to be
born the son of the greatest Yoga Team of the last century. I offer this compilation
to the lotus feet of my Guru-Father Yogamaharishi Dr. Swami Gitananda
Giri Guru Maharaj and my Mother-Guru Kalaimamani Yogacharini
Smt. Meenakshi Devi Bhavanani who have inculcated in me the discipline
of Yoga as well as sowing the seed of this great art and science in my heart.
I have also been privileged to receive the blessings and good will of some
of the great masters of Yoga such as Padmabhusan Sri B.K.S. Iyengar,
Sri Yogendra Ji, Sri Sant Keshavdas, Swami Chinmayananda, Swami
Dayananda, Yogi Amrit Desai, Sri Direndra Brahmachari, Swami Chidananda
Saraswathi, Sri Ma Yoga Shakti, Swami Satchitananda, Maharishi
Arunachalam, Swami Veda Bharathi, Dr. H.R. Nagendra, Sri T.K.V. Desikachar,
Swami Suddananda Bharathi, Sri Kannaya Yogi, Sri S.Sridharan and great
Yogic personalities such as Srila Sri Shankara Giri Swamigal, Prof. T.R.
Anantaraman, Prof. Dr. B. Ramamurthy, Dr. W. Selvamurthy, Dr. M.V.
Bhole, Prof. Dr. Madanmohan, Prof. R.C. Gupta, Sri Yogeshwar, Sri D.R.
Karthikeyan, Shri S.K. Jindel, Prof. K.R. Sethuraman, Prof. N. Ananthakrishnan,
Dr. B.R. Sharma, Dr. I.V. Basavaraddi, Dr. S.V. Rao, Dr. R.P. Pandey, Dr.
S.R. Joharapurkar and Dr. M.D. Khapre.
13. Yoga and Sports by Dr. Swami Gitananda Giri and Yogacharini Meenakshi
Devi Bhavanani.
30. Health Benefits of Yoga (c) 2001, 2004 Trisha Lamb. www.iayt.org.
Yoga is an art and science that developed from the core of Sanathana
Dharma. The Yogic life is the living of a unified holistic concept assuring
health, happiness, longevity and spiritual evolution. Yoga in its wholistic
sense can never be competitive, and there exists no objective measurement
by which one person can be declared more yogic than another. Therefore
the term “competitive Yoga” is a paradox and has no real meaning.
Howev er the prof iciency of the Sadhaka can be compared with that of
another in the performance of the Asanas, Kriyas, Mudras, Pranayamas
and the Shat Karmas. Yogasana competitions are a ‘f act’ in today’s
Yoga world and are mushrooming up in all directions. W hen conducted
efficiently and when the competitors approach them with the right Yogic
attitude of ‘Nishkama Karma’, i.e., self less action, then the Yogasana
competitions hav e a lot to off er. They stimulate the young minds and
giv e them an outlet for the competitiv e spirit, driv e and energy. The
youngsters learn to take the ‘win’ with the same equanimity (Samabhava)
as the ‘loss’. They learn to accept that on any given day someone
else may be better than them. They learn to accept the ‘highs’ with
the ‘lows’ and realize that proper planning dedicated and disciplined
practice and enthusiastic participation is more important than the result.
The youngsters are stimulated to intense practice and thus dev elop
amazing body skills, which they may not dev elop otherwise. The
competitions provide a meeting point for the youngsters to meet and
interact positiv ely with others hav ing similar interests. Formation of a
group of similar minded Yoga Sadhaks can reinf orce the indiv idual’s
practice whenever it slackens due to any reason. Positive ‘Peer Pressure’
creates a back up to counter any inertia that may hinder the practitioner
in their Sadhana. Due to competition, the Sadhaka is shaken out of
the complacency that tends to creep in when the practice of Yoga
becomes a habit as monotonous as the brushing of teeth in the morning.
They make sure that they don’t miss their practice and put in extra
energy and time to keep in shape. The competitiv e edge sharpens and
focuses the body awareness, thus fostering greater accuracy and perfection
that in turn stimulates the real Yogic growth. Spectators and the lay
xvi PRIMER OF YOGA THEORY BY DR. ANANDA BALAYOGI BHAVANANI
and non-drug users. They must have a basic knowledge of Yoga theory
and marks should be allotted for Yoga deportment and character. They
must be regular practitioners who are attached to either Yogashrams or
accredited Yoga groups. W hen all these considerations are taken into
account, then ‘Yoga Sports’ can be a beacon light for other sports in
terms of living the Yogic and sporting ideals. Thus Yoga Sports can add
as well as benefit from the association with the sporting world and be a
proper link between the two worlds of Yoga and sports.
Thus we can see that though the world of sports and that of Yoga lie nearly
on opposite poles, they have a lot to offer to each another. They can stimulate,
strengthen and benefit the practitioners of either science to a great extent
when approached properly and with an understanding of their respective
merits and limitations. We can also see that though Yogasana competitions
have both positive and negative aspects, they can be an effective link between
Yoga and sports. It is now necessary for the practitioners of Yoga and
sports to understand the benefits of their close association with one another
and create the needed framework in which both can complement each
another more effectively. This association between these two sciences can
then provide humankind with a disciplined, strong, efficient and healthy
body and mind for further evolution towards the Divine.
I have found that the easiest way to learn is through question and answer
models and so have presented this book in the question and answer pattern.
The material given in this book is merely a beginning and the Sadhaka
must actualize these concepts in themselves through extensive contemplation
and self-analysis. I also give at the end of the book some model papers
that can be used in theory exams.
xviii PRIMER OF YOGA THEORY BY DR. ANANDA BALAYOGI BHAVANANI
Any material reproduced from this book may be done so only with
prior permission of the author and with due credit to the source.
This is an important aspect of Yogic culture and I request all the
readers to follow this request in the true spirit of Yama and Niyama.
I wish that all those who go through this book would find that it enriches
their knowledge of Yoga theory as much as it did for me in its compilation.
Pondicherry.
Dated: 13-9-2014
WHAT IS YOGA?
Ans:
Yoga is that which joins (Yujate anena iti yogaha)
Union (Yuj) of
o Body-Emotions-Mind
o Jiva-Atman
A state of mastery over the senses and mind (Kathopanishad)
Stilling the whirlpools (modifications) of the mind stuff (Yogah
chitta vritti nirodhah)-Yogamaharishi Patanjali in the Yoga Sutras
Skill in action (Yogah karmasu koushalam) - Yogeshwar Sri Krishna
in Srimad Bhagavad Gita
Equanimity of mind (Samatvam yogah uchyate) - Yogeshwar
Sri Krishna in Srimad Bhagavad Gita
A skillful and subtle process to calm down the mind (Yoga Vashistha)
Dis-association f rom the union with pai n (Duhkha samyoga
viyogam yoga sangnitam) - Yogeshwar Sri Krishna in Srimad
Bhagav ad Gita
“Yoga is said to be the oneness of breath, mind, and senses,
and the abandonment of all states of existence.”—Maitri Upanishad
“Yoga is the union of the individual psyche (Jivatman) with the
transcendental Self (Paramatman). “—Yoga Yajnavalkya
“Yoga is said to be the unification of the web of dualities (Dvandva
Jaala).”—Yoga Bija
“Yoga is said to be control.”—Brahmaanda Purana
“Yoga is the separation (Viyoga) of the Self f rom the
World-Ground (Prakrithi).”—Raja Maartanda
“Yoga is said to be the unity of exhalation and inhalation and of
blood and semen, as well as the union of sun and moon and of
the indiv idual psyche with the transcendental Sel f .”
— Yoga Shikha Upanishad.
YOGIC PRAYERS
Ans:
Aum. Sahanavavatu Sahanau Bhunaktu Sahaviryankaravavahai
Tejasvinavadhitamastu Ma Vidvisavahai
Aum. Shanti Shanti Shanti. Aum.
“May he protect us both, May he nourish us both. May we both
work together with great energy. May our study be enlightening
and fruitful. May we never hate each other. Om Peace Peace Peace.”
Ans:
Ans: Eight
Ans:
Yama - Moral Restraints
Niyama - Evolutionary Observances
Asana - Steady Posture
Pranayama - Energy/Breath Control
Pratyahara - Sensory W ithdrawal
Dharana - Single Minded Concentration
Dhyana - Meditative State
Samadhi - State of Complete Oneness.
Ans:
Adhikara Yoga - Yama, Niyama
Kriya Yoga - Tapas, Swadhyaya, Ishwara / Atman Pranidhana
Bahiranga - Yam a, Ni yama, Asana, Pranayama,
(+/-Pratyahara)
Antaranga - Dharana, Dhyana, Samadhi, (+/-Pratyahara)
Samyama - Dharana, Dhyana, Samadhi
Ans:
Raja Yoga, Patanjala Yoga or Yoga Darshana.
YAMA AND NIYAMA
Ans:
Ahimsa - Non-Violence
Satya - Truthfulness
Asteya - Non Stealing
Brahmacharya - Controlling the Creative Principle
Aparigraha - Non Covetedness
Ans:
Saucha - Cleanliness
Santosha - Contentment
Tapas - Austerity or Discipline
Swadhyaya - Self-Knowledge or Self Analysis
Ishwara or Atman
Pranidhana - Surrender to Divine/Atman
YOGANJALI
N AT YA L AYA M
25, II nd Cross, Iyyanar Nagar,
Pondicherry-605 013.
Tel: 91-413-2241561
Ans:
Tasmin sati shvasa prashvasayor gati vichhedah pranayamah
(Asana having been completed, cessation of inhalation and exhalation
“Kevala Kumbaka” is Pranayama).
Ans:
Tatah kshiyate prakashah aavaranam.
(Thereby the covering of inner light disappears).
Ans:
Surya Bhedana - Sun Cleaving Breath
Ujjayi - The Victorious Breath
Sitkari - Hissing Breath (Cooling Breath)
Sheetali - Beak Tongue Breath (Icing Breath)
Bhastrika - Bellows Breath
Bhramari - Sound of Bee Breath
Murccha - Fainting or Swooning Breath
Plavini - Floating Breath
Q.4. What are the Pancha Prana Vayus (Five Major Airs)
Ans:
“Hridi Prano Gude Apanah, Samano Nabhi Mandaley, Udanah Kantha
Desastho, Vyanah Sarva Shariragah” - Shiva Samhita
Prana ( Heart region), Apana (Anal region), Samana (Navel), Udana
(Throat) and Vyana (Pervades entire body).
THE CHAKRAS
WHAT ARE THE CHAKRAS?
Q.2. What are the humane qualities that Maharishi Patanjali advises
us to cultivate?
Ans:
The attitudes to be cultivated (Samadhi Pada-33rd Sutra) are:
Maitri - Sukha : Friendliness towards those who
are happy
Karuna - Duhkha : Compassion towards those who
are miserable
Mudhita - Punya : Cheerfulness towards the
virtuous
Upekshanam - Apunya : Indifference towards the wicked
Q.4. What are the names of the Padas in the Yoga Sutras?
Ans:
Samadhi Pada
Sadhana Pada
Vibhuti Pada
Kaivalya Pada
Q.5. How many Sutras are there in the Yoga Sutras of Maharishi
Patanjali?
Ans: 196 / 195 verses or sutras
11. Mudra where both eyes are fixated on mid point between eyebrows?
Ans: Sambhavi Mudra
TRUE OR FALSE ?