Professional Documents
Culture Documents
Please type or write clearly in black ink, please note we do not accept CVs, all relevant
information should be included in this form.
Personal Details
Surname: Farrugia
Forenames: Luke
Home Telephone:
Work Telephone:
Mobile Telephone: 07450207294
Have you any medical condition which might affect your ability to carry out the
responsibilities of this post or which has been a factor in your previous employment?
Yes No X
Do you have any access requirements or need specific support in order to be able
Yes No X
to attend an interview?
(If answered yes, should you be invited to interview we will contact you to make any necessary
arrangements in advance).
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APPLICATION FORM
Please use this page (only) to list your theatre work, providing a brief line of
context for each show if necessary.
As a director:
1. Women and Wallace by Jonathan Marc Sherman – Part of the One Act Play festival
in my home country of Malta. Directed and put up a one-act piece with brand new
actors (anyone can give it a go). Ended up winning Best Production for that year
(2014).
As an actor:
1. Trained at the Royal Central School of Speech and Drama – on the BA Acting MT
Course 2015
2. Boys at the LOST Theatre (Now Stockwell Playhouse) Nov 2016
3. Pinot – The Musical at the New Wimbledon Studio Feb – June 2017
Please answer each of the questions below, within the specified word count.
1. What should the Royal Court be doing that it isn’t currently? (max 100 words)
The Royal Court currently stages great work generally coming from within the British
society’s perspective. I think it could do a better job of representing those who are
outside it – particularly in terms of postcolonial perspective. The British Empire owned
Malta (my home country) for around 200 years – and till now the influence there is
tangible – and vice versa, the Maltese people who integrated into the UK society also
affect it. I think there are stories there that would be very interesting to stage here in
the UK, and would still be very pertinent.
2. When does experimental theatre become a waste of public money? (max 100
words)
A company that is both gender AND colour blind devoted to creating theatre
that moves people in new and unexpected ways – plays with form and
delivery as much as content and above all raises a mirror to society
References
Please give the names and addresses of two referees, one of whom should be your
present or most recent employer or course tutor. Your referees will not be contacted
prior to interview or without your permission.
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Name: Wendy Gadian
Name: Tomm J. Ingram
Position: Duty Manager
Position: Course Leader
Company: Phoenix Artists Club
Company: Royal Central School of Speech
Address:
and Drama
Address: Eton Avenue NW3 3HY
Telephone:
Telephone:
Email:
Email:
wendy.gadian@cssd.ac.uk tomm.ingram@phoenixartistclub.com
Declaration
I understand that all information contained in this application from will be treated with
the strictest of confidence.
I declare that the information contained in this application is true and complete. If
selected, I understand that it will be treated as part of my subsequent contract of
employment. I understand that if it is then discovered that any statements are false or
misleading I will be liable to have my application disqualified or subsequently will be
liable to be dismissed from the English Stage Company’s employment.
Please note that if you are applying by email you do not need to supply your signature;
applicants who are invited to interview will be required to sign at the time of meeting.
Once completed please return alongside a completed Equal Opportunities Form, by the
date stated on the advert/website, to:
Email: recruitment@royalcourttheatre.com
Post: Recruitment
English Stage Company
Royal Court Theatre
Sloane Square
London
SW1 8AS
Asian/Asian British
Indian
Pakistani
Bangladeshi
Chinese
Any other Asian background
If yes, please specify? (You need not give further details unless you wish to do so)
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