You are on page 1of 9

Fun with

Composers
volume i
A Simple, Fun Approach to Classical music

Teacher’s Guide

Pre K – Grade 3

by Deborah Ziolkoski
fun with composers

Foreword
Fun with Composers brings the great classics to life! The power of storytelling will draw children into the
intriguing world of classical music.
Dancing bugs, very mean ringmasters, and snobby pears are just a few of the fascinating characters
unveiled in this unique union of story and song. Children will sing, dance, act and play to the music of
Strauss, Mozart and other greats!
Our flexible guides are geared to accommodate curricula for children Pre K-Gr. 7, giving teachers the
freedom to select from a wide range of themes, music, and composers. Music and concepts have been
carefully selected to suit the developmental age and skill levels of the child.
Detailed lesson plans, reproducible pages, a cd (with lyrics sung over the music and the instrumental
accompaniment) as well as an instructional dvd of these lessons make it possible for a teacher with little or
no music background to teach the guide successfully.
Our guides are designed to enrich a curriculum and nurture the many ways in which children learn. The
lessons are sequential, each beginning with an introduction to the composer. Stories, music, movement, and
instrumental play are then woven into subsequent lessons. Although non-pitched percussion instruments
enhance the child’s learning experience, they are not essential to teach the lessons.
To reinforce and enrich the child’s experience, Fun with Composers has developed “Just for Kids” guides
(cds included). We encourage teacher librarians to keep a few copies of these guides in the school library.
Then, every child will be able to share what they learned in class with family and friends at home.
Thank you in advance for helping create fun, enjoyable experiences with classical music for children
everywhere. Enjoy!
All the Best,

Deborah Ziolkoski
Author/Creator of Fun with Composers

iv
pre k– grade 3

Fun with Composer


Teaching Tools Guarantee Success!
Reproducible pages – Finally a guide that is truly teacher friendly!
Fun with Composers encourages teachers to reproduce materials for classroom use and their students.
Composer images, biographies, music maps and activity pages are designed to enrich children’s learning
experience.

Music Maps
Our music maps provide a simple visual arrangement of the form (order) of the music. The purpose of the
maps is to place the music in a structured, organized format so children have a better understanding of
its sequence. Children of all ages benefit from the maps, for they help children “make sense” of the music.
Children are thrilled when they can instantly take home these maps and share them with their parents.
Teachers are encouraged to provide copies of the maps for the students for these purposes!

CDs and Instructional DVDs


Our cds have fun lyrics that encourage the children to sing along, and assist parents as they help their
children follow the music maps. The children will also enjoy the orchestral arrangement which immediately
follows.
On our instructional dvd, the lessons taped were a condensed version of our Teacher’s Guides instructed
to non-auditioned students in one 50-minute class. Real students in a real setting! The dvds demonstrate the
teaching process and the key teaching strategies, as well as the final outcome of each piece.

Introductory Forms to Parents


Letters to parents have been developed to inform parents/guardians of what their child is learning in music.
The letters introduce parents to the musical selection, concepts studied, the composer and even a small
biography of the composer’s life. They are available under “teacher forms” on the website. Teachers may
like to send an introductory letter home along with the music map and composer image after the lesson is
completed.

Just for Kids Guides (CDs included)


Our children’s guides are filled with intriguing stories, music maps, composer images, activity pages and a
cd which brings the pages to life. Our cds include two recordings of each selection. The first version will have
lyrics sung over the music so children can easily sing along, and parents can help guide their children when
conducting through the music maps.
The second version is an authentic orchestral recording. This gives children the opportunity to internalize
the lyrics and appreciate the music as it was originally written.

“Just for Kids” Guides – for your School Library!


Ask your school to carry a few copies of the children’s books in their library. Then, every child can share the
stories and music with their families.

How to order the “Just for Kids” Guides


Visit our website at www.funwithcomposers.com to order or visit your nearest music retailer.

v
Let’s Warm Up! in. Once you are in try to keep enough distance
from others that your bubbles won’t burst. Try
“painting” your bubbles on the inside. Not only
To be a child is to move. Movement is one of
will this help children explore space around
the most natural ways for children to express
them but will also “define” their space.
themselves. Running, jumping, hopping, skipping
3. Hands to yourselves: No touching objects or
and marching are just a few of the ways how
furniture which surround the periphery of the
children move when they play or simply express
room.
themselves.
Incorporating these movements into fun, simple
Movement Ideas and Suggestions
exercises warms up their bodies for the movements
• Use terms like “music detective ears” (to
in the lessons while priming their minds to help
encourage students to listen carefully and
children stay focused and on task. As many children
quickly respond to stimuli). Use imagery to
are kinesthetic learners, adding movement to your
stimulate their imaginations. For example: Grow
lesson helps pave one more pathway to the brain.
like a flower, glide like a fish or ooze like oil.
This volume features an introduction to the
• Use stick figure drawings on cards to add
Laban Movement Efforts presented by dance and
variation to movement combinations. After the
movement specialist Susie Green. Refer to the
students have moved to a few different sound
Laban Movement introduction and the dvd for more
cues hold up a stick figure card asking students
information.
to freeze in this position as you all count to five.
Having a wide variety of cards to choose from
keeps it fun and exciting for children.
Hand Drum Stimuli:
• Challenge children by having them move
Having children warm up with some basic loco-
to a small, repetitive movement pattern a
motor movements is a great way to begin any lesson.
few times, and then signal them to stop.
Single movements or combinations may be used
Invite children to verbalize what combination
depending on what extent you would like to use
of movements they were doing and then
movement in your teaching.
demonstrate them to the class. Notate a few
Basic loco-motor movement stimulus is
simple rhythm patterns on the whiteboard. Can
introduced on the hand drum using a mallet. Begin
they identify the rhythm pattern to which they
with the simplest stimuli (marching), and slowly
moved? Can they clap out this pattern?
add on when your students are comfortable moving
• Ask children to work in small groups to
to the sound of your drum. Encourage students to
create their own combinations of movements.
move using different levels (high, medium and low)
Have them perform these for the class. Take
as well as different directions (sideways, backwards,
this a step further and ask students to make
diagonal, etc.).
up an accompaniment for their movement
For a visual reference to movement introduced
combinations on non-pitched percussion
with the hand drum, click on the “lesson” button of
instruments.
William Tell Overture on your instructional dvd.

Three Magic Rules of Movement


1. Listening: When moving on the floor there
should be no talking. Children who are talking
make it difficult for themselves and others to
hear directions.
2. Respecting each other’s space: Blow an
imaginary bubble large enough for you to step
Basic Loco-motor Movements Hand Drum Stimuli

Walk/March
s s s s

Run
s s s s s s s s

Hop (one foot)


• • • •
r r r r

Jump (two feet)


> >
s s

Leap
>
s s s s

Skip
s r s r

Gallop
> >
s s s s

Polka > >


s s s s s s

When playing, use a mallet for precision. On the hop stimulus, let children know that a quick tap on
the skin indicates a change of feet.
s: indicates a tapping of the drum skin.
r: indicates the drum rim.

vii
n st of names th
t
ent under

am
e n
i ng lls
I rhyth ma K m
e Mama Kanga
r u
n
s t

co
n
ia

ou ct p
I
m a be roo gave Joey:

h Mame that Rh
yth m tr hand drum

rre
e
gl
m

he ict
ll

et
a
jin
N
h of e s th
be
N
e

lp
ame t
in

roo gave Joey: hat Rhythm Instr


ls
guiro
t ur ent under
c w
ba

Jo e?
a e co ythm instrum
o
y e of each rh b m
cy claves maracas

ey

ha
the na m m
h inting fun with composers
ta Kan ga

u
e y by pr M ama er
e m you help Joe of names the

r
by Her
R e f its correc
g
am naCan e? Here is a list fi
n sa ba
l
Can you help Joey by pr triangle

tR
n pictur as inting the name of each

pr e is
t
t o b m its correct picrhyt hm in
Rhythm Instruments ca
y Cow bell (1)

int
th ist c ls maracas ture? Here is a lis jintglof
g ge el nallsmes the Mama Kan
e be

Name that Rhyt


l

ing a lis
r
tin a la b

hy N
o
in e is og um triangle cow bell

th
r
p er Rhythm instruments are a wonderful way to ag dr

en
d

th a
n
H enhance any musical experience. The following list ha jingle bells ta bourine
Can you helpmJo

t
am ame n y rre
? ro ey by printing the nam

o
u i

m me
e o s t ou ct
of instruments provides a wide assortment that g s
ve cow bell its correcfi t ng
pic

n
ertu
cyre
m? Here is a list of
bals
a

f e he he pic
will provide the children with an opportunity to cl

In t
Cabassa (1-2) tambourine

C
cabassa

ac
a
be creative in their play. I have added a suggested

its

h r MapmJ ture
Name that Rh ba ls
finger cym

str h
quantity of each instrument which would work well large cymbal

hy aoKe ?
o
ythm Instrument

th
for most classrooms of 25 students. One instrument
cabassa

l
agogo bells

m anbgya He
that I would highly recommend as a valued

umat
Can you help J

ins rpo re
investment is a good quality hand drum for your oey by printing large cymbal hand drum

y
its corr the name of ea

tru roin g is
own use. Instruments may be purchased at mostect picture? Here is ch rhythm inst

enRh
a lisagtog rument under

me tianve a l
Name nalls
Guiro (1) ofo be mes the M guiro
music stores or through mail order. ama Kangaroo

nt g t J ist
gave Joey:
that

t yt
hand drum claves

un heoey o
cla

Rhyt
ve

de n : f n
Can y
s
gu
ou he guiro
Nam hm I

r am a
iro
its co lp

m
rrect Joey by

h
Rhythm sticks (class set) maracas
nst
its

ar
ha

e th
pr

tri
claves
pictu
nd
re? H inting th

ac
Ca cor

e mes
and/or clavés (2 pair) dr

an
jin

as

of
e na
n y re
triangle
ag
Can
um
ere is
at R

gle
a list me of ea
og ou ct p

gle
c
its you he

ea the
ob

o
Finger cymbals (1 pair)
he ict
cglherbe
Na of na

wb
lar ell

tam

c
be
cor mes jin hylls
rec lp Joe
hyt
lp
the M thm
ge s
Jo ure?

lls
ell
f
c
t pi yb

b
ym
me

i
ca

hm cow bellama K

n
ey

ou
ctu y
ba ba

ge
by Her

ca
re? print

M
ss l

r
rc
ba
Ins

i
a
i
pr e is

lar
fin

n
Her ng th

e
ssa
e is the n
ge

ym
int
tambourine

ge
ing a lis

ag
rc
a lis ame
tru
ta

ba
ym at
og

c
ha
mb th t of

y
t of of e
ba

men
Maracas or shakers (2 pair)

ls
o

m
ou
finger cymba
nd
ls gu en
nam ach

b
co rin
am nam Rh ls

ba
ell
w
es t rhy
iro
e
dr
t
cla

l
be e o es
t

s
he Large Cymbal (1)
Ma hm ins um
cabassa
ll
jin f e the yt
ve

gle
ma t
s

Ka rume
ac hm
tri be h r Mam
nga large cymbal
lls
roo nt und
an hy a K
gle th
In gav e
ma
m anga
eJ r agogo bells
ra ins ro
ca
s str oey tru o g
Triangles (3) : me ave hand drum

ji
um
mar Bells (1)
nt
un Joey

co
Agogo en aca
de guiro

w
s
r :

ta

b
tria

el
mb
t
ngle claves

fin

ou
ge
jing

r
ca

ine
rc
le b

ba
ells

lar

ym
ss
cow

ge

ba
bel ag
Jingle bells/clusters (5+) l

ls
cy
og
tam
ha

mb
o
bou
nd

be
rine tree (1)

al
gu

Chime lls
fing
dr
iro

er c
cla

um

ymb
ve

cab als g
ass
s

a
larg cla
e cy
mba
Hand drum (5+) ago l
go b
ells
han
dd
rum
guir
o
clav
es

Tambourine(1-2)

viii
pre k– grade 3

Fun with Composers: When do I introduce


Perfect for a School the composers?
I suggest to make a brief mention of the composer
Assembly or Production! and show students an image of what he or she looks
like when you first introduce a piece. The final lesson
Are you tired of the same type of musical
is a great place to present the composer’s biography.
productions year after year? Fun with Composers
Children seem to be much more interested in
pieces are great to present to parents either in an
the composers after they have had a meaningful
assembly, or as a school production! Parents love
experience and have connected with his/her music.
seeing all the children engaged with the classics as
Teachers can also further enhance students
they sing, dance, act and play to Mozart, Strauss and
learning with the activity sheets provided at
other great composers.
the back of the book. While students work, play
orchestral music from that composer(s) softly in the
Cappuccino Classics!
background.
Create an evening to remember for parents and
friends as they enjoy being served coffee, tea and
special dainties as the children from the school “Maestro du Jour”
entertain them with some of the greatest classical
music of all time! Keep a conductor’s baton and a black suit jacket
Set up your gym with café styled tables (black (available at your local thrift shop) available for students
or red/white checked tablecloths), menus (which who wish to conduct along to the music or follow the
include all the pieces performed that evening), lines, squiggles or images on the music maps.
and the oldest students of your school acting as Sparkly wands work well with the younger
the servers. (Coffee and tea tables can even be students while the older students appreciate the look
self-serve with students only delivering the tasty and feel of a real “baton”. Practice the conducting
treats.) Have each class present a different Fun with patterns with students so they can conduct along
Composers selection. Choose two students per class with you to pieces like Haydn’s “Symphony No. 94”.
to introduce the music with a brief summary of the
story, introduce the composer and presto! This will
be a night to remember!

ix

You might also like