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range of emotion that belies its simple strophic form. It appeared in the composer’s Scherzi musicali of
1632.
This exquisite work was not originally in the plans for Magnificat's November, 2004 program "A Due
Voci Pari", but during the rehearsals for those concerts, David Tayler suggested that we add it. After one
run-through in the dress rehearsal it was clear that this would become one of the most memorable of all
Magnificat performances.
Lyrics