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Music Assessment Levels

AO1-Performing Skills AO2-Composing Skills AO3-Listening & Appraising Skills


9 • Perform with a developing sense of style  You use advanced compositional You demonstrate high levels of critical thinking and a
and flair. techniques and technology to its full in a deep musical understanding when listening and
crafts-man like way and the structural recognize:
framework supports the impact of the  How music is influenced and informed by other
piece. composers and cultures.
8 • Perform with control and detailed attention • Create compositions that are more Identify when listening:
to instrument specific techniques, extended using highly imaginative and  Augmentation, diminution, hemiola, cross-rhythm
breathing, diction and posture. original musical ideas, which have been  Cadences: perfect, plagal, imperfect, interrupted, Tièrce
• Perform with empathy to the other adapted, extended. de Picardie
performers and made a powerful • Give direction to others. Modulation: –
contribution to the impact of the • Discard ideas, which demonstrate a high  To dominant/subdominant in major or minor key
performance. level of musical understanding.  To relative major or minor
• Make accurate use of appropriate notation.  Augmentation, diminution, sequence, inversion of
• Challenge conventions. melody
 Instrumental techniques including con arco/with a bow,
pizzicato/plucked, con sordino/muted, double-stopping,
tremolo/tremolando

• Make detailed comments on the overall effect,


evaluate and make critical judgments, justifying these.

7  Sing and perform music Grade 5 or  Extended, adapt and develop imaginative Demonstrate a high level of musical understanding when
above. and original musical ideas appraising and listening identifying:
 Show when performing stylistic  Show advanced compositional techniques  Dotted rhythms, triplets, syncopation
awareness are used  Major, minor and dominant seventh chords using
 Make a significant contribution to the  Use appropriate notation. Roman numerals/chord symbols
impact of the performance.  Follow and challenge conventions.  Key up to 4 sharps and 4 flats
 Imitative, canonic and layered textures
 Intervals within the octave
 Sonata, minuet & trio, scherzo & trio

 Evaluate and make critical judgments about yours and


others work.
 Justify reasons for yours and others choices
Music Assessment Levels
6  Sing extended melodies with a sense of  Show some imagination when composing. Identify when listening;
shape and expression  Use appropriate musical elements and  Regular, irregular, free time
 (Melodic instruments) – Perform complex devices.  Diatonic, chromatic harmony
melodies and chord sequences  Use relevant notation such as lead sheet  Tonal, major, minor, modal tonality
 (Percussion) – Perform syncopated,  Demonstrate that appropriate musical  Harmonic/homophonic, polyphonic/contrapuntal
repeated rhythms elements and devices have been selected textures
 (Drum kit) – Use drum fills to enhance the and used effectively.  Conjunct, disjunct, triadic, broken chords, scalic,
overall quality of the performance  Demonstrate an understanding of stylistic arpeggio melodies
 Co-ordinate your part with the other and structural conventions.  Timbre, including the use of technology, synthesised
performers showing a good awareness of  Make use of imaginative musical ideas in and computer-generated sounds, sampling, and use of
balance throughout. composition. techniques such as reverb, distortion and chorus
 Make a positive and stylish outcome.  Demonstrate good understanding of Strophic, through-composed, da capo aria,
 Maintain more significant parts and stylistic and structural conventions using  Cyclic structures.
perform with sensitivity to the group relevant notation.
making adjustments as necessary.  Evaluate and make critical judgments about your work,
 Work independently of the teacher.  Discuss music with reference to key terminology.

5  Sing longer melodic phrases with shape  Demonstrate creative ideas and use some  Identify when listening;
and some expression musical elements successfully.  Polyrhythm, bi-rhythm
 (Melodic instruments) – Perform more  Show there is some development using  Consonant, dissonant harmony
complex, repeated melodies and simple appropriate devices.  Unison, octaves, single melody line, melody with
chord sequences with rhythm and some  Use structure that is well defined and accompaniment, antiphonal texture.
expression. appropriate.  Slide/glissando/portamento, ornamentation
 Percussion/drum kit – Perform more  Use simple notations.  Vocal techniques such as falsetto and vibrato
complex repeated rhythms in time  Show your composition has creative ideas  Rondo, theme & variations, arch-shape
 Maintain a more significant part. and uses some musical elements
 Co-ordinate your part with the other successfully in combination.  Identify areas for development
performers showing a basic awareness of  Suggest areas for improvements with clear justification.
balance throughout.
 Need minimal input to the performance.

4  Sing short melodic phrases with a sense  Compose using simple creative ideas and Identify when listening;
of shape a small range of musical elements.  Tempo, rubato
 (Melodic instruments) –perform simple  Show that some musical devices are used  Pedal, drone
chords and sequences and are developed appropriately.  Passing notes, acciaccaturas, appoggiaturas and blue
 (Percussion/Drum kit) – Perform simple,  Use appropriate structures in composition notes
repeated rhythms/with the use of hi-hat  Instruments and voices singly and in combination as
 Perform with an awareness of the other found in music for solo instruments, concertos,
performers. chamber groups, pop and vocal music
Music Assessment Levels
 You can maintain a more significant part.  Graduation of dynamics pp-ff inc.
 Work with a teacher who has some hairpins/crescendo/diminuendo
creative control over the performance.  Ground bass, continuo, cadenza
 Perform with an awareness of the other
performers.  Suggest improvements with some justification

3  Sing short melodic phrases with a sense  Compose using simple creative ideas using Identify when listening;
of shape a small range of musical elements.  Simple/Compound time
 (Melodic instruments) – Perform simple,  Compose using basic musical devices a  Ostinato, riff, pitch bend
repeated melodies within a small range simple structure.  Generic families of instruments as found in world
 (Percussion/Drum kit) – Perform simple, music
repeated rhythms/with the use of hi-hat  Common signs, terms & symbols
 Perform when the teacher has a degree of  Binary, ternary, call & response
creative control over the performance
 Perform with some awareness of the  Make simple suggestions for improvements
other performers.

2  Sing short melodic phrases  Compose a piece that has a basic creative Identify when listening;
 (Melodic instruments) – accurately idea.  Drum fills
perform simple, repeated melodies within  Phrasing, articulation
a small range  Compose a piece that orders sounds within  Popular song forms
 (Percussion/Drum kit) – Perform simple, a simple structure (beginning/middle/end
repeated rhythms/with the use of hi-hat  Use a few simple musical devices when  Make basic improvements to your own work
 Perform with some awareness of the composing.
other performers.  Use symbols to represent sounds
 Keep in time with some mistakes.
 Perform in a teacher led ensemble. .
Music Assessment Levels
1  Sing short melodic phrases.  Use and recognise a few simple musical Identify when listening;
 (Melodic instruments) –perform simple, devices when composing or listening.  Pulse
repeated melodies within a small range  Begin to order sounds within a simple  Thick and thin texture
 (Percussion/Drum kit) – Perform simple, structure (beginning/end).  Improvisation
repeated rhythms/with the use of hi-hat  Compose a piece that has a basic creative  Loud and quiet
 Perform in an ensemble mostly carried by idea
the other performers.  Make basic improvements to your own work when
 Perform in an ensemble that is teacher- prompted by your teacher.
led but you are becoming more aware of
others

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