Professional Documents
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WITH COLOR:
p
iliUiil
rr^
ART; BERN! WRIGHTSON
CPEEPY
iiiiMaii i
CHRISTMAS EVE CANcop, KILL
To Christopher Matheson. N.Y.
theft,
suicide and murder are nightly occurrences.
There's never a happy ending except for . . .
REFLECTIONS IN A SPIKE
" "
.Aboy.Strangt -'
>vertv, hungei
Artists This Issue They had no o
ADOLFO ABELLAN "--; to kill for e
VICENTE ALCAZAR
RICH CORBEN
ISIDRO MONKS
MARTIN SALVADOR AIMTI-CHRISTMASBlllie Jos baby
LEOPOLD SANCHEZ Chri"-
JOHN SEVERIN
BERNI WRIGHTSON
Writers This Issue
GERRY BOUDREAU
BUDD LEWIS
DOUG MOENCH A GENTLE TAKEOVER u
CREEPY NO, 6B PUBLISHED MONTH cember 24th. 1999. And Oliver Chub
CEPT MARCH, JUNE AND OCTOBER B
REN PUBLISHING CO EDITORIAL
SCRIPTION AND BUSINESS OFFICES A
UNSOLICITED
CAN BE
t
AC- didn't like milk. Their favorite drink w;
brandy. with a side order of pickled eggs
CONCERNING OUR MAIL ORDER ADVERTISEMENTS:need Warren Publishine Co- guarantees thp delivery and satisfac-
to write us cancerning_an order, whether f* •^^<;.'^^°
address or a Post Office BoK address,IBS. send ji
.------•---
tion of alt items advaptised in this issue. Should you
your letter -
to; E.G. lues. Customer Service
- '^
Dept.. Warren Publishing
145 E. 3Snd Street, New Yorh, N.Y. 1001 S.
,
"Ren Relly is first-rate!"
The cover to CREEPY tf66 A few comments on CREE- Truth to tell. CREEPY 866 challenge the
To be quite honest, all of would like to
wasn't very impressive. Most
1
was very good. Another beau- PY «66. First, the cover: Isn't your magazines have seen editorial in CREEPY ft66 "in
painting by Ken Kelly. there something missing? The of the stories were minor
Defense of a Name
"
tiful
hackneyed better days. But perhaps
The inside cover by Berni body ot the man being execut- variations on
CREEPY has fallen the hard- can't say any ot your for-
themes, and as such, were
I
Wrightson was good too, ed should be visible. It isn't. eign artists produce substan-
est.
"Desecration" was fantas- This single blooper aside, its auite unimaginative and pre- o! the Spanish dard art. But suspect that
one of Ken Kelly's most Your defense I
of Death" was just average poorly developed, Ifthe thesis been immeasurably greater whether they come from
print books like Comic inter- titors who employ third class
But the execution ot the sto- of Chariot of the Gods is cor- with Corben's dynamic col- Spain, England or America,
national. talent.
maga- ry .. the Poe-ltke narrative rect, and the mythological dei- ors. Sill OuBay deserves a are all paid one rate: the high-
The science fiction ,
huge demerit The only area in which you est in the history of American
zine that fans have been was beautiful. Only a Warren ties were astronauts really for not recogniz-
And have shown improvement re- comic art publishing!
clamoring for for years now writer could pull it off. from another world, how ing this.
ED O'REILLY cently IS with covers. Ken
Budd Lewis is the best there would they have handled mat- As we stated in our editor-
would be a nice addition to Ada, Ohio Kelly is a true talent. He has
A genius, ters when someone like Akhe- ial, no expense is spared in
the Warren line. And the mar- is!
a total command over the hu- bringing to our readers the
"Solitude" was great. The naton denied their very exis- Doug Moench did a good
ket for such a magazine is al-
story was exciting and the
man figure and the most imag- About CREEPY #66, Pretty
finest artists available in the
used to really like your 1
ready being tested ... by your tence? Unfortunately, this is job on "Pinball Wizard." But inative color this side of Ricn sneaky. say! mean even magazine. Now the first thing
leading competitor. ending was a total surprise. not explored in great depth, could have had a better WORLD! I I
it
Corben. Alfred Hitchcock appears at look at are the advertise- I
Sword and sorcery seems Even Martin Salvador's art and the story is ruined by a ending "Pinball Wizard of But the interior artwork for least once in every one of his ments. Are they getting bet-
was nice ... for a change. trite ending. Also, the god
Those readers who claim
too. to have proven itself a Hell?" That wasn't up to War- the most part, has suffered movies, can understand your ter, or are the stories get-
Pinball Wizard" was actually Anubis
you've been over-using Span- I
healthy seller. So why not a pictures is ren's standards. But Rich Cor- greatly. The additions of Ber- wanting to have your name in ting worse?
unique. I'm glad the boy got ish artists in your magazines,
magazine in that vein? which is puzzling, since ben's artwork made up lor it. ni Wrightson and Corben to your own magazine. Uncle
make a valid point. There are More ads.'
, .
Adventure, war. westerns his revenge, and the ending Jose Ortiz drew Amon-Ra cor- would rank that story first your art staff have partially CREEPY, but signing it to a
a happy one. prefer your sto- rectly in VAMPIRELLA «36.
I
some very fine Spanish art-
...are all successful nowa- I
in CREEPY »66. despite the filled a need but the need document putting a man to
. . ,
ists working lor Warren Pub-
ries with upbeat conclusions. fact that the plot was swiped
days. ..all moneymakers. Why "Solitude" offered the fin- remains. The loss of the color lishing. Esteban Maroto, Fe- death? Shame, shame' But
not give us a magazine in that
Rich Corben"s art was classi- est art yet from Martin Salva- from an old Jimmy Cagney section has hurt Corben's lix Mas, Ramon Torrents and surely, it's alt "Relatively Axe- ^rf Thanks to Captain Com-
cal. His work in black and dor. There were a few panels movie.
genre? work. He isn't as shocking in Sanjulian continually amaze cidental?" pany Art Director. Sherry
Big name artists and writ- white is as good as his art in which even reminded me of Then comes "Relatively Axe- black and white Also, it is me with their ever-increasing This issue had a great cov- Berne, the ads
color. Reed Crandall's old work! CidentaM Greg Potter really are actually
ers are also an incentive to hard lo justify the dollar cost quality work. However, an er with one smatrprolslem: getting better!
"
Axe-Cidental"
.
"Relatively There seemed to be the same had it on the ball with this
magazine readers. I'm not say- of the book without color. overwhefming number of your Where's the body the head
ing to Ignore the unknown or was another good story by the sense ot composition, the one. It's one of the best sto- People tike Jose Ortiz, Mar- other Spanish artists are aw- came from? Other than that,
upcoming talent, but you great Greg Potter. Adolfo Ab- same attention to authentic nes he ever stole. Credit to tin Salvador, Ramon Torrents ful. give Ken Kelly my praises would like to bring up the I
ellan's art was okay. But I'm Archie Goodwin's writ- "The Third Night of Mourn-
should cling tenaciously to detail. and Gonzalo Mayo are medi- In the flood that has open- He's doing fire, subject of Rich Corben's art-
not crazy about the way he
Sour "name" creators, who draws. He's a too slop-
ing made a work of art out o( ing" by Jim Stenstrum, Adol- ocre artists who are excellent ed up from the Philippines and "Desecration" with Jose Or- work. Corben is a genius,
ave proven to be good, com-
little lesser hands, would fo Abellan's art wasn't up
py for me.
what, in to for a change of pace. But they Spam in recent years, a lot of tiz' art was okay. The story there's no denying it. No one
getent salesmen, as well. have been a formula plot snuff, either. are not top notch artists or second and third rate artists though, Just wasn't up to the even comes close to his story-
erni Wrightson. Wally Wood, "Nightmare" was good, too regards to this month's
In thought "Solitude" was
I
even average story-tellers, have slipped through. The CREEPY tradition. "Portrait telling, drama or excitement.
Archie Goodwin and Esteban Isidro Mones never fails in the editorial: have we run out of an awtully cliche story. What Adolfo Abellan and Vicente Al- thing IS, many of these fellows of Death" had so-so-art. and But it seems to me that he
Maroto are such people They art department. Now we genuine controversies after happened to the once-great cazar are a step below the have similar art styles. It a "no-comment" story. Same colors only the poorly written
look good in the present War- know he can also write! only ten years of publishing? Archie Goodwin? As usual, above mentioned gentlemen. leaves one with the feeling of for "Solitude." stones he is forced to illus-
ren magazines. They'd look A line issue. What more I'm speaking, of course, of the Martin Salvador's art was su- Their stories are unreadable. being bombarded with often I've seldom read as good a trate. His better scripted sto-
better in a new Warren title. can one do but praise!? letters that sparked Bill Du- perb. It saved the story lor These artists simply do not times inferior foreign work. story as "Pinball Wizard." The nes are always published in
Bay's fiery attitude m his de- 01 course. Warren isn't the combination ot Doug Moench black and white.
RUSSELL KALTSCHMIDT fense of Warren's Spanish il- "Portrait ot Death" was a
meetthe standard of quality ,
Long Island. N.Y. CREEPY has been known for only company using foreign and Rich Corben could never For example, in CREEPY
lustrators. Graphic literature real loser. Vicente Alcazar is The writing quality has also artists. They all do. This must fail. H54. H58 and #66. each Cor-
IS one of the last fields in the poorest excuse lor an art- dropped considerably as of be discouraging to young As for the final tale ben story was good, but un-
. , I
was actually killed in surprisingly profes- famous artists like Esteban Maroto, Jose Ortiz and Paul Neary plus the
an automotiile acci- sional paintings for finest American talents available. Berni Wrightson and Rich Corben
dent in 1968. His several paperback are both gifted artists and writers. Possibly this is what makes them
friends, unable to bear book companies . .
two of the Liest storytellers around even when they're telling some-
. . ,
Is the slender young sters, the living dead Warren's magazines come to you with more stones per issue, plus a
man who signs auto- and other macabre color section, for the same price you pay lor fewer stories and no color
graphs to that effect, creatures. Among in the magazines of some competitors.
thesame Berni Wright- them IS the terrifying And we have an unbeatable inside front and back cover in two colors
son who spent his ear- classic "Jennifer" writ- . .instead of the eternal black and white muscle advertisements on
.
ly childhood in a haunt- ten by Berni's good the inside covers of competitive magazines.
friend, artist Bruce If the facts haven't convinced you to remain a
lifelong Warren reader,
ed roadhouse in Mary-
land and played among Jones. maybe our statement of policy will: At Warren, we pledge to give you
the tombstones m a Berni has now re- our best 100% of the time. We hope it's good enough.
nearby cemetery? The turned to New York
hidborn knowing how City. Whi
to draw? ing iLtnd
Berni says the fact apartment, he cann ot-
that ninety per-cent of ten be found visiting
his work concerns dis- some ot the people
figured liches and ani- who help make him
mated corpses is only the Berni you know
natural. For more in- today.
formation, he sug- Did Warren, realiz-
gests, witfi a pale bony ing his profit potential,
smile, that we querie really have him rebuilt
some ot his friends. from spare parts?
Mo one denies the Did his buddies at
rumor. In tact, many Neal Adams' Continu
suggestedthat it might ity Studios, recreate
be true. him, the way they cre-
Berni 'ays ated, in the great tra-
had lots of friends dition of Dr. Franken-
_ _ a lots of people stein, the inking iden-
claim to have helped tity. Crusty BunKers?
make him the man he When asked these
5 today. questions, Berni only
His first published laughs ( =
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STORYi BTJDD LEWIS / ART: ISIORO MONKS
/W*^Ci£S? CMP/ Wf/AT M0ARCH,TH09E7H1NGS HAVE
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THROWN (N JAIL FOR FISHTING /^O/ZeVEA I GUESS. THE POOR
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IMSTRUCTED ,
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