Professional Documents
Culture Documents
4. Spaces of Resistance
7
Origin of the Texts 221
Credits 224
The New
World
8
Disorder
Foreword
Entropic Empire
Reflect #09
Our world is a complex, sophisticated system but also an increas-
9
ingly chaotic and barbaric one. In that respect one could speak about
a ‘New World Disorder’ as the political constitution of our era. The
formula is, of course, echoing the ‘New World Order’ declared by Bush
senior after the collapse of communism. The end of the Cold War was
seen as the final victory of liberal democracy – it was nothing less
than the end of history according to Fukuyama (and therefore the
beginning of ‘posthistory’).
It also brought the end of the welfare state, at least the begin-
ning of the end. The voluntary dismantling of the welfare state, which
started in the early eighties, under Thatcher and Reagan, might now
be reaching its finale. As I write this introduction in spring 2012, the
Europe Union is undergoing its worst economic and political crisis
since its inception, with more neoliberal shock therapy as a diet. The
welfare state was the culmination of modernity, the synthesis between
capitalism (or liberalism) and communism (or state socialism); it was
– when all is said and done – probably the most bearable constitution
in the history of mankind. What comes after the welfare state? A big
question mark. This is a book on posthistorical politics, as what comes
after the welfare state.
‘Entropic Empire’ is the term I have come to use to describe
the New World Disorder that we see emerging all around us. Of
course, entropy refers to the tendency of the loss of order in a complex
system. If scientific minds question this seemingly frivolous, super-
ficial use of a technical term – admittedly, I also had mixed feelings
initially – I would defend myself that I didn’t find a better word to
accurately describe the contemporary world system. So, I decided to
keep using ‘Entropic Empire’ as a name, as an index to point to some-
thing, as a heuristic term. What was it I was looking for, what was the
configuration I was trying to indicate with this oxymoron, this para-
doxical formula, this contradition in terms between two words that
signify supreme order and increasing disorder respectively?
A sort of lapidary, laconic answer would be: the Entropic Empire
is the geopolitical counterpart of an equally oxymoronic keyword
of the political Zeitgeist after the end of the Cold War: rogue state.
Entropic Empire is then the world system encompassing rogues states
and failed states in its constitution, and moreover – this is crucial –
also using ‘state ending’1 the destruction of states, and the engineer-
ing of civil war and ethnic, religious strife, as part of its dominance.
This might be the true face of posthistory. I will, of course, return to
all of these terms repeatedly throughout the text. All I can hope is
that by the end of the journey, I will have convinced the reader that
the term Entropic Empire does make sense.
This book is not only vertically anchored, trying to fathom the
underlying matrix that keeps our world system going (or going apart)
but it has also a horizontal, chronological axis: it is an abbreviated
crossing from Nine-Eleven to the Arab Spring, collecting my more
10
11
sion of the polis’, the disintegration or collapse of the city of man, of
society, of the state, can be understood in the frame of the old philo-
sophical idea of the state of nature, as a relapse into primordial anar-
chy, chaos: ‘the war of all against all’. The third part of this book tries
to show how and why; it constitutes the true core of the book.
Together with my friend and colleague Rudi Laermans I hoped
to write an entire book on this return of the state of nature, but we
never got there. The text on ‘The BeWILDerment of Pentheus’ is the
nucleus of that book project. In the text on Beirut, based on inter-
views with Lebanese architects, artists and intellectuals, this thesis
becomes concrete in a sort of anthropology of civil war. The interviews
revealed to me how civil war is the realized instance of the state of
nature and it made the trauma it leaves on a society palpable. ‘The
Blackout’ is a small case study of this ‘implosion of the polis’. The
sudden absence of electricity is also a political blackout: anything
can happen, from feast to lawlessness. In ‘the negation of the state of
nature’ the roots of American neoconservatism, notably the philoso-
phy of Leo Strauss (and one of his masters Carl Schmitt), becomes the
focus again. It is death politics or ‘thanatopolitics’. But this text tries
to go beyond it, by introducing the new concept of ‘zoöpolitics’ (as an
alternative to the all too loose and pejorative use of Foucault’s concept
of biopolitics) and ends with an evocation of an alternative politics:
‘cosmopolitics’. However imperfect, it might be the most important
text within this book.
The theme of resistance appears in the concept of heterotopia
as counterstrategy. Heterotopia, the other space, as opposed to the
camp as spatial embodiment of the state of emergency, is referred to
in several texts of this book (‘The New Spatial World (dis)order’, ‘The
BeWILDerment of Pentheus’ and ‘The Blackout’). But this concept is
center stage in the fourth and last part of the book with the text ‘The
Space of Play. Towards a general theory of heterotopia’, again written
together with Michiel Dehaene. For us heterotopia is both a counter-
strategy to economization under neoliberalism and a laboratory of
sharing the (un)common, an alternative public space in extreme situa-
tions like refugees camps. This theme of resistance comes to full light
however in the texts on the Arab Spring, as a world historical event
bringing the post 9/11 era to an end. The ‘Reflections on the revolution
in Egypt’ speculate about the power of the multitude, swarm intel-
ligence, and anger as political affect. Hence the last texts brings some
light in the darkness, it is a moment of hope near the end of the book.
The conclusion of the book, ‘The Perverted Pyramid’, tries to sketch in
a concise manner the logic of Entropic Empire, and the Afterthoughts
look back on the concept of posthistory. Indeed, the question of hope
could be formulated in an entirely different, more philosophical way
– also a radically negative one. But as it is underlying this book, I feel
obliged to share it with the reader from the outset. It sounds simple
but ominous: ‘Is it possible that we are falling out of history?’
12
Notes
1 The term ‘state ending’ was introduced by Raymond T. Baker, Sher-
een T Ismael & Tariq Y. Ismael, ‘Ending the Iraqi State’, in: Cultural
Cleansing in Iraq. Why museums were looted, libraries burned and
academics murdered, Pluto Press, London, New York, 2010, 3-41.
They contend that the destruction of Iraq as a state and as a society,
even as a culture, was the war aim from the very onset. As I have
been writing about the massacre of Iraq for almost 10 years now and
was active as chairman of the the Brussells Tribunal, a people’s court
and subsequently activist network on Iraq, I consider this thesis as
proven. But the concept and practice of state ending should be stud-
Entropic Empire
Square:
The Post-9/11
Era Explained to
Entropic Empire
Children
[2001]
Reflect #09
15
Ten years after 9/11 it is time for a retrospective of this epoch. I
want to wade through the decade, from the War on Terror to the
Arab Awakening, I want to sketch the spirit of the age the way I
experienced it, in rough brushstrokes. The events on the eleventh of
September 2001 – with Ground Zero as its focal point – marked the
beginning of a grim century; or at least the dawn of a dark decade: a
decade of fear, pessimism, fundamentalism, terror, militarization, war
and other state violence, dualization, paranoia, repression and, above
all, a devouring obsession with security.
tion of prisoners to nations that are known to apply torture, and extra
judicial killings.
Europe cooperated in these extraordinary renditions and adopted
a whole package of exceptional measures under American pressure. In
Belgium, the spirit of the War on Terror was translated into the anti-
terrorism law and the so called BIM- and BOM-laws: respectively, spe-
cial intelligence methods and special investigation methods. There was
hardly a parliamentary, let alone public debate about it. Media and
public opinion looked the other way. A federal attorney was installed
with the posture of an anti-terrorism czar. One of the side effects of
this local war on terror – or, more accurately, direct consequences
and perhaps even objectives – was a large-scale criminalization of
activism. Let’s start with a case in which I was involved through the
Platform of Free Speech (Platform voor Vrije Meningsuiting), the case
of Bahar Kimyongür, a Belgian citizen from Turkish descent, activist
and sympathizer of the Turkish opposition movement DHKP-C. This
is an organization which was first a legal opposition party in Turkey,
but then was suddenly put on the list of terrorist organizations. Bahar
translated texts for the DHKP-C and denounced torture of political
prisoners in Turkey. When weapons were found in an apartment in
Bruges, Bahar was arrested by association and convicted to five years
imprisonment for leadership in a terrorist organization, despite the
fact that he wasn’t involved in any violent activities in either Belgium
or in Turkey. Despite him being a Belgian citizen, there was even a
secret attempt by the federal prosecution and the state security to get
him arrested in the Netherlands. The idea was he then could be extra-
dited by the Dutch to Turkey, which had launched an international
arrest warrant against him for waving a flag in the European Parlia-
ment during a visit of the Turkish minister of Foreign affairs. He was
arrested when he went to a concert in the Netherlands but the Dutch
judge dismissed Turkey’s request. This attempt by Belgian authori-
ties to extradition was unconstitutional. It is called in Belgian law ‘a
conspiracy of civil servants against a citizen of the state’. Yet, the case
Reflect #09
17
years. Even Greenpeace Belgium was taken to court by Electrabel for
being a ‘criminal organization’. Many of its volunteers were repeat-
edly questioned, demonstrating how interrogation serves as a tech-
nique of intimidation. Luk Vervaet, a language teacher in the prison
of St-Gilles and a prisoner activist, was denied entrance to all Bel-
gium prisons for non-disclosed ‘security reasons’ – possibly because
he had visited Nizar Trabelsi, a football star convicted for planning
an attack on a military base in Belgium, where American missiles are
located. The dismissal of Vervaet for ‘security reasons’ was clearly a
case of Berufverbot, i.e. punishment by banning somebody from his
job. The decision was recently declared invalid by the Council of State.
But the man lost his job. These examples give an idea of what the
state of emergency means in practice.
The sacking of Barbara van Dyck, a bio engineer at the Uni-
versity of Leuven, in early June of 2011, is yet another example of
the ‘climate of antiterrorism’. She was fired for participating in and
defending an action against an experimental farmland for genetically
manipulated potatoes in Wetteren. We made a committee Barbara van
Dijck to defend her right to free speech. She was accused of violence,
but she committed none. The incident sparked off a wave of debates
on the privatization of research, the on the risks of Genetically Modi-
fied Organisms, on the privatization of the commons (seeds), on the
neoliberalization of university and the criminalization of activism.
Now she is on trial with 10 others for being member of a criminal
organization – which against not only the spirit but even the letter of
the law: the law excludes explicitly social activist organizations like
trade unions or NGO’s from the concept of criminal organization.
Conclusion? The curtailment of the right to activism, as part of
the right to free speech, or worse, the criminalization thereof, is one
of the fundamental signs of this time. In this climate of antiterrorism,
juridical terms are misused: some NGOs are qualified as criminal
organizations and actions or even opinions are stigmatized as intimi-
dation or violence. Since the War on Terror began all protests became
suspicious. Although few people are aware of this, the war on terror is
not only affecting global politics, far from our daily lives, but it is also
affecting local politics, as I briefly tried to evoke for Belgium. The War
on Terror is not over, despite the death of Osama Bin Laden (the fact
that it constituted another extra-judicial execution, is telling in itself).
We simply got used to this state of affairs.
19
scale: first, taxpayers had to save the banks, but now national debts
are up, so we have to pay again, so now we have major cuts in social
spending. The credit crunch of 2008 keeps echoing.
By means of ‘management’, neoliberal thinking was not
restricted to marco-economics and politics. It has penetrated into
the deepest layers of society, from the macro-economic scale via the
intermediate scale of organizational structures to the micro scale of
our way of thinking. At the intermediate level, the university is a good
example: it has become a corporation, a corporation of knowledge for
the knowledge-based economy. But even our individual attitudes are
neoliberal: we all consider ourselves as small enterprises. The battle
against the supremacy of neoliberalism is one of the great challenges
of our time.
Free exchange of commodities and services went hand in hand
with a stop on migration. This is one of the deep contradictions of neo-
liberalism: the tension between open borders for globalization of the
economy but restrictions of the freedoms of movement for people. The
neoliberal world order has created an extreme dualization of society,
both on a world scale as well as in city districts. Disconnection, exclu-
sion, security have thus become the key words of our time. This is per-
meating our daily lives, from gated communities and security malls, to
SUV’s and surveillance cameras on every street corner. This is what I
called ‘the capsular civilization’ at an early stage. We saw the return of
hard borders: the new iron curtains in Ceuta and Melilla, designed to
protect Fortress Europe from African illegal immigrants. A long wall
between Mexico and the United States was erected after NAFTA had
facilitated the American agro-industry to destroy the small farming in
Mexico, causing massive immigration from Mexico. The combination
of globalization, the impoverishment of the Global South and the still
ongoing demographic explosion, has resulted in massive migrations.
This caused friction and symptoms of rejection. Still, globalization
cannot be stopped and the solid borders prove to be completely porous.
We will have to learn to live in ‘multicultural’ cities (and for-
eign ‘monocultural’ areas). My Moroccan-Turkish neighbourhood (in
Brussels) isn’t a bad place to live. It’s much livelier than the endless,
soporific suburban subdivisions in Flanders. To me this is one of the
important lessons of this decade too.
was all in there. But it took a long time for the message to be received.
2006, one could say, was the year of the awakening, the year
people started being conscious about these issues: Al Gore and the
IPCC (Intergovernmental Panel on Climate Change) were awarded
the Nobel Peace Prize and the ecological question was all over the
media. Statistics showed a sharp rise in public awareness. It was one
of the few sparks of light in a dark decade. People became aware of
three things: the fact of global warming, the fact that climate change
was caused by human activity, and thus that something needed to
be done urgently. But in vain. Towards the climate conference in
Copenhagen – of December 2009 – three things happened. First arti-
cles appeared which noted errors and exaggerations in the reports; a
leaked email correspondence that was supposed to show that IPCC
was overstating its findings. It was, of course, a deliberate campaign
to discredit the IPCC. Then there was media attention to the fact that
the sense of urgency of 2006 had began to vanish in broader layers
of society. This is extremely bad news. If in three years, the alarm
bells of 2006 sound weaker instead of louder, then humanity is not
waking up. But, humanity must wake up, if it does not want to end
up in the middle of a nightmare. In fact, this nightmare has already
begun. This spring (2011) saw the largest drought ever in Belgium
and France, and the most deadly tornado season in the United States
(around 450 deaths were registered). Add to this the large scale wild-
fires around Moscow last year, devastating floods in Pakistan, and in
Thailand . . . the list of natural disasters seems endless these days.
The Red Cross judged 2010 to be the most catastrophic year in their
statistics ever. The permanent catastrophe has begun.
Thirdly, the climate conference failed, but it was the chronicle
of a failure foretold. Business as usual. And this is exactly what we
cannot permit. There is permanent control going on, an obsession
with security, but there is no institution that matters, anywhere in
the world, which can guide us or save us from the threat of global
warming which really endangers our security.
Reflect #09
21
Art and Activism in the Age of Globalization there is a hilarious
e-mail correspondence between two gay artists about the difficulties
they face with security at airports as a consequence of 9/11. One can
also read about this fall out, and radicalization in the arts, in arti-
cles on the Errorist International in Argentina, or about the case of
Schlingenzief, or the anti-globalist artistic practice of the laboratory
of insurrectionary imagination . . . In a sense this entire book is an
expression of this radicalization: the problems have such extreme
proportions that we can no longer stand by and watch. ‘Pessimism
in theory, optimism in practice’, that was my slogan during these
depressing years.
* T
his text was written during the summer of 2011 for the occasion of the
10th anniversary of 9/11. You can imagine my joy when Occupy Wall
Street came into being on 17 September, and spread like a wildfire in
the US and then back to Europe, where the Spanish Indignados were
marching to . . . Brussels.
Reflect #09
Reflect #09 Entropic Empire 24
The War on
Terror as
26
Planetary
State of
Emergency
Entropic Empire
27
Rogue State – it makes for a smashing oxymoron, a contradiction in
terms: ‘Rogue/State’. It almost sounds like ‘ice-cold heat’ or ‘deafening
silence’. Rogues transgress law and order whereas the state installs
and maintains law and order, is law and order It is tilted jurisdiction,
or ‘bended right’; ideological new speak, straight from the animal farm
of the New World Order – through and through Orwellian. Rogue
state as a concept is the coincidentia oppositorum of the (juridical)
order of the state and disorder, the lawlessness of the state of nature,
and all that in one elegant spin doctor’s buzzword. It points to the
heart of the New Imperial World Order, or whatever you want to call
this present world system.
This freak concept needs further investigation. Wikipedia sup-
plies us with a very handy overview:
That’s all we needed to know. Derrida was so aghast when he read the
books of Noam Chomsky and William Blum about rogue states2 that
he promptly wrote a long meditation on the notion entitled: Voyous
[Rogues]. His conclusion is extremely clear:
New Enemy After the Cold War
29
War as a problem: their crucial theorem was that if the Soviet Union
faded away as a world power, the population and the elites would no
longer endeavour to maintain America’s military power. In the event
of the Soviet Union’s fragmentation, then, the neocons sought to bring
the whole world under American dominance: ‘the goal of the American
foreign policy should have been to turn, what Charles Krauthammer
called a “unipolar moment” into a unipolar era.’5 In 2000, William
Kristol, the godfather of the neoconservatives and the founder of the
PNAC, and Robert Kagan published an revealing book: Present Dan-
gers. Kristol and Kagan call this unipolar era the ‘benevolent world
hegemony of America’. To motivate and convince the American popu-
lation of the necessity for a strong army a strong enemy was needed
that could embody a clear danger. The whole book aims at identifying
such an enemy: ‘. . . today there is a present danger. It has no name.
It cannot be found in a single strategic enemy. It doesn’t fit under the
name of international terrorism, Rogue State or ethnic hatred.’6 They
clearly could not conceptualize it very well. How does one create a
new enemy?
When Bush came to power, the notion of ‘rogue state’ was
already exposed as a clumsy attempt to define that enemy as a stra-
tegic unity. But after September eleventh the notion of international
terrorism became most suitable to embed America’s strategic activity.
The ‘Axis of Evil’ became the enemy to defeat. That Saddam Hussein
and Osama bin Laden were sworn enemies was of no importance.
Directly after 9/11 the PNAC wrote an open letter to President
Bush advocating an invasion in Iraq and the elimination of Saddam
Hussein.7 The blueprint of the foreign policy proposals for the Bush
administration, which was determined by the neocons (with Wolfowitz
as a front runner), can be traced back to 2000 to Present Dangers.
First there is the idea of ‘pre-emption’:
what is coming.
The ultimate defence of American politics is the perfect circular
argument. ‘So long as we stay true to the principle of America‘s found-
ing, our self-interest as a great power will be inextricably linked to
mankind’s universal interest in life, liberty and the pursuit of happi-
ness.’9 This is what we could call a dirty trick (a rogue’s trick indeed):
New Enemy After the Cold War
31
United States is the biggest of all rogue states. And Derrida went a
step further: ‘L’état est voyou’, the state is a rogue. The term has an
expiration date for political use, because as an oxymoron it is like a
Pandora’s box. It is problematic and points at a problem: the crisis
of the state, of the nation state. It is symptomatic, and symptomatic
terms work a bit like a slip of the tongue, a lapsus or a tic, a symptom
in psychoanalytic meaning: you cannot control them. As a sympto-
matic term it is connected to the state of emergency: the monarch,
the US as world sovereign, who has brushed aside international law
and subverted its own constitution, points, by means of a shadowy
notion to a target. The notion is a sort of abracadabra, an anathema.
Whoever is called a rogue state is immediately rendered an outlaw
and may be freely attacked. It is a tautological, empty, performative
term: whoever is called a rogue state is a target; whoever is a target is
called a rogue state. The rogue state is the ideal target, for terrorism
can’t be dealt with directly in grand scale military operations. And
terrorism in its turn is an ideal alibi to deal with states – preferable
weak in military terms, as was the case of Iraq (even if it had nothing
to with 9/11 or terrorism). Finally, the term is symptomatic because
it points to what one could call the Mad Max phase of international
politics that was ushered in by the war on terror: military disaster
management, domination through chaos. The ‘state ending’ in Iraq
is paradigmatic for this sort of rule by chaos.13 One could call it the
Entropic Empire.
Maybe ‘Empire’ is no longer. The moment the United States
attacked other states they had earmarked as rogue states (the inva-
sion of Afghanistan, which remarkably, was not listed as a rogue
state, Iraq and some day perhaps Iran), international law, the frame-
work for Empire in the conception of Negri & Hardt as a tripartite
pyramid, has been overruled. According to Negri & Hardt, the New
World Order is a synthesis between monarchy (the USA, and the UN
security council, G8, World Bank, IMF), aristocracy (the individual
states and the transnational corporations) and democracy (the UN,
the press, the NGO’s and religions . . . ).14 The war on terror as a per-
manent war is an attempt to overturn this tripartite pyramid for the
benefit of the monarchy: the US as hegemon, as good tyrant. That’s
what most of the dozens of recent books mean that recently have the
words ‘American Empire’ in their titles: not a balanced, triadic empire
in the sense of Negri & Hardt, but a unilateral world order with the
USA as autocrat by means of permanent war. One could save Negri’s
theory of Empire by stating that the pyramid has just become top-
heavy, with more power to the USA, but is in fact still standing. We
should think of it as a recast, a power grip, a reinforcement of power
rather then a coup d’état (Or, in retrospect, a failed coup d’état.)
Perhaps one can understand the future of the New Imperial
World Order best from the perspective of the The Empire Strikes
Back. It seems the Star Wars sequel is a scenario unfolding in our real
32
haps all too well: now the enemy is everywhere. We now have, in
accordance to the book (of Carl Schmitt), an external enemy and an
omnipresent internal enemy (think of the British born suicide terror-
ists). In the name Al Qaeda they coincide. That’s why international
politics continues to take shape like policing and internal law enforce-
ment more and more resembles military characteristics – a revealing
blur. By boosting control of the domestic populations, antiterrorism
laws will surely defend democracy . . . by slowly dismantling it. This
is what Derrida called the ‘auto-immunity’ of democracy: democracy
which defends itself by attacking itself, by dismantling its very own
immune system.15 A dirty trick or even rogue behaviour? Whenever
civil freedoms and constitutional laws are dismantled or suspended,
all states become rogue states.
Notes
1 Online: http://en.wikipedia.org/wiki/Rogue_state.
2 Noam Chomsky, Rogue States. The Rule of Force in World Affairs,
South End Press, Cambridge 2000. William Blum, Rogue State: A
Guide to the World’s Only Superpower. Common Courage Press,
Monroe, 2000.
3 Jacques Derrida, Voyous. Deux essais sur la raison. Galilée, Paris
2003, 145 (our translation). In English published by Stanford Univer-
sity Press as Rogues.
4 Noam Chomsky, ‘Rogue States’, ZMagazine (http://www.zmag.org/
chomsky/articles/z9804-rogue.html)
5 Robert Kagan & Willian Kristol, Present Dangers. Crisis and oppor-
tunity in American Foreign and Defence Policy, Encounter Books, San
Fransisco, 2000, 6.
6 Ibid., 9.
7 Online: http://www.newamericancentury.org/Bushletter.htm.
8 Robert Kagan & Willian Kristol, op. cit. (note 5), 12.
9 Op. cit., 304.
10 Noam Chomsky, op. cit. (note 4).
11 Robert Kagan & Willian Kristol, op. cit. (note 4), 241.
12 This rumour, this threat has been on and off since we wrote the text
in spring 2006.
13 See on this concept of state ending: Raymond Baker, Shereen T
Ismael and Tariq Y. Ismael (eds.), The Cultural Cleansing of Iraq. Why
Museums Were Looted, Libraries Burned and Academics Killed, Pluto
Press, London & New York, 2010, 7-48.
14 Antonio Negri & Michael Hardt, Empire, Havard University Press,
Cambridge, Ma & London, 2000, 304-325.
15 Jacques Derrida, op. cit. (note 3), 59, passim.
34
The Tyrant as
Messiah:
Entropic Empire
Messianism and
Antinomianism in
the
Neoconservative
Ideology
[2006]
Reflect #09
35
The War on Terror as State of Exception
In ‘For a justice to come’, one of the last interviews with Jacques Der-
rida, the author stated clearly that he considered the war on terror as
a state of exception (or state of emergency, martial law). In a sort of
commentary on his train of thoughts in Voyous [Rogues] on the auto-
immunity of democracy, the tendency of democracy to defend itself by
destroying itself, he says:
But at the same time you shouldn’t think that you must fight
for the dissolution pure and simple of all sovereignty: that is
neither realistic nor desirable. There are effects of sovereignty
which in my view are still politically useful in the fight against
certain forces or international concentrations of forces that
sneer at sovereignty.3
there are, then the United States and its allies, are the first among
them.7 In the same interview Derrida furthermore spells out, as in
Voyous, that this hegemonic war policy and state of emergency signals
Antinomianism in the Neoconservative Ideology
a crisis of hegemony:
37
to be taken into account.9
The United States has for decades sought to play a more perma-
nent role in Gulf regional security. While the unresolved conflict
Antinomianism in the Neoconservative Ideology
That one phrase provides a key, maybe the key, to the illegal invasion
of Iraq.18
Almost all the members of the Project for the New American
Century are neoconservatives, some are Straussians, and some of
them have taken important positions in the Bush government: Paul
Wolfowitz, Lewis I. Libby, Abram Schulsky, and Stephen Cambone.
Besides there are influential publicists like Irving Kristol, spiritual
father of the neocons and his son William Kristol, the propagandist of
the movement, both of whom are self-declared Straussians. William
Kristol is, besides founder and editor in chief of The Weekly Standard,
chairman of the PNAC. Gary Schmitt, its director, is also considered a
Straussian. The Straussians are not any longer only a very influential
strand in American academia, or a strong influence in powerful think
tanks, but they are also now in power in Washington and have a hand
in shaping US foreign and domestic policy.19
The political philosophy of Leo Strauss can be summarized like
this: the few, the ‘real men’, as Strauss calls them in quoting Xeno-
phon, the philosophers, know the truth: that there are no gods, that
there is only one natural right, namely the right of the strongest,
the right of the few (to enjoy the pleasure of life and contemplation).
These truths are dangerous for the philosophers, for they might be
prosecuted, and, more importantly, they are harmful to society. So
one has to make a double doctrine: an esoteric one for the few, and
an exoteric one for the many. This outward face of philosophy (which
Strauss calls ‘political philosophy’ –the face philosophy shows to the
polis), is, in Strauss’s terms made up of ‘pious lies’ and ‘noble myths’.
These ‘noble myths’ or ‘pious lies’ are essential to keep society going.
Modernity is the process of these esoteric, classical truths becom-
ing openly known – a process happening in the work of Machiavelli,
Hobbes, and Rousseau – and leading to nihilistic hedonism in the
masses. The ‘real men’ cannot rule directly, the philosophers need to
whisper in the ear of ‘gentlemen’ (again a term of Xenophon), who
do believe in the pious myths and noble lies. For Strauss the philo-
sophical elites who know the truth, should tell the gentlemen who
are in power to uphold in public the pious lies of God, law, freedom
and patriotism. Piety, fear and permanent war are a way to turn
the decadence of modernity into heroism and self sacrifice. To avoid
decadence, and solve the crisis of modernity, one needs patriotism
and religion to believe in the sacredness of morals, of the country and
its laws. But the laws are also ‘pious lies’. In fact, tyranny, the rule
39
in absence of law, can be far better than rule by law. To create this
strength and unity in the polis one needs an enemy; if there is none,
one has to create one. One needs subjects that are united by fear, fear
of God and fear of the enemy.20
In On Tyranny, a commentary on Xenophon’s dialogue Hiero or
on Tyranny, one gets a sort of summa of what Strauss calls the ‘tyran-
nical teachings’ in his own words (I quote the most striking passages
of the short chapter called ‘The teaching concerning tyranny’):
. . . the rule of law is not necessary for good government.21 . . .
To be just, simply means to be beneficent. If justice is then
translegal, rule without laws may very well be just: beneficent
absolute rule is just. Absolute rule of a man who knows how to
rule; who is a born ruler, is actually superior to the rule of laws
. . . Hence the rule of an excellent tyrant is superior to, or more
just than, rule of laws. Yet Simonides [the wise man, the poet
who dialogues with Hiero, the Tryant] goes much beyond prais-
ing beneficent tyranny: he praises in the strongest terms the
hoped-for beneficent rule of a tyrant who previously committed
a considerable number of crimes. By implication he admits that
the praiseworthy character of tyranny at its best is not impaired
by the unjust manner in which the tyrant originally acquired his
power, or in which he ruled prior to his conversion. [conversion
from malevolent to beneficent tyranny].22 . . . rule derived from
elections in particular, is not essentially more legitimate than
tyrannical rule, rule derived from force or fraud. Tyrannical rule
as well as ‘constitutional’ rule will be legitimate to the extent to
which the tyrant or the ‘constitutional’ rulers will listen to the
counsels of him who ‘speaks well’ because he ‘thinks well’.23
elections, the secrecy, the lies, the politics of fear, the suspending and
breaking of law, and the politics of permanent war as politics to create
unity and patriotism by targeting and even creating an enemy – it all
seems to be text book Straussianism. Besides the use of religion and
its messianic version of fundamentalism, the main feature of Straus-
sian neocon thought is its deep antinomianism. Indeed, the contempt
for the rule of law is deeply embedded in neoconservative thinking
and realized in Bushite politics. Even Francis Fukuyama, a former
fellow traveler of the neocons, who co-signed the statement of princi-
ples of ‘the Project of the New American Century’ back in 1997, wrote
a book that is an appeal to abandon neoconservative ‘exceptionalism’
and a plea for a return to legality.28 In a recent article in the Wall
Street Journal he wrote:
To put it mildly, the Iraq war has not increased the pres-
tige of the U.S. and American ideas like liberal democracy
in the Middle East. The U.S. does not have abundant moral
authority for promoting the rule of law, since the first
thing people in the region associate with America today is
prisoner abuse at Guantánamo, Bagram and Abu Ghraib.
Many Americans have explained these events to them-
selves by saying that the abuse was an aberration that has
been hyped by enemies of the U.S., and that in any event
such things just happen during wartime. Perhaps; but the
fact remains that Guantánamo is still open, and nobody
except for a couple of lowly enlisted soldiers have been
prosecuted for prisoner abuse by the Bush administration.
Fair or not, American insistence on rule of law and human
rights looks simply hypocritical.29
41
Supreme Court’s ruling that Guantánamo is unconstitutional.31
This contempt for law could be called the ‘really existing antino-
mianism’ as opposed to the philosophical antinomianism that Agam-
ben exposes in his work. The ‘tyrannical teachings’ and practices of
this antinomianism has a strong link to religious fundamentalism, as
a ‘really existing messianism’. One could say that Christian funda-
mentalism is an important part of the ‘political philosophy’ of contem-
porary neoconservative politics, that is: the exoteric side of the doc-
trine, the pious lies and noble myths that help the elites, who know,
to rule. This strange and sinister alliance itself, is therefore textbook
Straussianism.32
43
of the world.38
He goes on:
45
One cannot fail to see that the revolution seems to be put safely
between brackets here.
We know that Derrida rejected antionomiansm. As he defended
the concept of sovereignty, he defended ‘a democracy to come’ and ‘a
justice to come’. He defended (in the interview and in Voyous) warmly
the international legal order and the United Nations (even if they
needed reform). For him we cannot do without sovereignty, and not
without the law. The justice to come is based on an amelioration and
critique of the legal framework by the ‘inconditionality’ of the transle-
gal request of justice. In Voyous he states this firmly:
. . . justice exceeds the law [le droit] but also motivates its
movement, the history and becoming of juridical rational-
ity . . . The heterogeneity between justice and law does not
exclude, it appeals on the contrary to their indissociability:
no justice without appeal to judicial determinations and
to the force of law, no becoming, no transformation, history
or perfectibility of law without the appeal to a justice that
will always exceed it.46
This abyss or gap between law and justice that never can be filled
is exactly the space of messianicity: ‘This hiatus opens the rational
space for a hypercritical belief, without dogma or religion, irreducible
to any religious or implicitly theocratic institution’.47 Referring back
to Spectres de Marx he adds: ‘It is what I have called elsewhere the
expectation without horizon of a messianicity without messianism.48
As in Spectre de Marx Derrida reverts also in Voyous to the
oxymoron to evoke his messianic appeal, this messianicity. He calls
it, a freedom without autonomy (une liberté sans autonomie), a heter-
onomy with slavery (une hétéronomie sans servitude), a passive deci-
sion (une decision passive)49 and finally, in the insert to the book, with
the oxymoron of Paul and Benjamin, a weak force (une force faible),
‘an appeal to which all hopes are directed but that is in itself, without
hope’.50 When he tries to capture this messianicity in more philo-
sophical terms, that is to say in a concept, he calls it a ‘hyperethics or
hyperpolitics’.51 This might bring us to a fundamental question about
messianicity: does it leave space for the political, or does it reduce
politics to ethics?52 Does it leave space for the event, or does it delay
any truly political event (protest, revolt, revolution)? Is it not exactly
this event-like character Deleuze, Badiou, Zizek, and Agamben try
to think? Has Derrida indeed not put the revolution between brack-
ets? Does one not need some sort of antinomianism to think politics
(‘La politique’) as opposed to the political (le politique)? Does one not
have to see, like Benjamin tried in his critique of violence,53 that the
exceeding of the law in justice, as a political act, is often, mirroring
martial law, the state of emergency or state of exception (like general
46
the eye. To look to our present situation from the perspective of mes-
sianism to the wisdom of Thucydides, Schmitt and Strauss that war
and the state of exception are the rule. Maybe his work is pointing to
The Tyrant as Messiah: Messianism and
a way out. It is not really a third way, it is a way to avoid the extremes
and their synthesis. Badiou once said, on the occasion of the pres-
entation of La communauté qui vient (The coming community) that
the work of Agamben, the method of Agamben is to ‘diagonaliser les
oppositions’, to diagonalize the oppositions. It is not easy to think it.
The true state of exception must be ultimately thought as (non-)syn-
thesis between love (as the surpassing and fulfillment of the law) and
revolt (as the suspension and destruction of the law). This messianic
coincidentia oppositorum might be the ultimate mystical ligne de fuite
of Agamben’s messianism. Even if Derrida reverts to this figure of the
messianic oxymoron, it seems that Agamben goes beyond Derrida’s
synthesis, the indissociability of law and justice. That is the revolu-
tionary side of his messianic philosophy.
Conclusion
As we have tried to show, Derrida was sharply aware that the ‘neo-
religious’ fundamentalist messianisms – if we allow it to be called
messianism – as a mask for power politics (the imperial vision for the
elites, fear for the masses and fundamentalism for the morons) – that
these really existing messianisms are a dangerous tendency in the
contemporary political landscape. It is to stay clear of this messianism
that he reduced the noun first to its adjective – the messianic – later
substantiating it in a neologism – messianicity. The antinomianism
of neoconservative thought on the other hand, is using this ‘end time’
craze in the service of its imperial war policies (not only the Christian
but also the Islamist one). The conservative revolutionary antinomi-
anism, its contempt for international law, human rights and even the
constitution itself, is a challenge for the leftwing antinomianism that is
so strong in contemporary thought. This antinomianism strongly per-
meates the work of Giorgio Agamben, so beautifully exposed in his book
on Saint Paul and many other writings, including the essay on the mes-
siah and the sovereign.54 It is very poetic, enchanting, in its anarchic
utopian beauty, the sublation of the law as the fulfillment of the law (by
the law of love), the sublation of sovereignty and bare life in ‘life forms
(formes-de-vie). It is antinomianism from underneath, from the coming
community formed by ‘singularités quelqonques’, which later became
the multitude of Negri and Hardt. Indeed, this antinomianism might
be the best philosophical armature the alterglobalist movement could
dream of. Its belief in the true state of exception, however, has a sinister
mirror in the antinomianism of the neocons. To put it bluntly: How can
we distinguish good antinomianism from bad antinomianism?
47
Which brings us back to Derrida’s oblique answer to Agamben
in the interview that to do away with sovereignty, if thinkable, is not
feasible and not desirable. Is this not implying that ‘the true state of
exception’ is neither feasible nor desirable either? But on the other
hand messianicity might prove very transient, furtive almost, like
the alterglobalist movement which seems to have lost its momentum,
is maybe over already. The moment that another world was possi-
ble seems to have passed, the time window seems to have closed on
the darkening skies of history. Maybe the split second, as the door
through which the Messiah could have entered (in Benjamin’s famous
metaphor) has proven once again too narrow. To think the interrup-
tion of history, of history as catastrophe, is not nostalgic or frivolous
at this moment, at the dawn of the twenty-first century, a century of
disaster. But it is, in the light of all the ‘really existing messianisms’
that surround us, a dangerous exercise. In the light of the really exist-
ing messianism ravaging the Abrahamic religions under the name
of fundamentalism, the philosophical messianism might have to be
rethought (that was Derrida‘s aim in deconstructing it). Just like the
fulfillment of the law as sublation of the law (in revolt, revolution or
in charity), redemption as the ‘true state of exception’ might, as a phil-
osophical thought figure, need revision in a new, more critical light.
When thinking of the ‘good’, ‘philosophical’ messianism from
Benjamin to Agamben and beyond: how will we make a distinction
between the state of exception (declared by the bad sovereign, the
tyrant) and redemption as ‘the true state of exception’? Can the not
really existing, philosophical messianism hold its faiths in the light
of the really existing, unphilosophical messianisms? Does antinomian
philosophy not lose its innocence in the light of the really existing
antinomianism? These questions are open to debate, they are ques-
tions for all of us. My answer would be – and here I tend to follow
Derrida: let’s go against all states of exception, even the ‘true state of
exception’. And let’s be very careful with the charms of paulinic, saba-
tian or neo-sabatian, neo-situationist or whatever antinomianism,
now we know ‘the really existing antinomianism’ of the Straussian
necons. And in the light of the really existing messianism of the fun-
damentalists, ‘Messianicity without messianism’, could indeed really
be read as a program: no more messianisms, only messianicities.
Notes
1 Lieven De Cauter, ‘For a justice to come. An Interview with Jacques
Derrida’, Lasse Thomassen (ed.), The Derrida-Habermas Reader,
Edinburgh University Press, Edinburgh, 2006, 265 (online available:
48
www.brusselstribunal.org).
2 Agamben, Homo Sacer, Sovereign Power and Bare Life, Stanford Uni-
versity Press, Stanford, 1998, 168.
Antinomianism in the Neoconservative Ideology
3 Lieven De Cauter, ‘For a justice to come’, op. cit. (note 1), 263.
4 For the interviewer had, dropped the name of Agamben now and then
in the interview (not transcribed), and that was indeed, no doubt,
The Tyrant as Messiah: Messianism and
Derrida’s response.
5 Explicitly – one of the few times his name appears in Derrida’s works
– when he states in passing that Agamben’s distinction between zoé
and bios on which he founds his theory of sovereignty and biopolitics
is not to be found as such in Plato or Aristotle. See Jacques Derrida,
Voyous. Deux essays sur la raison, Paris, Galilée, 2003, 46. Indeed the
distinction comes from Hannah Arendt, The Human Condition, Uni-
versity of Chicago Press, Chicago & London, 1998 (1958), 97.
6 William Blum, Rogue State, Common Courage Press, 2001, Noam
Chomsky, Rogues States, the Rule of Force in World Affairs, Cam-
bridge, South End Press, 2000.
7 Jacques Derrida, Voyous, op. cit. 145. This idea is largely shared;
recently it becomes somewhat the common ground for criticisms of the
Bush administration’s belligerent foreign policy. Under the title ‘Spot
the Rogue’, Prem Shankar Jha summarizes (in April 2006) the situ-
ation regarding the impending attack on Iran: ‘The purpose of law is
to regulate relations between individuals. It is founded upon the sur-
render by all members of society of those natural ‘rights’ (such as the
right to rob or kill) that they would not like others to exercise against
them. International law applies this principle to relations between
States. The principles of international law were first codified in the
Treaty of Westphalia in 1648 and progressively refined into the body
of international law we have today. But the two pillars on which the
Westphalian State system rested were the sovereignty of States and
the non-interference in the internal affairs of other States. Peace was
maintained through deterrence and war was only justified when it was
waged in defence of one’s people, territory or vital interests. Grotius,
the father of international law, was absolutely convinced that the only
just war was a war fought in self defence. The danger, moreover, had to
be immediate and the force used to repel it had to be proportionate to
the threat. Both these pillars, which had been enshrined as recently as
in 1945 in Article 2 of the UN charter, were blown to smithereens by
Bush’s national security doctrine of preventive defence and its applica-
tion to Iraq. Unveiled in 2002, the doctrine substituted the intention
to do harm with the capacity to do harm. America would be justified
in declaring war not just on a country that unmistakably intended
to attack it, but one that had or was trying to develop the capacity to
harm it. For good measure, it also claimed the right to militarily inter-
vene in any country at any time to identify and destroy this capacity.
The US has thus plunged the world back into the ‘state of nature’ from
which it had emerged in 1648, and as Thomas Hobbes pointed out,
49
this was also a state of war, at least until another powerful hegemon
emerges which can restore order. All the international treaties signed
over the past hundred years and more have implicitly assumed the
existence of the Westphalian order and acceptance of its basic prin-
ciples. In destroying the former and repudiating the latter, Bush has
destroyed the premises, and thereby invalidated not the just the NPT
but all the major international treaties. The repudiation of the Kyoto
Protocol, the use of cluster bombs, depleted uranium shells, white
phosphorous bombs in Iraq and Afghanistan and the contemplated
use of nuclear bunker busters in Iran shows how rapidly other inter-
national agreements are unraveling before our eyes. The US is the
motive force and sometimes the sole perpetrator of all these renegade
acts. It is, therefore, truly ironical that this, of all countries, should
be seeking to indict Iran for breaking ‘The Law’. The sooner other
governments recognise that they are living under a tyranny and join
together to oppose it, the safer the world will be.’ (http://www.uruknet.
info/?s1=1&p=23132&s2=07
8 Lieven De Cauter, ‘For a justice to come’, op. cit. (note 1), 265
9 Ibid., 266-267.
10 Ibid., 267.
11 Ibid., 266.
12 See on this also the seminal, if controversial article by John
Mearsheimer and Stephen Walt, ‘The Israel Lobby’, London Review of
Books, vol 28, 26 March 2006.
13 The full list of signatories is: Elliott Abrams, Gary Bauer, William J.
Bennett, Jeb Bush, Dick Cheney, Eliot A. Cohen, Midge Decter, Paula
Dobriansky, Steve Forbes, Aaron Friedberg, Francis Fukuyama, Frank
Gaffney, Fred C. Ikle, Donald Kagan, Zalmay Khalilzad, I. Lewis Libby,
Norman Podhoretz, Dan Quayle, Peter W. Rodman, Stephen P. Rosen,
Henry S. Rowen, Donald Rumsfeld, Vin Weber, George Weigel and Paul
Wolfowitz. (see statement of principles, www.newamericancentury.org).
14 See: http://www.newamericancentury.org/iraqclintonletter.htm
15 Thomas Donnelly, Donald Kagan & Gary Schmitt, ‘Rebuilding Ameri-
ca’s Defenses’ (pdf), IV (www.newamericancentury.org).
16 Ibid., 51.
17 Ibid., 14.
18 See on this my text ‘The New Imperial World Order, Chronicle of a
War Foretold, Snapshots of a Dawning Era’, in The Capsular Civiliza-
tion. On the City in the Age of Fear, NAi publishers, Rotterdam, 2004,
136-144. This permanent military presence is materializing: despite
all the rhetoric of withdrawal, the US is building 14 permanent mili-
tary bases in Iraq and in the green zone the biggest Embassy ever is
arising (some 100 times bigger than usual).
19 See Shadia B Drury: The Straussians in Power: Lies, Secrecy and
Permanent War’, new foreword to id., The Political Ideas of Leo
Strauss. Palgrave/Macmillan, New York 2005 (1988). See also, Shadia
B. Drury, Leo Strauss and the American Right, St. Martin’s Press,
50
New York, 1999 (1997). For a more impressionistic account see Ann
Norton, Leo Strauss and the Politics of American Empire, Yale Uni-
versity Press, New Haven & London, 2004.
Antinomianism in the Neoconservative Ideology
47 Ibid., 211.
48 ‘L’attente sans horizon d’une messianicité sans messianisme’ (Voyous,
op. cit. p 211 (my translation). In fact he did not use that expression
The Tyrant as Messiah: Messianism and
Age of
Disaster
Entropic Empire
Back to Futurology
Is it possible the future of our world looks like some version of Mad
Max II, a trashy sci-fi movie in which oil scarcity has turned the
planet into a low-tech, chaotic, neo-medieval society run by gangs?
Is this implosion of the polis, this disintegration of society, not just
probable, but maybe even inevitable? That is the question. More
philosophically: is it possible that we are falling out of history and
have entered posthistory? Not the posthistory Fukuyama was dream-
ing of, not the capitalist liberal democracy as final state of the world,
but an entropic, chaotic world order, that rather looks like a return of
the Middle Ages in a high-tech society, the sort of world described in
cyberpunk novels.
To start to tackle this question, it is imperative to discuss the
results of the two major authoritative reports on climate change. The
first one is the Fourth Assessment Report of October 2007, issued by
the Intergovernmental Panel on Climate Change, known as the IPCC,
the UN organization of some 1000 climatologists worldwide, which
has the task to make both analyses and proposals to guide humanity
to tackle the problem of global warming. The second is the equally
famous Stern Review also from 2007, produced under the direction of
Sir Nicholas Stern and ordered by the British government. Its focus
was the economy: the mission was to approach climate change from
an economic angle, evaluating both the threats and the opportuni-
ties. Even if recently, in the build-up to the Copenhagen summit of
November 2009, some minor mistakes in the IPCC report were blown
up to discredit it, the overall results still stand. Some papers by cli-
matologists have even claimed on the contrary that the report was too
optimistic.
Whatever the case, the projections of the Fourth Assessment
Report (AR4) of the Intergovernmental Panel on Climate Change are
dire enough. On ecosystems the IPPC report states (with statistical
probability indications, such as medium confidence or very high confi-
dence, in italics between brackets in the text):1
The resilience of many ecosystems is likely to be exceeded this
century by an unprecedented combination of climate change,
associated disturbances (e.g. flooding, drought, wildfire, insects,
ocean acidification), and other global change drivers (e.g. land-
58
59
cover over recent decades are projected to accelerate
throughout the twenty-first century, reducing water avail-
ability, hydropower potential, and changing seasonality of
flows in regions supplied by melt water from major moun-
tain ranges (e.g. Hindu-Kush, Himalaya, Andes), where
more than one-sixth of the world population currently
lives.3
61
All optimistic scenarios tend to forget that the peaks of popula-
tion and greenhouse gas emissions are not behind us but still ahead
of us, and that the growth of consumption continues to accelerate. The
only thing we can hope for is the slowing down of the speeding up.
However, in many parts of the world, especially India and China, the
growth and acceleration have just begun. We all know it because we
all live it. Our world is more than ever caught in the logic of growth
and mobility, in the – as Sloterdijk has put it – hyperkinetic frenzy
of total mobilization.6 This is to be taken literally. Of the 16 most air
polluted cities in the world, 12 lie in China, but only 2 per cent of the
Chinese population owns a car as yet. The Chinese are quickly giving
up their bicycles for cars, just as we are increasingly taking planes.
One could say that air travel as an everyday means of transport has
just taken off. Cheap flight companies are a relatively recent phenom-
enon. And they are booming. Whilst everybody knows air travel is
increasing the individual ecological footprint in an exponential way,
the economical rate of flying is less and less in proportion to its true
social and ecological cost. By now, after so many warnings, one could
expect that this should be considered as irresponsible, if not criminal
behaviour on the part of both the companies and the consumers. But
then, at cheap or expensive rates, all of us, be it businessman, well to
do tourists, students and migrants, have good reasons for, on average,
several flights a year. Several of my students from Africa admitted
to some 20 flights a year. Nobody seems to be able to escape the logic
of increasing mobility, of globalization, growth, and acceleration: in
short, this hyperkinetic frenzy of total mobilization.
With the advantage of some 40 years since the first report to the
Club of Rome, a term of two generations, emissions have only grown,
the demographic explosion is continuing, consumption in developing
countries is increasing exponentially, and the global ecosystem has
consequently come under intensified pressure. And we have done
nothing in the span of these two generations to alter the predicament
of humankind and of the planet. One of the ‘robust findings’ of the
2007 IPCC report is particularly painful in that respect: ‘Global total
annual anthropogenic GHG [Greenhouse Gas] emissions, weighted by
their 100-year GWPs [Global Warming Potential], have grown by 70
per cent between 1970 and 2004.’ This goes to show what happened in
these two generations since Limits to growth was published: instead
of altering our bad behaviour, we embraced it.
The time scale is mind blowing, for the report goes on:
is the most probable one, as was foretold in the report to the club of
Rome: ‘The behavior mode of the system is that of overshoot and col-
lapse.’7
We are caught by inertia; not the inertia of being too passive, but
the law of inertia in physics: being caught in an acceleration that will
not stop if there is no other body, friction or force to stop it: the inertia
of acceleration.8
In that respect, when both reports (the IPCC report and the
Stern review) try to be positive or optimistic, they are not very plau-
sible. The Stern review concludes for instance with the message that
‘there is still time to avoid the worst impacts of climate change if
strong collective action starts now’. But how can this sound convinc-
ing after four decades during which nothing or next to nothing hap-
pened, and instead things got worse, much, much worse?
63
apart. On the one hand, the war on terror as state of emergency and,
on the other, the neoliberal logic of growth and short term profits.9
Klein’s analysis of the transformation of the Israeli economy,
from information technology to security business, is particularly
convincing. The rise of disaster capitalism and security business
explains why the Tel Aviv stock exchange was not plummeting but
peaking when Israel attacked Lebanon in 2006. Halliburton, Bechtel,
and Blackwater are iconic names for disaster capitalism in Iraq and
elsewhere, but the syndrome is much vaster and expanding. The same
companies that made a mess of the Iraqi reconstruction received
no-bid contracts for ‘rebuilding’ New Orleans: privatization with tax
payer’s money. The tsunami of 26 December 2004 has been an occa-
sion to get fishing communities off the beaches, allowing the high-end
tourism industry to take over in Sri Lanka and elsewhere. A recurrent
theme is the idea that the plans were ready, that elites were waiting
for disaster to act. Or as Milton Friedman has stated:
A case in point, strangely absent from Klein’s book, is ‘The Project for
the American Century’, a neoconservative think tank whose mem-
bers and signatories are almost all linked to the military industrial
complex, with names like Rand Corporation and Lockheed Martin
popping up in several CV’s. The list of co-signers of the mission state-
ment includes Lewis I. Libby, Podhoretz, Perle, etcetera, as well as
Rumsfeld, Cheney and Wolfowitz. In the report of September 2000,
Rebuilding America’s Defences, issued a year before 9/11, they write
this famous formula: the transformation of the American military
and the huge increase in defence budget required are unlikely ‘absent
some catalyzing, catastrophic event, like a new Pearl Harbor’.11 In
other words, they were waiting for a catastrophe to have a greenlight
for their war policy.
Since 9/11 war and disaster have become big businesses. The
disaster industry caters for everything: planning, destruction, secu-
rity, reconstruction, medical care, interrogators, prisons, recruiting
and training of recruits, food, entertainment, transport, building of
bases, energy supply, everything. The rise of this new form of capital-
ism is – and this is my point here – of course extremely bad news in
the light of climate change and the permanent catastrophe it will
entail. The argument that capitalism will be forced by ‘the invisible
hand’ of the market to find the tools to mitigate climate change and
develop ways of adaptation where mitigation is too late, is refuted by
64
scarce resources and terrorist blowbacks – one could call it the feed-
back loop of disaster capitalism. This new capitalism has joined and
sometimes replaced the ‘informational capitalism’ of Manuel Castells’
network society. Klein sketches the mental and real landscape it pro-
duces:
65
food and physical security.
(not mentioned in the report) moreover the region with the sharpest
demographic growth. This will have the disastrous results of mass
migration from Africa to the north, which will cause frictions, capsu-
larization, gating, dualization and finally, one can fear, the collapse of
the welfare state in Europe. Unless Europe really becomes more and
more a fortress (with leaking fences.) Fortress Europe will become
an Archipelago consisting of smaller islands inside bigger ones, from
the scale of the continent, to the scale of gated communities and high
security condominiums.
Within this new emerging spatial order, one can locate several
hotspots where the seams of the seemingly seamless network society
are painfully visible: these new iron curtains are the fences and secu-
rity walls all over the world in Ceuta, Melilla, Tijuana and elsewhere.
They divide the world between the north and the global south. The
architect and activist Teddy Cruz has called this global demarcation
line ‘the political equator’.17 But, it would be oversimplified to conceive
of a world geographically split between north and south. The new
spatial disorder is a collection of capsular entities, or green zones,
that are plugged in but surrounded by unplugged red zones, a lay-
ered archipelago, islands inside bigger islands, a sort of Russian doll
archipelago. To keep these worlds apart, detention centres for illegal
migrants, labour camps for grey labour forces, secret prisons for ter-
rorism suspects, or outright concentration camps like Guantánamo,
form a global archipelago of their own right. All these are spaces of
exception, some of them not only extraterritorial, but also extra legal,
outside the law, outlaw spaces that keep the split in place, break
resistance and spread fear. One could conceive of these camps as a
sort of spatial translation of the third element of Klein’s shock doc-
trine, besides the collective shock of a disaster, natural or unnatural,
and the economic shock therapy, torture.
We live in this dualized world already to some extend: on the one
hand, the hyper-reality of the world of consumption, tourism, media,
spectacle; in short the world as theme park. And, on the other, the infra-
reality that is the unknown, repressed, invisible, ugly reality outside
this matrix. Razor wire, being the marker of the dividing line between
the hyper- and infra-realities, will most probably be one of the most
important features of the architecture and urbanism of the twenty-first
century. This is the sort of cyberpunk landscape that will only get more
visible, more extreme. And of course ecology is crucial in the shaping of
this new dualized spatial order. Air-conditioned biosphere-like capsular
67
entities are no doubt ahead while the planet is heating up.
If we want to make a graphic map of the New Spatial Order we
could sketch it as two global archipelagos that are mirroring each
other: an archipelago of protected often corporate, networked islands
and the archipelago of camps, in between them the background, the
sea we call the ubiquitous periphery, either slum, megacity in the
global South or suburban sprawl in the North. That is a very concrete
face of the Mad Max phase of globalization with a neo-medieval,
cyberpunk, post-historical science fiction landscape that is taking
shape before our very own eyes.
The report to the Club of Rome sold twelve million copies in 37 lan-
guages. It did not make one iota difference. No warning will stop us.
Only major disasters might. But both the recent IPCC assessment
and the report to the Club of Rome agree on this: once catastrophes
have begun it is too late to act.
too long.19
span, especially between 2005 and 2007. Just a few years ago speak-
ing about global warming as an impending permanent catastrophe
was considered fear mongering and doom prophesy, if not just another
conspiracy theory. But that is over, that was before Al Gore. No need
to go into the debate pro and contra Gore, but friend and foe would
have to admit that he contributed in a major way to spreading the
awareness globally, of both the recognition that there is such a thing
as global warming, that it is manmade, and that it is really urgent to
do something. The release of his film An inconvenient truth, coincided
with many reports and newspaper articles on the melting of glaciers,
ice sheets, etcetera. So suddenly the constellation was right. The
Nobel Prize awarded in 2007 to both Al Gore and the International
Panel on Climate Change was the consecration of this awareness. So,
it is possible that humanity wakes up. That is terrific news. It really is
a sign of hope.20
But. There is a huge gap between waking up and actually get-
ting up. In a sense we could say that this lapse between waking up
and getting up will determine the future. In the run up to the Copen-
hagen Summit of autumn 2009, reports in newspapers told us that
public awareness of global warming has decreased considerably since
2007, both in Europe and America. So, instead of getting up, human-
ity seems to fall asleep again. The second report to the Club of Rome,
Mankind at a turning point, of 1974, called it: ‘deadly delay’.21
The inertia of our habits sabotaging the clarity of our awareness
and our moral consciousness will, most likely, be fatal. It will have
been fatal. In posthistory everything plays in the future perfect, a past
future tense, an anticipated déjà vu. The inertia of acceleration: we
are like speeding up in slow motion, fatally hitting the limits of the
planet, caught in the hyperkinetic frenzy of globalization and mobility,
framed by an ever accelerating technological development. It has been
called ‘exponential growth in a finite and complex system’: the coming
disasters are, in a sense, two generations after the first report to the
Club of Rome, déjà vu. As Nature hits back with a vengeance, History
seems to escape us.
Notes
1 The introduction of AR4 explains: ‘Where uncertainty is assessed
more quantitatively using expert judgement of the correctness of
underlying data, models or analyses, then the following scale of confi-
69
dence levels is used to express the assessed chance of a finding being
correct: very high confidence at least 9 out of 10; high confidence
about 8 out of 10; medium confidence about 5 out of 10; low confidence
about 2 out of 10; and very low confidence less than 1 out of 10.’ Inter-
governmental Panel on Climate Change, Fourth Assessment Report /
Climate Change 2007: a synthesis report. Available online: http://www.
ipcc.ch/ipccreports/ar4-syr.htm – accessed 12 April 2010.
2 Intergovernmental Panel on climate change, Fourth assessment
report / Climate change 2007: a synthesis report. Topic 3, p 7. Avail-
able online: http://www.ipcc.ch/ipccreports/ar4-syr.htm – accessed 1
January 2008. On Food the IPPC report says: ‘Crop productivity is
projected to increase slightly at mid- to high latitudes for local mean
temperature increases of up to 1-3 °C depending on the crop, and
then decrease beyond that in some regions (medium confidence). At
lower latitudes, especially in seasonally dry and tropical regions, crop
productivity is projected to decrease for even small local temperature
increases (1-2 °C), which would increase the risk of hunger (medium
confidence). Globally, the potential for food production is projected to
increase with increases in local average temperature over a range of
1-3 °C, but above this it is projected to decrease (medium confidence).’
(Ibid.)
3 Intergovernmental Panel on climate change, Fourth assessment
report / Climate change 2007: a synthesis report. Topic 3 p 7 available
online: http://www.ipcc.ch/ipccreports/ar4-syr.htm – accessed 1 Janu-
ary 2008.
4 Stern report, summary of conclusions; online available at: http://www.
hm- treasury.gov.uk/independent_reviews/stern_review_economics_
climate_change/stern_review_report.cfm – accessed 18 January 2008.
‘In contrast’, the report states, ‘the costs of action – reducing green-
house gas emissions to avoid the worst impacts of climate change
– can be limited to around one per cent of global GDP each year.’ But
we will not act. We will act too slow; too little too late. Why that is so,
is one of the things this paper tries to explain.
5 Dennis Meadows, Donnella Meadows, Jorgen Randers & William
Behrens, Limits to Growth. A Report to the Club of Rome Project on
the Predicament of Mankind, Universe Books, New York, 1972 (a sum-
mary is available online : www.clubofrome.org/docs/limits.rtf -).
6 Peter Sloterdijk, Eurotaoismus. Zur Kritik der Politischen Kinetik,
Suhrkamp Verlag, Frankfurt am Main, 1989, passim.
7 Dennis Meadows, et. al, Limits to growth, op. cit. (note 5).
8 Capitalism, Wallerstein said, is characterized by the commodification
of everything. (Immanuel Wallerstein, Historical Capitalism, Verso,
London/New York, 1993 (1983), 7-13) That was and remains bad
news, but the acceleration of everything is, seen from the viewpoint of
ecology, much worse. The combination might prove deadly.
9 Framed differently, one could call it one of the riddles of neocon-
servatism. On the one hand, the neoconservative movement from Leo
70
73
‘Nowadays there can be no hesitation in admitting that the
urban phenomenon is the weakest point in the industrial
system. The metropolis, once the traditional “birth place of
progress” is today, in fact, the most backward and confused
sector of Capital’
body is dying. City and citizenship, society and state, all seem to evapo-
rate. We live increasingly in a postcivil society.5 What we witness might
indeed be a far-reaching disintegration: an implosion of the polis.
One of the city’s raisons d’être throughout history has been centrality
The New Spatial World (Dis)Order: The
75
and local society. As opposed to the planet of slums, there is a uni-
verse of entertainment, of media, (cyber)games, and theme parks: the
simulation that comes before the reality, ‘hyper-reality’.8 The reality
of poverty, war and chaos is not represented; it does not appear in the
images on our screens as it is ‘unimaginable’. It is an infra-reality. The
extremes are linked: the more infra-reality rises, the more we retreat
into hyper-reality.
Not everything in the ‘smooth space of flows’ has become virtual how-
ever: the New Iron Curtain dividing North and South is the obscene,
material marker of the split between the two realities. A new ‘Political
Equator’ is defined by the fence in Ceuta and Melilla, which embodies
the rampart of ‘Fortress Europe,’ and the fence on the Texas-Mexican
border, which is the new great divide between North and South Amer-
ica.9 The fences of Ceuta and Melilla – ‘monuments’ of, respectively,
7.8 and 10.5 km – are not really present in the European collective
consciousness even after more than ten years of existence and after
hundreds of people trying to climb the wall (with a climax in the mass
storming of October 2005 in Ceuta), and after several thousands of
people having drowned trying to cross the Mediterranean. This proves
that it is infra-real, an invisible side of the global landscape.
This brutal logic of razor wire is extended and replicated in
the detention centres for asylum seekers and illegal migrants but it
is also entering our everyday surroundings in many different ways.
People withdraw into capsular, self-sufficient entities: fortified houses,
condominiums, gated communities, enclosed malls, campuses, inward-
looking office blocks, atrium hotels, and all-in heterotopias, often with
hyper-real overtones. ‘Going out’ means entering all sorts of enclaves:
theme parks, themed city quarters, festival markets, holiday villages,
etcetera. Underneath the iconography of fun there is an ecology of
fear. The fearlessness of those who storm the razor wire fences mir-
rors the fear of those on the other side (those on the inside, us). The
more they become fearless, the more we are in the grip of fear. The
craze of the air-conditioned SUV, the luxurious ‘armed’ jeep that
invades our cities, is a clear allegory of this ‘capsularization’. The
‘militarization of city life’ (a term Mike Davis coined in the early nine-
ties)10 has never been so apparent. Razor wire, being the marker of
the dividing line between the hyper- and infra-realities, will be one of
the most important features of the architecture and urbanism of the
twenty first century.11
76
bigger archipelagos.
‘Security capitalism’ and ‘disaster capitalism’ are two sides of
the same coin:13 the obsession with security, with defensible space
for capital flows is the flip side of the rogue methods of neo-liberal
capitalism (with the IMF and the World Bank as its tools). The forced
dismantling of the state, forced privatization of natural resources,
forced devaluations, open up the countries of the South for maximum
extraction and exploitation. Disaster relief is a profitable branch and
a growing ‘market’: the zones of ‘bare life’ surviving in a willed (in the
case of war) or unplanned (in the case of natural disaster) ‘state of
emergency’.
77
embodiment of the state of exception. This is the space of the ban, the
place of the banned.16 The camp is the space where the city is anni-
hilated and the citizen has lost his citizenship, defined as life inside
the norms of culture (bios), and is reduced to mere body, mere nature,
‘bare life’ (zoè). We encounter the camp before and after the polis.
Before the polis: the encampment figures as the forerunner of the city
and indeed of all human settlement as such. After the polis: the camp
appears where the polis, the city as civic society, is suspended or dis-
solving, as we witness in the concentration camp, the refugee camp,
and the transit camp for asylum seekers or illegal immigrants. While
the encampment emerges out of the nature state and moves towards
the city, and therefore fulfils a proto-political role (the potentiality
of slums), the camp announces the relapse into the nature state and
marks the disintegration of society in the state of emergency (the
slum as dumping ground for ‘surplus humanity’).17
Both the archipelago of camps and the ‘state of abandonment’
in which these camps are inserted represent states of emergency. The
camps, detention centres, and labour camps are part of the ‘willed
state of exception’.18 The ‘state of abandonment’, the improvised hide-
outs for the illegal migrants and the homeless or worse the nomadic
survival of large swathes of the African people trying to escape civil
war and militias (in Sudan, Eastern Congo, Niger, etcetera), is the
non-willed state of exception and marks the return of the state of
nature. At first sight the state of nature does not seem to contain
anything comparable to this rogue capitalism in which resources and
cheap labour are the ‘fuel’ for mass production, but on closer look it
corresponds, in Hobbes’ words to ‘a time, wherein men live without
other security, then what their own strength, and their own invention
shall furnish them withall.’19 Indeed, living in the ‘state of abandon-
ment’ comes close to living in the state of nature. People living in ille-
gal settlements and slum conditions are tolerated, for the time being.
As soon as the power logic of the archipelago crosses their path (with
bulldozers for instance), they do not exist. Whoever lives in the nature
state ‘barely lives’ and is simply ignored. The rising statistics of forced
evictions in the cities of the Global South, registered by organizations
such as the Asian Coalition for Housing Rights,20 are the only traces
left of these ‘evictees’.
The megacities of the Global South reproduce within their own
geography the same opposition of archipelagos of capsular heteroto-
pian enclaves and camps that colonize the globe. Archipelagos of well-
connected, fortress-like precincts, held together in a matrix of ‘glocal’
bypasses, in stark contrast to the landscape of endless townships of
marginalized communities. The rest of the city and its citizens are
simultaneously exposed to the wild capitalism of global extraction and
to the mafioso logic of the informal economies that have sprung up in
the absence of any formal alternative.
The current fascination with the resilience of people living in
78
ity when forced to do with minimal means,22 stop short of blaming the
The New Spatial World (Dis)Order: The
79
expresses our hyper-reality. Most paradigmatic of all heterotopias
today is the theme park, the logic of theming is well known by now.
The theme park, however, is a dead heterotopia: all otherness has
been cleaned away. One can call it homotopia.
If most safe havens in the archipelago could be called ‘homoto-
pias’, which take on heterotopian traits, the black holes in the ubiqui-
tous periphery we can call ‘camp’. Heterotopia is, however, potentially
the opposite of the camp. A heterotopia is a sheltered space, closed
off from the political and the economical sphere and safe-guarded
against their respective intrusion or influence. The structure of the
space of heterotopia is that of a ‘sanctuary’. It is a refuge, a safe haven,
a protected space. This structure becomes clear when we realize that
heterotopias are spaces of the holy, of the holy days, the holidays.
From grave yards over temples, theatres, cinemas, libraries, museums,
saunas, holiday camps, brothels, and fancy fairs to our contemporary
. . . theme parks. The ‘holiday’ is a suspension – in time – of political
and economical activities. Heterotopia, in the proper sense, is a time/
spatial interruption, a refuge from the political and the economical. We
adopted this as a more restricted (re)definition of Foucault’s vast and
encompassing concept.27
The opposite of heterotopia as sanctuary is the camp. Our simple
definition of heterotopia as neither economical nor political, neither
private nor public, helps us to set the camp apart from the heterotopia,
as well as understand where the two meet. The word camp as such is of
course very open and vague: campus means just field in Latin. But there
are camps and then there are camps. There are two extreme manifesta-
tions: the concentration camp and the refugee camp. As said, the concen-
tration camp is, according to Giorgio Agamben, the territorialization or
embodiment of the state of exception, the place of the ban, where the law
is suspended. Its inmates, literally the ban-dits (those who have a ban
spoken on them), the outlaws, have neither civil rights nor human rights.
The camp is therefore the place where life (bios) becomes ‘bare life’ (zoë).
The concentration camp is the place ‘off limits’ in which anything can
happen.
The refugee camp is (or should be) the exact opposite of the
concentration camp. It is a refuge from the state of exception (mostly
war or civil war), a sheltered space in which normality is reinstated or
maintained. If we use the concept of the camp in the technical sense
as the space where the state of exception reigns, where the law is
suspended and inmates have neither civil rights nor human rights,
and therefore the place where life becomes bare life, then indeed the
sanctuary is its counterpart. Indeed, the concept of the camp (in the
Agambenian sense of concentration camp) has its exact opposite in
the concept of sanctuary or refuge. Both refer to ambiguous mythical
territory: the camp is the ‘ban’ of the homo sacer, while the sanctuary
is the temenos, the temple, or holy ground, where those who flee from
the law, power and violence can find asylum (for no human violence is
80
supposed to violate holy ground). A safe haven is, therefore, not a for-
tress, a dungeon or a gated community, for it is open exactly to those
for whom the fortress and the city walls are closed.
In the same way that we can oppose the camp (the ‘sacred
space’- the place of the homo sacer) to the sanctuary (the refuge of
Archipelago and the Ubiquitous Periphery
the homo sacer), we can oppose the ghetto to the fortress or the gated
The New Spatial World (Dis)Order: The
81
The Implosion of the Polis
Our planet is beginning to look like a dual system, a sharp division
of what military analyst Thomas Barnett has called ‘the Pentagon’s
New Map’ with, on the one hand, ‘the Integrated Core’ and ‘the Non
Integrating Gap’. He uses this metaphor without irony. The ‘Non
Integrating Gap’ simply labels the black hole of poverty, failed states
and terrorism.28 It should be contained at all costs: with immigration
control, anti-terror intelligence, international policing, invasions and
permanent (low or high intensity) war. In this map, one could say
(in our terminology) that the periphery has become the centre. The
so-called integrated core, or just The Core, is the periphery of a huge
Central Gap on the world map (with Africa in the middle). That is a
concrete image of ‘the ubiquitous periphery’ (even if it obscures the
fact that the periphery is everywhere, in the back streets of our cities,
in the detention centres, in the trucks loaded with illegal migrants,
etcetera). Centre and periphery, or Core and Non Integrating Gap,
are related in a logic of disconnection: increasing mobility of capital,
increasing control of migration (or military control or intervention
vs terrorism). At specific points on the ground, in the ‘seams of the
world’, the divided globe is held apart by razor wire. The fences, bar-
riers and walls on these places are monuments to the strategy of con-
tainment.
In the graveyards of megacities we see a new symptom of emer-
gency. Just as the camp is, in its most abstract definition, an anni-
hilation of the difference between public and private, the graveyard
should mediate the difference between the living and the dead. The
graveyard, one of Foucault’s cherished examples of heterotopia, is
indeed an interesting configuration, for it is a holy ground beyond
any dispute (vandalizing graves is equally repugnant to believers
and non-believers). But in more and more places on earth graveyards
are inhabited: in Karachi, in Cairo, in Kinshasa, in Manila. It shows
that the megacities of the south are cities in an emergency phase. The
oldest testimony of the inhabitation of cemeteries comes from ancient
Athens. During the Peloponnesian wars, Pericles invited the people
from the Athenian hinterland and the city’s allies to come and protect
themselves inside the Athenian walls. As documented by Thucydides,
this gave rise to overpopulation and people had to live in the necropo-
lis and in the temples. This overcrowding caused epidemics and
proved to be a major disaster in a series that led to the fall of Athens.
The conclusion is clear: if the fact that people are forced to live in the
necropolis is a symptom of utter crisis of the City of Man, and if we
realize that in more and more cities this is the case, then it is clear
that we live through a major crisis, indeed a catastrophe. The fact
that thousands, indeed millions of people around the globe are dwell-
ing in graveyards is the allegory for the implosion of the polis. When
Heterotopia is no longer a sacred ground or safe haven, but becomes
82
Notes
1 See the so called fourth IPPC report of October 2007: Intergovern-
mental Panel on Climate Change, Fourth Assessment Report / Cli-
mate Change 2007: a Synthesis Report.) available online: http://www.
ipcc.ch/ipccreports/ar4-syr.htm. (see of course the text on the Mad
Max phase of globalization in this book for a lengthy discussion of
this report).
2 Manuel Castells, End of Millennium, The information Age: Economy,
Society and Culture, Volume III, Blackwell publishers, Oxford, 1998,
p 70-161 (Chapter 2: The Rise of the Fourth World: Informational
Capitalism, Poverty and Social Exclusion).
3 Mike Davis, Planet of Slums, verso, London & New York, 2006, p 1.
83
4 I introduced this term in my book The Capsular Civilization. On the
City in the Age of Fear, NAi Publishers, Rotterdam, 2004.
5 Frederic Jameson, Michael Speaks, ‘Envelopes and Enclaves: The
Space of Post-Civil Society – An Architectural Conversation’ in:
Assemblage, 17 April 1992), 30-37.
6 See on this: David Barboza, ‘Dire Poverty Fuels Labor Scandal. Chi-
na’s Young Head to Distant Factories, International Herald Tribune,
10-11 May 2008.
7 Mike Davis uses this distinction between megacities and hypercities,
(Mike Davis, Planet of Slums, Verso, London & New York, 2006, 5.)
8 Baudrillard might be forgotten, but his concept is back. It is one of
the tools to understand our world, not only in high theory but also in
popular culture, from The Matrix to Žižek. See Slavoy Žižek, Welcome
to the Desert of the Real: Five Essays on September 11 and Related
Dates, Verso, London & New York, 2002.
9 See on this the work of Teddy Cruz and his studio, and the confer-
ences on this ‘Political Equator’.
10 Mike Davis, City of Quartz, Pimlico, 1998 (Verso 1990), 223.
11 In the Capsular Civilization I typically still called it barbed wire
instead of razor wire.
12 The Archipelago as metaphor for the new spatial order was used
in passing in The Capsular Civilization but much more system-
atically in Alessandro Petti, Archipelaghi e enclave, Architettura
dell’ordinamento spaziale contemporaneo, Bruno Mondadori, Milano,
2007. As we have an ongoing collaboration with this author, we
cannot say who borrowed from whom and do not care about it, as
unmasking this logic is our common task.
13 Naomi Klein, ‘The Shock Doctrine: The Rise of Disaster Capitalism’
Pinguin Books, London, New York, 2007. Security capitalism is a term
used by Ignacio Ramonet in one of his editorial pieces for Le Monde
Diplomatique.
14 Hence Alessandro Petti, considers Israel as paradigmatic for a pos-
sible future spatial order of many places in the world, or maybe of
the spatial order as such. Alessandro Petti, Archipelagi e enclave,
Architettura dell’ordinamento spaziale contemporaneo, Bruno Monda-
dori, 2007. See on this complex geometry of separation also the semi-
nal book Hollow Land by Eyal Weisman.
15 This image is inspired by Paul Virilio, Ville Panique. Ailleurs com-
mence ici, Editions Galilée, Paris, 2004.
16 Giorgio Agamben, Homo Sacer, le pouvoir souverain et la vie nue,
Seuil, Paris, 1997. Giorgio Agamben, Homo Sacer. Sovereign Power
and Bare Life, Stanford University Press, Stanford, 1998.
17 Mike Davis, Planet of Slums, Verso, London, New York, 2006, 174.
18 Giorgio Agamben, op. cit. (note 16), 181. (Giorgio Agamben, Homo
Sacer, Sovereign Power and Bare Life, op. cit. 168.)
19 Thomas Hobbes, Leviathan (1651), Penguin Books, Hamonsworth,
1968, 186.
84
20 See: http://www.achr.net/.
21 John Turner’s strategy of incremental change and self help, seeing the
slum as the solution rather than the problem, was from the start an
all-too-convenient logic for parties that were only looking for an opportu-
nity to cut back on aid. The collaboration of McNamara and John Turner
Archipelago and the Ubiquitous Periphery
raised eyebrows from the beginning. Mike Davis, Planet of Slums, 71-75.
The New Spatial World (Dis)Order: The
Nature
The
BeWILDerment of
Entropic Empire
Pentheus
[2007]
Reflect #09
With Rudi Laermans
89
The Appeal of Horror
The fascination for the state of nature is deeply anchored in the lust
economy of our time. An omnipresent obsession with the more-than-
real prevails: with the extraordinary and the unsettled, with limits
and their transgression. You see it in films and television formats. The
popularity of reality television demonstrates it, just like the search
for hard kicks in night life and the leisure sector. Both passively (in
the ‘viewer’) and actively (in the ‘participant’) reigns a fascination for
collective situations experienced as thrilling because they appear to
make a direct contact with an absolute kind of ‘outside’ that domi-
nates – with wildness, naked life, a state of nature before or beyond
culture and society.
Of course, this is not new. Shall we begin with the Ancient
Greeks? There is a direct affinity between The Bacchae (or The Mae-
nads) and Big Brother or Expedition Robinson. Big Brother is a well
known reality TV game in which a group of people are locked up
in a house full of camera’s registering all their doings; they have to
execute all sorts of tasks but the main thing is to survive the pres-
sure until they are voted out. There is no privacy at all. An infamous
scene in our local Belgian version is when a woman called Betty
masturbates. She became famous overnight. Expedition Robinson
was another reality TV game wherein a group of people go to an
island and try to survive until, after all sorts of tests and voting, only
one remains and becomes ‘Robinson’. This Swedish format is called
Survivor in the Anglo-Saxon world. In The Bacchae by Euripides,
Dionysus has, in his own words, ‘hunted women, driven them out of
their houses with stimulants’ to force Thebes to recognize his cult;
and now they stay, deprived of their senses in the mountains. And the
choir of women is completely under the spell, they sing: ‘. . . the whole
earth will soon be dancing, when the roaring god leads his festive
flock, to the mountains, to the mountains, where a crowd of women
is waiting, driven away from their looms and shuttles by Dionysus’s
goads’. Pentheus, the king, wants to know what the women, led by
his mother, do during the Bacchus ritual. Pentheus embodies (male)
rationality, but is tempted by the (female) possibility of ecstasy and
loss of oneself, which he also wants to know, understand and control.
The stranger who introduces the rites – no less than Dionysus himself
who has taken on a human form – is captured and presented to the
king. He tries to dissuade Pentheus from the idea of taking up the
sword against the Maenads or Bacchae (because no sword or shield is
capable of dealing with maenads led by a god). Pentheus is immedi-
ately tempted when the stranger suggests spying on them, although
he emphasizes that it is forbidden for non-initiates to attend the rites.
When Pentheus insists, Dionysus disguises him as a woman, so that
he can look at the ecstatic women like a voyeur. However, the women
feel that they are being spied on and thinking that it is a mountain
lion (everyone hallucinates in this play), tear the intruder to pieces.
90
When they come back to their senses they are filled with horror.
Aristotle interprets precisely this moment of tragic horror as
the realization of tragedy: horror triggers catharsis. Horror acts as
purification, as chastening, because the horror is transferred to the
viewer and turns to compassion. Whatever one may think about the
Aristotelian hypothesis of catharsis, tragedy – at least this tragedy
– is a journey into the abyss, a rite of passage through excitement
and horror about the state of nature, wildness, the unregulated or
anomic. The abject ‘other’ of the state of nature lies behind, beneath
The BeWILDerment of Pentheus
and between each act of civility or all culture, which never can be
anything other than a shallow varnish or perhaps a harness, a suit
of armour, a cocoon around the biological body. The body itself is the
state of nature in our midst: zoë, bare life.
Is the Bacchic drama a remote precursor of Big Brother? Pen-
theus violated a prohibition and was punished; in contrast, the
television viewer accepts a widely extended invitation to yield to a
voyeuristic desire to watch, a fascination for the pornography of the
(consciously) disordered society. The Bacchae celebrated a ritual,
dedicated to a god and with fixed rules of play, while the participants
in Big Brother or Temptation Island, or the night-owls who dance on
endlessly on a cocktail of heavy beats and pep drugs, are more like
lonely atoms who hope to meet their genuine, natural self in moments
of complete loss of self. And yet a line does run solidly from The Bac-
chae to the reality TV formats. What keeps it all together is our fasci-
nation for the underside of our anthropological condition.
The human being of humanism is a polite and linguistic being,
with his body stamped by socio-cultural forms of life in such a way
that the reality of bare life appears to be erased. However, every
human being always also remains a pre-linguistic child, a mere
biological body or, in Freudian terms, an unconscious reservoir of
libidinal impulses (an ‘Id’) that is never fully obedient to the real-
ity principle (the ‘Ego’) and the interiorized demands of society (the
‘Super Ego’). The human being was therefore always an oxymoron:
both human and non-human, both natural and unnatural – both bios
(formed life, way of life) and zoé (mere life, bare life, naked life). Hence
the famous metaphysical definition by Aristotle of the human being
as ‘the living being that has language’. The human being shares the
simple fact of being alive with all other living creatures, whereas his
linguistic ability in contrast makes him a zoön politikon, a political
animal, a member of the polis, endowed, by the mere fact of language,
with the capacity to distinguish between good and evil, the just and
unjust. Humanism was therefore always rather more morality than
social science: a call to become a full human being. This call must be
constantly repeated as a struggle against ‘the facts’: we are mesmer-
ized by the biological. For his inhumanity or natural condition con-
tinues to fascinate the human being. It conjures up the possibility of
an authentic and sovereign life, a reconciliation with ‘the total Other’
91
(Adorno). This is the other humanism, that of The Bacchae or, more
contemporaneously, of Big Brother or Survivor (or Expedition Robin-
son): not a division but a transparent relationship between a culture
and its excrement, what it suppresses and therefore pushes for (re)
cognition. The greater part of the avant-garde wanted to explore and
expose this inhuman. According to Walter Benjamin, living in a glass
house was moral exhibitionism, a virtue for liberated people.
Both The Bacchae and Big Brother play, via the human, all too
human fascination for what lies past the limits of the (normal) human
existence, on the division that we are. Because we are unnatural ani-
mals (we are cultivated, social, linguistic), wildness is the contrary of
ourselves, of our culture and our society, and thus exciting – despite
any horror. The decisive difference between The Bacchae and Big
Brother is that the confrontation with naked life as a mass spectacle
is fake: it is staged as something worth being seen by everyone, and
not just by the initiates and the god for whom the cult is established
– it is significant that the slope where the wildness and later the
gruesome murder take place is never depicted in the tragedy about
the Maenads. In Big Brother or Survivor the reverse is true. Where
a public audience (‘they’) view what private persons (‘them’) do, an
anomic anonymity is created that inadvertently recalls the situation
of the camp guard who watches how a prisoner disrobes with dif-
ficulty – but here it is voluntary, swift, and with a tanned body. This
generalized fascination for the transgressive and ‘the outside’ that is
deeply anchored in the libidinal economy of our time may indicate a
premonition: the possibility of a coming state of nature. Just like Pen-
theus, we are all willy-nilly disaster tourists to a certain degree. We
therefore call this fascination the beWILDerment of Pentheus. He con-
fuses the obscene of seeing with the genuine ecstasy of the delirious
Maenads. His beWILDerment is also a state of wildness. He wants to
empathize with the cult of intoxication but he is already lost in the
moment that he disguises himself and thus sheds his rationality to
take part in an initiation, in rites that are not intended for him – in
transition rites from culture to wildness and back. Survivor – is a
trek of this type, but without a ritual structure. And the spirit of the
game is the war of everyone against everyone. Let that be precisely
the standard formula of the state of nature. Back to Nature, return to
Hobbes.
inhuman’.
We are under the spell of society and (its) language, which per-
mits the appearance of both the socially and culturally formed (the
bios), and also of reasonableness and the rationally understandable, as
formless life (zoé). Society does not allow the appearance of this naked
life and covers it with clothes, words, manners, rituals, that hide it in
taboos and banish it to ‘the private’ (‘the private – or ‘privy’ is an old
word for toilet in Flemish). The formlessness of mere life is a language
effect: what cannot be symbolized appears within the symbolic order
as an opaque gruel. We could call this ‘Real’ (Lacan) or ‘Outside’ (Blan-
chot, Foucault . . .) the first state of nature, in which ‘nature’ is synony-
mous with the prelinguistic reality. It is the state of the baby that bab-
bles and enjoys life in a ‘polymorphous perverse’ way. It is a state we
make contact with in the moment of orgasm or ‘the small dead’, which
according to Bataille momentarily repairs ‘the continuity of existence’
and briefly suspends the distinction between human life and mere life.
This first state of nature is, of course, a limit concept, a real
fiction, a fictitious reality. Fictitious, because no ‘outside language’
exists: the human being can, at most, stammer, but cannot remove the
glasses of language to actually inspect the Real. Kant already knew
this: ‘The thing itself is an unknown’. We cannot look beyond the
limits of language or society, which does not mean that the Real never
pierces through the symbolic order temporarily. However, every genu-
ine contact with the Real, such as in a situation of sudden danger, is
traumatic and results in a shock, in an aphasia or speechlessness,
in an inability to speak or symbolise. But the first state of nature is
also real, and exactly within language: every language includes its
‘outside’ by giving words a referential force. The inexpressible exists
in language via the word ‘inexpressible’. ‘The body’, ‘the universe’ and
thus also ‘nature’ are all indications for what eternally falls outside
language, because language includes it as ‘outside’. This is the case
at least until the time that the entire universe will be changed into
a computer network (then it would no longer be an outside but an
inside of language and information, but that is of course unthinkable).
The state of nature is even contained in the most trans-humanistic
techno-utopia. Cyberpunk novels have evoked the clash between the
state of nature and a high-tech society.
One might think that naked or bare life, zoé, is mere biological
93
life. But the expression only makes sense by relating it to the oxy-
moron the human being constitutes, as Agamben also does in many
passages. The notion then refers to a ‘zone of non-differentiation in
which – like a missing link, which is always lacking, because it is
already there virtually – the link between the humane and animality,
between the human being and non-human being, must occur’. This
zone is represented in the conjunction ‘and’, which simultaneously
couples and decouples the opposing terms that the human being
embodies. In this disjunctive conjunction there appears ‘neither an
animal, nor a human life, but only a life isolated and excluded from
itself – only a naked life’. Within bare life a distinction can no longer
be made between human and inhuman, culture and nature. It is the
life of the camp resident, of the illegal migrant, and also, albeit less
extreme, that of the inhabitant of the informal settlements, the slums
of the big cities. The horror of this life makes one speechless. Bare life
is not expressible, and therefore it cannot be testified, which connects
it with our first state of nature of ‘language-lessness’.
Bare life is also at stake in biopolitics, which in modernity takes
on multiple forms and, in particular, not a purely negative character.
Naked life is included in the legal order through human rights, and
it is monitored and normalized by an unceasing medicalization (also,
literally, medics define the lower and upper limits of human life).
And the post-fordist (postindustrial, non-hierarchical, information-
based, flexible) economy appropriates it via the demand for unbridled
creativity as a production force. The latter may surprise but as an
empty hybrid, bare life is also pure potentiality, pure capacity that
does not realize or determine itself within a singular expression, a
specific series of actions or, more generally, a particular form of life.
It is precisely for this reason that one cannot distinguish within bare
life between culture and nature, humanity and bestiality, private and
public existence . . . Biopolitics claims this naked generic life of pure
potentiality, both through the extremely violent state of exception
of the camp, as well as in the form of an economically usable factor
of production. According to Agamben, it is the vanishing point of all
politics so far; in the opinion of Antonio Negri and Michael Hardt,
biopolitics primarily acquires form within the new production rela-
tions of post-fordism, in which work and life, productivity and generic
capacities (of speaking, co-operation, imagining, etcetera) form an
inextricable knot.
95
of his Discourse on the Origin and Foundations of Inequality Among
Men (1755) deals with ‘the natural state’, and the second section
covers the transformation of this simultaneously idyllic and harsh
reality in an initially social and then political association. Rousseau
knew Hobbes’ work and refers to it regularly. But he fires his sharp-
est arrows without naming the intended target. Not surprisingly: the
contrast between Rousseau’s and Hobbes’ states of nature is vast. For
Hobbes the state of nature is a hell, whereas for Rousseau it embodies
an almost paradisiacal form of life despite all possible shortcomings in
the light of later developments in the history of humanity. Hobbes and
Rousseau paint completely different portraits of the state of nature
because they use this figure of thought to legitimize contrasting politi-
cal constructs. Hobbes emphasizes the need for an absolute Sovereign,
while Rousseau argues in the exact opposite direction. Rousseau
therefore became a hero to the French revolutionaries and, later, hip-
pies and fans of well-being; anyone who now reads Hobbes hears in
contrast a choir of conservative voices, varying from Carl Schmitt to
Leo Strauss to the neo-conservative think tanks that enjoyed such
clout within the Bush administration.
‘Nature hath made men so equall, in the faculties of body, and
mind’, Hobbes begins. In the state of nature everyone can therefore
cherish the same hope of realizing personal goals. This sounds attrac-
tive, but it doesn’t take into account the three natural passions: they
ensure a continuing reciprocal discord, a continuous threat of a fight
for life and death. Firstly there is competition, the rat race in the
pursuit of scarce but desired goods, which triggers violence to make
a person master of another person’s land, women or animals. Hobbes’
man in his natural state is reflexive; he knows that others will do to
him as he does to them. This stimulates a second natural passion,
that of mutual suspicion. Expressed in contemporary speech, the con-
sequence is that the mechanism of the ‘pre-emptive strike’ enters into
action, i.e. to act oneself as the first aggressor in order to put as many
potential aggressors out of action by way of prevention. Finally men
in their natural state also know the passion of pride. Any expression
of contempt, regardless of how small, is therefore repaid with violence.
Hobbes concludes that people, during the time that they do not live
under a common power that enforces respect from all, live in a state
that we call war, and actually a state of war by everyone against
everyone. In the original, famous text, the standard formula reads as
follows: ‘Hereby it is manifest, that during the time men live without
a Power to keep them all in awe, they are in that condition which is
called Warre; and such a warre, as is of every man against every man’.
The word ‘Warre’ – Hobbes even writes it after the famous for-
mula in capitals: ‘WARRE’ – addresses the imagination here, because
it refers (in Dutch at least) to warrigheid, the general beWILDerment
that belongs to the state of nature. And indeed, the Online Etymol-
ogy Dictionary cites the following series: wyrre, werre, from Frankish
96
97
chests; and this when he knows there bee Lawes, and publike Officers,
armed, to revenge all injuries shall bee done him’ (it is clear that for
Hobbes individuals are male, only men are sovereign subjects, women
are in the nature state like cattle the property of men). Of course,
Hobbes also clearly realizes that mutual distrust in a politically paci-
fied society differs from ‘a warre of every man against every man’. He
therefore adds a few other arguments in favour of the existence of a
state of nature, which nonetheless do not make his plea immediately
more convincing. Firstly, generalized war is not necessarily a uni-
versal condition and origin of organized political society. ‘I believe it
was never generally so, over all the world; but there are many places
where they live so now’, writes Hobbes, who supports this last asser-
tion further with a reference to the life of ‘the savage people in many
places of America’. Apart from this call on both literal and figurative
‘Indian stories’, it is particularly strange to mention a state of nature
and simultaneously to admit that it may not be a universal condition
that necessarily precedes the establishment of a sovereign author-
ity or a state. Hobbes assumes this universality and necessity in the
rest of his argument in Leviathan. Finally Hobbes also expresses an
ex negativo argument: ‘Howsoever, it may be perceived what manner
of life there would be, where there no common Power to feare; by the
manner of life, which men that have formerly lived under a peacefull
government, use to degenerate into, in a civill Warre’. So civil war is
the ultimate, concrete instance of the philosophical, anthropological
fiction of the natural condition of man. But what does the disintegra-
tion of a politically organized society say about life in the state of
nature that precedes every other form of political order?
ized civil war. To break this spiral of violence, people conclude a pact
in which they jointly transfer their power to a single Sovereign who
will guarantee their security. Thus begins society in the strict sense:
the politically ordered community. Against Hobbes, Rousseau put
forward that this Hobbesian state of nature, as well as the need for
political order, will only arise with the generalization of private prop-
erty and the ensuing difference between rich and poor. We will return
to Rousseau soon; let us first follow in the tracks of Carl Schmitt to
understand the state of nature in Hobbes’ view more effectively.
The BeWILDerment of Pentheus
99
ration of the neo-liberal state. The state no longer pursues a more just
redistribution of social wealth, but operates first and foremost as a
security state. We are thus back to Leviathan by Hobbes, who in chap-
ter 17 defines the Sovereign as
he is the only one who can kill without murdering and generalizes this
right selectively through the declaration of war. In short, the Sover-
eign – the President, the National Assembly . . . – is the origin of war,
of the ‘fate as set down for human beings’. In the beginning there was
the bond, but it is threatened from inside by the authority that both
binds and disbands: in the figure of the Sovereign, order and disorder,
nomos and anomy come together. There is an oxymoron, a disjunctive
conjunction, again in this issue. The imposed, binding disbandment of
bonds is the core of beWILDerment, of the confusion specific to war:
‘the WARRE’.
The State of Nature as Utopia: Rousseau
Back to Nature, return to . . . Rousseau – and then the image of the
state of nature switches completely. Compared with Hobbes’ outline,
Rousseau’s account differs to such an extent that we can speak of a
paradigm shift:
101
rioting imagination. Of course, savage man was not unfamiliar with
physical desire, as distinct from love. It was simply satisfied at times,
after which everyone went on her or his lonely path again. Words
were superfluous, and the begot child was suckled by the mother after
birth and left behind once it was able to look for food itself.
In Rousseau’s hypothetical natural condition, the first and
second state of nature coincide completely. Man in his natural state
was completely asocial, he lived a solitary life and made no relation-
ships with the human beings that he encountered incidentally in
his nomadic wanderings. In brief, Rousseau takes the second state
of nature literally: it is not only pre- but ‘un-social’. The first human
beings were therefore also in what we previously called the first
state of nature. They lacked language; at most they uttered instinc-
tive cries. Their intellectual capacity also remained undeveloped as a
result, because forming any type of abstract ideas is impossible with-
out the corresponding words.
The savage deprived of language and social intercourse knew
neither god nor commandment and, as such, the state of nature was
free of morals. But what did natural man do when he accidentally
came across a fellow being who, for example, had just caught a large
fish? Attack and rob him or go around him in a large circle? ‘Above
all, let us not conclude with Hobbes that for want of any idea of good-
ness, man is naturally evil’, says Rousseau. The fact Hobbes’ state of
nature does not experience any peace is because the author of Levia-
than projects passions such as competition, mistrust and pride onto
it, whereas they only can develop through a social bond. Rousseau
agrees with Hobbes that the savage pursued self-preservation, but
notes that there is ‘another principle that Hobbes did not perceive’.
This is compassion and the associated aversion to seeing living beings
suffering or dying. This natural feeling replaced the action of laws,
customs or virtues in the state of nature. It ensured that everyone
acted according to the principle ‘do what is good for you with the least
possible harm to others’. The state of nature was thus not at all a
war of everyone against everyone. There were conflicts, for example
concerning food, but they remained limited and did not escalate into
a general bloodbath because the interplay between self preservation
and compassion restrained the first human beings from vengeance
and other useless violence. It sounds idyllic, almost paradisiacal, but
of course Rousseau makes exactly the same movement of thought for
which he blames Hobbes. Indeed, how could something like compas-
sion, even if it is an innate feeling, develop outside any social bond?
As primatologist Vanderwaal showed (in Philosophers and Primates),
empathy is natural in gorilla’s or chimpanzees (this is more against
Hobbes’ vision of the innate evilness of man, than against the good
savage of Rousseau). Rousseau’s portrait of natural compassion indi-
cates a sensibility and tact that only a gregarious animal can have.
Rousseau projects his social disposition into the state of nature, thus
102
repeating the error of all previous writers about the state of nature.
However, it is not an error but an impossibility. We have already
said it: we simply cannot image the original first and second state of
nature, except precisely in the form of a reading backwards from the
existing social relationships. In short, Rousseau’s tale about the origi-
nal condition of man is just as fictitious as Hobbes’, in a sense even
more so: a non-speaking, non-gregarious creature, cannot be man for
man is a speaking mammal by definition and our ancestors, the pri-
mates, teach us that we are also by nature gregarious. So, there are
The BeWILDerment of Pentheus
103
says Rousseau. Some other writers – Hobbes is not mentioned by
name – confuse it with the state of nature and conclude ‘that man
is naturally cruel and that authority has to be exercised over him to
make him gentler, although nothing is so gentle as man in his primi-
tive state’. Le Bon Sauvage in the picture. Actually, natural compas-
sion continued to play through in the second development phase of
humanity, which restrained self-love. This only changed with the
discovery of the characteristics of iron and the generalization of farm-
ing. There came an initial form of division of labour and barter, and
in particular property became normal. People worked their own land
and enjoyed the proceeds, and could call themselves the owner of per-
sonally made objects.
The natural differences in talents took on a new meaning with
the adoption of property:
the strongest did more work, the most skillful turned his to
better advantage, the most ingenious found ways to curtail
his work; the farmer needed more iron, or the blacksmith
more wheat; and, by working equally, one earned a great
deal, while the other had barely enough to live on. Thus,
natural inequality spreads imperceptibly along with con-
trived inequality.
Rousseau notes that all the rest can be guessed, and his succinct his-
tory of humanity does indeed take a predictable turn. The rich wanted
to be richer, not due to need but simply for self-satisfaction. They
started to fight against their neighbours, enslaved the poor and the
weak, and established slavery. Some of the dispossessed resisted and
became bandits who made life difficult for the rich. ‘Between the right
of the strongest and the right of the first occupant arose a perpetual
conflict which came to an end only in fights and murders. Nascent
society made way for the most horrible state of war’. The reference
is clear, even without mentioning a name. According to Rousseau,
Hobbes’ supposed state of nature is simply the outcome of the unre-
strained hunger for profit – which itself ensued from the interplay
between private property and self-elevation – and the destitution of
the poor. This characterization can also be found partially in Hobbes,
but he is silent (and this may be said to be revealing) about its prem-
ise: people are private owners. Anyone who reads Leviathan via the
Discourse on Inequality immediately discovers this blind spot in the
English philosopher’s primary psychological argument. Precisely
because Rousseau does have an eye for the disruptive role of property
and, in particular, its unequal distribution, he does not talk of a ‘war
of every man against every man’ either. In the civil society that had
entered war, the rich were against the poor and the few against the
many.
The apotheosis comes a few paragraphs after Rousseau has
104
. . . apart from property rights. Without naming him again by name,
Rousseau converts the author of Leviathan into a ventriloquist for the
rich owner:
105
appears that everything was staged by an agency that organizes expe-
rience games for rich people. Or we can take the countless computer
and videogames, the many virtual games in which people not only
adopt other identities but believe them completely for the duration of
the game. Are we not dealing here with a new paradigm that appears
in all types of contexts and configurations? To grasp its contours, we
have to compare the new games with the basic structure of the tradi-
tional game. This is made of a play area (the football pitch or tennis
court, the chess or goose board) and a set of rules that all players must
respect. Thus, the traditional game includes three elements. One: the
rules make the game, there is no game without rules. Two: the game
is a fair play, because there is no game without an opponent. Three:
there are clear limits thanks to the rules of play, lines that make a
distinction between inside and outside. There is no game without play-
ing field or court, no game without borders. Anyone who is outside
the lines is out of the game. The pitch or board, the ring or tatami, is
therefore the universe in which the game takes place. Outside prevails
‘reality’, which is so sharply demarcated compared to the fiction of the
game that we can speak of two worlds: the world of the game and the
world outside it.
The traditional game creates a regulated world in the world, a
fictional exceptional reality. Derived games, such as quizzes or televi-
sion shows with games components, also fit within this traditional
model. Even the theatre is a traditional game in principle: the acting
area is sharply demarcated from the rest of the world and the audito-
rium (the ‘fourth wall’). The actor’s private life is therefore clearly dis-
tinct from his role. You play theatre. The play is a mimesis, an artistic
emulation of real life, an imitation (or representation), a performance
of situations. The actor’s psychological background and life experience
evidently count for this commentary on life situations, but his profes-
sion – his acting – differs from his private life. Even more, the game
structure makes something like ‘being yourself’ or authenticity impos-
sible in the theatre. Everything that happens on a stage is acted and
therefore fictitious. This also remains the case when the play pretends
to be real. Realistic theatre is an acted representation of reality, a ‘re-
entry’ by the real world into the fictitious one. Someone only dies on
stage due to ‘the suspension of disbelief’.
The new games are the exact reverse of the old games. One: the
limits of the game are vague and elastic, the distinction between fic-
tion and reality is erased as far as possible. Take Big Brother: people
live and sleep in the play area, fall in love, cry, laugh, make love,
masturbate . . . There is no ‘outside’, only a closed universe guarded
by cameras. Anyone who still wants to leave the playground loses
in a way that cannot be compared with a traditional leaving of the
play ground in football or tennis. Two: the rules are deregulating.
There are few rules, what matters is endurance because the game is
an elimination race. Just like in the past in the Coliseum the public
106
frequently decides on the fate of the players in the ring. New rules
are introduced more than once to maintain the deregulating aspect of
the game in a new series. Thus the drop-outs got another chance on a
different island in a later series of Survivor: they could return to the
game by willy-nilly besieging the uninformed players and for exam-
ple stealing their food ration, merely with a view to their survival
chances. This brings us to three: there is no fair play. Everyone is the
other person’s opponent, even if these others are team-mates. The
rules of the game imply that every player must constantly distrust
The BeWILDerment of Pentheus
107
by the ‘Super-Ego’ or conscience) no longer apply. This structure is
similar to the state of nature according to Hobbes: ‘save who can’,
even at the expense of others. At the same time, the created state of
exception is, in line with Rousseau’s moral of authenticity, presented
as a liberation: ‘this is real’, ‘a slice of life’ – naked life. For both the
spectator and the participant, the experience of the game as a form
of authenticity is psychotic. The psychosis is hyper-real for the par-
ticipant and for the spectator a fantasy that he enjoys via empathy
or identification with the temporary winner in the fight of everyone
against everyone.
implode completely. There are no rules, unless the rule that the rules
can continually be adapted; there are no expectations, apart from the
expectation that the other players or the public may vote away at
any time one’s own abilities. In psychotic games the anti-structure no
longer has a ritual framework: there is only a lack of rules.
In modernity the liminal phase is, according to Turner, weak-
ened to ‘liminoid’ moments in the sphere of leisure during which the
social structure is only partially, not radically interrupted. A pop con-
cert is admittedly wild, but it is not a genuine transition rite marking
an anthropological shift, for example from childhood to adulthood;
it rather is the eternal delaying of it that people play on a Saturday
evening. It might involve a Dionysian celebration but most of the
times also ultimately it is and remains a banal drink and dancing
party. The pop concert is a game with anti-structure, it plays with the
possibility of a total reversal without realizing it (and if it does take
place, there is horror at the suddenly erupting real violence). How-
ever, both liminal and liminoid moments are temporary by definition:
they are bulges in normal time. In addition, every society also has
locations in which the anti-structural is autonomized into a perma-
nent, organized space, a socially recognized area where the liminal/
liminoid can take place. Such a world in the world is the scene of the
theatre, the sauna, the brothel, the holiday village . . . Foucault calls
this type of space, these ‘other spaces’, heterotopias.
Some heterotopias are liminal spaces between wildness and cul-
ture. Take the garden. The heterotopia of the eastern garden is a min-
iature of the world, with the four sections and a pool in the middle,
a basin as the navel of the world, thus Foucault says (in the text ‘Of
Other Spaces’). Within the order of the garden, the state of nature can
only be represented as an allusion to the disorder of wild nature that
precedes gardening, and which is elsewhere or ‘outside’. If Foucault is
correct that a carpet is a miniature of a garden, it could be said that
the state of nature is always swept under the carpet (and must be
swept under the carpet). Like language, the garden – and therefore
it is a heterotopia – not only excludes but particularly also includes
its ‘outside’. The garden is a catharsis, a beneficial, be it always also
artificial synthesis between nature and culture: an included exclu-
sion. The same can be said about the nudist camp or the Djerba huts
that Foucault speaks about ironically. For a few paltry weeks per
109
year, one can return there to primitive nakedness, to the supposed
origin of human history. This heterotopia therefore provides, Foucault
states ironically, some sort of ‘grand, immediate knowledge’: by a mere
knowledge of the body that is experienced as real and authentic, one
can trace back to the origins of mankind.
The nudist camp holds a special place in Foucault’s ‘heteroto-
pology’. It is namely a synthesis between two types of heterotopias
which are both marked by time (what he calls heterochronia): ‘the
heterotopias of eternity’, like the museum and the library, and the
temporary, chronic heterotopia of the fair, the festival, the annual
market, ‘the heterotopias of the feast’. In the nudist camp (and by
extension the holiday village), these heterotopias of the eternal feast,
these solidified fairs, it could be suspected that Foucault is drawing
the outline, or sensing the advent, of what has since become the most
paradigmatic heterotopia of our culture: the theme park. Let us listen
to Foucault himself:
The desire of our time is a desire for this form of ‘immediate knowl-
edge’. This is why our consumption economy changed into an experi-
ence economy. ‘Sign-values’ no longer suffice, the consumer wants soft
experiences and hard kicks. This ‘immediate knowledge’ is what the
experience economy conjures up and reality games mediatize. Like
the nudist camp, Big Brother or Survivor is an acted state of nature
– but with a public. However, they are also real games, formats which
transform the anti-structure into a structure. They not only simulate
the war of everyone against everyone but also satisfy the obscene
hunger for authenticity in the vanishing point of all reality television:
the obligatory tears of the participants. Not sex ‘in real time’ but tears
are the genuine supplement of the various forms of reality television,
both of reality games and docu-soaps (like ‘The Children’s Cancer
Clinic’ and other programs on ‘Life as it is’).
The ‘real’ appears in the tears of the people in reality TV, they
are the reality indicator of the authenticity of pain, joy or distress and
therefore are comparable with ejaculation in hard core pornography
(because ejaculation, unlike a female orgasm, cannot be acted and is
110
111
Tears speak, but without language. It is the hallmark of every ‘imme-
diate knowledge’. This ‘knowledge’ is literally dumb, mere bodily
knowledge without mediation – in brief: the first state of nature.
Speechless (language-less) dumbness strikes in transgression even
more than in heterotopia or the psychotic game. According to Bataille,
indisputably the thinker par excellence on transgression, the state
of nature is ‘the continuity of being’. Eroticism is the desire for this
‘continuity of being’. According to Bataille life wants to spill itself, to
go beyond itself, already at the simple level of the cell, it is tending
towards a fusion with what it is not. Precisely therefore, ‘the continu-
ity of being’ is in the last instance only realized with death, as Freud
already stated in Beyond the Pleasure Principle. Freud says that the
organic is more tuned to resisting stimuli than to intake of stimuli
or excitement and finally tends towards the absolute rest of the inor-
ganic, of dead matter. In human culture, Bataille’s ‘continuity of being’
is produced in the sacrifice, in cutting open the sacrificial animal, in
nakedness, in the violence of penetration, in sexuality as transgres-
sion. However, transgression is not only a longing for the dumb natu-
ral (state). In its most extreme and for Bataille also its purest form,
Eros is Thanatos.
In Bataille’s view, the basic taboo of the human condition is and
remains nakedness. Transgression is an exposure of naked life, a fas-
cination for bodily orifices, the private parts: the orgasm is an apothe-
osis within love, without it, outside of it, it is ‘objectified’ or subjected
to – with a neo-marxist keyword – ‘reification’: a naked body in a state
of excitement is obscene or pornographic. The transgression is ‘imme-
diate knowledge’ of the taboo on naked life. In The Bacchae, the deliri-
ous behaviour of the women is ritually coded and protected by the
godhead: it takes place in a holy space (the slope as heterotopia). The
real violator of limits is Pentheus, who as a genuine voyeur enters
this forbidden area and as a result breaks the game, just like the
football supporter who enters the field. But the spoilsport also experi-
ences a very particular type of enjoyment – a mixture of a feeling of
power (breaking the rule by overstepping the limit) and of the specific
excitement of fear (the adrenaline rush). In the end, his biggest joy
may be proving that the crossing over of the chalk lines is nothing
and the sacrosanct space of the game a fiction.
The love game too does not tolerate supporters that enter the
field. Feeling awkward is therefore the hallmark of sexual transgres-
sion. In the case of someone who experiences such a transgression or
is the witness to it, thus when one is the object of the transgression,
this can range from slight discomfort to open shame or barely con-
cealed disgust. The limit breaking subject, the violator of the taboo or
prohibition, demonstrates an unmistakable nervousness, a fear that
the other will become angry, break off, go away, refuse or even raise
alarm, will use responding violence or tie the violator to the pillory. It
is therefore no coincidence that the exhibitionistic-voyeuristic disposi-
112
113
‘when shall Thou release us?’ And the Almighty answered: ‘I will only
release you when you have sunk to the lowest stile’.
But becoming an object, making an object: this is simply the
joyous mimesis of the playing child who identifies itself with things.
Transgression is therefore only tolerable if it takes place in a con-
trolled, symmetrical play situation, thus in a heterotopia, such as a
homosexual sauna or SM club.
Transgression is synonymous with a rediscovered state of
nature both in the sexual revolution and in the tradition of Freudo-
Marxism. According to Foucault, who is completely in line with
Bataille who localizes the essence of sexuality in violent capture, this
dream of a ‘Rousseau-istic’ happy sexuality, this return to nature, to
good savagery is mere appearance. Foucault is very clear in the text
‘A Preface to Transgression’, his homage to Bataille. Although modern
sexuality claims a new naturalness and appears to have (re)found a
‘truth of nature’, it is far from natural. The apparent naturalness of
modern sexuality does not involve any return to the state of nature,
in any case no peaceful return: ‘Thus, it is not through sexuality that
we communicate with the orderly and pleasingly profane world of
animals’.
What can be concluded from this? In pornography appears the
dumbfoundedness of nature, the first state of nature. In the exposure
of the body and the depiction of the excited private parts or orgasm,
the unnatural naturalness, the taboo of the human being breaks
through: the public secret that we do not have any secret. This rei-
fication (or objectification) tallies with perplexity. In his ‘preface to
transgression’, Foucault sees the ‘languagelessness’ of the objectifica-
tion in transgression at work in modern writing: as a reification of
language. The words lose their interior nature and become an outside,
a strangeness. Language crumbles. The words become things (epito-
mized in the work of Beckett). See the polished writing of Blanchot or
Bataille, hear the stammering in Big Brother. The dissolution of lan-
guage, the beWILDerment of words.
that man is essentially good by nature. This belief is not avowed in the
field of work and the economy but in the one of relaxation and leisure.
It is paralleled by a marked split in the field of governmental action
between the premises of a hard economic discourse and a soft welfare
discourse. Generalized war and generalized compassion, Hobbes and
Rousseau: postmodernity is an oxymoron, a disjunctive conjunction
without the possibility of reconciliation. We talk not one but two politi-
cal languages. The result is known under the label of political correct-
ness and the excluded third, of course, is called Karl Marx (‘commu-
nism’). An intellectual juncture that does not consider the possibility of
a society which orders itself without a Sovereign will continually swing
between Hobbes and Rousseau: it is under the spell of a double state of
nature. From this spell springs the fascination with naked life as pure
potentiality, its omnipresence without the positive political translation
in terms of a by definition socially shared happy life.
The fascination with the state of nature is a symptom of our
society. It reflects neo-liberalism as the supposed state of nature of
competition, and perhaps also the ‘War on Terror’ as a geopolitical
state of exception, as martial law imposed by the US on the planet.
But it also testifies to a premonition of a coming state of emergency
– the permanent disaster of global warming. The ‘War on Terror’, as a
voluntary state of exception, is just one part of the geopolitical situa-
Rudi Laermans & Lieven De Cauter
tion, contrasting with the disintegration of the state (e.g. in Africa) and
the disintegration of the city (in the mega-cities of the South). ‘State
of nature’ is also the entire informal economy in the illegal cities, the
slums. Finally the state of nature is also the inhospitableness of the
outside, of the excluded in the dual society and capsular civilization.
Our world is under the spell of states of emergency. The soporific nor-
mality of the welfare state appears to belong to the past. The end of
the Cold War proves to be the end of our peaceful view of history. But
we have not yet awoken from the dream sleep of capitalism, on the
contrary.
Modernity or, in the famous words of Adorno & Horkheimer, ‘the
dialectic of Enlightenment’, is synonymous with a constantly increas-
ing control over nature, with the trend towards the incorporation
and socializing of everything that initially escaped direct political,
economic or social control. The modern inclusion project was multi-
faceted, it comprised both the colonization of distant regions and the
115
disciplining of living labor, both the civilizing of the exotic Other (‘the
savage’) and the incorporation of the native, innate Other (‘the uncon-
scious’, instinctive lust) into culture. The dialectic of Enlightenment
was unthinkable without modern science and the technology based
on it. Max Weber already knew this: the technical-scientific system is
the basis for modern goal rationality, i.e. for forecasting and calcula-
tion, for a systematic administration and planned production. Adorno
& Horkheimer start from this insight but remain sufficiently Marxist
to decry the merger of calculating control and capitalism in moder-
nity. On the bewitched junction of both is to be found Commodity: it
is ‘goal rational’ because it is efficiently produced and ‘goal rationally’
distributed in view of the widest possible sales. More goal rationality
(Weber) therefore also means more commodification (Marx): capital-
ism colonizes both the former zones of the independent production
of use-values (eating, making clothes, leisure . . .) and the previously
free practices of thinking, imagining, fantasizing, enjoyment, etcetera.
In this process of capitalistic ‘progress’, everything that traditionally
counted as nature is either mercilessly crushed or transformed into
a rationally produced artefact with a price tag. The commons (both
the natural common of nature and the artificial common of language,
communication and knowledge) are ruthlessly privatized. Our era is
synonymous with this destruction and the experience economy, the
wrecking of nature and ‘the commodification of everything’ (Waller-
stein): the nature reserve, for which an entrance ticket has to be
bought, replaces nature.
With the current planetary, transcendental techno-capitalism
the project of omnipresent natural management reaches its climax.
‘Postmodernism is what you get when the process of modernization is
complete and nature is gone for good’, says Jameson. Indeed, nature
appears to be further away than ever in postmodernity. Artificiality
reigns, from consumption kitsch to ‘Lifestyle’ has ousted the ‘form of
life’, the dumb visual language of merchandise, the sign-language sub-
merged in tradition. This may partly explain the return of the second
state of nature as a game scenario, as the calculated and therefore
expectable outcome of a series of artificial rules and situations. The
impression almost everything can happen in ‘Temptation Island’ hides
a sophisticated directing: naked life is planned and administered, the
real fiction of a state of nature becomes hyper-real.
But is nature gone once and for all? In the very same moment
that there is no further natural ‘outside’ because everything and
everyone appears to be included in social bonds (the global market,
Empire . . . ), the natural returns in the form of a threatening ecologi-
cal disaster. The world is colonized, privatized, possessed, processed
and marketed, but the unforeseen effects of the modern project are
changing the atmospheric environment of the globe into a greenhouse.
The emerging reality of a coming state of nature therefore coincides
today with a fighting multitude gasping for air or competing for
116
Towards a
Phenomenology
of Civil War:
Entropic Empire
Hobbes in Beirut
[2009]
Reflect #09
119
‘Beirut is a city that destroys itself.
Never has it found its stability, its balance.
It is a city without compass . . .
This city will explode. It is at war, it is at war!’
(Marie-Claude Souaid)
Abstract
Based on interviews with Beirut intellectuals and architects, this
essay endeavours to trace the contours for a phenomenology or
anthropology of civil war.1 Thomas Hobbes serves as a guide, with his
idea of civil war representing a relapse into the ‘state of nature’; as
absence of sovereignty resulting in a ‘war of everybody against eve-
rybody’. The effects of ever-latent civil war in Beirut are far-reaching:
the fragmentation of urban space and the disappearance of public
space, the loss of memory and the fragmentation of time, even the
reification of language. In the collective imagination and in the arts,
Beirut appears as a ghost town, a spectral city with a spectral civil-
ity. What we discover is a city, its inhabitants, its social behaviour,
but also its art and literature, in the grip of post-traumatic stress
syndrome. From all this, we take home two things: first, the trau-
matic modernity of Beirut mirrors the traumatic artistic expressions
of modernism – the shock of modernity is also always a modernity of
shock; and second: any city can (at least in principle) relapse into a
similar state of nature – Beirut can become a paradigm of latent uni-
versal civil war.
civil war’, an outburst of violence in May 2008. In ‘Of the naturall con-
dition of mankind, as concerning their felicity, and misery’, the best-
known chapter of Thomas Hobbes’ Leviathan, this famous definition
appears: ‘Hereby it is manifest, that during the time men live without
a common Power to keep them all in awe, they are in that condition
which is called Warre; and such a warre, as is of every man, against
every man’. It is the absence of sovereignty that produces the state
of nature as a condition of war, the war of all against all. However,
Hobbes in Beirut
121
whole streets closed, thus forming gated communities in the centre
of the city. Consciously or unconsciously, people submitted to specific
security routines. In the downtown Solidere neighbourhood – so called
because it was built by the developers firm Solidere of whom the
then prime minister Rafik Hariri was the president – every passer-
by has to go through army checkpoints; at Ashrafieh, it is the ABC
securitized mall that represents the spirit of muscular neoliberalism;
while the new developments on the seafront are designed, with Arab
tourism in mind, in the forbidding Dubai style. According to Fawaz,
the political class is waging a sort of ‘war against the city’. Curator
Rasha Salti brought up the concept of ‘Disneyfication’ as war:
militarization of society.
123
The poet Abbas Beydoun talked to us about time and memory:
For him this is not just a historical given but a key to the mysteries
of Beirut as a city without memory, without landmarks. According
to Beydoun, the civil wars broke the continuity of history. ‘After the
civil war Fairuz, the Fairuz, who was the voice of Lebanon, suddenly
sounded to us like a lie’. Her songs sounded bitter after the war. He
explains: ‘During and after the civil war, there was downright ethnic
cleansing . . . The hills are no longer pastoral’. Fairuz seems to be both
the voice of Lebanon and the symbol of everything that has become
false. The poet insisted on the nature of time and memory in war.
His conclusion is very clear: ‘The war atomized society, dispersed it.
People seek refuge in the family, in the community. There is no longer
a state as an intermediary between the communities. There is no civil
society’.
The most crushing testimony on memory and time was given by
the Palestinian- Syrian essayist and curator Rasha Salti. She said:
The thought is so sadly ironic and ironically sad that it reveals the
loss of memory as a desire, as liberating for those who have so many
troubling, shocking, painful memories. It is no doubt a self-defense
mechanism, this loss of memory of a traumatized collective psyche.
In Beirut, loss of memory is like mourning for the impossibility of
mourning. For it is still going on, since the state of civil war remains
latent.
The destruction of Beirut is a cipher for this loss of memory, as
a cause and effect of forgetting. The architect Mona Hallak, telling
124
Fearing they might be listed, many owners decided to act fast, and
by 1997 only 520 of the buildings on that list remained. In a second
listing process, the idea of classification by clusters of buildings was
dropped, since there were only scattered buildings left. In a third and
more recent study, only 220 buildings considered to be of historical
value were still standing. This process of destruction in a few years, a
decade or little more, of 800 historical buildings is perhaps again very
symptomatic of the loss of memory. In any case, for the city it is a loss
Hobbes in Beirut
125
and every dialogue is an interrogation’. For him the loss of dialogue
and the mutism of literature apparently form a continuum. ‘When
you meet someone you try to find out his father’s name, to be able to
identify him; the region he comes from, where he lives. There is no
dialogue; people never say what they think’. How is this to be taken?
One might say that all communication is profoundly politicized, that
people are only putting labels on others, and that none can escape
this labeling logic. Although ‘classifying’ others is a habit in all human
societies, it only becomes obsessive once everyday life is profoundly
politicized. Perhaps a politicized everyday life loses its everydayness.
Then he uttered this unforgettable phrase: ‘Words fall before
they reach you’. With this metaphor, he was (like Abbas Beydoun)
trying to catch the ‘traumatized concretism’, that total reification of
language. He gave the example of a film where in one scene two girls
were walking among ruins. One of them liked a man, but she real-
ized that there was no language of love left over, so she used quotes
from an Egyptian film. For Chakar this is a non-perceptual anal-
ogy7 permitting talk about war without talking about the war. How
can one express the dreadful? One cannot. There is a breakdown of
language, one does not recount the history except in the debris. Nor
can one express the beautiful, or love . . . Each catastrophe destroys
language a little more. It has to be talked about without talking about
it. According to Chakar there are three sorts of space-time: the idyllic
space, that of one’s father’s village, for instance; the present, which
is the space-time of catastrophe; and the projected future, which is a
space without fear. ‘In the alert awareness of traumatism, one makes
plans but is not convinced of them, they become provisional, fictions.
It would be necessary to recall everything and forget everything at
the same time’. In Elias Khoury’s novel A Perfume of Paradise, one
of the main characters, a respectable old gentleman who has lost his
son in the civil war, becomes rather peculiar and, having collected
the posters of his martyred son, begins wiping out all the posters
and painting the walls along the streets white – a clear allegory of
this loss of memory. He himself is found killed one day, and the novel
buzzes with ‘concretist’ conversations on banal things.
It is important to stress the fact that there is a certain dialectic
here: it is in fact this reification, this ‘concretized traumatism’, that
gave rise to Beirut’s postwar modernism: a delayed modernism (since
we are talking about the 1975-90 war) yet a very authentic one, since
this style of the nouveau roman, of this absurd nihilism of a crum-
bling, fragmented, meaningless language, lends itself very well to ren-
dering this ineffable, dulling experience of civil war. Concretism and
the stripped down style has always been the sign of modernity, if not
indeed its very DNA. Thus, there is no modernity without reification.
And in order to turn the dialectical wheel, the extreme reification of
language lends itself very well to conveying the ‘traumatized concre-
tism’ of the critical situation of danger that civil war is. One might say
126
One young architect told us that Beirut torments him, that after his
return from America he had to take tranquillizers; according to him
he felt the intensity, the tension of this city in his body. Tony Chakar
also talked of this problematic corporeality, of this hand-to-hand fight
with the city.
127
politic’?8 This metaphor from Hobbes, which has since become a com-
monplace concept in the English-speaking world, might be applied
to Beirut or Lebanon, but in the Lebanese case it is a dismembered
body politic. What our interlocutors revealed to us amounts to a sort
of anatomy of this dismemberment. This dismemberment of the city
as body politic has repercussions on the physical bodies of the inhab-
itants. In the absence of society, state and legality, a lawlessness, a
generalized anomie, prevails; everyone is exposed in their corporeality
in a literal sense. If the citizen is not clad in his/her citizenship and in
rights, in personal freedoms, he/she becomes deprived of protection by
legality and the state, and in that respect outlawed, banished: ‘bare
life’.9 This is the state of nature: the implosion of the polis exposes
bare life and atomizes individuals. In anomie and profound alienation
from others, the social itself risks becoming artificial. Rasha Salti said
towards the end of our last meeting, as a sort of conclusion: ‘We came
into a world undone’. Then she added: ‘I was born into a sad world,
I had no time to lose my illusions’. A childhood without illusions
– another feature of the traumatism, the collective and individual
pathology of civil war. Beirut, a city without illusions? Or a city of illu-
sions for a dis-illusioned population?
A Phantom City
Beirut is, according to novelist Elias Khoury, a broken mirror;10 its
image as a city of intellectual refuge and cultural mixing, pioneer
of freedoms in the Orient, and artistic and commercial centre, was
destroyed by the civil war and its sequels. All the same, Beirut was
cited among the ‘44 places to visit in 2009’ by The New York Times.
It was even named among the ten liveliest cities in the world by
Lonely Planet in 2009.11 How is this paradox to be understood? The
city ‘swings’ like few others, but it is a dance on the edge of a crater:
the volcano of civil war may erupt at any moment. One might call it
a danse macabre. Tony Chakar cited a scene from a film (the title of
which he could not remember): after a disaster, people find a deserted
village; the inhabitants are in the forest, dancing like lunatics with
the dead. He reminded us there were 200,000 deaths during the civil
war. For him, the nights of letting one’s hair down at Gemmayzeh or
elsewhere are moments of mad exhilaration, an escape from sadness.
In her film, I Had a Dream, Mum, Linah Saneh recounts a
dream to her mother, who is filmed on a bed, her face in close-up. The
voiceover of the artist behind the camera tells how she dreamt one
day that someone had taken her off to a deserted city. All the inhabit-
ants were dead and only tourists were walking about. The city was
intact, as if the people have just disappeared. At nightfall she goes
into an art gallery and discovers a painting that starts to move; she
turns round and a lady speaks kindly to her. She then discovers that
at twilight the ghosts come back to haunt the town, and that the tour-
ists were expected to have already left. She tells her sick mother all
128
this. Her mother is fascinated and asks repetitive questions on all the
details of her dream, asking: ‘Were you afraid?’ over and over again.
She cannot manage to grasp that it was a dream; she suggests her
daughter make a film of it, without realizing that she is in the film,
and is playing the main part. The mother asks: ‘But what’s the town
called?’ The question returns several times. For anyone who has vis-
Towards a Phenomenology of Civil War:
ited Beirut, even just for a few days, the answer is obvious.12
Other works of art also tackle this theme of phantoms: explicitly
so in Ghassan Salhab’s film Beyrouth Fantôme (Phantom Beirut).
One also thinks of the work of Walid Raad and the Atlas Group (itself
something of a phantom), which produces phantom documents, or
Walid Sadek, Rabih Mouré, etcetera. One might also recall the BO 18
dance club, for there you really dance in a hole, in a common grave,
and given the number of dancers and the lack of light, everybody at
Hobbes in Beirut
Conclusions?
129
loss of memory, of history; concretism, the reification of language;
the struggle with the city, compensation through entertainment; and
finally the phantoms that haunt the consciousnesses of people and the
unconscious of the city. In our conversations, we discerned the bases
of a ‘phenomenology of the civil war’ that might also be an ‘anatomy of
the dismemberment of the body politic’.
The experience of civil war is the experience of loss of experience.
The disintegration of experience Walter Benjamin talks about is not
only inspired by a certain romanticism, a nostalgia for experience as
tradition and transmission, but also and above all it is a consequence
of modernity as catastrophe (Benjamin was thinking of the first world
war and nascent fascism). In Beirut there is nothing hyperbolical or
apocalyptic about these words: they describe the state of affairs, the
state of experience of the disintegration of the society, of the dismem-
berment of the body politic, as a quasi-physical experience, graven
into the bodies and minds of the citizens. Beirut shows us an epitome
of modernity as a shock experience, an experience of traumatism
and a traumatism of experience. The week in Beirut thus taught us
something about modernity, about our modernity: modern art, modern-
ism, has always been a traumatized art, an art that expresses ‘post-
traumatic stress syndrome’. But this mirror can also be turned back
on the city: modernism in Beirut risks being a postmodern modernism,
a modernism played out in post-history, which repeats, reinvents, and
can only reinvent, the gestures of the postwar avant-garde (the nou-
velle vague, Beckett, he nouveau roman, etcetera who were themselves
reinventing the gestures of the historical pre-war avant-garde).
The interviews give a new meaning to the concept of ‘post-
traumatic stress syndrome’, and especially to the prefix ‘post’. What
is ‘traumatic’ is not just the experience, but also the impossibility of
digesting those experiences. Traumatism continues in the potential
for a new outbreak of civil war. The pain does not heal, because the
civil war is not over, is never over. The civil war turns into an endless
latent war. Is this true only in Beirut?
Everywhere Beirut
The ‘culture shock’ in Beirut is more of a ‘nature shock’: a confronta-
tion with the civil war that is within us as a possibility: homo homini
lupus. The war of all against all is always there as a possibility, as a
potentiality; it might be called the ‘universal latent civil war’.
One recent article on the state of nature draws the distinction
between three states of nature: the speechless animal life of human
beings, the war of all against all, and humanity in the face of ecologi-
cal disaster;15 or the anthropological state of nature, the political state
of nature and the cosmological state of nature. What one may find in
Beirut is that the second state of nature, reduces people to the first
state of nature: beside reducing people to bare life, civil war makes
human beings mute, and murderous. In the times of the third state of
130
Notes
1 In a working week in Beirut in November 2009 to prepare a cul-
tural project on the city for the Halles de Schaerbeek, a major
arts centre in Brussels, we met various witnesses: a novelist, a
sociologist, a poet, a curator and several architects. Our team
consisted of Fabienne Verstraeten, director of the Halles de
Schaerbeek, who headed our mission; Nedjma Hadj, an architect
by training (currently working at the Halles) who handled the
camera; Iwan Strauven, an architect and head of Bozar Architec-
ture (Palais des Beaux Arts); Jean Didier Bergilez, an architect
who teaches at La Cambre Institute for Architecture in Brussels;
plus of course myself. Since this is an account of views on Beirut
communicated orally, the text uses an informal ‘spoken’ style. But
by bringing together the testimony, the ‘oral histories’ of our field
trip, we hope also to have supplied a few rudimentary elements of
a phenomenology of civil war: what sort of city it creates and what
sort of society, what sort of space and time, what sort of culture
and what sort of art, what sort of body, of mentality, of subjectiv-
ity, of collective consciousness and unconsciousness, what sort of
experience? What we are offering, then, is a phenomenology in the
131
literal sense: a description of experience.
2 These words were still hanging in the air when through the open
window we heard a car touring the neighbourhood with an audio
message: the voice of Nasrallah, the charismatic leader of Hesbol-
lah. An allegorical moment. The sociologist smiled, albeit a tired,
pained smile: ‘That is political intimidation’.
3 In the study, Mona Fawaz asked each of her students to draw up
precise records indicating all the checks and security routines
they had to go through on their daily journeys. When she brought
them together, it emerged that everybody was subject to rigorous
security procedures. They investigated the apparatus, technology
and architectural equipment required for the implementation of
such security.
4 After the Israeli offensive in 2006, there were around 500,000
refugees in Lebanon.
5 Why was the demarcation line called the ‘Green Line’? It was only
when Mona Hallak told us that since no one could go there, trees
and wild plants flourished everywhere along the demarcation
line, that I understood why it had been so called (though it should
be noted that the Israeli–Palestinian Green Line which predates
the one in Beirut does not share this origin of meaning).
6 Beyrouth ville sans histoire? was the title of a colloquium held at
the Halles de Schaerbeek, Brussels, on 6 December 2009
7 As in everything he said, he was subtly referring to Walter
Benjamin, this time to the concept of unsinnliche Ähnlichkeit,
non-sensible, non-perceptible similarity. Language, according to
Benjamin (1933 [1999]) in his little text Lehre vom Ähnlichen
(doctrine of similarities) says that of all animals humans are the
most mimetic, and that language is a reservoir of non-perceptual
similarity.
8 The term appears in the foreword to Hobbes’ Leviathan. He likens
society to the physical body (Body Naturall) and talks of society
as a body politic (Body Politique), an ‘artificial animal’: he gives
himself the task of describing this ‘artificial man’. The expression
body politic, which has no real equivalent in other languages, is
really to be taken in its literal sense (so to speak): as a baroque
metaphor. Just as Descartes, in order to explain the functions
of the physical body, compares it to physical machinery like the
water systems of baroque gardens, Hobbes compares society to
a body. The sovereign, Leviathan, as the head of the body politic,
‘incorporates’ the unity of this artificial animal that forms society
as a political entity. That is how this artificial animal (this Levia-
than) is depicted on the famous frontispiece of the book.
9 I am here referring to the difference drawn by Giorgio Agamben
between bios and zoé, between protected, civil, cultural life and
naked life, in his seminal book Homo Sacer. Sovereign Power and
Bare Life.
132
10 Elias Khoury, ‘Le miroir brisé’, in: Jade. Tabet (ed.), Beyrouth: la
brûlure des rèves, Editions Autrement, Collection Monde, Paris.
This volume, a classic on Beyrouth, has inspired this text.
11 See: http://en.wikipedia.org/wiki/Beirut.
12 Is it really a dream? And how we are to understand it? One might
ask whether the mother is not right to take it as a true story.
Towards a Phenomenology of Civil War:
Perhaps Freud might help us. In his famous essay ‘Beyond the
Pleasure Principle’, he compares the brain to a single-cell organ-
ism: just as the membrane has to defend the single-cell organ-
ism against the environment, the neo-cortex has to fend off the
stimuli from its environment. Freud draws the general conclu-
sion that for any living organism self-defence against stimuli is
more important than absorbing sensory information or stimuli.
If a stimulus becomes too strong, and fear does not havee time to
Hobbes in Beirut
prepare for the shock, a psychic trauma arises. This crack in fear,
this breach in the psyche’s defences, has to be restored. This is the
function of the nightmare: the fearful situation is repeated in the
hallucination of the dream, to the point where the breach is filled,
when the subject is healed of the trauma. In the nightmare, then,
fear continually returns as a phantom, a sort of phantom pain. It
is as if the mother’s repetitive questions were acting as an exam-
ple of what Freud calls the Wiederholungszwang, the compulsion
to repetition. Whether fantasy tale or not, nightmare or beautiful
uncanny dream, this film is an allegory of Beirut.
13 We had been told not to miss Saturday evening at Gemmayzeh,
so the three men in our group did their duty and went into a
café on the main street. The ambience was not terrific, but there
was a small group celebrating a birthday; one of us joined it and
got to know the people. We were then invited to go with them to
some other place. To our great surprise, we found ourselves in
front of the famous BO 18. The young man who had invited us
told us that he liked to invite foreigners here, not just because he
felt honoured that they were visiting his city, but also in order to
show them the animated and convivial side of it. Bernard Khoury,
the architect of this cult night spot, is partly right in saying that
people cannot keep on living in a city of ghosts, but have the right
to let their hair down, the right to normality, the right to convivi-
ality (the interview with him can be found in the full version of
this text).
14 I am here again referring to the distinction drawn by Giorgio
Agamben, referring to Arendt, between zoé and bios, between
civil, cultural, civic life and the life of nature, natural life, naked
life, in his book Homo Sacer. He puts the stress on the production
of naked life by the sovereign in a state of emergency, particularly
in the concentration camp, but one might say that the lack of sov-
ereignty in the state of nature produces the same effect: in civil
war, naked life is no longer protected by legality, by citizenship.
15 Rudi Laermans and Lieven De Cauter (2007) The beWILDerment
of Pentheus. On the attraction of the nature state and the nature
state as spectacle. In Kendell Geers Irrespectiv Catalogue, SMAK
City Museum of Contemporary Art, Gent, ACTAR, Barcelona, s.d;
s.p. (see elsewhere in this book).
Reflect #09 Entropic Empire 134
[2010]
The Blackout
135
The large scale electricity failure, the blackout, has allegorical power,
it might become symptomatic of our age. With ‘peak oil’ in sight
(maximum production and consumption, after which the reserves
deplete) and the alarm over depletion of non-renewable resources,
the blackout becomes more than a pure fantasy or far-fetched science
fiction plot. The idea of energy scarcity is strengthened by the shadow
of global warming and the current demographic explosion. In 1960
there were 3 billion people. In 2000 there were 6 billion people on the
planet. Somewhere in 2011 there will be 7 billion wandering around
the planet. So between 2000 and 2011 one billion people were born.
How to bend the growth curve to peak human (in analogy to peak oil)
at only 9.4 billion by 2050 remains a mystery. The only thing we know
for certain is that recent estimates are constantly adjusted upwards.
The almost metaphysical need for the capitalist economy to
grow reveals progress as a vector that collides with the limits of the
ecosystem. What we are experiencing is the inertia of acceleration.
Globalization means the explosion of mobility and migration. Just like
every climate report warns us that the warming of the planet becomes
visible in extreme weather conditions, so drought, extreme colds, hur-
ricanes, floods, etcetera, so too one can predict that with migrations,
the pressure on demography and the extreme dualization of our soci-
eties the human climate will be put under pressure: extreme social
conditions will become more likely, from extreme poverty through
famine to ethnic clashes, riots, and ‘low intensity civil war’. Civil war
is a form of relapse into the state of nature. Perhaps the phenomenon
of the blackout can help to better understand the state of nature, and
vice versa: the idea of the state of nature can help us understand the
blackout.
Let’s take the New York blackout of 13 June 1977 as a case. In News-
136
week from 23 June 1977, exactly 10 days after the blackout, we find
an elaborate account of the ‘night of horror’. It starts out with an
impression of the stagnation of the entire city:
But the party did not last. Poor areas of New York erupted in violence.
137
And elsewhere it sounds like this: ‘And in the ghettos and barrios of
four of the city’s five boroughs, the looters and burners owned the
night, on a scale and with a fury unmatched . . .’ 5
These eruptions of lawlessness are accredited to a heat wave
that was holding New York in its grip, in contrast to the cold weather
in 1965, but particularly the crisis in New York with its high unem-
ployment rate and deep discomfort seem to have fueled the outburst:
‘The blackout of ’65 fell fortuitously in the cool of mid-autumn; crimi-
nals stayed home – there were only 96 arrests all night – and crime
rates actually fell. But the switchoff of ’77 caught black New York
in the midst of the summer’s worst heat wave and in the thrall of
depression-level unemployment- and when the lights went out this
time, the mean streets simply erupted . . .’6
Perhaps anthropology can help us understand the festive
moment of the blackout. Victor Turner resorts to Van Gennep’s notion
of ‘rite de passage’ in his The Ritual Process. Structure and Antistruc-
ture (1969). The notion denotes a passing ritual in which people are
transformed from one stable condition to another. For example, being
a virgin is a stable condition, as is being married (anthropologically
speaking that is). The transition however is unstable. This passing
from one steady state to another is what Turner calls ‘the liminal
phase’. In our example the honeymoon, which takes place outside of
the normality, preferably far away from civilization, at the coast, in
the mountains or at the Niagra Falls. There it happens. Influenced by
structuralism, Turner reduces these three moments to an opposition:
structure versus anti-structure. The liminal phase is the anti-struc-
ture, which has a very specific function in relation to the structured
social system. Around the same time, Michel Foucault introduces the
term heterotopia and it was no coincidence he gave the honeymoon as
an example. He points out that defloration happens elsewhere, and in
a certain sense: nowhere.
As is well known, Turner connects structure with what he calls
societas and anti-structure to communitas, in which he resorts to the
difference between Geselschaft and Gemeinschaft by the sociologist
Ferdinand Tönnies. The spontaneous, unstructured, at times exorbi-
tant, if not uncontrollable, abnormal or at least extraordinary atmos-
phere of the party intensifies the sense of community. From this per-
spective it seems almost self-evident that the blackout can be under-
stood as anti-structure, as a liminal phase, a heterotopian moment.
The extraordinary condition brings people together. People help each
other, one speaks to strangers, one brings candles and drinks and a
spontaneous celebration of community commences. But simultane-
ously the extraordinary, the abnormality of the situation, the elimi-
nation of order, can also be a catalyst for the fading of cultural and
moral norms, for anomie (to use Durkheim’s word), and thus the point
where the celebration can deteriorate in an eruption of lawlessness,
looting and arson.
138
139
the contrary.7
So whether or not the war of all against all breaks out is dependant
on a matter of coincidences and disastrous chain reactions.
Another thing the blackout in New York 1977 teaches us is that
the blissful anarchy of the anarchists does not exist. It has never
existed in the past, nor will it ever exist in the future. Regrettably so
maybe, but it is true. I do not know of a single historic counter exam-
ple unless one takes the brief flares from Munster to the Commune in
Paris, the utopian experiments of the phalanstère by Fourier actually
serious. That is, as a model of a permanent political condition. Every
day a party? A nightmare (as the new Zion of Munster illustrated; it
ended in an orgy and violence). The Temporary Autonomous Zone (TAZ)
of Hakim Bey? Cute. But a temporary celebration isn’t politics, just an
interruption of politics. At best it is heterotopian politics.
José Saramago’s Blindness (Ensaio sobre a Cegueira) is an alle-
gorical blackout, the perfect embodiment of the sudden relapse in
the state of nature: the whole city suddenly becomes blind and goes
to pieces. The cruelest things happen, truly a ‘war of all against all’.
Perhaps there is no such thing as the real state of nature (as Hobbes
himself admitted), but Saramago’s depiction is exemplary. What hap-
pens is a sudden reduction of bios to zoé: life coated in citizenship and
middle-class culture is suddenly reduced to roughness, to humilia-
tion, barbarism, bare life. All humanism is gone and what remains is:
zoölogical functions (which all become problematic). The book is quite
graphic about it. An epidemic of blindness annuls the entire social
fabric, but also all human dignity, or almost. Saramago’s book is an
ominous allegory of an old writer looking at the dark side. It teaches
us something very clear: the blackout is a temporary suspension of
the social contract and in this suspension humans are reduced to
mammals. It shows the ‘implosion of the polis’ in the most literal way.
Whilst the well-organized liberal social democratic welfare state is
dominated by biopolitics, the blackout can mean a sudden return of
thanatopolitics: murder, rape, plundering and arson.
In a certain sense the blackout might be the purest existing
form of Hobbes philosophical fiction of the state of nature, the bottom
up absence of sovereignty, a moment in which anything becomes pos-
sible. That would perhaps be the most pure form, since a civil war
is not really a war of all against all, but a war of clans, tribes, par-
ties, factions and coalitions. Still, the civil war remains the one and
only lasting form of a state of nature, next to the blackout which is
in essence transitory and partial. Do civil wars ever end? Or do they
remain latent until one day they erupt again? Why do they have the
tendency to linger for so long? It is because in any society there is
a latent civil war, which is why Hobbes called it the state of nature.
The state of nature – as we discovered in Beirut – is not so much a
philosophical fiction about an anthropological state of a pre-historic,
140
them back into the Stone Age’. The authors show that we have to take
this seriously and even almost literally. They call it ‘State Ending’ as
a war aim, the annihilation of the state through ‘shock and awe’ aerial
attacks, the dismantling of all state institutions, the willful splinter-
ing of society by reintroducing ethnic and religious identity papers,
etcetera. This strategy of annihilation is almost literally a reduction
to the state of nature. In Iraq the state was completely dismantled
immediately after the bombardments, the army was dismantled; all
government officials were sent home under the pretence of ‘debaathi-
fication’. Under the watchful eye of the occupier museums were plun-
dered, libraries burnt down and death squats started systematically
killing academics, journalists and doctors.8 Of course the economy
was privatized and entirely ‘outsourced’ (to private firms running
the country, with unimaginable levels of corruption). The blackout is
part of this annihilation: in Iraq there are blackouts on a daily basis.
There is only electricity for a few hours a day and this from 2003 till
the present. (Israel also uses blackouts of electricity, internet and
even telephone communication at critical moments.) There is barely
drinking water, and concrete barriers between each neighbourhood in
Baghdad and elsewhere are blocking all mobility and bring city life to
a halt (a strategy of ‘pacification’ mimicked from the Israeli wall and
the checkpoints, of course).
This military strategy of state-annihilation might give us a
glimpse of the political order of the future: the ‘Entropic Empire’ (as I
have come to call it) as the syntheses between the state of exception
and the state of nature. The empire is in permanent war, based on
the state of exception, the war on terror, with everything that comes
along with it: Patriot Act, and exceptional anti-terror-laws in western
countries, with Guantánamo as a place outside the law and a pars pro
toto for the many detention units at an unknown number of locations,
most likely on the approximately 700 American military bases around
the world or practices like extraordinary rendition, the extradition of
141
prisoners to countries that use torture; and of course the interrogation
techniques like water boarding and excesses like Abu Ghraib.
The counterpart to this excess of sovereignty as the state of
exception is the implosion of sovereignty by shock and awe, military
primacy; or: laissez-faire politics – like in Africa. Just let it all happen:
disintegration of the State, civil war, genocide. To understand this
Entropic Empire one has to see the touching of extremes: next to the
permanent war, there are no go areas; next to drones that can domi-
nate the most desolate area’s, there is the return of piracy, like in
Somalia. The New World Order must perhaps be understood as the
synthesis and patchwork of creative chaos and creative destruction on
the one hand, and strict, ruthless military domination. Hence the oxy-
moron ‘Entropic Empire’. The blackout is a punctual, allegoric constel-
lation that can help us understand this oxymoron, or at least, help us
begin to understand it.
Notes
1 http://www.newyorker.com/online/blogs/books/2010/03/ask-an-
academicblackouts. html#entry-more, last accessed on 12 April 2010.
2 http://blackout.gmu.edu/archive/pdf/newsweek_77.pdf.
3 http://blackout.gmu.edu/events/tl1977.html.
4 http://blackout.gmu.edu/events/tl1977.html.
5 http://blackout.gmu.edu/archive/pdf/newsweek_77.pdf.
6 http://blackout.gmu.edu/archive/pdf/newsweek_77.pdf.
7 Hobbes, Leviathan, Pinguin Books, London 1981. p 186 (online: http://
www.gutenberg.org/files/3207/3207-h/3207-h.htm#2HCH0013)
8 Raymond W. BAKER, Shereen T. ISMAEL and Tareq Y. ISMAEL
(eds.), Cultural Cleansing in Iraq. Why Museums Were Looted, Librar-
ies Burned and Academics Murdered., Pluto Press, London, New York,
2010.
142
The Negation of
the State of Nature
Entropic Empire
[2009-2010]
Reflect #09
143
‘The affirmation of the political is the
affirmation of the state of Nature’
Leo Strauss
Politics as Thanatopolitics
In Der Begriff des Politischen, translated as The Concept of the Politi-
cal, Carl Schmitt defines the concept of the political, as is well-known,
on the basis of the distinction between friend and foe. His point of
departure is an analogy: just like morality is based on the distinction
between good and evil, aesthetics on the distinction between beauti-
ful and ugly, economy on the distinction between profit and loss – in
the same way politics is based on its own binary distinction: ‘The
specific political distinction to which political actions and motives
can be reduced, is that between friend and enemy’.1 The enemy is
‘the other, the stranger; and it is sufficient that he is, in an especially
intense way, existentially something different and alien, so that in the
extreme case conflicts with him are possible’. The enemy could also
be labeled as ugly, bad, economically detrimental, but at the core of
this reasoning is the ‘autonomy of the political’, which follows from
the fact that the distinction between friend and enemy can be made
independent of the other opposites. Only the insiders are able to make
this judgment, in other words, the political – defined as the distinction
between friend and foe – has no criterion outside itself.
An enemy only exists when a collective of people fight another,
similar collective. The concept of an enemy in politics is that of a
public enemy. Schmitt stresses that we cannot talk about metaphori-
cal enemies; opponents in party politics or a debate, or competitors,
like in economy, are not relevant here. Contrary to these innocent
forms of conflict, politics is always rooted in a battle of life and death.
Schmitt insists on making the point that the possibility of death
invests politics with a specific significance: ‘The friend, enemy, and
combat concepts receive their real meaning precisely because they
refer to the real possibility of killing’.2 The battle, war or civil war,
with the stakes of killing or being killed, is the existential foundation
of politics. A world without war, without ‘hostilities’, would be a world
without politics. ‘Hostility’ is the essence of politics. For Schmitt, the
true political dimension appears only in the extreme possibility of the
battle of life and death: ‘From this most extreme possibility human
life derives its specific political tension’. In more uncertain terms
he states that the ‘definition of politics’ is rooted in ‘the meaningful
antithesis whereby men can be required to sacrifice life, authorized to
shed blood, and kill other human beings’. This conception of politics
one could call thanatopolitics.
145
In 1976, Foucault, concluding the first volume of The History of
Sexuality, introduced the concept of biopolitics. He further developed
his thoughts on it, in the last lecture of his series at the Collège de
France, that same year, posthumously published as Il faut défendre
la société (Society Must Be Defended). The old form of sovereignty
(the monarchy, till the American and French Revolutions) allowed the
sheer existence of its subjects, but included the power to take life; in
other words, sovereignty was the right to decide on death. The new
sovereign power, which emerges with the modern state and with the
idea of ‘government’ and ‘gouvernementalité’ (which came to be known
in English as ‘governementality’), and which Foucault, sees as an
addition to ‘disciplining’, basically gives life. Through demographic
politics, rules for hygiene, public health care, campaigns on family
planning, urban planning, and the like, the state will interfere with
the biological life of its subjects (seen as ‘population’), rather than the
bringing to death of its subjects. He calls this technique of exercis-
ing power, characteristic for the emerging modern state and more so
for the welfare state, ‘biopower’ or ‘biopolitics’. He opposes biopolitics
(politics of life) to the old sovereingnity with its politics of death, and
calls it at some point thanatopolitics.3 However, since thanatopolitics
belongs to the old sovereignty, the focus has recently been on the
concept of biopolitics (Agamben, Virno, Negri & Hardt, and a stack of
secondary literature).
Politics as thanatopolitics means that the political is not
grounded in the good life, as Aristotle claimed, but in death; not in
legitimacy but in the existential confrontation, not in social organi-
zation but in war. For Schmitt this holds true in a literal sense: the
ultimate test of the political lies in the demand to risk one’s life and
to obliterate the lives of others. Schmitt is well aware of the fact that
his conception of politics is essentially thanatopolitics. It is death
which forges the unity and sovereignty of a political entity (state or
group): ‘By this power over the physical life of the people, the politi-
cal community rises above every other form of community or society’.
Or even: ‘The political unity must, if needs be, demand the sacrifice of
life’. Or more elaborately:
war, decides on all other groups and institutions in society. Here the
link with the Politische Theologie is unmistakable: sovereign is he who
decides on the exception (sovereignty is not so much about making
the law, but about deciding to suspend the law, when it really mat-
ters, in extreme situations). There is a difference, however, because,
in Der Begriff des Politischen, sovereignty resides in a group whereas,
in Politische Theologie, a sovereign is conceived of as a single person
The Negation of the State of Nature
Thanatopolitics as Paleopolitics
Political theory, for Schmitt, amounts to state doctrine, in a strict
sense, thereby emphatically ignoring the plural character of the mod-
ern-democratic political system. To a certain degree this perspective
stems from Schmitt’s juridical approach of politics. Nonetheless, this
one-sidedness is not further elaborated, on the contrary: everywhere
in Schmitt’s oeuvre the ‘political’, in a quasi-ontological way, is identi-
cal to the problems of state, as they appear to state leaders: who are
friends, who are enemies?
This boils down to a pre-modern notion of politics: the state is
sovereign. In the era of supranational entities (like the EU, the UN,
the US, international law, etcetera), the state is superseded. In the
preface of the 1963 edition, Schmitt admits this: ‘The era based on the
state is coming to an end . . . The state as the model of the political
unity, the state as bearer of the most astonishing monopoly, namely
the monopoly of the political decision . . . is dethroned’.4 Internally
the state only knows police (policing), not politics: ‘within such a state
147
there really was only police and no politics, or one should consider
court intrigues, rivalries, frondes and attempts to uprisings by dis-
sidents, in short obstruction as political . . . Back then, politics in a
broader sense, high politics, was solely foreign politics, thus the poli-
tics between states. States that recognize each other as such, and who
based on this recognition decided on mutual friendship, animosity or
neutrality’. So: ‘There really has been a time, in which it was useful
to equate the concepts state and politics’5 – and that time clearly
belonged to the ancien régime, not to the democratic state of law, and
not to the era of interstate systems and international law.
From Foucault’s viewpoint one can contend that Schmitt falls
back on an archaic concept of politics, or, so to say, returns to the
ancien régime. It is not the politics which manage the biological life
of the subjects, but the politics of the old sovereign which takes life.
In other words: politics as thanatopolitics is primitive, primordial,
archaic politics, one could call it paleopolitics. Schmitt’s definition of
politics (just like that of sovereignty from Political Theology: ‘Sover-
eign is he who decides on the exception’) fully ignores the matter of
the legitimacy or lawfulness of political power. Schmitt presupposes a
complete autonomy of the political exercise of power, regardless of the
democratic or even legal legitimacy. His implicit perspective is that
of political leaders who, from within or on behalf of states, jostle for
or have attained power, sovereign by principle, in an arena which is
exclusively populated by friendly or hostile political actors.
The sovereign is, for Schmitt, albeit in an inherent way, always
an absolute ruler, tyrant or dictator: he who decides on the exception,
and thus he is the one whose word replaces the law, whose word is
law. The sovereign who issues the law, and who, therefore, is above the
law, embodies the state of exception as the abolition of the law, Agam-
ben rightfully concluded. Accordingly, he cannot be held accountable
for his use of power; neither does he have to take care of the trans-
formation of his power into authority by invoking external references
such as the ‘people’ (or its representatives) or legal procedures and
constitutional principles.
Another way of expressing the same: Schmitt disregards the the
division of powers, safeguarding the independence of the executive,
the legislative and the judicial power. Such a conclusion follows from
his polemic stance against liberalism, as is accentuated by Strauss,
without actually mentioning that the abolition of the division of
powers is boiling down to totalitarianism. Schmitt’s concept of politics
condenses all politics to the executive power and reduces sovereignty
to the decision about the exception and the state of emergency or
martial law. Schmitt’s idea can be labeled as paleopolitics because he
thinks sovereignty as full, as unified and indivisible. But that’s con-
tradicted by the political constitution of most modern states and their
histories. Politics is struggle, not war (as Mouffe and Laclau empha-
size). And the place of sovereignty is not occupied, but empty (Lefort).
148
149
and must be countered with (in the words of Schmitt) ‘another system’;8
a system that brings the political – hidden in liberalism – to light.
culture is based is the natural social relations of men, that is, the
way in which man, prior to all culture, behaves towards other men.
The term for the natural social relations understood in this manner
is status naturalis. One can therefore say: the foundation of culture is
the status naturalis.’12 Culture is the cultivation of nature, so culture
is based on the state of nature. That is simplistic, particularly since it
immediately makes the solitary man of Hobbes into a social animal,
The Negation of the State of Nature
but still presupposes a war of all against all. But temporarily this
magic trick enables Strauss to introduce Hobbes into his discussion
with Schmitt: Hobbes understood the state of nature as a state of
war (not actual war but disposition of war), and in Schmitt’s concep-
tion this possibility of war is the essence of politics. ‘It follows that for
Schmitt the political is the ‘state of nature’ that underlies every cul-
ture.’13 Nature is swiftly equated with war, but that’s glossed over by a
rhetorical trick. Schmitt restores, according to Strauss, the Hobbesian
state of nature in its glory. The fact that Hobbes takes this to be a war
between individuals and Schmitt as one between groups is considered
completely irrelevant to Strauss. This is debatable. But a more impor-
tant difference is this: Hobbes wants to move away from the state of
nature and thus war – by means of a social contract, by the transfer
of power to the sovereign. To Strauss this means abdication from war,
and the abdication of war means a depoliticization. So, Strauss says,
Hobbes ignores the political. In a footnote he even calls Hobbes ‘the
antipolitical thinker’.14
According to Strauss, there is not a full negation of the political
in Hobbes, since the state of nature still exists between states. But the
fundamental difference with Hobbes is, according to Strauss, that for
Schmitt the state can ask its members to die, whereas this is impos-
sible in Hobbes because for him the foundation of sovereignty is the
safeguarding of life. That is the basis of the social contract between
sovereign and his subjects. This is also why Strauss considers Hobbes
the patriarch of liberalism. The right to live is an inalienable human
right (and thus right of nature) to Hobbes. It is the individual’s prior-
ity over the state; it determines its goals and limits: if the sovereign
cannot safeguard the life of his subjects, then the social contract is
annulled. To Strauss, Hobbes lays the foundation of human rights in
its liberal meaning.15 Hobbes differs for Strauss from the later liberal-
ism because the axiom in his analysis is man’s evil character, whereas
later liberals believe in an inherent goodness of man.
According to Strauss the self-image of liberalism is a ‘philosophy
of culture’ and is therefore forgetful of the establishment of culture
in the state of nature ‘that is human nature in its dangerousness and
endangeredness’. Against this negation of the political by Hobbes and
even more so by liberalism, Schmitt holds, in Strauss’s conception, an
affirmation of the political. And with this we can finally fully under-
stand the core formula of Strauss text: ‘the affirmation of the politi-
cal is the affirmation of the state of nature.’ To affirm the political
151
amounts to saying yes to the state of nature, to power politics, to the
right of the strongest, to oppression and above all to war. Yes, also to
the death penalty, yes to total sovereignty which is essentially defined
by the right to take the life of the subjects. If this is the essence of
politics, then indeed, all politics is thanatopolitics. Or conversely
formulated: all thanatopolitics has the state of nature as its hidden
paradigm. At least according to Strauss: ‘the political is the state of
nature that underlies every culture.’ We can formulate this conclusion
even more clearly: all politics has its paradigm in the state of nature
because all politics is thanatopolitics, and necessarily must be. Politi-
cal is not the art of the possible, but the art of death.
153
the penetration of the private sphere by the political, which, next to
the omnipresence of the secret services, leads to the disciplining of the
arts and culture to accord with the official party ideology. Comes with
it the duty for anyone to betray ‘class hostile’, ‘counterrevolutionary’
or ‘race hostile’ postures or statements. The vigorous penetration of all
societal spheres turns this dream of politicization into a nightmare.
In other words, this attack on the autonomy of spheres has ‘serious’
consequences (much more serious then the fact that all art is essen-
tially play and always has been): the rejection of the autonomy of cul-
ture and art as optional entertainment sooner or later turns into the
ruthless purification against artists and intellectuals. That is a given
from the outset. The conception of the private-sphere and personal
freedoms as narrow-minded, petit bourgeois liberal, and obsolete is
a license for state terror. The Total State, in which nothing is apoliti-
cal, knows no private life. A schoolbook example of this is the Hitler-
jugend that made children betray their parents. This omnipresent
betrayal is the hallmark of all totalitarian regimes. And all art and
culture are completely at the service of the state, all other art is deca-
dent, degenerate or class hostile, reactionary and must therefore be
exterminated. In all totalitarian states the autonomy of the arts must
be liquidated: the purification of the universities, the incarceration
of artists and intellectuals (as race- or class enemies) is then logical
and inevitable. One has therefore to be alarmed whenever politicians
advocate interference with culture.
Strauss too emphasizes in his commentary that politics is not an
autonomous area next to others, and he does so exactly from the con-
ception of politics as thanatopolitics:
words: the state of nature, the war of all against all, is the core of all
morality. But Hobbes was more lucid: in the state of nature there is
no morality, and there can be no morality or law (except for the right
to self-defense and the right of the strongest), which is precisely why
such terrible things happen during moments of lawlessness in both
civil and regular war. To make that into the basis of morality is pure
sophism. This is (extreme) right Nietzscheanism.
This heroic morality, which finds its ultimate foundation in
the sacrifice of life and the possibility of death, is the morality of an
authoritarian totalitarianism and aggressive militarism. Good politics
is martial politics. All warlike sentiments should therefore be encour-
aged – regardless of what is being fought for, Strauss says explicitly.
‘Therefore the affirmation of the political as such is the affirmation of
fighting as such, wholly irrespective of what is being fought for.’25 This
affirmation of fighting as such, regardless of the cause, one could call
political hooliganism. But to Strauss it is a moral calling. A battle-
front must be made against the enemies of politics: the liberal concep-
tion that defines politics as an open debate (Schmitt made this clear
in his Crisis of Parliamentary Democracy), and so as a pacification.
Strauss goes quite far:
155
comitant or preparatory action; it is meant to clear the field for
the decisive battle between the ‘spirit of technicity’, the ‘mass
faith that inspires an anti-religious this-worldly activism’ and
the opposite spirit and faith, which, as it seems, still has no
name.
at any moment, they dream of the total absence of the state. Schmitt’s
authoritarian statism has become an anarchistic anti-statism. These
thinkers try to think a post state condition. The multitude is crucial:
in taking back its sovereignty for the abolition of Empire it can make
way for a new sort of anarcho-communism. The demand of sovereignty
by the multitude is, in Negri and Hardt or Virno, the crux of political
theory. They only fail to fill it in and only praise the possibilities of the
The Negation of the State of Nature
157
love), but eventually hold on to a schmittian definition of politics, and
therefore a conception of politics as thanatopolitics. Politics as ‘war
with different means’ can indeed also express revolutionary politics or
anarchist terrorism (or the Messianic figure of it). The moment every-
one talks of biopolitics, thanatopolitics returns.
Introduction of Zoöpolitics
Biopolitics is a fashionable but vague term. It has become a container
concept. And it is almost exclusively used in a pejorative sense, which
is odd because it does not align with the meaning Foucault gave to it.
In Foucault it is used to correct his own theories focused on discipline.
Apart from the discipline that is inscribed on the individual body, the
new regulating biopolitics is focused not on the subjects or citizens
but on the population – in the sense of demographic, biologic and sta-
tistical population. Next to the old sovereignty, which lets people live
yet has the right to take life (the right of the sword), biopolitics is a
new strategy of power. It gives life, and the examples of Foucault are
certainly not negative: the rise of hygiene, the sanitation of swamps,
urbanism, health care, prevention and information etcetera. In his
sketch on the rise of social medicine this is quite apparent.27
Disciplining happened mostly through institutions (on which
Foucault had written his most well-known genealogies: the clinic, the
asylum, the prison). Biopolitics on the contrary was mostly a matter
of the state. Biopolitics is the spearhead of the modern state, espe-
cially the welfare state. Demographics and urbanism are the sciences
that regulate and improve the living conditions of the populations.
Foucault catches this equation of discipline and biopolitics in a typical
enumeration: ‘So we have two series: the body-organism-discipline-
institutions series, and the population-biological processes-regulatory
mechanisms- State’. The footnote to this sentence is telling: ‘The
manuscript has “assuring” in place of “regulatory.”’28 ‘Assuring’ has
a clearly positive meaning of guarantying, securing, catering for. We
presume Foucault adapted his choice of words in his lecture for the
symmetry of his argumentation. Yet it is significant. It is this ‘assur-
ing’ meaning of biopolitics that becomes dominant in the welfare
state and that, oddly enough, is least emphasized in what one could
call ‘the critique of biopolitics’. For sure Foucault sees the danger in a
thorough biopolitics. But only when it coincides with thanatopolitics
and discipline, as in Nazism, does biopolitics become hideous. It is in
a sense strange that literature these days – strongly influenced by
Agamben – dismisses biopolitics completely.29
In a book review on a biology text in which it is shown that
races are on their way toward ‘deracialization’, Foucault writes lyri-
cally: ‘We can see formulated here in all clarity a “biohistory” that is
not the unitary and mythological history of the human species and
a “biopolitics” which would not be that of divisions, conservations
and hierarchies, but one of communication and polymorphism.’30 So,
158
159
where biopolitics transforms into thanatopolitics. We need just to
think of Guantánamo or Abu Ghraib, and the abstraction in the ter-
minology becomes nauseatingly concrete. Biopolitics in contrast could,
as it appears in Foucault’s texts and especially in the book review in
a lyrical, almost utopian, at least hopeful light, be transformed into
cosmopolitics: caring and catering for all life in the ecosystem, human
and non-human.
eminent power’ as they call it themselves, can only exist based on the
political affirmation that between states there is state of nature. The
hegemony of the strongest state presupposes there cannot be interna-
tional law, let alone an institution above states. The American neocon-
servatives basically plead for the right of the strongest.
A hypothesis in this context could be that neoconservative poli-
tics, which blossomed under George W. Bush’s administration, will
The Negation of the State of Nature
161
In contrast to the Straussian glorification of the state of nature
as the definition of politics, we start from the opposite: politics is
the incessant ‘annihilation’ of the state of nature. Its essence is
not war but words, the transformation of war in a discursive order,
debate and deliberation; in laws and policy plans, in checks and bal-
ances. Because the political is not about friend or enemy, but about
the transformation of it in opponents. It starts with the division of
powers. The Schmittian/Straussian conception of politics is paleopoli-
tics, for it regresses to an archaic concept of politics before the division
of powers and modern forms of policy. If from a Straussian perspective
that is seen as ‘antipolitics’,36 then so be it.
True politics today, can only be cosmopolitics,37 in the sense of
cosmopolitan and cosmic and cosmological: both ecological and global.
A politics on a planetary scale, via open discussion and compromise,
via checks and balances, that aims at a just order between people,
and a lasting peace with nature. How can we think this cosmopoli-
tics? Perhaps we ought to consult old Kant. More precisely we must
consult a footnote in a late text. ‘Idea of a Universal History from a
Cosmopolitan Perspective’ (Idee zu einer Algemeinen Geschichte in
Weltbürgerlicher Absicht). Let’s summarize this text shortly to contex-
tualize the footnote. The biggest problem nature set up for man is the
accomplishment of a civil state of law (The Rechtsstat), in which the
greatest possible freedom is accompanied with its own limitation in
order to secure the freedom of others. But because everyone misuses
his freedom, this civil state is difficult and happened late. ‘Only the
progression towards this idea is given to us by nature’. It is an eternal
task. Without international law that regulates the relations between
states, the complete social organization cannot be realized. The antag-
onism between states, says Kant, can only be solved by a League of
Nations. One can conceive of the history of humanity as the process
of realization of a hidden plan of nature: the complete national and
international social and legal order as the only situation in which all
potentialities of the human species can blossom.
The fact that this was realized some 150 years later gives Kant’s
vision quite an impressive aura. The philosophical attempt, Kant holds,
to think history as a hidden plan of nature that is after unity in man-
kind, must be held as possible and advantageous. Kant suggests, in other
words, that when we realize we are on our way, we will be less likely to
get lost. If we do as if there is a plan, we might actually realize it.
We know Kant wanted to answer three questions in his three
critiques: What can I know? What must I do? And: What may I hope
for? After answering the first and the second question in Kritik der
reinen Vernunft and Kritik der praktischen Vernunft that third ques-
tion remained largely unanswered in Kritik der Urteilskraft. The fact
that there is purposefulness in nature, which we conceive as beauty,
as purposefulness without purpose (like flowers, or derived from that
natural beauty, art), is not yet hope.
162
What may I hope for? Well, that humanity one day will become one as
a species and will establish an international legal order. The fact that
Kant felt he needed to start talking about extraterrestrial creatures,
might sound unexpected, but there is still enough common sense in
the text. Only our species can hope for its fulfillment. However the
fortunes of our neighbours in the universe (whether they exist or not),
who might be able to achieve perfection as individuals – for our spe-
cies it can only be done collectively, not by biological perfecting (Kant
clearly did not think of plastic surgery making people look like extra-
terrestrials, or about genetic engineering), but socio-political perfect-
ing.
The destiny of progress is, according to Kant, the self determina-
tion of mankind. The enlightenment or illumination of Kant is to dare
to know that this is it: our collective journey through history is the
highest achievement of the idea ‘humanity’. Only in a national and
international legal order can humankind find – as a species, not as
individuals – its perfection. And that is an everlasting task. Derrida
pleads, fully in concord to Kant, in his later writings and interviews,
for a democracy that is always to come, and that must take shape in
many forms, as the messianicity without messianism of the alterglo-
balist movements but also as a continuous reform and reinforcement
of the United Nations.
Kant’s footnote, in fact, contains the entire problem of human-
kind and its history. Not only in cosmopolitical but even in cosmic per-
spective. Can it be avoided that it has something comical? In any case,
with his text, Kant lays the foundation of what is recently dubbed
(by Stengers and Latour) cosmopolitics. For an ecological-socially just
world order is not possible without an international legal order. In
times of globalization humankind de facto has become one. It is about
time for us to realize and to find structures to cope with that. The
current crisis in politics is nothing other than the helplessness in the
face of this challenge. It is from the perspective of the universe, and
so from the perspective of Kant’s hypothetical extraterrestrials (or at
least astronauts who saw the earth for the first time as a blue planet),
that we can see earth and the world as an inevitable unity.
163
What Kant might have really wanted to say, with his allegory
of extraterrestrials is this: man will always be human, all too human.
There is no hope for man to become perfect (neither as an individual,
nor as a species) – so Kant is not a utopian who believes in self crea-
tion of mankind, in the feasibility of the New Man. But there is hope
that the norms and institutions will progress and that ‘the tradition
of enlightenments’ (as he calls it), the handing down of illuminations,
will continue, like that of our inventions and tools and our emancipa-
tions, as ‘a tradition of reliefs’. Emancipation and liberation do not
bring about fulfillment but relief, Habermas rightly pointed out. On
top of that, the tradition of enlightenment is invariably threatened.
Today again, and that’s why conceiving history as a plan, according
to Kant’s keen insight, is helpful to realize that plan. The plan thus
has an as if structure: we act as if there is a plan. We can fulfill this
plan, but if we leave it be, tyranny and chaos will rule. That’s what
we are experiencing today: we have lost the power to read our history
as a plan. The map of history has been yanked from our hands by the
storm that progress has become (according to the well known image of
Benjamin in ‘The Theses on the Concept of History’).
We see only one alternative: an ecological and socially just world
politics. If we consider the ecological catastrophe as the third state of
nature,39 another world is and remains not only possible but neces-
sary. This paradox remains true: ‘One cannot make a better world
without abolishing it. Making a better world means to go against its
abolition’.40 The question is how? Well, by realizing what we are up
against, and by accepting this challenge. Radical but not extremist.
An eco-social, democratic world system is the only good option given
globalization and global warming. Cosmopolitics must strive for a
global governance that forms an alternative to permanent war and
the intolerable exploitation of nature. If thanatopolitics derived from
an archaic sovereign and biopolitics from the modern state, then the
urgent question today will be: will humankind invent an agency that
can realize this cosmopolitics.
The forecasts are ominous and time is against us. Thanatopoli-
tics is expanding. We see a return to the old ‘unilateral’, warlike
‘deadly’ sovereignty: Iraq, Afghanistan, Gaza. Elsewhere we see a
relapse into the state of nature: Sudan, East Congo, Somalia, Ivory
Coast, even Mexico and Columbia, etcetera. On the other hand biopol-
itics in the welfare state can no longer face the combination of neolib-
eral hegemony, overpopulation, migration and climate change. Since
9/11, zoöpolitics, the reduction to bare life, is superseding biopolitics,
the care for bare life. If we don’t succeed in realizing cosmopolitics,
Entropic Empire will reign. Entropic Empire, as a monstrous com-
bination between the planetary state of emergency (the diffuse and
permanent war against terror) and the relapse into the state of
nature (the failed states, the state ending – like in Iraq – dominance
by chaos, civil war engineering); as a name for the New World Disor-
164
der, is what we have to learn to see and at the same time it is a name
for what we have to avoid at all costs.
Notes
1 Carl Schmitt, The Concept of the Political, expanded edition, Trans-
lation, notes and introduction by Georges Shwab, With ‘the age of
neutralizations and depoliticizations’ (1929) translated by Matthias
The Negation of the State of Nature
165
17 Ibid., 78.
18 Schmitt, op. cit. (note 1), 38.
19 Ibid., 22.
20 Ibid., 22-23.
21 Ibid., 25.
22 Strauss, ‘Notes on Carl Schmitt, concept of the political’, in ibid.,
104.
23 Strauss, ibid., 116.
24 Ibid., 117.
25 Ibid., 120.
26 Strauss, op. cit. (note 7), 113.
27 Michel Foucault ‘La naissance de la médecine sociale’ in: idem, Dits
et Ecrits II, op. cit. (note 3), 207-228. A very important text from
1974, since it corrects his earlier works on madness, prisons and the
birth of the clinic, where he still argues from his fixation on disci-
pline (as the will to power that inscribes itself on unwilling bodies).
28 Michel Foucault, ‘Society Must be Defended’, Lectures at the
Collège de France 1975-1976, Picador, New York, 2003, 250.
29 Negri and Hardt do correct this in Commonwealth. They call the
informational, networked labour based on creativity and com-
munication ‘biopolitical production’, because it involves human
nature in a vital way: language, intelligence, communication.
But that, opposite to Agamben’s narrowing of the term to a sort
of repressive control, is a very loose, broad, vague, almost nonde-
script notion of biopolitical: all labour of all ages, has in a sense
been biopolitical. ‘Generic production’, or ‘immaterial production’
which involves the generic capacities of man as man (language,
intelligence, communication, collaboration) – as Virno uses the
concept in his Grammar of the Multitude – is more helpful. (See
on this concept of generic production: Rudi Laermans, ‘the prom-
ises of commonalism’, in Lieven De Cauter, Ruben De Roo and
Karel Vanhaesebrouck (eds.), Art and Activism in the Age of Glo-
balization, NAi Publishers, 2011).
30 Michel Foucault, ‘Bio-histoire et biopolitique’, in: idem, Dits et
écrits, II, op. cit. (note 3), 97. My translation.
31 Neve Gordon, Israel’s Occupation, University of California Press,
Berkeley, 2008.
32 See ‘the rise of rogue states’ elsewhere in this book.
33 Eric Allié & Antonio Negri, ‘Peace and War’, available online:
http://www.16beavergroup.org/mtarchive/archives/001688.php
[accessed November 2011].
34 See on this cult of war, Peter Sloterdijk’s Zorn und Zeit [Rage and
Time].
35 The term post-politics has understandably been reserved for gov-
ernance and consensus politics, good governance as management
instead of politics based on real political choices, that is: house
holding rather than state affairs, economy rather than politics.
166
(Synopsis)
[2009]
Reflect #09
169
The state of nature is back. Hobbes’ ‘war of all against all’ was a
philosophical fiction about prehistoric Man, but might come true in
posthistory: a latent universal civil war seems to be a potential para-
digm in the Age of Disaster. In many ways the state of nature can be
considered as a re-emerging reality: chaos and anarchy in Somalia,
Eastern Congo, Sudan . . . But ecological disasters also confront us
with chaos and anarchy. Think of Hurricane Katrina. Furthermore,
in neoconservative politics, ‘state ending’ has become a new form of
imperial rule in Iraq and Afghanistan. The slogan, ‘we will bomb them
back to the stone age’, should be taken seriously. ‘Civil war engineer-
ing’ is now part of Empire.
Beside these dire realities, there is also a certain mesmerizing
effect: the fascination for the state of nature runs deep in the libidinal
economy of our time. Reality TV games (like Survivor) are playing the
return to nature as/in liminal, heterotopian space, but also as a war
of all against all. These ‘psychotic games’ are symptoms of our age: no
limit between in and out (play and reality), deregulating rules, no fair
play. The fascination with these games is symptomatic of neoliberal
capitalism as the rule of universal competition and maybe even a
premonition of coming constellations. So we believe the old ‘fictitious’
idea of the state of nature should be brought to the fore as an alterna-
tive approach to the ongoing debates, especially to Agamben’s very
influential paradigm of the state of exception (or, in more Anglo-Saxon
phrasing, state of emergency or martial law).
Indeed, we tried to show it could be a true contemporary para-
digm: the Agambenian state of emergency or state of exception (with
the concentration camp as its embodiment) is a top-down excess of
sovereignty (the suspension of the law in favour of martial law), whilst
the state of nature is a bottom-up absence of sovereignty (the absence
of law as implosion of the society into anarchy or chaos). So we hope to
be able to complement Agamben’s paradigm with another one. The war
on terror was certainly a planetary state of exception: the Patriot Act,
the Military Commissions Act, presidential signing orders, torture,
and extraordinary rendition. It even had concentration camps: Guan-
tánamo and an unknown number of ‘secret prisons’. But this state of
exception cannot be the all encompassing paradigm to understand the
political landscape of the twenty-first century (as the age of perma-
nent war, dualization and polarisation, and, most probably, permanent
catastrophe). State of exception and state of nature are opposites, but
extremes touch. The notion of ‘bare life’ links the two. In both para-
digms of dissolution or emergency people lose the protection of citizen-
ship (bios) and their bare life (zoé) is exposed. Both the suspension
and the implosion of the ‘body politic’, expose the ‘body natural’ (to use
Hobbes’s analogy).
One of the political targets of this research on the state of nature
was neoconservatism in general, and its mastermind, Leo Strauss,
170
171
anarchy before and after the state. Its embodiment is civil war. Global
warming, the human species hitting the limits of the ecosystem,
generic mankind having for the first time itself, its own ecological
footprint, as enemy, constitutes the third state of nature. This third
state of nature is the horizon of all politics today.
Neoliberal casino capitalism is gearing up to finish the last
vestiges of the welfare state. Integration, socialization and multicul-
turalism give way to disintegration, de-socialization and segregation.
Maybe ‘the Mad Max-phase of globalization’ has already begun, in
which case the return of the state of nature is not ahead of us but it is
happening before our eyes.
Reflect #09 Entropic Empire 172
Spaces of
174
Resistance
The Space of Play:
Towards a General
Theory of
Entropic Empire
Heterotopia
[2008]
Reflect #09
With Michiel Dehaene
175
‘Perhaps our life is still ruled by a certain number of
oppositions that cannot be touched, that institution and practice have
not yet dared to undermine; oppositions that we regard as simple
givens: for example between private space and public space, between
family space and social space, between cultural space and useful
space, between the space of leisure and that of work. All these are
animated by an unspoken sacralization’.1
who is introduced as the one ‘who invented the division of cities into
squares’:3
quite sharply, indicating, for instance, that the defenders who have
no land and the farmers who have no arms will have a difficult rela-
tionship, while the artisans having neither will end up as slaves. The
division into three, however, is presented without further qualification
or criticism and is not theorized throughout the Politeia. However,
beyond Aristotle’s discussion, we can easily retrace this threefold divi-
sion of the polis in Hippodamus’ ground plan for Milete, in which the
collective spaces betray a similar triadic specialization: apart from the
gridded residential compounds, there are markets for commerce, an
agora for politics and precincts for sanctuaries.5
In Hippodamus’ division of space into sacred, public and private
space, we recognize Robert Jan Van Pelt’s description of the polis as
‘the fivesquare city’. According to Van Pelt, the constitution of the
Greek polis can be represented by five fields or squares.6 First is the
emporium – the wall or interface between inside and outside – rep-
resented as a big square that circumscribes the other four squares
contained within it. Within the emporium one finds the oikos, or pri-
vate house, the agora with the stoa, the acropolis with the temple or
shrine, and the necropolis (cemetery) with the stèla. On closer inspec-
tion, however, this division into five squares boils down to a tripartite
division similar to that of Hippodamus. When we link the acropolis
and the necropolis, we see an oblique zone in between the oikos and
the agora – a diagonal bar in the scheme of ‘the fivesquare city’
between the economical and the political. This diagonal, intermedi-
ate space stretching from temple to cemetery represents the inclusive
realm of all ‘other spaces’: theatre, stadium, palaestra, hippodrome,
gymnasium, etcetera. This intermediate terrain corresponds to Hippo-
damus’ ‘third sphere’ or ‘third space’.
Hippodamus’ simple and recognizable triad of space is indeed
illuminating. We are convinced it contains the key to a general theory
of heterotopia: heterotopia is, namely, the third space of Hippodamus’
triad. That ‘third space’ is neither political (or public) nor economical
(or private) space, but rather sacred space, or hieratic space – to use
177
Hippodamus’ term hiéran. This qualification renders the otherness
of other spaces – les espaces autres of Foucault – explicit. The other
space is different from the oikonomia of the oikos and different from
the politeia of the polis debated on the agora: heterotopia is the other
of the political and the other of the economical. In our terminology
today this third category of (mostly secularized) sacred space probably
comes closest to what we commonly describe as the ‘cultural sphere’:
the space of religion, arts, sports and leisure. It covers that realm
which is conspicuously under-theorized in Arendt’s analysis: it intro-
duces a third realm between the private space of the hidden and the
public space of appearance, a third sphere that we could venture to
call the space of hidden appearance. It gives space to everything that
has no place either in the public or the private sphere. It is the sacred
space where the remainder rests. By remembering this third sphere,
whose autonomy is largely forgotten in the relentless economization
of everything, we can understand and articulate the relevance of het-
erotopia today.
The spaces of the polis that belong to this third category do not
abide by the binary oppositions that stabilize the distinction between
oikos and agora: exclusive versus inclusive, kinship versus citizenship,
hidden versus open, private property versus public domain. Within
the world of heterotopia these divisions are reshuffled and readjusted.
During the City Dyonisia, for example, the rules of in- and exclusion
adopted within the political realm were explicitely suspended. The
whole community was free to participate in these theatre festivals,
not only the citizens of the polis but also ambassadors of other (colo-
nized) cities, women, the foreigners living in Athens and even slaves.
The issue of ownership – private or public – is often simply irrelevant
for the heterotopian character of these places. Many, perhaps most,
heterotopias are based on ‘societies’ in the original meaning of alli-
ance or club, an association of common interest7 and establish alter-
native and collective forms of sharing property or its enjoyment. The
private or public status of these places is often weakly or only par-
tially determined. Hence, special rules apply. For instance, the palaes-
tra – the training schools for young gymnasts – were privately owned
by the pedotribes. As training occurred in the nude, whoever wasn’t
involved was not supposed to go there. However, Plato reports that
this prohibition was hardly enforced, and mentions in the dialogue
Lysis that Socrates and his friends entered the palaestra to admire
some beautiful young athletes.8
Defined as ‘neither public nor private’ and ‘neither political nor
economical’, the realm of heterotopia is very broad. It is a sphere of
its own made up of a multitude of at times radically different het-
erotopias. In this heterotopian universe, there is more between the
extremes of honeymoon and graveyard, between Jesuit colony and
brothel than Foucault’s imaginative sketch could capture. Academia,
for example, absent from Foucault’s list, definitely qualifies as a heter-
178
otopia. It is the safe haven of the bios theoreticos (the vita contempla-
tiva), as both Arendt and Aristotle emphasize,9 which qualifies neither
as economic nor as political. The time of the school – skholè, originally
meaning free time – is a time without labour, work or action.
The Space of Play: Towards a General Theory
179
erotopia, we can therefore say, is ‘holyday space’. Most of Foucault’s
examples have this quality: the honeymoon, old people’s homes, the
graveyard, the theatre and the cinema, libraries and museums, fairs
and carnivals, holiday camps, hamams, saunas, motels, brothels, and
maybe even some ships. And, although the graveyard is no holiday
destination, it is a most sacred space, visited on holy days. The space
of rest is also a space for the rest, for what remains.
(literally: she who acts on the agora) the whole society is transformed
into a strange utopia when women, disguised as men, seize power in
the ecclesia and install radical communism by suspending private
property and declaring free love. Putting women on stage (even if the
The Space of Play: Towards a General Theory
the world of the mortals. Together with the cemetery, the temple is
situated on the historical axis that connects past, present and future.
If the necropolis is the spatialization of the past, of what remains, the
cult of the temple has to secure the good omens for the future. Both
open up the space for the care for the good life in the present, the
political space of the agora – which was situated between necropo-
lis and acropolis – and brings it under the guardianship of both the
memorable ancestors and the immortal gods.15
The stadium, the hippodrome, and the palaestra for athletic
training, in short all spaces for sports and games, are also spaces of
mediation. Sports and bodily exercises mark the threshold between
nature and culture, between the body as a manifestation of animal-
like nature (zoë) and the trained body as the expression of cultured
life (bios).16 In this respect, many sports and games also function as
rites de passage between infantile, uncontrolled existence and mature
composure, between unruly behaviour and civic life under the aegis of
the nomos. Sports and games provide for a parallel world, a protected
world in which military exercise becomes a goal in itself, disconnected
from its purpose in ‘real life’ and hence pertaining to the realm of the
aesthetic.
We can understand heterotopia’s mediating character as a
direct function of its position as a dialectical third in the constitution
of the polis, between the public and the private realm, animated by
an albeit restless dialectics, which always leaves a remainder, a rest.
Heterotopia entails an always faltering, incomplete process, without
synthesis, a dialectics at a standstill, an unstable interruption or sus-
pension. And precisely because it is unstable, the heterotopian process
of mediation requires special, different, other places, where entrance
is restricted, initiation or membership required; where appearance
is hidden but where the hidden appears. The theatrical event, in our
argument the heterotopia par excellence, releases all the force of the
oxymoron ‘hidden appearance’. Between the public realm as ‘the space
of appearance’ and the private realm as ‘space of the hidden’, hetero-
181
topia indeed embodies a world of hidden appearance: from the mask
of the Greek theatre to the modern bal masqué, from the hammam to
the naturist camp (Foucault’s Huts of Djerba). The ‘holy day space’,
the space of rest, is always also the space for the rest, for what has to
remain hidden, from private parts to Oedipus’s secret.
fragile and unstable and can at any time be dispelled, when someone
decides to break the rules of the game and thereby betrays the bond
that holds the club together. The space of play, the space inside the
magic circle, can be described, using Victor Turner’s term, as a liminal
space: a space that, in its formal separation from the rest of the world,
presents a realm of instability and possibility. That space which is
the seedbed of culture, its condition and possibility – from ritual to
theatre – provides a clearing within the conventional order of society,
sheltered from the normalizing forces of the everyday.22
A stay in liminal space or a liminoid state is, by consequence,
mostly temporary. Some people, however, dwell in heterotopia: priests,
gurus and wandering philosophers, actors, artists, bohemians, musi-
cians, athletes, entertainers and even architects or urban designers
taking after Hippodamus, if we believe Aristotle’s description of the
man as ‘somewhat eccentric in his general mode of life’, with long
hair, expensive ornaments and strange clothes, at home in all sci-
ences, not a citizen yet inventing an ideal utopian constitution.23 We
could call these (often nomadic) outsiders heterotopians. They are
hated and adored, expelled and embraced by the polis; always ambig-
uously hosted as representatives of otherness, of ‘the rest’. That is:
the sacred, the taboo, the eccentric, the abnormal, the monstrous, the
secret, the extraordinary, the grandiose, the genius, the irrational, the
transgressive, the frivolous or simply the aimless.
As the space-time in which normality is suspended in order
to give a place to ‘the rest’, heterotopia starts from nature’s darker
grounds, the anomy of phusis, of what is before or outside the nomos
of the polis. The survival of the fittest is no game; nor are the law of
the jungle, competition or the primordial jealousy towards the other.
The game civilizes these real and imaginary battles, moves away
from, but often also ‘cultivates’ the nature state (in the form of nudity,
for instance, or survival trips). The nature state, phusis comes before
the cultivation of play, and nomos, the legal space, comes after the
game. The game, as the medium of heterotopia, constitutes a third
183
instance between phusis and nomos, nature-state and norm, opening
a profoundly ambiguous terrain marking both the moment of man’s
imprisonment within the norms of culture and the threshold of libera-
tion or, more likely, temporary transgression.
Heterotopia belongs to the time of the holy day within which people
neither work nor act (in Arendt’s language). Heterotopia suspends the
everyday and makes room for bathing, rituals, games and cultural
contests. Heterotopia caters to an anti-economical time: the time of
sacrifice, gift, play and squandering. That makes heterotopia ‘potlatch
space’:27 the space that ‘consumes’, squanders or even destroys the
economic logic. This observation should not lead to the naive conclu-
sion that heterotopia has no economic basis. Rather, we believe that
its economy lies outside the economical ‘interest’ or profit typically
associated with the economical sphere.
In antiquity, the economy of the gift had its own place and
unity.28 Indeed, the festive events that lie at the basis of many of the
ancient Greek heterotopias were entirely financed by the conspicuous
gifts of notorious citizens. The buildings that house these heteroto-
pian events were often literally gifts to the city. These gifts break the
public–private opposition as they are publically performed private
gifts.29 The antique economy of the gift is, no doubt, too specific and
too exotic to present a clear picture of heterotopia’s economical status
within a more contemporary context. Nevertheless, parallels are
obvious: many heterotopias and most cultural institutions, precisely
because they are not there for profit but for the public good, receive
public subsidies, private donations or corporate sponsoring. Of course,
given the all-encompassing economization of everything, they are
increasingly swallowed up by the service economy, the cultural indus-
try, the leisure economy or even the themed ‘experience economy’,
185
amounting to an economization of heterotopia or a heterotopianiza-
tion of the economy.30
A sound contemporary point of entry to understanding the
status of heterotopia between public and private might be Chris
Webster’s notion of club space.31 Webster’s analysis seeks to take the
debate on public space beyond a fetishist understanding of ownership.
By shifting the focus to ‘user rights’, he opens up a variegated world
in between the polar tensions of the public and the private sphere.
Public spaces are typically ‘goods’ with regard to which user rights
are not allocated. The degree of enjoyment one can have is decided
time and again as people enter these spaces and make use of them. If
public spaces are too popular, if different claims on these spaces are
conflicting, their public character is constructed through the way in
which this conflict is settled. Public spaces are, in other words, con-
tested spaces. For private spaces, in contrast, user rights are uniquely
allocated. Their use belongs to a single owner who has the full enjoy-
ment of his or her property. Between the two extremes of contested
public spaces and strictly private ones we see a broad spectrum of
conditions that can be grouped into two main categories. First, there
are ‘local public spaces’, which are not fully public because of the
uneven spatial distribution of user rights. It is rather common that
certain groups enjoy easier access than others to a particular space:
a local playground or a parking lot. Those living nearby, for example,
have a stronger claim on such spaces.
Second, there are ‘club spaces’, the enjoyment of which is shared
within a group or club. These can be the exclusive worlds of golf clubs,
gated communities, fraternities and so forth, but they can also be the
spaces that accommodate all voluntary organizations and common
interest groups: from the boy scouts, the local NGO, the chess club, to
the carnival association. The spaces on which these groups rely can
be publicly owned and assigned to them as a form of public service,
they can be formally owned by the club, but they can also be the living
room of one of the members, which takes on heterotopian ‘club quali-
ties’ when the group meets.
Club spaces and local public spaces, the one having private over-
tones, the other posing as public spaces, might resemble each other.
If we think of all the administrative measures that regulate access
to public goods (parking permits, for example) we realize that there
are more clubs being constructed within the public realm than is first
apparent. These club-like spaces stand at the threshold of the bind-
ing/unbinding dialectics of inclusion/exclusion at work in the perma-
nent (re)construction of the public sphere. They house the worlds of
the overly praised public–private development constructions. We are,
however, not concerned here with the blurring of the public and the
private sphere, of economical and political leverage, but rather with
those club spaces that are ‘neither private nor public, neither econom-
ical nor political’.
186
Heterotopia United
of Heterotopiar
187
their heterotopias, reads more than ever as a programme – no culture
without heterotopia – and his conclusion as a dire warning: ‘In civili-
zations without ships, dreams dry up, and espionage takes the place
of adventure, and the police that of the pirates’.33 If this were a pam-
phlet the slogan could be: Heterotopians of all countries, unite!
Notes
1 Michel Foucault, ‘Of Other Spaces’, in Michiel Dehaene & Lieven
De Cauter, Heterotopia and the City. On public Space in a Post-
civil Society, Routledge, London, 2008, 16 (Original text: Michel
Foucault, ‘Des espaces autres. Une conférence inédite de Michel
Foucault’, Architecture, Mouvement, Continuité 5 (October 1984),
46-49. Collected in: Michel Foucault, Dits et écrits IV, Quarto Gal-
limard, Paris, 2002, 1571-81. In the following we will keep refer-
ring to our translation).
2 Hannah Arendt, The Human Condition, The University of Chi-
cago Press, Chicago, IL, London, 1989, 159-67.
3 Aristotle, Politics (The Loeb Classical Library), Harvard Univer-
sity Press, Cambridge, MA, and London, 2005, p 1267, b 1- 2.
4 Ibid., 1267, b 30-b 40.
5 Pierre Lévêque & Pierre Vidal-Naquet, (1964) Clisthène
l’Athénien. Essai sur la réprésentation de l’espace et du temps
grecque de la fin du VIe siècle à la mort de Platon, Macula, Paris
1983, p 126.
6 Robert Jan Van Pelt and Caroll William Westfall () Architectural
Principles in the Age of Historicism,Yale University Press, New
Haven, CT, and London 1991, 169 ff.
7 Arendt, op. cit. (note 2), 23.
8 ViolaineVanoyeke, La Naissance des Jeux Olympiques et le sport
dans l’antiquité, Les Belles Lettres, Paris, 2004, 29.
9 Arendt, op. cit. (note 2), 7-21; Aristotle, The Nichomachean Ethics,
trans. R. Rackham, (The Loeb Classical Library), Harvard Univer-
sity Press, Cambridge, MA, and London 2003, 1095 b.
10 Foucault, op. cit. (note 1), 20
11 J. C. Moretti, Theatre et société dans la Grèce antique. Une
archéologie des pratiques théatrales, Le livre de poche. Paris,
2001, 29, 69-71.
12 Van Pelt and Westfall, op. cit. (note 6), 231.
13 Mary McLeod, ‘Everyday and “Other” spaces’, in D. Coleman, E.
Danze and E. Henderson (eds), Architecture and Feminism, New
York: Princeton Architectural. Press. 1996. See also: J. Chase, M.
Crawford, and J. Kaliski, (eds) Everyday Urbanism, The Monacelli
Press, New York, 1999.
14 Foucault, op. cit. (note 2), 17.
15 Van Pelt and Westfall, op. cit. (note 4), 180-205.
188
16 On this distinction see Arendt, op. cit. 97; Giorgio Agamben, Homo
Sacer: Sovereign Power and Bare Life, Stanford University Press,
Stanford, CA, 1998, passim.
17 Michel Foucault, Die Heterotopien/Les Hétérotopies, Der utopische
The Space of Play: Towards a General Theory
21 Op. cit., 8.
22 Victor Turner, From Ritual to Theatre: The Human Seriousness of
Play, PAJ Publications. New York 1982, 20-60.
23 Aristotle, op. cit. (note 3), 1267, b 22-b 30.
24 Moretti, op. cit. (note 11), 71.
25 Agamben, op. cit. (note 16), 166.
26 Foucault, ‘Of Other Spaces’, op. cit. (note 1), 22.
27 On this economy of the gift and the potlatch, as ritual of spill-
ing, of the excessive gift, there is a long tradition in anthropol-
ogy, we refer to some seminal texts: Marcel Mauss, ‘Essai sur le
don. Forme et raison de l’échange dans les sociétés archaïques’
(1923), in: id., Sociologie et anthropologie, Presses Universitaires
de France, Paris 2004; Huizinga, op. cit.; Georges Bataille, ‘La
part maudite. Essai d’économie générale’ (1949), in: id., OEuvres
complètes, Gallimard, Paris 1976; Guy Debord (ed.) Potlatch 1954-
1957 [bulletin d’information du groupe français de l’internationale
lettriste], Gallimard, Paris, 1996 (1985).
28 Paul Veyne, Le pain et le cirque. Sociologie historique d’un plural-
isme politique. Editions du Seuil, Paris, 1976.
29 Ibid., 23.
30 This ‘blurring of the spheres’ we highlighted in another version
of this text, see Lieven De Cauter and Michiel Dehaene, ‘Hippo-
damus’ “Third Space”: Towards a General Theory of Heterotopia’,
in P. Pelligrini and P. Viganò (eds), Comment Vivre Ensemble:
Prototypes of Idiorrythmical Conglomerates and Shared Spaces,
Officina Edizioni, Rome, 2006.
31 Chris Webster, ‘Property Rights and the Public Realm: Gates,
Green belts, and Gemeinschaft’, Environment and Planning B:
Planning and Design 29 (3), 2002, 397-412. 111
32 Foucault, op. cit. (note 1), 18.
33 Ibid., 22.
189
190
‘Everywhere Tahrir
Square!’
Reflections on the
Entropic Empire
Revolution in Egypt
[2011]
Reflect #09
191
On Anarchy as Last Resort of Tyranny
(Prologue 2 February 2011)
whisper in the ear of the tyrant to step down. But alas, this opportunity
is also a dilemma. If he supports democracy, foreign policy hawks across
the board will nail him, and Israel and the pro-Israel lobby in America
will never forgive him. If, on the contrary, he supports the tyrant, he
will forever lose his credibility. That is the last and fundamental lesson
we can draw from Strauss and against neocon cynicism: if he finds the
courage, the turmoil in Egypt is Obama’s chance to once again write
history, simply by letting the people of Egypt write history.
193
In fact, one can say that Negri and Hardt had it wrong – in the
best Marxist tradition – in their localisation of the ‘historical subject’,
the driving force of history. Marx located it in the industrialized prole-
tariat and the revolutions took place in fundamentally rural and feudal
countries, Russia and China. Negri and Hardt in their Empire-sequel
located the subject of history in the creative class of the Western post-
fordist, information economy, but in fact it is the Arab people in the
street under conditions of old fashioned tyranny and poverty who are
giving history a push. The creative classes in the West are safely caught
in their rat race, but it is in the disenfranchised Middle East that the
‘the multitude’ is at work. This is of world historical importance.
Hactivism and online activism have taught us that a good action
is based on a strong story, an open-ended script or scenario without
author so people can appropriate it and improvise.1 Both in Tunisia
and in Egypt, the story was loud and clear: the people rise against the
tyrant. Strong story. One of the strongest ever told. That is why it is
so contagious. Domino theory in action. After Tunisia and Egypt more
can and should follow. Yemen, Morocco, Algeria, Syria . . . shockwaves
in the entire Middle East are now to be hoped for. Even if Egypt
looked dodgy for a moment. This revolt is beautiful and world histori-
cal: no hidden agenda, no leaders, no party, no religion.
Indeed, it is one of the most striking things: it is a secular revolt.
It might, let’s hope, even mean the end of fundamentalism. The people
in Tahrir Square street interviews were very explicit: we want an end
to tyranny, repression and corruption; we want freedom and democ-
racy, not theocracy (which is just another form of tyranny and repres-
sion, minus corruption at best). As they have proven the neocons
wrong and the alterglobalist guru Negri wrong, they are now also
proving the Islamists wrong.
This Jasmin/Arab revolution could and should change the course
of history: the end of tyrannies in the Middle East, the end of neocon
militarist policy in the Middle East, the end of Israel’s monopoly on
democracy (that could change a few equations), the end of fundamen-
talism as the main driving force of international politics. The weaken-
ing of Islamist fundamentalism as political Islam could also weaken
the fundamentalism of political evangelicals on American foreign
policy and the weight of Jewish fundamentalism on Israel politics. In
short, we are a facing a new phase in world history. The period ‘after
9/11’ is over.
Of course, the world should help. The former prime minister of
Belgium, now a European MP, Guy Verhofstadt was right (for once)
when he addressed the European Parliament: Europe should support
the demands of this revolution explicitly and ask Mubarak to step
down. Where is Obama? Where is this world-historical figure when
you need him? Maybe he is doing what he can. Because it is his slogan
that the people of the Middle East now practice: ‘Yes, we can’. He
should not let them down.
194
she was damn right. We should all be with them. Tahrir Square is not
a symbol of the longing for democracy and freedom, it is democracy
and freedom! Self expression, fearless discussing, mutual help, self
organisation, all very remarkable. Even journalists who have seen a
few things and therefore are a bit cynical, rub their eyes!
The demonstrations are spreading outside Liberation Square
– as I write: Tuesday 8 February, 1 pm GMT – and sprawling across
the Egyptian Capital; in Alexandria also huge crowds are flocking
together. The so-called return to normalcy has meant that not only are
banks open but communication is up again, so the people can now see
and hear what is happening. Many Egyptians join in now. They start
to believe that something is actually happening! Spread the word!
World-historical, I says: the power of the multitude! Shifting the
course of history. Let us, on the outside, elsewhere, at least be awake
and express our solidarity and enthusiasm where we can. Old Kant
had a point when he said that the spontaneous enthusiasm of the
multitude for a world-historical revolution (he was of course think-
ing of the French Revolution, we are thinking of the fall of the Berlin
wall) is the proof, however indirect, that in spite of all the horrors,
history does make sense; that there is . . . progress. For that is what
this is: a truly progressive uprising of the multitude, not regressive
reaction of a minority of extremists. The emancipating effect is visible,
like children and women leading the crowds in chanting (I hear their
voices as I write – courtesy Aljazeera). Really wish I could be there
with you! All I can do is to write this text for you. With my utmost
respect, for you, the people of the Tunisia and Egypt and you, the mul-
titude of the Middle East.
Swarm Intelligence: A Key to Understanding Tahrir Square
(22 February 2011)
195
to reconsider the entire picture. It is a geopolitical paradigm shift. But
I cannot even start to tackle all this. Let’s start with trying to begin
to understand this new form of self-organizing protest. A while ago
I made some notes on ‘swarm intelligence’. I dropped them as misty,
premature musings. Now they make sense to me, in a very concrete
way. Here my notes (written somewhere near the end of 2009):
Well, Tahrir Square gives an idea. Small in comparison with the scale
we will need, but huge, gigantic, unheard of. Ten of thousands, hun-
dreds of thousands, a few million indeed. Nineteen days, nineteen
nights. The biggest and longest mass event ever, maybe. And, from the
side of the masses: peaceful, non-violent. A logistical nightmare turned
into a fairy tale. Well, no fairy tale: a miracle (almost biblical, like the
miraculous proliferation of bread). Thousands of people to be fed, to be
cared for, waste, human waste, wounded people – field hospitals were
installed in a KFC fast-food joint and in a side street – and urgent and
crucial decisions to be made at every moment, all this . . . Besides the
Coptic Christian who laid down his coat so his Muslim co-protestor
could kneel and pray, or the guy who united the sign of the cross and
the crescent in front of a camera on Aljazeera, or the women chanting
and leading the crowds, the children leading the crowds, all this . . .
196
the twenty-first century.
Well, again, Tahrir Square has changed the entire equation. Swarm
intelligence was just a metaphor for the power of the interconnected
multitude of the Middle East. It is a model for a planetarian multi-
tude to come; a planetarian multitude in the making. It is from the
squared circle of Tahrir Square – how beautiful it was, this circle of
tents in the middle of the square – that we have to build the theorems
and stratagems of a future politics; the politics of globalized, and
therefore united humanity. After Tahrir Square there is hope again.
This can and should be the beginning of a truly new era. It depends
on every single one of us if it will come true.
No, it will not be paradise. Just less hellish. If we are able to
bring down all tyrants and all tyrannies and the extremisms they
breed. This should make fundamentalisms implode. Which will del-
egitimize neocon Empire even further. As rampant identity politics
will wane, so will the legitimacy of the war on terror. Let’s cross our
fingers. Because, that is just a start, before we can even begin to
tackle the Herculean, cosmic tasks ahead: the ecological and demo-
graphic challenges. But how to wake up the European youth? How to
wake up the American youth? How strange it is that wake-up calls in
history tend to come at unexpected times and in unforeseen places. I
197
pray that this is not the end. It is just a beginning. This could be truly
awesome. But it depends on all of us. On all of us at once. We have to
learn to think and move in sync, without leader, without party, with-
out manual. Swarm Intelligence Now!
Some will claim that the true, structural causes for these Arab revolts
reside in the rising food prices or other objective economic factors.
Others will claim the riddle of this revolution is the new social media.
Some even say it was all orchestrated by the CIA and Soros’ Open
Society foundations. Then others will say it was the Egyptian army
that ditched Mubarak to stay in power. Others again will hail the
rising multitude foretold in the West, happening in the Middle East.
Who can prove them wrong? But that is not what the street inter-
viewees and commentators tell us: they speak of anger, of pride, of
humiliation and dignity.
In his famous, infamous book on The End of History and the
Last Man, Fukuyama was harking back to Plato and Hegel to stress
how important these affects are in politics. They are sui generis: polit-
ical moral affects of their own. Egotism and Desire are not the sole
factors that determine human behaviour (as both liberal and Marx-
ist ‘paneconomic’ theories have it). His major example is that it is
not the economy that played a major role in the movement of Havel
and his lot that brought down the totalitarian regimes in Eastern
Europe. Thymos (a word Fukuyama digs up out of Plato, meaning:
feeling for justice, honour, anger, pride, dignity, etcetera) has been a
determining factor from the outset.
The self-immolation of the Tunisian youngster was a ‘thymotic’
gesture par excellence. One of the highest thinkable forms of it: total
defiance, not only for death but even for the most painful and cruel of
death. A quote from the web:
the gesture of defiance and indignation, has set off a wave of anger
that floods the Arab world.
Anger has had some bad press lately in our culture. So much so
that we tend to dismiss it. And yet it is this affect that has given its
name to these appeals to revolt: ‘Days of Anger’. The Days of Anger
have been succeeding one another since January: from Tunisia to Iraq,
from Egypt to Yemen, from Oman and Bahrain to Libya and Syria. Was
it just a cheap appealing slogan to mobilize? No. It contains a profound
truth (philosophical, psychological, political or even psycho-political as
Sloterdijk would call it): he (or she) who is angry loses all fear.
Anger can be a door to freedom. Freedom is just another word
for nothing left to lose. Janis Joplin’s catch phrase explains it all.
Human dignity resides in freedom. Therefore he who is free has noth-
ing to lose, he who has nothing to lose is free. Even if anger is not a
popular affect in our culture, the philosophical truth is that freedom
lies in human nature, that it is in the human nature to desire not
only for food and riches, but also for recognition, for honour, and pride.
When this longing for dignity and recognition is not met, entire peo-
ples can get angry. And lose fear.
He who loses fear regains his pride and honour. He who
regains his pride and honour has nothing to lose but his freedom. He
will defend it with everything he has, with his life if need be. This
sequence explains why the words of anger, pride, honour were omni-
present in street interviews and commentaries, and even in slogans:
‘Here we are, Egyptians, proud again!’ read a slogan in Tahrir Square
quoted on Al Jazeera, on 10 February, at 7 pm local Belgian time. Why
is it so touching, this slogan? Because it strongly reverberates in all
of us. Freedom is the base of dignity. A slave can be rich and healthy
and well (mostly not, mind you), but has no dignity, cannot be proud.
For he is not free. Now the people feel sovereign, free to speak and
act. This is the biggest empowerment one can get. No bullets will stop
this, even airstrikes can’t stop this.
Peter Sloterdijk’s accusations in his book Zorn und Zeit (Rage
and Time) against what he calls ‘Anger Big Banks’ is convincing in his
case studies, quite devastating in fact: his cases being the church and
communism – but wrong in its premises and conclusions. By taking
up Fukuyama’s theme and linking it to Nietzschean resentment, he
199
casts an almost solely negative light on anger. The Days of Anger,
from Tunisia to Syria, from Egypt to Libya to Yemen, etcetera prove
him wrong. Anger can be a very positive force in history as the days of
anger in the Arab world prove.
A witness from Cairo on 18 February on Skype: ‘The repres-
sion is massive, and will only rise by the days . . . scary. This era is
mad. Full of mixed hope and anxiety, I have this unbreakable smile
with eyes filled with tears at times.’2 Libya is a matter of concern.
But whatever Gaddafi does, or any other leader in the Middle East
for that matter, as somebody said from Tripoli on Al Jazeera (on 23
February): ‘The wall of fear has fallen, the spring of Arab youth has
begun.’
And we haven’t seen the end of this. Even China is wary and
cracking down on activists ; they censored the word jasmine on the
internet – can you imagine? Can you imagine a more innocent word?
I can understand (not agree) that authorities censure words like porn,
bomb, terrorism; but jasmine? I mean I think it is the practical joke
of the year. World historically ridiculous. But indeed, the Chinese
call their days of anger and protest ‘jasmine walks’. And, indeed, the
authorities are wetting their pants. They are scared like hell for this
fertile spring breeze blowing from the Mediterranean. Let a thousand
flowers bloom. He who is angry loses all fear. And when humanity
lays off its fear, liberation is within reach. Tahrir Square in Cairo has
proven it. Everywhere Tahrir Square!
201
of naiveté, not out of a destructive urge, certainly not – rather out
of despair. Because there is simply no other instance that will save
us. Not the UN, not the EU, not the US, not the NGOs, there is no
instance structure at a global level that can guide humanity through
the storm – the chain of demographic-ecological disasters – that we
are approaching. It will be for us to change the course of the vessel.
For all of us, the Arab awakening should be a reminder that
things can change, even if the forces unleashed against the multitude
of the precarious and the weak are incredibly powerful, massive, and
without mercy (like Mubarak’s secret service and state apparatus).
We just have to lose our fear. Adorno wrote that revolution is the
emancipation from fear. It has a new ring, a new significance now.
Let’s hope the Arab awakening brings us a few inches closer to the
emancipation of humankind. We need it badly. We need it now!
We just do not have the right to stand by and watch while neo-
liberal hypercapitalism is not only putting millions, if not billions of
people in misery, but is also threatening the planet. We cannot. There-
fore, yes, I do think that the Arab Awakening is a wake up call in his-
tory. We cannot afford to sleep through it. We simply cannot. As I said
before – forgive me, but I really think this is the way ahead, for the
challenges we are facing are urgent and frightening like hell, so we
have to go for it: Tahrir Square Everywhere!
Postscript
(August 2012)
On 17 September 2011 Occupy Wall Street broke out. And the Span-
ish Indignado’s came to Brussels for a worldwide day of protest on 15
October. I was elated: my slogan had proved prophetic and my dream
came true. For a moment.
But all in all, with Libya and Syria in the shambles (and the
ensuing confusing in the left), it was a depressing winter. Most
depressing for me personally was the fact that a co-founder of the
World Tribunal on Iraq, Ayse Berktay, was arrested in Turkey late
October. I have hardly ever felt so powerless. She still is in prison.4
The future will tell what the balance sheet of the Arab Spring,
the Occupy and Indignado movement really looks like,5 but the occu-
pations of Tahrir Square, Liberty Plaza New York and so many other
squares in the world, like Puerta del Sol in Madrid, have to be seen in
themselves, as events.
In retrospect this quote from Deleuze and Guattari gives me
(and I hope all of us) some consolation (and courage to go on):
Would everything be in vain because the suffering is eternal and
because revolutions do not survive their own victories? But the
success of a revolution consists only in itself, precisely in the
vibrations, the embraces, the openings it has given to humans on
202
Notes
1 See on this several texts in our book Art and Activism in the Age
Reflections on the Revolution in Egypt
The Perverted
Pyramid, Or the
Logic of Entropic
Empire
Entropic Empire
207
more recently in Libya.
Where Negri positioned the aristocracy, we can now see an oli-
garchy in place, poignantly demonstrated by the comportment of the
bonus-grabbing banker CEO’s, in short, the oligarchy of the neoliberal
culture of greed. The privatization of everything, even nature and lan-
guage; the ruthlessness of ‘disaster capitalism’ is covered by the total
hegemony of neoliberalism from the macro-scale of world economy
to the micro-scale of our own brains; our self conception as both con-
sumer and enterprise, which gave rise to the ‘enterpreneurial self’.2
Where Negri placed the democracy (the UN, the religions, the
press), we now can locate anarchy: rogue states, terrorism, piracy,
riots, but also state ending, rule by chaos, etcetera. Both the oligarchy
and the anarchy are used to diminish the power of the UN, to break
the power of the Arab nations, for instance by stirring religious strife
between Shia and Sunni. Here the use of entropy (or disorder) is very
clear. Empire was a (neo-roman) synthesis of the three forms of gov-
ernment which Aristotle considered examples of good governance; the
entropic empire is a synthesis of the three harmful ones.
Another way to put it would be to speak of ‘political entropy’ in
analogy to ‘social entropy’. Wikipedia gives us a most useful definition:
One could say that social entropy equals (or is a more scientific
description of) what we called the ‘implosion of the polis’ or the
‘relapse into the state of nature’.
Important is that this concept of social entropy supplies us with
the missing link between the permanent war on terror and global
warming. Beyond the fact that the Pentagon has the largest ecological
footprint on the planet, which is in itself reason for grave concern, it
gives us a glimpse of the disastrous deadlock we are in: we need more
and more energy to keep the system (from food production to mobility
and state apparatuses) going. Against the certainty of demographic
explosion and global warming this is a horrendous scenario. It is clear
that social entropy leads to political entropy, the disintegration of
political organization (failing states, civil war, etcetera) and that it is
used today within the (neoconservative) theory and practice of impe-
rial rule.
Most of all entropy is about irreversibility, as beautifully
expressed in this mental experiment (ascribed to artist Robert Smith-
son): when a child runs clockwise in circles with a pot a white and
black sand they will mix and the sand in the box will become grey. If
the child then runs in the opposite direction, it will not undo this pro-
cess but the sand will mix more. You cannot undo entropy, just as you
cannot undo the cloud of milk spreading in your coffee. Our ‘empire’
on earth has become entropic in that sense. The speeding up of our
life processes by our electronic media and by neoliberal technocapital-
ism and the increasing mobility of the world population – indeed, the
increasing mobility of each one of us – and the migrations that come
with it, seem to be irreversible. The most threatening is of course
global warming: it has become irreversible. These processes are with-
out ‘undo’ options. The more we try to run against the clock, the more
the sand seems to mix. That might be the broadest sense of what I
called ‘Entropic Empire’.
Am I being apocalyptic? To quote Hölderlin: ‘where danger is, the
redeeming power grows also.’ (Wo aber Gefahr ist, wächst das Ret-
tende auch’ – or as the saying goes: when the need is highest, help is
nighest). ‘Negentropy’ is what we need, forces that restructure, reor-
der our world. Against the backdrop of an ecological catastrophe con-
stituting a relapse into the state of nature, we have no option but to
change the current course of events. The only answer to the Entropic
Empire as perverted pyramid, based on the use of social and political
entropy, consists of environmentally aware and socially just politics,
in one word: ecological and social(ist) world politics.
The situation is dire, we need radical change, and the first step
is protest that in itself is not only a call for democracy, from Cairo to
Madrid (the slogan of the indignados: Democracia Real Ya!),5 from
Athens to New York, but also an exercise in re-inventing democracy.
Hence the importance to contrast 9/11 (and the 9/11 era) with the
209
Arab Spring, Ground Zero, with Tahrir Square.
And it is from Tahrir Square to Occupy Wall Street that a
new historical subject might be arising. It was at least a promising
signal of its potential: call it civil society,6 or a multitude of networked
creative producers, or the coming community of indetermined sin-
gularities, or just, ‘we, the people’. This new (and of course age old)
collective subject, this driving force of history, is our only hope. After
posthistory, neohistory? A new phase in history after the end of his-
tory as progress? It sounds like comic strip science fiction philosophy,
but in one form it is thinkable. In fact, the Marxists have been dream-
ing of it for 200 years now: the end of capitalism. That would mean
that ‘historical capitalism’, an era of more than 500 years according
to Braudel and Wallerstein, would have come to an end. That seems
for the time being unlikely but it remains conceivable. Not only as a
utopia but also as a dystopia. And even in a neutral way: it is think-
able that after the Age of Disaster (ca. 2050 to 2100), a new historical
system comes into being. It might take centuries before it really takes
shape. After the end of the Roman Empire there was a long twilight
zone between Late Antiquity and the Middle Ages. This comparison
can, of course, only be methodological: to show that world systems
come to an end and mutate. No one can predict what this mutation
will look like. In any case, Entropic Empire is a name for what we
have to avoid.
We know now what we fight against: the Entropic Empire. What
do we fight for? There is, I think, an anti-imperial consensus growing.
(If it ever will become a consistent new leftist program or paradigm
remains to be seen). The fight of the twenty-first century, is maybe
more than ever before in history – there Žižek, Negri and Hardt,
Agamben, Badiou, ecologists, Marxists, counterglobalists, indigna-
dos, slow science movement, the occupiers, etcetera, all agree – the
struggle of the twenty-first century is a struggle for the common. This
fight for the common starts when we start ‘commoning’: open source
science, open source internet, open source books, in short, re-appro-
priation of the artificial commons of language, culture, creativity, com-
munication, and knowledge, and, possibly more important even, the
defense, the protection, of the natural common, the planet. This fight
is made more urgent by the desire of Monsanto and other transna-
tional corporations to privatize the entire global food production.
The stakes are so high that one gets dizzy! ‘Defeatism’ looms.
‘Innere immigration’, the retrieval into the inner circle as large
swaths of the German intelligentsia did under Nazism and so many
people had to do in the age of totalitarian regimes, the ‘Nicht mit-
machen’ of Adorno, is, this time, not an option. On the other hand
it remains a plausible scenario: the capsular civilization, the elites
retreating from the chaotic, violent, polluted world. Entropic Empire
is the political constitution in the age of realized science fiction..
210
Notes
1 Antonio Negri & Michael Hardt, Empire, Havard University
Press, Cambridge, Ma & London, 2000, 304-325.
2 So much has been written on neoliberalism and its discontents
lately that the reader will forgive this omission in this book. To
give an concrete example of the power and ruthlessness of this
oligarchy, we can think of Monsanto having a hand in the ousting
of President Lugo of Paraguay. See: http://readersupportednews.
org/news-section2/318-66/12596-monsanto-linked-to-coup-that-
ousted-paraguayan-president.
3 http://en.wikipedia.org/wiki/Social_entropy.
4 Ibid.
5 See on this our interview with Michael Hardt on Radio Tahrir:
http://www.fpif.org/blog/radio_tahrir_part_ii_the_indignado_and_
211
occupy_movement.
6 On civil society as motor of history see Foucault in a most inspir-
ing meditation on Fergusson’s concept of civil society in Naissance
de la Biopolitique, Gallimard, Paris, 2004, 310-311.
7 See on this Eric Swyngedouw, ‘The Post-Political City’ in: BAVO
(eds), Urban Politics Now. Re-imagining Democracy in the Neolib-
eral City, NAi Publishers, Rotterdam, 2007.
212
Afterthoughts on
Posthistory
Entropic Empire
[2012]
Reflect #09
213
Is it possible that we are falling out of history? Is it possible that we
are entering or have already entered something called posthistory, a
strange limbo after the end of history? This question has been haunt-
ing me for many years, indeed ever since my first book.1
Of course, there is common sense to save us: one cannot fall out
of history, just as little as one can fall off the earth. But are we sure
we cannot fall of the earth? Lately we are maybe a bit more doubtful.
Humanity is on a collision course with ‘spaceship earth’. If we are hit-
ting the limits of the earth, the limits of the ecosystem, of our natural
habitat, to the extent that might cause it irreparable damage and
unchain a series of catastrophes – one starts to wonder. We can fall
off the earth. At the very moment humankind starts hitting the limits
of the planet as ecosystem the question of falling out of history seems
less foolish.
The idea of posthistory as both the terminus and aim, the final
state of history, has a long and rather impressive genealogy: Hegel,
Marx, Cournot, Gehlen, Kojève, and recently Fukuyama; but also Vat-
timo, Baudrillard, and occasionally Agamben. For Hegel post-history
began once the (German) State was really formed and philosophy had
understood that the subjective spirit and objective spirit were one and
made the synthesis in absolute spirit, this process of awareness being
the philosophy of Hegel himself. In more political terms, the German
State was the final phase of history. Like the end of art, Hegel pre-
dicted the end of history. He was prophetic about art – uncannily so
– so he might have had a point about the end of history too. But that
remained much less convincing.
For Marx the end of history was not the bourgeois state was
but the classless society. The withering away of the state, the end of
capitalist exploitation, was a sort of materialist version of messianic
redemption: the classless society as paradise on earth. The welfare
state came close and that is why Kojève saw the Japanese consumer
society of the seventies as a neo-Hegelian form of posthistory. The
people had nothing left to do other than stimulate themselves with
all sorts of gadgets. Art, Kojève predicted, would become a sort of
ikebana, a formal play without anything really at stake. Close to that
was the neoconservative vision of Fukuyama, stating that capital-
ism had finally defeated competitors, communism and fascism, and
that capitalism under the guise of liberal democracy (close to the
state of Hegel) would live happily ever after. Indeed, the individualist
consumer of democratic society was the fulfillment of Zarathustra’s
prophecy of the ‘last man’: a long-living, death and disease fearing,
self-indulgent, passive and pacified creature.
A different take on posthistory represents to the theories of
the early nineteenth century positivist and mathematician Antoine
Cournot. He believed that history and society were calculable enti-
ties, and had laws like physics. One of them was that any system had
three phases, a phase of building up, a phase of finding equilibrium,
214
215
that lies beyond a treaty between states and dominated by states?
That is another way to put our question: what comes after the state?
Kant made not so much a prediction as a plea: if we do as if
there is ‘a plan of nature or providence with mankind’, it will enhance
the realization of that plan. In that respect Kant’s famous alsob, his
as if, is the core of his philosophy of history: if you do as if there is
progress (at least in law and legality), then you heighten the chance
to realize it. And then history might indeed show effective progress. It
helps to be progressive. In that respect his text on ‘the idea of general
history from a cosmopolitan viewpoint’ had something prophetic that
is still inspiring: progress for him was a self-fulfilling prophecy. And
he could name it: the advent of an international legal order was the
target of history. What we need now is a similar vision, a similarly
self-fulfilling prophesy. And it is that which we seem to fatally lack at
the moment. When all is said and done, that is the deficit of the left,
and not only of the left, but of politics in general or even modernity at
large. That is and remains the world historical meaning of the rather
academic, confusing, and confused debate on postmodernism that was
launched in 1979 by Lyotard, in La condition postmoderne, in which
he famously declared the end of grand narratives – indeed precisely
those narratives about progress and emancipation.
Later, in L’inhumain, Lyotard also started to formulate his
black hypothesis on posthistory. It was his way to think into the far
future: the hypothesis that technology is becoming an instance that
will try and survive the death of the sun and the death of humanity if
necessary. ‘Technoscience’ as the new subject or motor of history – it
was his form of philosophy of history in the age of realized science
fiction. This ‘black hypothesis’ is perhaps also a hidden horizon of my
writings.2 Because of the ongoing digital revolution and all that it
entails technology seem to leave more than ever the status of means
or medium, but to become a milieu, and even an aim it itself, if not
to become its own aim: the intelligent machines as species. Indeed, it
is pretty impressive as the new telos of history: the absolute spirit of
Hegel as Ghost not in but of the machine. But the black hypothesis is
a long shot, too far (and too dystopic) as it plays out in the cosmologi-
cal time of the dead of the sun, which is 4.5 billion years ahead. We
need a self fulfilling prophecy, a projection, a politico-philosophical
project for now. And we need it urgently. The multitude, civil society,
can be a tool, or even the driving force of history, but it is not the goal,
the end of history.
I have another black hypothesis. It has also been underlying this
book. Let’s look one more time to the curve of the Club of Rome (men-
tioned in the text on the Mad Max Phase of Globalization) and make a
stark and simple version of it: a perfect ‘bell curve’ or Gaussian func-
tion. If in 2000 we were six billion and in 2050 we will be 9/10 billion,
we could end up in 2100 with six billion again. Pure statistical logic.
Pure symmetry. It means three billion people less in 50 years. That is
216
217
ogy starts as military technology. From the silex to the internet and
GPS, war technology will remain a driving force – unless and until we
outlaw war.
Outlawing war sounds as outlandish, as utopian as the class-
less society, if not more so. And yet, this is the way ahead. That the
outlawing of war is feasible is proven to us by history: war is outlawed
within ever greater swathes of the planet. Within North America
war is unthinkable. In Europe, despite of the Yugoslavian nightmare
(which was a civil war, and as we have seen, that is quite something
different), this is also the case. So a world system (whatever its name
would be: the United States of World or whatever) is perfectly think-
able. Kant’s vision 2.0.
The world system will never be perfect, as humans are not per-
fect, yet those who dream of perfection, beyond state and property,
beyond public and private, beyond the division of powers, etcetera,
dream of a utopian or messianic posthistory. To them I shout with
Zarathustra ‘Gegen den Hinterwelten’: ‘No to the afterworlds, there
is no beyond’. Transcending man is no option. Politics should stick to
what we have, to (Deleuzian) immanence. It is with this world, with
this human species and within this history that we will have to live.
There is no other one. As there never was a paradise, there never will
be redemption. Plain and simple. Those who dream of the commons
without (state-owned) public sphere and (property-based) private
sphere, are dreaming of something beyond history, beyond historical
Man. They are mostly harking back to pre-sedentary, nomadic tribal
man for vague examples catapulted into the information age. Or else
they take heterotopian examples, like the Franciscan order, and try
to project that onto an entire society (strongly present in both Negri
and Agamben). But however inspiring, society cannot be modeled, as
Morus did, on the cloister as paradigm; heterotopia cannot and should
not be turned into a utopia covering all of society for it will be totali-
tarian (like theocracy). We cannot think politics by postulating the
possibility of a truly posthistorical, paradaisical Man. What we need
is a real historical political program.
But a global civil war, on the contrary, remains plausible. The
breakthrough of fundamentalism in the wake of the Arab Spring and
the power grip of Tea Party and Christian fundamentalism in the US,
the ultra-zionism in Israel and the neo-fascism in Europe (think of
the Golden Dawn in Greece), are more than ominous.
According to Schmitt, pacifism leads to the final war: the war
against war. For him that was a reason to define politics as essentially
the fight on life and death with the enemy and the affirmation of the
state of nature in international politics. This has been the true target
of this book: today the affirmation of politics should be, more than
ever before in history, the negation of the state of nature (as the state
of latent civil war). Posthistory should not and cannot be the eternal
return of prehistory. We have to think dialectically: in that respect
218
Notes
1 Het hiernamaals van de kunst [The Hereafter of Art], Vlees &
Beton, Mechelen, 1991. It was a collection of essays on postmod-
ern art and therefore with necessity pondering on modernity, his-
tory and progress.
2 Lyotard called it that way in an interview/seminar we did with
him in the frame of Antwerp 93, cultural capital of Europe. The
recordings of this interview were done by professionals of the
classical radio (BRT3 it was called at that time), but got lost. I
have not found a written reference of him using this phrase of the
black hypothesis. The phrase ‘Hypothèse noire’ even gives zero
results on Google – strange: nobody, in whatever context has used
this phrase, ever, at least not as archived by internet. And when,
in disbelief, I type ‘Lyotard black hypothesis’ google finds . . . one
of my own texts (‘The Capsule and the Network later published
219
The Capsular Civilizaition). Uncanny. Maybe it is not by incident
the tapes got lost.
3 I discussed this idea extensively at the end of ‘The Tyrant as Mes-
siah’ in part one of this book.
4 This paradox was the leitmotiv of my book on Benjamin, The
Dwarf in the Chess Machine, published in Dutch as: Lieven De
Cauter, De dwerg in de Schaakautomaat. Benjamins verborgen
leer, SUN, Nijmegen, 1999, 463; in English there are for the time
being a few chapters available on www.oxumoron.org. I hope it
will some day be published in full.
Mit Schrecken sieht der Swhermütige die Erde
zurückgefallen in einen Bloben Naturzustand.
‘Horrified the melancholic sees the earth relapsed into a bare state of Nature.’
220
(Walter Benjamin)
Acknowledgements
221
published in the September issue of the magazine Rekto:Verso. Trans-
lated by Leonhard De Paepe.
‘The Mad Max Phase of Globalization’ was first published as ‘The Mad
Max Phase’, in: Richard Plunz & Maria Paola Sutto (eds), Urban Cli-
mate Change Crossroads, Earth Institute, Columbia University, 2009,
p 111-117 (ISBN 978-0-9822174-0-5) and in an extended version in
Frederick Le Roy e.a (eds), Tickle Your Catastrophe. Imagining catas-
trophe in Art, Architecture and Philosophy, Ghent, Academia Press,
2011, p 155-186. This version synthesizes the previous two.
223
http://www.fpif.org/blog/the_key_to_understanding_tahrir_square_
swarm_intelligence
‘The Days of Anger: Humiliation, Dignity and Fear in the Middle East’
http://www.fpif.org/blog/the_days_of_anger_humiliation_fear_and_dig-
nity_in_the_middle_east; except the last text which was never pub-
lished..
Available in the United Kingdom and Ireland through Art Data, 12 Bell
Industrial Estate, 50 Cunnington Street, London W4 5HB, tel +44 208 747 1061,
fax +44 208 742 2319, orders@artdata.co.uk