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Vol. 19 APRIL – 2018 No.4
'VAK' is available on www.archakaseva.com
 2

SRIRANGAM ANDAVAN SWAMIGAL PASSES AWAY

CHENNAI: Srimath Andavan Swamigal alias

Srirangam Ranga Ramanuja Maha Desikan (83),
head of Andavan Ashramam passed away in Chennai
on Monday after a brief illness. His mortal remains
have been taken to Srirangam and the final rites would
be held on Tuesday.
Srimath Andavan Swamigal
Born on June 3, 1935 at Srimushnam in Cuddalore
district as Varaahan, he engaged in the study of
Sastras at a very young age. Upon directives from
Srimad Thirukkudanthai Andavan, Varaahan took
sanyas on June 1, 1989 and from then on, he is called
Sri Ranga Ramanuja Maha Desikan.
The Swamigal became well versed in Vedas and
‘Divya Prabhandham’ and was a versatile exponent
in sculpture, sangeetham, alankara sastra, astrology
(jyothisham), ayurveda etc. He used to profusely
quote Tiruvalluvar, Kambar, Ilango and Subramanya
Bharathi in his discourses.
CM’s condolences
In his condolence message, Chief Minister Edappadi
K Palaniswami said Andavan Swamigal, during his
pre-monastic days, served as Tamil teacher and took
part in various seminars. During his tenure, he had efficiently managed the Srimath Andavan
Arts and Science College, Veda Pada Sala and Gow Sala. He was engaged in social services
too.AMMK founder TTV Dhinakaran also condoled the demise of the Swamigal.
Path of a sage
Born on June 3, 1935 at Srimushnam in Cuddalore as Varaahan, he engaged in the study of
Sastras at a young age. He took sanyas on June 1, 1989, upon directives from Srimad
Thirukkudanthai Andavan.
(The New Indian Express, 25th March 2018)
VAK remembers with pride the appretiation of Srimad Andavan swamy for its endeavour
to protect the Temple sytem.
Srimad Andavan swamy was very straight forward and open about the fact that the term
“Hundi” was never mentioned in any Agama Sastra. It was only the tool for the Governments
to control the finances of temples.
Temples Protection Movement will miss this great Swami. -Editor

CONTENTS Page ÃÊúÁtN˛yÆ ............. 15

Editorial ................... 3 uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 205 ............. 16
Anecdotes on Vishnu Sahasranamam-205 ....... 4 ™áÏ∫Á uƒ\ÆΩ - 78 ............. 18
Madhura Vijayam - 78 ................... 6 Ahobilam and Ahobila Mutt - 64 ................. 20
ã¨Oáê^ŒH©Ü«∞O ................ 9 N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-8
.. ............... 21
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–205 .............. 10 Ramanuja's Journey to Sharada peeth-viii ......... 22
=∞^èŒ∞~åq[Ü«∞O 78 .............. 12 News ................. 24
Devotee's Experiences ................. 26
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EDITORIAL... ✍ REVIVING SANSKRIT
61 years ago THE SANSKRIT COMMISSION 1956-1957 (Ministry of Education and Culture Government of
India-New Delhi, GOVERMENT OF INDIA SANSKRIT COMMISSION Poona 4: November 30, 1957) submitted its
Report on the steps to protect preserve and revive Sanskrit in our country.
Currently, after 61 years, the situation quoted in 1957 report has become even worse with almost very
low number of people resorting to Sanskrit Education. Many colleges have closed Sanskrit as a subject for
want of students. The so-called Sanskrit schools have deteriorated in quality and nature of education. There
are not many Pandits who do Sahstrartha these days.
…..Wherever we went, we made enquiries about the strength of the old Pandit tradition still alive in that
particular part of the country and the number of senior masters of the various Sastras. We specially enquired
whether the Pandits still carried on the tradition of writing new commentaries or dialectical works. We were sorry to
note that the number of outstanding Pandits of the old type was generally not large; in some States, they could be
counted on one’s fingers. Some Pandits, however, did continue their literary activity; a few of them have, under the
inspiration of modern research, produced critical and expository treatises in Sanskrit or in the regional languages
on Sastraic and other general philosophical subjects. Similar literary work was seen in Vyakarana and Sahitya also.
We also found that the Sanskrit Muse was still an inspiration and that the Pandits everywhere wrote poems and plays
in Sanskrit. Of course, Sanskrit was very freely used as a means of communication and for the expression of all
current ideas. We actually met some Pandits who could employ Sanskrit with eloquence and oratorical effect.
Among the activities, which keep up the scholarly interest of the Pandits and also afford them some
encouragement and help, are the Sabhas or the Sadas (learned gatherings), which are held from time to time by
rulers, Zamindars, richmen, Acharyas and pubic associations. The former Princely States used to hold such gatherings
once a year on the occasion of some festival, like the Dasara. The religious Teachers, Acharyas, still hold such
gatherings of Pandits; also whenever any Pandit from a different part of the country visits an Acharya, he is engaged
in a Sastrartha or is asked to lecture, and is honoured with present and cash-gifts. There are also some private
endowments which arrange for such Pandit Sadas, once a year, on Rama-navami, Krishna-jayanti, and similar
occasions. In some of the temples, Pandits are similarly invited to give expositions and are honoured. In fact, it was
these public debates in Sastras which had been the main inspiration for the growth of the thought and literature in
the field of Sanskrit. And it would be by their resuscitation that the old intensity of Sastra-learning could be ratained
and promoted. More recently, owing to a new awakening among to the interest of some of the leading citizens in the
locality, expositions of the epics, the Gita, the Upanisads, Vedanta, Dharma, etc., have become a regular and
organsied activity in some places. These expositions are arranged as public lectures to large audiences or as
private classes to select groups. They have,indeed, proved a great source of help to the Pandits. The Pandits are in
demand also for individual tuition in the Gita or Vedanta which some well-to -do persons desire to have. This
appears to be an expanding activity and augurs well for the revival of interest in Sanskrit.
In all regions there are now Sanskrit Academies, Associations, Sabhas, Parishads, etc., which organise
the celebration of Sanskrit poet’s Days; lectures on Sanskrit subjects; Sanskrit classes; competitions in Sanskrit
essay-writing, Sanskrit elocution, and original composition (Short Story, Poem,Play); Sanskrit Recitals and Dramas;
and publication of cheap booklets in Sanskrit. All of these keep up popular interest in Sanskrit. The names of
many such associations, whose representatives met us, may be seen in the lists in the Appendices. The Sanskrit
Sahitya Parishad, Calcutta, the Sanskrit Academy, Madras, the Bharatiya Vidya Bhavan, Bombay, the Samskrita
Visva Parishad which has now over 500 branches all over India, the Brahmana Sabha, Bombay, which has a
Sanskrit dramatic troupe, the Akhil Bharatiya Sanskrita Sahitya Sammelan, Delhi, may be specially mentioned
among the bodies which have been doing sustained work of more than a local provenance. Recently, in Nagpur
and Ujjain, societies have been established for the study and propagation of Kalidasa’s works, and we were
pleased to note that the respective State Governments were helping these societies. The Kalidasa Society at
Ujjain, we were told, had a fund of Rs.1 1/4 lakhs of its own. There are several organsations in the country
whose object is to popularise the study of the Gita. Establishment like the Svadhyaya Mandal, Pardi, and the
VedaDharma-Paripalana-Sangham, Kumbhakonam, take interest in the popularisation of Vedic thought and
literature.....
We are fighting to restore and reclaim our temples and Religious Institutions from the clutches of
disastrous Governmental interferences and Political elements so that the funds which were to be spent on
Sanskrit and its preservation can be freely disbursed.
The whole nation has to wake up and patronize Sanskrit Language. VAK calls one and all to participate
in this Endeavour. As a start we have attempted to provide Sanskrit Education in Chilkur village. The Gram
Panchayath of Chilkur has resolved to support this activity. We need more Gram Panchayaths and cities
to come forward. May Lord Balaji make this change happen.
O
There should be no regional boundaries for temples.
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Anecdotes on Vishnu Sahasranama - 205
STEADFAST SAVIOUR
“Well, it’s high time to give tit for tat to that
fellow Satrajit!” said Shatadhanva in a furious voice.
“Yes!” said Akroora.
“He promised to all three of us that he would
give his daughter Satyabhama in marriage but deceived
all of us and gave away his daughter to Krishna!
He should be punished!” said Krutavarma.
“Lord Krishna and Balarama have gone to Hastinapura
on hearing the news of the death of the Pandavas
in the fire accident at the wax palace. This is the
right time. Let us snatch the opportunity, kill him
and steal the precious Syamantaka gem possessed
by him!” said Shatadhanva.
That night they executed their plan perfectly. Akrura
known for his devotion to Krishna stood guard in
the rear yard while Krutavarma stood gaurd in the
front .Shatadhanva stabbed a sleeping Satrajit to
death and the three men made off with the
Syamantaka gem that would fetch eight palams of
Gold to the possessor every day provided he
maintained purity.
They sat for a while after covering some distance.
Having committed the crime now the team realized
the gravity of the same. The fear of Krishna on vendetta
for the murder of his father in law haunted them
now. Both Kruitavarma and Shatadhanva felt that
nobody would doubt Akrura known for his deep
devotion to Krishna. They therefore requested Akrura
to keep the gem with him and leave the island of
Dwaraka for a safe place in the mainland of Bharath.
Hearing the news of her father’s demise, Satyabhama
took the chariot herself and drove to Varanavata where
Krishna and Balarama were staying at that time.
She narrated to Krishna the murder of her father.
Krishna immediately came back to Dwaraka.
Through investigating agencies of the government,
He found out that Shatadhanva was the culprit behind
His father-in-law’s death. He told His brother Balarama,
“Brother! Come on! Let us catch that Shatadhanva
and get the precious gem!”
Balarama already had an eye on the gem and
the gold that it would give enabling him to procure
the drinks He was fond of. He accepted His Brother’s
offer. Both of them started searching for Shatadhanva.
In the meantime, having understood that Krishna
Pâ◊Å∞ ÃÑOK«∞‰õΩO>Ë JâßOu - Ѩ~°=∂`«‡ 㨇$u`À „ѨâßOu.
Sri V.S.Karunakaran, Chennai
and Balarama were after him, Shatadhanva ran to
Krutavarma to give him protection, but Krutavarma
refused to oppose Krishna and Balarama.
Shatadhanva, then, went to seek asylum from Akroora,
only to be met with another refusal. He then again
requested him to at least keep the Syamantaka
gem with him. Akroora agreed to do so, provided
Shatadhanva should not reveal to anyone that the
gem was in his possession.
Shatadhanva then got up on a horse and fled. Krishna
and Balarama followed him on a chariot with Krishna
as its Driver. After travelling for a long distance, as
Shatadhanva reached the forests on the outskirts
of Mithila, his horse died. He started to flee on foot.
At that juncture, Krishna told Balarama that he would
follow Shatadhanva on foot and asked Balarama to
wait for him in the chariot.
Krishna killed the running Shatadhanva and searched
his dead body. But the Syamantaka gem was not
with him. Krishna returned empty-handed to His
brother and narrated the happenings. Balarama got
angry on Krishna saying that Krishna had deceived
him by hiding the gem somewhere else.
Though Krishna explained that He could not find
the gem in Shatadhanva’s dead body, Balarama didn’t
believe His words. Out of anger, He refused to come
back with Krishna and went to the city of Mithila.
Days passed by. Akroora, who was in possession
of the Syamantaka gem, which would give eight
palams amount of gold to its possessor everyday,
went to Kasi. Using the wealth generated from the
gem, he did performed a series of sacrifices there.
Meanwhile, the city of Dwaraka encountered a lot
of mutinies and riots. The Yadavas thought that as
long as the pious Akroora was in the city, the city
remained peaceful. Since Akroora had gone away,
the city was becoming crabby.
They requested Krishna to invite Akroora back to
Dwaraka. In addition to inviting Akroora, Krishna also
patched up His discord with His brother and invited
Balarama also back to Dwaraka. Both of them returned
and came to Krishna’s palace.
Krishna called out Akroora in the court and with
His trade-mark smile said “My dear Akroora! Please
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show the gem to all! Everybody is suspecting that
I have stolen it!”
Akroora was taken aback and he showed the gem
to everyone assembled there. Thus Krishna vanquished
the disgrace that had fallen on Him.
Now everybody was eager to know to whom Krishna
was going to gift the gem He had confiscated from
Akroora. All the ears were at him.
He said “The possessor of this gem has to maintain
purity. Satya the stylish cannot meet that condition;
Nor I with a big harem of sixteen thousand dames.
There is no question of my revered elder brother
fond of drinks to maintain purity. Since Akroora has
been using all the enormous wealth generated from
the gem for righteous vedic rituals, and maintains
the Lord of universe is pleased with Him and wants
me to grant him the gem, I grant it to him.”
This shows that those who utilize their wealth for
righteous purposes will be blessed with more wealth
by the Lord.
It means, even though Chandra was born from
the Lord’s mind and always dwells in Vishnu-pada
(sky), since it falls to Jala (sea) everyday, it becomes
tainted. Similarly, even great devotees who could
find a place in the Lord’s mind and live under the
shelter of the Lord’s Lotus Feet (Vishnu-pada), may
also get tainted if they fall into the company of Jala
(Here it refers to Jada - mean minded people. In
sanskrit ‘la’ and ‘da’ can be used alternatively)
Yet the Lord did not forsake Akroora. He mended
Akroora and blessed him with the Syamantaka gem.
Thus the Lord is always steadfast in protecting His
devotees inspite of their wrong doings. Because
of His steadfastness in saving the devotees, He
is called firm –the STHIRA:
Lord Narasimha did not change his attitude to
Prahlada when he led the army of Asuras to fight
Devas. He was firm in his affection proving that He
was STHIRA .His mantra therefore refers to him
as Bhadra-the Gracious

There is another important message in this episode. Nirukti puts this crisply as:
That is, Akroora, even though an ardent devotee of EúYÁ∫zDõÆYÁ¡ÆnƒÁoΩÃãáÁåz uÀs∫ GXÆoz @@
the Lord, slipped from his principles due to the bad
company of people like Shatadhanva. My father cum With our nature of being that of offending Him always
preceptor Ashukavi Sarvabhouma Villur Swamy quotes by our misdeeds there is no Mantra other than
a good example for this in His Amruta Shaardoolam: uÀs∫ÁÆ å™: to get His grace.
Yã¸ÁzDÆÊ oƒ ™ÁåÃÁ˘t߃oΩ \ÁoÁzD™woÁÊ∆ÏÀoo: Dear VAK Readers! Let us chant this Mantra keeping
the frame of Lord Visa Balajee of Chilkoor.
√ÆÁz©å≥ÁÁuú úoã™Ï“Ï™|Ï“Ï∫“Áz ƒÁ∫ÁuëÁáÁ{ Ã|tÁ @
We are sure to get His Grace despite our slips.
úWΩNz˛åÁuWΩN˛ouƒT¿“Áz Æ∆ FtÊ á z N˛¬WΩN˛ynÆ“Áz
Sthiraya Namaha
ß¿…bÁz uƒ…mÏútÁoΩ \¬ÁãƒÆ™uú üÁõo: úÏ™ÁåΩ F|–∆: @@
@@H uÀs∫ÁÆ å™:@@
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HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of books
on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project of explaining
the significance of the 1000 names. Since the English meaning of this hymn is
given in this work, many in this country and those living abroad, will welcome it.
Every name is a mantra by itself, some with two and some ranging up to eight
words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji
temple who are the regular readers of VAK in which these Anecdotes have been
serialised. There is immortal ecstasy that can be experienced by chanting these
names individually.
The second Volume has been released on 6th September 2017, as a part of
the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find
the devotees chanting these names endlessly at the Balaji Temple Chilkur. The
benefit of chanting individual names for particular needs to be granted by Almighty
is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar
Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

JuÉèÏ+¨ =∞u Ǩx - q∞`«ÉèÏ+¨ Ju Ǩ~Ú.

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Madhura Vijayam - 78 Sri Ranganatha Travel Part – II
Tamil Manuscript : Sree Venugopalan, Chennai
Story so far : The story based on the 14th century
incidents, was written by Sri Venugopalan which is
based on the historic facts elucidated in Madhura
Vijayam composed by Maharani Ganga Devi, Chief
Queen of King Kampana Rayaaya. Two young men
Vallabha and Dutta(son of a great warrior, who lost
his life while saving Lord Ranganatha idol from Muslim
invaders) set out on an expedition to locate the idol
of Lord Ranganatha of Srirangam,. After several
adventures the two boys, found the idol along with
one Kodava who protected them for more than eighteen
years deep inside the forest of Chandragiri. They brought
the idol to Thirupathi. To restore back the idol to
Srirangam, the two boys met Sri Gopanna, commander-
in-chief of the Vijayanagara’s mulvoy province and he
promises Vallabha to restore Lord Ranganatha to Sri
Rangam with the help of Vijayanagara king. Meanwhile,
as a first step the Vijayanagar army mission was
undertaken to conquer Sambuvaraya of Rajagambhira.
Kanchee puram was conquered and Kampana Raya’s
army advanced to Rajagambhira mountain conquered
it and killed the Raja Gambhira king. The Madurai
princess was rescued. Vallabha who was on a mission
to safeguard Pandya princess Makaravizhiyaal to pandya
kingdom fell in love with her but promised to marry
her only after completing his mission. Meanwhile, Lord
Ranganatha who was in Thirumala for a while, has
been brought to Chenghee by Gopanna the commander
of Vijayanagar army belonging to Mulvoy province.
Vallabha, Datta and Vallabha’s mother Vasanthika meets
Gopanna to find out about the plans of restoring Lord
Ranganatha to Sri Rangam. It was 10 years since the
Rajagambhira Kingdom became part of Vijayanagar
and still no further advancement action was taken
against Madurai Sultan due to trouble from Bahamani
sultans. Gopanna takes up on him and vows to take
up the expedition now and reaches Kanchi, the capital
of King Kampana Raya. Kampana who was having
fever at that time was feeling guilty that he did not take
any action to restore Lord Ranganatha. In his dream,
he felt that Goddess Parvathi herself comes and blesses
him to continue the mission. Later Vasanthika briefs
her son that she is the one who spoke as Parvathi to
Kampana and she has also left the dagger with Kampana
which was presented by Makaravizhiyal to Vallabha.
Meanwhile Gopanna meets Kampana, and the King
with all others has an extensive meeting with ministers
regarding an attack on Sultan. As per the discussion
they all decided to send Vallabha and Dutta to study
the Mughal army, their strengths and weaknesses.
Vallbha and Dutta set on this expedition and with a
help of locals, weakened Sultan with a disease through
a devadasi and made him move to Madurai. Then
the Vijayanagar army launched a two pronged attack
on Kannanoor fort which surprised the Sultan’s army.
The Sultan’s army outside the fort was defeated with
a sound military strategy. A siege was laid on the fort.
Lord Rangantha was taken inside the temple with pomp
and glory but they waited for a great saint’s arrival to
<Õ_»∞ K«^Œ∞=ÙÖ’¡ ~åºO‰õΩÅ∞ - „Ѩ=~°Î#Ö’ ÉÏ¡O‰õΩÅ∞ =ÙO@∞<åfl~Ú.
English Translation : CSL Narasimhan
restore the idol back to sanctum sanitorium. Meanwhile
Vallabha happened to overhear the conversation of
a group. They were claiming the idol which they have
been worshipping secretly all these days must be
reinstated back to the temple and not the one that has
been brought from somewhere. Gopanna’s army left
Kannnore and reached Madurai for the next attack.
There they killed Sultan and captured Madurai easily
and restored back all the deities whatever have been
buried in fear of sultan. The walls which was built
covering the sanctum sanitorium of Goddess Madurai
meenakshi temple was removed and restored back.
Gopanna immediately returned back to Srirangam
to fulfil the unfinished task. The two main goals
which he had in mind was that the idol has to be
reinstated back in sanctum sanctorium and the
King has to be crowned back to power.
Entire Srirangam got a new face. The families which
left long back in fear of Sultan started coming back.
The roads were getting cleaned. The houses and
the temples were restoring back freshly. The
Vijayanagar emperor spent significant amount of
money and effort in helping the residents restore
their living places which were dilapidated and
unkempt. Meanwhile the controversy about the idol
of Lord Ranganatha was also increasing and there
were debates going on. The discussion was the
people were in state of confusion as to which is
the true idol, whether the idol which they have been
worshipping secretly all these days or the one which
has been brought from Singavaram by Gopannna.
The people who have been worshipping Lord
Ranganatha idol could not accept the arrival of new
idol, the original Lord Ranganatha. They have
developed an attachment with the idol and even
many people supported their point of view. This
made Vallabha really sad. He then decided to discuss
about this with Gopanna. When Gopanna heard
he was shocked and he called the key people of
the city for discussion. Most of them could not
accept the Lord Ranganatha idol brought by Gopanna
as the original one. They said they would agree
even if one person among the troupe which took
the idol to safe place, and who was with him comes
and proves it. The people including Gopanna who
are there have not seen the idol before and they
only believe that the idol which they brought is
the same old Ranganatha.
“Why? I can bring my mother Vasanthika. She can
identify the Lord.” Said Vallabha.
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“Even your mother was not with the idol for few
years. That person should have been with the idol
for all these 48 years. Then only we can accept”
the locals replied.
This disturbed Gopanna very much. He became
very sad thinking that after several hardships, battles
instead of cherishing in victory, everything got
shattered and has gone into waste. But maintaining
his balance, he decided to leave the decision to
great scholar Vedantha Deshika, who was about
to come and proceeded with the arrangements
for his arrival.
Two days after, Vedantha Deshika reached
Srirangam. Though he was at his ripe age of 102
years at that time, he did not use the palanquin
as he thought that to be luxury. He walked all
the way from Melkote to Srirangam. It took 15
days for him to reach Srirangam.
After seeing the places, the old memories flashed
before him and made his eyes wet with tears.
When he saw the dilapidated buildings, streets
he got struck with grief. He recollected that all
important local people left the place after the
invasion of Mughals. But he consoled himself saying
that once again the vedic way of ruling is about
to start which made him feel happy.
When Gopanna fell on his feet immediately after
seeing him, he blessed him appreciating his
devotion,” May your kingdom expand and establish
more and more with great prosperity” blessed Sri
Vedanta Desika
Later Gopanna discussed hesitatingly about the
controversies that was going on with regard to
the idol and requested him to give a solution to
this.
Swami Desika with a broad smile on his face started
speaking, ”Gopanna! Don’t be so anxious as to
which idol would I choose? Think of an instance
in Ramayana, What Lord Rama did when the people
of Ayodhya were criticizing about Seethadevi. The
Lord very well knows that she is blemishless. But
even then to prove her chasitity, he had to give
her a test. So do not take decisions by just following
what I say. Search for people who are above sixty
in the town. They would have definitely had
darshans of old Ranganatha. Bring them here and
make them identify the old idol by placing both
the idols in front of them. Before doing this, you
better consult the councilors of the town who raised
this issue that whether they are okay with this
arrangement.”
^≥·="Õ∞ ^èŒ#O - 㨈~fiâ◊fi~°∞_Õ ã¨OѨ^Œ.
Gopanna agreed to what Swami Deshika said. He
immediately called the councilors and enquired
whether they are fine with this. They agreed. Next
day, an announcement was made all over the town.
“Those who are above sixty and had darshan of old
Lord Ranganatha are requested to be present at
the temple. This is the order of the chieftains of
the King” was the announcement.
After severe search, no such person was found.
The older generations who left the town long back
also could not be traced. Two days passed without
any result . Finally they identified one old man who
said he has seen the old idol of Ranganatha. He
was 90 years old. People brought him to temple
anxiously. When he was shown both the idols, they
realized the truth he has almost lost his eye sight
due to old age and could not identify anything.
Everybody got disappointed as the situation remained
the same as before.
When the crowd started to show their disappointment,
the old man started speaking,” Oh revered people!
Please listen to me. Those days in the temple, I
was the one who used to wash the idol’s garments
daily. I had developed a habit at that time. Whenever
I collect Lord’s garments from wash, I used to squeeze
the cloth and use to sip the holy water as I consider
that as god’s gift to me. The taste of the water
from the garments of Lord Ranganatha use to be
different and special. What I suggest is, if you can
arrange the holy bath for both the idols, and give
me the garments of both the idols, I will try to identify
the old idol by tasting the water. If you all find this
ok, I can do this. After giving a thought everyone
agreed for that. The arrangements were made for
the holy bath and a huge crowd had gathered to
witness the event. The old man was standing there
with great devotion. The holy bath got over. Both
the idol’s wet clothes were removed. The pujari gave
two cloths to the old man and said, one is your
left hand side idol’s cloth and another one is your
right side idol’s. The old man took one cloth first
squeezed and had a sip of the water. Then he tasted
the next one. He closed his eyes for a while thinking.
Then he did the same thing again. His face brightened
up after some time. “The idol which is placed on
my left side is the old idol. The water from his
garment has that special taste which I used to have
before”. he spoke with exclamation.
Vallabha and Dutta got so happy after hearing this
as the left hand side idol is the one which they
brought here.
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Gopanna became so happy. “oh noble man! Lord
Rangantha himself has proved who he is”
The crowd agreed and applauded . Swami Deshikan
went with anxiety near to the wall which was built
covering the sanctum sanctorium to protect their
Lord from invaders. He took a pixel and started
breaking the wall. Seeing this others joined him
immediately. After an hour, the wall was broken
completely. Swami Deshikan entered into the
sanctum sanitorium by continuously chanting
”Sriranga! sriranga!. The darkness slowly faded and
as the room was getting brighter and brighter, people
could see the gigantic appearance of Lord
Ranganatha. He was adorned with a dress which
appeared so fresh as if it was put on him just a
few minutes ago. Then the flower and tulsi garlands
which adorned him also appeared fresh as though
it was put in the morning. The vessels which are
used for performing pooja were so clean as though
it has been washed that day only. The entire crowd
could not believe their eyes and they started chanting
”Ranga! Ranga! after seeing this magicial scene.
There was a formation of dark clouds all of a sudden
and the rain started pouring. It was a heavy down
pour as if the nature helped in cleaning up the temple
and the town. Meanwhile, a miracle was happening
under the Bilva tree which is close to the Goddess
Ranganayaki devi sannidhi. The heavy rain washed
All slokas Chant 28 times
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó
G J  yNz ∆ ÁÆ å™:
For overcoming bad habits
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™:
For Success in Business, Interviews, Visa
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO
HÍ=_®xH˜ 㨇iOK«O_ç.
FO N=∞`Õ #=∞ó G »y™oz å™:
Please Chant for Handsome Appearance and wealth.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:
For Education and better Financial strength.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
<Õ_»∞ =∂#"åox #_çÑ≤ã¨∞Î#flk #=„QÆǨÅ∞ HÍ^Œ∞ ~åQÆ^ÕfiëêÅ∞.
the upper layer of the mud and something which
was shining brightly appeared on the top from the
ground. People realized that the portion that was
visible must be the head of a stone sculpture.
Gopanna immediately instructed the guards to take
out the sculpture from the grounds. After a few
minutes, they realized that the sculpture is none
other than the Goddess Ranganayaki (moolavar).
When the invasion of Muslims happened, Lord
Ranganatha’s sanctum sanitorium was covered by
building a wall and the Goddess idol was buried
under Bilva tree. The same Goddess was found
now. Vallabha knows about this as his mother has
told him already. So he passed on this information
to Gopanna. Gopanna was very happy to hear this.
But the locals who were doing the secret pooja
had already installed one Goddess Ranganayaki
idol. Gopanna after convincing them made this idol
which was found under the tree too installed. Even
today we have two Goddess idols in Srirangam.
A great restoration of worship was chartered by
the Vijayanagara emperor. There was festive
atmosphere every where with arches, mango leaves,
rangolis in front of the houses, flowers and flower
pandals every where. Nice music with various cultural
programmes adored Sri Rangam
(to be continued)
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
For self employed people, for promotions and
success in games.
„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For better health. =∞Oz P~ÀQͺxH˜.
FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
peace
=∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
q=ÚH˜ÎH˜.
FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satisfaction
L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
April '18 w w w w w w w w w w w w w w w w w w 9 wwwwwwwwwwwwwwwwwwwwww VAK
ã¨Oáê^ŒHÜ
© ∞« O✍
=∞# ѨÙ}ºÉèí∂q∞Ö’ ^Õ=ÉèÏ+¨HÍ D ^Œ∞~°æu ???
=∞#^Õâ◊OÖ’ ã¨O㨯 $`åxfl ~°H˜∆OK«_®xH˜, ѨÙ#~°∞^ŒúiOK«_®xH˜ fã¨∞HÀ"åeû# K«~°ºÅÃÑ· ã¨O㨯 $`« ã¨OѶ¨∞O 1956–57Ö’
J^茺ܫ∞#OKÕã≤ XHõ x"ÕkHõ ˆHO„^Œ „ѨÉèí∞`åfixH˜ ã¨=∞iÊOzOk.
ã¨O㨯 $`« ÉèÏ+¨ ã≤÷uQÆ`«∞ʼnõΩã¨O|OkèOz 61 Uà◊§<å\˜ P x"ÕkHõÖ’ ¿Ñ~˘¯#fl ^Œ∞~°æ`Õ D <å\˜H© H˘#™êQÆ_»"Õ∞HÍHõ =∞iO`«
^Œ∞~°ƒù~°OQÍ `«Ü«∂~°~∞∞Ok. 'q^•º~°∞÷Å∞ ÖËHõ ã¨O㨯 $`« áê~î°âßÅÅ∞, HõàÏâßÅÅ∞ =∞∂`«Ñ¨_çáÈ`«∞<åfl~∞∞. K≥ѨÊQÆeˆQ ã¨`åÎL#fl
QÆ∞~°∞=ÙÅ∞ ÖËHõ – #_»∞ã¨∞Î#fl áê~î°âßÅÅ∞, HõàÏâßÅÖ’¡‰õÄ_» „Ѩ=∂}ÏÅ∞ ÉÏQÍ Ñ¨_çáÈ`«∞<åfl~∞∞. WѨC_»∞ ã¨^Œã¨∞ûÅ∞ "åHͺ~å÷Å∞
x~°fiÇ≤ÏOK«QÆeˆQ ѨO_ç`«∞Å∞ ^Õâ◊OÖ’ "Õà◊§g∞^Œ...Jk‰õÄ_» XHõKÕu"Õà◊§g∞^Õ ÖˇH˜¯OK«QÆÅ ã¨OYºÖ’ L<åfl~°x— P x"ÕkHõ "≥Å¡_çOzOk.
'ã¨O㨯 $`«OÖ’ "åºMϺ<åÅ∞ H˘`«ÎQÍ ~åÜ«∞QÆÅ, `«i¯OK«QÆÅ áê`« ѨO_ç`« ã¨O„Ѩ^•Ü«∞O Hõ#∞=∞~°∞ÔQ·áÈ`«∞#fl@∞¡ =∂^Œ$+≤ìH˜
=zÛOk. XHõѨC_»∞ ~åAÅ∞, [g∞O^•~°∞¡, ã¨OѨ#∞flÅ∞ ѨO_»QÆÅ∞, ѨÉσÅ=O\˜ ã¨O^Œ~åƒùÅÖ’ x~°fiÇ≤ÏOz# ã¨^Œã¨∞ûÅ∞, ã¨ÉèíÅ∞
ѨO_ç`«∞ʼnõΩ Jxflq^è•ÖÏ =$uÎѨ~°OQÍ#∂, Pi÷HõOQÍ#∂ „áÈ`åûǨÏHõ~°OQÍ LO_Õq. WѨÊ\˜H© D ã¨O„Ѩ^•Ü«∞O JHõ¯_»Hõ¯_®
™ê‡~°HÀѨ<庙êÅ ã¨O^Œ~åƒùÅÖ’, QÀ+¨µªÅ∞, ã¨ÉèíÅÖ’¡ x~°fiÇ≤ÏOz „ѨuÉèÏ=O`«∞ʼnõΩ #QÆ^Œ∞ „áÈ`åûǨÏHÍÅ∞ ‰õÄ_» JOkOK«_»O
QÆ∞_ç¤Ö’"≥∞Å¡ÖÏ HÍã¨Î LѨâ◊=∞#O HõeyOKÕ q+¨Ü«∞O— Jx P x"ÕkHõ `≥eÜ«∞KÕã≤Ok.
"Õ^•Å∞, LѨx+¨`«∞ÎÅ∞...=∞s =∞∞YºOQÍ ÉèíQÆ=næ`« =O\˜ "å\˜H˜ „Ѩ[Ö’¡ ÉÏQÍ P^Œ~°} L<åfl ã¨O㨯 $`« ÉèÏ+¨#∞ ‰õ∆Ω}‚OQÍ
<Õ~°∞Û‰õΩ#fl "åi ã¨OYº `«y#O`« ÃÑ~°QÆx^Õ, =∞# "å~°ã¨`«fi ã¨OѨ^Œ#∞ HÍáê_»∞HÀÖËO, Jaè=$kúKÕã¨∞HÀÖËO, =∞∞O^Œ∞ `«~åÅ"å~°H˜
ѨkÅOQÍ JOk=fiÖËO.
ÉèÏ~°fÜ«∞ ã¨O㨯 $ux Ö’`«∞QÍ J^茺ܫ∞#O KÕã≤# =∂r _çlÑ≤ N ÔH.J~°qO^Œ~å=Ù ã¨O㨯 $`« ÉèÏ+¨ „áê=∞∞Yº`«#∞ q=iã¨∂Î,
^•xg∞^Œ L#fl JáÈǨÏÅ#∞ `˘Åyã¨∂Î XHõ "åºã¨OÖ’ WÖÏ "åºMϺxOKå~°∞....
''ˆH=ÅO 500 ã¨O=`«û~åÅ K«i„`« L#fl J"≥∞iHÍÖ’x „ѨMϺ`« qâ◊fiq^•ºÅÜ«∂Ö’¡ WѨÊ\˜H© ÖÏ\˜<£<Õ JkèHÍiHõOQÍ
LѨÜ≥∂yã¨∞Î<åfl~°@. J"≥∞iH͉õΩ, ~À"£∞‰õΩ =∞`«O `«Ñ¨Ê =∞~À ã¨O|O^èŒO Ug∞ ÖË^Œ∞. "åi =∞`« „QÆO^ä•Å∞ ÖÏ\˜<£Ö’ LO_»_»O XHõ¯>Ë
ã¨O|O^èŒO. HÍh ã¨O㨯 $`«O JÖÏ HÍ^Œ∞. ã¨O㨯 $`«O JO>Ë Ç≤ÏO^Œ∂=∞`«O HÍ^Œ∞. WOw¡+πJO>Ë „ÔH·ã¨Î= =∞`«O ZÖÏ HÍ^À JÖψQ
ã¨O㨯 $`«O JO>Ë Ç≤ÏO^Œ∂=∞`«O Jx J~°÷O HÍ^Œ∞. "Õ^•bfl, ^Õ=Ù_çh JOwHõiOK«x É∫^Œ∞úÅ∞, *ˇ·#∞Å∞, JÖψQ ѨÓiÎQÍ <åã≤ΉõΩÖˇ·#
Kå~åfi‰õΩÅ∞ "≥∞∞^ŒÖˇ·# "åà◊§O^Œ~°∂ ã¨O㨯 $`«OÖ’<Õ ~°K«#Å∞ KÕ™ê~°∞. "≥∞∞^Œ\’¡ É∫^Œ∞úÅ∞ áêmÉèÏ+¨Ö’ ѨÙã¨ÎHÍÅ∞ ~åâß~°∞. J~∞∞`Õ Jq
XHõ z#fl „áêO`åxˆH Ѩiq∞`«=∞Ü«∂º~∞∞. D<å_»∞ WOw¡+¨µÖ’ ~åÜ«∞@O =Å¡ „ѨѨOK«=∞O`å ZÖÏ K«^Œ=QÆÅ~À JÖψQ JkèHõã¨OMϺHõ
„Ѩ[ʼnõΩ J~°÷O HÍ=_®xH˜ P<å_»∞ "å~°O^Œ~°∂ áêmÉèÏ+¨ =ke ã¨O㨯 $`«OÖ’~åÜ«∞@O "≥∞∞^ŒÅ∞ ÃÑ\Ïì~°∞. ÖÏlH±, `«`«Î fiâßGO,
QÆ}˜`«O, YQÀà◊âßGO, ~°™êÜ«∞#âßGO, ^ŒO_»hu âßGO, ^èŒ~°‡âß„™êÎÅ∞, PÜ«∞∞ˆ~fi^ŒO=O\˜ q+¨Ü«∂ÅÃÑ· ~°K«#Åhfl ã¨O㨯 $`«OÖ’<Õ
L<åfl~∞∞. XHõ =~°æO"åˆ~ nxfl <Õ~°∞Û‰õΩ<åfl~°#_»O ‰õÄ_® É∏uÎQÍ J=QÍǨÏ#ÖËx "å^Œ#. „ѨѨOK«OÖ’x "≥∞∞@ì"≥∞∞^Œ\ ˜ xѶ¨∞O@∞=Ù#∞
â’¡HÍÅ~°∂ѨOÖ’ ~åã≤# J=∞~°ã≤OǨï_»∞ *ˇ·#∞_»∞. áê}˜x "åºHõ~°}ÏxH˜ "åºYºÅ∞ ~åã≤#"å~°∞ É∫^Œ∞úÅ∞, *ˇ·#∞Å∞. J<ÕHõ=∞Ok ~åAÅ∞
HÍ"åºÅ∞, <å@HÍÅ∞ ~å™ê~°∞. „Hõ=∞„Hõ=∞OQÍ ã¨O㨯 $`«O Éèí~°`«YO_»O "≥∞∞`åÎxH˜ ‰õÄ_® H˘#™êyOk.... ã¨O㨯 $`«O =∞#*Ïu
"≥∞∞`åÎxH˜ K≥Ok# ÉèÏ+¨. ˆH~°à◊#∞O_ç QÍO^è•~°^Õâ◊O (Já¶ê…x™ê÷<£) =~°‰õÄ "åºÑ≤Oz# ÉèÏ+¨. ã¨fi`«O„`«O =zÛ# ã¨=∞Ü«∞OÖ’ *ÏfÜ«∞ÉèÏ+¨
Uk LO_®e J<Õ „Ѩâ◊flÃÑ· áê~°¡"≥∞O@∞Ö’ JOÉË^Œ¯~ü‰õÄ_® ã¨O㨯 $`åxfl ã¨=∞iúOK«_»O =∞#O QÆ=∞xOKåe.——
ѨÙ}ºÉèí∂q∞x ѨÙh`«OKÕã≤# ^Õ=ÉèÏ+¨ „Ѩã¨∞Î`«O =∞$`«ÉèÏ+¨QÍ =∂~°∞`«∂áÈ=_»O – D *Ïu ã≤QÆ∞æѨ_®eû# q+¨Ü«∞O.
QÆ∞à◊§#∞, QÀѨÙ~åÅ#∞, ^è•i‡Hõã¨Oã¨÷Å#∞ |uH˜OK«∞HÀ=_®xH˜ JǨÏiflâ◊Å∂ áÈ~å_»∞`«∞#fl '"åH±— – WѨC_»∞ ã¨O㨯 $`« ÉèÏ+¨#∞
‰õÄ_» ѨÙ#~°∞r˚qOѨKÕÜ«∞_®xH˜, ^•xH˜ ѨÙ#~ü "≥·Éèí=O Hõ@ìɡ@ì_®xH˜ ã¨OHõeÊOzOk. ^•xH˜ zÅ∞‰õÄ~°∞ „QÍ=∞O NHÍ~°O K«∞_»∞`«∞#flk.
=∂ „Ѩܫ∞`åflʼnõΩ zÅ∞‰õÄ~°∞ „QÍ=∞ѨOKåÜ«∞f JO_»QÍ xÅ|_»_»O–pHõ\’¡ z~°∞k"≥fiÖÏ HõxÑ≤ã¨∞Î#flk. ^Õâ◊OÖ’x Jxfl „QÍ=∞,
Ѩ@ì}, #QÆ~° ѨOKåÜ«∞fÅ∞ WÖÏO\˜ náêÅ#∞ =∞ixflO\˜x "≥eyOKåÅx, g\˜x JYO_»náêÅ∞QÍ KÕ¿ã â◊H˜ÎÜ«∞∞‰õΩÎÅ#∞ P
"ÕOHõ>Ëâ◊fi~°∞_»∞ D ^Õ=Éèí∂q∞H˜ „Ѩ™êkOKåÅx HÀ~°∞‰õΩO@∞<åflO. O

=∞#ã¨∞ JÅã≤áÈ`Õ z#flѨx ‰õÄ_® ZO`À „â◊=∞ JxÑ≤ã¨∞ÎOk.

April '18 w w w w w w w w w w w w w w w w w w 10 wwwwwwwwwwwwwwwwwwwwww VAK
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 205
ã≤÷~åÜ«∞ #=∞ó
POQÆ¡=¸ÅO : N q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£
''P 㨄`ål`«∞Î KÕã≤# ѨxH˜ `«y#q^èŒOQÍ |∞kú K≥áêÊe!——
JO@∂ â◊`«^èŒ#∞fi_»∞ =∞O_çѨ_®¤_»∞.
''B#∞!—— J„‰õÄ~°∞_»∞ J<åfl_»∞.
Hõ$`«=~°‡ "åi =∂@Å#∞ |ÅѨ~°∞ã¨∂Î - ''㨄`ål`«∞Î
=∞#`À ã¨`«ºÉèÏ=∞#∞ =∞#H˜zÛ q"åǨÏO KÕ™êÎ#x =∂@ WzÛ,
=∞#efl "≥∂ã¨O KÕã≤, `«# ‰õÄ`«∞~°∞fl HÍ™êÎ P Hõ$+¨µ‚_çH˜ WzÛ
q"åǨÏO KÕâß_»∞. `«Ñ¨ÊHõ J`«_»∞ KÕã≤# D ѨxH˜ =∞#O J`«_çx
tH˜∆OK«=Åã≤#^Õ——.
''NHõ$+¨‚ |Å~å=ÚÅ∞ áêO_»=ÙÅ∞ JyflH˜ ÖÏH∆Í QÆ$ǨÏOÖ’
Éèí㨇=∞~Ú =∞~°}˜OKå~°#fl "å~°Î qx, ǨÏã≤Î<åѨÙ~åxH˜ |Ü«∞ÖËÌi
"≥àϧ~°∞. =∞#‰õΩ W^Õ =∞Oz J^Œ#∞. =∞#O D J=HÍâßxfl
qxÜ≥∂yOK«∞HÀ"åe. 㨄`ål`«∞Î#∞ =kèOz, JѨÓ~°fi=∞~Ú#
â◊º=∞O`«Hõ =∞}˜x J`«x=^ŒÌ #∞O_ç `«Ñ¨ÊHõ KÕlH˜¯OK«∞HÀ"åe!——
Jx â◊`«^èŒ#∞fi_»∞ q_»=∞iKå_»∞.
P~å„u "å~° ∞ =ÚQÆ ∞ æ ~ ° ∂ `« = ∞ PÖ’K« # #∞ ZO`À
KåHõKåHõºOQÍ J=∞Å∞ KÕâß~°∞. NHõ$+¨µ‚x Éèí‰õΩÎxQÍ ¿Ñ~°∞Ѩ_ç#
J„‰õÄ~°∞_»∞ "≥#Hõ "åH˜eH˜ HÍѨÖÏQÍ LO>Ë, Hõ$`«=~°‡ =ÚO^Œ∞"≥·Ñ¨Ù
HÍѨÙHÍKå_»∞. x„kã¨∞#Î fl 㨄`ål`«∞#Î ∞ â◊`^« #Œè ∞fi_»∞ á⁄_çz K«Oáê_»∞.
~ÀA‰õΩ Zxq∞k ÉÏ~°∞=ÙÅ |OQÍ~åxflKÕÛ â◊º=∞O`«Hõ=∞}˜`À
"å~°∞ =ÚQÆ∞æ~°∂ JHõ¯_ç #∞O_ç `«Ñ≤ÊOK«∞‰õΩáÈÜ«∂~°∞. Z=~°~Ú`Õ
xÜ«∞=∞ x+¨ªÅ`À rq`åxfl QÆ_»∞ѨÙ`å~À, "åiH˜ =∂„`«"Õ∞
â◊º=∞O`«Hõ=∞}˜ „Ѩuk#=¸ |OQÍ~åxfl Wã¨∞ÎOk.
H˘OK≥O ^Œ∂~°O "≥o¡# `«~°∞"å`« "å~°∞ =ÚQÆ∞æ~°∞ XHõ
„Ѩ^Õâ◊OÖ’ q„â◊q∞OKå~°∞. `å=Ú JѨ~å^èŒO KÕâß=∞#fl ã¨OQÆu
WѨ C _» ∞ "åiH˜ „QÆ Ç ≤ Ï OѨ Ù ‰õ Ω =zÛOk. `« # =∂=∞QÍix
ǨÏ`«ºKÕã≤#O^Œ∞‰õΩ NHõ$+¨µ‚_»∞ `«#g∞^Œ f~°∞ÛHÀÉ’ÜÕ∞ ѨQÆ ™êkèOѨÙ
K«~°º ‰õÄ_® QÆ∞iÎOz, "åiH˜ ÉèíÜ«∞O "Õã≤Ok. WÖÏO\˜ ã¨=∞Ü«∞OÖ’
Hõ$`«=~°‡, â◊`«^èŒ#∞fie^ŒÌ~°∂, J„‰õÄ~°∞_»∞ NHõ$+¨µ‚x Ѩ~°=∞Éèí‰õΩÎ_»∞
HÍ|\˜ì, J`«_çx Z=~°∂ ã¨O^ÕÇ≤ÏOK«~°x ÉèÏqOKå~°∞. JO^Œ∞ˆH
D â◊ º =∞O`« H õ = ∞}˜ x f㨠∞ ‰õ Ω x, ^•fi~° H Í#QÆ i #∞O_ç ,
ÉèÏ~°`å=xÖ’x =∞ˆ~ ã¨∞~°H˜∆`«"≥∞ÿ# „Ѩ^ÕâßxHõ~Ú<å "≥à◊¡=∞x "å~°∞
W^ŒÌ~°∂ JHõ$Ï~°∞_çx Ji÷OKå~°∞.
`«# `«O„_ç =∞~°}"å~°Î#∞ q#fl ã¨`«ºÉèÏ=∞, ã¨fiÜ«∞OQÍ
~°^•ä xfl #_çÑã≤ ∂¨ ,Î JѨC_»∞ P ã¨=∞Ü«∞OÖ’ NHõ$+¨-‚ |Å~å=ÚÅ∞#fl
"å~°}Ï=`åxH˜ KÕ~°∞‰õΩOk. `«# `«O„_ç ǨÏ`åº =$`åÎO`åxfl P"≥∞
NHõ$+¨µ‚xH˜ `≥eÜ«∞*Ëã≤Ok.
NHõ$+¨µ_‚ ∞» =∞~°∞Hõ}
∆ O |Ü«∞Å∞^Õi ^•fi~°H‰õ Ωõ KÕ~∞° ‰õΩ<åfl_»∞.
„ѨÉèí∞`«fi "ÕQÆ∞Å ^•fi~å D JOâßxfl ѨijeOz# g∞^Œ@, `«#
W`«~°∞Å ^Œ∞~°^Œ$ëêìxfl K«∂ã≤ #=fiO@O h J*Ï˝<åxfl `≥eÜ«∞KÕ™ÈÎOk.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
=∂=∞QÍi ǨÏ`«º "≥#Hõ â◊`«^èŒfi#∞x ‰õΩ`«O„`«O LO^Œx, J`«_Õ
^À+≤ Jx x~åú~°} J~ÚOk. NHõ$+¨µ‚_»∞ `«# ™È^Œ~°∞_»~Ú#
|Å~å=Úx`À WÖÏ J<åfl_»∞ - ''J„QÆ*Ï! Ѩ^Œ, =∞#O "≥O@<Õ
"≥o¡ â◊`«^èŒ#∞fi_çx Ѩ@∞ì‰õΩx P J=¸Åº=∞~Ú# â◊º=∞O`«Hõ =∞}˜x
uiy á⁄O^•e!——
|Å~å=Ú_ç Hõ # ∞fl JѨ Ê \ ˜ ˆ H JѨ Ù ~° ∂ Ѩ = ∞~Ú#
â◊º=∞O`«Hõ=∞}˜ÃÑ·#, Jk „Ѩu k#=¸ „Ѩ™êkOKÕ |OQÍ~°O
g∞^Œ Ѩ _ ç O k. Jk Åaè ¿ ãÎ , ^•x`À `« # ‰õ Ω HÍ=eû#O`«
=∞k~åáê#O K≥Ü«∞º=K«∞Û##flk |Å~å=Ú_ç Pâ◊®† JO^Œ∞ˆH
`«=Ú‡_»∞ K≥Ñ≤Ê# ^•xH˜ 㨈~#<åfl_»∞. J#fl^Œ=Ú‡e^ŒÌ~°∂ â◊`«^èŒ#∞fix
HÀã¨O QÍeOK«<å~°OaèOKå~°∞. NHõ$+¨‚|Å~å=ÚÅ∞ `«# HÀã¨O
"≥uH˜ "≥O@Ѩ_»∞`«∞<åfl~°x „QÆÇ≤ÏOK«∞‰õΩ#fl â◊`«^èŒ#∞fi_»∞, Hõ$`«=~°‡
=^ŒÌ‰õΩáÈ~Ú `«##∞ ~°H˜∆OK«=∞<åfl_»∞. HÍx, Hõ$`«=~°‡ NHõ$+¨‚
|Å~å=ÚÅ#∞ ZkiOK«_®xH˜ ã≤^ŒúѨ_»ÖË^Œ∞.
P ã≤÷uÖ’ â◊`«^èŒ#∞fi_»∞ JHõ$Ï~°∞x =^ŒÌ‰õΩ ~°H˜∆OK«=∞x
Ѩ~°∞ÔQuÎ<å, ÖÏÉèíO ÖËHõáÈ~ÚOk. Hõhã¨O â◊º=∞O`«Hõ=∞}˜#~Ú<å
`«# =^ŒÌ ã¨∞~°H˜∆`«OQÍ ^•K«=∞x J„‰õÄ~°∞_çx „áêi÷OKå_»∞. `«#‰õΩ
^•K«\ÏxH˜ JÉèíºO`«~°O ÖË^Œ∞QÍx, WÖÏ =∞}˜ `«#=^ŒÌ L#fl@∞¡
Z=iH© `≥eÜ«∞xÜ«∞º=^ŒÌx JHõ$Ï~°∞_»∞ â◊`«^èŒ#∞fixH˜ K≥áêÊ_»∞.
ã¨~ˆ ##fl â◊`^« #Œè ∞fi_»∞ XHõ QÆ∞„~°O fã¨∞‰õΩx áêiáÈ™êQÍ_»∞.
NHõ$+¨µ‚_»∞ ~°^ä•xfl #_çÑ≤ã¨∞ÎO_»QÍ, NHõ$+¨‚ |Å~å=Úe^ŒÌ~°∂
â◊ ` « ^ è Œ # ∞fi_ç x "≥ O \Ï_» ∞ `« ∂ áÈÜ« ∂ ~° ∞ . JÖÏ KåÖÏ^Œ ∂ ~° O
„Ѩܫ∂}˜Oz# â◊`«^èŒ#∞fi_ç Jâ◊fiO HÍ™êÎ q∞käÅ á⁄e"Õ∞~°ÅÖ’x
J_»=ÙÅ#∞ KÕ~°∞‰õΩ<Õã¨iH˜ =∞~°}˜OzOk. J`«_»∞ Ѩ~°∞QÆ∞Å∞
„áê~°OaèOKå_»∞. P ã¨OQÆu `≥Å∞ã¨∞‰õΩ#fl Hõ$+¨µ‚_»∞, `å#∞ ‰õÄ_®
Ѩ~°∞ÔQ\˜ì â◊`«^èŒ#∞fi_çx Ѩ@∞ì‰õΩO\Ï#x, `å#∞ uiy =KÕÛ=~°‰õÄ
~°^äŒOÃÑ·<Õ `«#HÀã¨O xsH˜∆OK«=Åã≤#^Œx |Å~å=ÚxH˜ K≥áêÊ_»∞.
NHõ$+¨µ‚_»∞, Ѩ~°∞QÆ∞Å∞ ÃÑ\˜ì áêiáÈ`«∞#fl â◊`«^èŒ#∞fix K«OÑ≤
J`«_ç â◊s~åxfl "≥uHÍ_»∞ HÍx â◊º=∞O`«Hõ=∞}˜ ÅaèOK«ÖË^Œ∞.
iHõÎǨϙêÎÅ`À J#fl |Å~å=Úx =^ŒÌ‰õΩ =zÛ NHõ$+¨µ‚_»∞ [iy#
ã¨OQÆ`«∞Å#∞ `≥eÜ«∞*Ëâß_»∞. HÍx |Å~å=Ú_»∞ #=∞‡ÖË^Œ∞.
â◊º=∞O`«Hõ=∞}˜x ZHõ¯_À ^•z, `«##∞ `«=Ú‡_»∞ "≥∂ã¨yã¨∞Î<åfl_»x
|Å~å=ÚxH˜ Ѩ@ì~åx „HÀ^èŒO =zÛOk.
NHõ$+¨µ_‚ ∞» â◊`q« ^è•Å `«#‰õΩ â◊`^« #Œè ∞fix â◊s~°OÃÑ#· ZHõ¯_®
â◊ º =∞O`« H õ = ∞}˜ Åaè O K« Ö Ë ^ Œ x É’^è Œ Ñ ¨ ~ ° z <å âßOuOK« x
|Å~å=Ú_»∞, `å#∞ uiy NHõ$+¨µ‚x`À ~å#x K≥Ñ≤Ê, q∞käÖÏ
#QÆ~åxH˜ KÕ~°∞‰õΩ<åfl_»∞.
~ÀAÅ∞ QÆ_»∞ã¨∞Î<åfl~Ú. „Ѩu k#O Zxq∞k ÉÏ~°∞=ÙÅ
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|OQÍ~åxflKÕÛ â◊º=∞O`«Hõ=∞}˜`Àã¨Ç¨ J„‰õÄ~°∞_»∞ HÍj#QÆ~åxH˜
KÕ ~ ° ∞ ‰õ Ω <åfl_» ∞ . `« # =^Œ Ì # ∞#fl =∞}˜ =∞Ç≤ Ï =∞`À Åaè ã ¨ ∞ Î # fl
|OQÍ~åxfl LѨÜ≥∂yOz J„‰õÄ~°∞_»∞ HÍj#QÆ~°OÖ’ =~°ã¨QÍ Z<Àfl
Ü«∞[˝Ü«∂QÍk „Hõ`«∞=ÙÅ#∞ x~°fiÇ≤ÏOK«™êQÍ_»∞.
DÖ’QÍ ^•fi~°HÍѨÙiH˜ Z<Àfl HõÅǨÅ#∞, u~°∞QÆ∞ÉÏ@¡#∂
Z^Œ∞~À¯=Åã≤ =zÛOk. „Ѩ[Å∞, ^èŒ~å‡`«∞‡_»~Ú# JHõ$Ï~°∞_»∞
^•fi~°HõÖ’ x=ã≤Oz#O`«HÍÅO, `«=∞ #QÆ~°O ã¨∞Y-âßO`«∞Å`À
LO_Õ^Œx, J`«_»∞ ѨÙ~åxfl q_çz "≥o¡# ^ŒQÆæi#∞O_ç, JO`å
Jã¨Î=ºã¨ÎO J~ÚáÈ~ÚO^Œx ÉèÏqOKÕ~°∞.
JO^Œ∞ˆH J„‰õÄ~°∞_çx uiy ^•fi~°Hõ‰õΩ PǨfixOK«=∞x
„Ѩ[Å∞ NHõ$+¨µ‚_çH˜ q#flqOK«∞‰õΩ<åfl~°∞. J„‰õÄ~°∞_çx ^•fi~°Hõ‰õΩ
uiy ~° = ∞‡x PǨ  fixOK« _ » O `ÀÉÏ@∞ Hõ $ +¨ µ ‚ _ » ∞ , `« # J#fl
|Å~å=Úx`À Hõey# =∞#ã¨Ê~°÷#∞ ‰õÄ_® =∞iz, J`«_çh
^•fi~°HÍѨÙiH˜ ~°=∞‡x PǨfixOKå_»∞. uiy ^•fi~°Hõ‰õΩ =zÛ#
J„‰õÄ~° |Å~å=Úe^ŒÌ~°∂ NHõ$+¨µ‚x ~å[Éèí=<åxH˜ KÕ~°∞‰õΩ<åfl~°∞.
NHõ$+¨µ‚_»∞ J„‰õÄ~°∞_çx ~å[ã¨Éèí‰õΩ PǨfixOz, `«#^≥·#
=∞O^ŒÇ¨㨠=Ú„^Œ`À - '„Ñ≤Ü«∞"≥∞ÿ# J„‰õÄ~°∞_®! JO^ŒiH©
â◊º=∞O`«Hõ=∞}˜x K«∂Ñ≤OK«∞. JO^Œ~°∂ ^•xx <Õ#∞ `«ã¨¯iOKå#x
„Éèí=∞Ѩ_»∞`«∞<åfl~°∞!—— J<åfl_»∞.
D =∂@Å∞ q#fl J„‰õÄ~°∞_»∞ XHõ¯™êi J"åHõ¯~Ú,
JHõ ¯ _» ∞ #fl "å~° O ^Œ i 㨠= ∞Hõ ∆ O Ö’ â◊ º =∞O`« H õ = ∞}˜ x fã≤
„Ѩ^Œi≈OKå_»∞. Pq^èŒOQÍ `«#‰õΩ =zÛ# JѨxO^Œ#∞ NHõ$+¨µ‚_»∞
`«∞_»∞K«∞‰õΩ<åfl_»∞.
J„‰õÄ~°∞x =^Œ#Ì ∞O_ç ~å|\˜#ì â◊º=∞O`«H=õ ∞}˜x NHõ$+¨µ_‚ ∞»
Z=iH˜ |ǨïHõiOK«É’`å_® J#fl ‰õΩ`«∂ǨÏÅO JO^Œi =∞kÖ’
HõeyOk. JO^Œ~°∂ NHõ$+¨µ‚_»∞ K≥ѨÊÉ’ÜÕ∞ ^•xx q#\ÏxH˜
ã¨#fl^Œ∞úÅÜ«∂º~°∞.
NHõ$+¨µ‚_»∞ ã¨ÉèÏã¨^Œ∞Å#∞ L^ÕÌtOz WÖÏ J<åfl_»∞ - ''D
JѨÓ~°fi"≥∞ÿ# â◊º=∞O`«Hõ=∞}˜x á⁄O^Õ"å~°∞ `«=∞ rq`åxfl ZO`À
xÜ« ∞ =∞x+¨ ª Å `À QÆ _ » á êe. 㨠` « º Éè Ï =∞=O\˜ qÖÏ㨠= u D
xÜ«∞=∂xfl áê\˜OK«ÖË^Œ∞. <Õ#∞ K«∂¿ãΠѨ^ŒÇ¨~°∞"ÕÅ=∞Ok
ÉèÏ=∞Å∞#fl"å_çx. WHõ <å J#flQÍi q+¨Ü«∂xH˘¿ãÎ, PÜ«∞#‰õΩ#fl
=∞k~åáê#O JÅ"å@∞ =Å# PÜ«∞# #∞O_ç Ug∞ PtOK«ÖË=Ú.
WHõ J„‰õÄ~°∞x q+¨Ü«∂xH˜ =¿ãÎ, P`«_»∞ D =∞}˜^•fi~å Åaèã¨∞Î#fl
JO`«∞ÖËx ã¨OѨ^ŒÅ#xfl\˜h <åºÜ«∞OQÍ "≥·kHõ Hõ~°‡Å x~°fiǨÏ}ˆH
qxÜ≥∂yã¨∞Î#flO^Œ∞=Å#, qâ◊fi=∞O`«\ ˜H© JkèѨuÜ≥ÿ∞# Ѩ~°=∂`«‡
J`« _ ç Ñ ¨ @ ¡ 㨠O `« ∞ +¨ µ ì _ » ~ Ú, J`« x ˆ H D =∞}˜ x WÜ« ∞ º=∞x
JaèÅ+≤ã¨∞Î<åfl_»∞.
nx =Å#, Z=~°~Ú`Õ `«=∞ ã≤iã¨OѨ^ŒÅ#∞ <åºÜ«∞"≥∞ÿ#
Ѩ^ŒúuÖ’, ã¨`å¯~åºÅ‰õΩ qxÜ≥∂y™êÎ~À, "å~°∞ Ѩ~°=∂`«∞‡#∞O_ç
=∞ixfl ã¨OѨ^ŒÅ#∞ Pj~åfi^Œ ~°∂ѨOÖ’ á⁄O^Œ∞`å~°∞ Jx
J=QÆ`«=∞=Ù`ÀOk.
»y∫Á™∫Á™ ∫Á™z u o ∫™z ∫Á™z ™åÁz ∫ ™z @ ÓœÁåÁ™ o Ï ¡ ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@
N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II
=∞x+≤ `«#‰õΩ `å#∞QÍ =∂~°@"Õ∞ =∞ǨÏhÜ«∞`«.
D QÍ^äŒÖ’ =∞~˘Hõ =∞ǨÏ`«Î~°"≥∞ÿ# ã¨O^Õâ◊O ‰õÄ_® ^•y
LOk. ÉèíQÆ=O`«∞xH˜ Q˘Ñ¨Ê Éèí‰õΩÎ_»~Ú#ѨÊ\˜H© J„‰õÄ~°∞_»∞,
â◊`«^èŒ#∞fix =O\˜ K≥_»¤"åi ã¨Ç¨Ï"åã¨O`À `«# xÜ«∞=∂Å#∞O_ç
*ÏiáÈÜ«∂_»∞. =∂‰õΩ =∂~°æ^Œi≈ =∂ `«O„_çQÍÔ~·# N Pâ◊√Hõq
™ê~°fiÉè∫=∞ qÅ∂¡~°∞ ™êfiq∞QÍ~°∞ nxH˜ XHõ =∞Oz L^•Ç¨Ï~°}#∞
`«# ~°K«# J=∞$`« âß~°∂ÌÅOÖ’ WÖÏ K≥áêÎ~°∞.
Yã¸ÁzDÆÊ oƒ ™ÁåÃÁ˘t߃oΩ \ÁoÁzD™woÁÊ∆ÏÀoo:
√ÆÁz©å≥ÁÁuú úoã™Ï“Ï™|Ï“Ï∫“Áz ƒÁ∫ÁuëÁáÁ{ Ã|tÁ @
úWΩNz˛åÁuWΩN˛ouƒT¿“Áz Æ∆ FtÊ á z N˛¬WΩN˛ynÆ“Áz
ß¿…bÁz uƒ…mÏútÁoΩ \¬ÁãƒÆ™uú üÁõo: úÏ™ÁåΩ F|–∆: @@
J#QÍ, K«O„^Œ∞_»∞ Ѩ~°=∂`«‡ =∞#ã¨∞Ö’ [x‡Oz, x`«ºO
q+¨ µ ‚ Ñ ¨ ^ Œ O (PHÍâ◊ O )Ö’ 㨠O K« i Oz<å, x`« º =¸ [Å=Ú
(™êQÆ~°O) Ö’ =ÚxyáÈ`å_»∞ QÆ#Hõ J`«_»∞ Ѩ`«#=∞=Ù`å_»∞.
J^Õq^èŒOQÍ, Q˘Ñ¨Ê Q˘Ñ¨Ê Éèí‰õΩÎÅ#|_Õ"å~°∞, Z=~°~Ú`Õ q+¨µ‚Ѩ^Œ
=∞#|_Õ ÉèíQÆ=O`«∞x K«~°}Ï~°qO^•Å =^ŒÌ â◊~°}∞ á⁄Ok#"å~°∞
‰õÄ_®, [_»∞Å~Ú# ^Œ∞~°∞æ}∞Å∞, ^Œ∞+¨ì|∞kú HõÅ"åi ™êOQÆ`«ºOÖ’H˜
"≥_ç`Õ, "å~°∞‰õÄ_® Ѩ`«#=∞=Ù`å~°∞. (ã¨O㨯 $`« ÉèÏ+¨Ö’ 'Å—,
'_»— JHõ∆~åÅ#∞ XHõ^•xH˘Hõ\ ˜ =∂~°∞QÍ „ѨÜ≥∂yOK«=K«∞Û.)
J~Ú#ѨÊ\˜H© ÉèíQÆ=O`«∞_»∞ J„‰õÄ~°∞_çx Ѩi`«ºlOK«ÖË^Œ∞.
PÜ«∞# J„‰õÄ~°∞xH˜ ã¨^Œ∞ƒkúx „Ѩ™êkOz, â◊º=∞O`«Hõ=∞}˜x
|Ǩ˙HõiOz Pj~°fikOKå_»∞.
ÉèíQÆ=O`«∞_»∞ `«# Éèí‰õΩÎÅ∞ ^Œ∞+¨¯~°‡Å∞ KÕã¨∞Î<åfl, "åix
=∂iÛ ~°HO∆˜ K«@OÖ’ ZÅ¡ÑC¨ _»∂ ã≤~÷ O° QÍ<Õ LO\Ï_»∞. `«# Éè‰í Ωõ ÅÎ #∞
ã≤÷~°OQÍ ã¨^•-ã¨~°fi^• HÍáê_ç ~°H˜∆ã¨∂Î LO\Ï_»∞ QÆ#ˆH PÜ«∞#‰õΩ
'ã≤÷~°— J#fl <å=∞O U~°Ê_çOk.
ÉèíQÆ=O`«∞_»~Ú# #~°ã≤OǨϙêfiq∞, „ѨǨ¡^Œ∞_»∞ `«# Jã¨∞~°
¿ã#Å`À ^Õ=`«ÅÃÑ·H˜ ^ŒO_≥uÎ =zÛ#ѨC_»∞ ‰õÄ_® „ѨǨ¡^Œ∞x Ѩ@¡
`«# ÉèÏ"åxfl ZO`«=∂„`«O =∂~°∞ÛHÀÖË^Œ∞. `«# "å`«ûźO`À
PÜ«∞# ZšѨC_»∂ ã≤÷~°∞_ç<Õ#x |∞∞A=Ù KÕã¨∞‰õΩO@∂<Õ LO\Ï_»∞.
JO^Œ∞ˆH PÜ«∞# =∞O„`«O PÜ«∞##∞ Éèí„^Œ∞xQÍ =i‚ã¨∂ÎOk.
x~°∞H˜Î „ѨHÍ~°O EúYÁ∫zDõÆYÁ¡ÆnƒÁoΩÃãáÁåz uÀs∫ GXÆoz @@
=∞# ^Œ∞+¨¯~°‡Å`À ZšѨC_»∂ PÜ«∞##∞ ÉÏ^èŒÃÑ@ì@"Õ∞
=∞# „Ѩ=$uÎ. JO^Œ∞Hˆ ã¨^• PÜ«∞# Hõ$áê Hõ\ÏH∆ÍÅ#∞ á⁄O^Œ\ÏxH˜
'ã≤÷~åÜ«∞ #=∞ó— J#fl^•xHõ#fl "Õˆ~ =∞O„`«"Õ∞g∞ÖË^Œ∞.
„Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å! zÅ∞‰õÄ~°∞Ö’ "≥Åã≤#
ÉÏÖÏr ~°∂áêxfl ^蕺xã¨∂Î 'ã≤÷~åÜ«∞#=∞ó— J#fl D <å=∂xfl
ã≤÷~°OQÍ [Ñ≤ã¨∂Î LO^•O.
=∞#O `«Ñ¨CÅ#∞ `≥eã‘ - `≥eÜ«∞Hõ KÕã≤<å - KÕã¨∞Î<åfl,
`«Ñ¨Ê‰õΩO_® PÜ«∞# Hõ$Ѩ#∞ á⁄O^Œ\ÏxH˜ ~°O_ç, ÉèíH˜Î`À [Ñ≤Oz
ã¨`«Êùe`åÅ#∞ á⁄O^Œ∞^•O -
'FO ã≤÷~åÜ«∞ #=∞ó—
@@H uÀs∫ÁÆ å™:@@ O
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=∞^èŒ∞~åq[Ü«∞O ^è•~å"åÇ≤ÏHõ...78 =∞^äŒ∞~å q[Ü«∞O - 11
QÆ`« ã¨OzHõ `«~°∞"å~Ú ÉèÏQÆO....
[iy# Hõ^äŒ : Z<Àfl Kåi„`å`«‡Hõ x*ÏÅ∞ `«#Ö’ á⁄O^Œ∞Ѩ~°K«∞‰õΩ#fl D
=∞^è∞Œ ~åq[Ü«∞O, =∞Ǩ~åA HõOѨ#~åÜ«∞x Ѩ@=ì ∞Ç≤Ï+≤ =∞Ǩ~å}˜ QÆOQÍ^ÕqKÕ
~°zOѨ|_ç#k. q[Ü«∞#QÆ~° ™ê„=∂*Ϻnèâ√◊ _≥#· N |∞Hõ¯~åÜ«∞x ÃÑ^ŒÌ ‰õΩ=∂~°∞_»∞
‰õΩ=∂~°HõOѨ#~åÜ«∞_»∞. Hõ^ä•Ñ¨~°OQÍ q[ÜÕ∞O„^Œ =Å¡Éèí =∞iÜ«Ú ^Œ`«∞Î_»∞ J<Õ
W^ŒÌ~°∞ Ü«Ú=‰õΩÅ∞ N~°OQÆOÖ’x N~°OQÆ<å^èŒ∞x q„QÆǨxfl "≥^ŒHõ_®xÔH·
|Ü«∞Å∞^Õ~°`å~°∞. ã¨∞ÖÏÎ#∞ Ãã·#ºO #∞O_ç D q„QÆǨxfl #Å∞QÆ∞~°∞ H˘_»=~°∞Å∞
HÍáê_ç ~°Ç¨Ï㨺 „Ѩ^Õâ◊OÖ’ ^•zÃÑ_®Î~°∞. Z<Àfl „Ѩܫ∂ã¨ÅHÀiÛ, ZO^Œi<À
„ѨtflOz# Ñ≤^ÑŒ ,¨ K≥OK«∞`≥QÅÆ "åi ã¨Ç¨ Ü«∞O`À W^Œ~Ì ∞° Ü«Ú=‰õΩÅ∞ N~°OQÆ<å^ä∞Œ x
q„QÆǨÏO =∞iÜ«Ú 18 Uà◊√¡QÍ q„QÆǨxfl „áê}ÏkèHõOQÍ HÍáê_»∞`«∞#fl PYi
H˘_»=~°∞x ‰õÄ_® K«O„^Œyi J_»=ÙÖ’¡ Hõ#∞HÀ¯QÆÅ∞QÆ∞`å~°∞. ^Œ`∞« _Î ∞» H˘O`«=∞Ok
"Õ@QÍà◊§ ã¨Ç¨Ü«∞O`À P „Ѩ^Õâß<ÕflÖË ~å*ˇ·# N~°OQÆ<å^äŒ Ü«∂^Œ=~åÜ«∞xH˜
ã¨O^Õâßxfl KÕ~°"Õ™êÎ_»∞. ~åA Ǩï\ÏǨï\˜# ã¨Ãã·#ºO`À Hõ^Œe=™êÎ_»∞. .....
"å~°∞ H˘kÌ ~ÀAÅ∞ JÖψQ „ѨÜ∂« }˜Oz ѨÙ^Œ∂~°∞‰õΩ KÕ~∞° ‰õΩO\Ï~°∞. `«#∞ ѨÙ\˜#ì
„Ѩ^ÕâßxH˜ KÕ~°∞‰õΩ<åfl#<Õ L`åûǨÏO`À =∞^èŒ∞~° Jâßfixfl Ô~\˜ìOz# "ÕQÆO`À
Ѩ~°∞ÔQuÎã¨∞ÎOk. =∞^èŒ∞~åOy}˜x `«e¡^ŒO„_»∞Å =^ŒÌ‰õΩ KÕiÛ =Å¡Éèí^Œ`«∞ÎÅ∞ u~°∞QÆ∞
„ѨÜ∂« }O Hõ\Ïì~∞° . =∂~°=æ ∞^躌 OÖ’ |ã¨KãÕ #≤ KÀ@ ~å„u"Õà◊ =Å¡É∞íè _»∞ =∞^è∞Œ ~°
TǨÏÖ’ FÅÖÏ_»∞`«∞O_»QÍ =Å¡Éèí∞_»∞ JHõ¯_çH˜ =zÛ J`«x „¿Ñ=∞ `«=∞
ÅHõ∆ º™ê^èŒ#‰õΩ P@OHõO HÍQÆÅ^Œx ÃÇÏK«Ûi™êÎ_»∞. =∞^èŒ∞~° =∞m§ =∞m§ *Ï˝Ñ¨HõO
~å=_»O =Å# =Å¡É∞íè _»∞ `åq∞^Œ~Ì O° q_çáÈ~Ú# „Ѩ^âÕ ßxH˜ uiy "≥àÏÎ_∞» . JHõ¯_»
=∞^è∞Œ ~°#∞ HõÅ∞ã¨∞‰õΩO\Ï_»∞. W~°∞=Ù~∞° "åi „¿Ñ=∞#∞ =ºHõΠѨ~K° ∞« ‰õΩO\Ï~°∞. =∞^è∞Œ ~°
`«##∞ ÃÑo§ KÕã∞¨ HÀ=∞#QÍ N~°OQÆOÖ’ ~°OQÆ<å^ä∞Œ x ѨÙ#ó „Ѩu+≤Oì z# `«~∞° "å`«
KÕã¨∞‰õΩO^•=∞x JO\Ï_»∞. Wk WÖÏ [~°∞QÆ∞`«∞O_»QÍ q[Ü«∞#QÆ~° ™ê„=∂[º
Ãã<· åºkèÑu¨ NQÀѨ#flQÍ~°∞ N~°OQÆ<å^ä∞Œ x =ÚÖˇ· fi ~å*ºOÖ’x yOw „áêO`åxH˜
fã¨∞‰õΩx =KåÛ_»∞. =∞Hõ~° qiÜ«∂àò `«##∞ ÃÑO_ç¡ KÕã¨∞HÀ=∞x J_»∞QÆQÍ,
~°OQÆ<å^äŒ∞x N~°OQÆOÖ’ ѨÙ#ó „Ѩu+≤ìOz# `«~°∞"å`« ÃÑO_ç¡ KÕã¨∞‰õΩO^•=∞x
JO\Ï_»∞ =Å¡É∞íè _»∞. q[Ü«∞#QÆ~° ~å[º ã¨~fi° Ãã<· åºkèÑu¨ QÀѨ#fl N~°OQÆ<å^ä∞Œ x
*ˇOlH˜ fã¨∞‰õΩx =KåÛ_»∞. =Å¡É∞íè _»∞ `«# `«e¡ =∞iÜ«Ú ^Œ`∞« xÎ `À Hõeã≤ QÀѨ#fl#∞
HõÅ=_®xH˜ =™êÎ_∞» .. QÀѨ#fl `«#∞ =Å¡É^íè `Œ ∞« ÅÎ ‰õΩ `«Ñʨ Hõ ã¨Ç¨ Ü«∞Ѩ_`» å#x "åQÍú#O
KÕã≤, ã¨Ãã·#ºO`À |Ü«∞Å∞^Õi, ‰õΩ=∂~°HõOѨ# ~åÜ«∞x ~å[º"≥∞ÿ# HõOzH˜
KÕ~∞° ‰õΩO\Ï_»∞. ~åA#∞ HõÅ"åÅx J#∞‰õΩO\Ï_»∞. HÍh HõOѨ#∞_»∞ [fi~° f„=`«
=Å# Jã¨fiã¨∞_÷ Qç Í L<åfl_»x `≥Å∞ã¨∞‰õΩO\Ï_»∞. ~°OQÆ<å^äŒ∞x N~°OQÍxH˜ uiy
KÕ~°Û_®xH˜ `«#∞ Z@∞=O\˜ K«~°º KÕѨ@ìÖË^Œx HõOѨ#∞_»∞ ÉÏ^èŒÑ¨_»∞`«∞O\Ï_»∞.
J`«x HõÅÖ’ ™êH∆Í`«∂Î =∞^èŒ∞Ô~· g∞<åH©∆^Õq =zÛ, `«fi~°QÍ P ã¨OHõÖÏÊxfl ѨÓiÎ
K≥Ü∞« º=∞x P^ÕtOz "≥à√◊ OÎ k. `«~∞° "å`« "åã¨OuHõ, `«<Õ g∞<åH˜Q∆ Í HõOѨ#∞x`À
=∂\Ï¡_Oç ^Œx, =∞Hõ~q° oÜ«∂àò =Å¡É∞íè xH˜ |Ǩï=∞uQÍ WzÛ# Kè∞« ~°Huõ xÎ `å#∞
HõOѨ#∞xH˜ WKåÛ#x =Å¡É∞íè xH˜ K≥|∞`«∞Ok. Wk q#fl =Å¡É∞íè _»∞ ǨÏ`åâ◊√_Ò`å_»∞.
WO`«Ö’ QÀѨ#fl HõOѨ#∞x HõÅ∞ã¨∞‰õΩO\Ï_»∞....... HÀ@ ~°Ç¨Ï™êºÅ∞
`≥Å∞ã¨∞H˘<ÕO^Œ∞‰õΩ u~°∞=∞}`«∂}Î ü #Oa ã¨ÅǨ "Õ∞~°‰Ωõ J<ÕHõ ~°H=õ ÚÖˇ#· HÍ#∞HõÅ∞
=∞iÜ«Ú ^Õ=^•ã≤`À Hõeã≤ Hõ#fl#∂~°∞‰õΩ |Ü«∞Å∞^Õi "≥àϧ~°∞. Hõ#fl#∂~°∞Ö’x
ã¨∞ÖÏÎ#∞ |ÅÇ‘Ï#`«#∞ ѨijeOz ^Œ`«∞Î_»∞ XHõ Ѩ^äŒHõO "Õâß_»∞. ...... ã¨∞ÖÏÎ#∞
~å[ºOÖ’xH˜ „Ѩ"ÕtOz Hõ#fl#∂~°∞‰õΩ „Ѩܫ∂}˜OK«™êQÍ~Ú. (=∂~°æ =∞^茺֒
QÆÅ J<ÕHõ `«q∞à◊ ~å*ϺŠ„Ѩ[Å∞, ã¨∞ÖÏÎ#∞ #∞O_ç ¿ãfiK«Û#ù ∞ ™êkèOK«_®xÔH)· D
Ãã#· ºOÖ’ Ѩ~"° ∂≥ `åûǨÏO`À KÕ~™° êQÍ~°∞. q[Ü«∞#QÆ~° Ãã#· ºO Hõ#fl#∂~°∞ HÀ@#∞
~Ô O_»∞ ~°HÍÅ∞QÍ =Ú@ì_Oç K«_O» ã¨∞ÖÏÎ#∞ Ãã<· åºxfl Pâ◊Û~°ºÑ¨~z° Ok. HÀ@ |Ü«∞\˜
Ãã·<åºxfl Ѩ~ål`«OKÕã≤ "å\˜ Ãã·x‰õΩÅ#∞ Ãã·<åºkèѨÙÅ#∞ |OnQÍ KÕâß~°∞.
q[Ü«∞#QÆ~° Ãã#· ºO Hõ#fl#∂~°∞ HÀ@#∞ ~Ô O_»∞ ~°HÍÅ∞QÍ =Ú@ì_Oç K«_O» ã¨∞ÖÏÎ#∞
rq`å#O^•xfl JO^Œi`À ѨOK«∞HÀ=@"Õ∞ ¿ã=.
J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
Ãã·<åºxfl Pâ◊Û~°ºÑ¨~°zOk. =∞~°∞ã¨\ ˜ ~ÀA L^ŒÜ«∂<Õ q[Ü«∞#QÆ~° ¿ã#Å∞
Hõ#fl#∂~°∞ HÀ@ =Ú@ì_ç "≥Ú^ŒÅ~ÚºOk. ã¨∞ÖÏÎ#∞ Ãã#· ºO`À [iy# Ü«Ú^ŒOú Ö’
H˘O^Œ~∞° Ããx· HÍkèHÍ~°∞Å∞ q[Ü«∞#QÆ~° Ãã<· åºxH˜ |OnÅ∞QÍ [#‡`«ó Ç≤ÏO^Œ∞=ÙÖ#·ˇ
P |OnÅ∞, HÀ@֒ѨŠL#fl S~Àáê Ããx· ‰õΩÅ#∞ F_çOK«_®xH˜ `«=∞ ã¨Ç¨ Ü«∞O
fã¨∞HÀ=∞x QÀѨ#fl#∞ "Õ_∞» ‰õΩ<åfl~°∞. QÀѨ#flQÍi`À [iy# XѨÊO^ŒO „ѨHÍ~°O,
|OnÅ∞QÍ zH˜¯#"åiÖ’ ã¨QOÆ Ããx· ‰õΩÅ∞ HÀ@Ö’xH˜ „Ѩ"tÕ Oz ֒ѨÅ∞#fl S~Àáê
Ããx· ‰õΩÅ`À "≥∞~°∞Ѩ٠ܫÚ^ŒOú „ѨH\õ O˜ Kå~°∞. P q^ÕjÅ∞ Pâ◊Û~°ºO #∞O_ç `Õ~∞° ‰õΩ<Õ
֒ѨÅ, Hõ#fl#∂~°∞ HÀ@ q[Ü«∞#QÆ~° Pnè#OÖ’xH˜ =KÕÛã≤Ok. Hõ#fl#∂~°∞ #∞O_ç,
N~°OQÆ<å^ä∞Œ x ÉèHí Îõ |$O^ŒO Tˆ~yOѨÙQÍ |Ü«∞Å∞^Õi "≥o§ N~°OQÆO PÅÜ«∞OÖ’xH˜
J`«∞º`åûǨÏO`À „Ѩ"ÕtOzOk. ^Õt‰õΩÅ"å~°∞ =zÛ# `«~°∞"å`« N~°OQÆ<å^èŒ∞x
QÆ~ƒ° Qù ∞Æ _çÖ’ „Ѩu+¨ì [~°QÍÅx NQÀѨ#flQÍ~°∞ P^ÕtOKå~°∞. Ѩ~=° ∞Éè‰í Ωõ _Î ∞» , N"≥+· =‚¨
QÆ∞~°∞=Ù =∂„`«"Õ∞ H͉õΩO_® N~°OQÆ<å^äŒ∞x â◊„`«∞=ÙÅ ÉÏi#∞O_ç HÍáê_ç# ÉèíHõÎ
|$O^ŒOÖ’ q∞ye# PYi =∞iÜ«Ú UÔHH· õ =ºHÎ̃ N^Õt‰õΩÅ"å~°∞ HÍ=Ù# PÜ«∞#
D ã¨O`À+¨ ã¨=∞Ü«∞OÖ’ PÜ«∞# LO_çf~åÅx QÀѨ#fl JaèÖÏ+¨. QÀѨ#fl
P^Õâß#∞™ê~°O Ãã·#ºO Hõ#fl#∂~°∞ =ke =∞^èŒ∞Ô~· HÀ@#∞ =Ú@ì_çOzOk.
ã¨∞ÖÏÎ#∞#∞ ã¨OǨÏiOz =∞^è∞Œ ~Ô #· ∞ QÔ Å∞K«∞H˘x QÀѨ#fl uiy N~°OQÆO q[Ü«∞O
KÕâß_»∞... ..WHõ K«^Œ=O_ç...
Jã¨OѨÓiÎQÍ q∞yeáÈ~Ú# Ѩxx ѨÓiÎ KÕÜ«∞\ÏxH˜ QÀѨ#fl
N~°OQÍxH˜ uiy =KåÛ_»∞. P ã¨=∞Ü«∞OÖ’ "åi =∞#ã¨∞Ö’¡ Ô~O_Õ
ÅH∆ͺÅ∞ L<åfl~Ú. "≥Ú^Œ\ ˜ ÅHõ∆ ºO N~°OQÆ<å^äŒ∞x q„QÆǨÏO N~°OQÆO
PÅÜ«∞ QÆ~ƒ° Qù ∞Æ _çÖ’ ѨÙ#ó „Ѩu+≤Oì K«_O» ,, ~Ô O_»=k ~åA‰õΩ ~å*Ϻaè¿+HõO
K≥Ü∞« º_»O.
N~° O QÍxH˜ H˘`« Î â’Éè í =zÛOk. 㨠∞ ÖÏÎ < £ H ˜ Éè í Ü « ∞ Ѩ _ ç
JHõ¯_ç#∞O_ç "Õˆ~ „áêO`åʼnõΩ "≥o§áÈ~Ú#"å~°∞ uiy ~å™êQÍ~°∞.
~°Ç¨Ï^•~°∞Åhfl â◊√„ÉèíO KÕÜ«∞|_®¤~Ú. áê_»∞Ѩ_ç# Wà◊§‰õΩ PÅÜ«∂ʼnõΩ
=∞~°=∞‡`«∞Å∞ KÕÜ«∞|_®¤~Ú. ~å[º„Ѩ[Å∞ `«=∞ Wà◊§#∞ K«∞@∞ì „Ñ¨Hõ¯Å
„Ѩ^ÕâßÅ#∞ ÉÏQÆ∞Ѩ~°K«∞HÀ_®xH˜ q[Ü«∞#QÆ~° ã≤OǨã¨<ånèâ◊√_»∞ ÃÑ^ŒÌ
"≥Ú`åÎxfl, Hõ$+≤x "≥zÛOKå_»∞. D֒ѨÙ, N~°OQÆ<å^äŒ∞x q„QÆǨÏO Ѩ@¡
ÃÑ·H˜ ZQÆã≤# aè<åflaè„áêÜ«∂Å∞ ‰õÄ_® zeH˜ zeH˜ QÍe"å#QÍ
=∂i#@∞ì, |ÅO ѨÙOA‰õΩx ^•xÃÑ· K«~°ÛÅ∞, "å^•Å∞ Z‰õΩ¯"≥·Ü«∂º~Ú.
`å=Ú WO`«HÍÅO ѨÓlã¨∂Î =zÛ# q„QÆǨÏO Jã¨Öˇ·#^• ÖËHõ WѨC_»∞
QÀѨ#fl QÍ~°∞ ã≤OQÆ=~°O #∞O_ç `≥zÛ# D q„QÆǨÏO x["≥∞ÿ#^•? Jx
P „Ѩ[Å∞ K«iÛOK«∞HÀ™êQÍ~°∞. WѨÊ\˜ =~°‰õΩ ~°OQÆ<å^äŒ∞x q„QÆǨxfl
ѨÓlã¨∂Î =ã¨∞Î#fl "å~°∞, áê`« q„QÆÇ¨Ï ~åHõ#∞ JOwHõiOK«ÖË^Œ∞. "å~°∞
H˘`«Î q„QÆǨÏOѨ@¡ ÉèíH˜Î ÉèÏ=O, J#∞|O^èŒO ÃÑOK«∞‰õΩ<åfl~°∞. KåÖÏ
=∞Ok W@∞=O\˜ "åi Jaè„áêÜ«∂xfl JOwHõiOK«~°∞ ‰õÄ_®. Wk
=Å¡Éèí∞x qKå~°Ñ¨_ÕÖÏ KÕã≤Ok. D q+¨Ü«∞O QÆ∞iOz QÀѨ#flQÍi`À
=∂\Ï¡_®Å#∞‰õΩ<åfl_»∞. D q+¨Ü∞« O q#flO`«<Õ QÀѨ#fl ǨÏ`åâ◊√_≥Ü · ∂« º_»∞.
"≥O@<Õ JHõ¯_ç ÃÑ^ŒÌ"åix JO^Œih K«~°Û‰õΩ Ñ≤eKå_»∞. =zÛ# "åiÖ’
KåÖÏ=∞Ok QÀѨ#fl `≥zÛ# q„QÆǨÏO Jã¨Öˇ·# ~°OQÆ<å^äŒ∞x q„QÆǨÏO
JO>Ë #=∞‡ÖË^Œ∞. N~°OQÆO#∞O_ç q„QÆǨÏO`Àáê@∞ |Ü«∞Å∞^Õi#
|$O^ŒOÖ’x "åÔ~=Ô~·<å =zÛ `å=Ú ZO`À *Ï„QÆ`«ÎQÍ HÍáê_ç#
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J<åfl~°∞. QÀѨ#fl`Àáê@∞ JHõ¯_»∞#fl Z=~°∂ ~°OQÆ<å^äŒ∞x q„QÆǨxfl
`«=∞ rq`«HÍÅOÖ’ K«∂_»ÖË^Œ∞ HÍh =zÛOk áê`« q„QÆǨÏO Jx
#=Ú‡`«∞<åfl~°∞.
''ZO^Œ∞‰õΩ JO`« JѨ#=∞‡HõO? <Õ#∞ =∂ J=∞‡ "åã¨OuHõ#∞
fã¨∞‰õΩ=™êÎ#∞. P"≥∞ ™êfiq∞ q„QÆǨxfl QÆ∞~°∞ÎѨ_»∞`«∞Ok—— J<åfl_»∞
=Å¡Éèí∞_»∞.
''g∞ J=∞‡ ‰õÄ_® QÆ`« H˘xfl ã¨O=`«û~åÅ∞QÍ q„QÆǨÏO`À
áê@∞ ÖË^Œ∞. QÆ`« 48 ã¨O=`«û~åÅ∞QÍ ™êfiq∞x JO\˜ ÃÑ@∞ì‰õΩ#fl =ºH˜Î
=zÛ K≥áêÊe. JѨC_Õ JOwHõi™êÎO—— J<åfl~°∞ ™ê÷x‰õΩÅ∞. [~°∞QÆ∞`«∞#fl
Ѩi}Ï=∂Å#∞ K«∂ã¨∞Î#fl QÀѨ#fl =∞#ã¨∞Ö’ ‰õΩq∞eáÈ™êQÍ_»∞. Z<Àfl
HõëêìÅ∞, Z<Àfl #ëêìÅ∞, WOÔH<Àfl Ü«Ú^•úÅ∞ KÕã≤ ÔQeÛ# `«~°∞"å`«
ÅaèOz# q[Ü«∂xfl P#OkOK«ÖËHõáÈ`«∞#flO^Œ∞‰õΩ ÉÏ^èŒÑ¨_®¤_»∞. KÕã≤#
Hõ$+≤ K≥ÖÏ¡K≥^Œ∞Ô~·~ÚºOk, =º~°÷=∞~ÚºOk. D PÖ’K«# J`«_çx
‰õ Ω OQÆ n ã≤ # Pe `« # =∞<ÀÃã ÷ ~ åºxfl HÀÖ’ÊHõ , Hõ ~ ° Î = ºO QÆ ∞ iOz
PÖ’zOKå_»∞. z=~°‰õΩ, x~°‚Ü«∂xfl ѨO_ç`À`«Î=Ú_»∞ Q˘Ñ¨Ê *Ï˝x JQÆ∞
N"Õ^•O`« ^Õt‰õΩÅ "åiH˜ =ke"Õ^•Ì=∞#∞‰õΩ<åfl_»∞. WOHÍ Ô~O_»∞
~ÀAÖ’¡ N~°OQÍxH˜ ~å#∞#fl "Õ^•O`« ^Õt‰õΩÅ "åiH˜ KÕÜ«∞=Åã≤
=ã¨u `«k`«~° U~åÊ@¡#∞ K«∂_»\ÏxH˜ N QÀѨ#fl LѨ„Hõq∞OKå~°∞.
J#∞‰õ Ω #fl@∞ì Q Í<Õ Ô ~ O_» ∞ ~ÀAÅ `« ~ ° ∞ "å`« "Õ ^ •O`«
^Õt‰õΩÅ"å~°∞ N~°OQÍxH˜ KÕ~°∞‰õΩ<åfl~°∞. PÜ«∞#‰õΩ 102 ã¨O=`«û~åÅ
=Ü« ∞ 㨠∞ û L#flѨ Ê \˜ H ˜ , `« # „Ѩ Ü « ∂ } 㨠= ∞Ü« ∞ OÖ’ Ѩ Å ¡ H ˜ x
LѨÜ≥∂yOK«ÖË^Œ∞. "Õ∞Ö’¯@ #∞O_ç N~°OQÍxH˜ HÍe#_»Hõ<Õ =KåÛ~°∞.
N~°OQÍxH˜ KÕ~°∞HÀ=_®xH˜ PÜ«∞#‰õΩ 15 ~ÀAÅ∞ Ѩ\ ˜ìOk.
N~°OQÆOÖ’x qq^èŒ „Ѩ^ÕâßÅ∞ K«∂ã¨∞ÎO_»QÍ, QÆ`« 㨇 $`«∞Å∞
PÜ«∞# =∞#ã¨∞ûÖ’ "≥∞ke, Hõà◊√¡ K≥=∞~åÛ~Ú. Hõà◊ `«Ñ≤Ê, r~°‚"≥∞ÿ#
Éè=í <åÅ∞, ~°ÇϨ ^•~°∞Å∞ K«∂ã≤ PÜ«∞# =∞#ã¨∞ f„="≥∞#ÿ "Õ^#Œ ‰õΩ QÆ∞~Ô O· k.
"≥ÚQÆÖò =Ú@ì_ç [iy# `«~°∞"å`« JHõ¯_ç =ÚY∞ºÅO`å N~°OQÆO
q_çz "≥o§áÈ~Ú# "≥#· O PÜ«∞#‰õΩ QÆ∞~°∞‰Î Ωõ =zÛOk. HÍh, Éèqí +¨º`«∞ÖÎ ’
"Õ^Œ ã¨O„Ѩ^•Ü«∞Ѩ٠ѨiáêÅ# ~åQÆÅ^Œx =∞#ã¨∞‰õΩ #K«Û K≥ѨC‰õΩx,
ã¨O`À+¨Ñ¨_®¤_»∞.
^Õt‰õΩÅ "åix K«∂ã‘ K«∂_»QÍ<Õ QÀѨ#fl PÜ«∞# HÍà◊¡ÃÑ·
"åeáÈÜ«∂_»∞, J`«x ÉèíH˜Îx "≥∞K«∞Û‰õΩO@∂ QÆ∞~°∞=ÙQÍ~°∞, ''h ~å[ºO
k#k<åaè=$kú K≥Ok, ã¨∞Y ã¨∞aèH∆ÍÅ∞ á⁄O^Œ∞QÍHõ—— Pj~°fikOKå~°∞.
`«~°∞"å`« QÀѨ#fl PÜ«∞#`À H˘OK«O "≥ÚǨÏ=∂@Ѩ_»∞`«∂
JHõ¯_» q„QÆǨÏO q+¨Ü«∞OÖ’ [~°∞QÆ∞`«∞#fl Jaè„áêÜ«∞ ÉË^è•Å QÆ∞iOz
K≥Ñ≤Ê, Ѩiëê¯~°O ã¨∂zOK«=∞<åfl_»∞.
™êfiq∞ ^Õt‰õΩÅ"å~°∞ #qfi, ''QÀѨ<åfl! <Õ#∞ U q„QÆǨxfl
Z#∞fl‰õΩO\Ï<À Jx P`«$`« Ѩ_»‰õΩ. ~å=∂Ü«∞}OÖ’x XHõ ã¨xfl"Õâßxfl
QÆ∞~°∞ΉõΩ `≥K«∞ÛHÀ. JÜ≥∂^茺 „Ѩ[Å∞ ã‘`å^Õqx xOkOz#ѨÙ_»∞
N~å=Ú_»∞ Uq∞ KÕâß_»∞? P `«e¡ x+¨¯à◊OHõ Jx PÜ«∞#‰õΩ `≥Å∞ã¨∞.
J~Ú<å ã¨fiK«Ûù`«#∞ x~°∂Ñ≤OK«_®xH˜ P"≥∞‰õΩ jÅѨsHõ∆#∞ ÃÑ\Ïì_»∞.
HÍ=Ù# <Õ#∞ K≥Ñ≤Ê# ^•xx P^è•~°O KÕã¨∞‰õΩx x~°‚Ü«∂Å∞ fã¨∞HÀ‰õΩ.
™ê÷xHõOQÍ L#fl "åiÖ’ J~°"≥· Uà◊§‰õΩ ÃÑ·|_»¤"åix fã¨∞‰õΩ~å. "å~°∞
áê`« ~°OQÆ<å^äŒ q„QÆǨxfl `«Ñ¨ÊHõ K«∂ã≤ LO\Ï~°∞. "åix WHõ¯_çH˜
fã¨∞‰õΩ =zÛ, Ô~O_»∞ q„QÆǨÅ∞ "åi =ÚO^Œ∞ ÃÑ\˜ì, áê`« q„QÆǨxfl
QÆ∞iÎOK«=∞O^•O nxHõO>Ë =ÚO^Œ∞ #∞=Ùfi K≥Ü«∞º=Åã≤# Ѩ<Õ=∞O>Ë,
™ê÷x‰õΩÖ’¡ q„QÆǨxfl q~ÀkèOz "åi <åÜ«∞‰õΩx`À =∞# D PÖ’K«#
q=iOz, "åi JOwHÍ~°O fã¨∞HÀ—— Jx J<åfl~°∞.
ã¨O`Àëêxfl q∞Oz# ã¨~Àfi`«Î=∞ áœ+≤ìHÍǨ~°O =∞~˘Hõ\˜ ÖË^Œ∞.
^Õt‰õΩÅ"å~°∞ K≥Ñ≤Ê# ^•xH˜ QÀѨ#fl JOwHõiOKå~°∞. PÜ«∞#
"≥O@<Õ PÜ«∂ JkèHÍ~°∞Å#∞ Ñ≤eÑ≤Oz "åi`À =∂\Ï¡_®~°∞. "å~°O`å
QÀѨ#fl K≥Ñ≤Ê#^•xH˜ JOwHõiOKå~°∞. =∞~°∞<å_»∞, N~°OQÆOÖ’ XHõ
^ŒO_À~å "≥Ü«∞º|_çOk.
''Ѩ@ì}OÖ’x 60 ã¨O=`«û~åÅ∞ ÃÑ·|_»¤"å~°∞, QÆ`«OÖ’
N~°OQÆ<å^äŒ∞x q„QÆǨxfl ^Œi≈Oz# "å~°O`å PÅÜ«∞O =^ŒÌ‰õΩ ~å"åÅx
ã¨~°fiÃã·<åº^茺‰õ∆ΩÅ P[˝—— J#flk P ^ŒO_À~å ™ê~åOâ◊O.
ZO`« "≥kH˜<å XHõ¯ =ºH˜Î ‰õÄ_® Hõ#Ѩ_»ÖË^Œ∞ Ѩ@ì}Ïxfl =ke
=Å㨠"≥o§áÈ~Ú# P `«~°O ‰õΩ@∞OÉÏÅ∞ ‰õÄ_® JHõ¯_» Hõ#Ѩ_»ÖË^Œ∞.
z=~°‰õΩ XHõ 90 UO_»¡ =Ú^Œ∞ã¨e `«#∞ áê`« q„QÆǨxfl K«∂âß#x
K≥áêÊ_»∞. „Ѩ[Å∞ PÜ«∞##∞ PÅÜ«∞O =^ŒÌ‰õΩ P`«$`«QÍ fã¨∞‰õΩ=KåÛ~°∞.
PÜ«∞#‰õΩ Ô~O_»∞ q„QÆǨ Å∞ K«∂Ñ≤OKåHõ QÍh giH˜ `≥eÜ«∞x
q+¨Ü«∞"Õ∞=∞O>Ë, =$^•úѨºO HÍ~°}OQÍ PÜ«∞#‰õΩ HõO\˜ ^Œ$+≤ì H©∆}˜Oz
áÈ~ÚO^Œh, áê`« q„QÆǨxfl QÆ∞iÎOK«ÖË_»x „Ѩ[Å∞ `≥Å∞ã¨∞‰õΩx,
x~° ∞ `åûǨ Ï Ñ¨ _ ç á ÈÜ« ∂ ~° ∞ . 㨠= ∞㨠º ZHõ ¯ _» "Õ ã ≤ # Q˘OQÆ o =Öˇ ,
Jã¨OѨÓ~°‚OQÍ q∞yeáÈ~ÚOk.
„Ѩ[Å∞ `«=∞ x~°∞`åûǨÏO K«∂Ñ≤OK«™êQÍ~°∞. JѨC_»∞ P
=$^Œ∞ú_»∞ =∂\Ï¡_»™êQÍ_»∞. ''Q“~°=hÜ«ÚÖˇ·# „Ѩ[ÖÏ~å! ^ŒÜ«∞KÕã≤ <å
=∂@ q#O_ç. P~ÀAÖ’¡ PÅÜ«∞OÖ’, Jaè¿+HÍ#O`«~°O ™êfiq∞ k=º
=„™êÎÅ#∞ „Ѩu~ÀE <Õ<Õ LuˆH"å_çx. JѨÊ\˜ #∞O_ç <Õ#∞ XHõ
JÖ"å@∞ KÕã¨∞‰õΩ<åfl#∞. ™êfiq∞ =„™êÎÅ#∞ L`«Hõ_®xH˜ fã¨∞‰õΩ "≥àı¡
=ÚO^Œ∞, P |@ìÅ#∞ QÆ\ ˜ìQÍ Ñ≤O_ç, P Ѩq„`« f~å÷xfl `åˆQ "å_çx.
Jk P ÉèíQÆ=O`«∞_»∞ <å‰õΩ WzÛ# „Ѩ™ê^ŒOQÍ ÉèÏqOKÕ "å_çx.
™êfiq∞ q„QÆǨÏO ÃÑ·#∞O_ç =„™êÎÅÖ’ KÕi# P f~å÷xH˜ „Ѩ`ÕºHõ"≥∞ÿ#
~°∞z LO_Õk. WѨC_»∞ <å ã¨ÅǨ U=∞#QÍ, D Ô~O_»∞ q„QÆǨÅ#∞
uiy Jaè¿+HõO KÕã≤ P =„™êÎÅ#∞ <å‰õΩ W=fiO_ç, f~å÷xfl ~°∞z K«∂ã≤,
<Õ#∞ JѨÊ\˜ q„QÆǨxfl QÆ∞iΙêÎ#∞. g∞~°O`å nxH˜ ã¨=∞‡u¿ãÎ <Õ#∞ P
Ѩxx KÕ™êÎ#∞—— =$^Œ∞úx =∂@ʼnõΩ JO^Œ~°∞ ã¨=∞‡uOKå~°∞. "≥O@<Õ
q„QÆǨʼnõΩ Jaè¿+HõO K≥Ü«∞º_®xH˜ U~åÊ@∞¡ KÕÜ«∞|_®¤~Ú. „Ѩ[Å∞
nxxK«∂_»\ÏxH˜ `«~°e =KåÛ~°∞. =$^Œ∞ú_»∞ ÉèíH˜Î`À xÅ∞K«∞<åfl_»∞.
Jaè¿+HõO ѨÓ~°Î~ÚOk. Ô~O_»∞ q„QÆǨÅ `«_ç =„™êÎÅ∞ uÜ«∞º|_®¤~Ú.
ѨÓ*Ïi Ô~O_»∞ =„™êÎÅ#∞ =$^Œ∞úxH˜ã¨∂Î XHõ\ ˜ ‰õΩ_ç "≥·Ñ¨Ù L#fl q„QÆǨxk
WOH˘Hõ\ ˜ Z_»=∞"≥·Ñ¨Ù #∞#fl q„QÆǨxk—— J<åfl_»∞. `«~°∞"å`« XH˘¯Hõ¯
=„™êÎxfl QÆ\ ˜ìQÍ Ñ≤O_ç P h\˜x `åQÍ_»∞. `«~°∞"å`« WOH˘Hõ =„™êÎxfl
Ñ≤O_ç P h\˜x `åQÍ_»∞. Hõà◊√§ =¸ã¨∞‰õΩx PÖ’zOK«™êQÍ_»∞. D
=∂~°∞ J`«x =ÚYO „ѨHÍâ◊=O`«=∞~ÚºOk. ''<å‰õΩ Z_»=∞ „ѨHõ¯#
L#fl q„QÆǨÏO áê`«k. P =GO #∞Oz =zÛ# h\˜Ö’ <å‰õΩ QÆ`«OÖ’
=KÕÛ ~°∞z =ã¨∞Î#flk—— J<åfl_»∞ Ѩ~°=∂#O^ŒOQÍ.
Wk qx =Å¡Éèí ^Œ`«∞ÎÅ∞ ZO`À P#OkOKå~°∞. ZO^Œ∞HõO>Ë
Z_»=∞"≥·Ñ¨Ù #∞#fl q„QÆǨ<Õfl "å~°∞ fã¨∞‰õΩ=zÛOk.
QÀѨ#fl ‰õÄ_® `«$Ñ≤ÎQÍ #=Ùfi`«∂ ''JÜ«∂º! =∞Ǩ#∞ÉèÏ"å!
`«#∞ Z=~°∞ Jx P~°OQÆ<å^äŒ∞_Õ x~°∂Ñ≤OK«∞‰õΩ<åfl_»∞—— J<åfl_»∞.
„Ѩ[ÅO`å ‰õÄ_® `«=∞ JOwHÍ~°O `≥Å∞ѨÙ`«∂ "åi`À
UH©ÉèíqOKå~°∞. ^Õt‰õΩÅ "å~°∞ P`«$`«QÍ QÆ~°ƒùQÆ∞_çx ~°H˜∆OK«_®xÔH·
â◊„`«∞^Œ∞ˆ~ƒù^ŒºOQÍ Hõ\ ˜ì# ~åu QÀ_» ^ŒQÆæ~°‰õΩ "≥àϧ~°∞. KÕuÖ’x
Ѩx=Ú@∞ì`À ~åu QÀ_»#∞ ѨQÆ∞ÅQ˘\ì™êQÍ~°∞. Wk K«∂ã≤ q∞QÆ`å"å~°∞
‰õÄ_® PÜ«∞# ã¨Ç¨Ü«∂xH˜ =KåÛ~°∞. QÆO@ ¿ãѨ\’¡ JO^Œ~°∂ Hõeã≤
QÀ_»#∞ ‰õÄeÛ"Õâß~°∞. N~°OQÍ! N~°OQÍ! Jx JO@∂ ™êfiq∞
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^Õt‰õΩÅ"å~°∞ QÆ~°ƒùQÆ∞_çÖ’xH˜ „Ѩ"ÕtOKå~°∞. ֒ѨÅO`å pHõ\ ˜. HÍh,
QÆkÖ’ nѨHÍOu xO_Õ H˘kÌ pHõ\ ˜ `˘Åy N~°OQÆ<å^äŒ∞x k=º =∞OQÆà◊
~°∂ѨO Hõ#∞flŠѨO_»∞QÆKÕã¨∂Î Hõ#|_çOk. ™êfiq∞ ~°∂ѨO, JÅOHÍ~°O
JO^Œ~°∂ Hõ#∞Ô~Ñ¨Ê "åÅÛ‰õΩO_® K«∂âß~°∞. PÜ«∞# =O\˜ÃÑ· =„™êÎÅ∞
JѨC_Õ Hõ\ ˜ì#O`« `å*ÏQÍ L<åfl~Ú. PÜ«∞# â◊s~°OÃÑ· `«∞Åã≤ =∞iÜ«Ú
W`«~° ѨÙ+¨Ê=∂ÅÅ∞ ‰õÄ_® "å_»‰õΩO_® P~ÀA á⁄^Œ∞Ì<Õ "Õã≤#O`«
`å*ÏQÍ HõxÑ≤OKå~Ú. ™êfiq∞ ѨÓ[‰õΩ LѨÜ≥∂y OKÕ áê„`«Å∞ JѨC_Õ
Hõ_çy ÃÑ\˜ì#@∞ìQÍ L<åfl~Ú. „Ѩ[ÅO`å P#O^Œ áê~°=â◊ºO`À ~°OQÍ!
~°OQÍ! JO@∂ Ñ≤Å=™êQÍ~°∞. JHõ™ê‡`«∞ÎQÍ #Å¡x =∞|∞ƒÅ∞, ZHõ¯_ç
#∞Oz =KåÛÜ≥∂ QÍh, PHÍâ◊OÖ’ Hõ=Ú‡‰õΩx =~°¬O ‰õΩ~°=™êyOk.
„ѨHõ$u [iy# ^•xH˜ ã¨O`«ã≤Oz PÅÜ«∂xfl P Ѩ@ì}Ïxfl Hõ_çy â◊√kú
KÕã¨∞Î#fl^• J#fl@∞ì HõxÑ≤OzOk. WO`«Ö’ ~°OQÆ<åÜ«∞H©^Õq ã¨xflkèH˜
^ŒQÆæ~° QÆÅ aÅfi =$Hõ∆O =^ŒÌ XHõ J^Œ∞ƒù`«O [iyOk. ÃÑ^ŒÌQÍ ‰õΩ~°∞ã¨∞Î#fl
=~°¬O =Å# ÃÑ·#∞#fl =∞\˜ì Hõiy <ÕÅÖ’ #∞O_ç U^À "≥∞~°∞ã¨∂Î
Hõ#|_çOk. P HõxÑ≤ã¨∞Î#flk tÅÊO Ü≥ÚHõ¯ `«ÅÖÏ JO^Œ~°∂ QÆ∞iÎOKå~°∞.
P tÅ#∞ "≥Å∞ѨeH˜ fÜ«∞=∞x QÀѨ#fl P*Ï˝Ñ≤OKå~°∞. H˘kÌ x=ÚëêÅ
`« ~ ° ∞ "å`« P q„QÆ Ç ¨ Ï O "Õ Ô ~ =i^À HÍ^Œ ∞ N~° O QÆ < å^ä Œ ∞ x ^Õ " Õ i
FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó
G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™:
In moments of distress and despair For aspirants of Plots and own residence.
PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II
Kaameshwaraya Kaamaya Kaamapalaya Kamine
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also
this sloka bestows intimacy, mutual affection and
trust between couples.
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜
=∞Oz KÕÜ«∞ÖËHõáÈ`Õ - Hõhã¨O K≥_»∞ KÕÜ«∞‰õΩO_® LO_»∞.
~°OQÆ<åÜ«∞H˜k (=¸Åq~å@∞ì) =Úã≤¡=ÚÅ =Ú@ì_ç [iy#ѨÙ_»∞,
N~°OQÆ<å^äŒ∞x QÆ~°ƒùQÆ∞_ç ~åuQÀ_»`À HõѨÊ|_»QÍ aÅfi=$Hõ∆ h_»Ö’
J=∞‡"åi q„QÆǨxfl Éèí∂q∞Ö’ ^•zÃÑ\Ïì~°∞. P ^Õ=`Õ WѨC_»∞ N~°OQÆ
„Ѩ[ʼnõΩ HõxÑ≤OzOk. =Å¡Éèí∞xH˜ `«e¡ ^•fi~å Wk =ÚO^Õ `≥Å∞ã¨∞.
HÍ=Ù# `«#‰õΩ `≥eã≤# q+¨Ü«∂xfl =Å¡Éèí∞_»∞ QÀѨ#fl‰õΩ KÕ~°"Õâß_»∞.
Wk q#fl QÀѨ#fl ã¨O`À+¨Ñ¨_®¤_»∞. ™ê÷x‰õΩÅ∞ "Õ~˘Hõ ~°OQÆ<åÜ«∞H˜
q„QÆǨxfl „Ѩu+≤ªOz ~°Ç¨Ï㨺OQÍ Ñ¨Ó[Å∞ KÕÜ«∞™êQÍ~°∞. "åi`À
=∂\Ï¡_ç, WѨC_»∞ ^˘iH˜# q„QÆǨxfl ‰õÄ_® JHõ¯_» „Ѩu+≤ìOK«∞^•=∞x
#K«Û K≥áêÊ_»∞. WѨÊ\˜H˜ ‰õÄ_® Ô~O_»∞ J=∞‡"å~°¡ q„QÆǨÅ∞ N~°OQÆOÖ’
=∞#O K«∂_»=K«∞Û#∞. N~°OQÆOÖ’ D ~°HOõ QÍ JuQ˘Ñ¨Ê ѨÓ*Ï q^è•<åxfl
uiy ™ê÷Ñ≤Oz# Ѷ¨∞#`« q[Ü«∞#QÆ~° ™ê„=∂*Ϻnèâ◊√xH˜ ^ŒH˜¯Ok. WHõ
x~°ƒùÜ«∞OQÍ `«=∞ W+¨ì^≥·"åxH˜ ѨÓ[Å∞ KÕã¨∞HÀ=K«Û<Õ ^è≥·~°ºO „Ѩ[Ö’¡
HõeyOk. JHõ¯_»O`å ѨO_»QÆ "å`å=~°}O <≥ÅH˘Ok. ZHõ¯_» K«∂ã≤<å
=∂q∞_ç `À~°}ÏÅ∞, „Ѩu WO\˜ =ÚO^Œ∞ =Ú`åºÅ =ÚQÆ∞æÅ∞ xeKå~Ú.
ѨÓ=ÙÅ∞, ѨÓÅ =∞O@áêÅ∞ J_»∞QÆ_»∞QÆ∞<å HõxÑ≤OKå~Ú. N~°OQÆOÖ’
K«H¯õ x ã¨Ow`«O, Z<Àfl ™êO㨯 $uHõ HÍ~°º„Hõ=∂Å∞ [iQÍ~Ú. (ã¨â+ı O¨ )
All slokas Chant 108 times
FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó
G [ÆÁz u o ÁÊ ú oÆz å™:
For good eye - sight.
EãJmy \ÁÆoz Ã˘Áz áåÊ ∆yV¿ ™ ƒÁúÏ Æ ÁoΩ @ @
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times
=∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
=∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
 ✍
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ÃÊ ú ÁtN˛yÆ ...
ÃÊÀNw˛o úÏåªÚÁ∫
EÁ\ Ãz ¬TßT 61 ÃÁ¬ ú“¬z ÃÊÀNw˛o EÁÆÁzT 1956-57 (ßÁ∫o Ã∫N˛Á∫ Nz˛ u∆qÁ EÁ{∫ ÃÊÀNw˛uo ™ÊfiÁ¬Æ-åF| ut®y, ßÁ∫o Ã∫N˛Á∫ N˛y
ÃÊÀNw˛o EÁÆÁzT úÓåÁ 4, åƒÊ§∫ 30,1957) åz Eúåz tz∆ ™ı ÃÊÀNw˛o N˛Áz ÃÏ∫uqo ∫Qåz EÁ{∫ úÏå\y|uƒo N˛∫åz Nz˛ u¬L Eúåy u∫úÁzb| ÃÁ¯úy sÎ@
ƒo|™Áå ™ı, 61 ƒ Áż Nz˛ §Át, 1957 N˛y u∫úÁzb| ™ı GtΩáow uÀsuo Ãz ßy EÁ\ “Á¬o N˛Á¢˛y §t ∫ “Áz TÆy “{, MÆÁıuN˛ §“Ïo N˛™ ¬ÁzTÁı åz
“y ÃÊÀNw˛o u∆qÁ N˛Á ÓÁ∫Á u¬ÆÁ “{@ N˛F| N˛Á}¬\z Áı ™ı ZÁfiÁı N˛Áz LN˛ uƒ Æ Nz˛ øú™ı ú‰jÁF| \Áåz ƒÁ¬y ÃÊÀNw˛o ßÁ Á N˛Áz ßy E§ §Êt N˛∫ utÆÁ “{@
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uƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁ - 205
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sz@ E§ Gà ™Óuo| N˛Áz ƒ“Á ÀsÁuúo uN˛ÆÁ TÆÁ@ EÁ\ ßy “™
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ßy uƒ\ÆåT∫ Nz˛ Ù¿Áb N˛Áz u™¬Á@ \å \å™ı Æ“ uƒæÁÁà –‰j
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ß∫ úƒ| N˛Á ƒÁoÁƒ∫m sÁ@ \“Á tzQÁz ƒ“Á EÁ™¿oÁz∫m, V∫ Nz˛
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Lʃ ÃÁÊÀNw˛uoN˛ N˛ÁÆ|N¿˛™ ÃÊúëÁ “ÏL@ (Ã∆z )
Chant 28 times
April '18 w w w w w w w w w w w w w w w w w w 20 wwwwwwwwwwwwwwwwwwwwww VAK
AHOBILAM AND AHOBILA MUTT - 64
The two Gandharvas after having darshan of Lord of
Ahobilam have reached their abode in the Himalayas.
In the whole story of Lord of Ahobilam, Ahobila Lakshmi
Narasimha, there is a very famous folklore which is
being narrated in the Chenchu tribe people who are
ardent devotees of the Lord. This is about how Lord
Lakshmi Narasimha married one of their beautiful tribal
women known as Lakshmi. This is sung even today
as Chenchu Lakshmi vivaaham. This whole Chenchu
Lakshmi Vivaaham has been captured by the 7th Jeer
of Sri Ahobila Mutt Sri Van Satakopa Sri Satakpa
Yatheendra Mahadeshikan in his magnum opus called
Vasanthika Parinayam. The Brahmotsavams at Ahobilam
had just concluded and the Lord goes around 41 tribal
villages in and around the hills during this Brahmotsavam.
In 1579, when the Sultan of Golconda’s new commander
Murari Rao, a Maratha Brahmin, launched a sudden
plundering operation heading a large Muslim army. His
hordes began systematically ravaging the territory south
of the River Krishna with great ferocity. In late 1579,
he ransacked the Ahobilam temple and uprooted an
ancient ruby-studded idol of Vishnu made out of pure
gold and sent it to the Sultan as a gift. However, Farishta
records that when Sultan saw this idol at his court he
vomited blood and died.
The 7 th Jeer of Ahobilam Mutt who is the hereditary
trustee of the Ahobilam temple sought the help of
Vijayanagara King Sri Ranga Raya –I. He sent his
warrior chief Damarla Chennappa Nayaka, a general
of Recherla Velama dynasty to defeat the Golkonda
raiders. Later Sriranga Deva also hurried to parry
the attack. The Jeer garnered support of 41 Chenchu
tribal villages around Ahobilam to fight under the
command of Vijayanagar Generals. Murari Rao and
his Golkonda raiders were defeated, Murari Rao was
pursued by Chennappa who captured and imprisoned
him in a cage. By 1580, Sriranga Deva turned the
tide and started chasing the Golkonda army northwards
recovering the territory they had seized. Sriranga -
I generously spared the life of Murari Rao because
of his brahminical origins. The whole story of this
great victory is documented in the engravings of
Vijayasthambha in Lower Ahobilam which one can
see even today.
The greatest integrating force of 41 villages were
this feeling of devotion among the tribals to the Lord
who has married one of their tribeswoman Chenchu
Lakshmi who is worshipped with great devotion. The
7th Jeer of Ahobila Mutt describes this story of marriage
of Lord of Ahobilam with Chenchu Lakshmi as follows
in his Vasantika Parinayam.
Once upon a time, Lord Devendra was travelling
on his chariot driven by Mathali who was his charioteer.
He saw near Ahobila Kshetra a beautiful tribal girl
who was playing along with her friends in the forest.
Her beauty was divine and beyond descrption of words.
He told his charioteer Mathali that this divine beauty
was once a deva kanya in his empire in Swarga.
Lord Lakshmi Narasimha and Mahalakshmi came
to his abode in Swarga and this lady performed a
highly devotinal dance programme before them in
his court. The pleased Mahalakshmi asked her to
seek a boon. This girl sought her the boon to marry
Ahobila Lord Lakshmi Narasimha. Goddess Lakshmi
felt somewhat beguiled, thought for a moment and
said to the Deva Kanya that you will be born in a
tribal family of hunters who beguile and hunt innocent
beings. There you will meet the Lord and marry him.
She is thus born to the king of the Chenchu tribe
called Surasena and is now a grown up beautiful
girl having the great beauty of goddess Mahalakshmi
with her blessings. The Lord of Ahobilam comes
J}‰õΩ= ÖˉõΩO>Ë JO^ŒO ‰õÄ_® qHÍ~°OQÍ HõxÑ≤ã¨∞ÎOk.
– M.V. SOUNDARARAJAN
there in the disguise of a hunter. Both Lakshmi and
Lord of Ahobilam fall in love with each other. They
meet daily. Oneday Surasena finds this out and follows
the hunter to know about him. Surasena realises
that the hunter is none other than the Lord himself
as he follows him to the Ahobilam temple whom
they daily worship. He prays to goddess lakshmi
to forgive the mistake of his daughter. Mahalakshmi
narrates the past history to Surasena and says that
it was her boon that had made the birth of Chenchu
Lakshmi and she is destined to marry the Lord. In
fact Surasena was also a deva who was cursed by
devendra to be born in the tribal kings family.
Mahalakshmi shared this history also to him and
suggested to marry Chenchu Lakshmi to the Lord
and worship him to be relieved of his curse and
attain the divine abode.
Mahalakshmi and Lord Brahma and all the devas
come for the marriage of Chenchu lakshmi with
Ahobilesha. All of them witness the marriage. Lord
brahma takes the hand of Chenchu Lakshmi and
gives it to the Lord of Ahobilam. Thus the marriage
of Chenchu Lakshmi happens with Lord of Ahobilam.
One can find this story carved in many sculptures
in Ahobilam temple, cudappah temple, Kadri Lakshmi
Narasimhaswamy temple and many other Lakshmi
Narasimha Swamy temples near by. The Lord even
today resides there and blesses all the people around.
It is the duty of the people around to protect the shrine.
In fact it is the duty of the people of this coutry to
protect this shrine along with all the worship practices
without any dilution under the continuing lineage
of the Jeers of the Ahobila Mutt.
The 7th pattam Jeer concludes his Vasanthika Parinayam
work by a very nice sloka:
EsÁ|åビ™Á\|ÆãoÏ uƒuáƒÚ™z|mÃÁNÊ˛ åwúÁ:
áÁfiy ÃÀÆ Ã™wuÚ™zoÏ Ã™Æz áÁ∫Ápƒ z|ÀÃ™Ê @
uƒ˘ÁußÀÓÃÁáÆãoÏ uƒåÆÊ uƒüÁ: uƒƒzN˛ÁuáN˛Á:
ƒÁStzƒy ÃÏ–∆ÁÊ Tw“z Ï ÃooÊ ƒoz|o ¬fl©ÆÁ Ù™Ω@@
This means that let the kings of this world earn money
as prescribed in the Drama sastras, let the whole planet
become green with vegetation with the help of proper
rains, let the learned become humble and blessed
with common sense and let the good visionary houses
be always occupied by goddess saraswathi and
lakshmi together. Lets also pray the same and conclude
the episodes of Ahobila Mutt and Ahobilam. The Ahobila
Kshetram is one of the 108 vaishna divyakshetrams.
The great poet Sri Ashikavi Sarvabhouma Srinidhi
Swamy, my father-in-law summarises the whole
Kshetram in 2 slokas:
EÁÃyåÁz ßTƒÁå“Ázu§¬ Fuo »y™ÁëÁwuÃÊ“Áz “∫z:
EÁ∆ÁÆÁÊ ∫uYoÁååÁz uƒ\Æoz ¬fl©ÆÁ TÏ“ÁTz“ƒÁåΩ@
oys|»y߃åÁu∆åyúu∫To: ú—¬Át–…bÁz ™ÏtÁ
Tyo»yú∫N˛Á¬ÆÁzuT™umåÁ »yTÁªg»yuT∫Á{ @@
™Á¬Áz¬ÁzS ™woƒu®N˛ÁÓY∫Àoys{|åw|uÃÊ“Áutuß:
ÆÏO˛»y∆eƒ{u∫mÁ ™eNw˛oÁ –…eÁz TÏ“ÁTz“ƒÁåΩ @
ü—¬ÁtuüÆNw˛oΩ üßÏuƒ|\Æoz ƒztÁY¬ÀÆÁuãoNz˛
oÀÆÁ¸z∫uotÏT|™Áut“ ToÁz ßO˛Ás|u™…büt: @@
Lord Narasimha in Ahobilam is in sitting posture here
facing east. His consort is Lakshmi known as
Amruthavalli and his vimanam is Guha. Indira,
Narasimha, Papanasana, Gaja and Bhargava are the
theerthams. The deity is pratyaksham to Prahlada. This
place is Hiranya Samhaara kshetram. There are nine
Narasimha shrines here. Thirumangai Alwar ( pasuram
numbers 1008-1017) describes the ardous nature of
the journey to this shrine.
Let this lord protect all of us with his nectar like divine
looks. (to be continued...)
April '18 w w w w w w w w w w w w w w w w w w 21 wwwwwwwwwwwwwwwwwwwwww VAK
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Ü≥ÚHõ¯ „"å`«„Ѩ`∞« Å#∞ <Õ_∞» ‰õÄ_® LѨÜ∂≥ yã¨∞<Î åfl~°x =∂ Ѩ~=° ∞QÆ∞~°∞=ÙÅ∞
K≥áêÊ~°∞. "Õ∞=Ú ‰õÄ_® P „"å`«„Ѩux J^茺ܫ∞#O K≥Ü«∂ºÅx ^•x
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''<Õ#∞ ‰õÄ_® P Q˘Ñ¨Ê „QÆO^äŒO QÆ∞iOz 50 ã¨O=`«û~åÅ „H˜`«O
XHõ N"≥·+¨‚= LѨ<åºã¨‰õΩx =^ŒÌ q<åfl#∞. PÜ«∞# WѨC_»∞ „|uH˜ ÖË_»∞——
Jx |^Œ∞eKåÛ_»∞ ˆHâ◊"åKå~°∞ºÅ"å~°∞.
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''=∞ǨÉèÏ~°`«OÖ’ „uQÆ~°÷ ~å[ºO QÆ∞iOz K≥ѨÊ|_çOk. „uQÆ~°÷
~åAÅ∞ H“~°=ÙʼnõΩ q∞„`«∞Å∞ =∞iÜ«Ú áêO_»=ÙʼnõΩ q~å@∞ʼnõΩ
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Hõã¨∞~°∞`«∂ =∂\Ï¡_»‰õΩ - qã¨∞QÆ∞`À ѨxKÕÜ«∞‰õΩ.
`≥Å∞QÆ∞ J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
‰õÄ~ˆ â◊√_»∞.
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„ѨHõ¯#∞O_ç ^ŒH˜∆} „áêO`«OÖ’ L#fl D #QÆ~°O ѨO*Ï|∞ „áêO`«OÖ’
Hõeã≤Ok. „uQÆ~°∞÷Å ~å[^è•x =ÚÖÏÎ#∞. nxx JѨC_»∞ =¸Å™ê÷#∞
J<Õ"å~°∞. ã¨@¡*ò, aÜ«∂ãπ =∞iÜ«Ú ~°q #^Œ∞Å K«∞@∞ì „Ñ¨Hõ¯Å QÆÅ
~å*ϺÅhfl gi Pnè#OÖ’ LO_Õq.
''<Õ#∞ ‰õÄ_® W"Õ q+¨Ü«∂Å∞ =∂ `«O„_ç =∞iÜ«Ú QÆ∞~°∞=ÙÅ =^ŒÌ
q<åfl#∞.—— J<åfl~°∞ Hˆ â◊"åKå~°∞ºÅ"å~°∞.
''JÜ«∂º! ˆHâ◊"åKå~°º ™êfig∞! g∞~°∞ 50 ã¨O=`«û~åÅ „H˜`«O,
É∫^è•Ü«∞# =$uÎ „QÆO^äŒO QÆ∞iOz LѨ<åºã¨OÖ’ Uq∞ q<åfl~À H˘OK«O
K≥áêÎ~å?—— Jx ‰õĈ~â◊√_»∞ P`«$`«QÍ J_çQÍ_»∞.
''F! N=`«û zǨÏfl™êfiq∞QÍ~°∞! âßG q*Ï˝#OÖ’ g∞ áêO_ç`«ºO
Jáê~°O. =∞ǨÉèÏ~°`«OÖ’x "åºã¨=∞ǨÏi¬ t+¨µº_≥·# NÉ’^è•Ü«∞# |∞∞+≤
QÆ∞iOz g∞~°∞ qx LO\Ï~°∞. PÜ«∞# „|Ǩχã¨∂„`åÅ#∞ J^躌 Ü«∞#O KÕã≤
^•xH˜ "åºMϺ<åxfl ~°zOKå~°∞. P „|Ǩχã¨∂„`åÅ#∞ <Õ#∞ HõO~î°`å
K≥Ñʨ QÆey<å "å\˜x <Õ#∞ J~å÷xfl Ö’`«∞áê`«∞Å#∞ `≥Å∞ã¨∞HÀÖËHáõ ÈÜ«∂#∞.
H˘kÌ¿ãѨ\ ˜ =∞ø#O `«~°∞"å`« ˆHâ◊=Ù_»∞ =∞m§ =∂\Ï¡_»™êQÍ_»∞.
''H˘xfl =O^ŒÅ ã¨O=`«û~åÅ „H˜`«O, Pk â◊OHõ~åKå~°∞ºÅ"å~°∞
„|Ǩχã¨∂„`« ÉèÏ+¨ºO „"å™ê~°∞. Wk „^Œq∞_», @OHõ, „|Ǩ‡#Ok =O\˜
W`«~° ÉèÏëêºÅ‰õΩ q~°∞^ŒúOQÍ LO_çOk. ˆH=ÅO Ѩ~°„|Ǩχ =∂„`«"Õ∞
ã¨`«ºO W`«~°„`å JO`å q∞^茺 J#fl q+¨Ü«∂xfl |Ö’¿Ñ`«O KÕâß~°∞.
=∞#O K«∂¿ã^ŒO`å Jã¨`º« O, J^ŒO`å „|Ǩ‡xfl J*Ï˝#O HõÑÊ≤ "ÕÜ∞« _»=Ú
=Å# =zÛ#k Jx q=iOKå~°∞ â◊OHõ~°∞Å∞—— JO@∂ PQÍ_»∞ ˆHâ◊=Ù_»∞.
''WHõ¯_» <å^˘Hõ ã¨O^ÕǨÏO—— - ‰õΩˆ~â◊√_»∞. N~å=∂#∞[ ™êfiq∞H˜
gi ã¨OÉèÏ+¨}#∞ z~°∞#=Ùfi`À qO@∞<åfl~°∞.
''=∞# Hõà◊¡=ÚO^Œ∞ „Ѩ`«ºHõ∆OQÍ HõxÑ≤OKÕ „ѨѨOK«O q∞^ä≥ºÖÏ
J=Ù`«∞Ok? Wk J~°÷~°Ç≤Ï`«O HÍ^•? `«~å¯xH˜ ^Œ∂~°O HÍ^•? „|Ǩ‡xfl
J*Ï˝#O, Jq^Œº ZÖÏ ^•_ç KÕÜ«∞QÆÅ=Ù?—— J_çQÍ_»∞ ‰õĈ~â◊√_»∞.
''<å‰õΩ ‰õÄ_® W@∞=O\˜ ã¨O^ÕǨÖË Hõey`Õ, 50 Uà◊§ „H˜`«O
ѨO_ç`«∞_≥·# P QÆ∞~°∞=ÙQÍ~°∞, É∫^è•Ü«∞# =$uÎ „QÆO^äŒOÖ’ D „Ѩâ◊flʼnõΩ
["å|∞Å∞ W=fi|_®¤Ü«∞x K≥áêÊ~°∞. Pk â◊OHõ~åKå~°∞ºÅ ÉèÏ+¨ºO
É∫^è•Ü«∞#∞x =$u΄QÆO^ä•xfl JOwHõiOK«Hõ áÈ=_»O =Å#, „ѨÑO¨ K«OÖ’x
W`«~° =∞ǨѨO_ç`«∞Å∞ â◊OHõ~°ÉèÏëêºxfl JOwHõiOK«ÖË^Œ∞. Hõ~°‡g∞=∂Oã¨
=∞iÜ«Ú „|Ǩχ g∞=∂O㨠~Ô O_»∞ XˆH âßG=∞x É∫^è•Ü«∞# =$uÎ „QÆO^äOŒ
É’kèã¨∞Î#flk. Ѩ~°„|Ǩ‡xfl J~°÷O KÕã¨∞HÀ=_»OÖ’ =∞x+≤ `«# xÜ«∞q∞`«
Hõ~°‡Å#∞ g_»Hõ `«Ñ¨ÊHõ PK«iOKåÅx D =∞Ǩ„QÆO^äŒO K≥|∞`«∞#flk.
â◊OHõ~åKå~°∞ºÅ"å~°∞ K≥ÑÊ≤ #@∞ìQÍ =∞x+≤ `«#∞ ^Õ=Ù_ç`À ã¨=∂#O
Jx ZÖÏ J#∞‰õΩO\Ï_»∞? D q+¨Ü«∞OÃÑ· ѨO_ç`«∞Å =∞^茺 ÃÑ^ŒÌ ÃÑ^ŒÌ
HõÅǨÖË [iQÍ~Ú. D q+¨Ü«∞OÃÑ· ~åAÅ∞ ‰õÄ_® U^À XHõ ѨHõ∆OÖ’
LO@∞<åfl~°∞. J#O`«^Õ= ~åA H˘Å∞=ÙÖ’ <Õ#∞ LO_»Hõ áÈ=_®xH˜
„Ѩ^è•# HÍ~°}"Õ∞ Ѩ~°„|Ǩχ"Õ∞ ã¨`«ºO W`«~°„`å JO`å =∂Ü«∞, J|^ŒúO
J#fl q+¨Ü«∂xfl <Õ#∞ q~ÀkèOK«_»"Õ∞. r"å`«‡, Ѩ~°=∂`«‡, „ѨHõ$u Jhfl
ã¨`«º"Õ∞ Jx <å‰õΩ K≥ѨÊ|_çOk. <Õ#∞ WO`« HõO>Ë Z‰õΩ¯= `≥Å∞ã¨∞HÀÖËHõ
áÈÜ«∂#∞. HÍ=Ù# <Õ#∞ WHõ¯_» <å ã¨OÉèÏ+¨}#∞ PÑ≤, nxÃÑ· g∞
Jaè„áêÜ«∂Å#∞ qO\Ï#∞—— Jx Hˆ â◊=Ù_»∞ `«# ÉèÏ+¨}#∞ Páê_»∞. (ã¨â+ı O¨ )
April '18 w w w w w w w w w w w w w w w w w w 22 wwwwwwwwwwwwwwwwwwwwww VAK
Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 8
“It looks like Lord himself has sent you to guide
us. We don’t know anything here and we have been
trying to find our way to fulfill the wishes of our Parama
guru” responded Kuresha in the same way and prostrated
before the elderly Sri Vaishnava.
“The Lord till recently made me the prime minister
of king Anantha Deva. I served quite honestly, but then
due to several bad elements in his kingdom, I was
humiliated and all my belongings were taken away.
The King although he is righteous he could not help
me or save me from the wicked plots. After which I
roamed everywhere and finally found my place at the
feet of Lord Chakradhara on the banks of Vitastha.
Please accept my pranams and bless this kingdom.
If I can be of help please let me know” responded
Keshava.
“We are sorry to hear the story of yours. The almighty
does everything for good of people as you know. We
have come here in search of Sage Boudhayana’s Vritti
grantha which is a commentary written by Sage
Boudhayana for the great Sage Vyasa’s Brahmasutra”
responded Ramanuja
“We were told by our Parama Guru that a copy of
this great manuscript is still being refered in Saraswathi
peetha library here in Kashmir. We also would like
to learn about it and would like to study it with reverence.”
Responded Kuresha “I too heard about this great text
and heard a discourse from a learned Sri Vaishnava
who is no more now about 50 years ago’. Replied
Keshavacharya.
“which is your native place, Oh! Revered Brahmin?”
enquired Kuresha “Trigartha desa” responded Keshava
“ There is one Trigartha kingdom refered in Mahabhaarat.
The Trigarta kings were allies of Duryodhana and
enemies of Pandavas and Viratas. Their capital was
named Prasthala. They joined the attack of the Virata
Kingdom aided by the Kurus to steal cattle from there.
The Pandavas living there in anonymity helped the
Viratas to resist the combined forces of Trigartas and
Kurus. Trigarta kings fought the Kurukshetra War and
were killed by Arjuna, after a ruthless and bloody conflict.
Arjuna also annihilated an Akshouhini (a large military
unit) of Trigarta warriors called the Samsaptakas. These
warriors had vowed to either die or kill Arjuna as part
of a larger plan by Duryodhana to capture
Yudhishthira alive. Is this the same Trigartha Desa?”
enquired Kuresha
For the readers of VAK, Trigartha desa is Modern Kangra
one of the ancient town in North Trigarta, extending
westward to the Punjab area. Multan was the capital
of Trigarta with its original name that is Mulasthan. The
territory of Trigarta Kingdom is around the three rivers
of Satluj, Beas, and Ravi.
H˘xfl ã¨O^Œ~åƒùÅÖ’ =∂@Å∞ "≥O_ç - =∞ø#O |OQÍ~°O.
CSL Narasimhan
“I also heard about it in the same way from my father
and also from my Acharya” Kesavacharya responded
back
“Dear Kesavaacharya swamy, can you please narrate
to us what you remember from the discourse on
Boudhayana Vrutti grantha which you heard 50 years
ago?” enquired Kuresa with rapt attention.
“Oh! Revered Srivatsachinna swamy, your knowledge
about scriptures are great. You must have come across
references of Sage Boudhayana as a disciple of Sage
Vyasa in Mahabharat. He studied Brahmasutras and
had provided commentary to the Brahmasutras
elaborately. I also did not do an organized study to
go into the inner depths of Brahmasutras while I can
recite them by heart”.
After a pause Kesava continued “Several hundereds
years ago Adi Sankaracharya is said to have written
Brahmasutra bhashya which is quite different from the
other commentaries of Dramida, Tanka and Brahmanandi.
Adi Sankara strengthened the theory that there is only
one item called Brahman and none other than that
is real. Everything what we see is actually false and
is due to somekind of an ignorance attacking on Brahma”
paused Kesava
“I have question here” – said Kuresha. Lord Ramanuja
was listening to the conversation with a smile on his face.
“How can the whole world which you see in front of
you become suddenly unreal? Is this not illogical?
How can the all pure Parabrahman be attacked by
ignorance called Avidya?” asked Kuresha
“I also have the same queries and the revered acharya
who spoke 50 years ago said all the questions are
answered in Boudhayana vrutti grantha. He also said
that because Lord Adi Sankara’s commentary is not
in line with Sage Boudhayana’s vrutti grantha there
have been many objections and great scholars in this
part of the world did not accept the commentary of
Adi Sankara for Brahmasutra in toto. According to
the revered scholar, Boudhayana vrutti grantha states
that adherence to ordained Karmas is always
necessary and integral part of knowing about and
worshipping Parabrahman. One cannot consider himself
as almighty as spoken by the philosophy of Sankara.
There are strong fights going on in this part of the
world between scholars. Kings also take sides these
days on this matter. One of the key reasons why I
am not entertained in the court of King Anantha deva
is my strong rebuttal to the proposition that there is
only Parabrahmam which is real and rest are all false.
I was told that Jiva, Prakruthi and Paramathma are
all real. I could not learn more and hence I will have
to stop here and hear your views on the same” stopped
Kesava after a full breath speech. (to be continued...)
April '18 w w w w w w w w w w w w w w w w w w 23 wwwwwwwwwwwwwwwwwwwwww VAK
LINGAYAT - VEERASHAIVA TYPE MINORITY STATUS DETRIMENTAL TO TEMPLE SYSTEM
(A Legal wall of separation between Deity and Devotees)
A recent very thought provoking blog titled ‘A premium on minorityism: Why Lingayats, and pretty much
all other communities, crave minority status in India’ by R. Jagannathan makes this very important observation:-
“This brings us to the crux of the issue: our political class has essentially subverted the purpose of
the constitutional provisions to protect the rights of minorities by interpreting them as the right to play
ducks and drakes with majority-run institutions. The idea behind Articles 15, 25, 26, 27, 28, 29 and 30 was
to ensure that majoritarian tendencies did not stamp out the rights of minorities; instead these provisions
have been narrowly interpreted to mean that the same rights – to administer their religious, cultural and
educational institutions – do not apply to the majority. Thus, the Tirumala Tirupati Devasthanams (TTD),
India’s richest temple, is run not by the majority community, free from state meddling, but state-appointed
politicians. Between the six southern states, somewhere around 1,00,000 temples are directly administered
by the state.”
The real legal position is that while ‘Religious Minority’ tag may provide some benefits for Mutt
administered educational institutions the autonomy of the community temples will be severely affected
due to the provisions of the Sec 3 of the Central Act ‘The Places of Worship (Special Provisions) Act,
1991 Bar of conversion of places of worship.—No person shall convert any place of worship of any
religious denomination or any section thereof into a place of worship of a different section of the same
religious denomination or of a different religious denomination or any section thereof.
The Karnataka State approach of creating a religious minority will in effect create a strange
legal situation where the Deity that is worshipped by the community continues to belong to Hindu
Religion (conversion being barred by Sec 3 above) and the community will belong to a different religion
(creating a legal wall of separation between the Deity and the devotees). It will thus make it easier for
the State Government to takeover the administration of such Mutt administered community temples
as the community no longer being part of the Hindu fold forfeits its right to administer its own temples
worshiped by its ancestors for centuries.
Temples Protection Movement appeals to the Hindu Dharma Acharya Sabha (HDAS) to take
initiative in educating the Mathadhipathis of the above legal issues resulting from the ‘Religious Minority’
tag so that there is no more craving for the minority tag. Simultaneously the HDAS should take initiative
through their legal counsels to bring to the notice of the Supreme Court on how the Hindu Religion is
under danger of splintering from within due to delay in adjudication of the Swami Dayananda Saraswati’s
Hindu Temple and Mutt Freedom petition and seek day to day hearing of the case. O
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)

ã¨O`À+¨O`À „ѨuѨx KÕ¿ã"åiH˜ Hõ+¨ì™ê^茺O Ug∞ÖË^Œ∞.

April '18 w w w w w w w w w w w w w w w w w w 24 wwwwwwwwwwwwwwwwwwwwww VAK
SANSKRIT IS INDIA’S
NEWS Recalling his own past, he said his father had visited the
UNIFYING FORCE: PRESIDENT
Puri Sheemandir on Oct 9, 1947 when he was around
President Ram Nath Kovind released Rs 10 and Rs 1000
nine years old.
commemorative coins on Lord Jagannath’s Nabakalebar
Kovind also spoke about the contribution of Jayee Rajguru,
festival during an event here on Sunday.
who was martyred for the country fighting against British
Attending the centenary celebration of the Rashtriya San-
rule, and the legendary figures including Pandit
skrit Sansthan at the Shree Sadashiva Campus at
Gopabandhu Das, Acharya Harihar Das and Pandit
Talabania, Kovind described Puri as the “Vidya Nagari”
Nilakantha Das.
(education hub) for its connection with knowledge and
Governor SC Jamir, Puri Gajapati Maharaja Dibyasingha
science during ancient period.
Deb and Union Ministers Dharmendra Pradhan and Jual
He spoke about the glory of the Jagannath Temple and
Oram were present during the ceremony.
Puri as the place of the Dhams of Hindus which the saints
Earlier in the morning, the President along with his wife
and spiritual leaders like Adi Shankaracharya, Ramanuj,
Savita Kovind had visited the Shreemandir and offered
Chaitanya and Guru Nanak visited and established their
prayer to the deities.
mutts to be in services of Lord Jagannath.
(The Pioneer, Monday, 19 March 2018 )
“Puri is also called the “Kashi” of the eastern region in
India. Adi Shankaracharya chose Puri to establish his 'qà◊Oa— JO`å =∞OKÕ - zÅ∞‰õÄ~°∞ ÉÏÖÏr J~°Û‰õΩÅ∞
Peeth. This is the place where Ramanujacharya,
Madhvacharya and Nimbarkacharya had visited. It is told
"≥Ú~Ú<åÉÏ^£ : qà◊Oa <å=∞ ã¨O=`«û~°OÖ’ JO`å =∞OKÕ
that Guru Nanak, Santh Kabir and Chaityanya Mahaprabhu [~°∞QÆ∞`«∞O^Œx... „Ѩ^è•#OQÍ =∞Ç≤Ïà◊Å∞ =ÚYº Ѩ^Œ=ÙÖ’¡
also made their visit to here. Puri is the integrating place
of various thoughts and schools of religion,” Kovind said.
~å}˜™êÎ~°x zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∞ J~°Û‰õΩÅ∞ ~°OQÆ~å[<£
“Lord Jagannath Temple is also the prime centre for art J<åfl~°∞. `≥Å∞QÆ∞ #∂`«# ã¨O=`«û~°O LQÍk ã¨O^Œ~°ƒùOQÍ
and culture. The Rath Yatra of Puri has a significant place
in hearts of Indian people. I am impressed with the tradi-
Pk"å~°O zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∞ "Õ∞<ÕlOQ∑ Hõq∞\© K≥·~°‡<£
tion of Rath Yatra when Lord Jagannath comes out of the ™œO^Œ~°~å[<£, Hõxfi#~ü QÀáêÅHõ$+¨‚Å P^èŒfi~°ºOÖ’ ѨOKåOQÆ
temple for devotees. All the devotees irrespective of castes
and religion witness and participate in the event. This fes-
„â◊=}O KÕâß~°∞. D U_®k =~å¬Å∞ ã¨O=$kúQÍ Ñ¨_»`åÜ«∞x,
tival strengthens equality, peace, goodwill, progress and ѨO@Å∞ =$kú K≥O^Œ∞`åÜ«∞<åfl~°∞.
values of universal brotherhood. It also describes the value
of labour and significance of the creator as Gajapati Ma-
„|Ǩ Ï Ÿ‡`« û "åŠѨ „ uHõ Pq+¨ ¯ ~° } : zÅ∞‰õ Ä ~° ∞ ÉÏÖÏr
haraja uses to sweep the chariots during the festival,” he „|Ǩ Ï Ÿ‡`« û "åŠѨ „ u‰õ Ω Pk"å~° O PÅÜ« ∞ J~° Û ‰õ Ω Å∞
said.
He acknowledged the significance of Sanskrit, the pri-
Pq+¨¯iOKå~°∞. =ÚO^Œ∞QÍ ™êfiq∞"åi áê^•Å =^ŒÌ Ѩ„uHõ#∞
mary language of Hinduism, which was the only means LOz „Ѩ`ÕºHõ ѨÓ[Å∞ x~°fiÇ≤ÏOKå~°∞. J#O`«~°O „QÍ=∞ã¨∞÷Å∞,
of communication during the Vedic period in India. San-
skrit continues to work for the nation’s unity and integrity,
Éèí‰õΩÎÅ`À Hõeã≤ Ѩ„uHõ#∞ q_»∞^ŒÅ KÕâß~°∞. 26 #∞Oz U„Ñ≤Öò 2
he said. =~°‰õΩ ÉÏÖÏr „|Ǩϟ‡`«û"åÅ∞ [~°∞QÆ∞`åÜ«∞x J~°Û‰õΩÅ∞ `≥eáê~°∞.
Even, Adi Shankaracharya, who belonged to Kerala and
whose mother tongue was Malayalam, learned Sanskirt
HÍ~°º„Hõ=∞OÖ’ J~°Û‰õΩÅ∞ Hõ#flÜ«∞º, ã¨∞ˆ~+π, JxÖò, =∂r ZOÑ≤\ ©ã≤
and established four Peeths in Uttarakhand, Puri, Dwarka QÆ∞O_»∞ QÀáêÖò Éèí‰õΩÎÅ∞ áêÖÁæ<åfl~°∞. (™êH˜∆ 19.3.18)
and Rameswaram at four Dhams, he said.
QÆ~°∞_®„k"å™ê...NNx"å™ê... zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∞OÖ’ Ѷ¨∞#OQÍ ^èŒfi*Ï~ÀǨÏ}O -
ã¨O`å#„áêÑ≤Î „Ѩ™ê^•xH˜ ÉèÏsQÍ `«~°e=zÛ# Éèí‰õΩÎÅ∞
"≥Ú~Ú<åÉÏ^£ : zÅ∞‰õÄ~°∞ ÉÏÖÏr „|Ǩϟ‡`«û"åÖ’¡ Ô~O_À ~ÀA ^èŒfi*Ï~ÀǨÏ}O ÉèíH˜Î„â◊^ŒúÅ =∞^茺 [iyOk. QÀqO^Œ <å=∞㨇~°}`À
zÅ∞‰õÄ~°∞ `«iOzOk. =∞OQÆà◊"å~°O `≥Å¡"å~°∞*Ï=Ú# 3 QÆO@ňH Éèí‰õΩÎÅ∞ PÅÜ«∂xH˜ ÃÑ^ŒÌã¨OYºÖ’ `«~°e=KåÛ~°∞. ã¨O`å#„áêÑ≤Î
„Ѩ™ê^ŒO HÀã¨O =zÛ# =∞Ç≤Ïà◊Å#∞ PÅÜ«∞ „Ѩ^è•# ^•fi~°O =^ŒÌ ‰õÄ~ÀÛɡ\Ïì~°∞. ZO_» JkèHõOQÍ LO_»@O`À ^èŒfi*Ï~ÀǨÏ}O
HÍ~°º„Hõ=∂xfl L^ŒÜ«∞O 8 QÆO@ňH „áê~°OaèOz "≥O@<Õ Ñ¨ÓiÎ KÕâß~°∞. L`«û==¸~°∞ÎʼnõΩ ѨÓ[Å∞ x~°fiÇ≤ÏOz# "Õ^ŒÑ¨O_ç`«∞Å∞...
ÉÏÖÏrH˜ Z^Œ∞~°∞QÍ L#fl ^èŒfi[ã¨ÎOÉèíO =^ŒÌ H˘Å∞"≥· L#fl QÆ~°∞`«‡O`«∞_çH˜ ѨÓ[Å∞ „áê~°OaèOKå~°∞. Ǩϟ=∞âßÅÖ’ QÆ~°∞`«‡O`«∞_ç
Ѩ~îåxfl „Ѩu+≤ªOz. ^èŒfi*Ï~ÀǨÏ}=Ú, ^èŒfi[ã¨ÎOÉèÏxH˜ Ѩ`åHÍq+¨¯~°} KÕâß~°∞.
„Ѩ™ê^ŒO ѨOÑ≤}©H˜ áÈ>ˇuÎ# [#O : QÆ~°∞`«‡O`«∞_»∞, ^èŒfi[ã¨ÎOÉèÏxH˜ <≥·"Õ^ŒºO ã¨=∞iÊOz# J#O`«~°O ã¨O`å#„áêÑ≤Î „Ѩ™ê^•xfl
ѨOÑ≤}© KÕ¿ã =~°‰õΩ Éèí‰õΩÎÅ∞ QÀqO^Œ <å=∞㨇~°} KÕâß~°∞. ã¨∞=∂~°∞QÍ 15 "ÕÅ =∞OkH˜ QÆ~°∞_» „Ѩ™ê^•xfl ѨOÑ≤}© KÕã≤#@∞¡
PÅÜ«∞ ѨÓ*Ïs ã≤.Zãπ. ~°OQÆ~å[<£ '#∂ºãπ@∞_Õ—`À ¿Ñ~˘¯<åfl~°∞. „ÉǨϟ‡`«û"åÖ’¡ ÉèÏQÆOQÍ ™êÜ«∞O„`«O =~°‰õΩ ã¨∞=∂~°∞ 35
"ÕÅ =∞Ok Éèí‰õΩÎÅ∞ ÉÏÖÏrx ^Œi≈OK«∞‰õΩ#fl@∞¡ JOK«<å. PÅÜ«∞ "Õ∞<ÕlOQ∑ Hõq∞\© J^茺‰õ∆Ω_»∞ _®. ZO.g. ™œO^Œ~°~å[<£,
Hõhfi#~ü QÀáêÅHõ$+¨‚™êfiq∞ ѨÓ*Ï~°∞Å∞ áêÖÁæ<åfl~°∞. „|Ǩϟ‡`«û"åÖ’¡ =¸_À ~À*ˇ·# |∞^èŒ"å~°O L^ŒÜ«∞O QÀѨ"åǨÏ#=Ú, ™êÜ«∞O„`«O
ǨÏ#∞=∞O`« "åǨÏ#=Ú LO@∞Ok. D "Õ_»∞HõÖ’¡ ^Õ=`å=¸~°∞ÎÅ∞ ѨšH©Ö’ Tˆ~QÆ∞`å~°∞. (D<å_»∞ 28.3.2018)

Ѩ~°zO`«# Ѩ`«<åxH˜ =¸Å=Ú - ã¨fizO`«# L#fluH˜ ™Èáê#=Ú.

April '18 w w w w w w w w w w w w w w w w w w 25 wwwwwwwwwwwwwwwwwwwwww VAK
FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
HÀ@¡‰õΩ JkèѨ`«∞Öˇ·##∞ - XHõ¯ x=Ú+¨O PÜ«Ú+¨µ¬ H˘#ÖË~°∞.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
April '18 w w w w w w w w w w w w w w w w w w 26 wwwwwwwwwwwwwwwwwwwwww VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ –
Chilkur Balaji's Grace - 162
=∂ JÉσ~Ú #_»∞=QÆeQÍ_»∞...
XHõ<å\˜ `≥Å¡"å~°∞~°≠Ï=Ú ã¨=∞Ü«∞O, zÅ∞‰õÄ~°∞ ^Õ"åÅÜ«∞
„áêOQÆ}OÖ’ XHõ „ã‘Î ã¨[Å #Ü«∞<åÅ`À ѨÓ*Ïi ^ŒQÆæ~°‰õΩ =zÛ `«#‰õΩ
[iy# J#∞Éèí"åÅ#∞, P ÉèíQÆ=O`«∞_»∞ `«##∞, `«# H˘_»∞‰õΩ<≥ÖÏ
J#∞„QÆÇÏ≤ OKå_À JO^ŒiH© `≥eÜ«∞*ËÜ∂« Åx „áêi÷OzOk. U_Õà§◊ =Ü«∞ã¨∞û
‰õÄ_® xO_»x P"≥∞ H˘_»∞‰õΩ `«e¡x J=∂Ü«∞HõOQÍ J#∞ã¨iOKå_»∞.
ѨÓ*ÏiQÍ~°∞ P „ã‘Î K≥ÑÊ≤ #^ŒO`å „â◊^QúŒ Í PÅH˜Oz ''J=∂‡! h‰õΩ [iy#
D J^Œ∞ƒù`åxfl Éè‰í Ωõ ÅÎ O^ŒiH© D "≥∞Hÿ ± ^•fi~å qxÑ≤™êÎ"å?—— Jx J_çQÍ~°∞
''`«Ñ¨Ê‰õΩO_® ™êfiq∞—— Jx P „ã‘Î K≥Ñ≤ÊOk.
''XHõ~ÀA =∂ JÉσ~Ú JHõ™ê‡`«∞ÎQÍ `«#∞ HÍà◊§#∞ Hõ^ŒÑ¨ÖËHõ
áÈ`«∞<åfl#x, #_»=_»O ‰õÄ_® `«#‰õΩ ™ê^茺Ѩ_»@O ÖË^Œx K≥áêÊ_»∞——
JO@∂ P `«e¡ „áê~°OaèOzOk.
''=∂ JÉσ~Úx "≥O@<Õ WO\˜ ^ŒQÆæi _®Hõì~°∞H˜ K«∂Ñ≤OKå=Ú.
P _®Hõì~°∞ D ˆHã¨∞ #∂º~À–Ѷ≤l+≤Ü«∞<£ (Neuro-Physician) H˜
K«∂Ñ≤OK«=Åã≤OkQÍ K≥áêÊ~°∞. PÜ«∞# K≥Ñ≤Ê# q^èŒOQÍ<Õ "Õ∞=Ú P
ÃãÊ+¨eã¨∞ìH˜ K«∂Ñ≤OK«QÍ, PÜ«∞# JÉσ~Ú WHõÃÑ· ѨÓ~°fiOÖÏ #_»=ÖË_»∞
Jx K≥áêÊ_»∞. ^Œ∞óYOÖ’ =Úxy# =∂‰õΩ =∂ „âıÜ∂≥ aèÖÏ+¨µÅ∞ PÜ«Ú~ˆ fi^Œ
"≥·^Œ∞ºx HõÅ∞==∞x K≥áêÊ~°∞. KÕ¿ã^Õg∞ÖËHõ "Õ∞=Ú PÜ«Úˆ~fi^Œ "≥·^Œ∞ºx
‰õÄ_® Hõe™ê=Ú. P "≥·^Œ∞º_»∞ JÉσ~Úx ѨsH˜∆Oz, [|∞ƒ #Ü«∞O
KÕÜ«∞=K«Ûx HÍx `«QÆæ_®xH˜ KåÖÏ ã¨=∞Ü«∞O Ѩ_»∞`«∞O^Œx K≥áêÊ~°∞.
JÖψQ g∞~°∞ zÅ∞‰õÄ~°∞ ÉÏÖÏrx ^Œi≈OK«O_ç Jx K≥áêÊ~°∞. "åi
PÖ’K«# "Õ∞~°‰Ωõ <Õ#∞ WHõ¯_çH˜ =zÛ, ÉÏÖÏr ™êfiq∞x ^Œi≈Oz „áêi÷OKå#∞.
JHõ¯_ç #∞O_ç =∂ WO\˜H˜ "≥o§ K«∂¿ã,Î WO\˜ ^ŒQ~æÆ ° <Õ#∞ K«∂ã≤# ^Œ$â◊ºO
##∞fl Pâ◊Û~°ºÑ¨~z° , K«H`˜ ∞« ~åex KÕãO≤ k, <å Hõà§◊ #∞ <Õ#∞ #=∞‡ÖËHáõ ÈÜ«∂#∞.
P =∂`«$=¸iÎ `«# Hõà◊¡#∞ `«∞_»∞K«∞HÀ=_®xH˜ H˘OK«O ¿ãѨ٠PyOk.
''<å Hõà◊√§ ##∞fl "≥∂ã¨yã¨∞Î<åflÜ«∂...? Jx XHõ¯ Hõ∆}O J#∞‰õΩ<åfl#∞.
ÖËz XHõ¯ J_»∞QÆ∞ ‰õÄ_® "ÕÜ«∞ÖËx <å z<åfli ÉÏ|∞ Ѩ~°∞QÆ∞ Ѩ~°∞QÆ∞#
=zÛ J=∂‡ Jx ##∞fl H“QÆeOK«∞‰õΩ<åfl_»∞. <À@=∂@ ~åHõ <Õ#∞ xâ◊ÛÅOQÍ
xÅ∞K«∞O_ç áÈÜ«∂#∞. PǨ! ZO`« Hõ$Ѩ, ZO`« Hõ~°∞}, P ÉèíQÆ=O`«∞x
^ŒÜ«∞‰õΩ <Õ#∞ áê„`«∞~åe#Ü«∂º#∞ J<Õ ÉèÏ=#. Éèíq+¨º`«∞Î JO`å pHõ>Ë
Jx ÉèÏqOKÕ `«~°∞}O "≥Å∞QÆ∞ HÍO`«∞Å∞ =∂ rq`«OÖ’ ѨÙ+¨¯ÅOQÍ
„Ѩãi¨ OKå~Ú fi# HÀiHõ`À ѨÓ~°‚ ǨÏ$^ŒÜ∞« O`À xO_»∞ =∞#ã¨∞`À D
ÉÏÖÏrH˜ 108 „Ѩ^ŒH˜∆}Å∞ KÕÜ«∞_®xÔH· =KåÛ#∞—— JO@∂ P „ã‘Î Hõà◊¡Ö’
hà◊√§ ~åÅ∞`«∞O_»QÍ `«# Hõ^äŒ#∞ =ÚyOzOk. =O^ŒÖÏk ã¨OYºÖ’
Éèí‰õΩÎÅ∞ D L^ŒO`åxfl xâıÛ+¨µìÖˇ· qO@∞O_»QÍ Pq_» K≥ѨC`«∞#flO`«
¿ãѨ٠Pq_» JÉσ~Ú, JHõ¯_Õ `«e¡KÕ~Ú Ñ¨@∞ì‰õΩx xÅ∞K«∞<åfl_»∞.
ѨÓ*Ïi D L^ŒO`«O KåÖÏ™ê~°∞¡ Éèí‰õΩÎʼnõΩ q=iOKå~°∞.
Éèí‰õΩÎÅO^Œi HÀiHõ "Õ∞~°‰õΩ WÖÏO\˜ J#∞Éèí"åÅ#∞ „ѨK«∞iOKåÅx
x~°‚~ÚOK«∞‰õΩ<åfl=Ú. JO^Œ∞‰õΩ <åOkQÍ D L^ŒO`«O.
Éè‰í Ωõ ÅÎ ‰õΩ =∞iÜ«Ú '"åH±— áê~ Ωõ ʼnõΩ, g∞‰õΩ ‰õÄ_® WÖÏO\˜
J^Œ∞ƒù`åÅ∞, J#∞Éèí"åÅ∞ Z^Œ∞Ô~·`Õ, g∞~°∞ ‰õÄ_® zÅ∞‰õÄ~°∞
ÉÏÖÏr Hõ$Ѩ‰Ωõ áê„`«∞Öˇ`· ,Õ g∞ J#∞Éè"í åÅ#∞ q∞QÆ`å JO^Œi`À
ѨOK«∞HÀ=_®xH˜ "Õ∞=Ú ã¨ÇϨ Hõi™êÎ=Ú. g∞ J#∞Éè"í åÅ∞ =∂‰õΩ
„"åÜ«∞O_ç. "å\˜x "Õ∞=Ú „ѨK∞« i™êÎ=Ú. –ã¨Oáê^Œ‰Ωõ _»∞
P^•Ü«∂xH˜ q∞Oz# Y~°∞Û JѨC KÕ~Úã¨∞ÎOk.
DEVOTEES' EXPERIENCES
zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 162
My son is able to walk...
One morning at Chilkur Temple, a young lady
walked up to the Pujari with tears in her eyes and
begged to convey her experience and how the Lord
had graced her child. A small kid who would be
no more than 7 years of age accompanied her. The
Pujari heard with rapt attention her experience and
he asked her, “will you tell this miracle to all the
devotees through this mike?”
“By all means swami,” she said.
“One day my child suddenly complained of
numbness in his legs and said he could not walk
anymore…” She started narrating her story.
“We took him to a nearby Doctor who referred
us to a Neuro-physician saying that it was a
neurological problem. The specialist admitted that
the fate of the boy would be that he would not be
able to walk like before. When we were stricken
with grief one of our relatives asked us to approach
an Ayurvedic doctor. This Ayurvedic doctor gave us
some medicines and said that the improvement would
be very slow but it can be cured. However, he asked
us to visit Chilkur Balaji Temple. I came here and
prayed. When I went home from here, I was surprised
with the sight….”
She paused to wipe her tears. “I could not believe
my eyes. My son who could not get down on his
own from the bed came running to me and embraced
me. What a grace?! I have come here now to perform
108 Pradakshinams” she concluded with tears flowing
down her eyes in front of hundreds of devotees who
heard with rapt attention! All the time her son was
standing holding her hand.
The Archaka mentioned this incident many
a times and when the devotees asked us to include
such experiences, we thought to start with this
anecdote.
Devotees and readers of VAK, if you
have such miracles and have experienced
such grace of Chilkur Balaji and if you want
to share with the other readers, please
write to us. We will publish them and
maintain anonymity if you wish.
–Editor.
 27

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Date of Posting 6th & 7th 28 Date of Publication 1st of every month

Registered as a News Paper RNI. No. AP/BIL/2000/2474 Title Code : TELMUL00053

Vol.19 VAK / APRIL / 2018 Postal Registration No. HSE/738/2017-19 No.4
Eú“ÁÆ uÃoÁuÃoÁåÏ ú ÁÆÁåΩ O Paduke (belonging to) emperuman with His lotus-
E∫uƒãtz q múÁtÏ N z ˛ ! ™“Áão:
™“Áão:@@ like eyes! Great men, leaving aside methodologies
that could be white or black (that may or may not
nƒtåãÆoÆÁ ß\uão ƒw u Ê work) and desirous of the extraordinary enjoyment
nƒtÃÁáÁ∫mßÁz T ÃÁu߬Á Á: @@ that is uniquely offered by you (of kainkarya to
emperuman's Tiruvadi) seek a state of dependence
Jã¨Ç¨ Ü«∞ ã≤`åã≤`å#∞áêÜ«∂ only on you. (75th Sloka from Paduka Sahasram)
#~°qO^ÕI} áê^Œ∞Hˆ ! =∞ǨO`«ó I F Hõ=∞ÖËH}∆õ áê^Œ∞HÍ! =∞ǨѨÙ~°∞+¨µÅ∞ ѶŨ „áêÑ≤ΠѨ@¡ ѨO_ÀHÍÜ≥∂ ã¨OkQÆOú QÍ
`«fi^Œ##º`«Ü∂« Éè[í Ou =$uÎO LO_Õ ™ê^èŒ<À áêÜ«∂Å#∞ =^Œe, h=#∞ÉèíqOKÕ ã¨∞MÏxfl HÀ~°∞`«∂, h`À
`«fi^Œ™ê^è•~°} Éè’QÆ™êaèÖÏëêó II ã¨=∂#OQÍ ÉèQí =Æ K«Û~°}^Œfi~Ú<Õ ¿ãqã¨∞<Î åfl~°∞. (áê^Œ∞HÍ ã¨ÇϨ „ã¨O 75= â’¡HOõ )
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤
lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra
Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any
branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'ANDB0000911'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. BOOK – POST
Colony, Bagh Amberpet, Hyderabad-500 013. Ph : To STAMP
27425640. Only local cheques and DDs drawn in favour
of VAK will be accepted. Subscriptions can be sent
through money orders also. Give your correct address.
Owned, Edited, Printed and Published by : Dr. M.V. Soundara
Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, Be-
side Karur Vysya Bank ATM, D.D. Colony, Bagh Amberpet,
Hyderabad-500 013; Website : www.vakchilkur.org
Phone : 27425640 Cell : 9246505058
Printed at : M/s. Vakdevi Printers, # 1-8-732/22/B,
N a l l a k u n t a , H y d erabad - 50004 4 .
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.