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C. KOPPRASCH 60 ausgewahlte Etiiden fiir Posaune 60 selected studies for trombone Heft / Part 1 (Seyffarth) FH 6050 60 ETUDEN STUDIES fiir Posaune for Trombone Heft , Part Vergleichs-Tabelle der Schliissel C.Kopprasch Comparative Key Table |. (Fr. Seyffarth) Bass oof eel = = Att oS Anmerkung: Die vorkommende Bezeichnung mit Zablen gilt nur for P intended only for trombone, Note: The occasional number-signs V Atemzeichen Breathing signs ‘No.1 Moderato” _ ava 2 3 v — Asch in adiellerém Tempo 2a sadieren, dae stta edo Vietlnote brit 7 ‘To he practised alo in quick tempo, bat the crtchets always Broad No.2 Moderato 2 ee ocae ~ 7 dimin P + Eade No.1 iat nach brit Zeltma uwuire. Alle Vierttnoten ser gebales, dynamin Besihnung wn Atssschen (Vind pnauetene av buat, ‘Seady No een be preted ins very brad temp, All ertaete very manne, yeaa ao breathing sgn tobe eocumtly shew © by Friedrich Hofmeister Musikverlag, Leipzig. FH 6050 ; = Kos Poco Allegro F ‘Pp sempre staccato F —¥ y 3 z P 1* bereichneten Nummern auch auf die hier angegebene Art zu aben Anmerkung: Es wird von Nutzen sein, die mi Note: Ie will be of advantage to practise numbers marked * in the form here given, Auch in Hedar2u stadiren ‘No.4 Allegro Also tobe practised in B major 4 sempre staccato ‘Anmerkung 2u No. 5 Note to No. 5 No.6 Adagio = Bs ay Mit "/ sind die oft mit 4 und 5 bezeichneten Lagen far te Le 6 ue Anmerkung 2u No. 7 oes OMT The sign / indicates the postions shown by 4 & 5 for They are half positions 1 asthe oo att ae 3. _ , ete aaatte *No.7 Allegro = f No.8 Tempo giusto , “£ 4 5 sites BB t ak Anmerkung 2u No. 9 Note to No. 9 1 Auch in E-dur ‘No.9 Allegro vivace Alco in E major Renee ere BE se Se epiepre rent: a oe Cees ee: Crese.- Doppelschlag Turn Ausfabrang: Played: / t No. 19/Adagio (= 2-) mf P mp —p p nf . aN ety, 3 yet oo 8 No. 11 Tempo ad lib. sempre staccato — —— Anmerkung 2u No. 12 Note zu, No. 12 rg 3. *No. 12 Allegro moderato t fea,te 10 No. 1 Allegro Doppelschlag Turn Spee: ~ Played: 7 a a SBE No. 15 Adagio (-.)) Alt. f > 4 eapressiro 12 No. 16 Allegretto vivace z = im Rhytmus in strict rhythm a en ef Ve 7 5 No.17 Allegro risoluto ——jucrst sngsamin el Noten Slowly at frst, in quaver * £ 24tet 2 ,f ge af, £ £ fae 1477 Ns ivace simile No. 19 Adagio (-.) -) expressive Tenor Pole rein Ene pdolee = Fs j = ees Auch in Bdur Aso in B fat 5 Pe Ssvmpre stacrake ontgterte ens aoe =z No. 21 Moderato risoluto > = P > Po enone ee Treat. >a He rk — 4 ~ ~ = = zee = = 2 PEA es oS so > > Se bt i tS ey pe = = 2 eR Or? = ~ wee OS c —_> > > > be > zhe rm a, = a DLS ot oe P P P P = fm . i tf se Se > > EN ee 3 ?P = P F 3.2 No.23 Allegro moderato 8 No.24 Presto 4 ly 19 No.25 Moderato die Hindangen snd sehr glechmigig aseufdren ‘The sus tobe played very uniformly + 7 ; = a No. 26 Maestoso 20 No.27 Allegro vivace 7f sempre staccato a rans x No. 28 Allegro assai a tempo espressiro > -_ rit. - a 22 No.29 Tempo ad lib. £ £# eft gE £ Sempre staccato ¢£# é Ef 23 No. 30 Allegretto f= ~p f= Pp v— a a * D.C. al Fine. 24 No.31 Allegro P seherzsando ce ce a a 25 No. 32 Tempo ad lib. ~ . Po See T Allegretto P No.88 Allegro. ‘thrtytmah_ very eye S.C rt~t~t—r—C—=“=‘EREENBE''C'3n9"R"'™=——“‘?#7éZ2H na tempo oe The ee a au Nv Anmerku 34. Dew Trill versuche man Anfangs ganz langsam in gleichmaSigem Temp, 1 Stirke und Note: ‘The till must at first be attempted quite slowly in even time, with every note distinct and equal in strength and duration of accent 5 gant gleich sein No. 34 Der Triller - The Trill cas 3 a “iN oases 03105110 6308 1020

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