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# Patch Name Comp Dist Gain ZNR/AMP EQ

1 #Zoom's Special c3 dt 5 1 10
2 10 Million Fingers c9 dt 30 3 30
3 100% clean sound (505 style) of of -- 1 of
4 12-String Effect c4 of -- 7 24
5 12-String Simulator L1 ac 30 of 30

6 2x Fast for Tap and Great Sustain c6 dt 30 9 50

7 311 octaved riffs c1 Ld 25 5 of


8 4x12x12 Cabinet L9 Ld 30 a1 3

9 70's Rock - Led Zeppelin c1 bL 15 2 20

10 70s Funk a9 ac 30 8 20
11 80's Lerxt c9 Ld 20 9 34
12 80's Pop Solo of fu 25 9 p9
13 80's Pop Solo - Revisited p6 fu 25 9 of
14 80's Porno Synth a3 of -- a9 25
15 80s Distortion L6 Mt 30 6 of

16 AC/DC of dt 24 a7 of

17 AC/DC - Angus Young Early c9 of -- of of


18 Accept Sound c4 od 24 a4 24
19 ACME Blues of bL 23 9 34
20 Acoustic Delay c3 ac 27 a5 5
21 Acoustic Octaviser L4 ac 28 6 26
22 Acoustic Phase L5 ac 28 a8 p1
23 Acoustic Simulator c2 ac 29 a5 45
24 All Sprung Out p1 od 25 9 p9
25 Alternative Rock Sound L1 Ld 30 7 24
26 AN4A L2 Ld 30 a5 p9
27 And Justice For All c4 Mt 30 9 30
28 Ass kicking sludge metal c9 Mt 30 a9 of
29 Asskicking Squeel p9 bL 27 2 p1
30 Audioslave c4 ry 25 of p9
31 Australian Juice Box c9 Ld 13 9 22
32 Authentic Rockman Sound c7 od 26 7 20
33 Awakening L6 of -- 6 40
34 Bacon Fried Crunch c9 bL 30 of 43
35 Bad Trip a9 dt 28 a7 p5
36 Baglama Simulator L9 of -- 4 p3
37 Balls-Ass Distortion c5 od 6 7 6

38 Bass for Your Guitar of ac 1 a5 1

39 Bassy L9 fu 9 3 p9

40 Beautiful Noise c8 dt 30 a1 46

41 Before this c4 bL 13 8 of
42 Big Bass c9 ac 8 1 1
43 Big Muff Wannabe c1 Ld 25 a7 41
44 Billy's Guitar L2 ry 25 9 19
45 Black Death c3 Mt 30 9 1
46 Black Sabbath of bL 30 of of
47 Black Sabbath L5 Ld 22 of 34
48 Black/Death Metal c1 Mt 30 3 of
49 Blame Distortion c9 Mt 21 9 46
51 Blue Monday 1 L9 fu 20 a9 19
52 Blue Monday 2 - Distortion c9 fu 30 of 50
53 Blues L4 ry 25 of 13
54 Blues Fuzz c9 fu 17 8 19
55 BNL's Apartment L9 od 9 of 45

56 Borg Sex a9 Mt 30 9 of

57 Boston or Rockman Sound c7 Ld 30 7 31

58 Boy's Acoustic of ac 23 8 of

59 Braze (Weep) Intro of ry 12 of 33

60 Brazilian Lulu Santos Stratocaster Patch of of -- of 30

61 Brazilian Sound of dt 30 9 20
62 Break Your Ears Distortion L9 dt 30 a1 33
63 Breathin Psychedelic Trippy c5 of -- 9 p6
64 Brian May (of Queen) c3 od 14 3 40
65 Brian May Sound c6 od 30 a7 30
66 Brian Setzer c7 ry 25 of 10
67 Bright Acoustic of ac 20 9 of
68 Bright Metal of Mt 30 a9 25

69 Bubbling Pits of Hell a9 fu 25 of p5

70 Buda Power L1 od 10 4 10
71 Bufa, The Master of Wah c3 dt 15 a4 11
72 Bull on Parade p8 dt 19 9 of

73 Bullet the Blue Sky of Ld 24 of p1

74 Busted amp L9 bL 7 a1 8
75 Cancion animal L9 ry 20 9 22
76 Candlebox Chorus of of -- of 43
77 Captain Crunch c7 Mt 25 9 22
78 Carbur Distortion c2 dt 26 9 35
79 Caribbean Steel Drums a3 of -- 2 9
80 Carlos Santana c1 bL 23 2 20
81 Chainsaw Distortion c8 dt 30 9 42
82 Chaotic Distortion c4 bL 30 8 50
83 Chick 'en Pick L7 ac 30 a5 42
84 Chorus c3 ry 1 1 of
85 Chuck c6 ac 11 a5 4
86 Church Organ c8 od 3 a1 24
87 Circles Intro L2 ac 25 a9 23
88 Circus Organ/Harpsichord p9 ac 25 a9 12
89 Clean Phase L5 of -- a5 p9
90 Clean Tube Blues L7 of -- of 23

91 Clean with Flanger c3 ry 1 a4 40


92 Clean, Clean, Clean of of -- of 25

93 Clean1 a3 of -- a9 30

94 Cliffs of Dover 1 c1 od 26 9 21
95 Cliffs of Dover 2 c2 od 30 9 23
96 Cold Acoustic c9 ac 30 7 40
97 Cool a7 Ld 23 a3 p4
98 Cool Argentine Stile of od 4 3 25
99 Cool Chorus c9 of -- a5 42

100 Cool Crybaby Wah-Wah p6 ry 10 9 of

101 Cool Distortion c9 Ld 23 a9 50


102 Cool Lead L2 Ld 30 a9 11

103 Cool Lead 2 of dt 30 of 15

104 Cool Solo L5 dt 28 6 42


105 Craig's Lead c5 Mt 30 8 27
106 Crate Ur Marshall L5 dt 30 9 40
107 Crazy Stuff a9 fu 30 9 23
108 Crazy Wah a9 ac 10 1 p6
109 Creator L1 Mt 30 a3 10
110 Creed c3 Mt 28 a9 44
112 Crunch Distortion of dt 20 of 15
113 Crusty Record c1 ry 12 3 12
114 Crystal Clean of ac 28 of 28
115 Daaaaark c9 od 19 1 1
116 Dan Is So 8 c8 od 30 8 8
117 DAny�s a7 Ld 15 a8 50

118 Day Nine Demo Clean Chorus Sound c3 of -- 9 25

119 Day Nine Demo Distortion c3 dt 24 a9 25

120 Death Blaster 5000 of Mt 30 9 23


121 Death Metal c5 dt 30 a1 50
122 Death Metal c1 dt 30 of 50
123 Death Metal of Mt 24 9 42
124 Death Metal Distortion c7 dt 30 6 50
125 Death Metal Distortion a3 dt 30 a5 23
126 Death Metal Flange of Mt 30 of 40
127 Death Zone L9 dt 30 8 50
128 Deep Punky Distortion c2 bL 20 a9 26
129 Def Lep's Hysteria c1 bL 19 of 20
131 Deftones of Ld 30 9 of
132 Deftones Power of dt 30 5 41
133 Delayed Full Metal Chorus c9 Mt 30 of 39

134 Deluxe Dream Effect c9 of -- a9 p6

135 Demented Steel Drum Band a9 od 24 a2 p9


136 Desert Rock c8 od 2 a3 of
137 Digital Bath L9 of -- 9 p3
138 Dimebag Darrell Guitar Sound c2 Mt 26 a4 42
139 Dirty Bass c9 fu 1 a9 50
140 Dirty Blues p9 bL 16 of of
141 Distortapoo L4 Mt 30 a8 9
142 Disturbed c4 Mt 30 a1 44
143 Disturbing the Neighbor's hood L1 Mt 30 9 17
144 Diu lay low mow patch p9 Mt 30 a9 p9

145 Dogs Bollocks c8 dt 8 a5 p2

146 Drown L9 fu 20 of 40
147 DSs Solo Patch of bL 20 9 of
148 Dual Rectifier L2 Mt 23 of 15
149 Duane Eddy Twang c1 bL 9 a2 p9
150 Easy Blues of bL 6 a2 13
151 Eddie Van Halen c4 dt 30 4 16
152 Eddie Van Halen Distortion c2 dt 30 4 16
153 Eddie Van Halen Flanger L1 dt 30 4 16
154 Eddie Van Hallen: Suck My Wad c9 Mt 30 of 44
155 Electric Jello L7 of -- 1 p6
156 Elivacisn L4 Ld 20 8 16

157 Eric Johnson L2 od 25 9 38

158 Eric Johnson Type Distortion Delay L2 od 20 9 50


159 Evil c4 fu 30 7 19
160 Evil 666 of fu 30 7 23
161 Extra Heavy c9 dt 30 a6 44
163 F*ck it all p7 bL 27 a6 25
164 Fade to Black p4 Mt 30 a7 50
165 Faith Hope Love c9 bL 30 a9 29
167 Fat Fuzz c3 fu 30 a6 12

168 Fender Blues Breakup c1 od 12 a2 27

169 Finger Pickin' Blues c4 ry 22 of 23

170 Flanged distortion c5 bL 20 9 of


171 Flanger/Phaser L9 of -- of p1
172 Foo Fighters - Everlong c3 bL 10 7 35

173 Foo Fighters Generator voice box patch a2 Ld 22 5 24

174 Foo Fighters Sound c3 bL 30 7 35


175 Freaky Distortion p1 od 30 4 36

176 Fretless Bass c9 od 1 1 p5

177 Frozen Echoes L9 ac 6 7 31

178 Fuckin' Heavy Shit! c2 Mt 18 of 45

179 FuFlangeDe a5 fu 25 a3 p7
180 Full Satriani c7 dt 30 a8 41
181 Fun to play fast Kinda Metalie L6 Mt 30 of 29
182 Funky Jimi c9 ry 19 9 of
183 Fuzz Distortion c1 fu 30 9 36
184 Fuzz Lead c9 fu 28 of 36
185 Fuzzy c5 fu 30 9 16
186 G'spoons rock show dist L9 dt 30 9 7
187 Gary Moore c9 Ld 20 a9 of
188 Ghost Howl of Ld 16 a1 19
189 Giant Steps a1 Mt 30 of 50
190 Gibson to Strat p9 od 17 a4 9
191 Given to Fly c4 od 6 7 29
192 Good Clean Sound of of -- 9 38
193 Good Distortion/Santana Lead c2 Ld 28 6 18
194 Grammatrain Solo c4 dt 27 a9 10
195 Great Rhythm L2 ac 30 9 30
196 Great Rhythm L5 of -- 9 of
197 Green Day of Ld 26 a6 22
198 Grinspoons Rock Show patch c8 ry 12 of of
199 Gunners Clean of dt 26 7 30
200 Guns 'n Roses L8 ry 26 4 31
201 Guns 'n Roses Distortion c3 Ld 24 2 42

202 GUT Wrench a9 dt 30 a9 25

203 Gut Wrentchin' Metal L9 dt 30 a1 50

204 Half Sprung L6 of -- 6 40

205 Hanginaround - Counting Crows of od 20 6 13

206 Hard Blues L9 od 23 9 36


207 Hard Distortion L5 od 12 a9 19
208 Hard Over c3 od 22 4 41
209 Hard Rock Distortion L1 dt 27 of 15
210 Hard Sh*t c9 od 21 of 10

211 Harmonic Heaven p9 bL 30 a1 21

212 Heavy L5 Ld 30 a9 7
213 Heavy L2 dt 28 a9 23
214 Heavy Ballsass Metal c1 Mt 30 a9 50
215 Heavy metal L4 dt 28 a7 19
216 Heavy Metal 1 of dt 30 a4 50
217 Heavy Metal 2 c9 dt 30 9 50
218 Heavy Metal with Sweet Pitch of dt 30 a9 of
219 Heavy Power c4 Ld 26 8 38
220 Heavy Rock c9 ry 30 6 31
221 Heavy Thick Distortion L2 dt 28 9 41
222 Heeeeaaaaavyyyyy!!! c9 Mt 27 7 47
223 Hendrix Wah a8 dt 5 5 7
224 High Gain Overdrive L1 od 30 7 25
225 Hipno a3 of -- 9 p3
226 hize of ac 1 of of
227 Horus L7 of 30 a6 27
228 I Feel Fine of ry 14 a1 21

229 Ice Delay of Mt 30 a9 25


230 Iced Earth Super Tones c1 Mt 28 a1 7
231 Improved Metal of dt 30 a9 12
232 In Flames Style Distortion of Mt 27 of 25
233 In My Cheek a3 of -- of 1
234 Incisive Clean c9 of -- 6 40
235 Industrial Grinder c8 Mt 30 a1 48
236 Industrial Sound c9 fu 30 a9 50
237 Iron Maiden Harmony c9 Ld 30 9 50
238 Jamaica Wah p8 of -- 7 25
239 James Hetfield Style Clean of of -- 6 34
240 Jazz/Blues c3 od 6 of 35
241 Jeff Beck "Flash" Tone c3 od 26 1 20
242 Jet Drive Extrodinaire c4 dt 30 a9 46
243 Jimi Hendrix c2 bL 17 a7 28
244 John Frusciante (Pepper) Strat Tone of bL 6 a2 13
245 John Frusciante on Under the Bridge of ry 25 a7 33
246 John Hiatt L9 od 12 2 of
247 John's Patch a1 ry 29 a6 16

248 Jonny's Creep setup (Radiohead) of Mt 30 5 of

249 Journey Solo Lead L1 Ld 13 a2 25


250 JWO Alternative L1 Ld 30 9 1
251 Katorraiser p9 Mt 2 1 p9
252 Killer Feedback a9 dt 30 a6 24
253 King Crimson L9 fu 30 a4 45
254 King Stevo L8 ry 22 a8 13

255 Kirk Hammet Power Solo (Metallica) a9 dt 28 6 25

256 Kirk Hammet Distortion (Metallica) c9 dt 28 6 34


257 Kirk Hammet Lead L6 Ld 26 8 32

258 KNOX Distortion c6 Mt 30 3 of

259 Kool Metal c1 Mt 30 6 p1


260 Korn Distortion of fu 30 6 30
261 La Pingadora c7 bL 8 a2 p8

262 La Polla Records L9 Ld 10 of 30

263 Laid Back Delay of dt 12 of 45


264 Lay in Bed c5 ry 2 3 10
265 LB DEELay c9 ry 5 3 25
266 Lead c6 bL 30 5 20
267 Lead Guitarist Patch L7 Ld 30 9 45
268 Led Zeppelin p9 od 25 a9 5
269 Lick the Sky L9 fu 23 a9 p1
270 Lightning Crashes of ac 21 7 p4

271 Limp Bizkit Distortion of dt 30 a1 50

272 Linkin Park - One Step Closer c4 dt 30 8 50


273 Liquid 1 a5 od 10 9 22
274 Little Black Box L4 Mt 30 a3 50
275 Live Delay L1 dt 30 a9 50
276 Live Metal L9 dt a7 50 d4
277 Loud c2 dt 20 8 30
278 Low End Metal c1 Mt 30 9 46
279 Low Tuning Metal Dist. 1 L9 dt 30 7 46

280 Low Tuning Metal Dist. 2 L9 dt 30 7 46

281 Lunar Mountains c5 of -- 4 36


282 Machina of Mt 28 of 49
283 Mad Dog Distortion c6 bL 30 5 33
284 Mad Stepscientist's Lab p7 fu 25 a1 14
285 Madison Square Bedroom c2 Ld 26 1 48
286 Malavian Crunch of dt 30 of of

287 Malcolm Young of ry 20 of 45

288 Man in the Box a2 Ld 22 5 24


289 Man with the Sandwich c4 dt 30 4 43
290 Manson Distortion c3 dt 7 a8 5
291 Manson Distortion c6 dt 27 a3 43
292 Manson Noise c4 dt 27 6 35
293 Marshall of ac 4 of 7
294 Mega Crunch L1 Mt 30 4 26
295 Mega Wah a8 fu 30 a7 12
296 Megadeth L9 dt 30 a9 40
297 Megadeth Distortion L8 dt 30 a1 50

298 Megadeth, Youthanasia Album Distortion c3 dt 25 a6 35

299 Mellow Delay c4 Ld 13 2 p1


300 Melt the House c9 dt 30 of 34
301 Metal c7 dt 30 of 41
302 Metal c3 dt 30 a9 33
303 Metal Basic L2 Ld 30 a9 50
304 Metal Blaster 4000 a4 Ld 30 a8 7

305 Metal Chorus c9 Mt 30 of 22

306 Metal Delay c3 dt 27 6 24

307 Metal Flanger of Mt 20 4 50


308 Metal Flanger L5 Mt 25 a9 40

309 Metal Max! L4 Mt 30 a9 42

310 Metal Rhythm Patch L1 Mt 30 a1 24

311 Metal, only metal, just metal L4 dt 30 3 44


312 Metallica c8 ry 28 a9 33
313 Metallica L2 bL 30 a9 27
314 Metallica "Fuel" c2 Mt 30 of 10
315 Metallica "Kill 'em All" c9 bL 28 7 34
316 Metallica Clean L9 of -- of 40
317 Metallica Distortion of dt 25 7 8
318 Metallica Fade to Black Intro Lead c2 dt 30 7 25
320 Metallica Rhythm Distortion of dt 25 9 46
321 Midnight Train c4 of -- 3 22
322 Mindles Cutting Lead p9 Ld 30 4 of
323 Mindles Heavy & Dirty Rhythm c2 ry 30 4 of
324 Mindles Mellow c2 ry 3 4 of
325 Mindles Wah Lead a9 Ld 30 4 of
326 Misfits L6 Mt 30 7 50
327 MOD Thrash of Mt 28 a1 of
328 Monster Patch L4 Ld 6 6 p7
329 Moody Chorus L4 of -- 5 35
330 Moons of Saturn L2 od 20 a4 15
331 More Metal L8 Mt 30 a1 17
332 Muddy Bass a9 ac 30 1 12
333 Muddy Fish Guts a5 bL 30 of of
334 Muse - Plug in Baby c1 fu 28 9 27
335 My Favorite Clean L9 of -- a8 25

336 My Patch of Ld 30 9 50

337 Negasonic Teenage Warhead L9 dt 30 of 16


338 New Metallica that Isn't Noisy of dt 30 9 5
339 Nice Distortion L9 Ld 20 8 34
340 Nice Rhythm of Ld 24 a6 41
341 Nice Solo L4 bL 16 6 32

342 Nigel Hendroff's Guitar Works L2 Ld 24 7 28

343 Nine Inch Nails L9 fu 30 a2 30


344 Nirvana Distortion c9 Mt 20 a4 of

345 Nirvana's Come As You Are Clean Patch c5 of -- 9 30

346 Noise FreeDistortion of Mt 15 9 of

347 Nothing As It Seems a3 bL 14 1 25

348 Nothing Else Matters (Intro) of ry 13 1 34


349 Nothing Else Matters (Intro) a6 of -- 6 40
350 Nothing Else Matters (Solo) c9 od 21 3 34
351 Number of the Beast (Intro) c3 dt 26 9 41
352 Old Punk or Green Day Distortion c1 Ld 30 9 21
353 One (intro) - Metallica of of -- a9 of

354 Operation Ivy Punk Ska L3 dt 30 6 of

355 Oragomy L9 of -- 2 25
356 Orion c2 dt 23 of 23
357 Ozzy Osbourne Randy Rhoads c5 dt 25 9 41
358 Pantera 1 L8 bL 26 a1 24
359 Pantera 2 c9 dt 30 of 50
360 Pantera 3 - Floods L8 bL 28 a1 24
361 Pantera Reinventing the Steel Dist. c2 Mt 26 a4 50
362 Pantera Walk L9 dt 22 9 of
363 PC Recording of Ld 30 a9 36

364 Pearl Jam's Jeremy. c3 ry 5 a2 33


365 Pickin' From the Pumpkins Patch L8 fu 20 a9 20
366 Pink Floyd "Time" (Intro) of od 30 9 30
367 Pink Floyd "Time" (Solo) c1 Ld 24 9 30

368 Pink Floyd Delay c7 ry 1 a7 32

369 Pink Floyd Phaser of ry 24 9 p6


370 Pink Noise a6 Ld 26 a6 22
371 Pitch Shift of dt 30 9 28
372 Play All Distortion of Mt 30 9 50

373 Polished Distortion of bL 30 9 40

374 Poo Poo Pee Pee c3 Mt 14 a3 16


375 Power c6 Ld 25 a6 33
376 Powerdistortion c5 dt 27 a9 25

377 Pride (In the Name of Love) of of -- a1 28

378 Pseudo Sitarchestra a8 ry 21 a2 p3


379 Psycho Distortion of dt 15 4 17
380 Punk Disco L9 ry 30 a3 20
381 Purple Rain c8 ry 1 a1 p1
382 Puta Loca L9 fu 10 a1 9
383 Quake rock c9 dt 30 4 24
384 Rammstein Distortion c2 dt 22 a9 7
385 Ramones old sound c7 Ld 15 a8 37
386 Randy Rhoads Sound c2 od 25 a7 7
387 Ratm Distortion c3 Mt 25 a1 45
389 Razor Buzz c3 dt 30 of 10

390 Real Funky Wah a1 ac 16 of 31

Really SRV Sound (final Performance in


391 c6 bL 1 9 of
Austin Texa
Really SRV Sound(final Performance in
392 c6 bL 2 9 of
Austin Texas
393 Red House L2 ry 25 of 13
394 Reverse Guitar L6 Ld 22 5 24
395 Rigby's Patch of Love c3 dt 4 9 30
396 Ritchie Blackmore c7 od 17 8 26
397 Roaring Beast L9 ry 30 a5 20
398 Rock of ry 20 a1 25
399 Rock and Roll Drive c5 od 18 a1 25
400 Rock/Latin p9 fu 18 5 25
401 Rockabilly c4 of -- a1 20
402 Rockabilly - The Shadows L7 ry 1 of of
403 Rocking Distortion of Mt 29 6 48
404 Ron's Boogie c5 dt 30 6 42
405 Roots Bloody Roots of dt 30 9 47

406 Rush c9 bL 17 9 16
407 Sanitarium c9 Ld 30 3 39
408 Satan's of Mt 23 8 17
409 Satanic p9 Ld 22 a2 34
410 Satriani c8 dt 25 5 20
411 Satriani Lead of Ld 25 a2 22

412 Satriani Live in San Francisco a6 Mt 30 a7 6

413 Satriani Solo c3 dt 30 7 30

414 Saturax's Fav Tone c3 od 25 a9 20


415 Saturday Night with Dr. Tuttle c9 ry 1 5 of
416 Scared c4 fu 30 a1 45
417 Screaching Weasel L1 dt 20 a9 6
418 Self Destruction c5 Mt 29 a7 34
419 Simple Distortion c9 dt 20 a5 30
420 Sitar Groove a2 dt 15 of p3

421 SlapBack Echo of of -- 9 25

422 Slapshock, Greyhoundz, Zooom, Cheese of dt 28 6 23

423 Slash Distortion c3 Ld 26 a4 32


424 Slash Rhythm of dt 27 9 20
425 Slash's 12 String Guitar c5 of -- a9 36
426 Slow Ball L6 of -- 6 45
427 Small Amp Distortion c2 od 30 7 25
428 Smoke's Blackmoore Water c9 od 14 9 40
429 Smooth c9 Ld 24 a6 41
430 Smooth as Silk L9 ac 1 6 26
431 Smooth Metal c9 Mt 6 9 6
432 Smooth Violin of fu 11 7 25
433 SNaFu L1 bL 27 a9 45

434 Solid Lead L2 Ld 20 9 17

435 Solo 1 L4 fu 24 9 17
436 Solo Distortion c4 bL 23 4 27
437 Solo Jazz Guitar of of -- a3 13
438 Solo Wah a6 od 15 7 p6
440 Soundgarden's Black Hole Sun of of -- a9 p9
441 Space (Arkiv X) a4 bL 7 7 p6
442 Space Birds c9 bL 30 3 45
443 Sprowell c1 od 30 a1 34
444 Sprowell II c4 ry 24 2 28
446 SRV Blues of od 19 4 29

447 SRV sound on a Les Paul p9 bL 15 9 6

448 Staind c1 of -- a4 25

449 Staind's Mike Mushok's Distortion of Ld 28 9 50

450 Standard Metal c6 Ld 20 5 23

451 Starlight Echo c6 ac 30 of 47


452 Steroid Blues c9 bL 30 of of
453 Steve Vai Distortion c3 dt 25 4 35
454 Straightahead Jazz L4 of -- 4 5
455 Stratovarius Guitar c7 dt 22 a1 41
456 Street Spirit c9 of -- a5 50
457 Strong Lead L1 Ld 30 9 24
458 Suck c9 of -- a9 45
459 Sultans of Swing L9 od 6 of 25
460 Super Clean Rythem c9 of -- a5 37
461 Super Distortion Solo c9 dt 30 9 27
462 Super Dooper Pooper Scooper c5 fu 25 a9 43

463 Super Metal L9 dt 30 a9 50

464 Super Metal L9 dt 26 9 30


465 Super Overdrive c5 Ld 21 8 4
466 Super Pussycat Swinger a1 ry 8 a6 18
467 Super Soaker Solo c2 of -- of of
468 Super Sound c3 dt 22 a1 28
469 Super Tight Cap'n Crunch L1 dt 25 9 25
470 Supersh*t Feedback L9 Mt 30 of 50

471 Supra Distortion c3 Ld 13 6 22

472 Swedish Death Metal c9 dt 23 a9 30


473 Sweet Blues Distortion c9 bL 30 a3 27
474 Sweet Delay L6 of -- 6 40
475 Sweet Dreams p2 od 30 4 40
476 Sweet Metal c7 dt 25 6 45

477 Sweet Ringing Solo p6 Mt 25 8 15

478 Swisschesing the Vortex c1 Ld 26 a5 15


479 System of A Dowm (Quase Isso) c3 Mt 30 9 46
480 System of a Down Distortion c9 Mt 26 a4 of
481 Take Me Out to the Ball Game c6 ry 17 a4 p9
482 Tansellica c6 Mt 30 3 50

483 Tears In Heaven c8 ac 28 5 14

484 Testament c3 Ld 30 a9 28
485 The Amazing 80s of dt 30 9 25
486 The Day Is Mine Trebek c3 fu 15 5 16
487 The Memory Remains (Intro) of fu 22 of 25
488 The Offspring c9 ry 30 3 33
489 The Offspring c5 Ld 30 9 44
490 The Unforgiven c3 of -- 4 36
491 The Wizard c5 Mt 10 4 9
492 This Love Pantera of ac 1 7 31
493 Thrash Metal of dt 30 of 7
494 Thrash metal c4 Mt 30 3 24
495 Thrash Metal Distortion L5 dt 30 9 13
496 Thrash Metal Distortion L1 Mt 20 3 46

497 Thrash or Death Metal Rhythm c9 Mt 30 9 40


498 Tool Distortion of Mt 18 of of

499 Tool Distortion c6 ry 28 9 38

500 Tornado c3 Ld 24 6 48
501 Total Destruction c9 Mt 30 a9 46

502 Turbine Dagger c9 fu 30 a9 46

503 Two Million Cats L9 Ld 30 of p5


504 Ultimate New Age Punk Patch of bL 27 6 32
505 Under the Waves L4 of -- 2 36
506 Underneath c1 of -- 4 22

507 Until It Sleeps a4 ry 12 of p9

508 Upshift c9 dt 30 9 41
509 Vai Todo Mundo Tomar No Rabo c5 dt 30 9 32
510 Van Halen L1 bL 27 5 22

511 Van Halen ('90s tone) L6 od 30 6 40

512 Van Halen (Cathedral) c1 od 5 1 30


513 Verdena's Fuzz L2 bL 30 5 22
514 Very good Flanger Generator of Mt 30 9 25
515 Victimized Sound c1 Ld 30 9 25
516 Vie Solo p6 dt 25 9 22
517 Vinnie Moore's Feeling c5 dt 18 a1 22

518 Vocal Hall c1 of -- 5 1

519 Vomit of ry 19 6 of
520 VooDoo Chile a9 Ld 30 of 25
521 Voodoo Fuzz c2 Ld 19 7 23
522 Wah Hendrix Style a8 od 22 9 12
523 Wah Wah a8 Mt 30 a9 12
524 Waltar Giardino of Mt 30 7 15
525 Wasting Love 3 a1 Mt 20 4 3
526 Welcome Home Sanitarium (Solos) c6 bL 25 4 34
527 Wet Distortion a8 ry 25 a9 30
528 Where the Streets Have No Name c4 od 9 7 32
529 Where The Streets Have No Name 2 c3 of -- 2 18
530 Whiskers L9 bL 12 a4 20
531 Wicked Distortion of dt 29 of of
532 Yellow Ledbetter c3 ry 1 1 41
533 Yellow Ledbetter Solo c5 Ld 20 9 28

534 Yes - Cosmic Steel Guitar c6 fu 15 6 20

535 Yes - Starship Trooper c3 of -- of 25

536 Yes - Starship Trooper Solo c6 od 15 3 25

537 You Intro (Radiohead) L4 of -- 2 36

538 You'd Prefer Matt Talbot of Ld 22 1 50

539 Zombie Intro c2 ry 1 a4 15


540 Light Chorus -- Ld 26 5 --
541 M COP -- dt 29 a5 --
542 Metal c1 Mt 20 3 17
543 Metallica L9 Ld 23 -- 6
544 Metallica L9 Ld 23 a9 6
545 Moth Distortion a3 ac 28 of of
546 Nirvana L6 -- -- 6 40
547 Phase Shifted L7 of -- 1 p4
548 Pixies Harsh Lead L6 od 8 6 40
549 Satriani (Forgotten Part II) -- Mt 26 6 45
550 Scorpions c3 of -- 9 27
552 Semi Acoustic of ac 28 of 29
553 Smashing Pumpkins -- -- -- -- p9
554 The Edge c4 bL 26 a8 23
555 understandable death metal of dt 21 of 0ff
556 wah wah a9 fu 30 of 0ff
557 Wide N Creamy L1 dt 29 7 25
558 Clean Delay L6 of -- 6 22
559 Clean Snap-verb c9 of -- 9 of
560 fuzz gargle p9 fu 18 5 25
561 Purple Smoke c9 Ld 5 a6 p1
562 Terje Rypdal c1 od 30 34 20
563 Trower Power L9 Ld 30 7 24
564 Super Dist Solo L1 Ld 26 7 24
565 WIDE-no distortion L9 of -- 9 of
566 Slap-back Delay L4 of -- 22 36
567 "Beathing" Distortion c4 ry 26 a9 p1
568 Camel c3 dt 15 of 10
570 Nirvana Live c5 dt 30 of 25
571 Physcadelicca c9 dt 30 a1 p5
572 super metalic c4 mt 27 7 49
573 Peach Fuzzz c8 fu 26 a9 26
574 Polly Phonic c7 -- -- -- p7
575 Guns N' Roses/Aerosmith 1 dt 28-29 9 24
576 Distorted Chorus of bL 27 7 of
577 EvH - "Ain't Talkin' Bout Love" Phased c4 bL 25 3 p4

578 loud distortion c1 NE 30 1 50

580 Shine On c5 od 4 a2 43
581 Shine On (Riff) c5 od 6 a2 43
582 Wah p9 0d 30 of 41
583 Whiskey in the Jar c4 Ld 15 6 23
584 Deep Blue c4 Ld 21 a8 26
585 Smashing Pumpkins - Love c9 fu 19 a9 9
586 Acoustic c1 of -- 4 25
588 Bass-Like c2 ac 1 9 15
589 Carlos Santana c9 Ld 20 a4 23
590 Chorus / Compression c1 od 25 5 --
591 Chorus/Reverb of of -- 9 39
592 Clean Delay:Ragged on Chords -- ry 5 a9 39
593 Dropped D Distort L9 fu 14 4 --
594 Eddie Van Halen c2 dt 30 4 16
595 Joe Satriani c3 dt 25 a1 43
596 Lead overdrive w/limit L1 Ld 30 7 24
597 AC/DC of od 29 9 of

598 A1 monster delay part 3 a1 fu 29 of 45

599 Clean Fingers L9 rY 4 a9 38


600 "Live" Dist L2 dE 24 a7 23
602 SRV c7 od 17 9 9
603 Shadows/Hank Marvin.solo c1 of -- 9 15
605 U2 - NUMB of dt 13 of p2

606 12 String of 20 9 of

607 Dr Distortion a9 Mt 30 a3 4
608 Rolphie Dist Solo L2 dt 24 5 20
609 Blues Crunch c9 ry 17 a8 19
610 Bush Distortion c9 ry 20 a9 20
611 Super Chorus L9 ac 5 4 39
612 Distorted Solo with chorus of dt 23 9 25
613 Bright new rock distortion c7 dt 17 a3 21
614 Jazz Chorus L5 of -- 6 25
615 Jazz Delay L6 of -- 6 26
616 Jazz Reverb L5 of -- 6 25
617 The Edge 1986 c4 of -- 4 32
618 compressed distortion w/reverb of dt 30 1 7
619 Acoustic of ac 22 of 20
620 Distortion with Bite a4 Ld 22 4 of
621 Rich and Creamy c9 rY 24 9 of
622 Sweet Distortion L9 Ld 20 9 of
623 SyChO DiStOrTiOn a9 fu 30 9 p1
624 Sepultura or any other heavy metal c9 dt 30 6 15

625 Nice little distortion patch of fu 30 6 45

626 Funk wah a7 bL 1 of p6


627 Nice, tight 70's Distortion c2 ry 17 a6 29
628 Elven Tea c9 ac 15 of p9

629 Marcy Playground effect!! c1 fu 20 aS of

630 Deftones- Root Intro a7 dt 30 2 40ish

632 Electric 12 String c9 od 5 a2 40


633 Ashes to Ashes of Mt 30 a9 45
634 Sitar Drone w/ delay and wah a7 of of p8
635 Pantera of dt 30 1 40
636 NONAME 2 dt 28 9 26
637 BB on acid of ry 23 of of
638 white zombie ditstorion of mt 30 a1 6
639 Haunted Organ L4 bL 22 1 p9
640 Dr Who/weird sci-fi sound of dt 30 of p1
641 Metallica's ...And Justice sound of dt 30 of 42

642 SURF VERB L2 rY 1 a7 25

643 59 Vintage L6 od 6 1 12

644 Sabbath L9 od 15 of 23
645 Tool Distorted Tone of mt 30 9 13
646 Clean lead playing p8 ry 1 a7 20
647 Smashing Pumpkins c4 Ld 22 a9 25
648 CarnevalOrgan c8 od 15 8 23

649 Iron Maiden, Somewhere in Time intro c3 dt 30 a2 21

651 MetallicA (justice tone) c4 mt 30 a9 13


652 MetallicA (live) of of of a9 13
653 N.I.B. L2 fu 21 a2 47
654 Smashing Pumpkins - Rocket -- dt 30 -- p1
655 A1 monster delay part 1 a1 fu 4 of 45
657 Rush - Alex Lifeson / 2112 c4 rY 1 1 35
658 Rush - Alex Lifeson / Red Barchetta L4 0d 5 2 35
659 Chunky Fuzz of fu 3 of 30

660 mild blues overdrive L3 ac 25 6 of

661 Silky Chorus of ac 5 6 35


662 Mike Ness c4 od 25 5 24
663 HEADHUNTER'S HARD HEAVY METAL L2 dE 20 a7 25
664 white zombie distortion c2 mt 30 a1 46
665 Clean tone for Jazz L1 -- -- 1 --
666 Powerful Ballads of bL 30 9 of
667 Smooth(E.Johnson-like)Delay Lead -- mt 24 9 --
668 HATE DRIVE c2 bL 30 a1 50
669 Sultans Of Swing / Dire Straits L9 od 6 of 25
670 80's Hard Rock c4 bL 26 8 28
671 80's Hard Rock L2 bL 26 8 29
672 KoRn of dt 30 of 2
673 Supergroove- alisticprosi funkstication L9 dt 30 of p9
674 Beatles circa 1963 c1 ry 12 1 15

675 Creamy Fuzz Lead L5 fu 30 8 35

676 Acoustic lead c9 8 22


677 Acoustic picking c8 8 18
678 Metallica (Nothing else matter) L4 8 34
679 Metallica (nothing else matter) L9 Ld 20 8 34
680 Death/thrash metal L1 dt 30 5 25
681 nice clean sound L1 of -- a9 of
682 Clean Distorsion (kinda like AC\DC) c9 bL 5 a9 41
683 Deep Purple (made in Japan) c3 dt 15 of 10
684 Eric Jhonson on the song "Venus Isle" c9 Ld 15 of 9
685 Iron Maiden c3 bL 30 a1 20
686 Metallica "Kill'em all" album. c9 bL 30 9 20
687 Over-Drive Metal. c9 od 30 of 19
688 "Ozzy" Harmonic inhancer. of Ld 30 of 8

689 Tight Metal Rythum (great for Metallica) c1 Ld 23 of 50

691 Tool's - Ænema Tone of Mt 30 1 37

692 Zoft Rock c3 rY 18 7 6


693 Nirvana-Unplugged of ac 30 9 25

694 Page-esque lead tone p9 od 15 1 25

695 U2 "Love is blindness" LIVE p1 fu 30 of 4


696 Marilyn Manson POAAF Sound c7 fu 22-25 8 13
697 Metallica - One c2 of -- 5 31

698 Metallica - One (solo) of rY 5 6 30

699 Metallica."And Justice For All".5 c1 dt 30 a9 9


700 Chris Isaak (Wicked Game) L6 of of 6 46
702 Pantera p9 dt 30 of 46
703 Smoke On The Water L2 od 17 5 23
704 Rush - Alex Lifeson "Dreamline" c7 dt 8 of of
705 Rush - Alex Lifeson "Fly By Night" L8 od 10 a8 34

706 Low end chunky thick fuzz c7 fu 25 8 45

707 The bitch SMACKER c9 fu 25 no 7


708 bright equalizer -- -- -- -- 35
709 clean solo c5 -- -- 9 45
710 clean verb a3 -- -- 2 35
711 good acoustic -- ac 30 -- 48
712 Jimi's wah a9 od 24 -- --
713 kickass acoustic c9 ac 30 9 45
714 nirvana poly/clone -- -- -- -- 46
715 thegroovething a9 Ld 30 a9 p9
716 Turbo Swirl L1 dt 30 9 23
717 sad guitar c9 od 20-25 a5 of
718 Hank Marvin "Wonderful Land" c9 of -- 1 25

719 Crystal Clean Sound of of -- of 31

720 Wild Wah for solos of dt 30 3 31

721 Just Do It! p9 Mt 30 9 50

722 Pantera: Vdop era. L8 Mt 30 a1 50


723 Clean Pantera c1 of -- 2 36
724 Sweet Solo c8 od 30 5 43
726 Sweet Solo 3 c1 de 30 9 p1
727 Sweet Solo2 c2 de 30 of 22
729 rhythm ala scot L9 rY 26 a8 45
730 sweet lead L9 dt 26 a9 45

731 METAL BLASTER L4--6 NE 0 a9 44

732 Distorted Bass c2 Mt 30 9 10


733 Silverchair Clean Phase c6 ac 15 a9 p4
734 Silverchair Distortion c2 bL 15 3 27
735 Organ c9 rY 30 of p7

736 Thrash'n Metal c9 Mt 30 5 25


737 distortion L1 Mt 30 a3 50

738 E.V.H. c4 bL 30 3 0ff

739 Randy Rhoads c2 bL 30 1 48

740 Bright Acoustic c4 ac 27 9 12

741 Laser Beam a9 Mt 25 a4 p1


742 Heartbreaker Solo of od 21 a1 of

743 Led Zeppelin BBC Sessions p9 fu 24 of 42

744 Monster Rhythm of Ld 30 9 29


745 NEW METALLICA L8 Ld 30 a9 50

746 Punk Distortion L4 ry 30 a1 42

747 70's Overdriven Tone of od 29 a1 of

748 Mild Chorus of rY 15 a1 of

749 tweaked acoustic L5 ac 20 6 50

750 BIG Solo c9 Ld 15 5 14

751 Power Ballad L2 dt 24 5 20

752 BIG MUFF L5 fu 30 9 10

753 Fade To Black intro solo of bL 30 3 50

755 Biohazard Distortion c1 bL 30 a9 48

756 HARD HEAVY KICK ASS METAL L8 Mt 30 a1 17

757 Rebel Yell c1 od 30 a9 28

758 Rush - Xanadu intro c8 dt 8 of of

759 Electric/Acoustic c6 of -- 9 40

760 Megadeath like distortion L1 dt 28 a9 44


761 GWAR: carival of chaos tone. L8 Ld 30 a5 50
762 GWAR: SALAMINIZER. L4 dt 25 a4 50
763 GWAR:scum dogs era L8 dt 30 a3 50

764 Jimi in Space! of fu 30 of of

765 Like Luke c9 dt 20 a8 26

766 Marshall-esque lead -- Ld 30 a4 31


767 Phased Out L5 rY 30 9 p4
768 THE REAL PRO CO RAT SOUND!!!!!! L4 Mt 30 a1 42
769 Warm, Smooth and Clean of of of of 30

770 Magical Acoustic of ac 30 of 46

773 ......And Justice Guitar Tone L8 dt 30 a3 50


774 Bassy Rhythm L9 od 16 a4 7
775 High Ring Dirt L5 ry 12 a9 32
776 "No Association" - Clean L9 ry 8 3 5
777 ProCo Rat L8 fu 30 a9 36
778 KIRK HAMMET'S WAH (RE-LOAD ERA) a6 bL 30 a9 50
780 Solo Wha (hendrix) a6 od 15 7 p6

781 70's fuzz c4 fu 19 4 33

782 *Distortion c9 de 20 a5 30
783 Flange your Daughters of dt 26 a9 of

784 Lock Up Your Daughters! of dt 26 a9 of

785 breakpoint c9 od 1 a9 50

786 Rythmn Tube Crunch c4 od 13 a6 25


787 Crunch Bite of Ld 9 4 11

788 Lynyrd Skynyrd."Sweet Home Alabama" c1 bL 24 4 of

789 Roaming a3 -- -- 2 9
790 Whereever I May Roam Intro a3 of 2 9

791 King Nothing Octaver L1 fu 24 of 46

792 Metallica-The best Wah of of of a9 26


793 Metallica(Master album) L5 dt 30 a3 of
794 Cranberries L9 od 3 a2 25

795 Led Zeppelin BBC Session L7 bL 19 a4 of

796 2end verse for down in the park by foo f c5 Mt 30 1 5

797 CANNIBAL CORPSE DIST. L8 Mt 30 a1 45

798 Intro to FOO Fighters - Down in the park a1 bL 1 6 25

799 Pre Chorous to Foo Fighters down in the a1 dt 30 9 20

800 Buckish L9 rY 1 1 40

801 Doors-The End L4 of -- p2 36

802 Early AC/DC c9 bL 20 9 20

803 Ziggy Stardust L7 of -- 1 p--6

804 Cool Solo L4 de 16 9 22


805 ME FISTING TRENT of of of 9 of

807 PRISON SEX of ry 22 9 11

810 Singer c9 of -- 9 30

811 TS-5 Tube Screamer c9 od 15 a1 24


812 SkAnKI'n Patch L1 bL 10 5 15

813 Rich Solo c1 od 30 9 10

814 Foo Fighters c5 rY 30 of of,25


815 Nirvana c9 21 me of 24
816 Nirvana Solos c9 30 bL of 25,of
817 Van Halen's Humans Being 1 mt 26 6 42
818 KIng of od 13 of 40
819 Really Rockin' Solo Dist of Mt 28 a3 of
820 Big Raunchy Distortion L9 dt 30 a9 36
821 One Headlight Slide L9 od 1 a1 40
824 sepultura 4 mt 30 9 30

825 New Van Halen Sound c1 bL 25 9 50

826 Bassy c2 ac 30 9 1

827 Unchained a1 bL 20 a2 45

828 Gilmour's Searing Stratocaster of bL 30 a9 42

830 mans eternal struggle for survival. L6 of -- 6 p9

831 super bad ass fucked up shit c1 fu 30 a9 50

833 Carlos Santana c4 Ld 20 8 25


834 Crazy train c9 Mt 26 9 12
835 DRIVE -- Ld 25 -- 44
836 now thats distortion c9 Mt 30 of 40
837 Enter Sandman Metallica L9 dt 26 a9 44

839 FILTER -- ry 25-30 -- --

840 Live-Lightning Crashes c7 ry 4 a9 38


841 The Iron Distortion of dt 30 a9 12

842 DEATH METAL distortion c7 dt 30 a6 50

843 Hard Edge Blues of bL 29 9 19

844 Zero: Smashing Pumpkins of dt 10 9 of

845 SepulturA Distortion c1 mt 30 9 41

846 Eddie Van Halen, VH Period of dt 30 a1 6

847 Seasons in the abyss (dist) c2 Mt 30 9 7


848 Seasons in the abyss (Solo part) a6 Ld 30 a1 50
849 Seasons in the abyss (the clean part) a1 7

850 Boosted Tube Screamer c9 od 15 a9 33

851 Bright Distortion L7 ry 19 9 38


852 Clean "Freak" Chorus ry 4 1 36
853 Silverchair Dirt L4 Mt 23 a6 35
854 Van Halen."Ain't Talking...".intro c7 Mt 30 4 of
855 Good Old Sabbath c1 fu 25 a2 25

857 Ambetic a9 fu 30 a9 p4

858 Brightness L1 ac 30 9 38

859 Queen/Brian May."Keep Yourself Alive" c7 Mt 21 a9 p2


860 Candle Box Rythme L3 of -- a9 17
862 Nirvana Dist L9 dt 15 6 30
863 Turbine p8 bL 22 a9 p1
864 Lithium Blues L1 bL 10 6 30
865 Hendrix Fuzz of fu 27 5 42
866 Kickassbitchstaintharepy! L7 dt 25 a9 24
867 Low mans lyric L9 of -- 6 p9

868 Jimmy Page c3 Ld 24 of 28

869 Marilyn Manson c9 dE 26 a6 41

872 teen spirit dist c9 Ld 25 a9 25

873 thunder c4 mt 30 9 30

874 Mind stealing delay L7 Ld 28 5 24

875 cool wah p7 mt 26 9 43


876 TOMORROW L7 of -- 5 p2
877 Cowboys from Hell PanterA c3 mt 30 4 47

878 the hip c3 Ld 19 of 28

879 Cool distortion c1 bL 24 4 of

880 Therapy? L4 od 30 9 36

881 Pink Floyd of rY 16 7 of

882 Kirk Solo a3 mt 17 a7 50


883 nirvana mt 25 9 10
884 Metallica."Nothing Else Matters" c9 ac 20 6 40

885 46 & 2 - Tool ry 15 p4

887 Led Zeppelin/Jimmy Page c9 Ld 16 5 25

888 Oasis c9 Ld 26 9 30

889 FuFlangeDe a5 fu 23 a3 p7
891 Clean chorus of of -- a7 36
892 Clean Flange of of -- 1 13
893 Laid Back Double c2 ac 25 9 6

894 Super groovy Metal c5 mt 8 a1 p2

895 delay distortion c9 dt 30 of p1


896 evil distortion of dt 30 5 30
897 Laid Back c2 ac 27 a3 26

898 Smooth Metal L9 mt 30 a1 50

899 Distorted intro for "tract boy" c4 ac 17 a9 40

900 Intro for "growing up" by Blink 182 L1 fu 30 a7 25


901 intro for "tract Boy" from Ghoti hook of ac 10 6 45
902 Askance flanged solo of dt 30 5 of

903 Heavy Dist L9 dt 30 a9 48--50

904 Fuzzy Wuzzy c9 fu 21 9 41

905 Purple Rain c7 ry 1 a1 p1


906 Cool assed blues lead c3 ry 23 a9 3
908 Eddie Vanhalen L9 b1 26 9 of
909 Van Halen."Ain't Talking About Love" c9 dt 30 9 42
910 m manson of Ld 11 of of
913 SOLO p9 Mt 30 of 45

914 Bass Simulator c8 ac 3 a6 3

915 Grungy Fuzz c3 fu 30 a7 12

916 Moody Chorus c4 of -- 3 35

917 Psychedelic of dt 20 9 30
918 Universal Rhythm Fuzz c5 fu 15 2 22

919 Fuzzter p3 fu 30 a9 --

920 SLAYER L1 Ld 30 9 8
921 Low-end bite! c1 Mt 30 9 46

922 Led Zep BBC Sessions c1 bL 10 2 20

923 Use this when playing loud w/small amp L1 Ld 30 a6 40

924 DEFTONES DISTORTION c9 od 13 a9 16


925 Enter Sandman Intro of of -- a9 34
926 Testment-Demonic effect c8 bL 15 4 25
927 early SLAYER sound L5 Ld 25 a5 42

928 Talking Guitar a9 of of p6

929 Dream theater L9 of -- 6 p9


930 crank L9 od 5 of 24
931 Randy Rhoads L2 dt 30 a3 5

932 Monster Strat c5 Ld 27 8 28

933 Death Metal L2 dt 30 a3 6


934 Death Metal Solo L2 Mt 30 4 5
936 Overdrive with a bass play along of od 17 a7 49
937 Yngwie's solo L5 Ld 28 a1 of

938 N.W.F.(Nice Warm Feeling) c9 ry 10 a1 p9

939 A ROOM with a view :-) c1 ry 9 1 14


940 Am I Evil? of mt 18 3 40

941 Bullet c1 ry 30 a2 25

942 Bullet the blue sky c9 od 30 3 23

943 Crisp-metal c5 de 30 4 36
945 Echo/Delay sound for live U2 songs L4 rY 8 8 23

946 For U2's "One", "Where the street's.." c3 ry 10 8 25

947 "Jet-Metal" L9 de 22 a5 24

948 Soft Wah a7 ry 16 5 15


949 ZOOM 505 a2 -- -- -- --
950 Dream Theater Clean 3 1 35

951 Megadeth´s Black Friday Accoustic Intro L1 ac 30 a8 3

952 Extreme-ShredMetal Dist. c7 dt 30 6 50

953 cannibal corpse L4 dt 30 a9 42


954 PORNO MUSIC PEDAL WAH p6 od 1 9 47

955 Carcass Reek Of Putrefaction Disortion c7 fu 30 a9 50

957 ZZTOP ELIMINATOR DELAY c7 Ld 28 6 26

958 lead/solo.visceral c5 Ld 28 a8 28
961 Crazy Train c5 dt 25 9 43
962 F>T>B> CHORUS L8 Ld 15 9 of

963 MetallicA 1980's L9 Ld 30 9 25

964 R.A.T.M patch of bL 25 9 p3

965 spice it up L3 of of 5 28

966 bombtrack intro L1 bL 26 7 24

967 metallica ajfa record main sound L8 dt 30 a3 50


968 TYPE O NEGATIVE DISTORTION c9 bL 30 9 5
969 HEAVY METAL RHYTHM c1 Ld 23 of 50
970 lead c3 Ld 30 6 22

971 Tubey or something c9 bL 25 7 25

972 Purity in Oblivion of dt 30 9 50

973 To Live is to Let Die of od 20 9 35

974 Tormented Souls a9 bL 20 9 50

975 Oh Baby! c3 rY 1 a9 p9

976 70's rhthm c8 bL 8 a1 of

977 late night blues of Ld 30 3 31

978 cool lead L4 od 30 9 27


979 Houses of the Holy L1 od 20 a4 15
980 stalker c7 dt 30 a4 35

981 Screamn' Bloody Blues L1 fu 14 a3 11

982 dist solo c1 Ld 20 1 25


983 heavy dist c1 dt 25 a9 40
984 Heavy Riffs c3 Ld 30 8 44
985 WILD c9 Mt 30 a9 p9

986 Paranoic Dist. a9 dt 30 5 42

When the Smoke it's going down


987 c3 of -- 6 42
SCorpions
988 Money for Nothing p1 ry 30 1 17

989 CROW guitar of dt 30 4 42

991 Malmsteen, Yngwie."Odyssey" c9 bL 25 a9 33


992 yngwie malmsteen c2 bL 27 9 20

994 David Gilmore Solo c4 bL 27 6 36--38

995 offspring distortion of od 24 6 49


996 Siamese Dream Fuzz 0 fu 30 4 0

997 Strato Blues Feel 3 od 7 a1 23

998 best metal c4 mt 30 a1 50

999 Interstellar Overdrive c2 od 3 a1 10

1000 vintage tube overdrive c5 od 15 7 28

1001 Metallica master of puppets sound of dt 30 a9 45

1002 ROOTS METAL c9 Mt 30 a9 45

1003 new metallica that isn't noisy of dt 30 9 9

1004 perfect metal lead L4 Ld 30 7 30

1005 NTD c7 dt 8 a9 7

1006 Heavy Metal Slow Solos L9 Ld 20 8 34

1007 pantera c9 dt 30 a1 50

1008 Hold me,thrill me, kiss me, kill me of od 30 of 24

1009 Konhkra Spit Or Swallow Album Sound L8 Mt 30 of 50

1010 korn pad L9 dt 13 p8 cr10


1011 Massive THOUNDER p7 dt/od 45 any 21

1012 70's METAL/FUZZ/TWANG/DISTORTION! p9 Mt 30 a7 50

1013 Foo Fighters Sound c4 bL 30 7 35

1014 Beginning of Teen Spirit and Song 2 p9 of -- a9 50


1015 INCUBUS CLEAN / FUNK SOUND of rY 2 a6 p1
1016 INCUBUS FUZZ / BLUES a2 bL 30 of 1
1019 Cheesy Science Fiction p9 od 3 a1 p9
1020 Dimebags Patch c4 dt 30 4 48--50
1021 Melodic black death metal distortion L9 dt 30 a1 40

1022 Blues-distorted-Wah.. a9 bL 30 a9 30

1024 OVERDRIVE SOLO 5 od 14 3 41


1025 FLOODS c3 ac 26 a1 24
1026 the ultimate dimebag distortoin L6 Mt 30 a1 29

TRIPED OUT RIFF AT THE END OF


1027 L8 ac 28 a1 24
FLOODS
1028 Bullet the blue sky-Popmart version of od/Ld 24-26 of p1

1029 Wah Delay a9 od 25 a9 26

1031 Low Death Metal Patch L9 Mt 30 0f 1

1032 DOWN AND DIRTY p9 od 20 9 41

1034 solo of paranoid from black sabbath c9 fu 19 9 50

1035 Gibbons/Tush c2 dt 20 a4 25

1036 Later Van Halen c9 Ld 16 5 31


1038 Richards c2 od 15 4 35
1039 Hendrix Drive of ry 25 1 p9
1040 dinodistortion c5 bL 30 a5 31

1041 Drowning L9 of -- a1 1

1042 tom morello screams p9 bL 30 6 p9

1043 brain piercing pinched harmonics p9 bL 30 n/a 50

1044 Megadeth."Countdown to Ext...".2 c1 dt 30 a4 31

1045 Dotan Tembel f1 u2 c3 K4 --

1046 Damn Good Rock sound!!!! c9 ry 26 a9 50

1047 oziris show's distortion L6 dt 20 a9 31


1048 oziris show's lead L6 Ld 20 a9 40
1049 Hard to Miss p9 fu 18 5 25
1050 Techno Sound c9 od 27 9 p3

1051 So Far So God so what! L1 dt 30 7 20

1052 WOW! c3 dt 25 a8 45
1053 DREAM THEATER c9 dt 30 a7--a9 20--30

1054 HEAVY PROGRESSIVE L8 Mt 25-30 a6--a9 41487

1055 JET L8 Ld 25-30 a6--a9 p7


1056 SOLO PLUCKING c9 of 15-30 a7--a9 25-30
1058 intense metal L1 dt 30 9 6
1058 Supergroovealisticprosifunkstication L9 dt 30 of p9

1059 Carcass Patch c9 Mt 30 a9 47

1060 Creamy Fuzz Lead L5 fu 30 8 35


1065 Death/thrash metal L1 dt 30 5 25
1067 Clean Distorsion (kinda like AC\DC) c9 bL 5 a9 41
1069 Isle" c9 Ld 15 of 9
1070 Iron Maiden c3 bL 30 a1 20
1072 Over-Drive Metal. c9 od 30 of 19
1111 U2 - NUMB of dt 13 of p2
1113 Dr Distortion a9 mt 30 a3 4
1148 Guns 'n Roses c6 dt20 9
1180 new metallica that isn't noisy of dt 30 9 43256
1184 Junkie XL f1 fu 17 4 p1
1188 INCUBUS DISTORTION (GENERAL) L6 Mt 19 1 of
1201 Valve crunch c1 dt 4 a2
1241 straightforward Distortion of Ld 30 a9 8
1265 AC/DC-Angus Young.early c9 bL 20 9 20
1266 AC/DC-Angus Young.general of od 18 a8 of
1269 acoustics.12-strings.haunting c4 ry 10 9 p1
1273 acoustic.clean.2 L1 ac -- a9 of
1278 acoustic.humbucker.neck c2 ac -- 9 41
1280 acoustic.Kansas."Dust in the Wind" c8 ac -- 8 18
1282 acoustic.solo.1 c9 ac -- 8 22
1286 Aerosmith/Joe Perry.distortion.rhy c1 dt 28-29 9 24
1293 bass.simulator.4 ( req exp pedal ) c9 ry 15 a9 24
1294 bass.simulator.synth L5 -- -- 5 10
1298 Beatles."Day Tripper".bass.fuzz c2 fu 7 a9 1
1300 Black Sabbath/Geezer Butler.classi c9 dt 10 a5 49
1302 Black Sabbath.distortion c1 Ld 25 a9 10
1303 Black Sabbath."Master of Reality" c1 fu 25 a2 25
1313 blues.sad-guitar c9 od 25 a5 of
1315 blues.sweet c3 bL 26 a5 47
1316 Boston."Amanda".acoustic.12-string c4 ac 27 9 12
1318 Bowie, David/Ronson, Mick."Ziggy" L7 of -- 1 p6
1324 Cannibal Corpse."Gallery of Suicide" L4 dt 30 a9 42
1327 chorus.1 c5 ? 25 a2 25
1329 chorus.clean.2 of ry 4 1 36
1333 chorus.cool.2 c3 ry 15 1 35

1343 Clapton, Eric.The Cradle CD.solo L6 bL 10 1 12

1344 clean.1 c1 -- -- 9 36
1350 Coal Chamber.bass.crunch c1 mt 30 9 50
1352 Cream/Hendrix.distorted-wah a9 od 24 -- --
1354 Crow, The.movie.solo of dt 30 4 42
1360 Deftones.distortion c9 od 13 a9 16
1361 Deftones."Root".intro a7 dt 30 2 40+
1365 delay.lead/solo -- mt 26 8 --
1367 delay.monster.2 a1 fu 8 of 45
1378 distortion.1970s.oldie.backing of ry 30 7 32
1385 distortion.Chilean c4 mt 30 9 29
1386 distortion.chorus.blues of bL 27 7 of
1392 distortion.delay c9 dt 30 of p1

1393 distortion.dirty c4 dt 27 8 35

1394 distortion.Dr Distortion a9 mt 30 a3 4


1396 distortion.evil of dt 30 5 30
1397 distortion.flange.doubler.metal of Ld 30 4 25
1399 distortion.fuzz.2 c5 fu 20 a9 of
1406 distortion/fuzz.peach-&-cream L9 fu 30 8 35
1407 distortion.fuzz.peach-fuzz.solo c8 fu 26 a9 26
1411 distortion.hard-driving c9 mt 30 of 50
1412 distortion.hardcore c9 mt 30 of 40
1418 distortion.heavy.progressive L8 mt 25+ a6--a9 43325
1420 distortion.heavy.very-cool c1 dt 25 a9 25
1421 distortion.humbucker.neck of dt 30 4 17
1424 distortion.lead.extreme.doubling c3 bL 30 9 of
1426 distortion.live L2 dt 24 a7 23
1428 distortion.loud.solo c1 mt 30 1 50
1429 distortion.massive thunder p7 dt/od 45 ? 21
1431 distortion.metal.2 of fu 20 of 46
1432 distortion.metal.black L9 c2 25 5 15
1433 distortion.metal.crisp c5 dt 30 4 36
1438 distortion.metal.death.low L9 mt 30 of 1
1439 distortion.metal.death.melodic.1 of dt 21 of of
1440 distortion.metal.death.melodic.2 L9 dt 30 a1 40
1441 distortion.metal.deep L4--6 mt -- a9 44
1442 distortion.metal.extreme-shred c7 dt 30 6 50
1443 distortion.metal.good of mt 30 9 50
1448 distortion.metal.smooth.1 c1 mt 30 a9 50
1449 distortion.metal.smooth.2 c1 mt 30 a9 50
1455 distortion.metal.super c4 mt 27 7 49
1465 distortion.overly c2 mt 30 a3 41
1467 distortion.play-fast a9 Ld 30 7 25
1468 distortion.power of mt 30 of 42
1478 distortion.smooth.sustain L9 mt 25 1 41
1486 Doors."The End" L4 of -- p2 36
1489 doubler/12-string.rhythm.clean of 20 9 of p6
1491 Dream Theatre."Under Glass".intro c9 dt 30 a7--a9 20+
1496 Filter -- ry 25+ -- --
1498 flange.clean.2 c9 of 27 a9 45
1502 flange."Jet-Metal" L9 dt 22 a5 24
1503 flange.metal of dt 26 a9 of
1506 Flea Fly Flow c9 -- -- a9 10
1507 Foo Fighters.1 c5 ry 30 of of
1513 Frampton, Peter.talking guitar a9 of of of p6
1516 funk.rhythm L9 od 5 a8 50
1519 Guns 'n' Roses.lead/solo.distort c1 Ld 30 a9 h9
1520 Guns 'n' Roses/Offsprings L2 dt 21 9 22
1521 Guns 'n' Roses."Sweet Child..." c5 dt 25 a6 12
1526 Headhunters.rhythm L2 dt 20 a7 25

1531 Hendrix, Jimi."Purple Haze" L1 dt 30 4 p1

1539 Iron Maiden."Fear" c9 Ld 27 9 20


1543 Jason's Riff Bowel Loosening Thunder of dt 30 9 30
1544 jet sound L8 Ld 25 a6--a9 p7
1546 Johnson, Eric.delay.smooth -- mt 24 9 --
1548 Junkie XL p1 fu 17 4 p1
1551 Korn.fast.intense L8 dt 30 9 50
1553 lead/solo.1 c1 of -- 6 48
1556 lead/solo.cool.2 L4 dt 16 9 22
1559 lead/solo.cool.totally c9 bL 20 a9 35

1566 lead/solo.metal.dark.intense L5 dt 25 a9 p1

1567 lead/solo.metal-multi c9 dt 30 a9 36
1572 lead/solo.plucking c9 of 15+ a7--a9 25+
1577 lead/solo.sweet.2 c1 dt 30 9 p1
1578 lead/solo.sweet.3 c2 dt 30 of 22
1580 lead/solo.treble c9 od 30 a1 10
1581 lead/solo.untamed/wild p8 bL 22 a9 p1
1605 Manson, Marilyn.fuzz.industrial of fu 30 of 15
1607 Manson, Marilyn.POAAF c7 fu 24 8 13
1608 Manson, Marilyn."Sweet Dreams".dis c9 dt 26 a6 41
1611 Manson, Marilyn.wah a7 dt 26 a6 41
1612 Marcy Playground c1 fu 20 a5 of
1615 Megadeth.distortion.cool L1 dt 27 a9 45
1622 Metallica."Anaesthesia".1 p3 ry 15 6 40
1623 Metallica."Anaesthesia".2 L1 od 30 5 25
1630 Metallica.distortion c9 Ld/ry 21 4 20
1636 Metallica."Fade to Black".OD L5 od 14 3 41
1637 Metallica."For Whom The Bell Tolls" p3 fu 25 of of
1639 Metallica/James Hetfield.heavy c3 Ld 30 8 44
1641 Metallica/Kirk Hammett."Kill 'em..".2 c5 mt 25 a2 24
1643 Metallica.lead/solo.no-wah L6 Ld 30 6 24
1644 Metallica.lead/solo.wah a9 Ld 30 6 24
1655 Metallica."Nothing Else Matters".clean L4 Ld 20 8 34
1663 Metallica."Sanitarium".first-solo L4 Ld 24 9 30
1664 Metallica."Sanitarium".rhythm.clean c5 ry 2 a1 50
1667 Metallica."Until It Sleeps".chorus L6 of of 7 25
1671 Metallica."Wherever I May Roam" of of -- of of
1673 Metheny, Pat.sitar a9 of -- a3 p4
1674 Metheny, Pat c9 of -- a3 21
1676 Morbid Angel c1 mt 30 6 7
1677 Morbid Angel.distortion.death.low c1 mt 30 6 7
1679 Nevermind.distortion.chorus of fu 30 4 48
1684 Nirvana.distortion.1 c9 21 mt of 24
1685 Nirvana.distortion.2 c9 30 bL of 25
1686 Nirvana.distortion.3 L1 Ld 23 7 24
1689 Nirvana.distortion.hard.flange c9 Ld 24 -- 41
1691 Nirvana."Lithium".2 of of -- of 41
1693 Nirvana."Live in Roma".distortion c1 dt 26 6 30
1694 Nirvana."Smells Like..." mt -- 25 9 10
1700 Nonesa.loud c9 dt 29 a6 36

1705 octaver.2 L4 mt 28 9 22

1706 octaver.3 c4 dt 20 5 5
1707 Offspring.distortion c7 d3 30 6 50
1718 Ozzy/Randy Rhoads."Crazy Train".3 c5 dt 25 9 43
1719 Ozzy/Randy Rhoads."Crazy Train".4 c5 dt 25 9 43
1721 Ozzy/Randy Rhoads.early c4 bL 30 6 23
1722 Ozzy/Randy Rhoads."Live-Tribute" c2 bL 30 1 48
1726 Pantera.Dimebags.1 L1 c4 dt 30 43194
1731 Pantera.distortion.OD + chorus c9 dt 30 a1 50
1733 Pantera."End of Floods".2 c1 Ld 25 5 41
1739 Pantera.super-drive L9 dt 25 9 50
1741 phaser.crunch -- ry 15 -- p4
1742 phaser.metal c7 bL 23 9 p2
1753 Prodigy.Firestarter c9 fu 25 of 7
1756 Queen/Brian May.tube screamer.clean c9 od 1 a9 33
1757 Queen/Brian May.tube screamer.solo c9 od 25 a9 33
1759 RATM."Bombtrack" L1 bL 26 7 24
1760 RATM."Bombtrack"/"Killing" L8 dt 18 9 50
1778 rhythm.tube crunch chunky OD.bright c4 od 13 a6 35
1783 Rush/Alex Lifeson."Red Barchetta".rhy L4 od 5 2 35
1788 Santana, Carlos.2 L1 ry 30 a2 50
1790 Santana, Carlos.echo.smooth L4 dt 23 6 2
1793 Satriani, Joe.dist..delayed.funky.wah a1 Ld 18 9 32
1795 saxophone L9 fu 13 a9 12
1800 Sepultura.distortion.2 c1 mt 30 9 41
1810 Silverchair.distortion.crunch c4 dt 12 3 of
1812 sitar.drone.delay.wah a7 of of of p8
1815 Skunk Akansie.flange of dt 30 5 of
1817 Slayer."Seasons in the Abyss".clean a1 7 c3 h3 25
1818 Slayer."Seasons in the Abyss".dist c2 mt 30 9 7
1821 Smashing Pumpkins.harmonics of dt 10 9 of
1823 Smashing pumpkins."Love" L1 fu 30 of 50
1829 spice it up patch L3 of of 5 28
1833 sublime.good a1 od 17 a9 of
1834 sustain/feedback.eternal c9 dt 25 a9 39--40
1837 System 7.wall of sound p5 dt 30 a9 5
1842 Therapy.2 L7 dt 25 a9 24
1848 Trey.tone c6 od 9 of 24--26
1851 tube.clean of od 10 1 28
1852 tube.overdrive.vintage c5 od 15 7 28
1853 tube.progressive c9 od 11 a5 27
1855 twang L4 fu 20 a1 p7
1857 U2/The Edge."Bullet the Blue Sky".1 c1 ry 30 a2 25
1858 U2/The Edge."Bullet the Blue Sky".2 c9 od 30 3 23
1860 U2/The Edge."Bullet the...".2 of od/Ld 25 of p1
1868 untested.Boris of fu 30 of 25
1869 untested.Breath Taker c4 of -- a4 p9
1870 untested.Cracky L3 c2 13 a5 39
1871 untested.Dreamy L4 of -- 5 43
1872 untested.Fat-Tap c8 dt 30 5 28
1873 untested.Goa a2 dt 30 6 p5
1874 untested.Moo-Tron a8 of -- 9 35
1875 untested.NoName c2 dt 28 9 26
1876 untested.Slapyer L6 Ld 25 a1 12
1877 untested.Sorrow L5 dt 20 a7 23
1878 untested.Take off of od 26 9 14
1879 untested.Too Late c5 fu 25 of 47
1880 untested.Work It Out a5 dt 23 1 14
1883 Van Halen, Edward.1 L9 bL 26 9 of
1884 Van Halen, Edward."5150" c4 Ld 26 9 32
1889 Van Halen.distortion.flange.delay c1 mt 26 6 42
1890 Van Halen, Edward.early.1 of dt 26 a9 of
1891 Van Halen, Edward.early.1980s.lead c7 Ld 21 a7 26
1892 Van Halen, Edward.early.2 c4 bL 30 3 of
1893 Van Halen, Edward.early.3 c3 bL 30 9 of/15
1894 Van Halen, Edward.early.flange c5 mt 25 a9 17
1896 Van Halen, Edward."Eruption" of dt 30 a1 6
1905 wah.2 a9 od 24 of of
1909 wah.funk.2 r3 of -- of of
1913 wah.solo.1 p9 od 30 of 41
1914 wah.solo.2 a9 fu 30 of of
1915 wah.solo.3.peach-&-cream p8 fu 24 of of
1916 wah.wild of dt 30 3 31
1918 White Zombie.crunch.low-end L8 dt 30 9 48
1919 White Zombie.distortion.1 c2 mt 30 a1 46
1921 White Zombie.heavy-output L9 dt 30 8 49
1923 WOW! c3 dt 25 a8 45
1924 Zoft 4x12 Celestion c3 ry 18 7 6
1926 ZZ Top."I Need You Tonight".delay.1 c7 Ld 28 6 26
1928 ZZ Top/Billy Gibbons."Tush".1 c2 dt 20 a4 25
1929 ZZ Top/Billy Gibbons."Tush".2 L2 ry 25 of 13
1930 Delay Acústico c3 ac 27 a5 5
1931 1/2 Solo of bL 20 9 of
1932 Acústico Gaguejante a3 of -- 9 p3
1933 Acústico MegaPower of ac 20 9 of
1934 Angel Star L4 Ld 20 8 16
1935 Bass of ac 1 a5 1
1936 Billy Idol Guitar L2 ry 25 9 19
1938 Black Sabbath Sound of bL 30 of of
1941 Blues L4 ry 25 of 13
1943 Blues Espacial c9 bL 30 of of
1945 Blues Fácil of bL 6 a2 13
1947 Bom Solo L4 bL 16 6 32
1948 Borg Effect a9 Mt 30 9 of
1950 Boston Som c7 Ld 30 7 31
1953 Bullet the Blue of Ld 24 of p1
1954 Caixa de Velas of of -- of 43
1955 Caixinha Musical c9 Ld 13 9 22
1956 Capitão Caverna c7 Mt 25 9 22
1957 Caribe, lá vou eu! a3 of -- 2 9
1958 Chocolate Distorcido of dt 20 of 15
1960 Clean with Flanger c3 ry 1 a4 40
1961 Cliffs du Dover c1 od 26 9 21
1962 Cool Lead L2 Ld 30 a9 11
1963 Cool Lead 2 of dt 30 of 15
1964 Crybaby Wah-Wah p6 ry 10 9 of
1965 Def Leppard L6 of -- 6 40
1966 Def Lep’s Hysteria c1 bL 19 of 20
1967 Delay Metal Pesado c9 Mt 30 of 39
1968 Dirty Bass c9 fu 1 a9 50
1969 Distorção Anos 80 L6 Mt 30 6 of
1970 Distorção Assassina of Mt 30 9 23
1971 Distorção BigBig c5 od 6 7 6
1972 Distorção Bumbo c8 dt 30 9 42
1973 Distorção Carburador c2 dt 26 9 35
1974 Distorção do Caos c4 bL 30 8 50
1975 Distorção Pesada Pacas! L5 od 12 a9 19
1976 Duane Eddy c1 bL 9 a2 p9
1978 Efeito 12 cordas c4 of -- 7 24
1979 Efeito do Amor c3 dt 4 9 30
1980 Eric Johnson L2 od 20 9 50
1981 Estilo Espanhol of od 4 3 25
1982 Finger Blues c4 ry 22 of 23
1983 Flanger/Phaser L9 of -- of p1
1984 Foo Fighters c3 bL 30 7 35
1985 Fraco da Distorção p1 od 30 4 36
1986 Funk Anos 70 a9 ac 30 8 20
1987 Futebol c6 ry 17 a4 p9
1989 Fuzz Cheio c3 fu 30 a6 12
1990 Fuzz Distorção c1 fu 30 9 36
1991 Fuzz Lead c9 fu 28 of 36
1992 Godzilla L4 Ld 6 6 p7
1993 Green Day, Dia Verde of Ld 26 a6 22
1994 Heavy Ballsass Metal c1 Mt 30 a9 50
1995 Heavy Power c4 Ld 26 8 38
1996 Iron Maiden c9 Ld 30 9 50
1997 Jazz/Blues c3 od 6 of 35
1998 Jeff Beck Tone c3 od 26 1 20
1999 John Hiatt L9 od 12 2 of
2000 Jornal’s Solo L1 Ld 13 a2 25
2002 Killer Duck a9 dt 30 a6 24
2004 King Crimson L9 fu 30 a4 45
2005 Lead c6 bL 30 5 20
2006 Limp Bizkit Distorção of dt 30 a1 50
2007 Loud c2 dt 20 8 30
2008 Megadeth L9 dt 30 a9 40
2009 Megadeth Distorção L8 dt 30 a1 50
2010 Mellow Space Card c8 od 30 8 8
2011 Metal Delay c3 dt 27 6 24
2012 Metal Limpo of Mt 30 a9 25
2013 Music Machine of Mt 28 of 49
2014 Nine Inch Nails L9 fu 30 a2 30
2015 Orgão de Igreja c8 od 3 a1 24
2016 Os anos 80 são eternos! of dt 30 9 25
2017 Phase Acústico L5 ac 28 a8 p1
2018 Psyco Sound c5 of -- 9 p6
2019 Punk Disco L9 ry 30 a3 20
2020 Rage Against p8 dt 19 9 of
2021 Rock of ry 20 a1 25
2022 Rock “em” Roll c5 od 18 a1 25
2023 Rock Pauleira c9 ry 30 6 31
2024 Rockão! c4 of -- a1 20
2025 Rockman c7 od 26 7 20
2026 Santana c1 bL 23 2 20
2027 Second Distortion c1 ry 12 3 12
2029 Simulador Acústico c2 ac 29 a5 45
2030 Solo L4 fu 24 9 17
2031 Solo c/ Distorção c4 bL 23 4 27
2032 Solo c/ Super Distorção c9 dt 30 9 27
2033 Solo Dramático c4 dt 27 a9 10
2034 Solo Samick L5 dt 28 6 42
2035 Solo Wah a6 od 15 7 p6
2036 Solo/Lead c5 dt 25 9 41
2037 Som de Acampamento c5 of -- 4 36
2038 Som de Rock L1 Ld 30 7 24
2039 SRV Blues of od 19 4 29
2040 Twister c3 Ld 24 6 48
2041 Van Halen c2 dt 30 4 16
2042 Van Halen Distorção c2 dt 30 4 16
2043 Van Halen Flanger L1 dt 30 4 16
2044 Viagem Suicida a9 dt 28 a7 p5
2045 Vinho c/ Solo p6 dt 25 9 22
2046 Wah Acústico a9 ac 10 1 p6
2047 Wah Estilo Hendrix a8 od 22 9 12
2048 Wah Wah a8 Mt 30 a9 12
2049 White House Effect c2 Ld 26 1 48
2050 Yellow Eyes Solo c5 Ld 20 9 28
2051 Youthanasia c/ Distorção c3 dt 25 a6 35
2055 Patch 3a of mt 30 a9 50
2086 Patch 34 1 -- -- 9 36
2089 Patch 37 c4 b1 27 6 38
2090 Patch 38 of de 30 a4 50
2093 Patch 41 c5 -- 25 a2 25
2094 Patch 42 c1 Ld 25 a9 10
2095 Patch 43 c5 mt 25 a9 17
2097 Patch 45 p5 Ld 20 of 8
2098 Patch 46 p1 od 21 1 of
2102 Patch 50 c9 dt 30 a3 50
Mod Dly/Rev LeveL Type
c9 d7 29
of d9 30
of of 26 Clean
p6 h4 24 Clean
c4 d9 30

of d7 30

p1 of 25
d9 d1 30

of h1 25

p7 h1 30
c5 d4 27
c5 d7 22
c4 h6 28
c2 d3 29
c5 of 17

of of 25

of of 20
of r3 25
of r3 25
c3 d4 25
p1 h6 26
c3 h2 28
c2 h3 29
c5 d7 20
of of 20
d1 r9 30
of h3 30
of h4 30
f9 h9 27
d4 h3 25
f5 h3 22
c3 h6 24
c5 d7 25
of of 30
f8 d8 20
S2 d3 20
c8 d3 24

of of 30

p1 of 30

pd d4 30

d2 h5 25
p1 d1 25
of h4 28
c2 h3 22
of r2 25
of of 30
of of 25
of h1 29
d1 r1 19
d3 h2 26
of of 30
c2 r2 28
of h5 17
of of 30

c2 d6 25

c1 h4 24

of h4 27

f2 h3 30

c3 r3 28

p7 r5 26
c9 r9 30
p3 d5 24
c1 of 26
p7 h4 30
d5 r7 28
p7 of 30
c3 h4 25

p1 d6 16

c2 d4 20
c3 h6 24
c2 h1 27

S8 d8 25

of of 26
p7 h7 25
c5 r6 30
c4 h3 25
f5 h6 30
p6 d3 25
of h1 24
of h3 24
of r2 28
c6 h3 28
c3 h2 27
f3 h1 29
p9 h6 17
c4 d8 30
p9 d3 25
of h5 28
d5 h4 24

f4 h9 26
of of 25

c3 of 25

c1 d8 25
c2 d8 20
c4 h9 28
f6 d7 20
c7 r5 24
c3 h3 26

c2 h1 25

c2 r9 25
d2 h3 25

c3 h1 27

p5 h4 24
of of 30
pu of 29
p9 h9 25
c6 d2 30
f3 h5 30
c2 r2 20
c1 h1 25
of r2 25
p6 h1 30
d1 of 25
c8 d8 18
f9 d9 30

c4 of 25

of of 25

of h1 29
of h1 29
pd of 30
of of 25
of h2 27
c4 d4 30
f1 d5 25
of h2 30
pu h2 24
c2 h2 22
p7 r5 26
of r2 28
c4 d6 30

f5 h6 30

p9 d8 20
c1 h4 25
S9 d6 30
of h1 24
p1 h9 29
of of 30
d1 h3 30
of h1 28
p7 r7 30
pu r9 30

f1 h4 26

c3 d4 30
of d7 20
of of 30
of d4 26
of h1 26
c2 h2 30
c2 d4 25
f7 d4 25
of d3 29
c5 d2 23
c3 d8 23

c1 d8 25

c2 d8 26
f3 r2 21
of of 28
d9 d4 30
f9 r8 20
of h2 30
of h4 25
of r6 24

c1 h1 29

c1 h3 30

f1 h9 25
f4 h4 29
of r4 27

c3 h1 29 Rhythm

of r4 27
c9 d4 30

p1 d1 25

S7 d4 26

of of 29

f8 h9 25
c2 d4 27
c1 d5 30
c3 of 25
d4 r2 25
of h4 30
of d5 25
of of 30
of h6 25
d8 h9 20
p1 h9 30
of r5 20
f4 h9 25
of h4 30
c1 h1 24
c1 h4 27
c3 r9 30
p7 h3 25
of h1 18 Rhythm
f3 of 30
c4 h6 18
c1 h3 30
of r9 24

p9 of 25

of h2 30

c5 d4 24

of r7 7

c5 h1 20
c9 r1 26
d4 h3 22
of h3 24
p9 r9 30

of h8 25

of d4 26
d3 of 30
d2 r1 30
of h3 26
of h2 27
of h2 30
d3 h9 26
c3 d1 22
c2 h3 20
c2 h4 28
of h9 26
c9 d9 30
c1 d3 18
p5 d9 28
of of 20
pu r8 29
of r2 22

f1 r9 20
c9 d8 27
of r1 25
of of 23
S3 d2 30
c6 h5 17
p1 d1 30
d9 of 25
p4 of 17
c2 d4 24
c2 d1 25
of d7 20
c2 d6 17
f1 r1 30
of h6 20
of of 26
pd h2 24
of r5 23
f7 h1 30

of of 26

c2 h6 27
of d1 30
pd of 29
d5 r5 24
of h4 25
f8 h9 28

of d5 25

of d1 25
c2 of 28

of of 16

c7 d5 22
c3 of 23
c8 d7 30

of d1 30

c4 30 0
S9 of 7
c3 d9 23
of h5 25
c2 d7 24
of h9 25
f2 d1 17
of h1 25

of h1 30

of r2 27
p4 h6 24
p1 r4 20
d9 d8 26
of 30 0
c2 h1 25
of r2 30
of r9 27

c5 r9 27

f7 d8 29
of h3 28
of of 30
S4 d7 20
c2 d6 25
of of 20

of r9 30

c3 h3 27
c2 d4 25
of of 29
of r1 26
pd of 30
of h6 20
c2 h5 30
c3 h3 20
c1 d1 25
of d1 25

of r1 25

f7 d8 20
of d1 30
p7 d3 20
of d2 28
of d6 30
p8 r4 30

c7 of 27

of d8 23

f8 h2 25
f1 r9 25

of h2 25

of h3 20

of r5 20
of h6 20
of h3 26
c1 r9 26
c1 h3 25
c4 h4 27
of of 24
d4 d4 28
c2 of 29
f7 h8 21
c2 h4 28
c2 h2 26
c4 d1 26
c2 h4 28
of h2 30
of d2 28
S7 d4 25
c4 h4 25
p2 d7 20
of d1 26
p1 r3 30
S2 of 30
c2 r1 23
c4 d7 30

of h2 27

f1 h2 26
of of 25
c3 h4 22
of of 26
d1 d3 26

c1 h3 24

d4 r4 24
of of 27

c9 r9 24

of r6 25

f7 d5 26

c3 h3 30
c9 d5 25
of d2 23
f1 h5 28
of h3 28
c4 h1 28

of of 30

p9 d9 12
of of 16
c3 h2 27
p7 d7 26
c3 of 30
p7 d7 26
of h1 26
of of 18
of of 26

of of 30
of h4 23
p1 h4 19
f3 d8 15

c3 d7 29

f5 of 25
of h1 16
p5 h5 23
of h3 27

of of 30

c7 of 21
pd h3 22
c1 d1 6

of d9 22

p9 d7 28
f3 h1 25
of h1 26
f3 h7 27
c9 h1 30
of d5 10
pu r1 25
of r3 28
c2 r3 30
c3 d3 26
p1 of 30

c1 d1 27

of h2 25

of h2 25

c2 d5 29
of d4 20
d1 r3 30
of h5 25
p2 h3 30
of of 25
c1 of 20
of r7 23
d9 d1 28
d9 d8 28
of r1 30
of h9 30
c2 of 29

c3 h9 26
of h5 30
of of 30
c2 d9 23
c5 of 25
c2 h4 25

of d4 30

of h9 20

c1 h3 25
f1 d9 29
d5 r4 30
pu h1 30
c5 of 29
of of 24
of r9 19

d4 d6 25

c1 r2 26

c2 h3 26
of h5 29
p1 h1 30
c5 d7 29
of r4 30
of h5 27
c4 h1 26
c5 h2 28
of of 25
f2 d3 17
pd h2 30

of h2 20

d5 h8 26
c6 h3 17
of h7 30
of r9 27
d9 r3 30
f7 h9 22
S7 h6 19
S1 r1 20
S5 h5 23
of h4 20

of h1 29

c4 h3 25

of r3 25

of of 21

d4 d6 27
p4 of 30
of h2 25
of h1 23
of h3 20
d1 h9 27
c2 r1 24
f4 d3 28
of h2 30
c1 h5 29
of h9 27
S9 d8 30

of of 25

c2 h6 23
c5 h2 20
c7 h1 20
of of 20
c3 r3 23
c1 r9 22
of of 30

p4 h3 22

c1 h1 25
of of 13
c5 d9 30
f5 of 26
of r1 28

pu d6 25

S6 d6 20
of h4 26
of of 30
p6 h7 22
c5 d4 30

c1 d1 10

c1 of 20
c3 h3 29
c6 r9 30
c3 h2 24
c2 h3 30
of of 26
f7 d6 25
d7 d4 30
c1 r9 21
of of 30
of of 27
of h3 29
pd h6 30

of d9 25
of of 20

of h1 20

f9 h3 29
c4 d2 30

d3 r1 1

p8 d8 30
c1 h1 27
f7 d3 24
p1 d5 20

f9 d5 28

pu r5 24
p5 h6 26
c3 d3 30

c1 h3 27

c1 d9 26
of of 27
f4 of 30
of of 26
p3 d8 22
of h5 17

c3 h9 22

S9 of 25
c4 h1 24
c5 r8 20
c2 h5 30
c2 h3 27
c2 h1 26
d9 d4 25
f7 h7 22
of h1 27
c3 d7 17
of d8 25
d9 r3 15
of of 30
d1 r5 30
of r4 25

f1 h5 18

f3 h3 27

f3 h3 20

f9 d6 26

of r1 22

c4 h1 22
c2 -- 20 Solo
c4 d7 3 Other/Special
c1 h1 20 Solo
-- r6 21 Solo
-- r6 21 Solo
p6 d8 20 Other/Special
c5 -- 25 Solo
f1/p1 d2 20 Solo
c6 of 20 Solo
-- d8 26 Other/Special
f9 h6 29 Clean
d7 h2 20 Clean
f6 r9 21 Solo
c2 -- 20 Solo
c2 of 30 Other/Special
of of 30 Solo
p7 d8 22 Solo
p4 d7 25 Clean
of h4 27 Clean
of r5 20 Other/Special
f7 d5 27 Solo
c2 h7 22 Solo
f2 d1 22 Solo
of h3 24 Solo
c9 h9 24 Solo
d6 d6 23 Other/Special
f3 h6 24 Rhythm
of d2 24 Solo
d9 h9 26 Other/Special
f7 d7 28 Solo
c3 h3 ext Other/Special
of optional 24 Solo
p9 h9 22-30 Other/Special
h1 25 Rhythm
c3 r3 26 Other/Special
f1 d7 28 Solo

of of 26 Solo

c2 h3 25 Solo
c2 d3 25 Solo
of d7 20 Solo
d5 d3 22 Solo
c3 h9 23 Solo
f2 h2 23 Other/Special
c2 -- 24 Solo
p1 h1 28 Other/Special
d2 d4 20 Solo
c2 -- 20 Rhythm
c6 h6 20 Clean
d9 h7 20 Solo
-- -- 21 Solo
c4 of 21 Solo
c3 d5 20 Solo
-- -- 20 Solo
of h4 27 Rhythm

of d9 30 Other/Special

p7 h9 27 Solo
d7 h8 23 Solo
-- h2 18 Solo
of d1 30 Solo
f2 of 28 Clean

p6 of any Rhythm

S8 r2 30 Other/Special
of d5 22 Solo
of h5 any Rhythm
c5 r5 any Other/Special
d7 h9 30 Solo
c4 of any Solo
c2 h4 20 Other/Special
c5 h5 25 Clean
c5 d7 25 Clean
of h5 26 Clean
c3 d7 24 Clean
f8 h1 25 Solo
c1 h1 30 Solo
p7 h2 22 Solo
c4 d4 22 Solo
p7 h7 20 Solo
p7 d2 20 Solo
of of 25 Other/Special

of of 27 Solo

59 h2 25 Clean
of h1 25 Rhythm
d9 of 27 Other/Special

p7 r4 22 Other/Special

f7 r4 any Solo

p1 h2 28 Rhythm
of r1 25 Rhythm
p9 d8 Other/Special
of of 30 Rhythm
c8 d9 ? Other/Special
f2 r1 20 Solo
d3 d1 ? Other/Special
p9 d8 ne Other/Special
f2 r8 Other/Special
of of Rhythm

d2 h9 25 Other/Special

of r9 21 Solo

of h1 24 Solo
f1 h2 25 Other/Special
c1 h9 20 Clean
of of aNY Rhythm
p9 d5 27 Other/Special

p5 d5 28 Solo

of h1 ne Rhythm
c5 h4 ne Rhythm
-- -- 28 Rhythm
-- -- any Other/Special
of d8 28 Other/Special
c3 h5 26 Rhythm
f8 h1 28 Rhythm
of h6 26 Rhythm

of h3 25 Clean

c4 h5 30 Solo
of h1 25 Rhythm
d2 h9 30 Rhythm
d3 r5 25 Other/Special
c1 h1 24 Clean
c2 d5 25 Solo
c1 d8 26 Solo
d3 r2 25 Other/Special
of h2 28 Solo
c2 h3 21 Rhythm
c3 d8 23 Solo
d1 d1 Rhythm
f9 d9 30 Other/Special
of r2 27 Rhythm

of d5 27 Solo

c4 h7 26 Solo
c6 h7 23 Other/Special
c3 h7 25 Clean
c3 h6 23 Solo
of h9 ne Other/Special
of of Clean
of of 26 Other/Special
of d8 26 Other/Special
c2 h9 27 Solo
c1 of 26 Rhythm
of of 26 Rhythm
of of 26 Solo
of of h1 Solo

of of 27 Rhythm

of h2 30 Other/Special

h1 28
c2 h1 20 warm acoustic

of h9 24 solo

d2 h1 28 solo
of of 25
c4 of 25

of of 20 solo

of h4 20
c5 d7 27 Clean
of of 25 Rhythm
d3 of 23 Rhythm
of d8 28 Other/Special
c3 h3 28 Rhythm

of of 25 Rhythm

d1 of ne Rhythm
-- -- -- Rhythm
d9 h9 -- Solo
-- r9 -- Clean
-- -- -- Clean
c3 h9 -- Solo
c1 h9 -- Other/Special
c1 h9 Clean
f9 d9 -- Other/Special
c5 d1 30 Other/Special
pu h9 20-25 Solo
c4 d4 29 Solo

of r3 28 Clean

c1 30 Solo

c2 h2 Loud

-- r5 25
c3 d6 28 clean pantera
c1 d5 25
of d9 22 solo
of h4 23
d1 h3 25 rhythm distort
c1 h3 25

d1 d1 29

p1 h1 28 other/special
c2 r9 28
c2 r1 23
p9 h8 29

of h9 30
c2 of 30 solo/rythym

of h3 30 EARLY E.V.H.

of h7 28

c2 d1 29

p7 d2 24 solo
of r3 -- Solo

of h1 --

f2 h7 23 Rhythm
d3 r2 25

of of 24

of r2 --

c1 of -- rhythm

of of --

d3 h5 27 Solo

f2 d8 20-25 Solo

c1 r1 18

of h3 30

-- -- 19

-- d1 25

d4 h2 25

of d8 28

c5 h6 30 "Steve Vai"

pd h6 26
-- r4 25 penguin attack
p7 -- 25
c2 -- 25

f1 of 25

d1 d7 22

-- h1 27
-- -- 27 phase distort
-- -- 25
c4 r6 28

c6 of 26 rhythm/picking

-- r6 25
d2 r1 27
c3 r6 26
d2 r5 30
-- -- 25
-- -- 25 AUTO WAH
-- r9 27

of r3 24ish rhythm or lead

of of 24
f4 h5 24

c3 h5 24

c3 h1 30

-- r7 Loud
c1 r3 27

c2 h9 25 It sounds cool

p6 d3 27
p6 d3 25

f3 d9 26

of d5 22
c3 of 27
c5 h1 20 Zombie

of of --

of of 25

-- d1 25

d9 d1 ? wah like

d1 d1 ?

d7 of 30

f7 d6 24

of h1 24

of d2 25

59 h6 22
p7 h3 22

of of 20

c1 d5 27

of of 20
pd of 30

of r5 23

of h2 ? All Foo
of h2 30
c9 h3 28
f6 d4 any
of of 30 BB KING
of h9 27
of of 22
c9 d9 24 Slide Delay
0 h3 28

c3 r9 30

p1 of 30

f2 r1 25

c5 h6 25

c6 d7 25

of r1 25 a thick fuzz.

c2 r3 26 Solo
p7 h1 27 OZZY!
-- -- 25 LEAD DRIVE
d3 of ?
c1 h3 27 Say your pray

-- -- 30

f3 h4 27 rhythm
of of any

of h2 27

c1 h1 22

of of 27

r2 25

-- h5 17

r5 25 main dist
c3 h1 25 Both solos
c3 h3 25

of r4 21 Brian May

of h6 24 Rhythm
c2 h2 26+ Silverchair
c2 -- 21+
f7 d4 25
25

54 d9 21 Heavy Ambience

p4 h6 27

of d8 24
c4 h4 27 Chorus
of r9 30
of r4 24
of r9 30
c2 h5 25 Really good!!!
d5 of 25-30
c9 r9 25

of of 19

c1 h2 any

c1 r9 any

c2 h3 30

of d7 25

c1 of any
f9 d8 30
-- r2 25

of of 19

c2 h2 25

d4 r6 25

of h4 26

of d6 30
c5 h5 30
f2 h9 30

c5 r4 27

c1 h3 30 led zeppelin

of r2 20

f9 d9 25
c8 of 26
f7 of 27
d9 of 26

c5 r8 18

d6 d9 27
of h9 25
p7 r7 24

of h3 25

c3 r7 upik

of of upik
of r1 upik
f7 h1 25 Windy!

of of 25

of of 19

f3 h7 27
p1 -- 25 Curt Smythe
c3 h7 30 the exact one
f3 r9 30
of of 30
of r1 30

p1 h2 23

of r6 25

c4 h3 26

S9 d7 25
of h1 25

-- -- 19

c1 of 25 SEASONS ALBUM
-- r2 27

of h1 24

of r1 25 loud

of r6 25
f8 of 24
of r4 26
of h1 25

of of 26

c3 r9 23
of h2 27 dire straits
c1 -- 25

c2 h3 24-26 Killer hi-gain

-- -- 25
c2 h3 25
p1 r7 23
of h6 24

d6 of 26

of h9 26 Room effect..
of h1 30

of d7/d5 16

s2 d7 18

d7 h9 17 Metal-sound
d1 d8 26

of d8 27

f1 d7 16

f7 d8 23 Wah-sound
-- -- 23+
c6 h7 26

c6 r9 27

of of 27

r3 25
c3 r6 25

of h2 29

of d8 22-26

c3 d7 23
of h2 30 Crazy Train
c6 h4 27

c2 h2 28

p1 h1 30

c3 of 24

of h1 25+

pd of 27+
c9 h9 25
c5 h4 27 RHYTHM
p4 h3 15

of h9 28

-- h3 25

of h9 25 interlude solo

of h9 25

c9 h6 26

of of 21

f4 d3 26

c2 d6 27
p9 r9 25
p9 of 30

of r3 28

d6 h6 28
c5 h5 27
0 h2 30
c9 d8 30 COOL

of d6 25

c8 d8 27

of r6 23 Dirty ol'sound

of h9 27

c1 h3 24 Malmesteen
c2 h7 25

c1 d7 27-30

of r1 28
0 0 23

c1 h2 25

f1 of 27

c1 h5 25

of h1 25

c2 of 28

c2 of 28

of of 25

of 7 26

c2 h3 25

c2 d6 25

c3 of 30

of d8 28 "Deep rock"

of h3 28

of r5 ne
c4 d4 30

of h1 30

of r4 27

of h1 any
f1 h3 30
of r9 30
p9 h9 18
of of 25-30
of h3 26-28

pu h9 25

c3 h5 25
p7 h6 26
of r3 30

p7 d7 26

S8 d8 25/27

c6 d9 30

of of 26

of h3 27

of of 30

c3 of 29

c2 h3 30
of r3 21
of r4 23
c3 d1 25

c1 of 30

of h3 25

c3 h4 29

of h1 25

Y6 o7 u8

of h1 25

of of 26 rhythm
of of 27 solo
of r4 18
S1 d8 27

c1 h9 24

c3 r5 22-27
p7-p9 c3/d3 h7-h9

c3/d3 r3/h9 24

f6 r3/h9 26
c3-c5 d3/h9 30
25
f9 d9

of h7 25

of d5
of h9
of of
c2 h9
c1 of
of of
f2
S8 r2
h5
of of 25
c8 r5 29
p7 r6 29
27
of of 28
of h1 24
of r4 24
p9 d1 30
of of of
of h4 30
c6 h7 23
c4 h7 26
? h1 25
pd h5 30
55 r5 26
p1 h7 18
of r6 25
c2 h6 25
25 -- --
pu h9 25
of h1 26
p7 d1 30
of d2 25
-- r3 25
d4 h2 23
c2 h2 26
c3 h5 30

-- r9 21

c3 h5 30
of r7 30
pu -- 27
of h9 27
of r6 25
f7 r4 ?
c3 d7 28
of d9 29
of r3 21
of r4 25
c3 r3 26
d6 d9 27

c1 h4 24

58 r2 30
of h9 25
d6 r9 23
of h3 22
of h2 15
of ? 24
d1 h9 30
d3 of ?
c3/d3 r3/h9 24
c5 h5 27
f3 h1 26
of d8 28
d7 h8 23
of of 26
c4 d4 30
of of 26
c1 h3 25
d7 h9 17
of of 26
c2 of 30
oh h3 27
d1 d1 29
of of 27
of of 23
c1 h3 25
of h4 28
c3 h3 ?
d7 r3 30
of d9 25
of of 30
p7 h4 25
f7 d6 24
of ? ?
p7-p9 c3/d3 h7-h9
-- -- 30
f4 d3 28
f1 d7 16
f4 h5 24
-- -- 28
25 of h2
of of 26
c7 h2 26
25 ? ?
of r4 12
c2 h4 23
d2 h9 30

f1 d7 23

c3 d5 ?
of of 30
f6 r3/h9 26
c1 d8 26
c8 r5 29
c2 r6 26
8 h3 23
59 h6 22
of d8 30

c3 h5 20

f7 d6 30
c3-c5 d3/h9 30
of d9 22
of h4 23
c1 h8 23
of r4 24
c1 h1 25
of of 25
c1 h2 25
c1 h2 ?
p7 r4 22
pd h6 27
c2 h9 26
of of 26
of h3 23
c3 h5 25
of of 27
0 h2 30
d4 h3 23
of h3 25
of h3 25
c3 h7 25
c4 h5 25
c8 h8 5+
c5 h3 24
f9 d6 25
p5 h8 27
c3 h4 30
of 12 30
of r2 30
c5 of 21
of h2 30
c9 h3 28
of h3 24
f1 h3 25
of r3 28
of of 27
c5 h5 30
c6 r4 28

d8 d2 26

5 of 25
of h2 27
of h2 30
p7/of h2 30
p7 h1 25
of h7 28
8--50of 25 30
c3 of 30
d2 d7 25
c1 h4 26
c5 r4 27
of of 24+
d1 of 30
of r4 21
of r4 21
of h1 5+
c2 r6 25
-- r7 30
f8 h1 28
of h4 28
f3 r6 20
of d7 24
c1 h9 21
r2 25 --
of of 30
p9 d8 ?
f7 h1 25
of of of
-- r5 25
of of 27
f1 h9 24
c3 of 24
of d8 30
f1 h1 25
c9 h9 23
d5 of 5+
of of 25
of h1 25
of h1 25
of h5 20
c8 h4 27
of d5/d7 16
f2 d7 18
s8 d8 25
9 d9 30
c1 of 19
of r3 23
c2 d9 25
f1 r9 22
55 d5 17
of of 26
c8 d9 25
of of 25
7 d7 25
51 of 13
c4 r9 25
of r2 26
c3 h7 30
c4/h5 25 29
f6 d4 ?
c3 h5 24
d7 24 ?
of h3 30
of/c2 d8 28
f1 h4 23
h5 h9 17
c3 of 30
4 of 24
of d7 20
of of 30
c3 of 12
c1 -- 30
of of 26
d3 r5 25
of r6 27
c3r5 22 27
of h1 28
of/d8 22 26
c3 of 29
c2 r2 28
c3 d4 25
of d7 20
p5 d9 28
p7 of 30
c3 d8 23
of of 30
c2 h3 22
of of 30
c2 r2 28
p4 of 30
of h1 26
d1 d3 26
c2 d6 25
c1 h4 24
S8 d8 25
c5 r6 30
f5 h3 22
c4 h3 25
p6 d3 25
c1 h1 25
f4 h9 26
c1 d8 25
d2 h3 25
c3 h1 27
c2 h1 25
c5 d7 30
c2 h2 22
c4 d6 30
p1 h9 29
c5 of 17
of h1 29
c8 d3 24
of h3 24
f5 h6 30
of r2 28
c9 r1 26
of d4 26
p6 h4 24
d1 r3 30
c2 d8 26
c7 r5 24
c1 h3 30
f4 h4 28
of r4 27
c9 d4 30
p7 h1 30
p6 h7 22
of r6 24
d4 r2 25
of h4 30
S7 d4 25
of h1 18
d2 r1 30
c3 d1 22
p4 of 17
of d7 20
c2 d6 17
of r5 23
c2 h6 27
d5 r5 24
of h4 25
of h5 25
of h1 30
c2 h1 25
c3 d1 25
of d1 25
c8 d8 18
of d8 23
c3 h4 25
of h3 28
d4 r4 24
p9 h6 17
c3 h3 29
c3 h2 28
p3 d5 24
of h1 26
c2 h1 27
of of 25
c1 of 20
c2 h3 20
d9 d1 28
c3 h6 24
of h1 24
of r2 25
c2 h3 29
d5 h8 26
c6 h3 17
of h9 27
c1 h4 27
p5 h4 24
of r9 27
c3 h2 25
f7 d8 29
of of 20
of h4 20
f9 h3 29
c2 h2 30
c2 d4 24
f7 d4 23
f8 d8 20
p3 d8 22
c6 d2 30
c2 h5 30
c2 h3 27
c2 d6 25
of r4 25
of r1 25
c2 of 30
c3 h5 30
c1 d7 30
of h2 27
d4 h2 23
c2 р6 25
f1 h4 23
c2 h6 23
of h6 22
c3 of 30
Comment
Visit my page for more patches: www.zoom505.cjb.net
Your ears get confused from its shit.
This is great and a cool patch.
Great for Pink Floyd's "Wish You Were Here".
Close enough that you may decide against shelling out the bucks for a real 12-String. Also much easier to play than reg. 12'er. ENJOY!
This patch is great for tap guitar. It makes it sound like you're playing twice as fast. It's good for non-tap solos as well. You can let one not
the compressor and delay if you want as well.
Great for those 311 riffs that are octaved like songs on the Grassroots album.
Sounds Like an extremly large cab, great for chording!!
As about as similar to Led Zeppelin's Jimmy Page as one can get with this gadget. A nice warm tone, with a mild blues distortion. Adjust t
depending on the song. For best results do not use bridge pickup by itself.
Good ol' 70's wah funk.
Spacey distortion w/ chorus & delay, like what Alex Lifeson used from Grace Under Pressure, Power Windows and Hold Your Fire.
Ideal for those long vibrato notes. Those who remember the likes of Duran Duran and Pseudo Echo will like this synthesized sound.
80's Duran Duran type guitar solo patch, tweaked.
Wah/synth sound, really good for funk. Oddly enough, sound pretty good with an acoustic/electric.
Sounds like the great Glam Rock distortion from the 80s.

This is a great all-around distortion. Playing the middle-bridge gap position is a close AC/DC and old style rock (rockabilly, etc.) Also good

Good sound from Angus's early years.


Awesome accept sound for "Balls to the Wall". This one rules!
This is the soft dist blues of "A.C.M.E. band".
Good for relaxed strumming.
Sounds like an acoustic guitar and an acoustic bass together.
Bright acoustic sound with slow, almost dreamy phase.
Great for rhythms in acoustic style.
B--oing B--oing
Like the factory preset, but with sounds tighter with more Gain. The real distortion for Blink-182.
Black
I guess it's the sound for And Justice For All album. Tell me if it sucks!
Excellent for sludge/stoner metal such as Iron Monkey. Blood has Been Shed, etc. Play thru clean channel with treble-6 bass 10- mid-3. E
This is a mad combo of every effect that causes a kind of squeel. Visit my site at http://members.tripod.com/~randombandom
This is a fairly good recreation of the effect used in "Like a Stone" Bass Mid & Treb all around 5 or 6. I use a humbucker pickup.
This is my favorite effect I've come up with. It sounds kind of creepy. It also sounds like a digeriedoo (sp?) (Australian aboriginie instrume
A pretty good Rockman sound. Use the neck pickup with the tone control all the way down.
Really nice clean tone with delay. sounds like *crap* with humbuckers.
If you're hungry for a sizzling-hot, raw-ballsy, squeal-like-a-pig-boy kinda sound, this is your main course.
A million different effects at once, not really good for much but sounds cool as hell.
Lambaya p�f de.
This patch will rock your balls off sideways!
This makes most guitars sound like a bass. Turn bass all the way up on your amp and turn high to 0. Don't turn it to high for your amp's s
neck pickup.
Adds low notes to the sound. Good to use for just bass solos.
This patch is inspired by Alex Skolnick's early Testament Leads.... melody in the midst of all-out thrash! Gain & Compression settings will
also- the PD setting is only to smoothen the sound- don't use expression pedals.
Kind of like V.H. Brown sound.
Need a bass for your band but don't have one? Try this and watch the windows rattle!
I did my best to emulate a Big Muff. It sounds nice, not much noise. Kinda smooth, bassy, and fuzzy. It can do most Smashing Pumpkins
Billy Idol sound alike. Great for rhythm.
Turn the bass down or your amp will explode! Scoop them mids! Pump the treble up to 7 or 8.
Good Black Sabbath sound.
Sounds like most of the "Dehumanizer" CD.
This patch is for the Zoom 505 II pedal.
I like for my sweep and my speedy scales (use neck pick up...if have humbucker split it).
This one's good for Orgy's "Blue Monday" chorus.
A great patch for the song "Blue Monday" by Orgy.
Pretty cool for ZZTop stuff like 'Tush'.
Awesome crunch sound for chord backings.
This is a fairly good patch for the song "The Old Apartment" by BNL.

Really fuzzed wah. As used on Joe Satriani's new album, "Engines of Creation" and the song, "Borg sex". It's pretty close. Expression pe

Gives you that Rockman sound I use a Mesa Boogie cal. 50 ampwith the low setting at 6, the midsetting at 5,and the treble setting at6.5.S
or doublecoil in the bridge of the guitar.
This is my acoustic sim. It sounds really good for any quite part of a song that either follows or comes before distrotion. Works well w/ my
for it here)
Intro from Skunk Anansie's 'Brazen (weep)'.

Chorus bright, 70's rock.

This patch will make some changes in your way of life.


If you want to really break the ears of your family or friends check this out!
Crazy, lofty sort of sound. Best for single picked notes or a bar on all 6 strings at the same fret.
Tuned to settings as described by Brian on his 1987 instructional video=treble, phase, chorus & tube amp. Go 505! Pretty close for a mul
If you want to be Brian May you must be use this patch. Simple but the best.
Great for Stray Cats and Brian Setzer leads.
- No Description -
I love this distortion. It's loud and good for lead and rhythm. The hall reverb is optional.
A complex overload of wah, fuzzy phasing, and delay effects with a devilishly low octave tone thrown in. It sounds like raw evil with minor
bass patterns.
Super Dist.
Warm wah, great when playing Red Hot. Also looks like that little keyboard solo in Ritual, by Shaman.
Works perfectly for wah part of Rage Against The Machine's "Bulls on Parade".
I made this up for the Popmart-version of "Bullet the Blue Sky", and for the outro on "Discoteque" (live). I think it's quite good. It's a mix of
Use it for the solo and the basics on "Bullet the Blue Sky"...and at the end of "Discot
Real dirty sound kind of like playing through an ancient amplifier with bad wiring.
Es igual al tema de soda stereo "cancion animal".

Real nice heavy metal distortion sustain.


Distortion with flanger.
Nuff said.
This is a realistic patch of Carlos Santana's solo sound. I recomend that you use the reverb on your amp instead of the Zoom if you requi
Sharp and cutting lead sound. Pretty similar to the intro of "Sorrow" by Pink Floyd.
Using this setting you can easily get artificial & natural harmonics.
Needed a Tele country sound for fast double stops and chicken picken. Try on rear single coil and boost the mids a smidge. Happy picken
Nice chorus but if you increase the Dly/RevREV to H5 sounds great for Crowded House intro 'Don't Dream it's Over'
- No Description -
Cool church organ sound.
Sounds close to Satriani's Circles intro.
Try playing minor key polka and imagine a crusty circus side-show sounds especially good recorded and played backwards!
This patch sounds like a vintage tube amp using the clean channel. I use this patch to play songs like Cocaine by Eric Clapton or Sleepw
Shadows. For a richer sound use the neck pick-up of your guitar (better yet, use humbuckers).
Very good for Guns 'N Roses - "Don't Cry" and other similar songs.
Your brand new clean guitar sound ;-)

For a bright clean tune...pretty heavy when used with a separate distortion preferably a metal distortion...still experimental...my first user d

Orgasm from the first singing note.


This sounds just like Eric Johnson's Cliffs of Dover tone. Use your neck pickup.
Sound that lets your ears ring....just check it out!
- No Description -
A lot of argentines bands uses this cool effect.
This is a bright sounding Chorus effect good for just about anything.

Great if you've got the Zoom 505 expression pedal. Use neck pickup and a big powerful amp. If you don't have the expression pedal, get

I use this in most of my songs. It fits in any kind of rock songs.


Sounds cool for lead.

The best combination I could figure out for a lead/solo guitar. It's got an awesome tone and the chorus adds a cool effect to the solo! Use

- No Description -
Dampened metal sound. Nice highs. Good lead sounds.
This is it - for anyone who wants to sound like the Crate ur Marshall. I worked on it for a while enjoy.
Crazy stuff, can't explain.
A very cool wah...with acoustic sound.
No description.
This is THE patch to get the authentic Creed sound. You can always tweak it if you want, but I think it rocks!
Good patch for a rhythm/backup/non-lead guitar. It's got an awesome crunch to it and the tone is the best I could find!
It's the type of distorion that sounds like a crusty record. Great for playing songs like Bush's "Greedy Fly".
Wish a had a good way to describe this. Just a really bright clean beautiful tone. Better with the neck pickup.
Guitar vol. to the max, amp: bass almost max, middle ~1 and high 75%. WARNING! This kix ass!
Sounds like dying tortured monkeys screaming for mercy...with a nice cool melodic touch.
There is crazy and power full you kann kill your ears with tihs sound (sorry I am from Germany).
This is the clean Chorus "drenched" sound found on Day Nine's (http://www.daynine.8k.com/) first 2 demos. You can listen to the mp3's o
http://www.mp3.com/daynine/ It is a great clean sound, and sparkles with the best of choruses.
This is the patch that my band Day Nine (http://www.daynine.8k.com/) used on our first 2 demos for the main distortion. You can hear the
http://www.mp3.com/daynine/
This will give you blasting death metal to make your ear drums bleed. Uses none of that stupid chorus.
Very heavy, great for Cannibal Corpse. Full sounding and great to play. Sounds great on Dropped D tuning.
Set your amp high 7 mid 1 and low 10 if you use this setting you can sound like Napalm Death or Sepultra.
Its a hard metal sound great with anything.
WARNING!!! This distortion may be a little bit powerful for some amps!
Good for heavy tunes.
This patch sounds like slipknot mix with Korn.
It's for death metal.
For a HC or Alernative Rock play.
I use this patch for the lead part of Def Lep's song "Gods of War". I use a Marshall JCM-900 amp, so ... set your EQ accordingly!
Very similar to Deftone's "My Own Summer".
I use this with Deftones songs and my own songs. It sounds very good. Set bass 8 in your amp.
Good for solo playing and also power chords. Make sure you play at huge volume - you know to get that bowel movement endusing soun
A very nice sounding patch with a relaxing phase and flange, great for inme's neptune intro. Hall reverb is optional. Set ur amp eq as bas
II set contour 2 10 and time 2 7.
Carnival gone bezerko. If you vary your attack on one note, especially a low one, you can get a wide range of harmonics to play their own
This is a Calexico's sound It sounds good with Fender Strat and Marshall Amp If u have 505II in Modulation choose t2
Dip your hands into this watery, digital patch. Sounds like the last few riffs from "Digital Bath" by the Deftones.
This patch will give you dime's heavy, scooped-mid sound, and really ultimate low-end.
Nine Inch Nails "Head Like a Hole" bass.
This is a clean, dirty blues sound, kinda johnny langish, great for songs like "Right Back".
Loud noise.
This patch will give you Dan Donegan's heavy low-end distortion that is used on most of the "Believe" album.
Escales with red bull.
Crunchy distortion sounds from diu lay low mow.
A nice distortion with phaser and flanger. The flanger and phaser give a nice "whoosh" type sound to the distortion. Also adds a little flare
effect is not good for rhythm.
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For powerful solos.
I use a Mesa Boogie and I tried to recreate the sound I think I got pretty close. Very Deftones-like...
A full, resonant twang that sounds best with the bass strings and bridge pickup.
This is great for playing blues string by string.
Try setting your amp Low and Mid at 2, and High at 1.
Sounds cool on "Ain't Talkin' About Love"!
Perfect for "Unchained"!
This one's a big middle finger "respectable" musicians. Plug your ears.
Deep sound with slight delay. Good for spacey leads.
This is a rock/blues patch for soloing.

Used for Cliffs of Dover. Playing a Carvin AE185 using the bridge Holdsworth model humbuckers. Patch is for the Zoom 505II. Not listed -

Not an agressive distorted patch, but a slight distortion to play songs like "Cliffs of Dover".
Evil, and can make yourself satan himself.
Hard evil crunch tone, turn the bass up and start shredding.
A very heavy sound with good sustain, great for bass guitars and metal solos.
� foda!!
This is the "Fade to Black" intro. Sounds good for just about any solo. Has sort of a wah scream.
Kinda bluesy distortion/overdrive that works very well for early King's X stuff. Best with single-coils.
Fat sound for rhythm or lead. Very Nirvana-like.
Sounds like a Fender Valve amp's output tubes breaking up, gritty with nice sustain. Sounds very natural and responsive to picking dynam
strat's neck pickup and recorded and monitored direct without an amp.

Best on brightest pickup with the guitar volume all the way up. Great close-up, semi-distorted tone, you can hear fingernails scraping. For

A jet-like distortion sound. Good for some metal.


Pretty cool Amorphis: Orphan sound.
This is the closest that I could get to for Everlong. It's not that much different from the other one apart from turn the gain down a bit.

This is a good try at the voice box used on the foo fighters song generator, and any other song that it is used, e.g Peter Frampton

This is the best Foo Fighters sound I can get. It goes well with "Everlong" and "Monkey Wrench".
Dark Distortion

Makes guitar with humbuckers sound a lot like a fretless bass; use neck pickup, turn the tone knob down a bit, and of course play with yo

This is what it's like in the Fortress of Solitude.


If you like really heavy distortion this is it! In fact, it was too heavy to record with computer line-in without it sounding weird! PS. I'm not 10
stuff, so check it on our website in a week... w
Soul in FuFlangeDe!
Great for Satriani's Summer song.
This is like a kinda chorus and delay with metal just try it if you like this kind of sound.
Sounds like the wah used in the original Voodoo child. a bit of distortion and some good cry baby wah.
Distortion like Nine Inch Nails "Rammstein".
Smooth Hendrix-type lead.
Fuzz distortion good for rhythm or lead.
This is the dist that I use for the song rock show by grinspoon, you'll need a fair amount of bass from your amp, but just fiddle and you'll g
The sound of Gary Moore.
Eerie, otherworldly fuzz.
Sounds like Godzilla or bigfoot is in your amp.
Use neck Pickup to give your Gibson that SRV Strat sound.
Sounds a lot like Pearl Jam's song "Given to Fly".
Just a nice clean sounding patch, you should put it next to distortion or something so you can switch easily.
This sounds really good through my NJ Warlock and Marshall Valestate. I put it on my bridge pick up and have the tone down slightly.
Distorted grunge solo.
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This patch is like everything about music: try it out and see if you like it.
Green Day Distortion
This is what I use for the intro of the Grinspoon song Rock Show from the album easy. I'll follow with the dist part.
Beaut Knocki'n on heavens door tone!
This patch souns like the distortion used in Knocking on Heaven's Door if you play it into a Peavey or a Crate amp. Enjoy it rockers!!!
Very best for Gibson Guitars and clones, Slash Distortion. By Robert Esteban Garcia.
Try to imagine the sound you would make if someone were to vivisect you with a rusty meat hook, then pull out your bowels one foot at a
this patch instead.

The best god-damn distortion I've come up with, works with almost any kind of twisted death metal melodies your demented minds will co

Just a little on the wacky, bouncy side.

This patch sounds like the lead guitar (main riff and solo) on Counting Crows Hanginaround. Basically just a dry overdrive sound with pro

Super sound.
Harddddddddddd distortion (i.e., Sepultura).
Awesome crunchy overdrive/power chords best friend!
This is a great sounding distorion a la Tumbler esque style its perfect for melodic yet heavy rock, It also handles Octaves great.
Feels like constipation before work or school.

If you wanna play easy harmonics, use this patch. A bit noisy, but well worth it. Use to impress your friends... PS: the reverb is optional, bu

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This patch is great for playing hard and heavy somgs. It's great to play fast (or slow) solos.
If you like Megadeth and Slayer and wicked shit like that dis is the one for you!!!
Great for heavy metal stuff. Sounds best with a humbucking pickup set to the bridge.
Nice meaty, heavy distortion. Great when playing power chords.
This is the heaviest distortion possible. Turn low end way up, mid off and high on 4. Use lead pickup.
Kick a$$ for speed metal.
Powerful sound, I enjoy using it with Pink Floyd and others.
Great heavy rock or metal sets!
This patch has a lot of crunch but yet good bottom end also, good for Creed, Megadeth, Alice in Chains, Metallica etc �
Just try it, period.
Ideal patch for Voodoo child...
This an overdrive with high gain sound. Very cool. If you a rocker, Use this patch.
Great for a never-ending arpeggio. Just play slowly string by string and you will see...
hizehize
Bardzo Fajny
Replicates (to the best of the 505's ability) the sound of the Gibson J160E, featured in the Beatles' "I Feel Fine". Play this with the bridge
the 505 II, so those of you with one should set Contour to 10.
This rocks like ICE delay.
perfect
This sounds a lot better than the factory preset Metal patch.
In Flames - bullet ride sounding good for fast chords.
A little wah, doesn't take itself seriously.
A good clean sound.
This patch is essentially for grinding out riffs - NO LEADS, PLEASE! Inspired by certain licks of Rammstein, Cradle of Filth, NIN and Zom
Sounds pretty cool if you're into industrial music.
Good for "Duellists" and "Ryne of the Ancient Mariner".
Jamaican wah wah excellent for reggae.
For the distortion setting put 'Fd' and set the gain on 28.

A little bit like a "Rockman" tone. It sounds cool on stuff from "There and Back" or "Flash". Try playing "The Pump".
The best jet drive I've come up with, nice clean sound for solos. Put the bass down a notch�
Tone switch up. Real Jimi sound.
An emulation of John Frusciante's strat. (as in Scar Tissue & Otherside)
This nice patch brings Frusciante's strat on the song "Under the bridge".
Works for lots of John Hiatt songs. Has been used for "Blue Telescope." Use pickup with warmest sound; experiment with gain settings.
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"... So fuckin' special... DWDW.. DWDW... and i'm a creep DDDWWWWWWWWWWWWWWW" This is the patch for Jonny's guitar in Cre
you can't get a clean sound with a shitload of distortion :-) I think he originally uses a Marshall metal d
Neil Schon (Journey) lead sound as heard in "Who's Cryin' now", "Don't Stop Believin'", etc.
Alternave rock and kinda crazy.
This the only metal sound, break your head!
Makes great feedback if you turn volume to 10 on guitar and 3 on the amp.
Close to Robert Fripp's sound from the early seventies. Use humbucker and set tone control all the way down.
Good for Metallicas "King Nothing" intro.
This is almost a perfect recreation of Kirk Hammet's power solo effect used most noticeably at the begining of "Fade To Black" and "Turn
cause I spent a while on this one......any comments? steppinwolf69@hotmail.com
This is Metallica's own...Kirk Hammet's lead distortion used in pretty much all the songs. enjoy......any comments? steppinwolf69@hotma
Kirk Hammet's general distortion, used in many Metallica favorites.
This is the Distortion/Metal Patch i use when jamming with my band. It's best to have the source (amp) always lower that the overall outpu
harmonics just right.
is a Kool distmetal
Fat, slim, sounds like Korn.
Its sound is unmatchable, only a few know it, something really cool and strange, try it.
Original sound from La Polla Records used in "Bajo Presion" or "Hoy es El Futuro". It is a soft lead but when you turn up the volume you
concert. Try it it's so cool!
Clean chorus, with a distinct edge.
This is good to use before going to sleep on sundays.
-Wes Borland Delay- This is really for users of the Zoom 505II. If you have one, set TIME to 37.
This patch is a smooth solo - play it with the neck pickup.
Very useful in any kind of song when soloing...if you want it just select a d7 or h9 in delay/reverb...
Do you remember the sound of Jimmy Page in Heartbraker? It's great.
The sleek sound of a futuristic twin engine jet. Letting chords swoosh is great, as are bursts of staccato 8th note chords. Lovely, not gimm
This patch is excellent for playing the song Lightning Crashes by Live.
I tried for a long time to get the perfect Limp Bizkit sound. Well, here it is. I recommend using your neck humbucker (or on a Strat neck an
C#.
This patch works good for Linkin Parks' "One Step Closer".
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Best when tuned to drop d. Bass all the way up, mid at 0, treble all the way up.
I use this patch when I play live and it sounds good when playing Metallica
Totally cranks, gives the sound of a guitar in a large concert hall. Also excellent for metal leads.
This patch is kind of cool. Good for backing guitar tracks.
This pacth is great for the nice low-detuned 7-string sound, good for Fear Factory and Korn.
What more can I say? Good for 7 strings or low tuning 6 strings.. I play mudvayne and sevendust on it... Peace Out

What more can I say? Good for 7 strings or low tuning 6 strings.. I play Mudvayne and Sevendust on it... This one sounds good with solos

Spacey crystal clear echo with chorused slow flange. Beautiful for strumming and arpeggios.
Perfect for the new "Machina" songs like 'Everlasting Gaze' and 'Heavy Metal Machine' by Smashing Pumpkins.
This patch bites harder and growls meaner than a rabid dog! Not for the weak of heart.
At last I can submit you to my fiendish experiments!
A great patch for soloing and tapping.
Fuzzy used by lit my worst enemy.

Rhythm guitar for AC/DC. In an interview Angus said that his brother plays with not much gain, but very loud with headphones. Gain 20 w

Alice in Chains sound alike.


Heavy, harmonic-laden distortion, effect fades after a few seconds. UNBELIEVABLE sustain. Very grandiose.
Get that Angel with the scab wings sound...
Manson distortion I use for "Beautiful People". Humbucker pickup with amp EQ set at: Bass 7, Mid 8, and Treb 5
Perfect for Manson's "Antichrist Superstar" distortion.
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Has a great sound and has a very good sound when palm muted. It takes a lot of volume before there is any feedback.
wwwwwwooooooooooooowwwww!
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Sounds like the distortion used on Megadeth's 'Countdown to Extinction' album.

This sounds like the distortion of of Megadeth's "Youthanasia" album. Sounds better with single coil pickups.

A mellow sound great for pretty much any slow songs ("Fade to Black", "One", & "Unforgiven" by Metallica). New way to hear old songs.
Warm distortion with a full sound.
Good sound for metal songs.
My patch for 505 II users countour: -7 time: 25
This is a basic metal effect that can be used for both leads and rhythm.
Wicked distortion good for Metallica/Slayer.

A metal chorus distortion for any Metallica-like solos or chorus solos. Very nice rhythm sound and rich bass chorus sound in the high note

Great metal sound for lead. Very different. Try it out on stuff like "Where Ever I May Roam" and "One" by Metallica. Lots of palm muting a

This is a Sweeeet flanger dist. that is unique to any of the ones i've saw on this site.. Try it out and I guarantee you'll like it.. Peace Out
Just a good rock flanger

Really heavy, really loud! Turn the mid on your amp WAY down, turn the Low to 8 or 9 and the High to about 7 and away you go! Great fo

This patch is a heavy, forceful metal rhythm patch. It can be modelled with the EQ parameter to fit almost any environment. Plus, it can be
guitar's tone and volume, providing growling backdrops for any song. It is particularly ef
I found very interesting this cool sound. I play some Slayer songs on my guitar! Cool
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Rip into any Metallica song with this distortion. It's heavy and doesn't fuzz out. Turn off your Mids for newer stuff and add a little Mid for ol
Good for "Fuel" on Metallica's Reload album.
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The most common clean sound used by Metallica (specially S & M).
Sounds like Metallica WORTH A TRY !!! 0-10 Midle =5 bass=5 treble=5
From patch author: My patch is the best sounding one of all other "Fade to Blacks".
Perfect for early Metallica. You may have to turn up the gain because im using a Gibson Explorer and they have the hottest pickups I've e
Bluesy phase like it's off in the distance.
Fixed wah to sharpen and colour.
Great on my Les Paul.
Again, from the same base sound as rhythm and the two leads.
Wah version of cutting lead. Again, EQ tweaked on amp.
Cool Misfits sound, "Famous Monsters" and "American Psycho".
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This patch is a mixture of a bunch of noises. Enjoy.
This sound makes my cheap Strat copy sound terribly good.
Good for jazzy fusion leads; passed on to us by the space brothers.
This patch gives you a fat and full Metal sound that's great for Rhythm or leads.
Good for bass lines and the lower strings single notes. Turn the bass & treble up a bit.
One of the best patches I have made sounds great, almost a professional-built patch, Take a joy ride on this baby!
This is the sound of plug in baby by Muse - is very good - Enjoy!!
Full clean effect with delay.

The patch I used in my band. Use with a very powerful amp or head, to obtain the very best of it. Use low about 7, mid about 3 high abou

Monster Magnet tune with a real cool jet flange at the beginning. Here it is (well, close anyways).
Heavy as hell (damn close to the Hetfield God tone)
Nice smooth sounding distortion. Level doesn't really matter.
I use this one to play most of my rhythms. Use the neck-pickup, and try some high-pitched chords on 2 or 3 strings -> they really rock!
Use the Humbucker, turn your amp up loud and play some really fast 'tapping' solos -> you'll feel like God.
For my idol Nigel Hendroff of Hillsong Music Australia, here's a nice patch that is good for his solos and guitar riffs in their songs. It's almo
effects, so have fun...
Great for "Wish" and "March of the Pigs".
You can play any song from Nirvana with this effect.

This sound almost like in original song.

Good distortion for AC/DC and doesn't make noise when playing has stopped.
This is my first new patch and it's so cool. You can play with it the Pearl Jam's song called Nothing as it seems from Binaural. It's also goo
you like it.
Intro from Metallica's 'Nothing Else Matters'.
This is what I think would be the best effect for the clean part for Nothing Else Matters. This is a ZOOM 505 II setting. For time set it to 33
Solo from Metallica's 'Nothing Else Matters'.
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Sounds a lot like Green Day on the Dookie album. Play it through a Peavy Bandit or it sounds like crap!
Sound for guitar 1 intro and verses.

Sounds high trebly really crappy smashed air tube to poor to afford good distortion late 80's east bay punk ska. Sounds a real lot like Ope

Sounds like a concert orgon using the A4 selection.


Sounds good for the middle part of "Orion".
Good for "Crazy Train", "Flying High Again", and "Over the Mountain".
For the end riff of "Floods".
The best Pantera patch I've heard.
Perfect for the end riff of "Floods" - my favorite patch.
This patch is good for getting Dimebag's distortion that is used on most of Reinventing the Steel CD.
This sounds so perfect. I just took one that my brother had made and took off the flanger and this came out.
If you like metal and want to record yourself directly, this patch for you. Very Sepultura, Metallica, Grip Inc. Sounds great on Drop D, or D
the chorus or reverb. Instead record yourself again and put one guitar at each side. You'
The same. Period!!!
My attempt to sound similar to the Smashing Pumpkins fuzz found on Siamese Dream era stuff.
Pitch shifted, cavernous recreation of Pink Floyd's "Time" intro.
Simulates guitar tone of "Time" solo. Good with Strat bridge pickup.
This is the nicest Pink Floyd sound I've come up with thus far... it sounds good with "Shine On", is great for most clean guitar on "Dark Sid
add a little bit of distortion it works well with "Run Like Hell". Enjoy!
Good for "Have A Cigar".
Distortion with a bit of wah; great for pulldowns.
Pitch-shifted tone with medium distortion. Really good for solos, but not too much else.
This is a good distortion to play all kinds of songs.

I used to get lots of feedback while using this much distortion on the Zoom 505, but now I seem to have fixed the prob. Check it out: use Z

Use this patch to get the poo out of your bum bum. Or us a Q-tip.
This patch is for to using in some instrumental music, for power solos and to not lose the power of the riff in the rhythm guitar.
Very noisy distortion, perfect for solos and power chords.
The delayed sound for "Pride" off of The Unforgettable Fire. Just get the band to play to tempo and you're laughing. Use through a mono
signal sounds dull and drifty.
Thick strings sound like drones, thin ones like a sitar - harmonics are plentiful and can be varied with attack.
Good for today's rock leads, like Rage Against the Machine's "Killing in the Name".
It's like Antimanisfesto (live) by Propagandhi.
Nice chorus shimmer for playing one of Prince's most famous tracks.
Very crazy and heavy (similar to the sound of Motorhead, Metallica, Soundgarden, and others).
Lots of feedback great if combined with lots of bass from the dirty channel on your amp.
Sounds like the distortion Rammstein uses in a few of their songs such as "Du Hast".
Sounds about like the first three Ramones records.
This patch gets that screaming Randy Rhoads sound, great for solos.
Tom Morello-like Distortion. Heavy but clean. 4 tube & direct amplifiers...
This patch is like getting a haircut from a lawnmower! Its sharp edge will take your head clean off!
So cool if you use a Crate amp or a Marshall amp. Is a soft acoustic wah and the wah "wave" opens so slow when you play. Also you can
this wah and the sound is a real monster for blues or jazz solos!!! Try this cool effect!!!
This patch is for Fender StratoCaster using Texas Especial pickups. Use the neck pickup por solos before the 15th fret and the Bridge pic
complain about distortion - This is based on Srv final performance in Austin Texas. If you use Zo
ERRATA: Sorry.. GAIN is 2..not 1 This patch is for Fender StratoCaster using Texas Especial pickups. Use the neck pickup por solos befo
Bridge pickup after. Do not complain about distortion - This is based on Srv final performan
Great for Hendrix's "Red House".
Use this patch only with Zoom 505 II or later. As nodulation us slow attack 5 or better 9. = tape reversed!
Cool highly-strung contemporary goth-rock sound.
Ritchie Blackmore patch to be used with a Fender Stratocaster.
Makes Your Guitar sound like a beast! Also works well playing in rhythm.
Good for all around rock.
Great to play in full chords! Doesn't work for two note chords.
Brilliant for Chuck Berry-style riffs. Play the bridge for seering Latin solos (especially for fast picking).
Nice for Rockabilly stuff. I use it in "Jump Jive and Wail" for the clean.
A good patch to play songs from 'The Shadows' like 'Apache', 'Ghost Riders in the Sky', etc.
Great for slamming rock leads!
Kind of like satriasi. I use it for "The Forgotten Part II". You may want to use a noise gate.
Exact sound for the entire Roots album by Sepultura.
Good distortion for most Rush songs (with the obvious exception of their 80's stuff in which Alex Lifeson did next to nothing). You can cha
Overture of 2112.
Perfect for Metallica's Sanitarium. For the intro just turn off the distortion.
Very metal-like
Dark black metal.
This sounds great on songs such as "Crushing Day" and "Always With Me, Always With You". Needs lots of compression.
Joe Satriani distortion sound for "Cryin".
Played thru a Fender Frontman treble 3 mid 3 bass 9 bridge pick up clean channel sounds just like satch live especially track 1 cd1 zoom
setting for delay 28
More exact setting -in my personal opinion- to Satch's sound. Other complement values are Contour: 10, Time: 10 if you've the Zoom 505
If you get a better aprox, please, e-mail me...!!
Cool distortion for bluesy-heavy rock. Good for oldies heavy tones.
A full echo sound with rich tones. Play D, D2 then Dsus.
Tune to drop D, bass at max, mid at 0, treble at max.
Sounds exactly like Screaching Weasel.
Una patada en la puta cara!!
Simple Distortion (this patch is better than the factory preset, but with more treble and less bass.
Sounds vaguely like a sitar. Hours of fun.

(Great for getting that Sheryl Crow "My Favorite Mistake" slapback) (i'm doing this from memory, and might not have the delay number co

This patch is used 4 any rap/metal band and heavey staff. yeah rock yo,! ey listen to slapshock, greyhoundz, cheese and zooom and try t

This sound is exactly like a Guns N Roses album.


This is my idea of a slash rythm patch.
It sound exactly like the introducction of "Knocking on Heavens Door" but Guns n Roses. If you have a Les Paul, play it at rhythm on the p
Cool sound for slow stuff.
Use through the clean channel to get feedback and squeals out of a 15 watt 8" amp.
Sounds like a distortion used on the "Smoke on the Water" solo by Ritchie Blackmoore.
Cool for "Smooth" by Santana.
Good tone for Metallica's "One", "Welcome Home Sanitarium", "Nothing Else Matters", and "Fade to Black".
Smooth natural-sounding distortion.
Smooth Violin sound.
This is a real harsh and powerful distortion... and the good thing about it is that it dosen't make your amp hum like some of them do.
I run my guitar into an Alesis nano compressor, into my 505 which I use mostly for distortion, into a digitech rp7 for volume control and rev
effects. So your tone will differ from mine but this works great for me.
Great sound for heavy metal solo.
Great for power solos.
Set toggle switch in center position on your guitar; set all equalization on your amp to a neutral position. Patch creates a warm jazz guitar

Useful in the acoustic part of the song, "Black Hole Sun".


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This is the one patch where noisy p/u's help! Bridge pos. Try lightly scraping or tapping the strings at the bridge with a slide or pick.
Distortion with messed up delay, cool for single notes, lousy on chords.
Delay is even more messed up, but sounds okay with chords.
Bluesy distortion, not to heavy not to light, smooth, creamy, butterry flavor, poppy like popcorn.
After loosing my Strat in a stage diving experience gone horribly wrong, I came up with this patch for the 505 to give my '81 LP Standard
use this patch with the "neck position" pickup and it's not dead on, but sounds real close t
This patch is best suited for "Staind" the song its been a while. It's basically just straight up chorus with a little bit of compression and som
the settings to suit your style but this is almost perfect for me.
This patch sounds like Staind's Mike Mushok's Distortion off of Break the Cycle.
A patch for the standard metal sound similar to Anthrax, Sepultura etc. It's for a 505II, so additional is contour: -1. Use bridge humbucker,
to D!!!
Plenty of tone, soft chorus delay, almost perfect for pretty songs.
Totally gnarly sound. Awesome for soloing.
.
Clean tone for straight jazz guitar. No distortion.
It sounds much like Timo Tolkki sound with my SG.
Patch for street spirit (Radiohead) Perhaps the best song ever!
A very good sound for lead.
Very good distortion.
For the Dire Straits song. Use pickup with the sharpest sound; experiment with gain settings.
An excellent clean patch used in verses, before switching to heavy distorted chorus power chords!
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A patch for playing general metal, like Metallica or Pantera, the louder you have this patch, the lower you should go on the limiter, for exa
patch on stage, try using L4 or L5 to reduce a bit of the noise.
Distor�ao pesada (Heavy distortion)
I want the best patch
It's for super pussycats.
A sweet sustaining, delay dripping solo patch. Works for me, set the gain between 20 and 26 depending on your axe.

A really powerful tight distortion.


A feedback patch for you noise niks into Big Black.
Cool patch, and if you mute the top three strings with your playing hand down by the pickups, you get a cool-ass sound. (Level doesn't re
preference).
Sound of Swedish Death Metal
Mellow full bodied, mid-range boosted bluesy overdrive with some bite to it!
If you can master it then it can be a real advantage or awesome lick using scales. Try it, but be sure to time it right.
This is great for the "Sweet Dreams" solo by Marilyn Manson.
Great for just playing low metal lead kinda stuff.
I stumbled across this patch and it's great, it is perfect for playing nice slow solo's and high bends, e.g Teen Spirit Solo etc. It can be used
ways.
There was a note here, but it seems to have split off into different dimensions.
Excellent for individual guitar, horrible for more than one guitar.
This is a good patch for any song on the new album. Easy Harmonics turn the volume on the guitar down to avoid feedback.
A fun and effective simulation of a baseball stadium organ. Very light-hearted.
That's The Best Patch...let's use it and understand...name is Exama or Tansellica.
Good light acoustic sound, I use it to play Eric Claptions - Tears In Heaven among others. Use setting between neck and mid pickup (sing
settings, adjust EQ until you're happy. For 505 II add: Contour -6
Trash!! Like Testament!!
When you play this, you'll reminisce about Judas Priest, Motley Crue, and Kiss. Also sounds great with delay.
I'll take "I like to Put things in my Eurethra" for $800 Alex.
Intro for Metallica's 'The Memory Remains'.
Very good for most The Offspring songs. Especially for IXNAY... (patches with Dt or Ld too High).
For Conspiracy of one, Americana or Ixnay.
The part after the intro, also you can hear it in the backround of Unforgiven 2. Get rid of a little delay to make it sound JUST like it. Standa
It sounds like Exodus or early Testament.
This is a very accurate patch for Pantera's "This Love"
Almost like a metal zone, but with more guts. Similar to Deicide's "When Satan Lives" CD. Turn bass 6-8, mid 0, tre6-9 (on amp).
It reminds me a lot of Pantera's VDP album.
Very powerful and heavy-sounding. Great for old Metallica. Great for solos and for harmonics. Just an all-around good distortion.
Heavy Thrash metal distortion good for Megadeth, Metallica and heavier stuff...
When I made this I first had the delay on d9 set to about 6 but when I switched power chords it would sound kinda weird so I put the trem
2) and did away with the delay this is good for fast rhythm but not too good for solos.
Sounds good as distortion for Tool. Crank the treble and mid up and put the bass between 5-8. It's a simple patch, but it sounds good.

This patch is for the Tool fans, Work's great with A Fender roc*pro 1000. But try it anyway! Sounds good for "Part of me" and the Undertow

Creates great sound, making leads fun!!!


Very Noisy!!
This is the patch you need if you want to wake the dead at 3 a.m. With highs only dogs can hear and lows that sound like a 747 on cRAcK
neighbors' attention. Not responsible for broken eardrums and/or windows.
(in a very big blender)
This I came up with, sounds just like the effects like: New Found Glory, Blink 182, you name it. Very clear and bright, try it, IT WILL ROCK
There something fishy about this--probably a Pisces working for scale...
Just a pretty cool melody type sound.
Trippy, nice fluid sound, great for the lead bit in 'UNtil it Sleeps' by Metallica, also sound really good for the soft parts in Sanitarium. AWES
it though.
High gain 'lead/solo' distortion, with a up-pitch bend capability. contour= 10 time= 10 distortion= Pu (MKII options) for use with expression
Eu queria deixar claro que esta porra � mais um xingamento q um patche, mas foda-se! (Fabvon-)
Good for "Eruption".

This patch comes pretty close to Eddie's 1991-1995 sounds. Change EQ to 41 for more midrange. The low notes crunch and the high no

This is patch that works great for Cathedral. Use neck humbucker or neck/middle single coils.
The guitar sounds like Verdena's distortion in the interlude of "Dentro Sharon"; it looks like an analogic distortion, very cool!
The Best Flanger sound I've ever made, definitely good for playing inside your headphones!
Corrosive sound with gore medium frequencies that will make you die with metal sound!!!
Cool sound for solos, and one of two ways I know to get artificial harmonics to work on the neck pickup.
Very pure,j ust like Vinnie's Time Oddesey. Try it!
This is an Effect for Vocal-Recording on a GuitarFX. It's great when you don't have an ALESIS. And now in German (for my german friend
toller Effekt f�r Gesangsaufnahmen, wenn du kein anderes Hallger�t hst (z.B: ALESIS).
Nasty sound with a bit of distortion. You can change the type of distortion if you want, just don't use acoustic and don't set the gain too hig
This is a good patch for playing the intro to "VooDoo Chile" (Slight Return)
Scuse me while I kitch this, guy.
This wah kix some major ass. I can play on this one all night, so turn up the volume and jam your ass off!
This is a pretty neat wah i came up with. It's mostly good for lead stuff unless you have the expression pedal for the Zoom.
Patch muy parecido a la guitarra de Waltaer Giardino.
Iron Maiden
Best effect I've heard to use for the solos in "Sanitarium". Reverb on amp is optional.
This is a cool patch that sounds really awesome if your amp is turned up really loud!
Good patch for U2's "Where the Streets Have No Name". Use the bridge pick-up!
Alternate setting for the classic U2 track with no distortion.
Strange all-around modern rock distortion.
This is an awesome distortion - there is no other way to explain it!
Sounds just like Pearl Jam's "Yellow Ledbetter" song.
Sounds very close to Mike's great solo on Pearl Jam's "Yellow Ledbetter".
The more "Cosmic" Yes solo parts, are many times played by Steve Howe's 1950's Fender Dual Electric Steel Guitar. Such as in "And Yo
Central's "12-String Simulator" Patch (with less delay) for the intro & rhythm parts of "And You And

"The Yes Album" vintage Steve Howe style rhythms. Thanks to "The Guitarist's Complete Guide to Yes" Website for the tips on getting tha

"The Yes Album" vintage solos. Increased compression and added some distortion for Steve Howe's solo work, getting sustain without ge

This is a patch to play ED's intro to "You" on Pablo Honey.


A VERY ballzy distortion. Very close to "You'd Prefer an Astronaut" by HUM. Kill the mid-range and mess with the EQ and Noise Reductio
you want.
The intro to "Zombie" by the Cranberries. Put a harsh distortion next to it for the dynamics of the track.
Bit of chorus, metal tone.
Seek and Destroy
Fade to Black
Screeching Moth Distortion. Extremely bright.
Sounds like Come As You Are begining
Phase shifted. Used mainly for solos.
Resembles "Caribou"

Winds of Change

Turn up the bass on your amp


Staring at the Sun
ideal for molodic death metal
very good for lightning shredding

Clean sound with feeback delay

still looking for tube sounds!


Jimi Hendrix -esque
Use neck pickup

Stock Patch
A REAL big room effect.
Andy Summers
I love using this for Pink Floyd's Astronimy Domine. You can use any paticular Reverb.. whatever you like the most.
I use this one for Eric Johnson's "Camel's night out". Not as silky as Eric's but pretty close.
Loud part of songs-noisy
Groovy

A polished fuzz not quite gritty, hence the name


Sound Like a 70's synth that producers would use for Sci Fi Flicks!!! subverse@hotmail.com
I use this effect on a Strat using the bridge and center pickup
sounds really cool for playing Nirvana stuff also it sounds good without distortion, but not for nirvana stuff

this sounds pretty good on my 160 watt peavey but I dont know about smaller amps contact me at gasm@rocketmail.com if you have any

David Gilmour as heard on "Shine On you Crazy Diamond" intro.


David Gilmour as heard on "Shine On you Crazy Diamond" main riff.
You can use this one with or without the delay both sound cool. Also a bit of chorus seems to work.
Thin Lizzy
I wanted a tone like Gary Moore's "Still Got The Blues" sound
As heard on the Mellon Collie song "love"
Used to make Electric Violin sound like a real one
acoustic jazz
Dunno if its right
"They Might be Giants"
Try it with MOD=C2 as well
If you prefer reverb over delay try the h7 setting.

FINALLY, a patch that actually sounds like the band that it is supposed too!!
This completes the whore of a patch. Try it but don't blame me when your head drops off. I am the ultimate zoom owner ,I have 3. Want to
you piiiig~~~~!
Solo/Rythm Clean With "live" feeling
Nice live dist
With a Strat at the 5th position of course. Still room for improvement. Let me know via email.
Approximate the Hank Marvin Shadows sound. Add amplifier reverb. Select middle pickup on a Strat.

This is a nice 12 string sound I use to play Hotel California... It doesn't sound quite well. But it's ok... just bought my 505 yesterday. Send

Buy some ear defenders coz this baby's a bitch


Hmm, Eddie van Halen like?
Nice Blues Rhythen with distortion for a bit of bite.
My effect for Bush songs. If anyone has an improvement e-mail me.
Nice chorus effect. Place it over those wimpy Stock Choruses.
Level can Be anything.I use it for Nirvana Solos.
This sounds kinda like Offspring. mail me Guitar6500@aol.com
Variation of Jazz Reverb w/chorus
Variation of Jazz Reverb w/delay
Good fat all purpose reverb
For "Where the street have no name" + "I still haven't found" Play with the EQ for your amp.
great for Pantera's Floods solo's
This is the best acoustic effect I can get with my guitar/amp/zoom 505 combo.
A great distortion for shredding.
This patch has no real "bite" to it... But it has a nice wide sound
The best distortion I have gotten out of a 505. I spent a LOT of time on this patch.
If your lose your hearing over this one don't blame me. :-)
Turn amp bass up full, mid and high halfway. Excellent for heavy palm muting and fret tapping, great sustain. Center pickup works best fo
Level is set at 27, you can change it to any value and it won't really change the tone at all. The sound is heavly distorted with lots of mids
unlike most distortions, the highs aren't cut on this one. This is my
this is the first patch that i made i think it sounds great!
I like this one for playing Led Zep and other rockin 70's tunes.
IT sounds like freshly brewed "elven tea"

It sounds kind of like one of the Marcy Playground effects on a few of their songs. It is pretty cool! I made a mistake about the other one b

Cannot remember the eq level - Just Knob about with it!!! I am looking for a good way of Using my Marshall VS100R's OD with the Zoom
the noise?
12 string 'Rickenbaker' sound.
This is as close as I get to the sound of Faith No More's "Ashes to Ashes"
Good fun with exotic and major scales! This is one of my favs! Incense anyone? GREAT SITE! THANKS!
This is the closest Pantera on a zoom i've ever seen. if there is a better one, E-mail me. Turn Bass and Treble all the way up. Turn Midran

This REALLY sound great played through a Pignose. Good Blues Rhythm/Lead sound. Heavier flanging works well, too.
a kick ass mother fuckin' ear bleeding distortion!!
Ever wanted to play Tocatta and Fugue in Dm but couldn't find the right sound?? Well here it is. Enjoy.
Don't EVER leave the room with this sound on cos when you come back it will FREAK YOU OUT!!!
This is as close as I can get to the amazing 'dry' sound Metallica have. I have the reverb on my amp on full and the gains and equalizatio
can't get it- tell me, cos it works great for me!!!
This sound is similar to both the Reverend Horton Heat's and Junior Brown's live surf sounds.
Variation of "The craddle" patch. I use this to get a vintage punchy sound, kinda '59 blues/jazz sound. Works well with my Seymour/Dunca
Humbuckers. Remove the room effect to get a real vintage sound.
for rhythm set the gain slightly lower...
Used to play Stinkfist... remember to drop that E string.

Pumpkins Distortion. I usee it for "Today"


Play highspeed pull-off's to get a nice effect. Use a vol pedal to sound like a churchorgan
This is a the closest I can get to the harmonised sound that Iron Maiden used on Somewhere in Time (the song not the album). Maybe m
harmony as the next patch to play the rest of the song.
this is the closest tone I can get to the "...and Justice for all" tone Jaymz gets. It's not quite there but it's the closest I can get to it
I use this for doing he clean parts for stuff like the clean riffs for playing "Sanitarium" and stuff. I think I got this one down.
I've tried to get an early SABBATH sound...using the neck pickup. Anyone got any suggestions or help?!
I think I've got a pretty close match to the "rocket" sound. Send me email if you've found any better solutions.
This patch needs three zooms linked up in a row for a massive 8 repeats of the first signal. part 2 follows :/)
A full sounding acoustical with good reverb. The guitar sound used on "Discovery" and "Soliloquy"
This sound is used in many Rush songs including: Xanado, The Trees, Hemishperes, etc.
Nice, punchy fuzz with plenty of chunkiness.
basically, it's just the acoustic simulator overdriven enough that it starts to sound like an electric again. This gives it a very clean sound wi
overdrive.
I like to use this one with the beginning to "Stairway To Heaven" (the clean part) It's not the way Led Zep did it, but I still like the sound of
My facsimile of Mike Ness's sound off "Story of my Life", etc., from Social Distortion's 1990 album.
It is a phat loud hard hitting patch that realy kicks. email me with comments headhunter97@webtv.com
sounds like thunder kiss 65. great for heavy metal!!
Clean bell tone for strat. Use on position 2 or 4 for best results.
This is for a powerful ballad soloing . It is best use with a gibson and an ext. wah open in the middle . EMail me if it's good : idt.netvision.n
I use this to play everything from Cliffs of Dover to Fade to Black leads. It is even an improvement on the tones of some big time solos!
kinda sounds like the frist song off marilyn mansons anti-christ superstar
Experiment with gain. Can also be used for the rythm part

Enjoy!
I've tried really hard with this one. If you know how I can get it better, please mail me
This is the craziest sound that might ever come out of your 505!
I good almost clean rootsy thing. Good for early Beatles and Kinks Etc on the bridge pick-up and very Chuck Berry-esque on the neck po

a very nasally distortion sound ( I like it with the neck pu of my Ibanez RG 565 and my PV classic 30) I find it too harsh with the neck PU..

I use this patch in the lead part of Hotel California (unplugged)


Great sound for song like; - Dust in the wind - Mood for a day - and any soul song!

I play with a YAMAHA 150 stereo PA. The settings are probably differents, but closer on guitar AMP.
This works well with most of your earbleeding metal riffs
This can be used for almost anything needing a clean sound (for me anyway)
I use this for ac dc songs and it works good...but I didn't make it for that. works better with a bridge pickup.
I use this to PLay Smoke on the water off of made in japan.
I use this to play Eric Johnsons "Venus Isle"
I use this to PLay Iron maiden songs...Like Flight of icarus.
I use this to play songs off of "Kill'em all"...especially "The Four Horsemen"
I use this as a clean soloing patch.
I use this do Inhance that cool harmonic thing that Zakk Wylde does.

I use this to PLay Metallica Rythum parts and mostly any outher Metal rythum work.

Good for the song Ænema by Tool. Put Treble and Middle high and bass low. E-mail suggestions or comments to steve.craig@m130.aon

A great rocksound for your 4x12 stack. Needs Celestion!?


good for almost all nirvana unplugged songs. for CAYA, turn up the chorus to 8.
sounds good on my double humbucker guitar (use the bridge pickup) You can turn up the level, but it can get a bit too shrill. The comp/wa
setting a normal wah as a filter
Love is Blindness Solo #2 It's incredible what ZOOM 505 can do!!
Sound Get Your Gun and Cake and Sodomy. Might Talor EQ to your amp type
Intro to "One" by Metallica (not solo). Very close to the "One" intro, just after the gunfire and war sounds. Please comment to storm@vci.n
Solo (just after and during intro). This needs a little work, but is as close as I can get. This is for the solo that is going on just after and dur
comment to storm@vci.net.
scooped mids good For justice This Is great for getting that justice Tone on your amp turn mids off and lows up and highs up to about 2.5

Rhythm and Solo for Pantera as used in Vulgar album


Play this loud in your local music shop, they'll love you!!
This is a nice compressed delay for the intro. Works O.K. for the solo as well.
Play this one on the bridge pickup
This is a really thick fuzz. I use it for Siamese Dream like Pumpkin stuff. Play it through a clean signal on your amp, and turn the bass on
and leave the treble and mids at half.
If you like the prodigy ( and I know you crazy Americans do) then play this bastardo with the riff out of firesterater!
pretty basic but helps
very cool on the high strings!

realistic acoustic-well almost, soundsa good for who and some pink floyd

Sounds good for all acoustic things, it is also very fun to play with, sometimes there might be fuzz, it still sounds good though
good for teen sprit and scentless apprentice especially
this would uck in a song, but pretty cool to have come out of your amp, BE CAREFUL
Very warm, thick distortion that is one of my fav's. I use it for A1, because it sounds great with flamin' leads and hard rawkin.
If someone can get a more weeping sound.could you postit please.
Hank Marvin patch for his song "Wonderful Land". Only works with Neck & Middle pickups
For a more depper sound change the eq setting to 41 or more. The eq set down near 1 it's alot deeper, but to deep for me.The deeper so
lithium by Nirvana.
I use this patch for my own music to create a wild sounding solo. It's good for fast grungy type solos with tremelo picking. If you hit the str
intensities eg. hard and soft, you can bring out the wah sound alot
Killer modern crunch. Fear Factory???? This doesn't have that bass-drenched sound you get with most hi-gain patches, thanks to the wa
filters it out. Use a standard mid-scooped setup on your amp and then bring up the hi-mids a bit. Then tune.
dime bags Vdof sound Turn down the mid, pump up the bass & treble
pretty close to Pantera's clean sound use ur trem pickup
cool little solo patch this is a really good solo patch, sounds good run through my peavey amp, mail me tell me what u think Shoess6@ao
this is a cool solo patch for really fast solos with alot of bends mail me tel me what u think Shoess6@aol.com
another cool little solo email me tell me whatn u think Shoess6@aol.com
Cool little rhythm patch that evolved from a lead patch. let me know what you think via e-mail
lead distortion I use this for my own stuff. sounds alot like peavey solid state distortion with a little twist. e-mail me with comments
ALLOWS A DEEP METALLIC SOUND. THIS EFFECT IS GREAT FOR PLAYING THINGS SUCH AS KORN, PANTERA, METALLICA. I S
LIKE IT TO SOND SO YOU MIGHT WANT TO MESS WITH IT TO MEET YOUR STANDARDS.
very cool patch. heavy distortion. i use it for the intro to tool's "h" might produce a slight ringing.
"Abuse Me" - Clean Phase Middle or Lead Pick-up
"Abuse Me" - Distortion Middle or Lead Pick-up
Other / Special Great "church organ" sound. Single strings ring heavy, as do chords on higher strings. Some lower string chords may be m

Really heavy metal distortion. This is really good for when you just want to crank up the volume and have some fun.
great for pantera but goes great with just about anything!!! Giv it a try. Send some replies alanc@mail.dmn.com
TURN OFF E.Q.SETTINGS AND USE THE AMP E.Q. THAT WILL BRING OUT THE SINGLE NOTES & HARMONICS ALOT BETTER FO
"1984"
Randy RHoads(live-tribute) sounds best if my amp is set at low-10 mids-2 highs 10.best i can do.Exept for fly'in high-turn doubler up to d3
were triple tracked in the studio;thats why it sounds so full& heavy
Bright Acoustic / 12 string Simulator This is a bright acoustic simulator which I use for songs like Bon Jovi's "Wanted Dead or Alive" intro,
might be a little trebly depending on your setup.
Great for techno solo stuff
close to the patch i use for the rest of Heartbreaker, but sounds a little closer to the solo part. Again, it's not exact, but it has the right feel.
Jimmy's Lead tone from the 1st BBC disc Good for most songs on the first disc of the Led Zeppeloin BBC sesssions, kinda makes a hum
the tele jimmy page was using. Nice Thick Fuzz
This is a ballsy "70's metal" sound, with big sustain and slight flange effect. Good for Sabbath rhythm. E-mail me with your input.
SOUNDS LIKE THE MEMORY REMAINS GOOD FOR NEW METALLICA STUFF, GOOD FOR THE MEMORY REMAINS!
Powerful distortion with little crunch Great Punk distotion with very little crunch to detract from the sound. Sounds best if you keep the bas
on your amp.
Zeppelin Style. Overdrive & Tube Amp sim Fat, overdriven, tube amp sound. I use the bridge pickup on my Les Paul. Mostly used on Zep
"Heartbreaker," "Communication Breakdown," & "Immigrant Song," but usefull for lots of classic hard rock stuff.
simple rhythm. I use it for the Stones "Rocks Off" among other things
acoustic / rhythm I forget how much different this is from the factory acoustic simulator, but it's not exactly the same. much better, in my o
biased.

This is a solo distortion that is nice and smooth...also, it sounds very big due to the doubling and reverb. It sounds comparable to Vai's ton

Chorus instead of flanger works well to


exact replica...used by Smashing Pumpkins, Jimi, etc.... MUST BE USED WITH AMP. Sounds too "fuzzy" for direct recording. Using the a
Sounds phat!

Warm Chorus w/heavy distrotion Be sure to turn the tone all the way down!!I have been trying to get this sound for a long time and this is
it really sounds like Kirk.Also use these amp settings: Low=10 Mid=2.5 High=10 Master=1.5 This is for a crappy Peavy Rage amp.

Biohazard Distortion This distortion is very similar to what Biohazard uses on Mata Leao. With this patch, I set my amp as follows: Treble=

HEAVEST METAL KNOWN TO MAN scoop them mids dammit!


Lynyrd Skynyrd-type dirty tone This is great for Skynyrd and Nugent tunes and other sorts of swanky, dirty R&R riffs. Big, fat, and swagge
Princeton 112 is my setup, you might want more level if you have humbuckers.
Prelude to Rush I use this patch for the free time prelude to Xanadu... Including the repetitive line when the bass and drums come in. Pick
volume. Use volume pedal for swells.
Sounds like Steve's guitar on the track, "Sisters" on Passion And Warfare. I'm using a Telecaster with the traditional two single coils. This
electric/acoustic sound.
Has a lot of power Good power distortion.

SOUNDS LIKE THE SALAMINIZER


GWAR GWAR GWAR GWAR GWAR
Flanged and fuzzy. This is a spacey yet Hendrixey sort of sound I stumbled onto. Again, it's my Strat (Neck PU) through a Princeton for m
"Voodoo Child: Slight Return". =)
Warm but biting with a little linger This is my bestest Steve "Luke" Lukather sound- think "Rosanna" and "Hold the Line". I play a Strat (M+
Princeton 112 Plus- that's why my level is so low on the patch, feel free to tweak it for your setup. =)
kickin lead tone KICKIN LEAD I USE THIS ALOT BEST TONE IVE GOTTEN OUT OF MY ZOOM TO DATE E-MAIL ME
JUST A COOL LITTLE PHASED DISTORTION E- MAIL WITH COMMENTS
EXACTILY MATCHES THE RAT! i set the verb on my amp to six, i scoop them mids bass is set around 7 1/5 treble is on 7
Chorus and Room or Hall Reverb Sounds great with my Les Paul through the neck pick-up!
Great for finger picking, kinda like the sound you picture when watching a fantas movie or something. I use it to play "My Friends" by RHC
what you think
Exactily matches metallica's AJFA PUMP UP DA BASS & TREBLE SCOOP THOSE MIDS DAMMIT!
Bassy Rhythm - Crunch Middle Pickup
"The Door" - Silverchair The main effect used throughout the song, almost. Rhythm or Mid Pickup
Clean Bassy Rhythm Rhythm Pickup
almost like a rat SOUNDS CLOSE TO MY FRIENDS RAT, IF U SET THE ROOM REVERB TO ABOUT 5 IT ADDS A SWWETER SOUND
GREAT FOR TREM PICKING, GREAT FOR THE WAH PART IN "THE MEMORY REMAINS"
Very cool Wah Wah
Versatile fuzz patch that kind of sounds like Zeppelin's album "The Song Remains the Same." I use it for too many songs to list here, but
"Sunshine of Your Love."
simple distortion
Whoop Ass Metal Flange Good Complement to "Lock up your Daughters." Nice special Effects touch
You may want to sue when this setting kicks your ass! One powerfull Distortion! Reminesent of early Eddie Van Halen with a touch of mod
setting.
ready to pop overdrive Used on a strat with a Duncan Invader in the bridge, and a cheap practice amp.Add a little more gain for single co
distortion for a great clean setting
Chunky OD a la Marshall For a brighter tone change EQ to 35. I use this for everything from 'Dirty Deeds' to Matthew Sweet tunes.
A patch I stumbled across. Sounds very close to R.E.M's "Pale Blue Eyes"

Threw it together on Squier 15 prac. amp, Series 10 strat. Originally for 'Sweet Home Alabama'.

Wherever I may roam To me this sounds quite close to the intro of "Wherever I may roam" by Metallica
Sounds like the intro to me....I have a peavy Envoy 110 and i have the low mid and high all the way to 10.

Soudz just amazing This is a kick ass patch, Metallica kicks ass!!!!!!!!!King Nothing rules ass!!!!!I've been experencing different settings an

This is a wah which soundz EXACTLY like Kirk's


Soundz just like master.......distortion This is a good sound for Master!!!!!!!!!
May need a little work, but it sounds cool as it is!

similar to many BBC Sessions songs excellent for heavy zeppelin stuff. be sure to use the clean channel with a volume so you start to ge
the volume is too low it'll sound thin. my setup: bridge pu, epi LP through a fender princeton 112 plus (trebel: 6, bass: 10, reverb: 3)

heavy distortion

DISTORTION USED ON MUMMIFED IN BARBWIRE

This is the intro to the song down in the park which is found on the X-Files soundtrack or the Monkey Wrench single

Crazy distortion This is a real cool distortion but be carful it hums alot on high volumes.

Springy R.E.M. Sound This almost sounds like R.E.M.'s "Life and how to live it." I have a cheap Epiphone guitar and it is the closest I hav
style. If anyone can improve upon it please post! I'd love to hear similar styles.
Real Psychodelic Peacefull sound I use this for playing "The End" by the Doors, it sounds really good and has dozens of possibilities.
Kind of a Bluesy Rock Sound I love this sound! I got it while trying to come up with a good Overdrive sound. It sounds great for harder Blu
music. AC/DC especialy
A real spacey mello sound I use this one for playing "Ziggy Stardust" by David Bowie. Bowie uses an acoustic guitar, but I prefer this soun
unique.
An Awsome Solo sound
Nine Inch Nails - "hurt" works fine for nin's "hurt" and "something i can never have"

sounds like TOOLs little song Prison Sex Try and use the overdrive/dist channel on your amp and fiddle with these settings gain- 12(ocloc

Good Echo-type lead I create all my patches with a good "starting" amp tone. i.e. since this is a lead patch obviously I start on my lead ch
of gain. I hardly ever use the Zoom for distortion.
Poor man's Tube Screamer As close as I could get on first pass. Scoop the highs on yer AMP. Tweaks are welcome!
a little ska rythym Not that great, but since no one else had a ska patch, I thought i'd put this one on...
Gary more type rich overdriven sound. I have a crappy strat copy from god knows where that cost less than my 505 but I can get a good
pick-up with this patch which I use to play Parisienne Walkways.
i can't get the squeeling out of this though like in everlong and hey johnny park but it sounds alright with my les paul
come as you are this might not be right but it sounds good. you could put the chorus on 2 it may sound better.
Verse "Chorus" Verse This sounds really close to Radio Friendly Unit Shifter and Teen Spirt soulo.
a flanged, distortioned,delay type thing this is pretty cool try it
EQ can be set to your liking I have a MUSICMAN copy and this works for me
Trust me, just try it... achieved after tryin' it all.. If u like it, go ahead and e-mail me... this is truely the best i can do with this baby....
Distorted Rythmn This patch bites and has great Sustain! I use it for Machine Head. It kicks!
All Purpose Slide Delay. Even if you don't use a slide this is still a cool delay.
extreme heavyness WORKS GOOD FOR THOSE THAT CAN PALM MUTE AND PERFECT FOR HARMONIC EFFECTS

I set my amp Low 5, Mid 3, and High 5. I use my clean channel and not through an effects loop. Use my bridge humbucker for lead and n

Sounds rather low Makes the guitar sound really low. I dunno knida cool, I like it at least.
VH's Unchained Distortion I use an Epiphone Stratocaster copy and a small practice amp. I like this one better than the other Unchained
responsive (less delay).

Dave Gilmour's (Pink Floyd) lead sound in 'TIME' Guitar used: Fender Strat (Am Std) AMP used: Crate XL-15R AMP settings: Gain, Leve
5. Clean 1, reverb 0, Overdrive off. * On my amp, adjusting the 'clean level' is critical to getting rid of excess noise, and getting the right to

For hundreds of years, man has struggled for the perfect sound. ...........Now! Now...the time has come for the worlds leading wavy water
the public. Some people would tell me i was insane when i tell them this patch. But it is all just information...privilaged information....so co
privilaged and shut up.
I use this as my standard distortion, cause it's so bad ass. Not only is it bad ass, but it's it's some fucked up shit too. AMP: bass-7, treble-
and shove it.
Hope it is Correct
GREAT TONE FOR CRAZY TRAIN. E-MAIL ME
COOL DRIVE TONE. E-MAIL ME
ahelluva lot of distortion i figured it out. how to get as much distortion out of that zoom in the smallest amount of time. good for hardcore p
to play the black album is a good sound
The band Filter uses all tube Marshall power amps, this patch comes really close A simple, clean, basic rhythm. Most of the 505's distortio
one is very dry- almost crunchy.
The flanger and reverb make this sound like "Lightning Crashes" from the "Throwing Copper" album. I used the neck pickup on my Strat.
Don't miss this distortion setting...Best I've ever had Put the High/Low/Mid settings all the way up when using this. Good Luck.

WARNING!! I'm not responsable if it destroys your amps Try it out men, you'll see that is the best distortion 505 can do. Well, if you like ki

A bluesy patch with some bite. This is my own, I use it for harddriving blues like Crossroads, etc... "Tom Mack"
Really brings out those HEAVY HARMONICS! Guitar: Les Paul on neck pick-up Amp: Peavy BlackWidow 200watt Low: 7 Mid: 4.5 High: 4
up the highs on your amp if your not getting the harmonics down.
roots bloody roots
Rhythm/Some solos Bass all the way up, Mid 1/3 up, High 1/4 up on amp. For Eruption, try putting REV all the way up to H9, and fiddle w
and Zoom for the right tone.
Scoop them mids.
Scoop them mids.
that clean part Scoop them mids.

This is basically the Tube Screamer patch with the eq turned up to give it more of a bright boosted sound like Brian May. You can get a cle
dropping the gain down to 1, boost the gain to 25 for solos. The pitch shifter could be used to replicate May's layered effect, and a sepera

For every clean sound I have, I always try to have a distorted counterpart right by it, this goes along with my Brightness patch submitted e

Mid-High Range Metal Treble Pickup - Good for Freak & Slave
aint talkin' bout love Flanger/Delay Sound for the intro. Use bridge humbucker. If your amp has an EQ, cut the mid and boost the bass an
Black sabbath (master of reality set the mid around 3, the treble around 2, and the bass at 5.
With the exception of an ambient feel, this sound is pretty much useless, but it still sounds real cool. The arpeggio could be changed to yo
works off the delay perfectly.
clean with a bit of flavor As 95% of the time I play through my headphones (which is where I think the 505 sounds best), it's very rare I do
simulator...This is one of those cases. The tone changes quit a bit between pick-ups, feel free to choose your favorite. Despite the pitch s
sound.
Queen: Keep Yourself Alive This is very similar to Brian May's earlier guitar sound, particularly, Keep Yourself Alive. Though I think he use
one, it's very close. It also sounds good with Od and Fz
Good with 2 pickups selected and mid tone on guitar. Tone up and pick the bridge p-u for Under the Bridge.
Hard distortion louder than hell This is very loud and very cool to play anything hard. Sounds great on Smells like teen spirit
Wild, Untamed Lead Good for and pickup postion. I like it with the bridge p-u though. Used with a Fender Performer 1000 and an ESP LT
distorted blues I use this to play a lot of nirvana and my own music.
Really sounds good when played through a Strat and Marshall. exp. with the bass sounds! Have fun!!!
Therapy! Good for screamager!!!!
sounds like metallica's song This sounds like the song but isn't exactly right, if anyone makes it better, E-mail me.

my most recent attempt at that early zeppelin tone it's not perfect, but close. still, it's a good all around distortion. better than the overdrive
tone changed a lot as i fiddled with the trebel and bass settings, so to be as specific as i can beyond the 505 setting, it's best using the br
through a fender Priceton 112 plus. clean channel, trebel 7(2 o'clock), bass 5 (12 o'clock), reverb 2(9 o'clock). e-mail me with feedback/su

good dist for sweet dreams good for all songs on portrait and smells like children also for the Wah part switch comp to A7 (if you dont hav

hardcore dist that sounds just like the song also great for other nirvana songs change delay to your liking leave tone knobs on amp at 12:
kurt turn the mid up just a little
acdc thunderstruck intro play the intro only whith the left hand (it constists on pull off and hammer on the b string) put two fingers of the rig
and e strings to avoid wrong notes
nasty delay sound This is what I use on "Operation Mindcrime." Let the telephone ring and then let this sound do the rest! (Maybe not an
ROCKS!)
good for metallica and alice in chains you need a volume pedal on the thing to do manual wah's get one fast if you dont have one
ZAKK WILDE ON OZZMOSIS This is as close as I can get to Zakk's sound. Crank up the bass and mids! ENJOY!!!!!!!!
cowboys era dist. scoop yer mids!
good heavy rhythm patch for tragically hip songs this patch doesn't work as well for playing lead, but does a good job emulating paul lang
thugs, new orleans is sinking, grace too, and many others. i saw the hip the other day, and this patch is similar to his primary tone for mos
LP Standard, Fender Princetion 112 Plus).

Good for direct recording This is one of the best distortions for recording espescialy if you double the guitar part.If anyone has a good lea

COOL

a simple patch that sounds good for most floyd songs this patch gives a similar, but distinct tone through each pickup combination. it work
distortion, and good tones of both syd and early dave can be attained by changing pickups or swithcing to the dirty channel. i have no pro
floyd song. hopefully it eill work as well with your setup as it does mine. MY SETUP: (Epi LP Standard, Fender Princeton 112 plus)

Wah solo sound used by kirk hammet This i use to play kirk hammet solos. especially for the fat solo in my friend of misery it sounds nice
smells like teen spirit
nothing else matters i think they use flanger and not chorus,but it's only my opinion ;))
Phaser with Crunch Use your rhythm pick-up and turn up the bass on your amp a little extra. If you cant get it to sound right still then try s
(deadens the phaser).
i use it to play whole lotta love, good time bad times... i use a marshall valvestate 80 (setting bass : 50%, middle : 25 % treble 25%) and a
guitar
Oasis Lead Distortion This patch can be used for about anything. I use it for anything that needs heavy distortion. It sounds the best on O
with any questions, comments, etc.
Feel Soul of FuFlangeDe no comments,
If you've ever wanted just a good clean chorus. simple and clean.
If you've ever wanted just a good clean flange. simple. but it's clean
Smooth;almost 12 string sound. Boosts any song with a lot of chord progression.
streaming metal sound,like early smashig pumpkins tune down the tone and mids for a better sound. I use it on Ibanez guitars, as with m
here.
very sensitive, good for finger tapping A monkey could kick ass with this patch. Very loud and good for covering up sketchy playing on fas
good for palm mute hardcore I also like it for solos with a little delay added.
Groovy and mellow; good for improv. + solos Sounds nice with any style of playing.
This is the smoothest sounding metal patch I have found so far. The level doesn't matter. If you wantto make it even better turn the midon
down.
hard distortion email for corrections. (address above)
hard core distortion with fuzz box effect As far as i can tell this patch is accurate. e-mail me if you have any improvments or tabs of blink 1
gkozora@bellatlantic.net
mellow and rather sweet acoustic sound this is accurate for sure! e-mail me if any questions.(E-mail on lastpatch)
Exellent for making noise and improvisied solos...put hthe level at 30 for more noise.
Heavy Distortion that rocks I use a Peavey Bandit 112. I turn the distortion on the amp just barely on. Like a .1 setting (not 1 but .1) I play
Reverse. All patches sound real good thru the the distortion of an amp.
Early Fuzz sound Good fuzz tone, it's up to you, but I prefer not to use the amp simulator. Without it, it gives more of a dirty old ripped spe
SRC songs.
Clean, breathy sound Good patch for Prince's Purple Rain.
cool shit
any questions mailme at jam2022@aol.com
eddie with a flange good patch for aint talkin about love
intro for sweet dreams ANY QUESTIONS MAIL ME AT JAM2022@AOL.COM
GOOD FOR FAST SOLOING ANY QUESTIONS MAIL ME AT JAM2022@AOL.COM
Makes an electric guitar sound like a bass. Of course it doesn't sound exactly like a bass guitar (it's pretty near anyway), but I can't expec
505.
Fat, Nirvana-like fuzz. -
A useful chorus sound. This one makes my cheap Strat copy sound pretty good. It does also give a cool sound when using an overdrive p
the 505.
Cool sound with step effect and delay. -
Medium gain fuzz sound useful for almost everything. I use it for most of the rhythm playing. (I'm using a Strat copy and a 15w amp)
Filtered Fuzz Sound Don't use a pedal with this, it's not meant to be a wah sound, but the wah is used to act as a filter instead, giving it m
your typical fuzz.
SCOOP YOUR MIDS OR ELSE THIS WILLSOUND LIKE SHIT.
For low end (tuned down to B, dropped-A etc). This sounds killer for new Fear Factory stuff, and Korn as well.Scoop mids on amp!

Sounds like Page's tone on the BBC album You may have to adjust the gain & EQ depending on your amp. The listed settings are from a

MID-0TREBLE-5BASS-2

GOOD FOR ANY DEFTONES SONG! IF U WANT TO PLAY THE INTRO TO ROOT USE STEP 7, AND AUTO-WAH 7!!!!
This is not exactly like the intro but it sounds really cool as the intro. Like I Said its not the original but it sounds much better. I use this.
This a cool effect that can be used for almost all metal/heavy metal songs
early SLAYER sound Set your amp up in a mid rangescooped tone.
half-assed immitation of P.Frampton's talking guitar sound Don't expect a miracle, but if you play random licks in the G major scale, you c
sound.
Pull me under intro Email comments to amul@student.monash.edu.auDREAM THEATER RULE DAMN IT !
For the Dire Straits song. Use pickup with the sharpest sound; experiment with gain settings.
good diary of a mad man tone SET THE MID AT 0.SET THE TREBLE AT 7.SET THE BASS AT 7.
I use this patch with my Strat goinginto the clean channel of a Peaveytrans-tube head and 412ms 4x12 cab. Ihave a volume pedal with a
volume control. pedalup=backing guitar, pedal down= lead. Ihave a volume pedal that allows me tohave a pre-set volume change when If
amp toyour own personal taste,enjoy!!
Great for Cannibal corpse TURN OFF YOUR MIDS
TURN OFF YOUR MIDS,
sounds like a bass is playing with you iT'S fUN
sounds a lot like malmsteen's sound The man is a freak'n genius... now all u have to do is to get a 56' strat and learn to play like that :)
Words can't describe I can't really say much about this patch...Next to the Brian May one...this is my favorite. If you like, D9 could be used
I have a seperate chorus pedal, I prefer it without.
This is just a basic room effect..but it sounds nice though...get's you in the mood....
shreading dist. use bridge pick up
Intro to "Bullet the blue sky" Well..this patch isn't completly ready..it might need some minor adjustments...but it's ok to use for the intro to
favorite to play), the live version.Hope it works out.(Tune down a half step)
Solo for Bullet the blue sky (Live) This is as close as i can get to The Edge' solo in "Bullet the blue sky", the live version. It has a mix of wa
etc...it's not exactly right, but it's pretty close......
I was bored one night, and i started on anew patch...well...it ended up likethis....i'm no heavy metal player, buti think this sound is quitenic
oneagrees with me..:-)
Echo/Delay sound for mostly U2 songs (LIVE) I use this for quite a few U2 songs,mostly the live ones (The live ones arethe best to play a
and it sounds alright....For songs like "Rain", "Running tostand still", etc etc....feel free toe-mail me if you want to....
Much delay...ok sound... I use this one for the intro to "One" by U2..(sometimes also for "Angle of Harlem", but the stock A4 patch is bette
least i think so)...Remember to tune down one step...and play the intro to "One" softly...:-)
A freeflowing, flanger-like sound This is one of the first patches i made...quite pleased with this one..:-)It has a ok sound to it..."cool" soun
and mute the strings a bit...
This is a wah sound that should be played quite softly..so that the delay doesn't make any noice.....use it for a relaxing moment of guitarp
ZOOM 505 Rocks!!!! ZOOM 505 IS COOL!!!
Cool clean patch, sound just like pull me under in my peavy 112 amp. setup your amp like this:low - 4, mid- 6, treb - 8

This is the closet i have gotten to the Accoustic Intro! If someone have a better one than submit it!

It is what is says! Works best on Peavea Bandit (scorpion 100-200wat) May not sound good on small amps. Not from any spicific band, I
(sounds good on ina gada da vida) Kinda like something off PanterA (for dist, it can be metal too,but dist sounds better)
gallery of suicide album SCOOP YER MIDS
IT SOUNDS VERY CHEESEY one word......SHAFT

Pretty cool sound This pretty close to Carcass Reek of putrefaction sound.I use a Marshall 75 Reverb Amp. The settings on Amp Gain4/6
This i use when i play stuff like pungent stench or some old gorefest and other death/grind bands.Set the distorion to dt and you have a s
have my zoom connected to a fender bassman with the settings volume 3/2 treble 4/3 middle 0 bass 5 master 3/2i am playing a fender te

Sounds like delay used on the song I NEED YOU TONIGHT I use a Mesa Boogie cal. 50 amp withthelow set at 6, the mid set at 5, andthe
guitarwill sound good but one with a doublecoil in the bridge will work the best
Great for visceral solos
For the solo to crazy train use this patch but change the MOD setting to P7
intro solo of Fade to Black THIS SOUNDS GREAT FOR THE INTRO SOLO AND LEAD BITS OF FADE TO BLACK.
good ol' MetallicA This is good for old Metallica Songs (before Black Album) and good for solos too. TIP---use this with the pick up switch
the Blitzkrieg solo (Jump in the fire/creeping death)
great with most rage songs this patch is great with most rage songs
patch for an effects loop I use this one in the effects loop of aTubeworks pre-amp. It compliments thebasic tone of a pre-amp or amp. Doi
have to give upthe tone of your amp just to getmulti-effects! If your amp does not have reverb, you can use the zoom for that, my amp do
head)

sound exactly the same i think for my self that its sound exactly the same sound that on the record but you have to do palm-muting during

metallica ajfa record main sound twist the eq on your amp to get the right sound (like it supose to be)
GREAT FOR CINNAMON GIRL PALM MUTE ANY POWER CHORD AND IT SOUNDS GREAT ESPECIALLY IF YOU HAVE HUMBUCKE
Play Heavy Metal, Play Solos, and you will be satisfied with this patch, I was
very good for leads

er......Tubey or something Yes....it's a stupid name, but it sounds pretty cool....... Put bass and mid on full and treble about 7 on your amp.

a head-on distortion that offers praise to the Absu Amp settings for this patch goes as follows: treble=8, bass=10, and mid=5."There is no

This is a experimental patch with an experimental guitarist. I discovered this smooth solo sound while trying to come up with a sweet lead
nothing is, nothing is not. All things return to me!"
A heavy wah with some bite This is one of my best solo sounds. Use it wisely my sons. "Can you hear their cries?"
Cool flange sound, reminds me of running water Sounds really cool especially after you get drunk. I use a Gibson SG with a Marshall 100
up, enjoy!

straight forward 70's rock I use this patch to play rythm for many70's rock bands. Aerosmith, some Rush, AC/DC, etc... Reverb could be a

good sound for solo rock-blues pretty cool patch. my zoom 505 made it real easy to go straight into the mixer for my friend's film fest proje
overdramatic bkgrd soloing for a scene under a street lamp. pretty chill.
sounds good when played high on the neck
Beginning of Houses of the Holy This Led Zeppelin song really sounds good on a Marshall stack...i haven't tried it on anything else yet.
loud and horrorized this sponds awsome especialy when youve got a 100w head!
Dirty Gritty Blues I always follow my ZOOM 505 with a BOSS Graphic EQ pedal. Sounds incredible, lower the mids (since a guitar is a mi
raise lows and highs
good tone for lead guitarists
a very cool dist it is very cool.Its my best tone.i use it with jackson j-dr.
Heavy MetallicA Riffs! Setup I use on stage!

A very strange Dist. w/ Wah and Delay Use this with neck Pickup, with highvolume, and you'll get lot of feedback!I've a GIBSON SG copy

Solo sound of this great song Use this with neck PickupSounds very similar to the albumI've a GIBSON SG copy with a 20W amp

It's not perfect, but I use thissound for Dire Strait's "Money forNothing"and Don Henley's "All She Wantsto do is Dance". Though it does s
pedal, it's not meantto be used with it.
THE CROW MOVIE SOLOS This is the sound of the movie!!I've a Gibson SG copy and a 20w Amp (Kustom w/Reberv)Put the switch on
get the sound(*) I prefer the Reberv from my AMP but if you haven't
Pretty much like the Odissey album, if you can improve it just let me know!
smooth thick tone flick your selector switch to the neck pick up and sweep away
A great David Gilmore solo effect This setting is great for use in thesolo on track two from Darkside of theMoon, "Time." It really lets your
bride pickup.
punk rock sound, high and heavy best used with stuff from smash, ixnay, and americanaemail me with comments
Smashing Pumpkins fuzz Use this with a ht pickup or a humbucker to get the effect I am talking about.
Fender's very high tone & gain for bridge/medium selector. PUT THE MIC SELECTOR IN BRIDGE/MEDIUM. USE A HARD PICK USING
EDGE AS A SORDINE. PUT YOUR AMP A LITTLE LOUD.
harsh gainy sound be careful with amps with lots of gain got a good metal rythm sound but for a good lead a a distortion pedal before the
chainturn the gain (distortion) 3/4 of the way up and turn the output to half
Great Syd Barrett Tone Sounds real close (IMO) to the P.A.T.G.O.D. album tone. Astronomy Domine and Lucifer Sam sound really great w
yourself!!!
great tube overdrive i love this patch. it's sounds like an old vintage tube amp.

Sounds very good for master of puppets and other songs from the puppets album Settings on my ampVolum3 3/2Treble 3Middle 5/4Bass

VOICE OF ROOTS!!! THIS SOUNDS EXACT LIKE SEPULTURAFROMROOTS ALBUM!!! I WANT "ROOTS"

sorry dude i thought you fucked with mine and thats why i did that.i'm sorry. you can crank this up pretty highanditstill sounds good.it ishe

high gain chrunchy the best high gain i came up to


Nice Tight Distortion The name says it all. I think it sounds best using the bridge and middle pick-up combined, but experiment with your s
Awesome for volume swells.
This is a great patch to play Still Got The Blues and songs that have slow solos Try this one and teel me what uthink about it. Afsn@a-r.co
Epiphone Les Paulw/OBL pickups and my Peavey Blazer 158.It's the best path I have here. Also, ucan change the C2 to C3 and the D6 t
patch, w/o thedelay;it's very good too, i usethis modification to play the solofrom Nothing Else Matters
High grind overdrive and chorus the closest i've come to dimes distortion

This is a patch i made for the live version of U2's "Hold me, thrill me, kiss me, kill me". My amp is blown, so i don't know how this sounds.

Settings on the fender bassman Volume3/2 Treble 3/2 Middle 8 Bass 10Master3/2 the fender bassman is connected toa LEM LX220 Spe
goodfor playing songs from konhkras spit orswallow album.Havent tried this patchon other amps!.
exelent for assholes that dont have nothing to do
The Heavyist ever stompin sound MyAmp:Treable#5-Bass#8-Mid#3-Riv#8
very good twangy distorting for pulling Jimi hendrix stunts :c) GReat ffor solos This is the best patch i have ever made just give it a try it k
solos or or quick songsGREAT for Wah pedals!
Heavy Foo Distortion This sounds good through my SG for heavier parts of Foo Songs, such as 'Everlong' and 'Monkey Wrench.' There is
feedback though.
Beginning of Teen Spirit and Song 2 Dont use the expression pedal just put it on P1
USED IN SUMMER ROMANCE AND THE ENJOY INCUBUS EP. REFER TO INCUBUS DISTORTION PATCH INFO.
USED IN SUMMER ROMANCE AND SOME OLD SONGS. REFER TO INCUBUS DISTORTION PATCH>
Land of the Lost, Dr Who, etc... If you don't have the Exp pedal than use A9, but it's not quite the same. kick in a little Overdrive for some
PanterA (enough said) Leave the level low like 25 so when u crank the amp up it has the crunch on the palm mutes dimebag uses
A pretty good patch for melodic black,Death metal stuff! If someone have any better than please submit it!
(Hit the strings hard) This patch sounds ok with Hendrix, andeven some U2 songs..(Thefly,Btbs...etc)Just hit the strings abit hard....then y
sound....
FADE TO BLACK INTRO SOLO
PANTERA`S FLOOD CLEAN SHIT FOR THE VERSE OF FLOODS USE MY PATCH FOR DIME`S HEAVY RIFFS FOR CHOURUS!!
no bulshit works with any pantera riff DON`T WORRY MAN I AM EXPIERIENCED AT PLAYIN HEAVY SHIT SO TAKE MY WORD NO BU
YOU`LL GROW A PINK BEARD!!!! HA HA HA LATER!!!

CLEAN TRIPPY DELAY SHIT LIKE I SAID ITS ALL YOU`LL NEAD EXCEPT SOME PINK HAIR DIE FOR YOUR BEARD!!!

U2 sound..(Also for Discoteque-outro) This patch was created for theU2songs:Bullet the blue sky(Live-Popmartversion), and for theoutro
a cheap Hondo Strat.and a 15W Dean Markley..
Wah with delay and chorus it really great for solo's
Good for at the gates stuff!. TUNE YOUR GUITAR DOWN TO BSET YOUR AMP LIKE THISGAIN OFFTREBLE 6MIDDLE 3BASS 0-8RE
MARSHALL 75 REVERB.
HEVY BLUES SOUND I play with a AMERICAN FENDER SRAT,with 2 silver lace sensors and a blue one in the brige, and last a FENDE
410
sounds almost the same it sounds better when it's loud
Straight on Gibbons a la Tush, La Grange, etc... 56 LP jr with a P90 through a Marshall VS15r...Gains flat, Treble about 1:00; contour abo
11:00...
Like EVH on F.U.C.K. 56 LP jr with a P90 through a Marshall VS15r...Gains flat, Treble about 1:00; contour about 7:00; bass about 11:00.
Rolling Stones rhythm 56 LP jr with a P90 through a Marshall VS15r...Gains flat, Treble about 1:00; contour about 7:00; bass about 11:00
Capture's Jimmi Hendrix's Elusive VooDoo sound. Sounds good with purple haze.
rare blues dist used by satriani this sound is great for solos

deep deep bass clean sound, kicks ass This patch is a clean sound with an unbelievable amount of bass and ambient noise. It's too much
better your amp the better this patch. Good for power chords on the top 3 string and arpeggios. You gotta try this one to believe it

gtr fx used by ratm use this with fpo1


for doing those tiny harmoics on the high strings for those "bend a string up, pinch aharmonic and let down" for thatbitchin steve vai/brian
only on the treble e/b/gstrings on the harmonics after the 12thfret and pinched usually between the middle p/u and the bridge.Use with the
course)U dont need the expression pedal for this,anyway, its only for practising....
Excellent for Megadeth´s Countdown to Exctinction song! Amp setting Volume 3Treble 4/3Middle 5/4Bass 6/5Master 3I use a gibson Epip
megadeth type of stuff.
Dotan is an asshole
Distorted clean heavy sound!. Settings on my fender bassman.Volume 3Treble 4/3Middle 5/4Bass 6/5Master 3Sounds very very close to
great for other rock bands.The best setting i have gotten to!.

A Blues patch for moust uses


Uhh. . . it justs sounds cool. Keep the volume at 25-27 because the bass rocks the speakers too much.
Sounds like megadeth on so far so god so what album Good for playing songs from the so far so god so what album.Change the mod se
better.
Its name says it all!!! All zoom 505 fans have to check this patch out!
D. T. INTRO OF UNDER THE GLASS MOON IT SOUNDS SAME AS DREAM THEARE'S "UNDER THEGLASS MOON INTRO".

HEAVY PROGRESSIVE SOUND. IT SOUNDS HEAVY..FOR PROGRESSIVE TYPEOF MUSIC JUST TRY ITAND YOU'LL PROBABLYLI

COOL JET SOUND. COOL JET SOUNDSYOU REALLY LIKE THE WAYIT SOUNDS. "BEST FOR INTRO'S"
GOOD FOR LOVE SONGS AND SOLO'S. AIR SWEEP LIKE SOUNDACOUSTIC, I REALLY LIKE THEWAY IT SOUND'S SO BETTER T
more intense version of the new metallica patch that isn't noisy good for rythm descent for solos

Sounds very downtuned not very loud but still Heavy. With this patch you can play almost all carcass riffs and inteludes from the heartwor
older albums.Settings on my fender bassmanVolume 4/3Treble 0 Middle 0Bass 3/2Master Volume 4/3This is pretty close to the carcass s
is a perfect patch to begin with to try to make a perfect sound of carcass.Please Email me on your toughts of the patch. So if you can mak
sound on the swansong album so please submit it!.
heavy as hell (damn close to the hetfield god tone)
Junkie XL-sound
USED IN SONGS LIKE NEW SKIN AND VITAMIN. A MUST FOR INCUBUS FANS.
Nice rythm guitar crunch... reminds me of AC/DC
56 LP jr with a P90 through a Marshall VS15r...Gains flat, Treble about 1:00; contour about 7:00; bass about 11:00...

BEST ACOUSTIC I HAVE FOUND .USE YOU'RE NECK PICKUP.

amp: bass 5, mid ~3, treble ~2

similar to "acoustic.bright/12-string simulator"


like preset B3, but lev25

Pretty close to Eric Clapton (album From the Cradle), with a Strat at the 5th position. Clapton also uses a Gibson on this album, but this p
also. Compare this one to "Reconsider Baby".

see "Korn/Fear Factory"

This dirty dist. is almost identical to King Nothing


and all Load and Reload albums.
similar to "Halen, Edward Van.3"

Smooth metal

Sweet Child O'Mine

has a little bit of hum to it. A lot of reverb and a little


bit of wah. Good sound for the Star Spangled Banner, and Purple Haze by Jimi Hendrix.
yummy, sparkly sound yet dark and intense as if from a cave
for metal leads mainly

Here is a solo tone but there is excess treble…

THIS IS GOOD FOR METALLICA OR OTHER HEAVIES

DISTORTION(METALLICA:KILL EM' ALL & RIDE THE LIGHTNING)

Lead with wah

Sounds like Kirk Hammets first solo in Sanitarium.

Low death metal type sound(Morbid Angel)

great/for/Nirvana/songs

Octaver. Used for the intro to King Nothing. It hums so rake and pick the b string on the 17 fret and vibrato rapidly. The wild and uncertain
real cool.
Offspring kinda high pitched distortion Sweet

amp: bass 10, mid 2, treble 10

GOOD FOR FLOODS(THE OUTRO)BY PANTERA.

use rhythm pick-up, turn up bass amp

use a pitch shifter and a delay pedal to replicate May's layered effect

Santana (Sampa pa ti)

amp: low 7, mid 4.5, high 4.5, vol/gain: 10


use only amp EQ, not Zoom's EQ
similar to "distortion.lead.extreme.doubling"

amp: bass max, mid 3, high 2


Great wah...best i have found

for "Feed the Gods", tune to c#, use 0.12-0.54 gauge strings
More clear one
Here is a nice clean tone sound.
Great for Pink Floyd solos. Especially for "Time."
Strong,heavy,dist. sound.Good for power chords.
Two Guitars
Black Sabbath
FLANGER(EARLY VAN HALEN SOUND)
VOODOO CHILE1 (EXP. PEDAL NEEDED)
VOODOO CHILE2 (EXP. PEDAL NEEDED)
Pantera
· Factory Preset Patches ·
Bank # Name Comp Dist Gain ZNR/AMP EQ Mod

1 Super Dist Solo L1 Ld 26 7 24 Off


2 Clean Delay L6 Off -- 6 40 C5
A
3 Psycho Harmony C3 Ld 13 6 22 P4
4 Metal Off Mt 26 6 45 Pd

1 Mellow Drive C2 Od 18 4 26 Off


2 Wah Dist A2 Ld 22 5 24 C3
B
3 Multi Phaser L7 Off -- 1 P6 Off
4 Steel China A3 Off -- 2 9 P6

1 Rock Drive C2 Bl 20 7 25 Off


2 Bright Chorus C3 rY 1 1 35 C3
C
3 Power Distortion L2 dt 24 5 23 d3
4 Choir Wave L4 Off -- 2 36 F7

1 Jet Drive Off dt 15 4 17 F3


2 Funky Phase A6 Off -- 1 P6 Off
D
3 Head Long Off Od 24 2 28 S5
4 City Night A6 Off -- 1 20 C2

1 PWM Synth Lead Off Fu 25 9 P9 C5


2 JAZZY C1 Off -- 1 3 P1
E
3 Octave Pitch P1 Mt 22 9 22 P2
4 Step Mode L4 Ac 1 5 30 S8

1 Wah Fuzz C2 Fu 18 5 25 Off


2 Blues Lead P9 Bl 10 2 20 Off
F
3 Blues Rhythm C3 rY 9 1 14 Off
4 Acoustic L5 Ac 28 6 42 Off
Dly/Rev Level

H3 24
D7 25
H3 22
r1 25

H3 23
H1 23
d2 5
d3 25

r4 24
H5 26
Off 23
d6 24

H1 25
r9 27
H5 23
H7 23

d7 21
r9 24
H6 22
d7 28

r4 23
H1 24
r6 26
H5 24
# Patch Name Comp Dist Gain ZNR/AMP EQ

1 #Zoom's Special C3 dt 5 1 10

2 10 Million Fingers C9 dt 30 3 30

3 100% clean sound (505 style) OFF OFF -- 1 OFF

4 12-String Effect C4 OFF -- 7 24

5 12-String Simulator L1 Ac 30 OFF 30

6 2x Fast for Tap and Great Sustain C6 dt 30 9 50

7 311 octaved riffs C1 Ld 25 5 OFF

8 4x12x12 Cabinet L9 Ld 30 A1 3

9 70's Rock - Led Zeppelin C1 bL 15 2 20

10 70s Funk A9 Ac 30 8 20

11 80's Lerxt C9 Ld 20 9 34

12 80's Pop Solo OFF Fu 25 9 P9

13 80's Pop Solo - Revisited P6 Fu 25 9 OFF

14 80's Porno Synth A3 OFF -- A9 25

15 80s Distortion L6 Mt 30 6 OFF

16 AC/DC OFF dt 24 A7 OFF

17 AC/DC - Angus Young Early C9 OFF -- OFF OFF

18 Accept Sound C4 Od 24 A4 24

19 ACME Blues OFF bL 23 9 34

20 Acoustic Delay C3 Ac 27 A5 5

21 Acoustic Octaviser L4 Ac 28 6 26

22 Acoustic Phase L5 Ac 28 A8 P1

23 Acoustic Simulator C2 Ac 29 A5 45
24 All Sprung Out P1 Od 25 9 P9

25 Alternative Rock Sound L1 Ld 30 7 24

26 AN4A L2 Ld 30 A5 P9

27 And Justice For All C4 Mt 30 9 30

28 Ass kicking sludge metal C9 Mt 30 A9 OFF

29 Asskicking Squeel P9 bL 27 2 P1

30 Audioslave C4 Ry 25 OFF P9

31 Australian Juice Box C9 Ld 13 9 22

32 Authentic Rockman Sound C7 Od 26 7 20

33 Awakening L6 OFF -- 6 40

34 Bacon Fried Crunch C9 bL 30 OFF 43

35 Bad Trip A9 dt 28 A7 P5

36 Ba�lama Simulator L9 OFF -- 4 P3

37 Balls-Ass Distortion C5 Od 6 7 6

38 Bass for Your Guitar OFF Ac 1 A5 1

39 Bassy L9 Fu 9 3 P9

40 Beautiful Noise C8 dt 30 A1 46

41 Before this C4 bL 13 8 OFF

42 Big Bass C9 Ac 8 1 1

43 Big Muff Wannabe C1 Ld 25 A7 41

44 Billy's Guitar L2 Ry 25 9 19

45 Black Death C3 Mt 30 9 1

46 Black Sabbath OFF bL 30 OFF OFF

47 Black Sabbath L5 Ld 22 OFF 34


48 Black/Death Metal C1 Mt 30 3 OFF

49 Blame Distortion C9 Mt 21 9 46

50 Blink-182 L1 Ld 30 7 24

51 Blue Monday 1 L9 Fu 20 A9 19

52 Blue Monday 2 - Distortion C9 Fu 30 OFF 50

53 Blues L4 Ry 25 OFF 13

54 Blues Fuzz C9 Fu 17 8 19

55 BNL's Apartment L9 Od 9 OFF 45

56 Borg Sex A9 Mt 30 9 OFF

57 Boston or Rockman Sound C7 Ld 30 7 31

58 Boy's Acoustic OFF Ac 23 8 OFF

59 Braze (Weep) Intro OFF Ry 12 OFF 33

60 Brazilian Lulu Santos Stratocaster Patch OFF OFF -- OFF 30

61 Brazilian Sound OFF dt 30 9 20

62 Break Your Ears Distortion L9 dt 30 A1 33

63 Breathin Psychedelic Trippy C5 OFF -- 9 P6

64 Brian May (of Queen) C3 Od 14 3 40

65 Brian May Sound C6 Od 30 A7 30

66 Brian Setzer C7 Ry 25 OFF 10

67 Bright Acoustic OFF Ac 20 9 OFF

68 Bright Metal OFF Mt 30 A9 25

69 Bubbling Pits of Hell A9 Fu 25 OFF P5

70 Buda Power L1 Od 10 4 10

71 Bufa, The Master of Wah C3 dt 15 A4 11


72 Bull on Parade P8 dt 19 9 OFF

73 Bullet the Blue Sky OFF Ld 24 OFF P1

74 Busted amp L9 bL 7 A1 8

75 Cancion animal L9 Ry 20 9 22

76 Candlebox Chorus OFF OFF -- OFF 43

77 Captain Crunch C7 Mt 25 9 22

78 Carbur Distortion C2 dt 26 9 35

79 Caribbean Steel Drums A3 OFF -- 2 9

80 Carlos Santana C1 bL 23 2 20

81 Chainsaw Distortion C8 dt 30 9 42

82 Chaotic Distortion C4 bL 30 8 50

83 Chick 'en Pick L7 Ac 30 A5 42

84 Chorus C3 Ry 1 1 OFF

85 Chuck C6 Ac 11 A5 4

86 Church Organ C8 Od 3 A1 24

87 Circles Intro L2 Ac 25 A9 23

88 Circus Organ/Harpsichord P9 Ac 25 A9 12

89 Clean Phase L5 OFF -- A5 P9

90 Clean Tube Blues L7 OFF -- OFF 23

91 Clean with Flanger C3 Ry 1 A4 40

92 Clean, Clean, Clean OFF OFF -- OFF 25

93 Clean1 A3 OFF -- A9 30

94 Cliffs of Dover 1 C1 Od 26 9 21

95 Cliffs of Dover 2 C2 Od 30 9 23
96 Cold Acoustic C9 Ac 30 7 40

97 Cool A7 Ld 23 A3 P4

98 Cool Argentine Stile OFF Od 4 3 25

99 Cool Chorus C9 OFF -- A5 42

100 Cool Crybaby Wah-Wah P6 Ry 10 9 OFF

101 Cool Distortion C9 Ld 23 A9 50

102 Cool Lead L2 Ld 30 A9 11

103 Cool Lead 2 OFF dt 30 OFF 15

104 Cool Solo L5 dt 28 6 42

105 Craig's Lead C5 Mt 30 8 27

106 Crate Ur Marshall L5 dt 30 9 40

107 Crazy Stuff A9 Fu 30 9 23

108 Crazy Wah A9 Ac 10 1 P6

109 Creator L1 Mt 30 A3 10

110 Creed C3 Mt 28 A9 44

111 Crunch L9 bL 7 A1 8

112 Crunch Distortion OFF dt 20 OFF 15

113 Crusty Record C1 Ry 12 3 12

114 Crystal Clean OFF Ac 28 OFF 28

115 Daaaaark C9 Od 19 1 1

116 Dan Is So 8 C8 Od 30 8 8

117 DAny�s A7 Ld 15 A8 50

118 Day Nine Demo Clean Chorus Sound C3 OFF -- 9 25

119 Day Nine Demo Distortion C3 dt 24 A9 25


120 Death Blaster 5000 OFF Mt 30 9 23

121 Death Metal C5 dt 30 A1 50

122 Death Metal C1 dt 30 OFF 50

123 Death Metal OFF Mt 24 9 42

124 Death Metal Distortion C7 dt 30 6 50

125 Death Metal Distortion A3 dt 30 A5 23

126 Death Metal Flange OFF Mt 30 OFF 40

127 Death Zone L9 dt 30 8 50

128 Deep Punky Distortion C2 bL 20 A9 26

129 Def Lep's Hysteria C1 bL 19 OFF 20

130 Def Leppard L6 OFF -- 6 40

131 Deftones OFF Ld 30 9 OFF

132 Deftones Power OFF dt 30 5 41

133 Delayed Full Metal Chorus C9 Mt 30 OFF 39

134 Deluxe Dream Effect C9 OFF -- A9 P6

135 Demented Steel Drum Band A9 Od 24 A2 P9

136 Desert Rock C8 Od 2 A3 OFF

137 Digital Bath L9 OFF -- 9 P3

138 Dimebag Darrell Guitar Sound C2 Mt 26 A4 42

139 Dirty Bass C9 Fu 1 A9 50

140 Dirty Blues P9 bL 16 OFF OFF

141 Distortapoo L4 Mt 30 A8 9

142 Disturbed C4 Mt 30 A1 44

143 Disturbing the Neighbor's hood L1 Mt 30 9 17


144 Diu lay low mow patch P9 Mt 30 A9 P9

145 Dogs Bollocks C8 dt 8 A5 P2

146 Drown L9 Fu 20 OFF 40

147 DSs Solo Patch OFF bL 20 9 OFF

148 Dual Rectifier L2 Mt 23 OFF 15

149 Duane Eddy Twang C1 bL 9 A2 P9

150 Easy Blues OFF bL 6 A2 13

151 Eddie Van Halen C4 dt 30 4 16

152 Eddie Van Halen Distortion C2 dt 30 4 16

153 Eddie Van Halen Flanger L1 dt 30 4 16

154 Eddie Van Hallen: Suck My Wad C9 Mt 30 OFF 44

155 Electric Jello L7 OFF -- 1 P6

156 Elivacisn L4 Ld 20 8 16

157 Eric Johnson L2 Od 25 9 38

158 Eric Johnson Type Distortion Delay L2 Od 20 9 50

159 Evil C4 Fu 30 7 19

160 Evil 666 OFF Fu 30 7 23

161 Extra Heavy C9 dt 30 A6 44

162 Extra Heavy C9 dt 30 A6 44

163 F*ck it all P7 bL 27 A6 25

164 Fade to Black P4 Mt 30 A7 50

165 Faith Hope Love C9 bL 30 A9 29

166 Faith Hope Love C9 bL 30 A9 29

167 Fat Fuzz C3 Fu 30 A6 12


168 Fender Blues Breakup C1 Od 12 A2 27

169 Finger Pickin' Blues C4 Ry 22 OFF 23

170 Flanged distortion C5 bL 20 9 OFF

171 Flanger/Phaser L9 OFF -- Off P1

172 Foo Fighters - Everlong C3 bL 10 7 35

173 Foo Fighters Generator voice box patch A2 Ld 22 5 24

174 Foo Fighters Sound C3 bL 30 7 35

175 Freaky Distortion P1 Od 30 4 36

176 Fretless Bass C9 Od 1 1 P5

177 Frozen Echoes L9 Ac 6 7 31

178 Fuckin' Heavy Shit! C2 Mt 18 OFF 45

179 FuFlangeDe A5 Fu 25 A3 P7

180 Full Satriani C7 dt 30 A8 41

181 Fun to play fast Kinda Metalie L6 Mt 30 OFF 29

182 Funky Jimi C9 Ry 19 9 OFF

183 Fuzz Distortion C1 Fu 30 9 36

184 Fuzz Lead C9 Fu 28 OFF 36

185 Fuzzy C5 Fu 30 9 16

186 G'spoons rock show dist L9 dt 30 9 7

187 Gary Moore C9 Ld 20 A9 OFF

188 Ghost Howl OFF Ld 16 A1 19

189 Giant Steps A1 Mt 30 OFF 50

190 Gibson to Strat P9 Od 17 A4 9

191 Given to Fly C4 Od 6 7 29


192 Good Clean Sound OFF OFF -- 9 38

193 Good Distortion/Santana Lead C2 Ld 28 6 18

194 Grammatrain Solo C4 dt 27 A9 10

195 Great Rhythm L2 Ac 30 9 30

196 Great Rhythm L5 OFF -- 9 OFF

197 Green Day OFF Ld 26 A6 22

198 Grinspoons Rock Show patch C8 Ry 12 OFF OFF

199 Gunners Clean OFF dt 26 7 30

200 Guns 'n Roses L8 Ry 26 4 31

201 Guns 'n Roses Distortion C3 Ld 24 2 42

202 GUT Wrench A9 dt 30 A9 25

203 Gut Wrentchin' Metal L9 dt 30 A1 50

204 Half Sprung L6 OFF -- 6 40

205 Hanginaround - Counting Crows OFF Od 20 6 13

206 Hard Blues L9 Od 23 9 36

207 Hard Distortion L5 Od 12 A9 19

208 Hard Over C3 Od 22 4 41

209 Hard Rock Distortion L1 dt 27 OFF 15

210 Hard Sh*t C9 Od 21 OFF 10

211 Harmonic Heaven P9 bL 30 A1 21

212 Heavy L5 Ld 30 A9 7

213 Heavy L2 dt 28 A9 23

214 Heavy Ballsass Metal C1 Mt 30 A9 50

215 Heavy metal L4 dt 28 A7 19


216 Heavy Metal 1 OFF dt 30 A4 50

217 Heavy Metal 2 C9 dt 30 9 50

218 Heavy Metal with Sweet Pitch OFF dt 30 A9 OFF

219 Heavy Power C4 Ld 26 8 38

220 Heavy Rock C9 Ry 30 6 31

221 Heavy Thick Distortion L2 dt 28 9 41

222 Heeeeaaaaavyyyyy!!! C9 Mt 27 7 47

223 Hendrix Wah A8 dt 5 5 7

224 High Gain Overdrive L1 Od 30 7 25

225 Hipno A3 OFF -- 9 P3

226 hize OFF Ac 1 OFF OFF

227 Horus L7 OFF 30 A6 27

228 I Feel Fine OFF Ry 14 A1 21

229 Ice Delay OFF Mt 30 A9 25

230 Iced Earth Super Tones C1 Mt 28 A1 7

231 Improved Metal OFF dt 30 A9 12

232 In Flames Style Distortion OFF Mt 27 OFF 25

233 In My Cheek A3 OFF -- OFF 1

234 Incisive Clean C9 OFF -- 6 40

235 Industrial Grinder C8 Mt 30 A1 48

236 Industrial Sound C9 Fu 30 A9 50

237 Iron Maiden Harmony C9 Ld 30 9 50

238 Jamaica Wah P8 OFF -- 7 25

239 James Hetfield Style Clean OFF OFF -- 6 34


240 Jazz/Blues C3 Od 6 OFF 35

241 Jeff Beck "Flash" Tone C3 Od 26 1 20

242 Jet Drive Extrodinaire C4 dt 30 A9 46

243 Jimi Hendrix C2 bL 17 A7 28

244 John Frusciante (Pepper) Strat Tone OFF bL 6 A2 13

245 John Frusciante on Under the Bridge OFF Ry 25 A7 33

246 John Hiatt L9 Od 12 2 OFF

247 John's Patch A1 Ry 29 A6 16

248 Jonny's Creep setup (Radiohead) OFF Mt 30 5 OFF

249 Journey Solo Lead L1 Ld 13 A2 25

250 JWO Alternative L1 Ld 30 9 1

251 Katorraiser P9 Mt 2 1 P9

252 Killer Feedback A9 dt 30 A6 24

253 King Crimson L9 Fu 30 A4 45

254 King Stevo L8 Ry 22 A8 13

255 Kirk Hammet Power Solo (Metallica) A9 dt 28 6 25

256 Kirk Hammet Distortion (Metallica) C9 dt 28 6 34

257 Kirk Hammet Lead L6 Ld 26 8 32

258 KNOX Distortion C6 Mt 30 3 OFF

259 Kool Metal C1 Mt 30 6 P1

260 Korn Distortion OFF Fu 30 6 30

261 La Pingadora C7 bL 8 A2 P8

262 La Polla Records L9 Ld 10 OFF 30

263 Laid Back Delay OFF dt 12 OFF 45


264 Lay in Bed C5 Ry 2 3 10

265 LB DEELay C9 Ry 5 3 25

266 Lead C6 bL 30 5 20

267 Lead Guitarist Patch L7 Ld 30 9 45

268 Led Zeppelin P9 Od 25 A9 5

269 Lick the Sky L9 Fu 23 A9 P1

270 Lightning Crashes OFF Ac 21 7 P4

271 Limp Bizkit Distortion OFF dt 30 A1 50

272 Linkin Park - One Step Closer C4 dt 30 8 50

273 Liquid 1 A5 Od 10 9 22

274 Little Black Box L4 Mt 30 A3 50

275 Live Delay L1 dt 30 A9 50

276 Live Metal L9 dt A7 50 d4

277 Loud C2 dt 20 8 30

278 Low End Metal C1 Mt 30 9 46

279 Low Tuning Metal Dist. 1 L9 dt 30 7 46

280 Low Tuning Metal Dist. 2 L9 dt 30 7 46

281 Lunar Mountains C5 OFF -- 4 36

282 Machina OFF Mt 28 OFF 49

283 Mad Dog Distortion C6 bL 30 5 33

284 Mad Stepscientist's Lab P7 Fu 25 A1 14

285 Madison Square Bedroom C2 Ld 26 1 48

286 Malavian Crunch OFF dt 30 OFF OFF

287 Malcolm Young OFF Ry 20 OFF 45


288 Man in the Box A2 Ld 22 5 24

289 Man with the Sandwich C4 dt 30 4 43

290 Manson Distortion C3 dt 7 A8 5

291 Manson Distortion C6 dt 27 A3 43

292 Manson Noise C4 dt 27 6 35

293 Marshall OFF Ac 4 OFF 7

294 Mega Crunch L1 Mt 30 4 26

295 Mega Wah A8 Fu 30 A7 12

296 Megadeth L9 dt 30 A9 40

297 Megadeth Distortion L8 dt 30 A1 50

298 Megadeth, Youthanasia Album Distortion C3 dt 25 A6 35

299 Mellow Delay C4 Ld 13 2 P1

300 Melt the House C9 dt 30 OFF 34

301 Metal C7 dt 30 OFF 41

302 Metal C3 dt 30 A9 33

303 Metal Basic L2 Ld 30 A9 50

304 Metal Blaster 4000 A4 Ld 30 A8 7

305 Metal Chorus C9 Mt 30 OFF 22

306 Metal Delay C3 dt 27 6 24

307 Metal Flanger OFF Mt 20 4 50

308 Metal Flanger L5 Mt 25 A9 40

309 Metal Max! L4 Mt 30 A9 42

310 Metal Rhythm Patch L1 Mt 30 A1 24

311 Metal, only metal, just metal L4 dt 30 3 44


312 Metallica C8 Ry 28 A9 33

313 Metallica L2 bL 30 A9 27

314 Metallica "Fuel" C2 Mt 30 OFF 10

315 Metallica "Kill 'em All" C9 bL 28 7 34

316 Metallica Clean L9 OFF -- OFF 40

317 Metallica Distortion OFF dt 25 7 8

318 Metallica Fade to Black Intro Lead C2 dt 30 7 25

319 Metallica New Albums OFF dt 25 7 8

320 Metallica Rhythm Distortion OFF dt 25 9 46

321 Midnight Train C4 OFF -- 3 22

322 Mindles Cutting Lead P9 Ld 30 4 OFF

323 Mindles Heavy & Dirty Rhythm C2 Ry 30 4 OFF

324 Mindles Mellow C2 Ry 3 4 OFF

325 Mindles Wah Lead A9 Ld 30 4 OFF

326 Misfits L6 Mt 30 7 50

327 MOD Thrash OFF Mt 28 A1 OFF

328 Monster Patch L4 Ld 6 6 P7

329 Moody Chorus L4 OFF -- 5 35

330 Moons of Saturn L2 Od 20 A4 15

331 More Metal L8 Mt 30 A1 17

332 Muddy Bass A9 Ac 30 1 12

333 Muddy Fish Guts A5 bL 30 OFF OFF

334 Muse - Plug in Baby C1 Fu 28 9 27

335 My Favorite Clean L9 OFF -- A8 25


336 My Patch OFF Ld 30 9 50

337 Negasonic Teenage Warhead L9 dt 30 OFF 16

338 New Metallica that Isn't Noisy OFF dt 30 9 5

339 Nice Distortion L9 Ld 20 8 34

340 Nice Rhythm OFF Ld 24 A6 41

341 Nice Solo L4 bL 16 6 32

342 Nigel Hendroff's Guitar Works L2 Ld 24 7 28

343 Nine Inch Nails L9 Fu 30 A2 30

344 Nirvana Distortion C9 Mt 20 A4 OFF

345 Nirvana's Come As You Are Clean Patch C5 OFF -- 9 30

346 Noise FreeDistortion OFF Mt 15 9 OFF

347 Nothing As It Seems A3 bL 14 1 25

348 Nothing Else Matters (Intro) OFF Ry 13 1 34

349 Nothing Else Matters (Intro) A6 OFF -- 6 40

350 Nothing Else Matters (Solo) C9 Od 21 3 34

351 Number of the Beast (Intro) C3 dt 26 9 41

352 Old Punk or Green Day Distortion C1 Ld 30 9 21

353 One (intro) - Metallica OFF OFF -- A9 OFF

354 Operation Ivy Punk Ska L3 dt 30 6 OFF

355 Oragomy L9 OFF -- 2 25

356 Orion C2 dt 23 OFF 23

357 Ozzy Osbourne Randy Rhoads C5 dt 25 9 41

358 Pantera 1 L8 bL 26 A1 24

359 Pantera 2 C9 dt 30 OFF 50


360 Pantera 3 - Floods L8 bL 28 A1 24

361 Pantera Reinventing the Steel Dist. C2 Mt 26 A4 50

362 Pantera Walk L9 dt 22 9 OFF

363 PC Recording OFF Ld 30 A9 36

364 Pearl Jam's Jeremy. C3 Ry 5 A2 33

365 Pickin' From the Pumpkins Patch L8 Fu 20 A9 20

366 Pink Floyd "Time" (Intro) OFF Od 30 9 30

367 Pink Floyd "Time" (Solo) C1 Ld 24 9 30

368 Pink Floyd Delay C7 Ry 1 A7 32

369 Pink Floyd Phaser OFF Ry 24 9 P6

370 Pink Noise A6 Ld 26 A6 22

371 Pitch Shift OFF dt 30 9 28

372 Play All Distortion OFF Mt 30 9 50

373 Polished Distortion OFF bL 30 9 40

374 Poo Poo Pee Pee C3 Mt 14 A3 16

375 Power C6 Ld 25 A6 33

376 Powerdistortion C5 dt 27 A9 25

377 Pride (In the Name of Love) OFF OFF -- A1 28

378 Pseudo Sitarchestra A8 Ry 21 A2 P3

379 Psycho Distortion OFF dt 15 4 17

380 Punk Disco L9 Ry 30 A3 20

381 Purple Rain C8 Ry 1 A1 P1

382 Puta Loca L9 Fu 10 A1 9

383 Quake rock C9 dt 30 4 24


384 Rammstein Distortion C2 dt 22 A9 7

385 Ramones old sound C7 Ld 15 A8 37

386 Randy Rhoads Sound C2 Od 25 A7 7

387 Ratm Distortion C3 Mt 25 A1 45

388 Raw Meat OFF dt 30 OFF OFF

389 Razor Buzz C3 dt 30 OFF 10

390 Real Funky Wah A1 Ac 16 OFF 31

Really SRV Sound (final Performance in


391 C6 bL 1 9 OFF
Austin Texa
Really SRV Sound(final Performance in
392 C6 bL 2 9 OFF
Austin Texas

393 Red House L2 Ry 25 OFF 13

394 Reverse Guitar L6 Ld 22 5 24

395 Rigby's Patch of Love C3 dt 4 9 30

396 Ritchie Blackmore C7 Od 17 8 26

397 Roaring Beast L9 Ry 30 A5 20

398 Rock OFF Ry 20 A1 25

399 Rock and Roll Drive C5 Od 18 A1 25

400 Rock/Latin P9 Fu 18 5 25

401 Rockabilly C4 OFF -- A1 20

402 Rockabilly - The Shadows L7 Ry 1 OFF OFF

403 Rocking Distortion OFF Mt 29 6 48

404 Ron's Boogie C5 dt 30 6 42

405 Roots Bloody Roots OFF dt 30 9 47

406 Rush C9 bL 17 9 16

407 Sanitarium C9 Ld 30 3 39
408 Satan's OFF Mt 23 8 17

409 Satanic P9 Ld 22 A2 34

410 Satriani C8 dt 25 5 20

411 Satriani Lead OFF Ld 25 A2 22

412 Satriani Live in San Francisco A6 Mt 30 A7 6

413 Satriani Solo C3 dt 30 7 30

414 Saturax's Fav Tone C3 Od 25 A9 20

415 Saturday Night with Dr. Tuttle C9 Ry 1 5 OFF

416 Scared C4 Fu 30 A1 45

417 Screaching Weasel L1 dt 20 A9 6

418 Self Destruction C5 Mt 29 A7 34

419 Simple Distortion C9 dt 20 A5 30

420 Sitar Groove A2 dt 15 OFF P3

421 SlapBack Echo OFF OFF -- 9 25

422 Slapshock, Greyhoundz, Zooom, Cheese OFF dt 28 6 23

423 Slash Distortion C3 Ld 26 A4 32

424 Slash Rhythm OFF dt 27 9 20

425 Slash's 12 String Guitar C5 OFF -- A9 36

426 Slow Ball L6 OFF -- 6 45

427 Small Amp Distortion C2 Od 30 7 25

428 Smoke's Blackmoore Water C9 Od 14 9 40

429 Smooth C9 Ld 24 A6 41

430 Smooth as Silk L9 Ac 1 6 26

431 Smooth Metal C9 Mt 6 9 6


432 Smooth Violin OFF Fu 11 7 25

433 SNaFu L1 bL 27 A9 45

434 Solid Lead L2 Ld 20 9 17

435 Solo 1 L4 Fu 24 9 17

436 Solo Distortion C4 bL 23 4 27

437 Solo Jazz Guitar OFF OFF -- A3 13

438 Solo Wah A6 Od 15 7 P6

439 Solo/Lead C5 dt 25 9 41

440 Soundgarden's Black Hole Sun OFF OFF -- A9 P9

441 Space (Arkiv X) A4 bL 7 7 P6

442 Space Birds C9 bL 30 3 45

443 Sprowell C1 Od 30 A1 34

444 Sprowell II C4 Ry 24 2 28

445 Squeel P9 bL 27 2 P1

446 SRV Blues OFF Od 19 4 29

447 SRV sound on a Les Paul P9 bL 15 9 6

448 Staind C1 OFF -- A4 25

449 Staind's Mike Mushok's Distortion OFF Ld 28 9 50

450 Standard Metal C6 Ld 20 5 23

451 Starlight Echo C6 Ac 30 OFF 47

452 Steroid Blues C9 bL 30 OFF OFF

453 Steve Vai Distortion C3 dt 25 4 35

454 Straightahead Jazz L4 OFF -- 4 5

455 Stratovarius Guitar C7 dt 22 A1 41


456 Street Spirit C9 OFF -- A5 50

457 Strong Lead L1 Ld 30 9 24

458 Suck C9 OFF -- A9 45

459 Sultans of Swing L9 Od 6 OFF 25

460 Super Clean Rythem C9 OFF -- A5 37

461 Super Distortion Solo C9 dt 30 9 27

462 Super Dooper Pooper Scooper C5 Fu 25 A9 43

463 Super Metal L9 dt 30 A9 50

464 Super Metal L9 dt 26 9 30

465 Super Overdrive C5 Ld 21 8 4

466 Super Pussycat Swinger A1 Ry 8 A6 18

467 Super Soaker Solo C2 OFF -- OFF OFF

468 Super Sound C3 dt 22 A1 28

469 Super Tight Cap'n Crunch L1 dt 25 9 25

470 Supersh*t Feedback L9 Mt 30 OFF 50

471 Supra Distortion C3 Ld 13 6 22

472 Swedish Death Metal C9 dt 23 A9 30

473 Sweet Blues Distortion C9 bL 30 A3 27

474 Sweet Delay L6 OFF -- 6 40

475 Sweet Dreams P2 Od 30 4 40

476 Sweet Metal C7 dt 25 6 45

477 Sweet Ringing Solo P6 Mt 25 8 15

478 Swisschesing the Vortex C1 Ld 26 A5 15

479 System of A Dowm (Quase Isso) C3 Mt 30 9 46


480 System of a Down Distortion C9 Mt 26 A4 OFF

481 Take Me Out to the Ball Game C6 Ry 17 A4 P9

482 Tansellica C6 Mt 30 3 50

483 Tears In Heaven C8 Ac 28 5 14

484 Testament C3 Ld 30 A9 28

485 The Amazing 80s OFF dt 30 9 25

486 The Day Is Mine Trebek C3 Fu 15 5 16

487 The Memory Remains (Intro) OFF Fu 22 OFF 25

488 The Offspring C9 Ry 30 3 33

489 The Offspring C5 Ld 30 9 44

490 The Unforgiven C3 OFF -- 4 36

491 The Wizard C5 Mt 10 4 9

492 This Love Pantera OFF Ac 1 7 31

493 Thrash Metal OFF dt 30 OFF 7

494 Thrash metal C4 Mt 30 3 24

495 Thrash Metal Distortion L5 dt 30 9 13

496 Thrash Metal Distortion L1 Mt 20 3 46

497 Thrash or Death Metal Rhythm C9 Mt 30 9 40

498 Tool Distortion OFF Mt 18 OFF OFF

499 Tool Distortion C6 Ry 28 9 38

500 Tornado C3 Ld 24 6 48

501 Total Destruction C9 Mt 30 A9 46

502 Turbine Dagger C9 Fu 30 A9 46

503 Two Million Cats L9 Ld 30 OFF P5


504 Ultimate New Age Punk Patch OFF bL 27 6 32

505 Under the Waves L4 OFF -- 2 36

506 Underneath C1 OFF -- 4 22

507 Until It Sleeps A4 Ry 12 OFF P9

508 Upshift C9 dt 30 9 41

509 Vai Todo Mundo Tomar No Rabo C5 dt 30 9 32

510 Van Halen L1 bL 27 5 22

511 Van Halen ('90s tone) L6 Od 30 6 40

512 Van Halen (Cathedral) C1 Od 5 1 30

513 Verdena's Fuzz L2 bL 30 5 22

514 Very good Flanger Generator OFF Mt 30 9 25

515 Victimized Sound C1 Ld 30 9 25

516 Vie Solo P6 dt 25 9 22

517 Vinnie Moore's Feeling C5 dt 18 A1 22

518 Vocal Hall C1 OFF -- 5 1

519 Vomit OFF Ry 19 6 OFF

520 VooDoo Chile A9 Ld 30 OFF 25

521 Voodoo Fuzz C2 Ld 19 7 23

522 Wah Hendrix Style A8 Od 22 9 12

523 Wah Wah A8 Mt 30 A9 12

524 Waltar Giardino OFF Mt 30 7 15

525 Wasting Love 3 A1 Mt 20 4 3

526 Welcome Home Sanitarium (Solos) C6 bL 25 4 34

527 Wet Distortion A8 Ry 25 A9 30


528 Where the Streets Have No Name C4 Od 9 7 32

529 Where The Streets Have No Name 2 C3 OFF -- 2 18

530 Whiskers L9 bL 12 A4 20

531 Wicked Distortion OFF dt 29 OFF OFF

532 Yellow Ledbetter C3 Ry 1 1 41

533 Yellow Ledbetter Solo C5 Ld 20 9 28

534 Yes - Cosmic Steel Guitar C6 Fu 15 6 20

535 Yes - Starship Trooper C3 OFF -- OFF 25

536 Yes - Starship Trooper Solo C6 Od 15 3 25

537 You Intro (Radiohead) L4 OFF -- 2 36

538 You'd Prefer Matt Talbot OFF Ld 22 1 50

539 Zombie Intro C2 Ry 1 A4 15


Mod Dly/Rev Level Type

C9 d7 29

OFF d9 30

OFF OFF 26 Clean

P6 H4 24 Clean

C4 d9 30

OFF d7 30

P1 OFF 25

d9 d1 30

OFF H1 25

P7 H1 30

C5 d4 27

C5 d7 22

C4 H6 28

C2 d3 29

C5 OFF 17

OFF OFF 25

OFF OFF 20

OFF r3 25

OFF r3 25

C3 d4 25

P1 H6 26

C3 H2 28

C2 H3 29
C5 d7 20

OFF OFF 20

d1 r9 30

OFF H3 30

OFF H4 30

F9 H9 27

d4 H3 25

F5 H3 22

C3 H6 24

C5 d7 25

OFF OFF 30

F8 d8 20

S2 d3 20

C8 d3 24

OFF OFF 30

P1 OFF 30

Pd d4 30

d2 H5 25

P1 d1 25

OFF H4 28

C2 H3 22

OFF r2 25

OFF OFF 30

OFF OFF 25
OFF H1 29

d1 r1 19

OFF OFF 30

d3 H2 26

OFF OFF 30

C2 r2 28

OFF H5 17

OFF OFF 30

C2 d6 25

C1 H4 24

OFF H4 27

F2 H3 30

C3 r3 28

P7 r5 26

C9 r9 30

P3 d5 24

C1 OFF 26

P7 H4 30

d5 r7 28

P7 OFF 30

C3 H4 25

P1 d6 16

C2 d4 20

C3 H6 24
C2 H1 27

S8 d8 25

OFF OFF 26

P7 H7 25

C5 r6 30

C4 H3 25

F5 H6 30

P6 d3 25

OFF H1 24

OFF H3 24

OFF r2 28

C6 H3 28

C3 H2 27

F3 H1 29

P9 H6 17

C4 d8 30

P9 d3 25

OFF H5 28

d5 H4 24

F4 H9 26

OFF OFF 25

C3 OFF 25

C1 d8 25

C2 d8 20
C4 H9 28

F6 d7 20

C7 r5 24

C3 H3 26

C2 H1 25

C2 r9 25

d2 H3 25

C3 H1 27

P5 H4 24

OFF OFF 30

Pu OFF 29

P9 H9 25

C6 d2 30

F3 H5 30

C2 r2 20

OFF OFF 26

C1 H1 25

OFF r2 25

P6 H1 30

d1 OFF 25

C8 d8 18

F9 d9 30

C4 OFF 25

OFF OFF 25
OFF H1 29

OFF H1 29

Pd OFF 30

OFF OFF 25

OFF H2 27

C4 d4 30

F1 d5 25

OFF H2 30

Pu H2 24

C2 H2 22

C5 d7 30

P7 r5 26

OFF r2 28

C4 d6 30

F5 H6 30

P9 d8 20

C1 H4 25

S9 d6 30

OFF H1 24

P1 H9 29

OFF OFF 30

d1 H3 30

OFF H1 28

P7 r7 30
Pu r9 30

F1 H4 26

C3 d4 30

OFF d7 20

OFF OFF 30

OFF d4 26

OFF H1 26

C2 H2 30

C2 d4 25

F7 d4 25

OFF d3 29

C5 d2 23

C3 d8 23

C1 d8 25

C2 d8 26

F3 r2 21

OFF OFF 28

d9 d4 30

d9 d4 30

F9 r8 20

OFF H2 30

OFF H4 25

OFF H4 25

OFF r6 24
C1 H1 29

C1 H3 30

F1 H9 25

F4 H4 29

OFF r4 27

C3 H1 29

OFF r4 27

C9 d4 30

P1 d1 25

S7 d4 26

OFF OFF 29

F8 H9 25

C2 d4 27

C1 d5 30

C3 OFF 25

d4 r2 25

OFF H4 30

OFF d5 25

OFF OFF 30

OFF H6 25

d8 H9 20

P1 H9 30

OFF r5 20

F4 H9 25
OFF H4 30

C1 H1 24

C1 H4 27

C3 r9 30

P7 H3 25

OFF H1 18

F3 OFF 30

C4 H6 18

C1 H3 30

OFF r9 24

P9 OFF 25

OFF H2 30

C5 d4 24

OFF r7 7

C5 H1 20

C9 r1 26

d4 H3 22

OFF H3 24

P9 r9 30

OFF H8 25

OFF d4 26

d3 OFF 30

d2 r1 30

OFF H3 26
OFF H2 27

OFF H2 30

d3 H9 26

C3 d1 22

C2 H3 20

C2 H4 28

OFF H9 26

C9 d9 30

C1 d3 18

P5 d9 28

OFF OFF 20

Pu r8 29

OFF r2 22

F1 r9 20

C9 d8 27

OFF r1 25

OFF OFF 23

S3 d2 30

C6 H5 17

P1 d1 30

d9 OFF 25

P4 OFF 17

C2 d4 24

C2 d1 25
OFF d7 20

C2 d6 17

F1 r1 30

OFF H6 20

OFF OFF 26

Pd H2 24

OFF r5 23

F7 H1 30

OFF OFF 26

C2 H6 27

OFF d1 30

Pd OFF 29

d5 r5 24

OFF H4 25

F8 H9 28

OFF d5 25

OFF d1 25

C2 OFF 28

OFF OFF 16

C7 d5 22

C3 OFF 23

C8 d7 30

OFF d1 30

C4 30 0
S9 OFF 7

C3 d9 23

OFF H5 25

C2 d7 24

OFF H9 25

F2 d1 17

OFF H1 25

OFF H1 30

OFF r2 27

P4 H6 24

P1 r4 20

d9 d8 26

OFF 30 0

C2 H1 25

OFF r2 30

OFF r9 27

C5 r9 27

F7 d8 29

OFF H3 28

OFF OFF 30

S4 d7 20

C2 d6 25

OFF OFF 20

OFF r9 30
C3 H3 27

C2 d4 25

OFF OFF 29

OFF r1 26

Pd OFF 30

OFF H6 20

C2 H5 30

C3 H3 20

C1 d1 25

OFF d1 25

OFF r1 25

F7 d8 20

OFF d1 30

P7 d3 20

OFF d2 28

OFF d6 30

P8 r4 30

C7 OFF 27

OFF d8 23

F8 H2 25

F1 r9 25

OFF H2 25

OFF H3 20

OFF r5 20
OFF H6 20

OFF H3 26

C1 r9 26

C1 H3 25

C4 H4 27

OFF OFF 24

d4 d4 28

OFF OFF 24

C2 OFF 29

F7 H8 21

C2 H4 28

C2 H2 26

C4 d1 26

C2 H4 28

OFF H2 30

OFF d2 28

S7 d4 25

C4 H4 25

P2 d7 20

OFF d1 26

P1 r3 30

S2 OFF 30

C2 r1 23

C4 d7 30
OFF H2 27

F1 H2 26

OFF OFF 25

C3 H4 22

OFF OFF 26

d1 d3 26

C1 H3 24

d4 r4 24

OFF OFF 27

C9 r9 24

OFF r6 25

F7 d5 26

C3 H3 30

C9 d5 25

OFF d2 23

F1 H5 28

OFF H3 28

C4 H1 28

OFF OFF 30

P9 d9 12

OFF OFF 16

C3 H2 27

P7 d7 26

C3 OFF 30
P7 d7 26

OFF H1 26

OFF OFF 18

OFF OFF 26

OFF OFF 30

OFF H4 23

P1 H4 19

F3 d8 15

C3 d7 29

F5 OFF 25

OFF H1 16

P5 H5 23

OFF H3 27

OFF OFF 30

C7 OFF 21

Pd H3 22

C1 d1 6

OFF d9 22

P9 d7 28

F3 H1 25

OFF H1 26

F3 H7 27

C9 H1 30

OFF d5 10
Pu r1 25

OFF r3 28

C2 r3 30

C3 d3 26

OFF OFF 27

P1 OFF 30

C1 d1 27

OFF H2 25

OFF H2 25

C2 d5 29

OFF d4 20

d1 r3 30

OFF H5 25

P2 H3 30

OFF OFF 25

C1 OFF 20

OFF r7 23

d9 d1 28

d9 d8 28

OFF r1 30

OFF H9 30

C2 OFF 29

C3 H9 26

OFF H5 30
OFF OFF 30

C2 d9 23

C5 OFF 25

C2 H4 25

OFF d4 30

OFF H9 20

C1 H3 25

F1 d9 29

d5 r4 30

Pu H1 30

C5 OFF 29

OFF OFF 24

OFF r9 19

d4 d6 25

C1 r2 26

C2 H3 26

OFF H5 29

P1 H1 30

C5 d7 29

OFF r4 30

OFF H5 27

C4 H1 26

C5 H2 28

OFF OFF 25
F2 d3 17

Pd H2 30

OFF H2 20

d5 H8 26

C6 H3 17

OFF H7 30

OFF r9 27

C3 H2 25

d9 r3 30

F7 H9 22

S7 H6 19

S1 r1 20

S5 H5 23

F9 H9 27

OFF H4 20

OFF H1 29

C4 H3 25

OFF r3 25

OFF OFF 21

d4 d6 27

P4 OFF 30

OFF H2 25

OFF H1 23

OFF H3 20
d1 H9 27

C2 r1 24

F4 d3 28

OFF H2 30

C1 H5 29

OFF H9 27

S9 d8 30

OFF OFF 25

C2 H6 23

C5 H2 20

C7 H1 20

OFF OFF 20

C3 r3 23

C1 r9 22

OFF OFF 30

P4 H3 22

C1 H1 25

OFF OFF 13

C5 d9 30

F5 OFF 26

OFF r1 28

Pu d6 25

S6 d6 20

OFF H4 26
OFF OFF 30

P6 H7 22

C5 d4 30

C1 d1 10

C1 OFF 20

C3 H3 29

C6 r9 30

C3 H2 24

C2 H3 30

OFF OFF 26

F7 d6 25

d7 d4 30

C1 r9 21

OFF OFF 30

OFF OFF 27

OFF H3 29

Pd H6 30

OFF d9 25

OFF OFF 20

OFF H1 20

F9 H3 29

C4 d2 30

d3 r1 1

P8 d8 30
C1 H1 27

F7 d3 24

P1 d5 20

F9 d5 28

Pu r5 24

P5 H6 26

C3 d3 30

C1 H3 27

C1 d9 26

OFF OFF 27

F4 OFF 30

OFF OFF 26

P3 d8 22

OFF H5 17

C3 H9 22

S9 OFF 25

C4 H1 24

C5 r8 20

C2 H5 30

C2 H3 27

C2 H1 26

d9 d4 25

F7 H7 22

OFF H1 27
C3 d7 17

OFF d8 25

d9 r3 15

OFF OFF 30

d1 r5 30

OFF r4 25

F1 H5 18

F3 H3 27

F3 H3 20

F9 d6 26

OFF r1 22

C4 H1 22
Comment

Visit my page for more patches: www.zoom505.cjb.net

Your ears get confused from its shit.

This is great and a cool patch.

Great for Pink Floyd's "Wish You Were Here".

Close enough that you may decide against shelling out the bucks for a real 12-String. Also much easier to play than reg. 12'er. ENJOY!

This patch is great for tap guitar. It makes it sound like you're playing twice as fast. It's good for non-tap solos as well. You can let one not
the compressor and delay if you want as well.

Great for those 311 riffs that are octaved like songs on the Grassroots album.

Sounds Like an extremly large cab, great for chording!!

As about as similar to Led Zeppelin's Jimmy Page as one can get with this gadget. A nice warm tone, with a mild blues distortion. Adjust t
on the song. For best results do not use bridge pickup by itself.

Good ol' 70's wah funk.

Spacey distortion w/ chorus & delay, like what Alex Lifeson used from Grace Under Pressure, Power Windows and Hold Your Fire.

Ideal for those long vibrato notes. Those who remember the likes of Duran Duran and Pseudo Echo will like this synthesized sound.

80's Duran Duran type guitar solo patch, tweaked.

Wah/synth sound, really good for funk. Oddly enough, sound pretty good with an acoustic/electric.

Sounds like the great Glam Rock distortion from the 80s.

This is a great all-around distortion. Playing the middle-bridge gap position is a close AC/DC and old style rock (rockabilly, etc.) Also good

Good sound from Angus's early years.

Awesome accept sound for "Balls to the Wall". This one rules!

This is the soft dist blues of "A.C.M.E. band".

Good for relaxed strumming.

Sounds like an acoustic guitar and an acoustic bass together.

Bright acoustic sound with slow, almost dreamy phase.

Great for rhythms in acoustic style.


B--oing B--oing

Like the factory preset, but with sounds tighter with more Gain.

Black

I guess it's the sound for And Justice For All album. Tell me if it sucks!

Excellent for sludge/stoner metal such as Iron Monkey. Blood has Been Shed, etc. Play thru clean channel with treble-6 bass 10- mid-3. E

This is a mad combo of every effect that causes a kind of squeel. Visit my site at http://members.tripod.com/~randombandom

This is a fairly good recreation of the effect used in "Like a Stone" Bass Mid & Treb all around 5 or 6. I use a humbucker pickup.

This is my favorite effect I've come up with. It sounds kind of creepy. It also sounds like a digeriedoo (sp?) (Australian aboriginie instrume

A pretty good Rockman sound. Use the neck pickup with the tone control all the way down.

Really nice clean tone with delay. sounds like *crap* with humbuckers.

If you're hungry for a sizzling-hot, raw-ballsy, squeal-like-a-pig-boy kinda sound, this is your main course.

A million different effects at once, not really good for much but sounds cool as hell.

Lambaya p�f de.

This patch will rock your balls off sideways!

This makes most guitars sound like a bass. Turn bass all the way up on your amp and turn high to 0. Don't turn it to high for your amp's s
pickup.

Adds low notes to the sound. Good to use for just bass solos.

This patch is inspired by Alex Skolnick's early Testament Leads.... melody in the midst of all-out thrash! Gain & Compression settings will
the PD setting is only to smoothen the sound- don't use expression pedals.

Kind of like V.H. Brown sound.

Need a bass for your band but don't have one? Try this and watch the windows rattle!

I did my best to emulate a Big Muff. It sounds nice, not much noise. Kinda smooth, bassy, and fuzzy. It can do most Smashing Pumpkins

Billy Idol sound alike. Great for rhythm.

Turn the bass down or your amp will explode! Scoop them mids! Pump the treble up to 7 or 8.

Good Black Sabbath sound.

Sounds like most of the "Dehumanizer" CD.


This patch is for the Zoom 505 II pedal.

I like for my sweep and my speedy scales (use neck pick up...if have humbucker split it).

The real distortion for Blink-182.

This one's good for Orgy's "Blue Monday" chorus.

A great patch for the song "Blue Monday" by Orgy.

Pretty cool for ZZTop stuff like 'Tush'.

Awesome crunch sound for chord backings.

This is a fairly good patch for the song "The Old Apartment" by BNL.

Really fuzzed wah. As used on Joe Satriani's new album, "Engines of Creation" and the song, "Borg sex". It's pretty close. Expression pe

Gives you that Rockman sound.

This is my acoustic sim. It sounds really good for any quite part of a song that either follows or comes before distrotion. Works well w/ my
it here)

Intro from Skunk Anansie's 'Brazen (weep)'.

Chorus bright, 70's rock.

This patch will make some changes in your way of life.

If you want to really break the ears of your family or friends check this out!

Crazy, lofty sort of sound. Best for single picked notes or a bar on all 6 strings at the same fret.

Tuned to settings as described by Brian on his 1987 instructional video=treble, phase, chorus & tube amp. Go 505! Pretty close for a mul

If you want to be Brian May you must be use this patch. Simple but the best.

Great for Stray Cats and Brian Setzer leads.

- No Description -

I love this distortion. It's loud and good for lead and rhythm. The hall reverb is optional.

A complex overload of wah, fuzzy phasing, and delay effects with a devilishly low octave tone thrown in. It sounds like raw evil with minor
bass patterns.

Super Dist.

Warm wah, great when playing Red Hot. Also looks like that little keyboard solo in Ritual, by Shaman.
Works perfectly for wah part of Rage Against The Machine's "Bulls on Parade".

I made this up for the Popmart-version of "Bullet the Blue Sky", and for the outro on "Discoteque" (live). I think it's quite good. It's a mix of
for the solo and the basics on "Bullet the Blue Sky"...and at the end of "Discot

Real dirty sound kind of like playing through an ancient amplifier with bad wiring.

Es igual al tema de soda stereo "cancion animal".

- No Description -

Real nice heavy metal distortion sustain.

Distortion with flanger.

Nuff said.

This is a realistic patch of Carlos Santana's solo sound. I recomend that you use the reverb on your amp instead of the Zoom if you requi

Sharp and cutting lead sound. Pretty similar to the intro of "Sorrow" by Pink Floyd.

Using this setting you can easily get artificial & natural harmonics.

Needed a Tele country sound for fast double stops and chicken picken. Try on rear single coil and boost the mids a smidge. Happy picken

Nice chorus but if you increase the Dly/RevREV to H5 sounds great for Crowded House intro 'Don't Dream it's Over'

- No Description -

Cool church organ sound.

Sounds close to Satriani's Circles intro.

Try playing minor key polka and imagine a crusty circus side-show sounds especially good recorded and played backwards!

This patch sounds like a vintage tube amp using the clean channel. I use this patch to play songs like Cocaine by Eric Clapton or Sleepw
For a richer sound use the neck pick-up of your guitar (better yet, use humbuckers).

Very good for Guns 'N Roses - "Don't Cry" and other similar songs.

Your brand new clean guitar sound ;-)

For a bright clean tune...pretty heavy when used with a separate distortion preferably a metal distortion...still experimental...my first user d

Orgasm from the first singing note.

This sounds just like Eric Johnson's Cliffs of Dover tone. Use your neck pickup.
Sound that lets your ears ring....just check it out!

- No Description -

A lot of argentines bands uses this cool effect.

This is a bright sounding Chorus effect good for just about anything.

Great if you've got the Zoom 505 expression pedal. Use neck pickup and a big powerful amp. If you don't have the expression pedal, get

I use this in most of my songs. It fits in any kind of rock songs.

Sounds cool for lead.

The best combination I could figure out for a lead/solo guitar. It's got an awesome tone and the chorus adds a cool effect to the solo! Use

- No Description -

Dampened metal sound. Nice highs. Good lead sounds.

This is it - for anyone who wants to sound like the Crate ur Marshall. I worked on it for a while enjoy.

Crazy stuff, can't explain.

A very cool wah...with acoustic sound.

No description.

This is THE patch to get the authentic Creed sound. You can always tweak it if you want, but I think it rocks!

Really dirty tone, kind of like playing through a busted-ass old amplifier.

Good patch for a rhythm/backup/non-lead guitar. It's got an awesome crunch to it and the tone is the best I could find!

It's the type of distorion that sounds like a crusty record. Great for playing songs like Bush's "Greedy Fly".

Wish a had a good way to describe this. Just a really bright clean beautiful tone. Better with the neck pickup.

Guitar vol. to the max, amp: bass almost max, middle ~1 and high 75%. WARNING! This kix ass!

Sounds like dying tortured monkeys screaming for mercy...with a nice cool melodic touch.

There is crazy and power full you kann kill your ears with tihs sound (sorry I am from Germany).

This is the clean Chorus "drenched" sound found on Day Nine's (http://www.daynine.8k.com/) first 2 demos. You can listen to the mp3's o
http://www.mp3.com/daynine/ It is a great clean sound, and sparkles with the best of choruses.

This is the patch that my band Day Nine (http://www.daynine.8k.com/) used on our first 2 demos for the main distortion. You can hear the
http://www.mp3.com/daynine/
This will give you blasting death metal to make your ear drums bleed. Uses none of that stupid chorus.

Very heavy, great for Cannibal Corpse. Full sounding and great to play. Sounds great on Dropped D tuning.

Set your amp high 7 mid 1 and low 10 if you use this setting you can sound like Napalm Death or Sepultra.

Its a hard metal sound great with anything.

WARNING!!! This distortion may be a little bit powerful for some amps!

Good for heavy tunes.

This patch sounds like slipknot mix with Korn.

It's for death metal.

For a HC or Alernative Rock play.

I use this patch for the lead part of Def Lep's song "Gods of War". I use a Marshall JCM-900 amp, so ... set your EQ accordingly!

Def Leppard sound as heard in the song, "Hysteria".

Very similar to Deftone's "My Own Summer".

I use this with Deftones songs and my own songs. It sounds very good. Set bass 8 in your amp.

Good for solo playing and also power chords. Make sure you play at huge volume - you know to get that bowel movement endusing soun

A very nice sounding patch with a relaxing phase and flange, great for inme's neptune intro. Hall reverb is optional. Set ur amp eq as bas
set contour 2 10 and time 2 7.

Carnival gone bezerko. If you vary your attack on one note, especially a low one, you can get a wide range of harmonics to play their own

This is a Calexico's sound It sounds good with Fender Strat and Marshall Amp If u have 505II in Modulation choose t2

Dip your hands into this watery, digital patch. Sounds like the last few riffs from "Digital Bath" by the Deftones.

This patch will give you dime's heavy, scooped-mid sound, and really ultimate low-end.

Nine Inch Nails "Head Like a Hole" bass.

This is a clean, dirty blues sound, kinda johnny langish, great for songs like "Right Back".

Loud noise.

This patch will give you Dan Donegan's heavy low-end distortion that is used on most of the "Believe" album.

Escales with red bull.


Crunchy distortion sounds from diu lay low mow.

A nice distortion with phaser and flanger. The flanger and phaser give a nice "whoosh" type sound to the distortion. Also adds a little flare
effect is not good for rhythm.

- No Description -

For powerful solos.

I use a Mesa Boogie and I tried to recreate the sound I think I got pretty close. Very Deftones-like...

A full, resonant twang that sounds best with the bass strings and bridge pickup.

This is great for playing blues string by string.

Try setting your amp Low and Mid at 2, and High at 1.

Sounds cool on "Ain't Talkin' About Love"!

Perfect for "Unchained"!

This one's a big middle finger "respectable" musicians. Plug your ears.

Deep sound with slight delay. Good for spacey leads.

This is a rock/blues patch for soloing.

Used for Cliffs of Dover. Playing a Carvin AE185 using the bridge Holdsworth model humbuckers. Patch is for the Zoom 505II. Not listed -

Not an agressive distorted patch, but a slight distortion to play songs like "Cliffs of Dover".

Evil, and can make yourself satan himself.

Hard evil crunch tone, turn the bass up and start shredding.

A very heavy sound with good sustain, great for bass guitars and metal solos.

A very heavy sound with good sustain, great for bass guitars and metal solos.

� foda!!

This is the "Fade to Black" intro. Sounds good for just about any solo. Has sort of a wah scream.

Kinda bluesy distortion/overdrive that works very well for early King's X stuff. Best with single-coils.

Kinda bluesy distortion/overdrive that works very well for early King's X stuff. Best with single-coils.

Fat sound for rhythm or lead. Very Nirvana-like.


Sounds like a Fender Valve amp's output tubes breaking up, gritty with nice sustain. Sounds very natural and responsive to picking dynam
strat's neck pickup and recorded and monitored direct without an amp.

Best on brightest pickup with the guitar volume all the way up. Great close-up, semi-distorted tone, you can hear fingernails scraping. For

A jet-like distortion sound. Good for some metal.

Pretty cool Amorphis: Orphan sound.

This is the closest that I could get to for Everlong. It's not that much different from the other one apart from turn the gain down a bit.

This is a good try at the voice box used on the foo fighters song generator, and any other song that it is used, e.g Peter Frampton

This is the best Foo Fighters sound I can get. It goes well with "Everlong" and "Monkey Wrench".

Dark Distortion

Makes guitar with humbuckers sound a lot like a fretless bass; use neck pickup, turn the tone knob down a bit, and of course play with yo

This is what it's like in the Fortress of Solitude.

If you like really heavy distortion this is it! In fact, it was too heavy to record with computer line-in without it sounding weird! PS. I'm not 10
stuff, so check it on our website in a week... w

Soul in FuFlangeDe!

Great for Satriani's Summer song.

This is like a kinda chorus and delay with metal just try it if you like this kind of sound.

Sounds like the wah used in the original Voodoo child. a bit of distortion and some good cry baby wah.

Distortion like Nine Inch Nails "Rammstein".

Smooth Hendrix-type lead.

Fuzz distortion good for rhythm or lead.

This is the dist that I use for the song rock show by grinspoon, you'll need a fair amount of bass from your amp, but just fiddle and you'll g

The sound of Gary Moore.

Eerie, otherworldly fuzz.

Sounds like Godzilla or bigfoot is in your amp.

Use neck Pickup to give your Gibson that SRV Strat sound.

Sounds a lot like Pearl Jam's song "Given to Fly".


Just a nice clean sounding patch, you should put it next to distortion or something so you can switch easily.

This sounds really good through my NJ Warlock and Marshall Valestate. I put it on my bridge pick up and have the tone down slightly.

Distorted grunge solo.

- No Description -

This patch is like everything about music: try it out and see if you like it.

Green Day Distortion

This is what I use for the intro of the Grinspoon song Rock Show from the album easy. I'll follow with the dist part.

Beaut Knocki'n on heavens door tone!

This patch souns like the distortion used in Knocking on Heaven's Door if you play it into a Peavey or a Crate amp. Enjoy it rockers!!!

Very best for Gibson Guitars and clones, Slash Distortion. By Robert Esteban Garcia.

Try to imagine the sound you would make if someone were to vivisect you with a rusty meat hook, then pull out your bowels one foot at a
patch instead.

The best god-damn distortion I've come up with, works with almost any kind of twisted death metal melodies your demented minds will co

Just a little on the wacky, bouncy side.

This patch sounds like the lead guitar (main riff and solo) on Counting Crows Hanginaround. Basically just a dry overdrive sound with pro

Super sound.

Harddddddddddd distortion (i.e., Sepultura).

Awesome crunchy overdrive/power chords best friend!

This is a great sounding distorion a la Tumbler esque style its perfect for melodic yet heavy rock, It also handles Octaves great.

Feels like constipation before work or school.

If you wanna play easy harmonics, use this patch. A bit noisy, but well worth it. Use to impress your friends... PS: the reverb is optional, bu

- No Description -

This patch is great for playing hard and heavy somgs. It's great to play fast (or slow) solos.

If you like Megadeth and Slayer and wicked shit like that dis is the one for you!!!

Great for heavy metal stuff. Sounds best with a humbucking pickup set to the bridge.
Nice meaty, heavy distortion. Great when playing power chords.

This is the heaviest distortion possible. Turn low end way up, mid off and high on 4. Use lead pickup.

Kick a$$ for speed metal.

Powerful sound, I enjoy using it with Pink Floyd and others.

Great heavy rock or metal sets!

This patch has a lot of crunch but yet good bottom end also, good for Creed, Megadeth, Alice in Chains, Metallica etc �

Just try it, period.

Ideal patch for Voodoo child...

This an overdrive with high gain sound. Very cool. If you a rocker, Use this patch.

Great for a never-ending arpeggio. Just play slowly string by string and you will see...

hizehize

Bardzo Fajny

Replicates (to the best of the 505's ability) the sound of the Gibson J160E, featured in the Beatles' "I Feel Fine". Play this with the bridge
the 505 II, so those of you with one should set Contour to 10.

This rocks like ICE delay.

perfect

This sounds a lot better than the factory preset Metal patch.

In Flames - bullet ride sounding good for fast chords.

A little wah, doesn't take itself seriously.

A good clean sound.

This patch is essentially for grinding out riffs - NO LEADS, PLEASE! Inspired by certain licks of Rammstein, Cradle of Filth, NIN and Zom

Sounds pretty cool if you're into industrial music.

Good for "Duellists" and "Ryne of the Ancient Mariner".

Jamaican wah wah excellent for reggae.

For the distortion setting put 'Fd' and set the gain on 28.
- No Description -

A little bit like a "Rockman" tone. It sounds cool on stuff from "There and Back" or "Flash". Try playing "The Pump".

The best jet drive I've come up with, nice clean sound for solos. Put the bass down a notch�

Tone switch up. Real Jimi sound.

An emulation of John Frusciante's strat. (as in Scar Tissue & Otherside)

This nice patch brings Frusciante's strat on the song "Under the bridge".

Works for lots of John Hiatt songs. Has been used for "Blue Telescope." Use pickup with warmest sound; experiment with gain settings.

- No Description -

"... So fuckin' special... DWDW.. DWDW... and i'm a creep DDDWWWWWWWWWWWWWWW" This is the patch for Jonny's guitar in Cre
can't get a clean sound with a shitload of distortion :-) I think he originally uses a Marshall metal d

Neil Schon (Journey) lead sound as heard in "Who's Cryin' now", "Don't Stop Believin'", etc.

Alternave rock and kinda crazy.

This the only metal sound, break your head!

Makes great feedback if you turn volume to 10 on guitar and 3 on the amp.

Close to Robert Fripp's sound from the early seventies. Use humbucker and set tone control all the way down.

Good for Metallicas "King Nothing" intro.

This is almost a perfect recreation of Kirk Hammet's power solo effect used most noticeably at the begining of "Fade To Black" and "Turn
I spent a while on this one......any comments? steppinwolf69@hotmail.com

This is Metallica's own...Kirk Hammet's lead distortion used in pretty much all the songs. enjoy......any comments? steppinwolf69@hotma

Kirk Hammet's general distortion, used in many Metallica favorites.

This is the Distortion/Metal Patch i use when jamming with my band. It's best to have the source (amp) always lower that the overall outpu
harmonics just right.

is a Kool distmetal

Fat, slim, sounds like Korn.

Its sound is unmatchable, only a few know it, something really cool and strange, try it.

Original sound from La Polla Records used in "Bajo Presion" or "Hoy es El Futuro". It is a soft lead but when you turn up the volume you
Try it it's so cool!

Clean chorus, with a distinct edge.


This is good to use before going to sleep on sundays.

-Wes Borland Delay- This is really for users of the Zoom 505II. If you have one, set TIME to 37.

This patch is a smooth solo - play it with the neck pickup.

Very useful in any kind of song when soloing...if you want it just select a d7 or h9 in delay/reverb...

Do you remember the sound of Jimmy Page in Heartbraker? It's great.

The sleek sound of a futuristic twin engine jet. Letting chords swoosh is great, as are bursts of staccato 8th note chords. Lovely, not gimm

This patch is excellent for playing the song Lightning Crashes by Live.

I tried for a long time to get the perfect Limp Bizkit sound. Well, here it is. I recommend using your neck humbucker (or on a Strat neck an

This patch works good for Linkin Parks' "One Step Closer".

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Best when tuned to drop d. Bass all the way up, mid at 0, treble all the way up.

I use this patch when I play live and it sounds good when playing Metallica

Totally cranks, gives the sound of a guitar in a large concert hall. Also excellent for metal leads.

This patch is kind of cool. Good for backing guitar tracks.

This pacth is great for the nice low-detuned 7-string sound, good for Fear Factory and Korn.

What more can I say? Good for 7 strings or low tuning 6 strings.. I play mudvayne and sevendust on it... Peace Out

What more can I say? Good for 7 strings or low tuning 6 strings.. I play Mudvayne and Sevendust on it... This one sounds good with solos

Spacey crystal clear echo with chorused slow flange. Beautiful for strumming and arpeggios.

Perfect for the new "Machina" songs like 'Everlasting Gaze' and 'Heavy Metal Machine' by Smashing Pumpkins.

This patch bites harder and growls meaner than a rabid dog! Not for the weak of heart.

At last I can submit you to my fiendish experiments!

A great patch for soloing and tapping.

Fuzzy used by lit my worst enemy.

Rhythm guitar for AC/DC. In an interview Angus said that his brother plays with not much gain, but very loud with headphones. Gain 20 w
Alice in Chains sound alike.

Heavy, harmonic-laden distortion, effect fades after a few seconds. UNBELIEVABLE sustain. Very grandiose.

Get that Angel with the scab wings sound...

Manson distortion I use for "Beautiful People". Humbucker pickup with amp EQ set at: Bass 7, Mid 8, and Treb 5

Perfect for Manson's "Antichrist Superstar" distortion.

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Has a great sound and has a very good sound when palm muted. It takes a lot of volume before there is any feedback.

wwwwwwooooooooooooowwwww!

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Sounds like the distortion used on Megadeth's 'Countdown to Extinction' album.

This sounds like the distortion of of Megadeth's "Youthanasia" album. Sounds better with single coil pickups.

A mellow sound great for pretty much any slow songs ("Fade to Black", "One", & "Unforgiven" by Metallica). New way to hear old songs.

Warm distortion with a full sound.

Good sound for metal songs.

My patch for 505 II users countour: -7 time: 25

This is a basic metal effect that can be used for both leads and rhythm.

Wicked distortion good for Metallica/Slayer.

A metal chorus distortion for any Metallica-like solos or chorus solos. Very nice rhythm sound and rich bass chorus sound in the high note

Great metal sound for lead. Very different. Try it out on stuff like "Where Ever I May Roam" and "One" by Metallica. Lots of palm muting a

This is a Sweeeet flanger dist. that is unique to any of the ones i've saw on this site.. Try it out and I guarantee you'll like it.. Peace Out

Just a good rock flanger

Really heavy, really loud! Turn the mid on your amp WAY down, turn the Low to 8 or 9 and the High to about 7 and away you go! Great fo

This patch is a heavy, forceful metal rhythm patch. It can be modelled with the EQ parameter to fit almost any environment. Plus, it can be
guitar's tone and volume, providing growling backdrops for any song. It is particularly ef

I found very interesting this cool sound. I play some Slayer songs on my guitar! Cool
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Rip into any Metallica song with this distortion. It's heavy and doesn't fuzz out. Turn off your Mids for newer stuff and add a little Mid for ol

Good for "Fuel" on Metallica's Reload album.

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The most common clean sound used by Metallica (specially S & M).

Sounds like Metallica WORTH A TRY !!! 0-10 Midle =5 bass=5 treble=5

From patch author: My patch is the best sounding one of all other "Fade to Blacks".

Sounds like Metallica WORTH TO TRY !!! 0-10 Midle =5 bass=5 treble=5

Perfect for early Metallica. You may have to turn up the gain because im using a Gibson Explorer and they have the hottest pickups I've e

Bluesy phase like it's off in the distance.

Fixed wah to sharpen and colour.

Great on my Les Paul.

Again, from the same base sound as rhythm and the two leads.

Wah version of cutting lead. Again, EQ tweaked on amp.

Cool Misfits sound, "Famous Monsters" and "American Psycho".

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This patch is a mixture of a bunch of noises. Enjoy.

This sound makes my cheap Strat copy sound terribly good.

Good for jazzy fusion leads; passed on to us by the space brothers.

This patch gives you a fat and full Metal sound that's great for Rhythm or leads.

Good for bass lines and the lower strings single notes. Turn the bass & treble up a bit.

One of the best patches I have made sounds great, almost a professional-built patch, Take a joy ride on this baby!

This is the sound of plug in baby by Muse - is very good - Enjoy!!

Full clean effect with delay.


The patch I used in my band. Use with a very powerful amp or head, to obtain the very best of it. Use low about 7, mid about 3 high abou

Monster Magnet tune with a real cool jet flange at the beginning. Here it is (well, close anyways).

Heavy as hell (damn close to the Hetfield God tone)

Nice smooth sounding distortion. Level doesn't really matter.

I use this one to play most of my rhythms. Use the neck-pickup, and try some high-pitched chords on 2 or 3 strings -> they really rock!

Use the Humbucker, turn your amp up loud and play some really fast 'tapping' solos -> you'll feel like God.

For my idol Nigel Hendroff of Hillsong Music Australia, here's a nice patch that is good for his solos and guitar riffs in their songs. It's almo
effects, so have fun...

Great for "Wish" and "March of the Pigs".

You can play any song from Nirvana with this effect.

This sound almost like in original song.

Good distortion for AC/DC and doesn't make noise when playing has stopped.

This is my first new patch and it's so cool. You can play with it the Pearl Jam's song called Nothing as it seems from Binaural. It's also goo
you like it.

Intro from Metallica's 'Nothing Else Matters'.

This is what I think would be the best effect for the clean part for Nothing Else Matters. This is a ZOOM 505 II setting. For time set it to 33

Solo from Metallica's 'Nothing Else Matters'.

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Sounds a lot like Green Day on the Dookie album. Play it through a Peavy Bandit or it sounds like crap!

Sound for guitar 1 intro and verses.

Sounds high trebly really crappy smashed air tube to poor to afford good distortion late 80's east bay punk ska. Sounds a real lot like Ope

Sounds like a concert orgon using the A4 selection.

Sounds good for the middle part of "Orion".

Good for "Crazy Train", "Flying High Again", and "Over the Mountain".

For the end riff of "Floods".

The best Pantera patch I've heard.


Perfect for the end riff of "Floods" - my favorite patch.

This patch is good for getting Dimebag's distortion that is used on most of Reinventing the Steel CD.

This sounds so perfect. I just took one that my brother had made and took off the flanger and this came out.

If you like metal and want to record yourself directly, this patch for you. Very Sepultura, Metallica, Grip Inc. Sounds great on Drop D, or D
chorus or reverb. Instead record yourself again and put one guitar at each side. You'

The same. Period!!!

My attempt to sound similar to the Smashing Pumpkins fuzz found on Siamese Dream era stuff.

Pitch shifted, cavernous recreation of Pink Floyd's "Time" intro.

Simulates guitar tone of "Time" solo. Good with Strat bridge pickup.

This is the nicest Pink Floyd sound I've come up with thus far... it sounds good with "Shine On", is great for most clean guitar on "Dark Sid
add a little bit of distortion it works well with "Run Like Hell". Enjoy!

Good for "Have A Cigar".

Distortion with a bit of wah; great for pulldowns.

Pitch-shifted tone with medium distortion. Really good for solos, but not too much else.

This is a good distortion to play all kinds of songs.

I used to get lots of feedback while using this much distortion on the Zoom 505, but now I seem to have fixed the prob. Check it out: use Z

Use this patch to get the poo out of your bum bum. Or us a Q-tip.

This patch is for to using in some instrumental music, for power solos and to not lose the power of the riff in the rhythm guitar.

Very noisy distortion, perfect for solos and power chords.

The delayed sound for "Pride" off of The Unforgettable Fire. Just get the band to play to tempo and you're laughing. Use through a mono
signal sounds dull and drifty.

Thick strings sound like drones, thin ones like a sitar - harmonics are plentiful and can be varied with attack.

Good for today's rock leads, like Rage Against the Machine's "Killing in the Name".

It's like Antimanisfesto (live) by Propagandhi.

Nice chorus shimmer for playing one of Prince's most famous tracks.

Very crazy and heavy (similar to the sound of Motorhead, Metallica, Soundgarden, and others).

Lots of feedback great if combined with lots of bass from the dirty channel on your amp.
Sounds like the distortion Rammstein uses in a few of their songs such as "Du Hast".

Sounds about like the first three Ramones records.

This patch gets that screaming Randy Rhoads sound, great for solos.

Tom Morello-like Distortion. Heavy but clean. 4 tube & direct amplifiers...

Basic but very intense and raw distortion that I use in my band. turn your tone control off for this one...

This patch is like getting a haircut from a lawnmower! Its sharp edge will take your head clean off!

So cool if you use a Crate amp or a Marshall amp. Is a soft acoustic wah and the wah "wave" opens so slow when you play. Also you can
this wah and the sound is a real monster for blues or jazz solos!!! Try this cool effect!!!

This patch is for Fender StratoCaster using Texas Especial pickups. Use the neck pickup por solos before the 15th fret and the Bridge pic
about distortion - This is based on Srv final performance in Austin Texas. If you use Zo

ERRATA: Sorry.. GAIN is 2..not 1 This patch is for Fender StratoCaster using Texas Especial pickups. Use the neck pickup por solos befo
Bridge pickup after. Do not complain about distortion - This is based on Srv final performan

Great for Hendrix's "Red House".

Use this patch only with Zoom 505 II or later. As nodulation us slow attack 5 or better 9. = tape reversed!

Cool highly-strung contemporary goth-rock sound.

Ritchie Blackmore patch to be used with a Fender Stratocaster.

Makes Your Guitar sound like a beast! Also works well playing in rhythm.

Good for all around rock.

Great to play in full chords! Doesn't work for two note chords.

Brilliant for Chuck Berry-style riffs. Play the bridge for seering Latin solos (especially for fast picking).

Nice for Rockabilly stuff. I use it in "Jump Jive and Wail" for the clean.

A good patch to play songs from 'The Shadows' like 'Apache', 'Ghost Riders in the Sky', etc.

Great for slamming rock leads!

Kind of like satriasi. I use it for "The Forgotten Part II". You may want to use a noise gate.

Exact sound for the entire Roots album by Sepultura.

Good distortion for most Rush songs (with the obvious exception of their 80's stuff in which Alex Lifeson did next to nothing). You can cha
Overture of 2112.

Perfect for Metallica's Sanitarium. For the intro just turn off the distortion.
Very metal-like

Dark black metal.

This sounds great on songs such as "Crushing Day" and "Always With Me, Always With You". Needs lots of compression.

Joe Satriani distortion sound for "Cryin".

Played thru a Fender Frontman treble 3 mid 3 bass 9 bridge pick up clean channel sounds just like satch live especially track 1 cd1 zoom
setting for delay 28

More exact setting -in my personal opinion- to Satch's sound. Other complement values are Contour: 10, Time: 10 if you've the Zoom 505
you get a better aprox, please, e-mail me...!!

Cool distortion for bluesy-heavy rock. Good for oldies heavy tones.

A full echo sound with rich tones. Play D, D2 then Dsus.

Tune to drop D, bass at max, mid at 0, treble at max.

Sounds exactly like Screaching Weasel.

Una patada en la puta cara!!

Simple Distortion (this patch is better than the factory preset, but with more treble and less bass.

Sounds vaguely like a sitar. Hours of fun.

(Great for getting that Sheryl Crow "My Favorite Mistake" slapback) (i'm doing this from memory, and might not have the delay number co

This patch is used 4 any rap/metal band and heavey staff. yeah rock yo,! ey listen to slapshock, greyhoundz, cheese and zooom and try t

This sound is exactly like a Guns N Roses album.

This is my idea of a slash rythm patch.

It sound exactly like the introducction of "Knocking on Heavens Door" but Guns n Roses. If you have a Les Paul, play it at rhythm on the p

Cool sound for slow stuff.

Use through the clean channel to get feedback and squeals out of a 15 watt 8" amp.

Sounds like a distortion used on the "Smoke on the Water" solo by Ritchie Blackmoore.

Cool for "Smooth" by Santana.

Good tone for Metallica's "One", "Welcome Home Sanitarium", "Nothing Else Matters", and "Fade to Black".

Smooth natural-sounding distortion.


Smooth Violin sound.

This is a real harsh and powerful distortion... and the good thing about it is that it dosen't make your amp hum like some of them do.

I run my guitar into an Alesis nano compressor, into my 505 which I use mostly for distortion, into a digitech rp7 for volume control and rev
effects. So your tone will differ from mine but this works great for me.

Great sound for heavy metal solo.

Great for power solos.

Set toggle switch in center position on your guitar; set all equalization on your amp to a neutral position. Patch creates a warm jazz guitar

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Good solo or lead with distortion.

Useful in the acoustic part of the song, "Black Hole Sun".

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This is the one patch where noisy p/u's help! Bridge pos. Try lightly scraping or tapping the strings at the bridge with a slide or pick.

Distortion with messed up delay, cool for single notes, lousy on chords.

Delay is even more messed up, but sounds okay with chords.

This is a mad combo of every effect that causes a kind of squeel. Visit my site at http://members.tripod.com/~randombandom

Bluesy distortion, not to heavy not to light, smooth, creamy, butterry flavor, poppy like popcorn.

After loosing my Strat in a stage diving experience gone horribly wrong, I came up with this patch for the 505 to give my '81 LP Standard
this patch with the "neck position" pickup and it's not dead on, but sounds real close t

This patch is best suited for "Staind" the song its been a while. It's basically just straight up chorus with a little bit of compression and som
settings to suit your style but this is almost perfect for me.

This patch sounds like Staind's Mike Mushok's Distortion off of Break the Cycle.

A patch for the standard metal sound similar to Anthrax, Sepultura etc. It's for a 505II, so additional is contour: -1. Use bridge humbucker,
D!!!

Plenty of tone, soft chorus delay, almost perfect for pretty songs.

Totally gnarly sound. Awesome for soloing.

Clean tone for straight jazz guitar. No distortion.

It sounds much like Timo Tolkki sound with my SG.


Patch for street spirit (Radiohead) Perhaps the best song ever!

A very good sound for lead.

Very good distortion.

For the Dire Straits song. Use pickup with the sharpest sound; experiment with gain settings.

An excellent clean patch used in verses, before switching to heavy distorted chorus power chords!

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A patch for playing general metal, like Metallica or Pantera, the louder you have this patch, the lower you should go on the limiter, for exa
on stage, try using L4 or L5 to reduce a bit of the noise.

Distor�ao pesada (Heavy distortion)

I want the best patch

It's for super pussycats.

A sweet sustaining, delay dripping solo patch. Works for me, set the gain between 20 and 26 depending on your axe.

A really powerful tight distortion.

A feedback patch for you noise niks into Big Black.

Cool patch, and if you mute the top three strings with your playing hand down by the pickups, you get a cool-ass sound. (Level doesn't re
preference).

Sound of Swedish Death Metal

Mellow full bodied, mid-range boosted bluesy overdrive with some bite to it!

If you can master it then it can be a real advantage or awesome lick using scales. Try it, but be sure to time it right.

This is great for the "Sweet Dreams" solo by Marilyn Manson.

Great for just playing low metal lead kinda stuff.

I stumbled across this patch and it's great, it is perfect for playing nice slow solo's and high bends, e.g Teen Spirit Solo etc. It can be used
ways.

There was a note here, but it seems to have split off into different dimensions.

Excellent for individual guitar, horrible for more than one guitar.
This is a good patch for any song on the new album. Easy Harmonics turn the volume on the guitar down to avoid feedback.

A fun and effective simulation of a baseball stadium organ. Very light-hearted.

That's The Best Patch...let's use it and understand...name is Exama or Tansellica.

Good light acoustic sound, I use it to play Eric Claptions - Tears In Heaven among others. Use setting between neck and mid pickup (sing
settings, adjust EQ until you're happy. For 505 II add: Contour -6

Trash!! Like Testament!!

When you play this, you'll reminisce about Judas Priest, Motley Crue, and Kiss. Also sounds great with delay.

I'll take "I like to Put things in my Eurethra" for $800 Alex.

Intro for Metallica's 'The Memory Remains'.

Very good for most The Offspring songs. Especially for IXNAY... (patches with Dt or Ld too High).

For Conspiracy of one, Americana or Ixnay.

The part after the intro, also you can hear it in the backround of Unforgiven 2. Get rid of a little delay to make it sound JUST like it. Standa

It sounds like Exodus or early Testament.

This is a very accurate patch for Pantera's "This Love"

Almost like a metal zone, but with more guts. Similar to Deicide's "When Satan Lives" CD. Turn bass 6-8, mid 0, tre6-9 (on amp).

It reminds me a lot of Pantera's VDP album.

Very powerful and heavy-sounding. Great for old Metallica. Great for solos and for harmonics. Just an all-around good distortion.

Heavy Thrash metal distortion good for Megadeth, Metallica and heavier stuff...

When I made this I first had the delay on d9 set to about 6 but when I switched power chords it would sound kinda weird so I put the trem
and did away with the delay this is good for fast rhythm but not too good for solos.

Sounds good as distortion for Tool. Crank the treble and mid up and put the bass between 5-8. It's a simple patch, but it sounds good.

This patch is for the Tool fans, Work's great with A Fender roc*pro 1000. But try it anyway! Sounds good for "Part of me" and the Undertow

Creates great sound, making leads fun!!!

Very Noisy!!

This is the patch you need if you want to wake the dead at 3 a.m. With highs only dogs can hear and lows that sound like a 747 on cRAcK
neighbors' attention. Not responsible for broken eardrums and/or windows.

(in a very big blender)


This I came up with, sounds just like the effects like: New Found Glory, Blink 182, you name it. Very clear and bright, try it, IT WILL ROCK

There something fishy about this--probably a Pisces working for scale...

Just a pretty cool melody type sound.

Trippy, nice fluid sound, great for the lead bit in 'UNtil it Sleeps' by Metallica, also sound really good for the soft parts in Sanitarium. AWES
though.

High gain 'lead/solo' distortion, with a up-pitch bend capability. contour= 10 time= 10 distortion= Pu (MKII options) for use with expression

Eu queria deixar claro que esta porra � mais um xingamento q um patche, mas foda-se! (Fabvon-)

Good for "Eruption".

This patch comes pretty close to Eddie's 1991-1995 sounds. Change EQ to 41 for more midrange. The low notes crunch and the high no

This is patch that works great for Cathedral. Use neck humbucker or neck/middle single coils.

The guitar sounds like Verdena's distortion in the interlude of "Dentro Sharon"; it looks like an analogic distortion, very cool!

The Best Flanger sound I've ever made, definitely good for playing inside your headphones!

Corrosive sound with gore medium frequencies that will make you die with metal sound!!!

Cool sound for solos, and one of two ways I know to get artificial harmonics to work on the neck pickup.

Very pure,j ust like Vinnie's Time Oddesey. Try it!

This is an Effect for Vocal-Recording on a GuitarFX. It's great when you don't have an ALESIS. And now in German (for my german friend
Effekt f�r Gesangsaufnahmen, wenn du kein anderes Hallger�t hst (z.B: ALESIS).

Nasty sound with a bit of distortion. You can change the type of distortion if you want, just don't use acoustic and don't set the gain too hig

This is a good patch for playing the intro to "VooDoo Chile" (Slight Return)

Scuse me while I kitch this, guy.

This wah kix some major ass. I can play on this one all night, so turn up the volume and jam your ass off!

This is a pretty neat wah i came up with. It's mostly good for lead stuff unless you have the expression pedal for the Zoom.

Patch muy parecido a la guitarra de Waltaer Giardino.

Iron Maiden

Best effect I've heard to use for the solos in "Sanitarium". Reverb on amp is optional.

This is a cool patch that sounds really awesome if your amp is turned up really loud!
Good patch for U2's "Where the Streets Have No Name". Use the bridge pick-up!

Alternate setting for the classic U2 track with no distortion.

Strange all-around modern rock distortion.

This is an awesome distortion - there is no other way to explain it!

Sounds just like Pearl Jam's "Yellow Ledbetter" song.

Sounds very close to Mike's great solo on Pearl Jam's "Yellow Ledbetter".

The more "Cosmic" Yes solo parts, are many times played by Steve Howe's 1950's Fender Dual Electric Steel Guitar. Such as in "And Yo
Central's "12-String Simulator" Patch (with less delay) for the intro & rhythm parts of "And You And

"The Yes Album" vintage Steve Howe style rhythms. Thanks to "The Guitarist's Complete Guide to Yes" Website for the tips on getting tha

"The Yes Album" vintage solos. Increased compression and added some distortion for Steve Howe's solo work, getting sustain without ge

This is a patch to play ED's intro to "You" on Pablo Honey.

A VERY ballzy distortion. Very close to "You'd Prefer an Astronaut" by HUM. Kill the mid-range and mess with the EQ and Noise Reductio
want.

The intro to "Zombie" by the Cranberries. Put a harsh distortion next to it for the dynamics of the track.
Patch Descripti Submitte COMP DIST GAIN ZNR EQ MOD DEL
Name on d By
Light Chorus Solo Dave Brown - Ld 26 5- C2 -
M COP Other/Special Jay Gilliam - DT 29 A5 - C4 D7
Metal Solo Jay C1 MT 20 3 17 C1 H1
Emrek (in
Metallica Solo
Turkey!) L9 LD 23 - 6- R6
Emrek (in
Metallica Solo
Turkey!) L9 LD 23 A9 6- R6

Moth
Distortion
Other/Special Mark Childs A3 AC 28 Off Off p6 D8

Brian
Nirvana Solo
Fuerstenberg L6 - - 6 40 C5 -

Phase Shifted Solo Mark Childs L7 Off - 1 p4 F1/P1 D2


Pixies Harsh
Lead
Solo Mark Childs l6 od 8 6 40 C6 Off
Satriani
(Forgotten Other/Special Jay Gilliam - MT 26 6 45 - D8
Part II)
Emrek (in
Scorpions Clean
Turkey!) C3 Of - 9 27 F9 H6

Screaming Bobby -
Wah - Really Other/Special briggs@wcco A2 Ld 22 5 24 C3 H1
sounds cool. m.com

Semi Acoustic Clean Mark Childs Off AC 28 Off 29 D7 H2


Smashing
Pumpkins
Solo Ewing - - - - P9 F6 R9

The Edge Solo Glenn C4 BL 26 A8 23 C2 -


Jason Parrish
understandab
le death metal
Other/Special of the band off Dt 21 0ff 0ff c2 0ff
angry samoens

Jason Parrish
wah wah Solo of the band A9 Fu 30 0ff 0ff 0ff 0ff
angry samoens

Wide N
Creamy
Solo Jay Gilliam L1 Dt 29 7 25 P7 D8

Clean Delay Clean Stock Patch L6 Off - 6 22 P4 d7


Clean Snap- jrblake1@ix.n
verb
Clean
etcom.com C9 of - 9 of of H4

fuzz gargle Other/Special Bernd P9 Fu 18 5 25 of r5


jrblake1@ix.n
Purple Smoke Solo
etcom.com C9 Ld 5 A6 P1 F7 d5
jrblake1@ix.n
Terje Rypdal Solo
etcom.com C1 Od 30 34 20 C2 H7
jrblake1@ix.n
Trower Power Solo
etcom.com L9 Ld 30 7 24 F2 d1
Super Dist
Solo
Solo Stock Patch L1 Ld 26 7 24 Off H3
WIDE-no echolsf@ibm.
distortion
Solo
net L9 oF -- 9 oF C9 H9
Slap-back god@whoever.
Delay
Other/Special
com L4 off - 22 36 D6 d6

"Beathing" EzyRider99@
Distortion
Rhythm
aol.com C4 ry 26 A9 P1 F3 H6

Camel Solo Tom Mack C3 dt 15 of 10 of d2

Candlebox
Chorus
Rhythm Tom Mack C2 of -- A1 15 C5 H5

Nirvana Live Other/Special bluefish C5 Dt 30 oF 25 d9 H9


Physcadelicca Solo Bluefish C9 Dt 30 A1 P5 F7 D7
jmr
super metalic Other/Special
technologies c4 metal 27 7 49 c3 h3

Peach Fuzzz Solo subverse C8 Fuzz 26 A9 26 Of opt

Polly Phonic Other/Special subverse C7 - - - P7 P9 H9

Guns N'
Chris "Hippie"
Roses/Aerosm Rhythm
Cymbaluk 1 Dist. 28/29 9 24 H1
ith

Distorted matt
Chorus
Other/Special
mara@tiac.net of blues 27 7 of c3 r3

EvH - "Ain't
Talkin' Bout Solo mike c4 BL 25 3 p4 f1 d7
Love" Phased
loud
distortion
Solo C1 NE 30 1 50 of of

Glenn
EVH
(tweaked)
Solo glenn@onecall c2 DT 30 4 16 C2 D4
.com.au

Shine On Solo Mark Benton C5 Od 4 A2 43 C2 H3

Shine On
(Riff)
Solo Mark Benton C5 Od 6 A2 43 C2 D3

arkham@pacb
Wah Solo
ell.net P9 0d 30 oF 41 oF d7

Whiskey in
the Jar
Solo Mark Benton C4 Ld 15 6 23 D5 D3

Mike
Deep Blue Solo (todooer33@a C4 Ld 21 A8 26 C3 H9
ol.com)

Smashing
gav@rocketma
Pumpkins - Other/Special
il.com C9 FU 19 A9 9 F2 H2
Love

Filesds@aol.c
Acoustic Solo
om C1 Off - 4 25 C2 -

Andy
Summers
Other/Special Jay L4 Off - 22 36 D6 d6
Bass-Like Other/Special Jay Gilliam C2 Ac 1 9 15 P1 H1
Carlos
Santana
Solo Glenn C9 LD 20 A4 23 D2 D4
Chorus /
Compression
Rhythm Dave Brown C1 Od 25 5- C2 -
Chorus/Rever
b
Clean Mark Childs Off Off - 9 39 C6 H6
Clean
Delay:Ragged Solo Mark Childs - Ry 5 A9 39 D9 H7
on Chords
Dropped D
Distort
Solo Ewing L9 Fu 14 4- - -
Eddie Van
Halen
Solo Jay C2 DT 30 4 16 C4 Off

Joe Satriani Solo Erik Nett C3 Dt 25 A1 43 C3 d5

Lead
overdrive Solo Dave Brown L1 LD 30 7 24 - -
w/limit

bryonr@oanet.
AC/DC Rhythm
com off OD 29 9 off off H4

A1 monster
delay part 3
Other/Special mr reverb a1 fu 29 of 45 of d9

Mats
Clean Fingers Solo
Miettunen L9 RY 4 A9 38 P7 H9
Mats
"Live" Dist Solo
Miettunen L2 DE 24 A7 23 D7 H8

Oasis "D'you
Noel
know what I Solo
Gallagher A2 Ld 22 5 24 C3 H1
mean" sound

ssonier@nbtel.
SRV Solo
nb.ca C7 OD 17 9 9 -- H2

Andrew
Hank Solo
Gardiner C1 oF -- 9 15 oF d1
Stephen
The Cradle Sonier,
Sound
Solo
ssonier@nbnet L6 BL 10 1 12 --- r9
.nb.ca

Nick " EDGE"


U2 - NUMB Clean
Andrews off dt 13 off p2 f2 off

Rafael
Lemieszek
12 String Rhythm
rafael@net.em oF 20 9 oF P6 oF
.com.br

The evil shred


Dr Distortion Other/Special
master A9 Mt 30 A3 4 S8 R2

Rolphie Dist
Solo
Solo P-J Eriksson L2 Dt 24 5 20 of d5

Adam England
Blues Crunch Rhythm rmengland@kt C9 ry 17 A8 19 of H5
is.net
Adam England
Bush
Distortion
Other/Special rmengland@kt C9 ry 20 A9 20 C5 r5
is.net

Adam England
Super Chorus Solo rmengland@kt L9 Ac 5 4 39 d7 H9
is.net

Distorted
Solo with Solo Adam England of DT 23 9 25 C4 of
chorus

Bright new
rock Other/Special Bobby C7 DT 17 A3 21 C2 H4
distortion

Greg
Jazz Chorus Clean
Leistikow L5 OF -- 6 25 C5 H5

Greg
Jazz Delay Clean
Leistikow L6 OF -- 6 26 C5 d7

Greg
Jazz Reverb Clean
Leistikow L5 OF -- 6 25 OF H5

The Edge
1986
Clean Joe U. C4 Of - 4 32 C3 D7

compressed
Ben H(The
distortion Solo
Plague) of dt 30 1 7 f8 h1
w/reverb

echolsf@ibm.
Acoustic Solo
net oF Ac 22 oF 20 C1 H1

Distortion echolsf@ibm.
with Bite
Solo
net A4 Ld 22 4 oF P7 H2

Rich and echolsf@ibm.


Creamy
Solo
net C9 rY 24 9 oF C4 d4
Sweet echolsf@ibm.
Distortion
Solo
net L9 Ld 20 9 oF P7 H7

SyChO echolsf@ibm.
DiStOrTiOn
Solo
net A9 Fu 30 9 P1 P7 d2

Adam
Sepultura or
Fitzgerald
any other Other/Special
adamfitz@bis. C9 dt 30 6 15 oF oF
heavy metal
net.au

Nice little
Matt
distortion Solo
Greenbaum oF Fu 30 6 45 oF oF
patch

kenny,
Funk wah Clean Smak@aol.co A7 bL 1 of p6 59 H2
m

Nice, tight
EzyRider99@
70's Rhythm
aol.com c2 ry 17 A6 29 of H1
Distortion

Elven Tea Other/Special Kevin Stilwell C9 Ac 15 off P9 d9 off


Marcy
Playground Other/Special Kevin Stilwell C1 Fu 20 AS off P7 r4
effect!!

SCLIFF10@H
Deftones-
Root Intro
Solo OTMAIL.CO A7 dt 30 2 40ish F7 R4
M

SCLIFF10@H
Deftones-
Root Intro
Solo OTMAIL.CO A7 dt 30 2 40ish F7 R4
M

Electric 12 Jean.Muller@
String
Rhythm
ping.be C9 Od 5 A2 40 P1 H2

Ashes to
Ashes
Rhythm Cinderella of Mt 30 a9 45 of r1

Sitar Drone
James "Ravi"
w/ delay and Other/Special
Duffield A7 off Off P8 P9 D8
wah
Grb1117@aol.
Pantera Rhythm
com of DT 30 1 40 of of

NONAME Other/Special 2 dt 28 9 26 c8 d9

BB on acid Solo Jay Gilliam off ry 23 off off F2 R1

curt
white zombie
ditstorion
Other/Special curdt@hotmail of mt 30 a1 6 d3 d1
.com

Haunted lee@eurisko.d
Organ
Other/Special
emon.co.uk L4 bL 22 1 P9 P9 d8

Dr
lucretia@unre
Who/weird Other/Special
ality.clara.net OFF dt 30 OFF P1 F2 R8
sci-fi sound

Metallica's ...
lucretia@unre
And Justice Rhythm
ality.clara.net OFF dt 30 OFF 42 OFF OFF
sound
SURF VERB Other/Special Bubba Jonze L2 RY 1 A7 25 D2 H9

jcalabig@chan
'59 Vintage Solo
cery.com L6 Od 6 1 12 Off r9

Sabbath Solo Tom Mack L9 Od 15 of 23 of H1

Tool
Distorted Other/Special Tom Mack of mt 30 9 13 F1 H2
Tone

Clean lead Muhammad


playing
Clean
Asif P8 ry 1 A7 20 C1 H9
Adam England
Smashing
Pumpkins
Rhythm rmengland@kt C4 LD 22 A9 25 OF OF
is.net

CarnevalOrg enjoy.coke@u
an
Other/Special
sa.net C8 Od 15 8 23 P9 d5

Iron Maiden, Andy


Somewhere in Solo "Echoes" C3 DT 30 A2 21 P5 D5
Time intro Bergman
Green Day Rhythm Adam England OF LD 26 A6 22 OF H1

MetallicA
(justice tone)
Rhythm Brian C4 mt 30 A9 13 of h1

Brian
MetallicA
(live)
Rhythm bsmith@result of of of a9 13 c5 h4
.com

N.I.B. Rhythm Steve L2 Fu 21 A2 47 - -

Smashing James Hardy -


Pumpkins - Other/Special jhardy@rtscon - dt 30 - P1 - -
Rocket sulting.com

A1 monster
delay part 1
Other/Special mr Reverb a1 fu 4 of 45 of d8

A1 monster
delay part 2
Other/Special mr reverb a1 fu 8 of 45 of d9

Rush - Alex duplessis@uti.


Lifeson / 2112
Rhythm
com C4 rY 1 1 35 C3 H5
Rush - Alex
duplessis@uti.
Lifeson / Red Rhythm
com L4 0d 5 2 35 F8 H1
Barchetta

James
Chunky Fuzz Rhythm
McDaniel of fu 3 of 30 of h6

James
mild blues McDaniel
overdrive
Clean
(mcdaniel@tz l3 ac 25 6 of of h3
net.com)

James
McDaniel
Silky Chorus Solo
(mcdaniel@tz of ac 5 6 35 c4 h5
net.com)

Kirk Williams
Mike Ness Rhythm (vwilliam@nb C4 Od 25 5 24 off H1
net.nb.ca)

HEADHUNT
Toby Hoover
ER'S HARD
HEAVY
Rhythm headhunter97 L2 dE 20 A7 25 d2 H9
@webtv.com
METAL

white zombie
distortion
Other/Special warp asylum c2 metal 30 a1 46 d3 r5

Clean tone
for Jazz
Clean Jay L1 -- -- 1 -- C1 H1
Powerful
Ballads
Solo Bugs~ Off Bl 30 9 Off C2 d5

Smooth(E.Jo
Jeff Reppert-
hnson-
like)Delay
Solo reppert@uiuc. --- Metal 24 9 --- C1 D8
edu
Lead

curt
HATE
DRIVE
Other/Special curdt@hotmail c2 bl 30 a1 50 d3 r2
.com

Sultans Of
Swing / Dire Solo Thijs Withaar L9 Od 6 Off 25 Off H2
Straits

paulinr@nbnet
80's Hard
Rock
Rhythm .nb.ca (Remi c4 bl 26 8 28 c2 h3
A. Paulin)
paulinr@nbnet
80's Hard
Rock
Solo .nb.ca (Remi L2 bl 26 8 29 C3 D8
A. Paulin)

lucretia@unre
KoRn Rhythm
ality.clara.net OFF dt 30 OFF 2 d1 d1

Supergroove-
The House of
alisticprosi Other/Special
Funk L9 Dt 30 Off P9 F9 d9
funkstication

Beatles circa
1963
Rhythm Lex Jones c1 ry 12 1 15 off r2
Axe
Creamy Fuzz
Lead
Solo axe@webgate. L5 Fu 30 8 35 off d5
net

Pierre Pepin,
Acoustic lead Solo PPEPIN@VN C9 8 22 C4 H7
ET.IBM.COM

Acoustic Pierre Pepin,


picking
Other/Special
Québec C8 8 18 C6 H7

Metallica Pierre Pepin,


(Nothing else Clean PPEPIN@VN L4 8 34 C3 H7
matter) ET.IBM.COM

Metallica Pierre Pepin,


(nothing else Solo PPEPIN@VN L9 LD 20 8 34 C3 H6
matter) ET.IBM.COM

Death/thrash
metal
Other/Special Jonny blaze L1 dt 30 5 25 off h9

nice clean lucretia@unre


sound
Clean
ality.clara.net L1 OFF -- A9 OFF OFF OFF

Clean
Distorsion
(kinda like
Other/Special Jason Parrish C9 bL 5 A9 41 off off
AC\DC)

Deep Purple
(made in Other/Special Jason Parrish C3 Dt 15 off 10 off d8
Japan)

Eric Jhonson
on the song Solo Jason Parrish C9 Ld 15 off 9 C2 H9
"Venus Isle"
Iron Maiden Rhythm Jason Parrish C3 bL 30 A1 20 C1 off

Metallica
"Kill'em all" Rhythm Jason Parrish C9 bL 30 9 20 off off
album.

Over-Drive
Metal.
Solo Jason Parrish C9 Od 30 off 19 off off

"Ozzy"
Harmonic Solo Jason Parrish off Ld 30 off 8 off off
inhancer.

Tight Metal
Rythum
(great for
Rhythm Jason Parrish C1 Ld 23 off 50 off off
Metallica)

makes gibson
SRV for les
paul
sound like SRV Dave Chown p9 od 17 a4 9 of r5
type strat

Paul Craig
Tool's - steve.craig@m
Ænema Tone
Other/Special
130.aone.net.a oF Mt 30 1 37 oF H2
u

A great
Levik;
rocksound for
Zoft Rock
your 4x12
http://hem2.pa C3 RY 18 7 6 H1
ssagen.se/levik
stack.

Nirvana-
Unplugged
warm acoustic formaldehyde oF Ac 30 9 25 C2 H1
Page-esque
lead tone
solo No Quarter p9 Od 15 1 25 oF h9

Tiago
U2 "Love is Love is
Jeronimo
blindness" Blindness Solo
-Abrantes- P1 Fu 30 OF 4 D2 H1
LIVE #2
PORTUGAL
Marilyn Sound Get
Bobby -
Manson Your Gun and
POAAF Cake and
axegrinder@ro C7 Fu 22-25 8 13 OFF OFF
cketmail.com
Sound Sodomy

Intro to "One"
Metallica -
One
by Metallica storm@vci.net C2 OF -- 5 31 C4 OF
(not solo)

Solo (just after


Metallica -
One (solo)
and during storm@vci.net OF RY 5 6 30 OF OF
intro)

scooped mids
Distortion good For Tom Minnick C1 DT 30 A9 9 OF H4
justice

Chris Isaak
(Wicked Clean Karl Rose L6 OFF OFF 6 46 C5 D7
Game)
No Doubt
(Just A Girl Rhythm Karl Rose A2 Ld 22 5 24 C3 H1
Intro)

Dane -
chris.pollock
Pantera Rhythm
@m130.aone. P9 Dt 30 Of 46 Of Of
net
Smoke On
The Water
Rhythm Karl Rose L2 OD 17 5 23 d3 Off

Rush - Alex
duplessis@uti.
Lifeson Other/Special
com C7 dt 8 oF oF oF d8
"Dreamline"

Rush - Alex
duplessis@uti.
Lifeson "Fly Rhythm
com L8 Od 10 A8 34 C3 H3
By Night"

Low end James


chunky thick Rhythm Bischoff@Mer C7 FU 25 8 45 Of Of
fuzz ck.com

The bitch Jimmy Freak


SMACKER
Rhythm
Face C9 Fuzz 25 no 7 D1 NO

Jon B
bright
equalizer
Rhythm (Iamnotmean - - - - 35 - -
@aol.com)
JOn B
clean solo Solo (Iamnotmean C5 - - 9 45 D9 H9
@aol.com)
Jon Be
clean verb Clean (Iamnot@aol.c A3 - - 2 35 - R9
om)

Jon B
good acoustic Clean (Iamnotmean - ac 30 - 48 - -
@aol.com)

Jon B
Jimi's wah Solo (Iamnotmean A9 OD 24 - - C3 H9
@aol.com)
Jon B
kickass
acoustic
Other/Special (iamnotmean C9 AC 30 9 45 C1 H9
@aol.com)

Jon B
nirvana
poly/clone
Clean (iamnotmean - - - - 46 C1 H9
@aol.com)

Jon B
thegroovethin
g
Other/Special (Iamnotmean A9 LD 30 A9 P9 F9 D9
@aol.com)

Turbo Swirl Other/Special Dan Young L1 dt 30 9 23 C5 d1

sad guitar Solo Richard Pain. c9 od 20/25 a5 of pu h9

Chris
Hank Marvin
Donnelly
"Wonderful Solo
(NoelG01@A C9 OFF - 1 25 C4 d4
Land"
OL.com)

Crystal Clean
Sound
Clean Jason Prince off off - off 31 off r3
Wild Wah for
solos
Solo Jason Prince off dist 30 3 31 C1

Killer modern Steve Hughes


Just Do It! crunch. Fear mailto:hughess P9 Mt 30 9 50 c2 H2
Factory???? j@aston.ac.uk

Pantera: dime bags


Vdop era. Vdof sound
curt s. L8 Mt 30 A1 50 - - R5

Clean Nirvana94@m
Pantera
clean pantera
ailexcite.com c1 of -- 2 36 c3 d6

cool little solo


Sweet Solo
patch
Shoes c8 od 30 5 43 c1 d5

cool little solo


Sweet Solo
patch
Shoes c8 od 30 5 43 c1 d5

Sweet Solo 3 solo Shoes c1 de 30 9 p1 of d9


another cool
Sweet Solo2
little solo
Shoes c2 de 30 of 22 of h4

another cool
Sweet Solo2
little solo
Shoes c2 de 30 of 22 of h4

scot aka
rhythm ala
scot
rhythm distort URwhatUis@a L9 RY 26 A8 45 D1 H3
ol.com

scot aka
sweet lead lead distortion URwhatUis@a L9 DT 26 A9 45 C1 H3
ol.com

ALLOWS A
METAL DEEP JOSHUA
BLASTER METALLIC KINNEY L4-6 NE -0- AMP 9 44 Do 1 D1
SOUND.

Jeff
Distorted VanderEspt
Bass
other/special
(JEFFERY@A C2 MT 30 9 10 P1 H1
YE.NET)

Silverchair "Abuse Me" - jezzad@fastlin


Clean Phase Clean Phase k.com.au C6 Ac 15 A9 P4 C2 r9
Jeremy Dawes
Silverchair "Abuse Me" - -
Distortion Distortion jezzad@fastlin C2 Bl 15 3 27 C2 r1
k.com.au
Dave Suchy
Organ Other / Special dave.suchy@st C9 rY 30 oF P7 P9 H8
ate.mn.us

Really heavy
Thrash'n ZeroXII@aol.
Metal
metal
com C9 Mt 30 5 25 oF H9
distortion.

distortion solo/rythym IroN_BirD L1 Mt 30 A3 50 C2 oF

E.V.H. EARLY E.V.H. MARK C4 BL 30 3 0FF 0FF H3

Randy
Randy
Rhoads
RHoads(live- MARK c2 bl 30 1 48 0ff h7
tribute)
Bright Acoustic
Bright Archer117@er
Acoustic
/ 12 string
ols.com C4 Ac 27 9 12 C2 D1
Simulator

Duncan Victor
Laser Beam solo
"El Cid" A9 Mt 25 A4 P1 P7 d2

Heartbreaker
Solo
Solo stote oF Od 21 A1 oF oF r3

Jimmy's Lead No Quarter


Led Zeppelin
BBC Sessions
tone from the no_quarter@h p9 fu 24 of 42 of h1
1st BBC disc otmail.com

Monster GarySENG@
Rhythm
Rhythm
AOL.com of LD 30 9 29 f2 h7

SOUNDS
NEW LIKE THE KIRK
METALLICA MEMORY HAMMET L8 LD 30 A9 50 D3 R2
REMAINS
jason
Powerful
Punk kendall( flydo
Distortion
distortion with
@earhtlink.net L4 ry 30 A1 42 of of
little crunch
)

70's Zeppelin Style.


Overdriven Overdrive & stote oF Od 29 A1 oF oF r2
Tone Tube Amp sim

Mild Chorus rhythm stote oF rY 15 A1 oF C1 oF

tweaked acoustic /
acoustic rhythm
stote L5 Ac 20 6 50 oF oF

X Oblio
BIG Solo Solo
X@aol.com C9 Ld 15 5 14 d3 H5

Power Ballad Solo Dave Chown L2 dt 24 5 20 F2 d8


exact
replica...used
BIG MUFF by Smashing GuitarGuru L5 Fu 30 9 10 C1 r1
Pumpkins,
Jimi, etc....

Fade To Warm Chorus Mike


Black intro w/heavy Perez(kwago1 off bl 30 3 50 off H3
solo distrotion @flash.net)

Warm Chorus Mike


Fae To Black
intro solo
w/heavy Perez(kwago1 off bl 30 3 50 off H3
distrotion @flash.net)

Biohazard Biohazard
Distortion Distortion
Ed Brock C1 Blues 30 A9 48 N/A N/A
HARD HEAVEST
HEAVY METAL
KICK ASS KNOWN TO
curt s. L8 MT 30 A1 17 - - D1
METAL MAN

The Mad Dog


Lynyrd
e-
Rebel Yell Skynyrd-type
mail:bandb@k C1 Od 30 A9 28 d4 H2
dirty tone
dsi.net

Rush - Prelude to
Xanadu intro Rush
Tom Mack C8 dt 8 of of of d8

Electric/Acou
stic
"Steve Vai" Lyric C6 OFF -- 9 40 C5 H6

Megadeath Has a lot of


like distortion power
Tom Mack L1 dt 28 A9 44 pd H6
GWAR:
jizmak da
carival of penguin attack
gusha L8 LD 30 A5 50 - - R4
chaos tone.
SOUNDS
GWAR:
LIKE THE
SALAMINIZ
SALAMINIZE
FLATTUS L4 DT 25 A4 50 P7 --
ER.
R

GWAR GWAR
GWAR:scum
dogs era
GWAR GWAR BALSAC L8 DT 30 A3 50 C2 --
GWAR
Leigh "The
Flanged and
Jimi in Space!
fuzzy.
Mad Dog" oF Fu 30 oF oF F1 oF
Brunk

Warm but Leigh "The


Like Luke biting with a Mad Dog" C9 dt 20 A8 26 d1 d7
little linger Brunk

Marshall- kickin lead URwhatUis@a


esque lead tone ol.com -- LD 30 A4 31 -- H1

URwhatUis@a
Phased Out phase distort
ol.com L5 RY 30 9 P4 -- --

THE REAL
EXACTILY
PRO CO
RAT
MATCHES Satan L4 MT 30 A1 42 - - --
THE RAT!
SOUND!!!!!!

Warm, Chorus and


James
Smooth and Room or Hall
Tomlinson of of of of 30 c4 r6
Clean Reverb
Magical
Acoustic
rhythm/picking Spooks OFF Ac 30 OFF 46 C6 OFF

good patch for David


Cool Rhythm
patch
hardrock & ( tincanic@hot off Ld 24 A6 41 off off
punk mail.com )

cool patch for


excellent solo
solos
David L4 Bl 16 6 32 d1 d3

Exactily
......And
matches
Justice Guitar
metallica's
GOD??? L8 DT 30 A3 50 - - R6
Tone
AJFA

Bassy Rhythm
- Crunch
Dawesy L9 Od 16 A4 7 d2 r1

Dawesy -
High Ring "The Door" -
Dirt Silverchair
jezzad@fastlin L5 ry 12 A9 32 C3 r6
k.com.au

"No
Clean Bassy
Association" -
Rhythm
Dawesy L9 ry 8 3 5 d2 r5
Clean
almost like a
ProCo Rat
rat L8 FU 30 A9 36 - - --

KIRK
HAMMET'S
WAH (RE-
AUTO WAH A6 BL 30 A9 50 - - --
LOAD ERA)

t_tornkvist@h
Jazz acoustic cool
otmail.com C2 ac 1 9 15 P7 H1
Solo Wha Very cool Wah t_tornkvist@h
(hendrix) Wah otmail.com A6 od 15 7 P6 - r9

70's fuzz rhythm or lead stote C4 Fu 19 4 33 oF r3

simple sitting_on_roc
*Distortion
distortion k c9 de 20 a5 30 of of

Flange your Whoop Ass


Daughters Metal Flange
Ace Whited Off Dist 26 A9 off F4 H5

You may want


Lock Up Your to sue when
Daughters! this setting
Ace Whited Off Dist 26 A9 Off C3 H5
kicks your ass!
ready to pop
breakpoint
overdrive
Mad Max C9 Od 1 A9 50 C3 H1

Shon
Rythmn Tube Chunky OD a
Crunch la Marshall
"Ottoman" C4 OD 13 A6 25 -- r7
Wood

Preston
Crunch Bite
McCauley oF Ld 9 4 11 C1 r3

Hammurabi
Decent Patch It sounds cool (hammurabi@ C1 BL 24 4 oF C2 H9
mindless.com)

Wherever I
Roaming
may roam
Vagabond A3 - - 2 9 P6 D3

Whereever I
Dustin
May Roam
Waldrop A3 OF 2 9 P6 D3
Intro

King Nothing Soudz just


Octaver amazing
Mike Schier L1 Fu 24 off 46 F3 D9
This is a wah
Metallica-The which soundz
best Wah EXACTLY like
Mike Schier off off off A9 26 off D5
Kirk's
Soundz just
Metallica(Ma like
ster album) master.......disto
Mike Schier L5 dt 30 A3 off C3 off
rtion

Eggman98@h
Cranberries Zombie
otmail.com L9 Od 3 A2 25 C5 H1

similar to many stote


Led Zeppelin
BBC Session
BBC Sessions (stote@yahoo. L7 bL 19 A4 oF oF oF
songs com)

2end verse for


heavy JAWilhide@co
down in the
distortion mpuserve.com C5 MT 30 1 5 OFF OFF
park by foo f

DISTORTION
CANNIBAL USED ON
CORPSE MUMMIFED ‫?•؟‬ L8 MT 30 A1 45 - - D1
DIST. IN
BARBWIRE

Intro to FOO
Fighters - JAWilhide@co
Down in the
wah like
mpuserve.com A1 BL 1 6 25 D9 D1
park

Pre Chorous
to Foo Crazy JAWihide@co
Fighters distortion mpuserve.com A1 DT 30 9 20 D1 D1
down in the
Springy Matt
Buckish
R.E.M. Sound Weintraub L9 rY 1 1 40 d7 oF

Real
Doors-The Psychodelic
End Peacefull
Ace Whited L-4 off -- P-2 36 F-7 D-6
sound

Kind of a
Early AC/DC Bluesy Rock Ace Whited C-9 Bl 20 9 20 off H-1
Sound

Ziggy A real spacey


Stardust mello sound
Ace Whited L-7 off -- 1 P-6 off D-2

An Awsome
Cool Solo
Solo sound
Mark L4 de 16 9 22 59 H6

ME FISTING Nine Inch usefulidiot@pr


TRENT Nails - "hurt" odigy.net off off off 9 off p7 h3
sounds like
TOOLs little usefulidiot@pr
PRISON SEX
song Prison odigy.net off ry 22 9 11 off off
Sex

Tommy
This is patch to
MetallicA Binette
***Fuel***
play fuel on
(fuel@boisfra c2 MT 30 of 10 C1 R9
reload
ncs.qc.ca)

Good Echo-
Singer
type lead
Aaron High C9 oF -- 9 30 C1 D5

TS-5 Tube Poor man's krrussell@erol


Screamer Tube Screamer s.com C9 OD 15 A1 24 off off

SkAnKI'n a little ska


Patch rythym
Joe L1 bL 10 5 15 Pd off
Gary more type
Rich Solo rich overdriven Fraser C1 Od 30 9 10 off r5
sound.

11tollefsrud@
Foo Fighters All Foo
4eyes.net C5 RY 30 of of,25 of H2

come as you 11tollefsrud@


Nirvana
are 4eyes.net c9 21 ME off 24 off H2

Verse "Chorus" 11tollefsrud@


Nirvana Solos
Verse 4eyes.net C9 30 BL off 25,of C9 H3

Van Halen's a flanged,


jsal91@hotma
Humans distortioned,del
il.com 1 mt 26 6 42 f6 d4
Being ay type thing

bird12w@cs.u
KIng BB KING
regina.ca of OD 13 of 40 of of

Trust me, just Ghost


Really
try it... (GhostRider49
Rockin' Solo
achieved after @hotmail.com OFF MT 28 A3 OFF OFF H9
Dist
tryin' it all.. )

Big Raunchy Distorted


Distortion Rythmn
Adam England L9 Dt 30 A9 36 OF OF
One
Headlight Slide Delay Adam England L9 Od 1 A1 40 C9 D9
Slide

Megadeth ? ? ? ? ? ? ? ? ?

Straight
Good for punk
Ahead
rock
Ryan L7 bl 19 a4 off off off
Distortion

extreme jim speedy


sepultura
heavyness gonzalez 4 mt 30 9 30 0 H3

New Van a_gowan@hot


Halen Sound mail.com C1 Bl 25 9 50 C3 R9

Sounds rather neda@erols.co


Bassy
low m C2 Ac 30 9 1 P1 oF

VH's
neda@erols.co
Unchained Unchained
m A1 bL 20 A2 45 F2 r1
Distortion
Dave Gilmour's
Gilmour's
(Pink Floyd) marc@aec.arc.
Searing
lead sound in ab.ca OFF BL 30 A9 42 C5 H6
Stratocaster
'TIME'

For hundreds
of years, man joeletosthenes,
mans eternal
has struggled conquerer of
struggle for
for the perfect the Hellenistic L6 OFF - 6 P9 C6 D7
survival.
sound. ........... Society.
Now!

super bad ass


fucked up shit
a thick fuzz. Dug C1 FU 30 A9 50 OFF R1

its cool for


the best delay mansoldo@tec
lead
long and
hnet --- mt 26 8 --- c3 d7
felling solos

93burtonrj@st
Carlos
Santana
Solo udents.cleeve. C4 LD 20 8 25 C2 R3
gloucs.sch.uk
Coyote213@a
ol.com aka
Crazy train OZZY!
URwhatUis@a C9 MT 26 9 12 P7 H1
ol.com

Coyote213@a
ol.com aka
DRIVE LEAD DRIVE
URwhatUis2 -- LD 25 -- 44 -- --
@aol.com

now thats ahelluva lot of


distortion distortion
JiMMy C9 Metal 30 off 40 D3 off

Tommy
Enter
Binette
Sandman Say your pray
(fuel@boisfra L9 dt 26 a9 44 c1 h3
Metallica
ncs.qc.ca)

GBJH604@G
E.V.H. Perfect for
Flanger Unchained
BJH.EDNET. L1 DT 30 4 16 F7 D4
NS.CA

The band Filter


uses all tube
Marshall power Bus300@aol.c
FILTER
amps, this om - ry 25-30 - - - -
patch comes
really close

Live-
Lightning rhythm SOLO BOY C7 ry 4 A9 38 F3 H4
Crashes

Don't miss this


The Iron distortion
Distortion setting...Best
Iron Bhoot off DT 30 A9 12 off off
I've ever had
WARNING!!
DEATH I'm not
David
METAL responsable if
Langlois C7 Dt 30 A6 50 OFF H2
distortion it destroys your
amps

Hard Edge A bluesy patch


Blues with some bite.
Tom Mack of bl 29 9 19 C1 H1

Really brings
Zero:
out those
Smashing
HEAVY
Tommy of dist 10 9 of of of
Pumpkins
HARMONICS!

SepulturA
Distortion
curt smythe c1 mt 30 9 41 r2

Eddie Van
Rhythm/Some
Halen, VH
solos
Mike OFF Dt 30 A1 6 NONE H5
Period

Seasons in the
abyss (dist)
main dist Curt S. C2 Mt 30 9 7 r5
Seasons in the
abyss (Solo Both solos Curt S. A6 Ld 30 A1 50 C3 H1
part)

Seasons in the
abyss (the that clean part Curt S. A1 7 C3 H3
clean part)
Boosted Tube
Screamer
Brian May Me C9 Od 15 A9 33 of R4

Bright
Distortion
Rhythm Me L7 ry 19 9 38 of H6

Clean
"Freak" Silverchair Dawesy Ry 4 1 36 C2 H2
Chorus

Dawesy
Silverchair Mid-High
Dirt Range Metal
jezzad@fastlin L4 MT 23 A6 35 C2 -
k.com.au

aint talkin' bout PAB5150@aol


Van Halen
love .com C7 Mt 30 4 of F7 d4

Black sabbath
Good Old
Sabbath
(master of curt s. c1 fu 25 a2 25
reality
Black sabbath
Good Old
Sabbath
(master of ozzy c1 fu 25 a2 25
reality

Heavy
Ambetic
Ambience
Me A9 Fu 30 A9 P4 54 D9

clean with a bit


Brightness
of flavor
Me L1 Ac 30 9 38 P4 H6

Queen: Keep
Phase Guitar
Yourself Alive
Me C7 Mt 21 A9 P2 off D8
Candle Box
Rythme
Chorus Steven L3 of -- A9 17 C4 H4

EDDIE VAN
EVH
dIsToRtIoN
HALEN VanillaBOBs C2 Dt 30 4 16 C2 D4
DISTORTION

Hard distortion LarsMC16@Y


Nirvana Dist
louder than hell ahoo.com L9 dt 15 6 30 of r9

Wild, Untamed
Turbine
Lead
Steven Ped8 Bl 22 A9 P1 of r4

LarsMC16@Y
Lithium Blues distorted blues
ahoo.com L1 BL 10 6 30 of r9

Hendrix Fuzz Really good!!! Andy Of Fu 27 5 42 C2 H5

Therapy! Good
Kickassbitchs
taintharepy!
for Steve L7 dt 25 A9 24 d5 off
screamager!!!!

sounds like
Low mans
lyric
metallica's Jon L9 of -- 6 p9 c9 r9
song
my most recent
stote
attempt at that
Jimmy Page
early zeppelin
(stote@yahoo. C3 Ld 24 oF 28 oF oF
com)
tone

Marilyn good dist for


Manson sweet dreams
james C9 DE 26 A6 41 C1 H2

Aleksej/Brasil
smoke's
smoke on the - email:
blackmoore
water's solo Bill@digi.com C9 Od 14 9 40 OFF H5
water
.br

solo for teen hard dist with


spirit flanger
james C9 LD 24 ---- 41 F1 H3

hardcore dist
that sounds just
teen spirit like the song
dist also great for
james C9 LD 25 A9 25 C1 R9
other nirvana
songs
acdc
bart@mygale.
thunder thunderstruck
org c4 mt 30 9 30 c2 h3
intro

Mind stealing nasty delay kissfan@disco


delay sound verynet.com L7 Ld 28 5 24 Off D7

good for
jsal91@hotma
cool wah metallica and
il.com p7 mt 26 9 43 c1 off
alice in chains

ZAKK WILDE
TOMORRO OZZY81@YA
W
ON
HOO.COM L7 off -- 5 P2 F9 D8
OZZMOSIS

Cowboys
cowboys era
from Hell
dist.
curt s. c3 mt 30 4 47 - - r2
PanterA
good heavy
stote
rhythm patch
the hip
for tragically
(stote@yahoo. C3 Ld 19 oF 28 oF oF
com)
hip songs

Cool Good for direct cameri@yahoo


distortion recording .com c1 bl 24 4 off c2 h2

CAMERI@Y
Therapy?
AHOO.COM L4 OD 30 9 36 D4 R6
a simple patch
stote
that sounds
Pink Floyd
good for most
(stote@yahoo. oF rY 16 7 oF oF H4
com)
floyd songs

Wah solo
Kirk Solo sound used by LarsMC16 A3 mt 17 A7 50 oF d6
kirk hammet

smells like teen bart@mygale.


nirvana
spirit org mt 25 9 10 c5 h5

nothing else bart@mygale.


nothing
matters org c9 ac 20 6 40 f2 h9

Jeremy Dawes
Phaser with -
46 & 2 - Tool
Crunch jezzad@fastlin Ry 15 P4 C5 r4
k.com.au
for songs like
nine inch
"wish" Ingalls@prodi
nails- Broken
"happiness in gy.net ? ? ? ? ? ? ?
album
slavery" "last"

pallois@borde
led zep led zeppelin aux.cemagref.f c9 ld 16 5 25 c1 h3
r

Oasis Lead JeremyB1@ao


Oasis
Distortion l.com C9 Ld 26 9 30 of r2

Laputa Lee
Feel Soul of
FuFlangeDe
FuFlangeDe
[sklee@school A5 Fu 23 A3 P7 F9 d9
.net.hk]

Megadeth raphael@myga
Megadeth
Distorsion le.org L8 Dt 30 A1 50 Off d1

If you've ever Big Mike


wanted just a McFadden
Clean chorus
good clean (bigmike485@ off off -- a7 36 c8 off
chorus. yahoo.com)
If you've ever Big Mike
wanted just a McFadden
Clean Flange
good clean (bigmike485@ off off -- 1 13 f7 off
flange. yahoo.com)
Big Mike
Smooth;almost
Laid Back McFadden
Double
12 string
(bigmike485@ c2 ac 25 9 6 d9 off
sound.
yahoo.com)
streaming
Big Mike
metal
Super groovy McFadden
Metal
sound,like
(bigmike485@ c5 mt 8 a1 p2 c5 r8
early smashig
yahoo.com)
pumpkins

very sensitive,
delay exowolf@hot
distortion
good for finger
mail.com C9 dist 30 off p1 d6 d9
tapping

good for palm exowolf@hot


evil distortion
mute hardcore mail.com off dist 30 5 30 off h9

Groovy and Big Mike


mellow; good McFadden
Laid Back
for improv. + (bigmike485@ c2 ac 27 a3 26 p7 r7
solos yahoo.com)

This is the
smoothest
fastrun01@aol
Smooth Metal sounding metal
.com L9 mt 30 a1 50 off h3
patch I have
found so far.

Distorted
intro for hard distortion bobby c4 ac 17 a9 40 c3 r7
"tract boy"

Intro for hard core


"growing up" distortion with Bobby l1 fu 30 a7 25 off off
by Blink 182 fuzz box effect

intro for
mellow and
"tract Boy"
from Ghoti
rather sweet bobby off ac 10 6 45 off r1
acoustic sound
hook
Askance deadpoo@yah
flanged solo
Windy!
oo.com of dist 30 5 of f7 h1

Heavy
xtreme_666@
Heavy Dist Distortion that
yahoo.com L9 Dt 30 A9 48-50 off off
rocks

Early Fuzz
Fuzzy Wuzzy
sound
Me C9 Fu 21 9 41 of of

Clean, breathy
Purple Rain
sound
Me C7 ry 1 A1 P1 F3 H7
Cool assed
blues lead
Curt Smythe c3 ry 23 a9 3 p1 --

TRY IT OUT
CREED YOU MIGHT JAM2022 L9 DT 26 A9 44 C1 H3
LIKE IT

Eddie
Vanhalen
the exact one jam2022 L9 B1 26 9 OFF C3 H7

EVH eddie with a


FLANGER flange
jam2022 c9 dt 30 9 42 f3 r9

intro for sweet


m manson
dreams
jam2022 OFF LD 11 OFF OFF OFF OFF

good and
metallica justice for all jam2022 c4 mt 30 9 30 off h3
sound
chaos a.d.
sepultura
album
jam2022 c7 dt 30 a6 50 off h2

GOOD FOR
SOLO FAST JAM2022 P9 MT 30 OFF 45 OFF R1
SOLOING

Makes an Asle Leknes,


Bass electric guitar aleknes@pc21
Simulator sound like a 0.namsos.vgs. C8 Ac 3 A6 3 P1 H2
bass. no

Asle Leknes,
Fat, Nirvana- aleknes@pc21
Grungy Fuzz
like fuzz. 0.namsos.vgs. C3 Fu 30 A7 12 off r6
no

Asle Leknes,
Moody A useful chorus aleknes@pc21
Chorus sound. 0.namsos.vgs. C4 off -- 3 35 C4 H3
no

Asle Leknes,
Cool sound
aleknes@pc21
Psychedelic with step effect
0.namsos.vgs. off dt 20 9 30 S9 d7
and delay.
no

Medium gain
Asle Leknes,
fuzz sound
Universal aleknes@pc21
Rhythm Fuzz
useful for
0.namsos.vgs. C5 Fu 15 2 22 off H1
almost
no
everything.

Filtered Fuzz
Fuzzter
Sound
Me P3 Fu 30 A9 -- -- --
SEASONS
SLAYER
ALBUM
KERRY KING L1 LD 30 9 8 C1 OFF

For low end


Steve Hughes,
(tuned down to
Low-end bite!
B, dropped-A
hughessj@asto C1 Mt 30 9 46 - r2
n.ac.uk
etc).

Sounds like
Led Zep BBC The Grim
Sessions
Page's tone on
Reaper C1 bL 10 2 20 oFF H1
the BBC album

Use this when


playing loud loud L1 LD 30 A6 40 0FF R1
w/small amp

GOOD FOR
DEFTONES
ANY DAZED AND
DISTORTIO
DEFTONES CONFUSED COMP9 OD 13 A9 16 OFF R6
N
SONG!

This is not
exactly like the
Enter
intro but it
Sandman
sounds really
Nikhil Nair of of -- A9 34 F8 of
Intro
cool as the
intro.

This a cool
effect that can
Testment-
be used for
Demonic
almost all
Nikhil Nair C8 BL 15 4 25 OF R4
effect
metal/heavy
metal songs

early
early SLAYER
SLAYER
sound
Kerry King L5 LD 25 A5 42 OFF H1
sound

half-assed
immitation of
Talking
Guitar
P.Frampton's Adam A9 off off P6 off off
talking guitar
sound
Dream Pull me under
theater intro
Mull L9 of -- 6 p9 c3 r9

crank dire straits mullet L9 OD 5 off 24 off H2

Randy good diary of a


Rhoads mad man tone
curt .s L2 DT 30 A3 5 C1 --

Donnie
( http://membe
Monster Strat Killer hi-gain rs.tripod.com/ C5 LD 27 8 28 C2 H3
~Stratking/ind
ex.htm)

Great for
Death Metal Cannibal Curt S. L2 DT 30 A3 6 -- --
corpse

Death Metal
Solo
Curt S. L2 MT 30 4 5 C2 H3

Mike
Overdrive sounds like a
McFadden
with a bass bass is playing
( BigMike485 of od 17 A7 49 P1 R7
play along with you
@yahoo.com )
sounds a lot Ghost
like (GhostRider49
Yngwie's solo
malmsteen's @hotmail.com L5 Ld 28 A1 Off Off H6
sound )

N.W.F.(Nice
Words can't
Warm
describe
Me C9 ry 10 A1 P9 d6 of
Feeling)

A ROOM
Jon Ivar
with a Room effect..
Kolstad c1 ry 9 1 14 off h9
view :-)

LarsMC16@Y
Am I Evil? shreading dist.
ahoo.com of mt 18 3 40 of H1

Intro to "Bullet Jon Ivar


Bullet
the blue sky" Kolstad c1 ry 30 a2 25 off d7/d5
Solo for Bullet
Bullet the Jon Ivar
blue sky
the blue sky
Kolstad c9 od 30 3 23 s2 d7
(Live)

Jon Ivar
Crisp-metal Metal-sound
Kolstad c5 de 30 4 36 d7 h9

Day Tripper Fuzz Bass Me C2 Fu 7 A9 1 P1 H7

Jon Ivar
Echo/Delay
Echo/Delay Kolstad
sound for
sound for live
mostly U2
(Norway) L4 RY 8 8 23 d1 d8
U2 songs jonivar@kolst
songs (LIVE)
ad.no
For U2's Jon Ivar
Much
"One", Kolstad
"Where the
delay...ok
jonivar@kolst c3 ry 10 8 25 off d8
sound...
street's.." ad.no

A freeflowing,
Jon Ivar
"Jet-Metal" flanger-like
Kolstad l9 de 22 a5 24 f1 d7
sound

Jon Ivar
Soft Wah Wah-sound
Kolstad a7 ry 16 5 15 f7 d8

ZOOM 505 ZOOM 505


ZOOM 505
Rocks!!!! Rocks!!!! a2 - - - - - -
Cool clean
patch, sound
Dream
just like pull
Theater
me under in my
tomer 3 1 35 C6 H7
Clean
peavy 112
amp.

Megadeth´s
Black Friday
Accoustic
Metal Forever! L1 AC 30 A8 3 C6 R9
Intro
Extreme-
It is what is IVIetalEdge
ShredMetal
says! (TB) C7 dist 30 6 50 off off
Dist.

cannibal gallery of
corpse suicide album
curt s L4 DT 30 A9 42 R3
PORNO IT SOUNDS
MUSIC VERY curt s P6 OD 1 9 47 C3 R6
PEDAL WAH CHEESEY

Carcass Reek
Of Pretty cool
Putrefaction sound
Metal forever! c7 fu 30 A9 50 of H2
Disortion

Boston or Gives you that


Rockman Rockman zjackson C7 Ld 30 7 31 C1 H4
sound sound
Sounds like
ZZTOP delay used on
ELIMINATO the song I zjackson C7 Ld 28 6 26 OFF d8
R DELAY NEED YOU
TONIGHT

C5 LD 28 A8 28 C3 D7
Great for hard
Riksolo
soloing
Rich C5 LD 28 A8 28 C3 D7
Great for
Risolo
Visceral solos
Ricardo Avila C5 LD 28 A8 28 C3 D7

Ed Taylor
Crazy Train Crazy Train (phrake@usa.n c5 dist 25 9 43 off h2
et)

F>T>B> intro solo of


CHORUS Fade to Black
GUIDO L8 Ld 15 9 OF C6 H4

MetallicA good ol'


1980's MetallicA
Guido L9 Ld 30 9 25 C2 H2

R.A.T.M great with most


patch rage songs
lucid of bL 25 9 P3 P1 H1
"Stratking"
http://members
patch for an
spice it up
effects loop
.tripod.com/~S L3 off off 5 28 C-3 off
tratking/index.
htm

bombtrack sound exactly


intro the same
me L1 BL 26 7 24 OFF H1

metallica ajfa metallica ajfa metallica ajfa


record main record main record main L8 DT 30 A3 50 Pd OFF
sound sound sound

TYPE O
GREAT FOR
NEGATIVE DAZED AND
DISTORTIO
CINNAMON
CONFUSED C9 BL 30 9 5 C9 H9
GIRL
N

HEAVY
METAL RHYTHM PAUL C1 LD 23 OFF 50 C5 H4
RHYTHM

very good for


lead
leads
Thomas C3 Ld 30 6 22 p4 H3
Damian
Tubey or er......Tubey or
something something
"damnwymz" c9 bl 25 7 25 of H9
Wims

a head-on
Purity in distortion that The Ancient
Oblivion offers praise to One off DT 30 9 50 - H3
the Absu

To Live is to The Ancient


Let Die
interlude solo
One OFF OD 20 9 35 OFF H9

Tormented A heavy wah The Ancient


Souls with some bite One A9 BL 20 9 50 OFF H9

Cool flange
sound, reminds The
Oh Baby!
me of running GuitarGOD C3 RY 1 A9 P9 C9 H6
water
straight
70's rhthm forward 70's Me C8 bL 8 A1 of of of
rock

late night good sound for guitar


blues solo rock-blues scenecrafter oF Ld 30 3 31 F4 d3

sounds good
when played
cool lead
high on the
g man L4 od 30 9 27 c2 d6
neck

Beginning of
Houses of the
Holy
Houses of the Tack L1 Od 20 A4 15 P9 r9
Holy

loud and
stalker
horrorized
HamerFREAK C7 dt 30 a4 35 p9 of

Screamn' Dirty Gritty


Bloody Blues Blues
The LAW L1 Fu 14 A3 11 off R3

good tone for


dist solo
lead guitarists
ugur kayasal c1 ld 20 1 25 d6 h6
heavy dist a very cool dist ugur kayasal c1 dt 25 a9 40 c5 h5

Heavy
Heavy Riffs MetallicA Justin Hanson C3 Ld 30 8 44 0 H-2
Riffs!
WILD COOL ? C9 MT 30 A9 P9 C9 D8

A very strange BlackMiG


Paranoic Dist. Dist. w/ Wah e970098@zipi A9 Dt 30 5 42 OFF D6
and Delay .fi.upm.es

When the
BlackMiG
Smoke it's Solo sound of
going down this great song
e970098@zipi c3 off -- 6 42 c8 D8
.fi.upm.es
SCorpions

Money for
Nothing
Dirty ol'sound Me P1 ry 30 1 17 of r6

THE CROW
CROW guitar MOVIE BlackMiG OFF DT 30 4 42 OFF H9(*)
SOLOS

Marylin's
Sweet Dreams version <------
SOLO Manson is a
BlackMiG P2 OD 30 4 40 F5 OFF
FRUIT!
Dizzy
Odissey Malmesteen dancingdays@ c9 bl 25 a9 33 c1 h3
hotmail.com

yngwie
malmsteen
garett c2 bl 27 9 20 c2 h7

yngwie smooth thick


malmsteen tone
garett c2 bl 27 9 20 c2 h7

A great David
David
Gilmore Solo
Gilmore solo Tony Little C4 bL 27 6 36-38 C1 d7
effect

punk rock ross


offspring
distortion
sound, high (ticorola@pro of Od 24 6 49 of r1
and heavy digy.net

Siamese Smashing Anthony


Dream Fuzz Pumpkins fuzz Heverin 0 FU 30 4 0 0 0

Fender's very
high tone & FENDER@SE
Strato Blues
Feel
gain for RVINET.COM 3 Od 7 A1 23 C1 H2
bridge/medium .AR
selector.
harsh gainy
sound be
best metal careful with The Unseen c4 nt 30 a1 50 f1 none
amps with lots
of gain

DAV E
Interstellar Great Syd
Overdrive Barrett Tone
(m_dave5@ho C2 Od 3 A1 10 C1 H5
tmail.com)

vintage tube great tube god of rock


overdrive overdrive and roll c5 od 15 7 28 0ff h1

Sounds very
good for
Metallica
master of
master of
puppets
puppets and Death Of Dt 30 A9 45 C2 Of
other songs
sound
from the
puppets album

JIM V.LE
ROOTS VOICE OF (SOUNDSKIL
METAL ROOTS!!! L@EUDORA C9 MT 30 A9 45 C2 OFF
MAIL.COM)

sorry dude i
thought you
new metallica
fucked with
that isn't
mine and thats
F.U.-B.A.R off dt 30 9 9 off off
noisy
why i did
that.i'm sorry.

perfect metal high gain speedy


lead chrunchy gonzalez L4 LD 30 7 30 off 7
Nice Tight
NTD
Distortion
Me C7 dt 8 A9 7 C2 H3

This is a great
patch to play
Heavy Metal Still Got The
Slow Solos Blues and
Aurelio Nunes L9 LD 20 8 34 C2 D6
songs that have
slow solos

High grind
pantera overdrive and me c9 dt 30 a1 50 C3 none
chorus

Jon Ivar
Hold me,thrill
Kolstad
me, kiss me, "Deep rock"
(jonivar@kolst Off Od 30 Off 24 Off D8
kill me
ad.no)
Konhkra Spit
Or Swallow Death L8 Mt 30 Of 50 Of H3
Album Sound

exelent for
assholes that
korn pad
dont have
te vale madres l9 dt 13 p8 cr10 of r5
nothing to do

Massive The Heavyist


THOUNDER ever
evil johan P7 dT/oD 45 Any 21 C4 D4

very good
twangy
70's distorting for the electric
METAL/FUZ pulling Jimi jiggl0
Z/TWANG/DI hendrix jiggl0@hotmai P9 Mt 30 A7 50 of H1
STORTION! stunts :c) l.com
GReat ffor
solos

Steve Callear
Foo Fighters Heavy Foo
Sound Distortion
(_st3vi3_@ya C4 bL 30 7 35 Off R4
hoo.com)

Beginning of Beginning of leapquinn@gr


Teen Spirit Teen Spirit and aymont.freeser P9 off -- A9 50 off H1
and Song 2 Song 2 ve.co.uk

USED IN
INCUBUS SUMMER
CLEAN / ROMANCE MIKE
FUNK AND THE MCFADDEN off RY 2 A6 P1 F1 H3
SOUND ENJOY
INCUBUS EP.
USED IN
INCUBUS SUMMER
MIKE
FUZZ / ROMANCE
MCFADDEN A2 BL 30 off 1 off R9
BLUES AND SOME
OLD SONGS.

look with yours ok


this patch and I
scumbag, I Fu-BAR ?
am the person
wasn't the one
Besides, I even have a zoom 505 any more.
who fucked
who made don't

Old
Death/grind Death C7 FU 30 A9 50 OF H2
sound

Cheesy Land of the


Science Lost, Dr Who, Me P9 Od 3 A1 P9 P9 H9
Fiction etc...
Dimebags PanterA
Patch (enough said)
LJ c4 dt 30 4 48-50 off off

Melodic black
Deep into the
death metal
abyss L9 DT 30 A1 40 OF H3
distortion

Jon Ivar
Blues-
(Hit the strings Kolstad
distorted-
hard) (jonivar@kolst A9 BL 30 A9 30 Pu H9
Wah..
ad.no)

correction to Riff at the end


floods of floods
PANTERA L8 BL 28 A1 24 P7 D7

FADE TO
OVERDRIVE JUSTIN
SOLO
BLACK
HANSON 5 OD 14 3 41 C3 H5
INTRO SOLO
PANTERA`S JEFF_BAKE
FLOODS FLOOD @HOTMAIL. C3 AC 26 A1 24 P7 H6
CLEAN SHIT COM

the ultimate no bulshit


jeff_bake@hot
dimebag works with any
mail.com L6 MT 30 A1 29 OF R3
distortoin pantera riff

TRIPED
CLEAN JEFF_BAKE
OUT RIFF
AT THE END
TRIPPY @HOTMAIL. L8 AC 28 A1 24 P7 D7
DELAY SHIT COM
OF FLOODS

Bullet the U2 sound.. Jon Ivar


blue sky- (Also for Kolstad
Popmart Discoteque- (jonivar@kolst OFF OD/LD 24/26 OFF P1 S8 D8
version outro) ad.no)

Wah with delay


Wah Delay
and chorus
Eric Thomas A9 Od 25 A9 26 C6 d9

Makes you say,


wow thats Thomas
ECHODRIV
good! Its a new Landry
ER
kind of sound! Plandry2@Sy C3 Ld 30 6 22 p4 H3
SUPERLEAD
Very good in mpatico.nb.ca
leads
Low Death Good for at the
Metal Patch gates stuff!. L9 MT 30 0F 1 0F 0F

DOWN AND HEVY BLUES


DIRTY SOUND
DAVID P9 OD 20 9 41 OFF H3

DOWN AND HEVY BLUES


DIRTY SOUND
DAVID P9 OD 20 9 41 OFF H3

solo of
paranoid sounds almost atlanta@nbnet.
from black the same nb.ca c9 fu 19 9 50 of of
sabbath

Straight on
Gibbons a la rksteady@pac
Gibbons/Tush
Tush, La bell.net C2 dT 20 A4 25 CC3 oF
Grange, etc...

Later Van Like EVH on rksteady@pac


Halen F.U.C.K. bell.net C9 Ld 16 5 31 C2 H3
Sweet sound
like the
beginning of rksteady@pac
Nugent
"Hibernation" bell.net oF Od 20 9 35 oF H9
from Double
Live Gonzo

Rolling Stones rksteady@pac


Richards
rhythm bell.net C2 Od 15 4 35 oF r3

Capture's
Jimmi
Hendrix superman@cb
Drive
Hendrix's
oss.com off Ry 25 1 P9 off r4
Elusive
VooDoo sound.

rare blues dist


dinodistortion
used by satriani c5 bl 30 a5 31 c3 d1

deep deep bass Eric Nyffeler


Drowning clean sound, Ham_Fisted@ L9 of -- A1 1 C1 of
kicks ass hotmail.com

tom morello gtr fx used by silver_dino@y


screams ratm ahoo.com p9 bl 30 6 P9 off h3
for doing those
brain piercing
tiny harmoics
pinched
on the high
Boobys p9 bl 30 n/a 50 c3 h4
harmonics
strings

Excellent for
Megadeth´s
Thrash Metal Countdown to Death c1 dt 30 a4 31 of h1
Exctinction
song!

Dotan is an Dotan's other


Dotan Tembel
asshole personality F1 U2 C3 K4 - Y6 O7

Damn Good
Distorted clean
Rock
heavy sound!.
Death C9 Ry 26 A9 50 Of H1
sound!!!!

oziris show's
distortion
rythem dotan L6 dt 20 A9 31 of of
oziris show's
lead
solo dotan L6 ld 20 A9 40 of of
A Blues patch gausvind@onl
Hard to Miss
for moust uses ine.no P9 Fu 18 5 25 off r4

Uhh. . . it justs Ozzy81@yaho


Techno Sound
sounds cool. o.com C9 OD 27 9 P3 S1 d8

Sounds like
So Far So megadeth on so
God so what! far so god so
Death L1 Dt 30 7 20 c1 H9
what album

Adam Stewart:
Its name says it
WOW!
all!!!
jarstewart@ho C3 dt 25 A8 45 C3 r5
tmail.com

D. T. INTRO
DREAM OF UNDER ART.
THEATER THE GLASS CAVESTANY C9 DT 30 A7-A9 20-30 P7-P9 C3/D3
MOON

HEAVY HEAVY
ART .
PROGRESSI PROGRESSIV
CAVESTANY L8 MT 25-30 A6-A9 Aug-13 C3/D3 R3/H9
VE E SOUND.

COOL JET ART .


JET
SOUND. CAVESTANY L8 LD 25-30 A6-A9 P7 F6 R3/H9

GOOD FOR
SOLO ART .
PLUCKING
LOVE SONGS
CAVESTANY C9 OFF 15-30 A7-A9 25-30 C3-C5 D3/H9
AND SOLO'S.
Sounds Like
Black
Black Sabbarth
sabbath
Dehumanizer
on the Death Of Dt 30 1 40 Of Of
Dehumanizer
Distortion
Album

more intense
version of the
intense metal new metallica F.U.-B.A.R L1 dt 30 9 6
patch that isn't
noisy

Sounds very
Death(Warcom
downtuned not
Carcass Patch
very loud but
bat@hotmail.c C9 Mt 30 A9 47 Of H7
om)
still Heavy.
LEV Notes

20
3
Bit of chorus,
20 metal tone.
Seek and
21 Destroy

21 Fade to Black

Screeching
Moth
20 Distortion.
Extremely
bright.

Sounds like
25 Come As You
Are begining

Phase shifted.
20 Used mainly
for solos.
Resembles
20 "Caribou"

26
Winds of
29 Change
I dont
remember
weather i
23 made this on
or not. turn
down amp

20
Turn up the
21 bass on your
amp
Staring at the
20 Sun

ideal for
30 molodic death
metal

very good for


30 lightning
shredding

22
Clean sound
25 with feeback
delay

27
'still looking
20 for tube
sounds!
Jimi Hendrix
27 -esque
Use neck
22 pickup

22
24 Stock Patch

A REAL big
24 room effect.

23
I love using
this for Pink
Floyd's
Astronimy
Domine. You
24 can use any
paticular
Reverb..
whatever you
like the most.

I use this one


for Eric
Johnson's
"Camel's night
24 out". Not as
silky as Eric's
but pretty
close.

Chorus/reverb
I use for the
verses of
25 candlebox's
song "Far
Behind".
Loud part of
26 songs-noisy

28 Groovy

ext
A polished
fuzz not quite
24 gritty, hence
the name

Sound Like a
70's synth that
producers
22-30 would use for
Sci Fi Flicks!!!
subverse@hot
mail.com

I use this
effect on a
25 Strat using the
bridge and
center pickup

sounds really
cool for
playing
Nirvana stuff
26 also it sounds
good without
distortion, but
not for nirvana
stuff

28
this sounds
pretty good on
my 160 watt
peavey but I
dont know
about smaller
26 amps contact
me at
gasm@rocket
mail.com if
you have any
comments

Basically a
tweak of Jays'
Eddie Van
17 Halen with
less chorus
and a bit of
Delay

David
Gilmour as
heard on
25 "Shine On you
Crazy
Diamond"
intro.

David
Gilmour as
heard on
25 "Shine On you
Crazy
Diamond"
main riff.

You can use


this one with
or without the
delay both
20 sound cool.
Also a bit of
chorus seems
to work.

22 Thin Lizzy

I wanted a
tone like Gary
23 Moore's "Still
Got The
Blues" sound
As heard on
the Mellon
23 Collie song
"love"
Used to make
Electric Violin
24 sound like a
real one
Slapback
23 delay
28
Dunno if its
20 right

20
20

20
"They Might
21 be Giants"
Try it with
21 MOD=C2 as
well
If you prefer
reverb over
20 delay try the
h7 setting.

20

FINALLY, a
patch that
actually
27 sounds like the
band that it is
supposed too!!

This completes
the whore of a
patch. Try it
but don't
blame me
when your
head drops off.
30 I am the
ultimate zoom
owner ,I have
3. Want to beat
the record just
try it you
piiiig~~~~!

Solo/Rythm
27 Clean With
"live" feeling

23 Nice live dist

This sound is
used in the
solo to the
song. It may
23 have a little
too much
distortion, but
I love it!

With a Strat at
the 5th
position of
course. Still
18 room for
improvement.
Let me know
via email.

Approximate
the Hank
Marvin
Shadows
30 sound. Add
amplifier
reverb. Select
middle pickup
on a Strat.
Pretty close to
Eric Clapton
(album From
the Cradle),
with a Strat at
the 5th
position.
Clapton also
21 uses a Gibson
on this album,
but this patch
sound close to
it also.
Compare this
one to
"Reconsider
Baby".

28

any This is a nice 12 string sound I use to play Hotel California... It doesn't sound quite well. But it's ok... just bought my

Buy some ear


defenders coz
30 this baby's a
bitch
Hmm, Eddie
22 van Halen
like?
Nice Blues
Rhythen with
Any distortion for a
bit of bite.
My effect for
Bush songs. If
Any anyone has an
improvement
e-mail me.

Nice chorus
effect. Place it
30 over those
wimpy Stock
Choruses.
Level can Be
anything.I use
Any it for Nirvana
Solos.

20 This sounds kinda like Offspring. mail me Guitar6500@aol.com

Variation of
25 Jazz Reverb
w/chorus
Variation of
25 Jazz Reverb
w/delay

Good fat all


26 purpose reverb

For "Where
the street have
no name" + "I
24 still haven't
found" Play
with the EQ
for your amp.

great for
25 Pantera's
Floods solo's

This is the best


acoustic effect
I can get with
30 my
guitar/amp/zoo
m 505 combo.

A great
22 distortion for
shredding.

This patch has


no real "bite"
22 to it... But it
has a nice
wide sound
The best
distortion I
have gotten
20 out of a 505. I
spent a LOT of
time on this
patch.

If your lose
your hearing
20 over this one
don't blame
me. :-)

Turn amp bass


up full, mid
and high
halfway.
Excellent for
heavy palm
25 muting and
fret tapping,
great sustain.
Center pickup
works best for
me.

Level is set at
27, you can
change it to
any value and
it won't really
change the
tone at all. The
sound is
heavly
27 distorted with
lots of mids
and a heavy
bass, also
unlike most
distortions, the
highs aren't
cut on this
one. This is
my

this is the first


patch that i
25 made i think it
sounds great!

I like this one


for playing
25 Led Zep and
other rockin
70's tunes.

IT sounds like
27 freshly brewed
"elven tea"
It sounds kind
of like one of
the Marcy
Playground
effects on a
few of their
22 songs. It is
pretty cool! I
made a
mistake about
the other one
but this one is
right!!!!!!!

Cannot
remember the
eq level - Just
Knob about
with it!!! I am
looking for a
good way of
Any Using my
Marshall
VS100R's OD
with the Zoom
- any Ideas on
removing the
noise?

Cannot
remember the
eq level - Just
Knob about
with it!!! I am
looking for a
good way of
Any Using my
Marshall
VS100R's OD
with the Zoom
- any Ideas on
removing the
noise?

12 string
28 'Rickenbaker'
sound.

This is as close
as I get to the
sound of Faith
25 No More's
"Ashes to
Ashes"

Good fun with


exotic and
major scales!
This is one of
my favs!
Incense
anyone?
GREAT SITE!
THANKS!
This is the
closest Pantera
on a zoom i've
ever seen. if
there is a
30 better one, E-
mail me. Turn
Bass and
Treble all the
way up. Turn
Midrange Off

This REALLY
sound great
played through
a Pignose.
20 Good Blues
Rhythm/Lead
sound. Heavier
flanging works
well, too.

a kick ass
mother fuckin'
? ear bleeding
distortion!!

Ever wanted to
play Tocatta
and Fugue in
Dm but
NE couldn't find
the right
sound?? Well
here it is.
Enjoy.

Don't EVER
leave the room
with this
sound on cos
when you
come back it
will FREAK
YOU OUT!!!

This is as close
as I can get to
the amazing
'dry' sound
Metallica
have. I have
the reverb on
my amp on
full and the
gains and
equalization
about 1/2way.
If you can't get
it- tell me, cos
it works great
for me!!!
This sound is
similar to both
the Reverend
25 Horton Heat's
and Junior
Brown's live
surf sounds.

Variation of
"The craddle"
patch. I use
this to get a
vintage
punchy sound,
kinda '59
blues/jazz
sound. Works
21 well with my
Seymour/Dunc
an '59 and Jeff
Beck
Humbuckers.
Remove the
room effect to
get a real
vintage sound.

for rhythm set


the gain
24 slightly
lower...
Used to play
Stinkfist...
25 remember to
drop that E
string.

20
Pumpkins
Distortion. I
ANY usee it for
"Today"

Play
highspeed
pull-off's to
get a nice
27 effect. Use a
vol pedal to
sound like a
churchorgan

This is a the
closest I can
get to the
harmonised
sound that
Iron Maiden
used on
Somewhere in
Time (the song
28 not the
album).
Maybe make a
copy without
the harmony
as the next
patch to play
the rest of the
song.
Nice all
ANY around
distortion

this is the
closest tone I
can get to the
"...and Justice
for all" tone
ne Jaymz gets.
It's not quite
there but it's
the closest I
can get to it

I use this for


doing he clean
parts for stuff
like the clean
riffs for
ne playing
"Sanitarium"
and stuff. I
think I got this
one down.

I've tried to get


an early
SABBATH
sound...using
the neck
28 pickup.
Anyone got
any
suggestions or
help?!

I think I've got


a pretty close
match to the
"rocket"
any sound. Send
me email if
you've found
any better
solutions.

This patch
needs three
zooms linked
up in a row for
28 a massive 8
repeats of the
first signal.
part 2
follows :/)

This gives 4
29 repeats now
keep reading

A full
sounding
acoustical with
good reverb.
26 The guitar
sound used on
"Discovery"
and
"Soliloquy"
This sound is
used in many
Rush songs
including:
28 Xanado, The
Trees,
Hemishperes,
etc.

Nice, punchy
fuzz with
26 plenty of
chunkiness.

basically, it's
just the
acoustic
simulator
overdriven
enough that it
starts to sound
25 like an electric
again. This
gives it a very
clean sound
with just a
little bit of
overdrive.

I like to use
this one with
the beginning
to "Stairway
To Heaven"
30 (the clean part)
It's not the
way Led Zep
did it, but I
still like the
sound of it.

My facsimile
of Mike Ness's
sound off
"Story of my
25 Life", etc.,
from Social
Distortion's
1990 album.

It is a phat
loud hard
hitting patch
that realy
30 kicks. email
me with
comments
headhunter97
@webtv.com

sounds like
thunder kiss
25 65. great for
heavy metal!!

Clean bell tone


for strat. Use
24 on position 2
or 4 for best
results.
This is for a
powerful
ballad
soloing . It is
best use with a
gibson and an
25 ext. wah open
in the middle .
EMail me if
it's good :
idt.netvision.n
et.il

I use this to
play
everything
from Cliffs of
Dover to Fade
26 to Black leads.
It is even an
improvement
on the tones of
some big time
solos!

kinda sounds
like the frist
song off
25 marilyn
mansons anti-
christ superstar

Experiment
with gain. Can
28 also be used
for the rythm
part

21

23 Enjoy!

I've tried really


hard with this
one. If you
know how I
can get it
better, please
mail me

This is the
craziest sound
30 that might ever
come out of
your 505!

I good almost
clean rootsy
thing. Good
for early
Beatles and
Kinks Etc on
27 the bridge
pick-up and
very Chuck
Berry-esque
on the neck
position.
a very nasally
distortion
sound ( I like
it with the
neck pu of my
Ibanez RG 565
27 and my PV
classic 30) I
find it too
harsh with the
neck PU...
sustains well.

I use this patch


in the lead part
26 of Hotel
California
(unplugged)

Great sound
for song like; -
Dust in the
23 wind - Mood
for a day - and
any soul song!

25

I play with a
YAMAHA 150
stereo PA. The
settings are
23 probably
differents, but
closer on
guitar AMP.

This works
well with most
ne of your
earbleeding
metal riffs

This can be
used for
almost
anything
needing a
clean sound
(for me
anyway)

I use this for


ac dc songs
and it works
good...but I
26 didn't make it
for that. works
better with a
bridge pickup.

I use this to
PLay Smoke
26 on the water
off of made in
japan.
I use this to
play Eric
27 Johnsons
"Venus Isle"
I use this to
PLay Iron
maiden
26 songs...Like
Flight of
icarus.

I use this to
play songs off
of "Kill'em
26 all"...especiall
y "The Four
Horsemen"
I use this as a
26 clean soloing
patch.
I use this do
Inhance that
cool harmonic
H1 thing that
Zakk Wylde
does.

I use this to
PLay
Metallica
Rythum parts
27 and mostly
any outher
Metal rythum
work.

Best to use
neck PU. If
20 level gets up
to high you get
lots of FBack

Good for the


song Ænema
by Tool. Put
Treble and
Middle high
and bass low.
30 E-mail
suggestions or
comments to
steve.craig@m
130.aone.net.a
u

Needs
28 Celestion!?

good for
almost all
nirvana
unplugged
20 songs. for
CAYA, turn up
the chorus to
8.
sounds good
on my double
humbucker
guitar (use the
bridge pickup)
You can turn
up the level,
24 but it can get a
bit too shrill.
The comp/wah
setting is just
like setting a
normal wah as
a filter

It's incredible
28 what ZOOM
505 can do!!

Might Talor
25 EQ to your
amp type

Very close to
the "One"
intro, just after
the gunfire and
25 war sounds.
Please
comment to
storm@vci.net

This needs a
little work, but
is as close as I
can get. This is
for the solo
that is going
20 on just after
and during the
intro. Please
comment to
storm@vci.net
.

This Is great
for getting that
justice Tone on
your amp turn
20 mids off and
lows up and
highs up to
about 2.5

27

23
Rhythm and
Solo for
25 Pantera as
used in Vulgar
album
Play this loud
in your local
23 music shop,
they'll love
you!!

This is a nice
compressed
delay for the
28 intro. Works
O.K. for the
solo as well.
Play this one
28 on the bridge
pickup

This is a really
thick fuzz. I
use it for
Siamese
Dream like
Pumpkin stuff.
Play it through
a clean signal
25 on your amp,
and turn the
bass on your
amp all the
way up, and
leave the
treble and
mids at half.

If you like the


prodigy ( and I
know you
crazy
10000 Americans do)
then play this
bastardo with
the riff out of
firesterater!

pretty basic
----- but helps

very cool on
----- the high
strings!

-----

realistic
acoustic-well
almost,
----- soundsa good
for who and
some pink
floyd

-----
Sounds good
for all acoustic
things, it is
also very fun
to play with,
----- sometimes
there might be
fuzz, it still
sounds good
though

good for teen


sprit and
scentless
apprentice
especially

this would uck


in a song, but
pretty cool to
----- have come out
of your amp,
BE CAREFUL

Very warm,
thick
distortion that
is one of my
fav's. I use it
30 for A1,
because it
sounds great
with flamin'
leads and hard
rawkin.

If someone
can get a more
weeping
20/25 sound.could
you postit
please.

Hank Marvin
patch for his
song
"Wonderful
29 Land". Only
works with
Neck &
Middle
pickups

For a more
depper sound
change the eq
setting to 41 or
more. The eq
set down near
1 it's alot
28 deeper, but to
deep for
me.The deeper
sound is good
for songs like
lithium by
Nirvana.
I use this patch
for my own
music to create
a wild
sounding solo.
It's good for
fast grungy
type solos with
30 tremelo
picking. If you
hit the strings
with different
intensities eg.
hard and soft,
you can bring
out the wah
sound alot
This doesn't
have that bass-
drenched
sound you get
with most hi-
gain patches,
thanks to the
wah-pedal
LOUD setting which
filters it out.
Use a standard
mid-scooped
setup on your
amp and then
bring up the
Turn
hi-midsdown the
a bit.
mid,
Thenpump
tune. up
25 the bass &
treble

pretty close to
Pantera's clean
28 sound use ur
trem pickup

this is a really
good solo
patch, sounds
good run
through my
25 peavey amp,
mail me tell
me what u
think
Shoess6@aol.
com

this is a really
good solo
patch, sounds
good run
through my
25 peavey amp,
mail me tell
me what u
think
Shoess6@aol.
com

this is a cool
solo patch for
really fast
solos with alot
22 of bends mail
me tel me
what u think
Shoess6@aol.
com
email me tell
me whatn u
23 think
Shoess6@aol.
com

email me tell
me whatn u
23 think
Shoess6@aol.
com

Cool little
rhythm patch
that evolved
from a lead
25 patch. let me
know what
you think via
e-mail

I use this for


my own stuff.
sounds alot
like peavey
25 solid state
distortion with
a little twist. e-
mail me with
comments

THIS EFFECT
IS GREAT
FOR
PLAYING
THINGS
SUCH AS
KORN,
PANTERA,
METALLICA.
I SET MY 505
29 THE WAY I
LIKE IT TO
SOND SO
YOU MIGHT
WANT TO
MESS WITH
IT TO MEET
YOUR
STANDARDS
.

very cool
patch. heavy
distortion. i
use it for the
28 intro to tool's
"h" might
produce a
slight ringing.

Middle or
28 Lead Pick-up

Middle or
23 Lead Pick-up
Great "church
organ" sound.
Single strings
ring heavy, as
do chords on
29 higher strings.
Some lower
string chords
may be muddy
(adjust EQ).

This is really
good for when
you just want
30 to crank up the
volume and
have some
fun.

great for
pantera but
goes great
with just about
anything!!!
30 Giv it a try.
Send some
replies
alanc@mail.d
mn.com

TURN OFF
E.Q.SETTING
S AND USE
THE AMP
E.Q. THAT
WILL BRING
OUT THE
30 SINGLE
NOTES &
HARMONICS
ALOT
BETTER FOR
EVERYTHIN
G UP TO
"1984"

sounds best if
my amp is set
at low-10
mids-2 highs
10.best i can
do.Exept for
fly'in high-
turn doubler
28 up to d3
because most
his guitars
were triple
tracked in the
studio;thats
why it sounds
so full& heavy
This is a bright
acoustic
simulator
which I use for
songs like Bon
Jovi's "Wanted
Dead or Alive"
29 intro, or
"Hotel
California." It
might be a
little trebly
depending on
your setup.

Great for
24 techno solo
stuff

close to the
patch i use for
the rest of
Heartbreaker,
but sounds a
-- little closer to
the solo part.
Again, it's not
exact, but it
has the right
feel.

Good for most


songs on the
first disc of the
Led Zeppeloin
BBC
sesssions,
kinda makes a
-- humbucker
guitar sound
like the tele
jimmy page
was using.
Nice Thick
Fuzz

This is a ballsy
"70's metal"
sound, with
big sustain and
slight flange
23 effect. Good
for Sabbath
rhythm. E-
mail me with
your input.

GOOD FOR
NEW
METALLICA
STUFF,
25 GOOD FOR
THE
MEMORY
REMAINS!
Great Punk
distotion with
very little
crunch to
detract from
24 the sound.
Sounds best if
you keep the
bass high and
the treble low
on your amp.

Fat,
overdriven,
tube amp
sound. I use
the bridge
pickup on my
Les Paul.
Mostly used
on Zeppelin
songs
-- "Heartbreaker,
"
"Communicati
on
Breakdown,"
& "Immigrant
Song," but
usefull for lots
of classic hard
rock stuff.

simple rhythm.
I use it for the
-- Stones "Rocks
Off" among
other things

I forget how
much different
this is from the
factory
acoustic
simulator, but
-- it's not exactly
the same.
much better, in
my oppinion,
but, of course,
i'm biased.

This is a solo
distortion that
is nice and
smooth...also,
it sounds very
big due to the
27 doubling and
reverb. It
sounds
comparable to
Vai's tone on
G3.

Chorus instead
20-25 of flanger
works well to
MUST BE
USED WITH
AMP. Sounds
too "fuzzy" for
direct
18 recording.
Using the amp
sim works
okay too.
Sounds phat!

Be sure to turn
the tone all the
way down!!I
have been
trying to get
this sound for
a long time
and this is the
closest I have
gotten, it
30 really sounds
like Kirk.Also
use these amp
settings:
Low=10
Mid=2.5
High=10
Master=1.5
This is for a
crappy Peavy
Rage amp.

Be sure to turn
the tone all the
way down!!I
have been
trying to get
this sound for
a long time
and this is the
closest I have
gotten, it
30 really sounds
like Kirk.Also
use these amp
settings:
Low=10
Mid=2.5
High=10
Master=1.5
This is for a
crappy Peavy
Rage amp.

This distortion
is very similar
to what
Biohazard uses
on Mata Leao.
19 With this
patch, I set my
amp as
follows:
Treble=5,Mid
=5,Bass=10
scoop them
25 mids dammit!

This is great
for Skynyrd
and Nugent
tunes and
other sorts of
swanky, dirty
R&R riffs.
Big, fat, and
25 swaggering. A
Strat through a
Princeton 112
is my setup,
you might
want more
level if you
have
humbuckers.

I use this patch


for the free
time prelude to
Xanadu...
Including the
repetitive line
when the bass
28 and drums
come in. Pick
attack must be
at min volume.
Use volume
pedal for
swells.

Sounds like
Steve's guitar
on the track,
"Sisters" on
Passion And
Warfare. I'm
using a
30 Telecaster with
the traditional
two single
coils. This is a
nice patch for
that
electric/acousti
c sound.

Good power
26 distortion.

25

25

25
This is a
spacey yet
Hendrixey sort
of sound I
stumbled onto.
Again, it's my
Strat (Neck
25 PU) through a
Princeton for
my setup. It
sounds cool on
"Voodoo
Child: Slight
Return". =)

This is my
bestest Steve
"Luke"
Lukather
sound- think
"Rosanna" and
"Hold the
Line". I play a
Strat (M+B
22 PUs) through a
Princeton 112
Plus- that's
why my level
is so low on
the patch, feel
free to tweak it
for your setup.
=)

KICKIN
LEAD I USE
THIS ALOT
BEST TONE
27 IVE GOTTEN
OUT OF MY
ZOOM TO
DATE E-
MAIL ME

JUST A COOL
LITTLE
PHASED
27 DISTORTION
E- MAIL
WITH
COMMENTS

i set the verb


on my amp to
six, i scoop
25 them mids
bass is set
around 7 1/5
treble is on 7

Sounds great
with my Les
28 Paul through
the neck pick-
up!
Great for
finger picking,
kinda like the
sound you
picture when
watching a
fantas movie
26 or something.
I use it to play
"My Friends"
by RHCP, E-
mail me and
tell me what
you think

This patch is
cool for most
hardrock
rhythms. Try
some chords
with only 2 or
3 strings, they
26 sound cool. I
use the neck
pickup with
this one. Tell
me if u like it:
tincanic@hot
mail.com

I use the
humbucker
with this
patch. Don't
use it for
chords, you'll
die. Turn up
the vol, do
26 some really
fast tapping
and you'll
become god.
tell me about
it:
tincanic@hot
mail.com

PUMP UP DA
BASS &
TREBLE
25 SCOOP
THOSE MIDS
DAMMIT!

27 Middle Pickup

The main
effect used
throughout the
26 song, almost.
Rhythm or
Mid Pickup

Rhythm
30 Pickup
SOUNDS
CLOSE TO
MY FRIENDS
RAT, IF U
SET THE
25 ROOM
REVERB TO
ABOUT 5 IT
ADDS A
SWWETER
SOUND.

GREAT FOR
TREM
PICKING,
GREAT FOR
25 THE WAH
PART IN
"THE
MEMORY
REMAINS"

28 Mail me

27

Versatile fuzz
patch that kind
of sounds like
Zeppelin's
album "The
Song Remains
the Same." I
24ish use it for too
many songs to
list here, but
sounds good
for Cream's
"Sunshine of
Your Love."

24
Good
Complement
to "Lock up
24 your
Daughters."
Nice special
Effects touch

One powerfull
Distortion!
Reminesent of
early Eddie
24 Van Halen
with a touch of
modern power.
Not a subtle
setting.
Used on a strat
with a Duncan
Invader in the
bridge, and a
cheap practice
amp.Add a
30 little more
gain for single
coil pickups,
and turn of the
distortion for a
great clean
setting

For a brighter
tone change
EQ to 35. I use
this for
loud everything
from 'Dirty
Deeds' to
Matthew
Sweet tunes.

A patch I
stumbled
across. Sounds
27 very close to
R.E.M's "Pale
Blue Eyes"

Threw it
together on
Squier 15
prac. amp,
25 Series 10 strat.
Originally for
'Sweet Home
Alabama'.

To me this
sounds quite
close to the
27 intro of
"Wherever I
may roam" by
Metallica

Sounds like
the intro to
me....I have a
peavy Envoy
25 110 and i have
the low mid
and high all
the way to 10.

This is a kick
ass patch,
Metallica
kicks
ass!!!!!!!!!
King Nothing
26 rules ass!!!!!
I've been
experencing
different
settings and
this is the
best!!!!!
22

This is a good
27 sound for
Master!!!!!!!!!

May need a
little work, but
20 it sounds cool
as it is!

excellent for
heavy zeppelin
stuff. be sure
to use the
clean channel
with a volume
so you start to
get a nice
crunch out of
it. if the
-- volume is too
low it'll sound
thin. my setup:
bridge pu, epi
LP through a
fender
princeton 112
plus (trebel: 6,
bass: 10,
reverb: 3)

?????

25

This is the
intro to the
song down in
the park which
????? is found on the
X-Files
soundtrack or
the Monkey
Wrench single

This is a real
cool distortion
????? but be carful it
hums alot on
high volumes.
This almost
sounds like
R.E.M.'s "Life
and how to
live it." I have
a cheap
Epiphone
guitar and it is
30 the closest I
have found to
the Peter Buck
style. If
anyone can
improve upon
it please post!
I'd love to hear
similar styles.

I use this for


playing "The
End" by the
Doors, it
24 sounds really
good and has
dozens of
possibilities.

I love this
sound! I got it
while trying to
come up with
a good
Overdrive
24 sound. It
sounds great
for harder
Blues, and
general Rock
music. AC/DC
especialy

I use this one


for playing
"Ziggy
Stardust" by
David Bowie.
25 Bowie uses an
acoustic guitar,
but I prefer
this sound. It
kinda makes it
unique.

22
works fine for
nin's "hurt"
and
22 "something i
can never
have"

note:set bss
and treble
knobs on clean
channel to
about 12
o'clock
Try and use
the
overdrive/dist
channel on
your amp and
20 fiddle with
these settings
gain-
12(oclock)/bas
s-3/mid-
12/treb-2/

The bridge
pickup seems
to work best to

Hey i wan't
your commant
please... If you
26 find more
patch of reload
E-Mail ME

I create all my
patches with a
good
"starting" amp
tone. i.e. since
this is a lead
patch
obviously I
27 start on my
lead channel
w/ a liberal
amount of
gain. I hardly
ever use the
Zoom for
distortion.

As close as I
could get on
first pass.
20 Scoop the
highs on yer
AMP. Tweaks
are welcome!

Not that great,


but since no
one else had a
30 ska patch, I
thought i'd put
this one on...
I have a
crappy strat
copy from god
knows where
that cost less
than my 505
but I can get a
23 good rich
sound from the
neck pick-up
with this patch
which I use to
play
Parisienne
Walkways.

i can't get the


squeeling out
of this though
like in
everlong and
???? hey johnny
park but it
sounds alright
with my les
paul

this might not


be right but it
sounds good.
30 you could put
the chorus on
2 it may sound
better.

This sounds
really close to
Radio Friendly
28 Unit Shifter
and Teen Spirt
soulo.

this is pretty
any cool try it

EQ can be set
to your liking I
have a
30 MUSICMAN
copy and this
works for me

If u like it, go
ahead and e-
mail me... this
27 is truely the
best i can do
with this
baby....

This patch
bites and has
great Sustain!
22 I use it for
Machine
Head. It kicks!
All Purpose
Slide Delay.
Even if you
24 don't use a
slide this is
still a cool
delay.

I want
? Megadeth
Patches!

Use clean
channel.
High,Mid,and
25 Low all half
way up,adjust
your pickups
to your style.

WORKS
GOOD FOR
THOSE THAT
CAN PALM
28 MUTE AND
PERFECT
FOR
HARMONIC
EFFECTS

I set my amp
Low 5, Mid 3,
and High 5. I
use my clean
channel and
not through an
30 effects loop.
Use my bridge
humbucker for
lead and neck
humbuckers
for solos.

Makes the
guitar sound
really low. I
30 dunno knida
cool, I like it
at least.

I use an
Epiphone
Stratocaster
copy and a
small practice
amp. I like this
25 one better than
the other
Unchained
sound because
it is more
responsive
(less delay).
Guitar used:
Fender Strat
(Am Std) AMP
used: Crate
XL-15R AMP
25 settings: Gain,
Level, Eq. lo,
mid, hi all set
to 5. Clean 1,
reverb 0,
Overdrive off.

* On my amp,
adjusting the
'clean level' is
critical to
getting rid of
excess noise,
and getting the
right tone.

Now...the time
has come for
the worlds
leading wavy
water effect to
be reprieved
onto the
public. Some
people would
tell me i was
25 insane when i
tell them this
patch. But it is
all just
information...p
rivilaged
information....
so consider
yourselves
privilaged and
shut up.

I use this as
my standard
distortion,
cause it's so
bad ass. Not
only is it bad
ass, but it's it's
25 some fucked
up shit too.
AMP: bass-7,
treble-7, mid-
5. Take this
effect and
shove it.

28

Hope it is
26 Correct
GREAT TONE
FOR CRAZY
27 TRAIN. E-
MAIL ME

COOL DRIVE
25 TONE. E-
MAIL ME

i figured it out.
how to get as
much
distortion out
? of that zoom
in the smallest
amount of
time. good for
hardcore punk.

to play the
27 black album is
a good sound

This is a great
patch for
playing any
25 Van Halen
song with a
Flanger! Hope
you like it!!!

A simple,
clean, basic
rhythm. Most
of the 505's
distortions are
30 wet sounding,
this one is
very dry-
almost
crunchy.

The flanger
and reverb
make this
sound like
"Lightning
Crashes" from
27 the "Throwing
Copper"
album. I used
the neck
pickup on my
Strat.

Put the
High/Low/Mid
settings all the
any way up when
using this.
Good Luck.
Try it out men,
you'll see that
is the best
distortion 505
27 can do. Well,
if you like
kicking
ass!!!!!!!

22 This is my own, I use it for harddriving blues like Crossroads, etc... "Tom Mack"

Guitar: Les
Paul on neck
pick-up Amp:
Peavy
BlackWidow
200watt Low:
7 Mid: 4.5
High: 4.5
27 Vol/Gain:
loud!! Turn up
the highs on
your amp if
your not
getting the
harmonics
down.

roots bloody
25 roots

Bass all the


way up, Mid
1/3 up, High
1/4 up on amp.
For Eruption,
try putting
17 REV all the
way up to H9,
and fiddle with
the EQ on
your amp and
Zoom for the
right tone.

Scoop them
25 mids.

Scoop them
25 mids.

Scoop them
25 mids.
This is
basically the
Tube Screamer
patch with the
eq turned up to
give it more of
a bright
boosted sound
like Brian
May. You can
get a clean
counterpart by
21 dropping the
gain down to
1, boost the
gain to 25 for
solos. The
pitch shifter
could be used
to replicate
May's layered
effect, and a
seperate delay
petal is
optimal.

For every
clean sound I
have, I always
try to have a
distorted
counterpart
24 right by it, this
goes along
with my
Brightness
patch
submitted
earlier.

26^

Treble Pickup
21^ - Good for
Freak & Slave

Flanger/Delay
Sound for the
intro. Use
bridge
humbucker. If
25 your amp has
an EQ, cut the
mid and boost
the bass and
treble

set the mid


around 3, the
25 treble around
2, and the bass
at 5.
set the mid
around 3, the
25 treble around
2, and the bass
at 5.

With the
exception of
an ambient
feel, this
sound is pretty
much useless,
but it still
sounds real
21 cool. The
arpeggio could
be changed to
your liking,
but I think 54
works off the
delay
perfectly.

As 95% of the
time I play
through my
headphones
(which is
where I think
the 505 sounds
best), it's very
rare I don't use
the amp
simulator...Thi
27 s is one of
those cases.
The tone
changes quit a
bit between
pick-ups, feel
free to choose
your favorite.
Despite the
pitch shift, this
is a good
rhythm sound.

This is very
similar to
Brian May's
earlier guitar
sound,
particularly,
Keep Yourself
24 Alive. Though
I think he uses
two delays
instead of one,
it's very close.
It also sounds
good with Od
and Fz
Good with 2
pickups
selected and
mid tone on
27 guitar. Tone up
and pick the
bridge p-u for
Under the
Bridge.

Yupp.da exact
25 one.

This is very
loud and very
cool to play
30 anything hard.
Sounds great
on Smells like
teen spirit

Good for and


pickup
postion. I like
it with the
bridge p-u
24 though. Used
with a Fender
Performer
1000 and an
ESP LTD.

I use this to
play a lot of
30 nirvana and
my own
music.

Really sounds
good when
played through
a Strat and
25 Marshall. exp.
with the bass
sounds! Have
fun!!!

25-30

This sounds
like the song
but isn't
exactly right,
25 if anyone
makes it
better, E-mail
me.
it's not perfect,
but close. still,
it's a good all
around
distortion.
better than the
overdrive
channel on my
amp. the tone
changed a lot
as i fiddled
with the trebel
and bass
settings, so to
be as specific
as i can
beyond the
19 505 setting, it's
best using the
bridge PU on
my epi LP,
through a
fender
Priceton 112
plus. clean
channel, trebel
7(2 o'clock),
bass 5 (12
o'clock),
reverb 2(9
o'clock). e-
mail me with
feedback/sugg
estions.

good for all


songs on
portrait and
smells like
children also
any for the Wah
part switch
comp to A7 (if
you dont have
a pedal wah)

Sounds like
smoke on the
27 water's solo by
Ritchie
Blackmoore.
sounds close
any to teen spirit
solo

change delay
to your liking
leave tone
knobs on amp
any at 12:00 or to
sound more
like kurt turn
the mid up just
a little
play the intro
only whith the
left hand (it
constists on
pull off and
hammer on the
30 b string) put
two fingers of
the right hand
to block the g
and e strings
to avoid
wrong notes

This is what I
use on
"Operation
Mindcrime."
Let the
telephone ring
25 and then let
this sound do
the rest!
(Maybe not an
exact copy, but
IT ROCKS!)

you need a
volume pedal
on the thing to
any do manual
wah's get one
fast if you
dont have one

This is as close
as I can get to
Zakk's sound.
30 Crank up the
bass and mids!
ENJOY!!!!!!!!

scoop yer
25 mids!
this patch
doesn't work
as well for
playing lead,
but does a
good job
emulating paul
langois' tone
on songs like
thugs, new
orleans is
sinking, grace
too, and many
19 others. i saw
the hip the
other day, and
this patch is
similar to his
primary tone
for most of
night. (my
setup: Epi LP
Standard,
Fender
Princetion 112
Plus).

This is one of
the best
distortions for
recording
espescialy if
25 you double the
guitar part.If
anyone has a
good lead
sound e-mail
me.

25 COOL
this patch
gives a similar,
but distinct
tone through
each pickup
combination. it
works well
with my amp's
own
distortion, and
good tones of
both syd and
early dave can
be attained by
changing
pickups or
swithcing to
26 the dirty
channel. i have
no problem
using it for
ANY floyd
song.
hopefully it
eill work as
well with your
setup as it
does mine.
MY SETUP:
(Epi LP
Standard,
Fender
Princeton 112
plus)

This i use to
play kirk
hammet solos.
especially for
30 the fat solo in
my friend of
misery it
sounds nice

30
i think they
use flanger
and not
30 chorus,but it's
only my
opinion ;))

Use your
rhythm pick-
up and turn up
the bass on
your amp a
little extra. If
27 you cant get it
to sound right
still then try
some extra
palm muting.
(deadens the
phaser).
I need this and
any other
? "industrial"
sounds. Email
me!!!

i use it to play
whole lotta
love, good
time bad
times... i use a
marshall
valvestate 80
30 (setting bass :
50%, middle :
25 % treble
25%) and a
jackson ps2
performer
guitar

This patch can


be used for
about
anything. I use
it for anything
that needs
heavy
20 distortion. It
sounds the
best on Oasis
lead parts. E-
mail me with
any questions,
comments, etc.

25 no comments,

Sounds like
the distortion
used on
25 Megadeth's
'Countdown to
Extinction'
album.

simple and
26 clean.

simple. but it's


27 clean

Boosts any
song with a lot
26 of chord
progression.
tune down the
tone and mids
for a better
sound. I use it
on Ibanez
18 guitars, as
with most of
my other
sounds on
here.

A monkey
could kick ass
with this
patch. Very
27 loud and good
for covering
up sketchy
playing on fast
solos.

I also like it
for solos with
25 a little delay
added.

Sounds nice
24 with any style
of playing.

The level
doesn't matter.
If you wantto
make it even
25 better turn the
midonyour
amp all the
way down.

email for
corrections.
u pik (address
above)

As far as i can
tell this patch
is accurate. e-
mail me if you
have any
improvments
u pik or tabs of
blink 182. My
e-mail adress
is
gkozora@bell
atlantic.net

this is accurate
for sure! e-
mail me if any
u pik questions.(E-
mail on
lastpatch)
Exellent for
making noise
and
improvisied
25 solos...put
hthe level at
30 for more
noise.

I use a Peavey
Bandit 112. I
turn the
distortion on
the amp just
barely on.
Like a .1
setting (not 1
25 but .1) I play a
Jackson Dinky
Reverse. All
patches sound
real good thru
the the
distortion of
an amp.

Good fuzz
tone, it's up to
you, but I
prefer not to
use the amp
simulator.
19 Without it, it
gives more of
a dirty old
ripped speaker
sound. Great
for SRC
songs.

Good patch for


27 Prince's Purple
Rain.

25 cool shit

ANY
QUESTIONS
30 MAIL ME AT
JAM2022@A
OL.COM

any questions
mailme at
30 jam2022@aol.
com

good patch for


30 aint talkin
about love

ANY
QUESTIONS
30 MAIL ME AT
JAM2022@A
OL.COM

any questions
mail me at
30 jam2022@aol.
com
any questions
mail me at
30 jam2022@aol.
com

ANY
QUESTIONS
30 MAIL ME AT
JAM2022@A
OL.COM

Of course it
doesn't sound
exactly like a
bass guitar (it's
23 pretty near
anyway), but I
can't expect
anything more
from the 505.

25 -

This one
makes my
cheap Strat
copy sound
pretty good. It
does also give
26 a cool sound
when using an
overdrive
pedal
connected
before the 505.

25 -

I use it for
most of the
rhythm
25 playing. (I'm
using a Strat
copy and a
15w amp)

Don't use a
pedal with
this, it's not
meant to be a
wah sound,
but the wah is
19 used to act as a
filter instead,
giving it more
of a bright
sound than
your typical
fuzz.
SCOOP
YOUR MIDS
OR ELSE
25 THIS
WILLSOUND
LIKE SHIT.

This sounds
killer for new
Fear Factory
27 stuff, and Korn
as well.Scoop
mids on amp!

You may have


to adjust the
gain & EQ
depending on
24 your amp. The
listed settings
are from a
solid-state
Peavey.

MID-
25 0TREBLE-
5BASS-2

IF U WANT
TO PLAY
THE INTRO
25 TO ROOT
USE STEP 7,
AND AUTO-
WAH 7!!!!

Like I Said its


not the
original but it
24 sounds much
better. I use
this.

26

Set your amp


up in a mid
25 rangescooped
tone.

Don't expect a
miracle, but if
you play
random licks
26 in the G major
scale, you can
get a
Frampton-like
sound.
Email
comments to
amul@student.
monash.edu.au
23 DREAM
THEATER
RULE DAMN
IT !

27 try and enjoy

SET THE
MID AT 0.SET
THE TREBLE
25 AT 7.SET
THE BASS AT
7.

I use this patch


with my Strat
goinginto the
clean channel
of a
Peaveytrans-
tube head and
412ms 4x12
cab. Ihave a
volume pedal
with a stereo
cordthat I use
for volume
control.
24-26 pedalup=backi
ng guitar,
pedal down=
lead. Ihave a
volume pedal
that allows me
tohave a pre-
set volume
change when
Ifloor it. set
your eq on the
amp toyour
own personal
taste,enjoy!!

TURN OFF
25 YOUR MIDS

TURN OFF
25 YOUR MIDS,

GREAT FOR
TREM
PICKING
AND
TAPPING

23 iT'S fUN
The man is a
freak'n
genius... now
all u have to
24 do is to get a
56' strat and
learn to play
like that :)

I can't really
say much
about this
patch...Next to
the Brian May
one...this is
my favorite. If
you like, D9
26 could be used
to add chorus,
but since I
have a
seperate
chorus pedal, I
prefer it
without.

This is just a
basic room
effect..but it
26 sounds nice
though...get's
you in the
mood....
use bridge
30 pick up

Well..this
patch isn't
completly
ready..it might
need some
minor
adjustments...b
ut it's ok to use
16 for the intro to
"Bullet the
blue sky" (My
favorite to
play), the live
version.Hope
it works out.
(Tune down a
half step)
This is as close
as i can get to
The Edge' solo
in "Bullet the
blue sky", the
live version. It
has a mix of
18 wah,
overdrive,
delay, etc...it's
not exactly
right, but it's
pretty
close......

I was bored
one night, and
i started on
anew
patch...well...it
ended up
likethis....i'm
no heavy
17 metal player,
buti think this
sound is
quitenice....ple
ase tell me if
some
oneagrees with
me..:-)

Sounds good
for the
beginning part
ofthe Beatles
18 "Day Tripper",
and othersongs
that use fuzz
bass.

I use this for


quite a few U2
songs,mostly
the live ones
(The live ones
arethe best to
play along to
if you
askme:-) , and
26 it sounds
alright....For
songs like
"Rain",
"Running
tostand still",
etc etc....feel
free toe-mail
me if you want
to....
I use this one
for the intro to
"One" by U2..
(sometimes
also for
"Angle of
Harlem", but
the stock A4
patch is better
27 for that
song....or at
least i think
so)...Remembe
r to tune down
one step...and
play the intro
to "One"
softly...:-)

This is one of
the first
patches i
made...quite
pleased with
this one..:-)It
16 has a ok sound
to it..."cool"
sound if you
play it a bit
loud and mute
the strings a
bit...

This is a wah
sound that
should be
played quite
softly..so that
the delay
23 doesn't make
any
noice.....use it
for a relaxing
moment of
guitarplaying..
..

ZOOM 505 IS
23- COOL!!!

setup your
amp like
26 this:low - 4,
mid- 6, treb - 8

This is the
closet i have
gotten to the
Accoustic
27 Intro! If
someone have
a better one
than submit it!
Works best on
Peavea Bandit
(scorpion 100-
200wat) May
not sound
good on small
amps. Not
from any
spicific band, I
just came up
27 wit it. (sounds
good on ina
gada da vida)
Kinda like
something off
PanterA (for
dist, it can be
metal too,but
dist sounds
better)

SCOOP YER
25 MIDS

one
25 word......SHA
FT

This pretty
close to
Carcass Reek
of putrefaction
sound.I use a
Marshall 75
29 Reverb Amp.
The settings
on Amp
Gain4/6Boost
2 tone 0 Gain
5

I use a Mesa
Boogie cal. 50
ampwith the
low setting at
6, the
midsetting at
5,and the
22-26 treble setting
at6.5.Sounds
great with a
single or
doublecoil in
the bridge of
the guitar.
I use a Mesa
Boogie cal. 50
amp
withthelow set
at 6, the mid
set at 5,
andthetreble
22-26 set at 6.5. Any
guitarwill
sound good
but one with a
doublecoil in
the bridge will
work the best

Great for
23 visceral solos
Great for
23 visceral solos

23 No lo dejarás

For the solo to


crazy train use
this patch but
30 change the
MOD setting
to P7

THIS
SOUNDS
GREAT FOR
THE INTRO
27 SOLO AND
LEAD BITS
OF FADE TO
BLACK.

This is good
for old
Metallica
Songs (before
Black Album)
and good for
solos too.
TIP---use this
28 with the pick
up switch at
neck and it's
perfect for the
Blitzkrieg solo
(Jump in the
fire/creeping
death)

this patch is
great with
30 most rage
songs
I use this one
in the effects
loop of
aTubeworks
pre-amp. It
compliments
thebasic tone
of a pre-amp
or amp.
Doingit this
way, you dont
have to give
24 upthe tone of
your amp just
to getmulti-
effects! If your
amp does not
have reverb,
you can use
the zoom for
that, my amp
does.(Peavey
trans-tube
head)

i think for my
self that its
sound exactly
the same
sound that on
25+ the record but
you have to do
palm-muting
during you
play the intro!

twist the eq on
your amp to
27+ get the right
sound (like it
supose to be)

PALM MUTE
ANY POWER
CHORD AND
IT SOUNDS
GREAT
25 ESPECIALLY
IF YOU
HAVE
HUMBUCKE
RS!!!!!!

Play Heavy
Metal, Play
Solos, and you
27 will be
satisfied with
this patch, I
was

15
Yes....it's a
stupid name,
but it sounds
pretty
cool....... Put
28 bass and mid
on full and
treble about 7
on your amp.
Play loud........

Amp settings
for this patch
goes as
follows:
treble=8,
25 bass=10, and
mid=5."There
is no beast
without
cruelty."

This is a
experimental
patch with an
experimental
guitarist. I
discovered this
smooth solo
sound while
25 trying to come
up with a
sweet lead
distortion. "In
my being
nothing is,
nothing is not.
All things
return to me!"

This is one of
my best solo
sounds. Use it
25 wisely my
sons. "Can you
hear their
cries?"

Sounds really
cool especially
after you get
drunk. I use a
Gibson SG
26 with a
Marshall
100wt lead
head. Turn it
way up, enjoy!
I use this patch
to play rythm
for many70's
rock bands.
Aerosmith,
21 some Rush,
AC/DC, etc...
Reverb could
be added as
desired.

pretty cool
patch. my
zoom 505
made it real
easy to go
straight into
the mixer for
my friend's
26 film fest
project. used it
for
overdramatic
bkgrd soloing
for a scene
under a street
lamp. pretty
chill.

27

This Led
Zeppelin song
really sounds
good on a
25 Marshall
stack...i
haven't tried it
on anything
else yet.

this sponds
awsome
especialy
30 when youve
got a 100w
head!

I always
follow my
ZOOM 505
with a BOSS
Graphic EQ
pedal. Sounds
28 incredible,
lower the mids
(since a guitar
is a midrange
instrucment),
and raise lows
and highs

28
it is very
cool.Its my
27 best tone.i use
it with jackson
j-dr.

Setup I use on
30 stage!

30 NO

Use this with


neck Pickup,
with
highvolume,
and you'll get
25 lot of
feedback!I've
a GIBSON SG
copy with a
20W amp

Use this with


neck
PickupSounds
very similar to
27 the albumI've
a GIBSON SG
copy with a
20W amp

It's not perfect,


but I use
thissound for
Dire Strait's
"Money
forNothing"an
d Don
Henley's "All
23 She Wantsto
do is Dance".
Though it does
soundcool
with the wah
pedal, it's not
meantto be
used with it.

This is the
sound of the
movie!!I've a
Gibson SG
copy and a
20w Amp
(Kustom
w/Reberv)Put
27 the switch on
the neck
humbucker to
get the
sound(*) I
prefer the
Reberv from
my AMP but if
you haven't

26
Pretty much
like the
Odissey
24 album, if you
can improve it
just let me
know!

25
flick your
selector switch
25 to the neck
pick up and
sweep away

This setting is
great for use in
thesolo on
track two from
Darkside of
27-30 theMoon,
"Time." It
really lets your
highbends
shred. Use
bride pickup.

best used with


stuff from
smash, ixnay,
28 and
americanaemai
l me with
comments

Use this with a


ht pickup or a
humbucker to
23 get the effect I
am talking
about.

PUT THE
MIC
SELECTOR
IN
BRIDGE/ME
DIUM. USE A
HARD PICK
USING THE
25 RIGHT
HAND'S
EDGE AS A
SORDINE.
PUT YOUR
AMP A
LITTLE
LOUD.
got a good
metal rythm
sound but for a
good lead a a
distortion
pedal before
the zoom in
27 your effects
chainturn the
gain
(distortion) 3/4
of the way up
and turn the
output to half

Sounds real
close (IMO) to
the
P.A.T.G.O.D.
album tone.
Astronomy
25 Domine and
Lucifer Sam
sound really
great with this
settting. See
for yourself!!!

i love this
patch. it's
25 sounds like an
old vintage
tube amp.

Settings on my
ampVolum3
3/2Treble
28 3Middle
5/4Bass
3Master 3/2

THIS
SOUNDS
EXACT LIKE
SEPULTURA
28 FROMROOT
S ALBUM!!! I
WANT
"ROOTS"

you can crank


this up pretty
highanditstill
25 sounds good.it
isheavyenough
said.

the best high


26 gain i came up
to
The name says
it all. I think it
sounds best
using the
bridge and
middle pick-
25 up combined,
but experiment
with your set
up for the best
sound.
Awesome for
volume swells.

Try this one


and teel me
what uthink
about it.
Afsn@a-r.com
. I usethis
patch on my
Epiphone Les
Paulw/OBL
pickups and
my Peavey
Blazer 158.It's
the best path I
have here.
25 Also, ucan
change the C2
to C3 and the
D6 toH6,and u
get the same
patch, w/o
thedelay;it's
very good too,
i usethis
modification
to play the
solofrom
Nothing Else
Matters

the closest i've


30 come to dimes
distortion

This is a patch
i made for the
live version of
U2's "Hold
me, thrill me,
kiss me, kill
28 me". My amp
is blown, so i
don't know
how this
sounds.
Should be ok,
though.
Settings on the
fender
bassman
Volume3/2
Treble 3/2
Middle 8 Bass
10Master3/2
the fender
bassman is
connected toa
28 LEM LX220
Speaker.Sound
s pretty
goodfor
playing songs
from konhkras
spit orswallow
album.Havent
tried this
patchon other
amps!.

12334

stompin sound
MyAmp:Treab
30 le#5-Bass#8-
Mid#3-Riv#8

This is the best


patch i have
ever made just
give it a try it
kicks assvery
30 good for solos
or or quick
songsGREAT
for Wah
pedals!

This sounds
good through
my SG for
heavier parts
of Foo Songs,
such as
27 'Everlong' and
'Monkey
Wrench.'
There is quite
a bit of noise
and feedback
though.

Dont use the


expression
any pedal just put
it on P1

REFER TO
INCUBUS
30 DISTORTION
PATCH INFO.
REFER TO
INCUBUS
30 DISTORTION
PATCH>

I got a boss gt-


5 now. the 505
is crap
compared to
the gt-5. You
all suck and
whoever
origionally
fucked with
Fu-BAR's
patch and
mine is a total
ass hole.my

This i use
when i play
stuff like
pungent stench
or some old
gorefest and
other
death/grind
bands.Set the
distorion to dt
and you have a
sound similar
to carcass!I
28 have my zoom
connected to a
fender
bassman with
the settings
volume 3/2
treble 4/3
middle 0 bass
5 master 3/2i
am playing a
fender
telecaster
tuned down to
B.

If you don't
have the Exp
pedal than use
A9, but it's not
18 quite the same.
kick in a little
Overdrive for
some more
fun.
Leave the
level low like
25 so when u
crank the amp
25-30 up it has the
crunch on the
palm mutes
dimebag uses

A pretty good
patch for
melodic
black,Death
26-28 metal stuff! If
someone have
any better than
please submit
it!

This patch
sounds ok
with Hendrix,
andeven some
U2 songs..
(Thefly,Btbs...
25 etc)Just hit the
strings abit
hard....then
you get the
coolwah-
sound....

there is
distortion in
the end riff
offloods, using
the blues
distortion
youwill get
close to the
exact sound as
onthe album
using the 505
26 along with
theother
settings
submited by
Jeff.I used a
marshall
300W dual
reverb amp
and a gibson
les paul studio
guitar.

25
FOR THE
VERSE OF
FLOODS USE
MY PATCH
26 FOR DIME`S
HEAVY
RIFFS FOR
CHOURUS!!

DON`T
WORRY
MAN I AM
EXPIERIENC
ED AT
PLAYIN
HEAVY SHIT
SO TAKE MY
30 WORD NO
BULSHIT
IT`S SO BAD
YOU`LL
GROW A
PINK
BEARD!!!!
HA HA HA
LATER!!!

LIKE I SAID
ITS ALL
YOU`LL
NEAD
26 EXCEPT
SOME PINK
HAIR DIE
FOR YOUR
BEARD!!!

This patch was


created for
theU2songs:B
ullet the blue
sky(Live-
Popmartversio
n), and for
25/27 theoutro on
Discoteque
(Live)I use a
cheap Hondo
Strat.and a
15W Dean
Markley..

it really great
30 for solo's

15
TUNE YOUR
GUITAR
DOWN TO
BSET YOUR
AMP LIKE
THISGAIN
26 OFFTREBLE
6MIDDLE
3BASS 0-
8REVERB
OFFI USE A
MARSHALL
75 REVERB.

I play with a
AMERICAN
FENDER
SRAT,with 2
silver lace
27 sensors and a
blue one in the
brige, and last
a FENDER
HOT RAD
DEVILLE 410

I play with a
AMERICAN
FENDER
SRAT,with 2
silver lace
27 sensors and a
blue one in the
brige, and last
a FENDER
HOT ROD
DEVILLE

it sounds
30 better when it's
loud

'56 LP jr with
a P90 through
a Marshall
VS15r...Gains
29 flat, Treble
about 1:00;
contour about
7:00; bass
about 11:00...

'56 LP jr with
a P90 through
a Marshall
VS15r...Gains
30 flat, Treble
about 1:00;
contour about
7:00; bass
about 11:00...
'56 LP jr with
a P90 through
a Marshall
VS15r...Gains
25 flat, Treble
about 1:00;
contour about
7:00; bass
about 11:00...

'56 LP jr with
a P90 through
a Marshall
VS15r...Gains
21 flat, Treble
about 1:00;
contour about
7:00; bass
about 11:00...

Sounds good
23 with purple
haze.

this sound is
25 great for solos

This patch is a
clean sound
with an
unbelievable
amount of bass
and ambient
noise. It's too
much for my
little amp, so
the better your
30 amp the better
this patch.
Good for
power chords
on the top 3
string and
arpeggios. You
gotta try this
one to believe
it

use this with


25 fpo1
for those
"bend a string
up, pinch
aharmonic and
let down" for
thatbitchin
steve vai/brian
may type
ofstuff....use
only on the
treble
e/b/gstrings on
the harmonics
after the
29 12thfret and
pinched
usually
between the
middle p/u and
the bridge.Use
with the bridge
humbucker(of
course)U dont
need the
expression
pedal for
this,anyway,
its only for
practising....

Amp setting
Volume
3Treble
4/3Middle
5/4Bass
25 6/5Master 3I
use a gibson
Epiphone!God
for playing
megadeth type
of stuff.

U8

Settings on my
fender
bassman.Volu
me 3Treble
4/3Middle
5/4Bass
6/5Master
3Sounds very
25 very close to
the ac dc
sound. And
great for other
rock
bands.The best
setting i have
gotten to!.

26
27
18

Keep the
volume at 25-
27 because the
27 bass rocks the
speakers too
much.

Good for
playing songs
from the so far
so god so what
24 album.Change
the mod
setting to c5 or
of if you likeit
better.

All zoom 505


fans have to
22-27 check this
patch out!

IT SOUNDS
SAME AS
DREAM
THEARE'S
H7-H9 "UNDER
THEGLASS
MOON
INTRO".

IT SOUNDS
HEAVY..FOR
PROGRESSI
VE TYPEOF
MUSIC JUST
24 TRY ITAND
YOU'LL
PROBABLYL
IKE THIS
PATCH.

COOL JET
SOUNDSYO
U REALLY
LIKE THE
26 WAYIT
SOUNDS.
"BEST FOR
INTRO'S"

AIR SWEEP
LIKE
SOUNDACO
USTIC, I
REALLY
30 LIKE
THEWAY IT
SOUND'S SO
BETTER TRY
IT.
Set your amp
like thisTreble
30 2Middle 3Bass
5

good for
25 rythm descent
for solos

With this
patch you can
play almost all
carcass riffs
and inteludes
from the
heartwork,
swansong and
the older
albums.Setting
s on my fender
bassmanVolum
e 4/3Treble 0
Middle 0Bass
3/2Master
Volume
4/3This is
pretty close to
the carcass
25 sound its not
perfect but it is
a perfect patch
to begin with
to try to make
a perfect
sound of
carcass.Please
Email me on
your toughts
of the patch.
So if you can
make this
sound like the
sound on the
swansong
album so
please submit
it!.
Patch Name COMP DIST GAIN ZNR EQ MOD DEL
Supergroovealisticprosifunkstication L9 Dt 30 Off P9 F9 d9
Beatles circa 1963 c1 ry 12 1 15 off r2
Creamy Fuzz Lead L5 Fu 30 8 35 off d5
Acoustic lead C9 8 22 C4 H7
Acoustic picking C8 8 18 C6 H7
Metallica (Nothing else matter) L4 8 34 C3 H7
Metallica (nothing else matter) L9 LD 20 8 34 C3 H6
Death/thrash metal L1 dt 30 5 25 off h9
nice clean sound L1 OFF -- A9 OFF OFF OFF
Clean Distorsion (kinda like AC\DC) C9 bL 5 A9 41 off off
Deep Purple (made in Japan) C3 Dt 15 off 10 off d8
Isle" C9 Ld 15 off 9 C2 H9
Iron Maiden C3 bL 30 A1 20 C1 off
Metallica "Kill'em all" album. C9 bL 30 9 20 off off
Over-Drive Metal. C9 Od 30 off 19 off off
"Ozzy" Harmonic inhancer. off Ld 30 off 8 off off
Metallica) C1 Ld 23 off 50 off off
Elven Tea C9 Ac 15 off P9 d9 off
Marcy Playground Effect C1 Fu 20 AS off P7 r4
Deftones- Root Intro A7 dt 30 2 40ish F7 R4
Electric 12 String C9 Od 5 A2 40 P1 H2
Ashes to Ashes of Mt 30 a9 45 of r1
Sitar Drone w/ delay and wah A7 off Off P8 P9 D8
Pantera of DT 30 1 40 of of
BB on acid off ry 23 off off F2 R1
white zombie ditstorion of mt 30 a1 6 d3 d1
Haunted Organ L4 bL 22 1 P9 P9 d8
Dr Who/weird sci-fi sound OFF dt 30 OFF P1 F2 R8
Metallica's ...And Justice sound OFF dt 30 OFF 42 OFF OFF
SURF VERB L2 RY 1 A7 25 D2 H9
'59 Vintage L6 Od 6 1 12 Off r9
Sabbath L9 Od 15 of 23 of H1
Tool Distorted Tone of mt 30 9 13 F1 H2
Clean lead playing P8 ry 1 A7 20 C1 H9
Smashing Pumpkins C4 LD 22 A9 25 OF OF
CarnevalOrgan C8 Od 15 8 23 P9 d5
Iron Maiden, Somewhere in Time intro C3 DT 30 A2 21 P5 D5
Green Day OF LD 26 A6 22 OF H1
MetallicA (justice tone) C4 mt 30 A9 13 of h1
N.I.B. L2 Fu 21 A2 47 - -
Smashing Pumpkins - Rocket - dt 30 - P1 - -
A1 monster delay part 1 a1 fu 4 of 45 of d8
A1 monster delay part 2 a1 fu 8 of 45 of d9
Rush - Alex Lifeson / 2112 C4 rY 1 1 35 C3 H5
Rush - Alex Lifeson / Red Barchetta L4 0d 5 2 35 F8 H1
AC/DC off OD 29 9 off off H4
A1 monster delay part 3 a1 fu 29 of 45 of d9
Clean Fingers L9 RY 4 A9 38 P7 H9
"Live" Dist L2 DE 24 A7 23 D7 H8
Oasis "D'you know what I mean" sound A2 Ld 22 5 24 C3 H1
SRV C7 OD 17 9 9 -- H2
Hank C1 oF -- 9 15 oF d1
The Cradle Sound L6 BL 10 1 12 --- r9
U2 - NUMB off dt 13 off p2 f2
12 String oF 20 9 oF P6 oF
Dr Distortion A9 metal 30 A3 4 S8 R2
Rolphie Dist Solo L2 Dt 24 5 20 of d5
Blues Crunch C9 ry 17 A8 19 of H5
Bush Distortion C9 ry 20 A9 20 C5 r5
Super Chorus L9 Ac 5 4 39 d7 H9
Distorted Solo with chorus of DT 23 9 25 C4 of
Bright new rock distortion C7 DT 17 A3 21 C2 H4
Jazz Chorus L5 OF -- 6 25 C5 H5
Jazz Delay L6 OF -- 6 26 C5 d7
Jazz Reverb L5 OF -- 6 25 OF H5
The Edge 1986 C4 Of - 4 32 C3 D7
compressed distortion w/reverb of dt 30 1 7 f8 h1
Acoustic oF Ac 22 oF 20 C1 H1
Distortion with Bite A4 Ld 22 4 oF P7 H2
Rich and Creamy C9 rY 24 9 oF C4 d4
Sweet Distortion L9 Ld 20 9 oF P7 H7
SyChO DiStOrTiOn A9 Fu 30 9 P1 P7 d2
Sepultura or any other heavy metal C9 dt 30 6 15 oF oF
Nice little distortion patch oF Fu 30 6 45 oF oF
Funk wah A7 bL 1 of p6 59 H2
Nice, tight 70's Distortion c2 ry 17 A6 29 of H1
Slap-back Delay L4 off - 22 36 D6 d6
"Beathing" Distortion C4 ry 26 A9 P1 F3 H6
Camel C3 dt 15 of 10 of d2
Candlebox Chorus C2 of -- A1 15 C5 H5
Nirvana Live C5 Dt 30 oF 25 d9 H9
Physcadelicca C9 Dt 30 A1 P5 F7 D7
super metalic c4 metal 27 7 49 c3 h3
Peach Fuzzz C8 Fuzz 26 A9 26 Of opt
Polly Phonic C7 - - - P7 P9 H9
Guns N' Roses/Aerosmith 1 Dist. 28/29 9 24 H1
Distorted Chorus of blues 27 7 of c3 r3
Phased c4 BL 25 3 p4 f1 d7
loud distortion C1 NE 30 1 50 of of
EVH (tweaked) c2 DT 30 4 16 C2 D4
Guns 'n Roses C6 dt20 9 h5
Shine On C5 Od 4 A2 43 C2 H3
Shine On (Riff) C5 Od 6 A2 43 C2 D3
Wah P9 0d 30 oF 41 oF d7
Whiskey in the Jar C4 Ld 15 6 23 D5 D3
Deep Blue C4 Ld 21 A8 26 C3 H9
Smashing Pumpkins - Love C9 FU 19 A9 9 F2 H2
Acoustic C1 Off - 4 25 C2 -
Andy Summers L4 Off - 22 36 D6 d6
Bass-Like C2 Ac 1 9 15 P1 H1
Carlos Santana C9 LD 20 A4 23 D2 D4
Chorus / Compression C1 Od 25 5 - C2 -
Chorus/Reverb Off Off - 9 39 C6 H6
Clean Delay:Ragged on Chords - Ry 5 A9 39 D9 H7
Eddie Van Halen C2 DT 30 4 16 C4 Off
Joe Satriani C3 Dt 25 A1 43 C3 d5
Light Chorus - Ld 26 5 - C2 -
Screaming Wah - Really sounds cool. A2 Ld 22 5 24 C3 H1
Semi Acoustic Off AC 28 Off 29 D7 H2
Smashing Pumpkins - - - - P9 F6 R9
The Edge C4 BL 26 A8 23 C2 -
understandable death metal off Dt 21 0ff 0ff c2 0ff
wah wah A9 Fu 30 0ff 0ff 0ff 0ff
Wide N Creamy L1 Dt 29 7 25 P7 D8
Clean Delay L6 Off - 6 22 P4 d7
Clean Snap-verb C9 of - 9 of of H4
fuzz gargle P9 Fu 18 5 25 of r5
Purple Smoke C9 Ld 5 A6 P1 F7 d5
Terje Rypdal C1 Od 30 34 20 C2 H7
Trower Power L9 Ld 30 7 24 F2 d1
Super Dist Solo L1 Ld 26 7 24 Off H3
WIDE-no distortion L9 oF -- 9 oF C9 H9
Patch COMP DIST GAIN ZNR EQ MOD DEL LEV
Name
new off dt 30 9 05-Jun 0ff 0ff 25
metallic
a that
isn't
noisy

Dimeba c4 dt 30 4 48-50 off off 25-30


gs
Patch

Low- C1 Mt 30 9 46 - r2 27
end
bite!

Dream L9 of -- 6 p9 c3 r9 23
theater

Junkie F1 Fu 17 4 P1 c8 r5 29
XL

Risolo C5 LD 28 A8 28 C3 D7 23

Beginni P9 off -- A9 50 off H1 any


ng of
Teen
Spirit
and
Song 2
led zep c9 ld 16 5 25 c1 h3 30
INCUBU L6 MT 19 1 off P7 R6 29
S
DISTOR
TION
(GENER
AL)

Crazy c5 dist 25 9 43 off h2 30


Train
David C4 bL 27 6 36-38 C1 d7 27-30
Gilmore
Solo

Hard of bl 29 9 19 C1 H1 22
Edge
Blues

heavy c1 dt 25 a9 40 c5 h5 27
dist

Boosted C9 Od 15 A9 33 of R4 21
Tube
Scream
er
Scream L1 Fu 14 A3 11 off R3 28
n'
Bloody
Blues
Cool c3 ry 23 a9 3 p1 -- 25
assed
blues
lead
best c4 nt 30 a1 50 f1 none 27
metal

crank L9 OD 5 off 24 off H2 27

Lithium L1 BL 10 6 30 of r9 30
Blues

Talking A9 off off P6 off off 26


Guitar

Pink oF rY 16 7 oF oF H4 26
Floyd

Valve C1 dt 4 A2 27
crunch

Black
sabbath
s
DEHUM
ANIZER
Album
DIst
R.A.T.M of bL 25 9 P3 P1 H1 30
patch

Purple C7 ry 1 A1 P1 F3 H7 27
Rain

Bullet OFF OD/LD 24/26 OFF P1 S8 D8 25/27


the blue
sky-
Popmar
t
version

Cool c1 bl 24 4 off c2 h2 25
distortio
n

Cowboy c3 mt 30 4 l, -- r2 25
s from helvetic
Hell a">47
PanterA

Led Zep C1 bL 10 2 20 oFF H1 24


BBC
Session
s

TOMOR L7 off -- 5 P2 F9 D8 30
ROW
Metallic Of Dt 30 A9 45 C2 Of 28
a
master
of
puppets
sound

ROOTS C9 MT 30 A9 45 C2 OFF 28
METAL

new off dt 30 9 05-Jun 0ff 0ff 25


metallic
a that
isn't
noisy

perfect L4 LD 30 7 30 off 7 26
metal
lead

NTD C7 dt 8 A9 7 C2 H3 25

Heavy L9 LD 20 8 34 C2 D6 25
Metal
Slow
Solos
pantera c9 dt 30 a1 50 C3 none 30

Hold Off Od 30 Off 24 Off D8 28


me,thril
l me,
kiss
me, kill
me
Konhkr L8 Mt 30 Of 50 Of H3 28
a Spit
Or
Swallow
Album
Sound

korn l9 dt 13 p8 cr10 of r5 12334


pad

Massive P7 dT/oD 45 Any 21 C4 D4 30


THOUN
DER

70's P9 Mt 30 A7 50 of H1 30
METAL/
FUZZ/T
WANG/
DISTOR
TION!

Foo C4 bL 30 7 35 Off R4 27
Fighters
Sound
Beginni P9 off -- A9 50 off H1 any
ng of
Teen
Spirit
and
Song 2
INCUBU off RY 2 A6 P1 F1 H3 30
S
CLEAN /
FUNK
SOUND

INCUBU L6 MT 19 1 off P7 R6 29
S
DISTOR
TION
(GENER
AL)

INCUBU A2 BL 30 off 1 off R9 30


S
FUZZ /
BLUES

Old C7 FU 30 A9 50 OF H2 28
Death/g
rind
sound
Cheesy P9 Od 3 A1 P9 P9 H9 18
Science
Fiction

Dimeba c4 dt 30 4 48-50 off off 25-30


gs
Patch

Melodic L9 DT 30 A1 40 OF H3 26-28
black
death
metal
distortio
n
Blues- A9 BL 30 A9 30 Pu H9 25
distorte
d-Wah..

correcti L8 BL 28 A1 24 P7 D7 26
on to
floods

OVERD 5 OD 14 3 41 C3 H5 25
RIVE
SOLO

FLOOD C3 AC 26 A1 24 P7 H6 26
S
Low
Death
L9 MT 30 0F 1 0F 0F 26
Metal
Patch

DOWN
AND P9 OD 20 9 41 OFF H3 27
DIRTY

DOWN
AND P9 OD 20 9 41 OFF H3 27
DIRTY
solo of
paranoid
from c9 fu 19 9 50 of of 30
black
sabbath

Gibbons/T
C2 dT 20 A4 25 CC3 oF 29
ush

straightfo
rward Off Ld 30 A9 8 off off 28
Distortion

Later Van
C9 Ld 16 5 31 C2 H3 30
Halen
Nugent oF Od 20 9 35 oF H9 25

Richards C2 Od 15 4 35 oF r3 21

Hendrix
off Ry 25 1 P9 off r4 23
Drive

dinodistor
c5 bl 30 a5 31 c3 d1 25
tion
Drowning L9 of -- A1 1 C1 of 30

tom
morello p9 bl 30 6 P9 off h3 25
screams
brain
piercing
p9 bl 30 n/a 50 c3 h4 29
pinched
harmonics

Thrash
c1 dt 30 a4 31 of h1 25
Metal

Dotan
F1 U2 C3 K4 - Y6 O7 U8
Tembel
Damn
Good
C9 Ry 26 A9 50 Of H1 25
Rock
sound!!!!

oziris
show's L6 dt 20 A9 31 of of 26
distortion
oziris
show's L6 ld 20 A9 40 of of 27
lead
Hard to
P9 Fu 18 5 25 off r4 18
Miss

Techno
C9 OD 27 9 P3 S1 d8 27
Sound

So Far So
God so L1 Dt 30 7 20 c1 H9 24
what!

WOW! C3 dt 25 A8 45 C3 r5 22-27
DREAM
THEATE C9 DT 30 A7-A9 20-30 P7-P9 C3/D3 H7-H9
R

HEAVY
PROGRE L8 MT 25-30 A6-A9 Aug-13 C3/D3 R3/H9 24
SSIVE

JET L8 LD 25-30 A6-A9 P7 F6 R3/H9 26

SOLO
PLUCKI C9 OFF 15-30 A7-A9 25-30 C3-C5 D3/H9 30
NG

Black
sabbath
Dehumani Of Dt 30 1 40 Of Of 30
zer
Distortion
intense
L1 dt 30 9 6 25
metal

Carcass
C9 Mt 30 A9 47 Of H7 25
Patch
Descri
ption
heavy
as hell
(damn
close to
the
hetfield
god
tone)
PanterA
(enoug
h said)

For low
end
(tuned
down to
B,
dropped
-A etc).

Pull me
under
intro

Junkie
XL-
sound
Great
for
Visceral
solos
Beginni
ng of
Teen
Spirit
and
Song 2
led
zeppeli
n
USED
IN
SONGS
LIKE
NEW
SKIN
AND
VITAMI
N. A
MUST
FOR
INCUBU
S FANS.

Crazy
Train
A great
David
Gilmore
solo
effect

A
bluesy
patch
with
some
bite.
a very
cool
dist
Brian
May

Dirty
Gritty
Blues

Curt
Smythe
harsh
gainy
sound
be
careful
with
amps
with
lots of
gain

dire
straits
distorte
d blues

half-
assed
immitati
on of
P.Fram
pton's
talking
guitar
sound
a
simple
patch
that
sounds
good
for
most
floyd
songs

Nice
rythm
guitar
crunch..
.
reminds
me of
AC/DC
great
with
most
rage
songs
Clean,
breathy
sound

U2
sound..
(Also
for
Discote
que-
outro)
Good
for
direct
recordin
g
cowboy
s era
dist.

Sounds
like
Page's
tone on
the BBC
album

ZAKK
WILDE
ON
OZZMO
SIS
Sounds
very
good
for
master
of
puppets
and
other
songs
from
the
puppets
album

VOICE
OF
ROOTS!
!!
heavy
as hell
(damn
close to
the
hetfield
god
tone)
high
gain
chrunch
y
Nice
Tight
Distorti
on
This is a
great
patch to
play
Still Got
The
Blues
and
songs
that
have
slow
solos
High
grind
overdriv
e and
chorus
"Deep
rock"

exelent
for
asshole
s that
dont
have
nothing
to do

The
Heavyis
t ever

very
good
twangy
distortin
g for
pulling
Jimi
hendrix
stunts :
c)
GReat
ffor
solos

Heavy
Foo
Distorti
on
Beginni
ng of
Teen
Spirit
and
Song 2
USED
IN
SUMME
R
ROMAN
CE AND
THE
ENJOY
INCUBU
S EP.

USED
IN
SONGS
LIKE
NEW
SKIN
AND
VITAMI
N. A
MUST
FOR
INCUBU
S FANS.

USED
IN
SUMME
R
ROMAN
CE AND
SOME
OLD
SONGS.
Land of
the
Lost, Dr
Who,
etc...

PanterA
(enoug
h said)

(Hit the
strings
hard)

Riff at
the end
of
floods
FADE
TO
BLACK
INTRO
SOLO
PANTER
A`S
FLOOD
CLEAN
SHIT
TUNE
YOUR
GUITAR
DOWN
TO BSET
YOUR
AMP
LIKE
THISGAI
N
OFFTREB
LE
6MIDDLE
3BASS 0-
8REVERB
OFFI USE
A
MARSHA
LL 75
REVERB.

I play with
a
AMERIC
AN
FENDER
SRAT,with
2 silver
lace
sensors
and a blue
one in the
brige, and
last a
FENDER
HOT RAD
DEVILLE
410

I play with
a
AMERIC
AN
FENDER
SRAT,with
2 silver
lace
sensors
and a blue
one in the
brige, and
last a
FENDER
HOT ROD
DEVILLE
it sounds
better
when it's
loud

Cool
distorion.
Sounds
alot like
Megadeth.
Has a lot
of power
and the
good thing
about it is
that it
doesn't
make your
amp hum
like some
of them
do.

'56 LP jr
with a P90
through a
Marshall
VS15r...Ga
ins flat,
Treble
about 1:00;
contour
about 7:00;
bass about
11:00...

'56 LP jr
with a P90
through a
Marshall
VS15r...Ga
ins flat,
Treble
about 1:00;
contour
about 7:00;
bass about
11:00...
'56 LP jr
with a P90
through a
Marshall
VS15r...Ga
ins flat,
Treble
about 1:00;
contour
about 7:00;
bass about
11:00...

'56 LP jr
with a P90
through a
Marshall
VS15r...Ga
ins flat,
Treble
about 1:00;
contour
about 7:00;
bass about
11:00...

Sounds
good with
purple
haze.

this sound
is great for
solos
This patch
is a clean
sound with
an
unbelievab
le amount
of bass and
ambient
noise. It's
too much
for my
little amp,
so the
better your
amp the
better this
patch.
Good for
power
chords on
the top 3
string and
arpeggios.
You gotta
try this one
to believe
it

use this
with fpo1
"bend a
string up,
pinch
aharmonic
and let
down" for
thatbitchin
steve
vai/brian
may type
ofstuff....us
e only on
the treble
e/b/gstring
s on the
harmonics
after the
12thfret
and
pinched
usually
between
the middle
p/u and the
bridge.Use
with the
bridge
humbucker
(of
course)U
dont need
the
expression
pedal for
this,anywa
y, its only
for
practising..
Amp
setting
Volume
3Treble
4/3Middle
5/4Bass
6/5Master
3I use a
gibson
Epiphone!
God for
playing
megadeth
type of
stuff.
Settings on
my fender
bassman.V
olume
3Treble
4/3Middle
5/4Bass
6/5Master
3Sounds
very very
close to the
ac dc
sound. And
great for
other rock
bands.The
best setting
i have
gotten to!.

Keep the
volume at
25-27
because
the bass
rocks the
speakers
too much.

Good for
playing
songs from
the so far
so god so
what
album.Cha
nge the
mod
setting to
c5 or of if
you likeit
better.

All zoom
505 fans
have to
check this
patch out!
IT
SOUNDS
SAME AS
DREAM
THEARE'
S
"UNDER
THEGLAS
S MOON
INTRO".

IT
SOUNDS
HEAVY..F
OR
PROGRES
SIVE
TYPEOF
MUSIC
JUST TRY
ITAND
YOU'LL
PROBABL
YLIKE
THIS
PATCH.

COOL JET
SOUNDS
YOU
REALLY
LIKE THE
WAYIT
SOUNDS.
"BEST
FOR
INTRO'S"

AIR
SWEEP
LIKE
SOUNDA
COUSTIC,
I REALLY
LIKE
THEWAY
IT
SOUND'S
SO
BETTER
TRY IT.

Set your
amp like
thisTreble
2Middle
3Bass 5
good for
rythm
descent for
solos
from the
heartwork,
swansong
and the
older
albums.Set
tings on
my fender
bassmanVo
lume
4/3Treble
0 Middle
0Bass
3/2Master
Volume
4/3This is
pretty
close to the
carcass
sound its
not perfect
but it is a
perfect
patch to
begin with
to try to
make a
perfect
sound of
carcass.Ple
ase Email
me on your
toughts of
the patch.
So if you
can make
this sound
patch name comp dist gain znr eq mod del
AC/DC-Angus Young.distortion.clean c9 bL 5 a9 41 of of
AC/DC-Angus Young.early c9 bL 20 9 20 of h1
AC/DC-Angus Young.general of od 18 a8 of of r4
AC/DC-Angus Young.rhythm of od 29 9 of of h4
AC/DC-Angus Young."Thunder..".intr c4 mt 30 9 30 c2 h3
acoustics.12-strings.haunting c4 ry 10 9 p1 p9 d1
acoustic.bright of ac 20 9 of p7 of
acoustic.bright/12-string simulatr c4 ac 27 9 12 c2 d1
acoustic.clean.1 -- ac 30 -- 48 -- --
acoustic.clean.2 L1 ac -- a9 of of of
acoustic.clean.3 L1 of -- a9 of of of
acoustic.clean.4 of ac 28 of 29 d7 h2
acoustic."Eleven Tea" c9 ac 15 of p9 d9 of
acoustic.groove c9 ac 30 9 45 c1 h9
acoustic.humbucker.neck c2 ac -- 9 41 of h4
acoustic.jazz c2 ac 1 9 15 p7 h1
acoustic.Kansas."Dust in the Wind" c8 ac -- 8 18 c6 h7
acoustic.rhythm of ac 30 of 46 c6 of
acoustic.solo.1 c9 ac -- 8 22 c4 h7
acoustic.solo.2 of ac 22 of 20 c1 h1
acoustic.solo.3 c1 of -- 4 25 c2 --
acoustic.tweaked L5 ac 20 6 50 of of
Aerosmith/Joe Perry.distortion.rhy c1 dt 28/29 9 24 ? h1
alternative L1 Ld 30 7 24 of of
ambience.heavy a9 fu 30 a9 p4 54 d9
bass.clean.ambient L9 of -- a1 1 c1 of
bass.simulator.1 c2 ac 30 9 1 p1 of
bass.simulator.2 c8 ac 3 a6 3 p1 h2
bass.simulator.3 c2 ac 1 9 15 p1 h1
bass.simulator.4 ( req exp pedal ) c9 ry 15 a9 24 pd h5
bass.simulator.synth L5 -- -- 5 10 55 r5
BB King of od 13 of 40 of of
BB King.acid of ry 23 of of f2 r1
Beatles.circa 1963 c1 ry 12 1 15 of r2
Beatles."Day Tripper".bass.fuzz c2 fu 7 a9 1 p1 h7
Biohazard.distortion c1 bL 30 a9 48 of of
Black Sabbath/Geezer Butler.classi c9 dt 10 a5 49 of r6
Black Sabbath."Dehumanizer" of dt 30 1 40 of of
Black Sabbath.distortion c1 Ld 25 a9 10 c2 h6
Black Sabbath."Master of Reality" c1 fu 25 a2 25 25 --
Black Sabbath."Paranoid" c9 fu 19 9 50 of of
Black Sabbath."Paranoid".delay.wah a9 dt 30 5 42 of d6
Black Sabbath.solo L9 od 15 of 23 of h1
blues.crunch.rhythm c9 ry 17 a8 19 of h5
blues.jazz c3 od 6 of 35 of d7
blues.hard of bL 29 9 19 c1 h1
blues.hard-to-miss p9 fu 18 5 25 of r4
blues.heavy.down-&-dirty p9 od 20 9 41 of h3
blues.late-night of Ld 30 3 31 f4 d3
blues.sad-guitar c9 od 25 a5 of pu h9
blues.screaming.dirty.gritty L1 fu 14 a3 11 of r3
blues.sweet c3 bL 26 a5 47 of h1
Boston."Amanda".acoustic.12-string c4 ac 27 9 12 p7 d1
Boston.Rockman sound c7 Ld 30 7 31 c1 h4
Bowie, David/Ronson, Mick."Ziggy" L7 of -- 1 p6 of d2
Bush.distortion c9 ry 20 a9 20 c5 r5
Candlebox.chorus of of -- of 43 c5 r6
Candlebox."Far Behind".chorus.rhy c2 of -- a1 15 c5 h5
Cannibal Corpse.1 L8 mt 30 a1 45 -- d1
Cannibal Corpse.2 L2 dt 30 a3 6 -- --
Cannibal Corpse."Gallery of Suicide" L4 dt 30 a9 42 -- r3
Carcass.1 c9 mt 30 a9 47 of h7
Carcass."Reek of Putrefaction".dis c7 fu 30 a9 50 of h2
chorus.1 c5 ? 25 a2 25 d4 h2
chorus.clean.1 of of -- a7 36 c8 of
chorus.clean.2 of ry 4 1 36 c2 h2
chorus.clean.jazz L5 of -- 6 25 c5 h5
chorus.compression.rhythm c1 od 25 5 -- c2 --
chorus.cool.1 c9 of -- a5 42 c3 h3
chorus.cool.2 c3 ry 15 1 35 c3 h5
chorus.light.solo -- Ld 26 5 -- c2 --
chorus.mild of ry 15 a1 of c1 of
chorus.moody c4 of -- 3 35 c4 h3
chorus.reverb of of of of 30 c4 r6
chorus.reverb.clean of of -- 9 39 c6 h6
chorus.rhythm.1 L1 ac 30 9 38 p4 h6
chorus.rhythm.2 L3 of -- a9 17 c4 h4
chorus.silky of ac 5 6 35 c4 h5
chorus.super.solo L9 ac 5 4 39 d7 h9
Clapton, Eric.The Cradle CD.solo L6 bl 10 1 12 -- r9
clean.1 c1 -- -- 9 36 c3 h5
clean.humbucker.bridge L7 of -- 1 p6 of d2
clean.incisive c9 of -- 6 40 c6 h5
clean.jazz L1 -- -- 1 -- c1 h1
clean.lead p8 ry 1 a7 20 c1 h9
clean.solo L9 ry 4 a9 38 p7 h9
Coal Chamber.bass.crunch c1 mt 30 9 50 of r7
Cranberries L9 od 3 a2 25 c5 h1
Cream/Hendrix.distorted-wah a9 od 24 -- -- pu --
Creed L9 dt 26 a9 44 c1 h3
Crow, The.movie.solo of dt 30 4 42 of h9
D9+chorus c9 ry 10 a1 p9 d6 of
Deep Purple."Made in Japan" c3 dt 15 of 10 of d8
Deep Purple."Smoke on the Wtr".1 c9 od 14 9 40 of h5
Deep Purple."Smoke on the Wtr".2 c9 Ld 5 a6 p1 f7 d5
Deep Purple."Smoke On The Wtr".3 L2 od 17 5 23 d3 of
Deftones.distortion c9 od 13 a9 16 of r6
Deftones."Root".intro a7 dt 30 2 40+ f7 r4
delay.clean.1 -- ry 5 a9 39 d9 h7
delay.clean.2 L6 of -- 6 22 p4 d7
delay.clean.jazz L6 of -- 6 26 c5 d7
delay.lead/solo -- mt 26 8 -- c3 d7
delay.monster.1 a1 fu 4 of 45 of d8
delay.monster.2 a1 fu 8 of 45 of d9
delay.monster.3 a1 fu 29 of 45 of d9
delay.nasty L7 Ld 28 5 24 of d7
delay.psychedelic.cool of dt 20 9 30 s9 d7
delay.slap-back L4 of -- 22 36 d6 d6
delay.slide L9 od 1 a1 40 c9 d9
Dire Straits.crank L9 od 5 of 24 of h2
Dire Straits."Money for Nothing" p1 ry 30 1 17 of r6
Dire Straits."Sultans of Swing" L9 od 6 of 25 of h2
distortion.1 of Ld 30 a9 8 of of
distortion.1970s c2 ry 17 a6 29 of h1
distortion.1970s.oldie.backing of ry 30 7 32 of r3
distortion.Big-Muff.Hendrix/Smash P.. L5 fu 30 9 10 c1 r1
distortion.bite.solo a4 Ld 22 4 of p7 h2
distortion.blues L1 bL 10 6 30 of r9
distortion.blues.wah a9 bL 30 a9 30 pu h9
distortion.bright.rhythm L7 ry 19 9 38 of h6
distortion.bright.Screeching Moth a3 ac 28 of of p6 d8
distortion.Chilean c4 mt 30 9 29 of r4
distortion.chorus.blues of bL 27 7 of c3 r3
distortion.chorus.solo of dt 23 9 25 c4 of
distortion.clean c9 bL 5 a9 41 of of
distortion.clean.heavy c9 ry 26 a9 50 of h1
distortion.compressed.reverb.solo of dt 30 1 7 f8 h1
distortion.cool c1 bL 24 4 of c2 h2
distortion.delay c9 dt 30 of p1 d6 d9
distortion.dirty c4 dt 27 8 35 c1 h4
distortion.Dr Distortion a9 mt 30 a3 4 58 r2
distortion.dropped-D.solo L9 fu 14 4 -- -- --
distortion.evil of dt 30 5 30 of h9
distortion.flange.doubler.metal of Ld 30 4 25 d6 r9
distortion.fuzz.1 L1 fu 30 a7 25 of of
distortion.fuzz.2 c5 fu 20 a9 of of h3
distortion.fuzz.blues c9 fu 17 8 19 of h5
distortion.fuzz.chunky of fu 3 of 30 of h6
distortion.fuzz.creamy L5 fu 30 8 35 of d5
distortion.fuzz.early c9 fu 21 9 41 of of
distortion.fuzz.filtered p3 fu 30 a9 -- -- --
distortion.fuzz.gargle p9 fu 18 5 25 of r5
distortion/fuzz.peach-&-cream L9 fu 30 8 35 of h2
distortion.fuzz.peach-fuzz.solo c8 fu 26 a9 26 of ?
distortion.fuzz.rhythm.medium c5 fu 15 2 22 of h1
distortion.fuzz.thick c1 fu 30 a9 50 of r1
distortion.fuzz.thick low-end chunky c7 fu 25 8 45 of of
distortion.hard-driving c9 mt 30 of 50 d1 h9
distortion.hardcore c9 mt 30 of 40 d3 of
distortion.hardrock.1980s.1 c4 bL 26 8 28 c2 h3
distortion.hardrock.1908s.2 L2 bL 26 8 29 c3 d8
distortion.heavy.1 L9 dt 30 a9 50 of of
distortion.heavy.2 c2 mt 30 9 10 p1 h1
distortion.heavy.3 c1 dt 25 a9 40 c5 h5
distortion.heavy.progressive L8 mt 25+ a6-a9 8-13 c3/d3 r3/h9
distortion.heavy.strong.power-chords of dt 30 a4 50 of h2
distortion.heavy.very-cool c1 dt 25 a9 25 c5 h5
distortion.humbucker.neck of dt 30 4 17 f3 h1
distortion.iron of dt 30 a9 12 of of
distortion.lead L9 dt 26 a9 45 c1 h3
distortion.lead.extreme.doubling c3 bL 30 9 of of d8
distortion.lead/solo.metal.high-gain L4 Ld 30 7 30 of 7
distortion.live L2 dt 24 a7 23 d7 h8
distortion.loud c7 dt 30 a4 35 p9 of
distortion.loud.solo c1 mt 30 1 50 of of
distortion.massive thunder p7 dt/od 45 ? 21 c4 d4
distortion.metal.1 L8 mt 30 a1 17 -- d1
distortion.metal.2 of fu 20 of 46 of of
distortion.metal.black L9 c2 25 5 15 c1 h3
distortion.metal.crisp c5 dt 30 4 36 d7 h9
distortion.metal.death.1 c7 dt 30 a6 50 of h2
distortion.metal.death.2 L2 mt 30 4 5 c2 h3
distortion.metal.death.3 L1 dt 30 5 25 of h9
distortion.metal.death.grind c7 fu 30 a9 50 of h2
distortion.metal.death.low L9 mt 30 of 1 of of
distortion.metal.death.melodic.1 of dt 21 of of c2 of
distortion.metal.death.melodic.2 L9 dt 30 a1 40 oh h3
distortion.metal.deep L4-6 mt -- a9 44 d1 d1
distortion.metal.extreme-shred c7 dt 30 6 50 of of
distortion.metal.good of mt 30 9 50 of of
distortion.metal.improved of dt 30 a9 12 of r1
distortion.metal.more L8 mt 30 a1 17 of d1
distortion.metal.overdrive c9 od 30 of 19 of of
distortion.metal.rhythm c1 Ld 23 of 50 c5 h4
distortion.metal.smooth.1 c1 mt 30 a9 50 c1 h3
distortion.metal.smooth.2 c1 mt 30 a9 50 of h4
distortion.metal.smooth.3 c9 mt 6 9 6 of of
distortion.metal.smooth.4 L9 mt 30 a1 50 of h3
distortion.metal.solo c1 mt 20 3 17 c1 h1
distortion.metal.solo.delay L9 Ld 20 8 34 c2 d6
distortion.metal.solo.no-delay L9 Ld 20 8 34 c3 h6
distortion.metal.super c4 mt 27 7 49 c3 h3
distortion.metal.super-groovy c5 mt 8 a1 p2 c5 r8
distortion.metal.thrash c9 mt 30 5 25 of h9
distortion.nice.1 L9 Ld 20 8 34 c3 h4
distortion.nice.2 of fu 30 6 45 of of
distortion.nice.tight c7 dt 8 a9 7 c2 h3
distortion.new.bright c7 dt 17 a3 21 c2 h4
distortion.overdrive c9 od 1 a9 50 c3 h1
distortion.overdrive.clean L3 ac 25 6 of of h3
distortion.overdrive.limit.solo L1 Ld 30 7 24 -- --
distortion.overly c2 mt 30 a3 41 d7 r3
distortion.phase L5 ry 30 9 p4 -- --
distortion.play-fast a9 Ld 30 7 25 of d9
distortion.power of mt 30 of 42 of of
distortion.punk.1 L7 bL 19 a4 of of of
distortion.punk.2.crunch L4 ry 30 a1 42 of of
distortion.punk.3 of od 24 6 49 of r1
distortion.Purity-in-Oblivion of dt 30 9 50 -- h3
distortion.raunchy L9 dt 30 a9 36 of of
distortion.really rockin' of mt 28 a3 of of h9
distortion.rhythm L9 ry 26 a8 45 d1 h3
distortion.rolphie L2 dt 24 5 20 of d5
distortion.simple c9 dt 20 a5 30 of of
distortion.smooth.sustain L9 mt 25 1 41 p7 h4
distortion.solo.1 c1 Ld 20 1 25 d6 h6
distortion.solo.2 c4 bL 23 4 27 c6 h3
distortion.solo.good-tone c1 Ld 20 1 25 d6 h6
distortion.solo.super L1 Ld 26 7 24 of h3
distortion.solo.sweet L9 Ld 20 9 of p7 h7
distortion.solo.sycho a9 fu 30 9 p1 p7 d2
distortion.thick.warm L1 dt 30 9 23 c5 d1
Doors."The End" L4 of -- p2 36 f7 d6
doubler/12-string c2 ac 25 9 6 d9 of
doubler/12-string.Rickenbaker.clean c9 od 5 a2 40 p1 h2
doubler/12-string.rhythm.clean of 20 9 of p6 of ?
Dream Theatre."Pull Me Under".intr L9 of -- 6 p9 c3 r9
Dream Theatre."Under Glass".intro c9 dt 30 a7-a9 20+ p7-p9 c3/d3
equalizer.bright -- -- -- -- 35 -- --
Faith No More."Ashes to Ashes" of mt 30 a9 45 of r1
Fear Factory p9 mt 30 9 50 c2 h2
Fear Factory/Machine head.distort c1 mt 30 9 50 of r7
Filter -- ry 25+ -- -- -- --
flange.clean.1 of of -- 1 13 f7 of
flange.clean.2 c9 of 27 a9 45 f4 d3
flange.clean.3 c3 ry 1 a4 40 f4 h9
flange.clean.4 of of -- 1 13 f7 of
flange.cool.running water c3 ry 1 a9 p9 c9 h6
flange."Jet-Metal" L9 dt 22 a5 24 f1 d7
flange.metal of dt 26 a9 of f4 h5
flange.phase L9 of -- of p1 f4 h4
flange.reverb c7 ry 4 a9 38 f3 h4
Flea Fly Flow c9 -- -- a9 10 -- --
Foo Fighters.1 c5 ry 30 of of 25 of
Foo Fighters.distortion.heavy c4 bL 30 7 35 of r4
Foo Fighters."Down in the Park".dist a1 dt 30 9 20 d1 d1
Foo Fighters."Down in the Park".intr a1 bL 1 6 25 d9 d1
Foo Fighters."Down in The Park".2 c5 mt 30 1 5 of of
Foo Fighters.flange.delay a5 fu 23 a3 p7 f9 d9
Frampton, Peter.talking guitar a9 of of of p6 of of
funk.supergroove L9 dt 30 of p9 f9 d9
funk.groove thing a9 Ld 30 a9 p9 f9 d9
funk.rhythm L9 od 5 a8 50 c7 h2
Gibson to Strat p9 od 17 a4 9 of r5
Green Day.distortion of Ld 26 a6 22 of h1
Guns 'n' Roses.lead/solo.distort c1 Ld 30 a9 h9 25 ?
Guns 'n' Roses/Offsprings L2 dt 21 9 22 of r4
Guns 'n' Roses."Sweet Child..." c5 dt 25 a6 12 c2 h4
Gwar."Carival of Chaos" L8 Ld 30 a5 50 -- r4
Gwar."Salaminizer" L4 dt 25 a4 50 p7 --
Gwar."Scum Dogs" L8 dt 30 a3 50 c2 --
harmonics.pinched p9 bL 30 n/a 50 c3 h4
Headhunters.rhythm L2 dt 20 a7 25 d2 h9
Hendrix, Jimi.distortion of fu 27 5 42 c2 h5
Hendrix, Jimi.distortion.fuzz.1970s p9 mt 30 a7 50 of h1
Hendrix, Jimi.elusive voodoo sound of ry 25 1 p9 of r4
Hendrix, Jimi.flange+fuzz of fu 30 of of f1 of
Hendrix, Jimi."Purple Haze" L1 dt 30 4 p1 f1 d7
Hendrix, Jimi."Red House" L2 ry 25 of 13 c2 d5
Hendrix, Jimi.wah.solo.1 a6 od 15 7 p6 -- r9
Hendrix, Jimi.wah.solo.2 a9 od 24 -- -- c3 h9
Hiatt, John L9 od 12 2 of of r5
Incubus.clean of ry 2 a6 p1 f1 h3
Incubus.distortion.fuzz a2 bL 30 of 1 of r9
Incubus.distortion.generic L6 mt 19 1 of p7 r6
Iron Maiden."Fear" c9 Ld 27 9 20 c3 d5
Iron Maiden."Flight of Icarus".rhy c3 bL 30 a1 20 c1 of
Iron Maiden."Somewhere in Time" c3 dt 30 a2 21 p5 d5
Isaak, Chris."Wicked Game" L6 of of 6 46 c5 d7
Jason's Riff Bowel Loosening Thunder of dt 30 9 30 of of
jet sound L8 Ld 25 a6-a9 p7 f6 r3/h9
Johnson, Eric."Camel's Night Out" c3 dt 15 of 10 of d2
Johnson, Eric.delay.smooth -- mt 24 9 -- c1 d8
Johnson, Eric."Venus Isle".solo c9 Ld 15 of 9 c2 h9
Junkie XL p1 fu 17 4 p1 c8 r5
Konhkra."Spit or Swallow" CD L8 mt 30 of 50 of h3
Korn of dt 30 of 2 d1 d1
Korn.fast.intense L8 dt 30 9 50 c2 r6
Korn/Fear Factory.low-end bite c1 mt 30 9 46 -- r2
lead/solo.1 c1 of -- 6 48 8 h3
lead/solo.clean c5 -- -- 9 45 d9 h9
lead/solo.cool.1 L2 Ld 30 a9 11 d2 h3
lead/solo.cool.2 L4 dt 16 9 22 59 h6
lead/solo.cool.3 L4 od 30 9 27 c2 d6
lead/solo.cool.blues c3 ry 23 a9 3 p1 --
lead/solo.cool.totally c9 bL 20 a9 35 of d8
lead/solo.drive -- Ld 25 -- 44 -- --
lead/solo.echo c9 of -- 9 30 c1 d5
lead/solo.echodriver c3 Ld 30 6 22 p4 h3
lead/solo.fast p9 mt 30 of 45 of r1
lead/solo.laid back c2 ac 27 a3 26 p7 r7
lead/solo.Marshallesque -- Ld 30 a4 31 -- h1
lead/solo.metal.dark.intense L5 dt 25 a9 p1 c3 h5
lead/solo.metal-multi c9 dt 30 a9 36 f7 d6
lead/solo.nice.1 L4 fu 24 9 17 d5 h8
lead/solo.nice.2 L4 bL 16 6 32 d1 d3
lead/solo.overdrive c1 od 30 9 10 of r5
lead/solo.Physcadelicca.groovy c9 dt 30 a1 p5 f7 d7
lead/solo.plucking c9 of 15+ a7-a9 25+ c3-c5 d3/h9
lead/solo.power-ballad.1 L2 dt 24 5 20 f2 d8
lead/solo.power-ballad.2 of bL 30 9 of c2 d5
lead/solo.rich-&-creamy c9 ry 24 9 of c4 d4
lead/solo.sweet.1 c8 od 30 5 43 c1 d5
lead/solo.sweet.2 c1 dt 30 9 p1 of d9
lead/solo.sweet.3 c2 dt 30 of 22 of h4
lead/solo."To Live is to Let Die" of od 20 9 35 of h9
lead/solo.treble c9 od 30 a1 10 c1 h8
lead/solo.untamed/wild p8 bL 22 a9 p1 of r4
lead/solo.very-good c3 Ld 30 6 22 p4 h3
lead/solo.visceral c5 Ld 28 a8 28 c3 d7
lead/solo.wah a6 od 15 7 p6 of r9
lead/solo.wide.clean L9 of -- 9 of c9 h9
lead/solo.wide-'n'-creamy L1 dt 29 7 25 p7 d8
Led Zeppelin/Jimmy Page c9 Ld 16 5 25 c1 h3
Led Zeppelin/Jimmy Page.1970s fuzz c4 fu 19 4 33 of r3
Led Zeppelin/Jimmy Page.1970s OD of od 29 a1 of of r2
Led Zeppelin.BBC Sess."Grim Reaper" c1 bL 10 2 20 of h1
Led Zeppelin.BBC Sessions.2 L7 bL 19 a4 of of of
Led Zeppelin.BBC Sessions.3 p9 fu 24 of 42 of h1
Led Zeppelin/Jimmy Page.early c3 Ld 24 of 28 of of
Led Zeppelin."Houses of the Holy" L1 od 20 a4 15 p9 r9
Led Zeppelin/Jimmy Page.lead p9 od 15 1 25 of h9
Led Zeppelin/Page."Heartbreaker" of od 21 a1 of of r3
loud.small-amp L1 Ld 30 a6 40 of r1
Lukather, Steve."Rosanna" c9 dt 20 a8 26 d1 d7
Lynyrd Skynyrd/Nugent, Ted c1 od 30 a9 28 d4 h2
Lynyrd Skynyrd."Sweet Home Alabama" c1 bL 24 4 of c2 h9
Malmsteen, Yngwie.1 L5 Ld 28 a1 of of h6
Malmsteen, Yngwie.2 c2 bL 27 9 20 c2 h7
Malmsteen, Yngwie."Odyssey" c9 bL 25 a9 33 c1 h3
Malmsteen, Yngwie.smooth-thick-tone c2 bL 27 9 20 c2 h7
Manson, Marilyn.fuzz.industrial of fu 30 of 15 c1 h1
Manson, Marilyn."Irresponsible..." c2 bL 30 a1 50 d3 r2
Manson, Marilyn.POAAF c7 fu 24 8 13 of of
Manson, Marilyn."Sweet Dreams".dis c9 dt 26 a6 41 c1 h2
Manson, Marilyn."Sweet Dreams".int of Ld 11 of of of of
Manson, Marilyn."Sweet Dreams".solo p2 od 30 4 40 f5 of
Manson, Marilyn.wah a7 dt 26 a6 41 c1 h2
Marcy Playground c1 fu 20 a5 of p7 r4
M COP -- dt 29 a5 -- c4 d7
Megadeth."Black Friday".intro.acous L1 ac 30 a8 3 c6 r9
Megadeth.distortion.cool L1 dt 27 a9 45 pd h6
Megadeth."Countdown to Ext...".1 L8 dt 30 a1 50 of d1
Megadeth."Countdown to Ext...".2 c1 dt 30 a4 31 of h1
Megadeth.distortion.power L1 dt 28 a9 44 pd h6
Megadeth."So Far So God So What!" L1 dt 30 7 20 c1 h9
Metallica.1980s.before Black CD L9 Ld 30 9 25 c2 h2
Metallica."Am I Evil?" of mt 18 3 40 of h1
Metallica."Anaesthesia".1 p3 ry 15 6 40 c2 h9
Metallica."Anaesthesia".2 L1 od 30 5 25 of of
Metallica."And Justice For All".1 L8 dt 30 a3 50 pd of
Metallica."And Justice For All".2 L8 dt 30 a3 50 -- r6
Metallica."And Justice For All".3 c4 mt 30 9 30 of h3
Metallica."And Justice For All".4 of dt 30 of 42 of of
Metallica."And Justice For All".5 c1 dt 30 a9 9 of h4
Metallica."And Justice For All".rhy c4 mt 30 a9 13 of h1
Metallica.distortion c9 Ld/ry 21 4 20 of h3
Metallica/Kirk Hammett."Enter..." L9 dt 26 a9 44 c1 h3
Metallica."Enter Sandman".intro of of -- a9 34 f8 of
Metallica."Fade to Black".intro.1 of bL 30 3 50 of h3
Metallica."Fade to Black".intro.2 L8 Ld 15 9 of c6 h4
Metallica."Fade to Black".solo L9 Ld 23 a9 6 -- r6
Metallica."Fade to Black".OD L5 od 14 3 41 c3 h5
Metallica."For Whom The Bell Tolls" p3 fu 25 of of of of
Metallica/Kirk Hammett."Fuel" c2 mt 30 of 10 c1 r9
Metallica/James Hetfield.heavy c3 Ld 30 8 44 0 h2
Metallica/Kirk Hammett."Kill 'em..".1 c9 bL 30 9 20 of of
Metallica/Kirk Hammett."Kill 'em..".2 c5 mt 25 a2 24 d4 h3
Metallica.lead/solo L6 Ld 26 8 32 c2 of
Metallica.lead/solo.no-wah L6 Ld 30 6 24 of h3
Metallica.lead/solo.wah a9 Ld 30 6 24 of h3
Metallica."Low Man" L9 of -- 6 p9 c9 r9
Metallica."Master of Puppets".1 L5 dt 30 a3 of c3 of
Metallica."Master of Puppets".2 of dt 30 a9 45 c2 of
Metallica."The Memory Remains" L8 Ld 30 a9 50 d3 r2
Metallica."The Memory Remains".int of fu 22 of 25 c3 h2
Metallica/Kirk Hammett.MetalMax L4 mt 30 a9 42 of h2
Metallica.new of dt 30 9 9 of of
Metallica."Nothing Else Matters" c9 ac 20 6 40 f2 h9
Metallica."Nothing Else Matters".int of ry 13 1 34 c3 h3
Metallica."Nothing Else Matters".solo c9 od 21 3 34 of d2
Metallica."Nothing Else Matters".clean L4 Ld 20 8 34 c3 h7
Metallica."Nothing Else Matters".4 L9 Ld 20 8 34 c3 h6
Metallica/Kirk Hammett.octaver L1 fu 24 of 46 f3 d9
Metallica/Kirk Hammett."One".intro c2 of -- 5 31 c4 of
Metallica/Kirk Hammett."One".solo of ry 5 6 30 of of
Metallica/Kirk Hammett.rhythm.1 c1 Ld 23 of 50 of of
Metallica/Kirk Hammett.rhythm.2 L9 of -- 6 p9 c9 r9
Metallica/Kirk Hammett."Sanitarium" of of of a9 13 c5 h4
Metallica."Sanitarium".first-solo L4 Ld 24 9 30 c4 h5
Metallica."Sanitarium".rhythm.clean c5 ry 2 a1 50 c8 h8 2
Metallica."Seek & Destroy".solo L9 Ld 23 -- 6 -- r6
Metallica/Kirk Hammett.wah.solo a3 mt 17 a7 50 of d6
Metallica."Until It Sleeps".chorus L6 of of 7 25 c5 h3
Metallica/Kirk Hammett.wah of of of a9 26 of d5
Metallica/Kirk Hammett.wah.auto a6 bL 30 a9 50 -- --
Metallica/Kirk Hammett.wah.cool p7 mt 26 9 43 c1 of
Metallica."Wherever I May Roam" of of -- of of f9 d6
Metallica."Wherever I May Roam".int a3 -- -- 2 9 p6 d3
Metheny, Pat.sitar a9 of -- a3 p4 p5 h8
Metheny, Pat c9 of -- a3 21 c3 H4
Moore, Gary."Still Got the Blues" c4 Ld 21 a8 26 c3 h9
Morbid Angel c1 mt 30 6 7 of 12
Morbid Angel.distortion.death.low c1 mt 30 6 7 of r2
Negasonic Teenage Warhead L9 dt 30 of 16 f1 h2
Nevermind.distortion.chorus of fu 30 4 48 c5 of
Nine Inch Mails."Hurt" of of of 9 of p7 h3
Nirvana.acoustic/unplugged.warm of ac 30 9 25 c2 h1
Nirvana.clean -- -- -- -- 46 c1 h9
Nirvana."Come As You Are".solo L6 -- -- 6 40 c5 --
Nirvana.distortion.1 c9 21 mt of 24 of h2
Nirvana.distortion.2 c9 30 bL of 25 c9 h3
Nirvana.distortion.3 L1 Ld 23 7 24 of h3
Nirvana.distortion.fuzz.grungy.fat c3 fu 30 a7 12 of r6
Nirvana.distortion.hard L9 dt 15 6 30 of r9
Nirvana.distortion.hard.flange c9 Ld 24 -- 41 f1 h3
Nirvana."Lithium".1 of of -- of 31 of r3
Nirvana."Lithium".2 of of -- of 41 of r3
Nirvana.live c5 dt 30 of 25 d9 h9
Nirvana."Live in Roma".distortion c1 dt 26 6 30 of of
Nirvana."Smells Like..." mt -- 25 9 10 c5 h5
Nirvana."Smells Like...".beginning p9 of -- a9 50 of h1
Nirvana."Smells Like...".hardcore c9 Ld 25 a9 25 c1 r9
Nirvana."Tracy Boy".intro.distort c4 ac 17 a9 40 c3 r7
Nirvana."Tract Boy".intro.mellow of ac 10 6 45 of r1
No Doubt."Just a Girl".intro a2 Ld 22 5 24 c3 h1
Nonesa.loud c9 dt 29 a6 36 c6 r4
Nugent, Ted.sound.sweet of od 20 9 35 of h9
Oasis.1 c9 Ld 26 9 30 of r2
Oasis."Do You Know What I Mean" a2 Ld 22 5 24 c3 h1
octaver.1 L1 fu 24 of 46 f3 d9
octaver.2 L4 mt 28 9 22 d8 d2
octaver.3 c4 dt 20 5 5 5 of
Offspring.distortion c7 d3 30 6 50 of h2
Offspring."Ixnay on The Hombre" c9 ry 30 3 33 c2 h3
organ.carnival c8 od 15 8 23 p9 d5
organ.church.1 c8 od 3 a1 24 p9 h6
organ.church.2 c9 ry 30 of p7 p9 h8
organ.haunted.Tocatta and Fugue in Dm L4 bL 22 1 p9 p9 d8
overdrive.bass-doubler of od 17 a7 49 p1 r7
Oziris.distortion L6 dt 20 a9 31 of of
Oziris.lead/solo L6 Ld 20 a9 40 of of
Ozzy/Randy Rhoads."Crazy Train".1 c9 mt 26 9 12 p7 h1
Ozzy/Randy Rhoads."Crazy Train".2 c5 dt 25 9 41 c3 h2
Ozzy/Randy Rhoads."Crazy Train".3 c5 dt 25 9 43 of h2
Ozzy/Randy Rhoads."Crazy Train".4 c5 dt 25 9 43 p7/of h2
Ozzy/Randy Rhoads."Diary of a Madman L2 dt 30 a3 5 c1 --
Ozzy/Randy Rhoads.early c4 bL 30 6 23 p7 h1
Ozzy/Randy Rhoads."Live-Tribute" c2 bL 30 1 48 of h7
Ozzy/Zakk Wylde.harmonic-enhancer of Ld 30 of 8 of of
Ozzy/Zakk Wylde."Ozzmosis"."Tomorrow L7 of -- 5 p2 f9 d8
Pantera.clean c1 of -- 2 36 c3 d6
Pantera.Dimebags.1 L1 c4 dt 30 4-Apr 8-50 of -25
Pantera.Dimebags.2 L6 mt 30 a1 29 of r3
Pantera.distortion.1 c3 mt 30 4 47 -- r2
Pantera.distortion.2 L1 mt 30 a3 50 c2 of
Pantera.distortion.clear of mt 30 a9 50 c2 of
Pantera.distortion.OD + chorus c9 dt 30 a1 50 c3 of
Pantera."End of Floods".1 L8 bL 28 a1 24 p7 d7
Pantera."End of Floods".2 c1 Ld 25 5 41 d2 d7
Pantera."End of Floods".clean c3 ac 26 a1 24 p7 h6
Pantera."End of Floods".delay L8 ac 28 a1 24 p7 d7
Pantera.general L8 mt 30 a1 50 -- r5
Pantera rhythm of dt 30 1 40 of of
Pantera.rhythm.solo p9 dt 30 of 46 of of
Pantera.super-drive L9 dt 25 9 50 c1 h4
perfect sound L6 of -- 6 p9 c6 d7
phaser.crunch -- ry 15 -- p4 c5 r4
phaser.metal c7 bL 23 9 p2 of of 2
phaser.solo L7 of -- 1 p4 f1/p1 d2
Pink Floyd/David Gilmour of ry 16 7 of of h4
Pink Floyd/David Gilmour."Breathing c4 ry 26 a9 p1 f3 h6
Pink Floyd/David Gilmour."Shine...".1 c5 od 4 a2 43 c2 h3
Pink Floyd/David Gilmour."Shine...".2 c5 od 6 a2 43 c2 d3
Pink Floyd/David Gilmour."Time".1 of bL 30 a9 42 c5 h6
Pink Floyd/David Gilmour."Time".2 c4 bL 27 6 36-38 c1 d7
Pixies."Caribou".solo L6 od 8 6 40 c6 of
Police.Andy Summers.delay.slapback L4 of -- 22 36 d6 d6
Prince."Purple Rain".clean c7 ry 1 a1 p1 f3 h7
Prodigy.Firestarter c9 fu 25 of 7 d1 of
Queen/Brian May."Keep Yourself Alive" c7 mt 21 a9 p2 of d8
Queen/Brian May.tube screamer c9 od 15 a9 33 of r4
Queen/Brian May.tube screamer.clean c9 od 1 a9 33 of r4
Queen/Brian May.tube screamer.solo c9 od 25 a9 33 of r4
Rage Against the Machine of bL 25 9 p3 p1 h1
RATM."Bombtrack" L1 bL 26 7 24 of h1 2
RATM."Bombtrack"/"Killing" L8 dt 18 9 50 c2 r6
RATM."Bulls On Parade" p8 dt 19 9 of c2 h1
RATM.screaming guitar p9 bL 30 6 p9 of h3
Ratt.1 L4 mt 30 a1 42 -- --
Ratt.2 L8 fu 30 a9 36 -- --
REM.crunch.bite of Ld 9 4 11 c1 r3
REM."Life & How to Live It" L9 ry 1 1 40 d7 of
reverb.clean a3 -- -- 2 35 -- r9
reverb.clean.jazz L5 of -- 6 25 of h5
reverb.Room With a View c1 ry 9 1 14 of h9
reverb.snap-verb.clean c9 of -- 9 of of h4
rhythm.1970s c8 bL 8 a1 of of of
rhythm.bass.1 L9 od 16 a4 7 d2 r1
rhythm.bass.2 L9 ry 8 3 5 d2 r5
rhythm.hardrock of Ld 24 a6 41 of of
rhythm.monster of Ld 30 9 29 f2 h7
rhythm.NIB L2 fu 21 a2 47 -- --
rhythm.tube crunch chunky OD c4 od 13 a6 25 -- r7
rhythm.tube crunch chunky OD.bright c4 od 13 a6 35 -- r7
Rolling Stones/Richards c2 od 15 4 35 of r3
Rush/Alex Lifeson."2112".rhythm c4 ry 1 1 35 c3 h5
Rush/Alex Lifeson."Dreamline" c7 dt 8 of of of d8
Rush/Alex Lifeson."Fly by Night".rhy L8 od 10 a8 34 c3 h3
Rush/Alex Lifeson."Red Barchetta".rhy L4 od 5 2 35 f8 h1
Rush/Alex Lifeson."Xanadu".intro c8 dt 8 of of of d8
Rypdal, Terje c1 od 30 34 20 c2 h7
sad guitar solo c9 od 20/25 a5 of pu h9
Santana, Carlos.1 c4 Ld 20 8 25 c2 r3
Santana, Carlos.2 L1 ry 30 a2 50 of h4
Santana, Carlos.3 c9 Ld 20 a4 23 d2 d4
Santana, Carlos.echo.smooth L4 dt 23 6 2 f3 r6
Satriani, Joe."Forgotten Part 2" -- mt 26 6 45 -- d8
Satriani, Joe.distortion.blues.rare c5 bL 30 a5 31 c3 d1
Satriani, Joe.dist..delayed.funky.wah a1 Ld 18 9 32 oF d7
Satriani, Joe.solo c3 dt 25 a1 43 c3 d5
saxophone L9 fu 13 a9 12 c1 h9
Scorpions."When the Smoke is Go..." c3 of -- 6 42 c8 d8
Scorpions."Winds of Change".clean c3 of -- 9 27 f9 h6
Sepultura.Chaos c7 dt 30 a6 50 of h2
Sepultura.distortion.1 c4 mt 30 9 30 of h3
Sepultura.distortion.2 c1 mt 30 9 41 r2 25
Sepultura.distortion.3 c9 dt 30 6 15 of of
Sepultura."Roots" c9 mt 30 a9 45 c2 of
Setzer, Brian."Jump Jive & Wail".lead c7 ry 25 of 10 d5 r7
Setzer, Brian."Jump Jive...".2 c4 of -- a1 20 d9 d1
Shadows/Hank Marvin.solo c1 of -- 9 15 of d1
Shadows/Hank Mar..."Wonderful Land" c9 of -- 1 25 c4 d4
Silverchair L5 ry 12 a9 32 c3 r6
Silverchair."Abuse Me".clean.phase c6 ac 15 a9 p4 c2 r9
Silverchair."Abuse Me".distortion c2 bL 15 3 27 c2 r1
Silverchair.distortion.crunch c4 dt 12 3 of of of
Silverchair.distortion.metal.mid L4 mt 23 a6 35 c2 --
sitar.drone.delay.wah a7 of of of p8 p9 d8
ska L1 bL 10 5 15 pd of
Skunk Akansie."Brazen".intro of ry 12 of 33 f2 h3
Skunk Akansie.flange of dt 30 5 of f7 h1
Slayer.early L5 Ld 25 a5 42 of h1
Slayer."Seasons in the Abyss".clean a1 7 c3 h3 25 of of
Slayer."Seasons in the Abyss".dist c2 mt 30 9 7 -- r5
Slayer."Seasons in the Abyss" L1 Ld 30 9 8 c1 of
Slayer."Seasons in the Abyss".solo a6 Ld 30 a1 50 c3 h1
Smashing Pumpkins.harmonics of dt 10 9 of of of
Smashing Pumpkins."Love" c9 fU 19 a9 9 f2 h2
Smashing pumpkins."Love" L1 fu 30 of 50 f1 h9
Smashing Pumpkins."Rocket" -- dt 30 -- p1 -- --
Smashing Pumpkins.rhythm c4 Ld 22 a9 25 of of
Smashing Pumpkins.solo -- -- -- -- p9 f6 r9
Social Distortion."Story of My Life" c4 od 25 5 24 of h1
Space (Arkiv X) a4 bL 7 7 p6 f7 h9
spice it up patch L3 of of 5 28 c3 of
SRV.solo c7 od 17 9 9 -- h2
Strat.1959 vintage.solo L6 od 6 1 12 of r9
Strat.killer hi-gain sound c5 Ld 27 8 28 c2 h3
sublime.good a1 od 17 a9 of of d8
sustain/feedback.eternal c9 dt 25 a9 39-40 f1 h1
synth.cheesy.Sci-Fi p9 od 3 a1 p9 p9 h9
synth.polyphonic c7 -- -- -- p7 p9 h9
System 7.wall of sound p5 dt 30 a9 5 c9 h9
techno c9 od 27 9 p3 s1 d8
techno.solo a9 mt 25 a4 p1 p7 d2
Testament.distortion.demonic c8 bL 15 4 25 of r4
Therapy.1 L4 od 30 9 36 d4 r6
Therapy.2 L7 dt 25 a9 24 d5 of 2
Thin Lizzy."Whiskey in the Jar" c4 Ld 15 6 23 d5 d3
Tool."Prison Sex" of ry 22 9 11 of of
Tool."Cinema" of mt 30 1 37 of h2
Tool.distortion of mt 30 9 13 f1 h2
Tragically Hip.rhythm c3 Ld 19 of 28 of of
Trey.tone c6 od 9 of 24-26 of of
Trower, Robin L9 Ld 30 7 24 f2 d1
tube.1 c9 bL 25 7 25 of h9
tube.clean of od 10 1 28 of h1
tube.overdrive.vintage c5 od 15 7 28 of h1
tube.progressive c9 od 11 a5 27 of h5
tube.screamer c9 od 15 a1 24 of of
twang L4 fu 20 a1 p7 c8 h4
Type O Negative.distortion c9 bL 30 9 5 c9 h9
U2/The Edge."Bullet the Blue Sky".1 c1 ry 30 a2 25 of d5/d7
U2/The Edge."Bullet the Blue Sky".2 c9 od 30 3 23 f2 d7
U2/The Edge."Bullet the...".1 of Ld 24 of p1 s8 d8
U2/The Edge."Bullet the...".2 of od/LD 25 of p1 s8 d8
U2/The Edge.echo.delay L4 ry 8 8 23 d1 d8
U2/The Edge."Hold Me, Thrill Me..." of od 30 of 24 of d8
U2/The Edge."Love is Blindness".live p1 fu 30 of 4 d2 h1
U2/The Edge.NUMB.Clean of dt 13 of p2 f2 of
U2/The Edge."Staring at the Sun" c4 bL 26 a8 23 c2 --
U2/The Edge."Where the Street..." c4 of -- 4 32 c3 d7
U2."Where the Street.."/"One".delay c3 ry 10 8 25 of d8
untested.Boris of fu 30 of 25 9 d9
untested.Breath Taker c4 of -- a4 p9 c1 of
untested.Cracky L3 c2 13 a5 39 of r3
untested.Dreamy L4 of -- 5 43 c2 d9
untested.Fat-Tap c8 dt 30 5 28 f1 r9
untested.Goa a2 dt 30 6 p5 55 d5
untested.Moo-Tron a8 of -- 9 35 of of
untested.NoName c2 dt 28 9 26 c8 d9
untested.Slapyer L6 Ld 25 a1 12 of of
untested.Sorrow L5 dt 20 a7 23 7 d7
untested.Take off of od 26 9 14 51 of
untested.Too Late c5 fu 25 of 47 c4 r9
untested.Work It Out a5 dt 23 1 14 of r2
Vai, Steve.1 c9 Ld 15 5 14 d3 h5
Vai, Steve.electric/acoustic c6 of -- 9 40 c5 h6
Van Halen, Edward.1 L9 bL 26 9 of c3 h7
Van Halen, Edward."5150" c4 Ld 26 9 32 c4 h5 -25
Van Halen."Ain't Talking About Love" c9 dt 30 9 42 f3 r9
Van Halen."Ain't Talking...".intro c7 mt 30 4 of f7 d4
Van Halen."Ain't Talking Ab..".phase c4 bL 25 3 p4 f1 d7
Van Halen, Edward.distortion c2 dt 30 4 16 c2 d4
Van Halen.distortion.flange.delay c1 mt 26 6 42 f6 d4
Van Halen, Edward.early.1 of dt 26 a9 of c3 h5
Van Halen, Edward.early.1980s.lead c7 Ld 21 a7 26 d7 24
Van Halen, Edward.early.2 c4 bL 30 3 of of h3
Van Halen, Edward.early.3 c3 bL 30 9 of/15 of/c2 d8
Van Halen, Edward.early.flange c5 mt 25 a9 17 f1 h4
Van Halen, Edward.early.tweaked.solo c2 dt 30 4 16 c2 d4
Van Halen, Edward."Eruption" of dt 30 a1 6 h5 /h9
Van Halen, Edward.flange L1 dt 30 4 16 f7 d4
Van Halen, Edward.later c9 Ld 16 5 31 c2 h3
Van Halen, Edward.new c1 bL 25 9 50 c3 r9
Van Halen, Edward.solo c2 dt 30 4 16 c4 of
Van Halen, Edward."Unchained".dist a1 bL 20 a2 45 f2 r1
Vaughn, Stevie Ray.'59 Strat c2 bL 4 a9 39 of h6
vibrato.surf L2 ry 1 a7 25 d2 h9
wah.1 a8 mt 30 a9 12 c2 h3
wah.2 a9 od 24 of of c3 of
wah.cheesy.porno music pedal wah p6 od 1 9 47 c3 r6
wah.delay + chorus a9 od 25 a9 26 c6 d9
wah.funk.1 a7 bL 1 of p6 59 h2
wah.funk.2 r3 of -- of of 4 of
wah.heavy+bite a9 bL 20 9 50 of h9
wah.screaming a2 Ld 22 5 24 c3 h1
wah.soft a7 ry 16 5 15 f7 d8
wah.solo.1 p9 od 30 of 41 of d7
wah.solo.2 a9 fu 30 of of of of
wah.solo.3.peach-&-cream p8 fu 24 of of c3 of
wah.wild of dt 30 3 31 c1 --
weird.Dr Who of dt 30 of p1 f2 r8
White Zombie.crunch.low-end L8 dt 30 9 48 of of
White Zombie.distortion.1 c2 mt 30 a1 46 d3 r5
White Zombie.distortion.2 of mt 30 a1 6 d3 d1
White Zombie.heavy-output L9 dt 30 8 49 of r6
wild cool c9 mt 30 a9 p9 c9 d8
WOW! c3 dt 25 a8 45 c3 r5 -22
Zoft 4x12 Celestion c3 ry 18 7 6 of h1
ZZ Top/Billy Gibbons.blues L4 ry 25 of 13 c2 r2
ZZ Top."I Need You Tonight".delay.1 c7 Ld 28 6 26 of d8 -22
ZZ Top."I Need You Tonight".delay.2 c5 Ld 28 a8 28 c3 d7
ZZ Top/Billy Gibbons."Tush".1 c2 dt 20 a4 25 c3 of
ZZ Top/Billy Gibbons."Tush".2 L2 ry 25 of 13 c2 r2
lev
26
24
24
27
30 play the intro only with the left hand, consists of pull-off and hammer-on the B-string, place two fingers of the right han
30
30
29 similar to Boston."Amanda".acoustic.12-strings"
--
of
of
20
27
25
30
28
23
26
26
30
24 used to make electric violin sound like a real violin
--
25
20
21
30
30
23
28
30
26
30 experiment with the EQ setting
20
27
18
19 amp: bass 10, mid 5, treble 5
25
30
25
-- amp: bass 5, mid ~3, treble ~2
30
25
24
?
20
22
18
27
26
25
28
26
30 similar to "acoustic.bright/12-string simulator"
24
25 like preset B3, but lev25
?
30
25
25
25
25
25
29
23
26
26
25
20
26
30
20
--
26
28
20
27
27
30
30
21 set Strat to 5th position
30
30
25
24
20
27
30
20
27
30 see Metallica.Kirk Hammett."Enter Sandman"
27
26
26
27
27
23
25
?
20
25
25
28
28
29
30
25
25
23
24
27
23 also Don Henley."All She Wants to Do is Dance"
30
28
25
21
18
22
30
25
24
20
25
26
?
26
25
25
25
27
24
30
21
25
23
25
22
17
26
27
19
19
20
15
24
25
25 amp: bass 7, mid 5, high 7
25 amp: bass max, mid half, treble half
30
?
21
23
25
28
27
24
27
27
26
?
25
28 similar to "Halen, Edward Van.3"
26
23
30
26
30
25
26
25
17
27
25 turn off mid
30
28
26
30
27
29
27
23
25
26
26
27
25
28
25
25
20
25
25
?
18
30
22
27
25
20
30
25
20
30
27
25
30
25 amp: use clean channel, set low, mid, high to half
24
28
? bass10, mid5, treble8
22
27
25
22
24
25
28
17
28
24
20
20
30
24
26 boosts any song with a lot of chord progression
28
?
23
h7-h9
25
25
30
25 see "Korn/Fear Factory"
30
27
28
26
27
26
16
24
29
27
28
h2
27
?
?
25
25
26
30
25
26
20
18
?
12
23
25
25
25
29 for "bend a string up, pinch a harmonic and let down" ala Steve Vai/Brian May, use only on the treble E/B/G strings on
30
25
30
23
25
23
29
27 see "Cream"
25
23
30
30
29
?
26
28
27
30
26
24
26
27
29
28
30
26
27 set mids 5
23
25
25
22
27
25
30
25
27
15
30
24
27
20
30
26
26
23
28
30
23
25
22
25
22
23
25
23
24
15
23
27
24
22
30
24
--
24 may have to adjust the gain & EQ
-- similar to distortion.punk.1
--
19
25
24
--
25 amp: bass 2, mid 0, treble 5
22
25
25
24
25
24
25 set selector switch to the neck pickup
25
25
25
25
30
26
?
22
3
27
27
25
25
26
24
28
30
26
26
27+
25
30 see Sepultura.distortion.1
-- amp: reverb max, gains half, EQ half
20 amp: low high, mid off, treble high
?
23
27 see "Creed"
24
30 warm chorus + heavy distortionamp: low 10, mid 2.5, high 10, master1.5
27
21
25
27
26
30
26
23
26
25
25
25
27
28
25
24
25
25
30
30
23
25
23
26
25-30
20
27
25
?
25
5+
21
30
24
22
25
? need volume pedal
25
26
27
30
23
30
30
26
21
22
20
25
25
30
28
24
25
30
25
28
28
26
27
30
?
25
25
25
23
28
25 see Lynyrd Skynyrd
20
23
26
26 rake and pick the B string on the 17th fret, rapid vibrato
25
27
30
27 play highspeed pull-offs for nice effect
17
29
30
23
26
27
27
27
30
30
25 amp: bass 7, mid 0, treble 7
25
28 amp: bass 10, mid 2, treble 10
h1
30 crank up the bass & mids
28
30
30
25
30
30
30
26
25
26
26
25
30 amp: bass max, mid off, treble max
25
26
25
27 use rhythm pick-up, turn up bass amp
4+
20
26
24
25 rhythm
25 solo
25
27+
20
23
27
30
24 early Brian May sound, may also use od & Fz
21
21
21 use a pitch shifter and a delay pedal to replicate May's layered effect
30
5+
25
27
25
25
25
27
30
25
26
26
27
21
27
30
26
23 ballsy "70s metal" sound, big sustain slight flange
28
30
30
21
26
28
28
28
28
22
20-25
26
28
20
20
26
25
24
20 try del=h7
21
27
29
30
28 see Metallica."And Justice for All".3
--
25
28
28
28
30 use amp reverb, select middle pickup on Strat
29
26
28
23
30
25
?
30
30
25
25
of
25
25 set mids 5
25
27 amp: low 7, mid 4.5, high 4.5, vol/gain: 10
23
24
?
?
21 amp: increase bass
25
22
24
18
21
24-26
30
25
18
30
23
27
24
26
25
5+
22
20
30 amp: bass low, mid high, treble high
25
19
25
22
28
25
25
20
20
27
25
16
18
25
25
26
28
28
28
20
24
27
30
19
23
25
22
17
26
25
25
25
13
25
26
27
30
30
29
30
25 flange/delay effectamp: bass high, mid 0, treble high
28
25
?
24
?
30 use only amp EQ, not Zoom's EQ
28 similar to "distortion.lead.extreme.doubling"
23
17
17 amp: bass max, mid 3, high 2
25
30
30
21 try modC2
25
28
25
27
30
25
30
25
24
25
23
23
20
30
12
30
?
26
25
?
27 for "Feed the Gods", tune to c#, use 0.12-0.54 gauge strings
30
27
28
28
26
23
29
28
ce two fingers of the right hand to block the G and E strings to avoid wrong notes
n the treble E/B/G strings on the harmonics after the twelvth fret and pinched usually between the middle p/u and the bridge. Use with th
and the bridge. Use with the bridge humbucker.
Delay Acústico C3 Ac 27 A5 5 C3 d4 25
1/2 Solo OFF bL 20 9 OFF OFF d7 20
Acústico Gaguejante A3 OFF — 9 P3 P5 d9 28
Acústico MegaPower OFF Ac 20 9 OFF P7 OFF 30
Angel Star L4 Ld 20 8 16 C3 d8 23
Bass OFF Ac 1 A5 1 OFF OFF 30
Billy Idol Guitar L2 Ry 25 9 19 C2 H3 22
Black Death C3 Mt 30 9 1 OFF r2 25
Black Sabbath Sound OFF bL 30 OFF OFF OFF OFF 30
Blue Monday 1 L9 Fu 20 A9 19 d3 H2 26
Blue Monday 2 C9 Fu 30 OFF 50 OFF OFF 30
Blues L4 Ry 25 OFF 13 C2 r2 28
Blues L4 Ry 25 OFF 13 C2 r2 28
Blues Espacial C9 bL 30 OFF OFF P4 OFF 30
Blues Espacial C9 bL 30 OFF OFF P4 OFF 30
Blues Fácil OFF bL 6 A2 13 OFF H1 26
Blues Fuzz C9 Fu 17 8 19 OFF H5 17
Bom Solo L4 bL 16 6 32 d1 d3 26
Borg Effect A9 Mt 30 9 OFF C2 d6 25
Borg Sex A9 Mt 30 9 OFF C2 d6 25
Boston Som C7 Ld 30 7 31 C1 H4 24
Braze Intro OFF Ry 12 OFF 33 F2 H3 30
Brian Setzer C7 Ry 25 OFF 10 d5 r7 28
Bullet the Blue OFF Ld 24 OFF P1 S8 d8 25
Caixa de Velas OFF OFF — OFF 43 C5 r6 30
Caixinha Musical C9 Ld 13 9 22 F5 H3 22
Capitão Caverna C7 Mt 25 9 22 C4 H3 25
Caribe, lá vou eu! A3 OFF — 2 9 P6 d3 25
Chocolate Distorcido OFF dt 20 OFF 15 C1 H1 25
Circles Intro L2 Ac 25 A9 23 C4 d8 30
Clean with Flanger C3 Ry 1 A4 40 F4 H9 26
Cliffs du Dover C1 Od 26 9 21 C1 d8 25
Cool Lead L2 Ld 30 A9 11 d2 H3 25
Cool Lead 2 OFF dt 30 OFF 15 C3 H1 27
Crybaby Wah-Wah P6 Ry 10 9 OFF C2 H1 25
Def Leppard L6 OFF — 6 40 C5 d7 30
Def Lep’s Hysteria C1 bL 19 OFF 20 C2 H2 22
Delay Metal Pesado C9 Mt 30 OFF 39 C4 d6 30
Dirty Bass C9 Fu 1 A9 50 P1 H9 29
Distorção Anos 80 L6 Mt 30 6 OFF C5 OFF 17
Distorção Assassina OFF Mt 30 9 23 OFF H1 29
Distorção BigBig C5 Od 6 7 6 C8 d3 24
Distorção Bumbo C8 dt 30 9 42 OFF H3 24
Distorção Carburador C2 dt 26 9 35 F5 H6 30
Distorção do Caos C4 bL 30 8 50 OFF r2 28
Distorção Pesada Pacas! L5 Od 12 A9 19 C9 r1 26
Duane Eddy C1 bL 9 A2 P9 OFF d4 26
Duane Eddy Twang C1 bL 9 A2 P9 OFF d4 26
Efeito 12 cordas C4 OFF — 7 24 P6 H4 24
Efeito do Amor C3 dt 4 9 30 d1 r3 30
Eric Johnson L2 Od 20 9 50 C2 d8 26
Estilo Espanhol OFF Od 4 3 25 C7 r5 24
Finger Blues C4 Ry 22 OFF 23 C1 H3 30
Flanger/Phaser L9 OFF — Off P1 F4 H4 28
Foo Fighters C3 bL 30 7 35 OFF r4 27
Fraco da Distorção P1 Od 30 4 36 C9 d4 30
Funk Anos 70 A9 Ac 30 8 20 P7 H1 30
Futebol C6 Ry 17 A4 P9 P6 H7 22
Fuzz Baleia C1 bL 9 A2 P9 OFF d4 26
Fuzz Cheio C3 Fu 30 A6 12 OFF r6 24
Fuzz Distorção C1 Fu 30 9 36 d4 r2 25
Fuzz Lead C9 Fu 28 OFF 36 OFF H4 30
Godzilla L4 Ld 6 6 P7 S7 d4 25
Green Day, Dia Verde OFF Ld 26 A6 22 OFF H1 18
Heavy Ballsass Metal C1 Mt 30 A9 50 d2 r1 30
Heavy Power C4 Ld 26 8 38 C3 d1 22
Iron Maiden C9 Ld 30 9 50 P4 OFF 17
Jazz/Blues C3 Od 6 OFF 35 OFF d7 20
Jeff Beck Tone C3 Od 26 1 20 C2 d6 17
John Hiatt L9 Od 12 2 OFF OFF r5 23
Jornal’s Solo L1 Ld 13 A2 25 C2 H6 27
Journey Solo Lead L1 Ld 13 A2 25 C2 H6 27
Killer Duck A9 dt 30 A6 24 d5 r5 24
King Crimson L1 Ld 13 A2 25 C2 H6 27
King Crimson L9 Fu 30 A4 45 OFF H4 25
Lead C6 bL 30 5 20 OFF H5 25
Limp Bizkit Distorção OFF dt 30 A1 50 OFF H1 30
Loud C2 dt 20 8 30 C2 H1 25
Megadeth L9 dt 30 A9 40 C3 d1 25
Megadeth Distorção L8 dt 30 A1 50 OFF d1 25
Mellow Space Card C8 Od 30 8 8 C8 d8 18
Metal Delay C3 dt 27 6 24 OFF d8 23
Metal Limpo OFF Mt 30 A9 25 C3 H4 25
Music Machine OFF Mt 28 OFF 49 OFF H3 28
Nine Inch Nails L9 Fu 30 A2 30 d4 r4 24
Orgão de Igreja C8 Od 3 A1 24 P9 H6 17
Os anos 80 são eternos! OFF dt 30 9 25 C3 H3 29
Phase Acústico L5 Ac 28 A8 P1 C3 H2 28
Psyco Sound C5 OFF — 9 P6 P3 d5 24
Punk Disco L9 Ry 30 A3 20 OFF H1 26
Rage Against P8 dt 19 9 OFF C2 H1 27
Rock OFF Ry 20 A1 25 OFF OFF 25
Rock “em” Roll C5 Od 18 A1 25 C1 OFF 20
Rock Pauleira C9 Ry 30 6 31 C2 H3 20
Rockão! C4 OFF — A1 20 d9 d1 28
Rockman C7 Od 26 7 20 C3 H6 24
Santana C1 bL 23 2 20 OFF H1 24
Second Distortion C1 Ry 12 3 12 OFF r2 25
Sexual Act A9 Mt 30 9 OFF C2 d6 25
Simulador Acústico C2 Ac 29 A5 45 C2 H3 29
Solo L4 Fu 24 9 17 d5 H8 26
Solo c/ Distorção C4 bL 23 4 27 C6 H3 17
Solo c/ Super Distorção C9 dt 30 9 27 OFF H9 27
Solo Dramático C4 dt 27 A9 10 C1 H4 27
Solo Samick L5 dt 28 6 42 P5 H4 24
Solo Wah A6 Od 15 7 P6 OFF r9 27
Solo/Lead C5 dt 25 9 41 C3 H2 25
Som de Acampamento C5 OFF — 4 36 F7 d8 29
Som de Rock L1 Ld 30 7 24 OFF OFF 20
SRV Blues OFF Od 19 4 29 OFF H4 20
Twister C3 Ld 24 6 48 F9 H3 29
Van Halen C2 dt 30 4 16 C2 H2 30
Van Halen Distorção C2 dt 30 4 16 C2 d4 24
Van Halen Flanger L1 dt 30 4 16 F7 d4 23
Viagem Suicida A9 dt 28 A7 P5 F8 d8 20
Vinho c/ Solo P6 dt 25 9 22 P3 d8 22
Wah Acústico A9 Ac 10 1 P6 C6 d2 30
Wah Estilo Hendrix A8 Od 22 9 12 C2 H5 30
Wah Wah A8 Mt 30 A9 12 C2 H3 27
White House Effect C2 Ld 26 1 48 C2 d6 25
Yellow Eyes Solo C5 Ld 20 9 28 OFF r4 25
Youthanasia c/ Distorção C3 dt 25 A6 35 OFF r1 25
# Description Comp Dist Gain ZNR/AMP

Cool distorion. Sounds alot like Megadeth. Has a lot of power and the
good thing about it is that it doesn't make your amp hum like some of
1 them do. l1 dt 27 a9
2 Flanger like sound. Great for clean songs. c9 of 27 a9
3 Pantera or heavy distortion l1 mt 30 a3
3a More clear one of mt 30 a9
4 Great wah...best i have found a9 od 24 of
5 Great patch for playing one(metallica) intro c2 of -- 5
6 Nice smooth sounding dist,with nice sustain l9 mt 25 1
7 Low death metal type sound(Morbid Angel) c1 mt 30 6
8 Until it sleeps chorus(metallica song) l6 of of 7
9 Chilean Distortion c4 mt 30 9
10 Human Being. Use neck Humbucker of dt 30 4
11 Play fast like God a9 ld 30 7
12 Hammet Lead l6 ld 26 8
13 Lead without wah l6 ld 30 6
14 Lead with wah a9 ld 30 6
15 Sounds like Iron Maiden in the FEAR album. c9 ld 27 9
16 great/for/Nirvana/songs l1 ld 23 7
17 THIS IS GOOD FOR METALLICA OR OTHER HEAVIES c9 ld/ry 21 4
18 BEST ACOUSTIC I HAVE FOUND .USE YOU'RE NECK PICKUP. c2 ac -- 9
19 GOOD FOR FLOODS(THE OUTRO)BY PANTERA. c1 ld 25 5
20 GOOD FOR CLEAN STUFF USE BRIDGE PICKUP l7 of -- 1
21 Smooth metal c1 mt 30 a9
22 Incisive Clean c9 of -- 6
23 Solo Distortion c4 bl 23 4
Clean with Flanger(Very Good for Guns 'n' Roses-Don't Cry and
24 similars) c3 ry 1 a4
25 This sounds just like metallica's "nothing else matters" intro. of ry 13 1
This one is a good straightforward Distortion, if your good anuf to play
26 with no fancy Crap. of ld 30 a9

has a little bit of hum to it. A lot of reverb and a little


bit of wah. Good sound for the Star Spangled Banner, and Purple Haze
27 by Jimi Hendrix. l1 dt 30 4
yummy, sparkly sound yet dark and intense as if from a cave
28 for metal leads mainly l5 dt 25 a9
29 It makes you feeling like Edward Van Halen c3 bl 30 9
30 Santana (Sampa pa ti) l1 ry 30 a2

Octaver. Used for the intro to King Nothing. It hums so rake and pick
the b string on the 17 fret and vibrato rapidly. The wild and uncertain
31 gain makes this effect real cool. l4 mt 28 9
This dirty dist. is almost identical to King Nothing
32 and all Load and Reload albums. c4 dt 27 8
33 Sounds like Kirk Hammets first solo in Sanitarium. l4 ld 24 9
34 Here is a nice clean tone sound. 1 -- -- 9
35 Solid metal sound, trying to equal coalchamber, but of fu 20 of
36 Offspring kinda high pitched distortion Sweet c7 d3 30 6
37 Great for Pink Floyd solos. Especially for "Time." c4 b1 27 6
38 Strong,heavy,dist. sound.Good for power chords. of de 30 a4
39 Here is a solo tone but there is excess treble… c9 od 30 a1
40 Sweet Child O'Mine c5 dt 25 a6
41 Two Guitars c5 -- 25 a2
42 Black Sabbath c1 ld 25 a9
43 FLANGER(EARLY VAN HALEN SOUND) с5 mt 25 a9
44 DISTORTION(METALLICA:KILL EM' ALL & RIDE THE LIGHTNING) c5 mt 25 a2
45 VOODOO CHILE1 (EXP. PEDAL NEEDED) p5 ld 20 of
46 VOODOO CHILE2 (EXP. PEDAL NEEDED) p1 od 21 1
47 BASS PLAYER(MAKES YOUR GUITAR A BASS;EXP. PEDAL NEEDED) c9 ry 15 a9
48 COOL CHORUS c3 ry 15 1
49 FUZZY c5 fu 20 a9
50 Pantera c9 dt 30 a3
EQ Mod DLY/REV Level Made by

45 pd h6 27 Ryan
45 f4 d3 28 Ryan
50 c2 of 30 Lee
50 c2 of 30 Lee
of c3 of 30 Lee
31 c4 of 30 Lee
41 p7 h4 25 Demon
7 of r2 30 Will aka Phil
25 c5 h3 24 Josh from Chile
29 of r4 25 Josh from Chile
17 f3 h1 26 Josh from Chile
25 off d9 25 Josh from Chile
32 c2 of 26 Josh from Chile
24 of h3 25 Josh from Chile
24 of h3 25 Josh from Chile
20 c3 d5 -- AbdelRahman ElSayed
24 of h3 24 Eddie-Napora
20 of h3 23 Dave
41 of h4 30 Dave
41 d2 d7 25 Dave
p6 of d2 30 Dave
50 of h4 28 fastrun01@aol.com
40 c6 h5 25 Mauele M.
27 c6 h3 17 Mauele M.

40 f4 h9 26 Mauele M.
34 c3 h3 30 Garry Hall

8 of of 28 fanofozzy@prodigy.net

p1 f1 d7 23 damion55@hotmail.com

p1 c3 h5 20
of/15 of/c2 d8 28
50 of h4 28

22 d8 d2 26

35 c1 h4 24
30 c4 h5 25
36 c3 h5 30
46 of of 26 Paulo, Portugal
50 of h2 27
38 c1 d7 30
50 of h2 27
10 c1 h8 23
12 c2 h4 23 DANILO BRAZIL
25 d4 h2 23 J.P.D.
10 с2 р6 25 J.P.D.
17 f1 h4 23 J.P.D.
24 d4 h3 23 J.P.D.
8 c2 h6 23 J.P.D.
of of h6 22 J.P.D.
24 pd h5 30 J.P.D.
35 c3 h5 30 J.P.D.
of of h3 22 J.P.D.
50 c3 of 30 satan's spawn

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