Girl

From Ipanema
arr Noah Zahm

4     
4
 = 160

Trumpet

4     
Alto Sax 4

  44     
  
Tenor Sax

Trombone
 4
4
     

4 
  4      
3

     
F7 G7








 4       
4       
Piano








 4   
4                
        


Bass
0 0
3 3 3 3 3 3 3 3 3 3 3 3 0
3 3

 44          
Brushed Bassa Nova

Drums

Claves  44                  
    
     
A

Tpt.

    
 
1st time only

Alto

   
 
2nd time only

   
   
Tenor

     
Tbn.   

      
  
3

     
F7



     
       
Piano 





              
           



Bass
0 0 0 0 0 0 0 0 0 0
0 3 3
3

 
Drums         
  
           
Clv.


2
    
Tpt.                      

Alto     

    
                  
Tenor

    
Tbn. 

  
   
     



G7 Gm7






        
       
Piano







     
                
      


Bass
0 0 0 0 0 0 0 0
3 3 3 3 0 0

Drums         

Clv.             

3
 
    
 
B

    
Tpt.

Alto      

     
      
Tenor

Tbn.


    

          

 
Gb7 F7 Gb7


  


    


     
Piano






                    
      

 
 4
Bass
4 4 4 4 3 3 4 4

         
Fill

Drums

               
 
Clv.

4
 Tpt.     


           
 
3 3
Alto

Tenor     

        
Tbn.       


  
      
 

 
3


3


B7 F#7







            

   
Piano







                        
          


Bass
4 4 4 4 1 1 1 1 1 1 0 4 4
2

Drums         

                
       
Clv.

5
 Tpt.      


               
3 3 3 3

Alto

Tenor      

         
Tbn.       

       
    
3 3 3 3

  
D7 Gm7



          
        
Piano



        
                          
   

Bass
2 2 2 2 2 2 0
4 4 4 4 0 0 0 0 0 0 0

Drums           

                   
         
Clv.

6
 Tpt.      

  

            
   

3 3 3 3 3
Alto

Tenor      

    


             
 
3

Tbn.

  
   
3 3 3

 
3
Eb7 Am7 D7#11 Gm7

          
       
Piano

           
        
   
 
 

  
 
   



Bass
2 2 0 2 2 3 0 0 0
1 1 1 1 1 1 2 0 2
1

Drums           

                    
         
Clv.

7
     
   
  
Open for Solos

   
C F7 G7 F7

Tpt.

       

Alto      

 
  


     

    
   
Tenor

     
Tbn.  
    
     


   


C7#11









 
 
      
     
Piano  









 


                   
       


 3
Bass
0 0 0 0 0 0
3 3 3 3 3 3 0 3 3
3 3

  
Drums
          

            
 
Clv.

8
 
         
 
     
G7 D

Tpt.

Alto 

       

    
    
  
   
Tenor

    
Tbn. 

    




   
 
F7





        
       
Piano




            


     
           
        
0 
  3
Bass
0 0 0 0 0
3 3 3 3 0 3 3 3 3 3 3

Drums            

               
   
Clv.

9
      
                     
3
Tpt.

Alto      

Tenor      

     
Tbn. 

       
G7 Gm7 Gb7 F7


  




 

Piano

            
      
        


Bass
0 0 0 0 0 0 0 0
0 0
3 3

Drums           

                    
         
Clv.

10
   
      

   
 
Molto Rit.
3 3
Tpt.


    



Alto


    



Tenor


     




Tbn.

               


   
E7 E7 F7 E7 E7 F7


  
   
    






  
Piano


 
      






Bass

3 3 3 3 3 3

 
1

    


Drums

Clv.     

11
Trumpet
Girl From Ipanema
8 
arr Noah Zahm

4    
 4                               
 = 160 A

1st time only

16
  
                   

         
Open for Solos

      
B C F7 G7 F7 G7 D

           
                          
Molto Rit.
3 3

  
        
3


Alto Sax
Girl From Ipanema
8 8
arr Noah Zahm

 4 
 4                        

 = 160 A B

3 3
 3 3

                            
     
Am7 D7#11

3 3 3 3 3

       
C F7   G7 
  F7   G7  D
   7 3
   
Open for Solos

 
  
Gm7 Molto Rit.
3

  
 

Tenor Sax
Girl From Ipanema
8
arr Noah Zahm

4    
 4 
                   
 = 160 A

2nd time only

16   G7
   
                
   
Open for Solos

  
B C F7

 7 3 
 F7
 



      
G7 D Molto Rit.


Trombone
Girl From Ipanema
2   2   8
arr Noah Zahm

 4
4         
 = 160


A B

3 3

                        
    
3 3 3 3

                    
     


3

3 3 3 3 3 3

C F7  G7  F7  G7  D


                 7 3 
 

Molto Rit.

Open for Solos


Piano
Girl From Ipanema
arr Noah Zahm

  44       





 = 160

    
F7 G7








 4         
4 
 








 
   


   









A F7 G7









          










            
 
B

  
Gm7 Gb7 F7 Gb7


 



    


      
  





    
    


   
B7 F#7







            

  







           

D7 Gm7 Eb7



            
         


  
           
Open for Solos

 
Am7 D7#11 Gm7 C7#11
C F7




          
         






   














 
G7 F7 G7










          










       
      
D F7 G7 Gm7 Gb7 F7 E7 E7

      
      
Molto Rit.


           

F7 E7 E7 F7


        
  


2
Bass
Girl From Ipanema
arr Noah Zahm

 4                         
4
 = 160

          

 3
3 3 3 3 3 3
3
3 3 3 3 3 3 0
0 0

                 
                
A

  


 3
0 0 0 0 0 0 0 0 0 0
0 3 3 3 3 3 3

   
                             
 

 

0 0 0 0 0 0 0 0
0 0 4 4 4 4 3 3

                               
 
B

     

 4
4 4 4 4 4 4
2
1 1 1 1 1 1 0 4 4

                
               
    
   
 4 4 4 4 0
2 2 2 2 2 2 0
0 0 0 0 0 0
                       
         
      
 1
1 1 1 1 1 1 2
2 2 0
0
2 2 3 0 0 0
2
3

                             
Open for Solos

 
C

     
F7 G7 F7


 

0 0 0 0 0 0
3 3 3 3 3 3 0 3 3
3 3

           
                     
D

    
G7

 

0 0 0 0 0 0
3 3 3 3 0 3 3 3 3 3 3
3

                              

Molto Rit.

 0
0 0 0 0 0 0
0
0 0
3 3 3 3 3 3 3 3


 





1

2
Drums
Girl From Ipanema
arr Noah Zahm

 44                           
 = 160


Brushed Bassa Nova A

                             

Fill B

 
  
Open for Solos

       
                
F7 G7 C F7 G7 D

2
                
Molto Rit.
Claves
Girl From Ipanema

arr Noah Zahm

 44                                              
 = 160 A


                                           
B

 

                                
               

F7 2
                                           Open for Solos
C

             

2 2 2  D                                    
 
           
G7 F7 G7

4
    
 
Molto Rit.