Lecture on “Virtual Trade, Comparative Advantage and Growth – The Fourth Dimension”
Prof. Sugata Marjit
Reserve Bank of India Professor of Lecture Overview International Trade, as we understand from the standard mainstream text Industrial Economics Centre for Studies books and ideas, primarily depends on three dimensions- Technology, Tastes in Social Sciences, Calcutta (CSSSC) and Factor endowments, apart from the fact that any kind of trade 3.30 PM on April 9th 2018 requires enabling reduction in transportation costs. But why countries trade Old Conference Hall, Second Floor at all with each other depend critically on asymmetries across nations i.e. to Indian Institute of Foreign Trade, New Delhi what extent they are different. Even when symmetry or similarity is the driving force as between USA and Europe or between rich countries, love for Followed by Classical Vocal variety of products becomes a critical factor behind trade. But none of the by Prof. Sugata Marjit existing models of international trade actually tells you the story of how Bangalore got linked with Silicon Valley in USA at the very beginning of the cyber age and how India being separated by USA by a non-overlapping time zone allowed both countries to exploit a nature driven comparative advantage once the information and communications technology underwent radical transformation. This is when “Time” started playing a role in Trade Theory and in India’s strive towards a structurally different growth trajectory. This is about exchange of ideas, knowledge and trade in virtual networks. This is about Time as the fourth dimension that drives global transactions and determines pattern of trade in a virtual world. It challenges the concept of distance in trade, may reduce inequality across nations but can increase the same within. This can also affect investment and finance. Classical Vocal Performance by Prof. Sugata Marjit at 5.30PM on Apr 9th 2018 at Indian Institute of Foreign Trade Sugata Marjit [born: 1959] is an unusual musician. He is an eminent economist and combines academic activities with a growing presence on the music circuit. His Khayals are a lot like the films of Goddard -- they have a beginning, a middle, and an end; but not in that order. Prof. Marjit’s brand of music qualifies him as the messiah of postmodernism in Hindustani music. Sugata also composes music for the theatre and television. In 1995, his work in the theatre earned him the West Bengal State Academy Award for the best musical score. On Apr 9th 2018, at Indian Institute of Foreign Trade, followed by his Lecture, he’s going to perform his Khayals. Check out here Prof. Marjit’s complete CV Check out here Prof. Marjit’s Musical CV