Funky Cha Cha By ARTURO SANDOVAL

Arranged by RICHARD EDDY

and ARTURO SANDOVAL
Moderate Latin Funk   

                                       
      

Alto 1 
ff      
                                          
   

Alto 2 
ff
      

                                   
   
Tenor 1      

ff
       

                                        
Tenor 2   
ff
     
              
                
         
         

Bari. Sax. 
          
ff
        
    
                        

Trumpet 1

    
 

ff Opt. Opt.  
   
                                  
Trumpet 2    
  
ff
   
    

                                     
Trumpet 3    
    
ff
  

 
                                    
Trumpet 4     
ff    

           
     
Trombone 1
   
                           
               
    
ff

Trombone 2
   
                       
         
         
ff

Trombone 3
   
                               
        
          
ff

Bass Trombone 
  
                                
ff
F‹

A¨‹%

F‹

A¨‹%

F‹

A¨‹%

           
         
         

    
Guitar 
        
ff
F‹
 A¨‹% F‹
 A¨‹% F‹
 A¨‹%

     
 
      
  
 
      
  
         



ff
  
Piano      
       
     
     

 

F‹ A¨‹% F‹ A¨‹% F‹ A¨‹%

      
  
Bass
      
      
       

ff
Cowbell
          

  
Aux. Percussion         
ff Timbales (Time) 
      Fill      
Ens.
                    
 

Drums                         

Typed Admir-A for maxas

2
    
                             
7

          
Alto 1
      
    
                                          
Alto 2
       

        
                             
Duet w/Trt 2

             
Tenor 1   
mf

          
                                      
Tenor 1

      
                                           
Bari.         

         
           
Tpt. 1

                              
 
         Duet w/Ten
  
Opt.


                                     
Tpt. 2
  
  
mf

           
                             
Tpt. 3
    

              
                               
Tpt. 4
    
        
   
 
          
Tbn. 1                            
            
     
              

                  
Tbn. 2 
   
                  
                                
Tbn. 3 
        
                 
B. Tbn.                             

F‹ A¨‹% F‹ A¨‹% F‹ C7[åÁ]

      
                            
J. Gtr.      

  
 

 

  
 

  

    




 
F‹ A¨‹% F‹ A¨‹% F‹ C7[åÁ]
    

      
           
               
           



   
  
   
   
Pno.
        
  

F‹ A¨‹% F‹ A¨‹% F‹ C7[åÁ]
    
           
            
    
Bass

  
                 
Perc.                   
  Fill
 
Fill         
                          
Dr.                          

Typed Admir-A for maxas

 3
13
13
Play 2nd time only
   
Alto 1            
      
   
   

        
mf
Play 2nd time only

      
    
     
    
   
   

     
Alto 2
mf


Play 1nd time only

                                      
Tenor 1      

                        
Play 2nd time only

      
Tenor 1    
mf

                  

Play 2nd time only
        
Bari.           
mf

          
Play 2nd time only

                               
Tpt. 1
    

                                  
Tpt. 2      
  

 

                        
Play 2nd time only

               
 
Tpt. 3

 
     
Play 2nd time only

 
    
  

         
             
 
Tpt. 4

   
Play 2nd time only
                    
        
Tbn. 1                 
   
Play 2nd time only
                    
       
Tbn. 2                 

         
Tbn. 3 


Play 2nd time only
          
B. Tbn.    
mf
G‹7(b5)
 
C7[áÁ]
    
F‹7
  
B¨9(b5)
 G‹7(b5)

C7[áÁ]
    
F‹7
  
B¨9(b5)
 G‹7(b5)

C7[áÁ]
    
F‹7
                 
           
J. Gtr.
         
G‹7(b5) C7[áÁ] F‹7 B¨9(b5) G‹7(b5) C7[áÁ] F‹7 B¨9(b5) G‹7(b5) C7[áÁ] F‹7
        
                                  


mp
Pno.
             
 
        
 
     
         

                         B¨9(b5)
G‹7(b5) C7[áÁ] F‹7 B¨9(b5) G‹7(b5) C7[áÁ] F‹7 G‹7(b5) C7[áÁ] F‹7
           
Bass       

13 Cowbell
         (4)
Perc.      
Guiro
  
                 

Dr.                     

Typed Admir-A for maxas

4
22

18

1. 2.

                       
Alto 1      

                
       

Alto 2
  

         
                       

Tenor 1
   

       
Tenor 1                 



          
     

Bari.
      
 

  Play
                
                          

Tpt. 1
 
mf

                                             
Tpt. 2
 
Play
              
                         

  
      
Tpt. 3
mf
                 
                         
Play
Tpt. 4
        

mf
               
      
Play
             
Tbn. 1 
      
mf
      
   
Play
  
            

Tbn. 2

mf

       
Tbn. 3          

         
            
B. Tbn.
    
  


F‹7/E¨ G13 C7[åÁ] F‹11 B¨‹7 E¨7 A¨Œ„Š7 Aº

          
     
    
   
   
 




   

J. Gtr.             

F‹7/E¨ G13 C7[åÁ] F‹11 B¨‹7 E¨7 A¨Œ„Š7 Aº

    
            
        
 
         


mf
Pno.
           
       
  
       
  
    

  

       
F‹7/E¨ G13 C7[åÁ] F‹11 B¨‹7 E¨7 A¨Œ„Š7 Aº
                
        
     

Bass   
mf
22
       
1.
      
2.
         
Perc.   

     
                                
Dr.                                   

Typed Admir-A for maxas

 5

     
24
                  
   

         

Alto 1

    
                        
Alto 2
          
  

  
                              
Tenor 1
 

             

Tenor 1                      

  


      
      
Bari.  
          




    


 

                                

  

Tpt. 1       

                                

Tpt. 2          

        
                           
   
Tpt. 3

        
                          

   
Tpt. 4

                   
                 
Tbn. 1 
               
                 
Tbn. 2 
               
                 
Tbn. 3 
           
                     
B. Tbn.    

B¨‹7 E¨7 A¨Œ„Š7(#5) A¨Œ„Š7 G‹7(b5) C7[áÁ] F‹7 F‹7/E¨ G13 C7[åÁ] F‹11

J. Gtr.                           

B¨‹7 E¨7 A¨Œ„Š7(#5) A¨Œ„Š7 G‹7(b5) C7[áÁ] F‹7 F‹7/E¨ G13 C7[åÁ] F‹11
     
       
                             

Pno.

            
  
   

   

 

  

    

 




       
B¨‹7 E¨7 A¨Œ„Š7(#5) A¨Œ„Š7 G‹7(b5) C7[áÁ] F‹7 F‹7/E¨ G13 C7[åÁ] F‹11
                           
Bass 

 (4)      
Perc.      

 Fill 
           
 
Dr.             

Typed Admir-A for maxas

6
30   
                        
30

     

   
         
Alto 1
   
 
ff
   
                                             
Alto 2
   
ff
   

    
                            
Tenor 1
 
ff

           

                               
Tenor 1
 
ff
        
                                        
     
Bari. 
ff

              
      
Tpt. 1


                      
ff
 
       

Opt. Opt.
 
                                   
Tpt. 2     
ff

           
                                    
Tpt. 3
  
ff
       

                                     
Tpt. 4     
       
     
ff
        
Tbn. 1
  
                       
                 
ff
      
Tbn. 2
  
                         
                 
ff
      
Tbn. 3
  
                         
              
ff
        
B. Tbn. 
 
                              
ff

F‹ A¨‹% F‹ A¨‹% F‹ A¨‹%


J. Gtr.        

     

     

 
ff
F‹

A¨‹% F‹

A¨‹% F‹

A¨‹%
      
           
          
         
 




    
ff
        

Pno.
            


F‹ A¨‹% F‹ A¨‹% F‹ A¨‹%

   
     
Bass
     
    
       

ff
30
                        
Perc.                         
ff Timbales (Time)   

                           
30 Ens.
 
Fill
    
Dr.                          
ff

Typed Admir-A for maxas

 7
 38 Play 2ndSolos
       
36 time only

       
         
Alto 1
    
                
mp
 
              
Play 2nd time only

  
       
     
     
    
     
Alto 2
mp

         
                        
Play 2nd time only

        
Tenor 1  
mp

    
                      
Play 2nd time only

Tenor 1                    
mp
    Solos
                                      
Bari.            
mp


Solos
      gliss.       
Tpt. 1  
Solos
 

A‹7(b5) D7 G‹7 C7 A‹7(b5) D7 G‹7 C7

Tpt. 2        
               


Solos

Tpt. 3            


Solos

Tpt. 4        

   

      
Solos

Tbn. 1    
    

      
Solos

Tbn. 2        

      
Solos

Tbn. 3        

      
Solos

       
B. Tbn.  
Solos
F‹ A¨‹% G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7

       
J. Gtr.     
                   
mf
F‹ 
A¨‹% G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7
  
        
Solos
                        


 

  mf
  
Pno.
      
   
 


F‹ A¨‹% G‹7(b5) F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7

  C7
        Solos
              
Bass
  
     
mf
38 Solos
                      
Perc.            
 mf
Guiro
Solos
   
Fill Time

 

Dr.                        
mf

Typed Admir-A for maxas

8 47
42
   
1.
    
2.

                 
Alto 1
        

      
                      
   

Alto 2   

         
                   
      
Tenor 1


       
Tenor 1                  

         



         
       
     

Bari.      


       
  
Tpt. 1

A‹7(b5) D7 G‹7 G‹/F A13 D7 G‹7 G‹7 C‹7 F7 B¨Œ„Š7 B¨º


Tpt. 2                 

           


Tpt. 3         


Tpt. 4      

  

  
Tbn. 1
  
            

mp

       
Tbn. 2           

mp

       
Tbn. 3           

 
mp

B. Tbn. 
  
           

mp

G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 F‹7 F‹7 B¨‹7 E¨7 A¨Œ„Š7 Aº


J. Gtr.                          
             

G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 F‹7 F‹7 B¨‹7 E¨7 A¨Œ„Š7 Aº


                              


      
Pno.
         




G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 F‹7 F‹7 B¨‹7 E¨7 A¨Œ„Š7 Aº

    
Bass                                  

1. 2. 47
 (4)                   
Perc.      

 
Dr.                             


Typed Admir-A for maxas

 9

Repeat to 30 After Solos

       
49
     
for more Solos

          
Alto 1            
Repeat to 30 After Solos
 
        
for more Solos
               
Alto 2
           
Repeat to 30 After Solos


                         
for more Solos

       
Tenor 1

Repeat to 30
 
After Solos
    
                       
for more Solos

Tenor 1          
30
 
Repeat to

After Solos
 
           
for more Solos
    
 
     
 
   
Bari.   
30
Repeat to After Solos


for more Solos

            
Tpt. 1
30 
p mf
C‹7 F7 B¨6 B¨Œ„Š7 A‹7(b5) D7 G‹7 G‹/F A13 D7 Repeat to After Solos
 for more Solos
Tpt. 2                            

30
Repeat to
p mf
After Solos


for more Solos
            
Tpt. 3
30 
Repeat to
p mf
After Solos
 for more Solos
Tpt. 4        

   

30

  Repeat to
p mf
After Solos
            
for more Solos
Tbn. 1       

 
p mf
Repeat to After Solos
       
30

  
for more Solos
Tbn. 2        

 
p mf
Repeat to After Solos
       
30

  
for more Solos
Tbn. 3        

 
p mf
Repeat to After Solos
         
30


for more Solos
B. Tbn.         

Repeat to 30 p mf
for more Solos After Solos
B¨‹7 E¨7 A¨Œ„Š7 A¨Œ„Š7 G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 F‹7 F‹7

J. Gtr.                                    
Repeat to 30 After Solos
B¨‹7 E¨7 A¨Œ„Š7 A¨Œ„Š7 G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 for more Solos F‹7
 F‹7
                          


       
Pno.
         

B¨‹7 E¨7 A¨Œ„Š7 A¨Œ„Š7 G‹7(b5) C7 F‹7 F‹/E¨ G13 C7 F‹7 F‹7
Repeat to 30 After Solos
 
for more Solos
Bass                                 

 (4)            
Perc.      

Fill Fill
Dr.                              

Typed Admir-A for maxas

10
56
62
           
56
                       
 

Alto 1              
ff

         
                                           
Alto 2
   
ff
  

                  

              
Tenor 1         
ff

                          
                  
Tenor 1
 
ff

                                            
Bari.            
ff

  
Opt.
                   

                    

Tpt. 1
 
ff

      
                                     
Tpt. 2
 
ff

       
                                   
Tpt. 3
   
ff

       
                                   
Tpt. 4
  
ff 
   
                                      
Tbn. 1   

ff

                                  

Tbn. 2        
ff

                               

  
            
Tbn. 3

ff

                       

  
                 
B. Tbn.  
ff

 

G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7
   
                     

         

J. Gtr.  

 
ff


G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7
           

                                     



 
   
pp
       
Pno. ff
   
          


G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7 B¨7 G‹7(b5) C7 F‹7


 
         
Bass                         
ff

   
56 62
      (4)       
Perc.

      
 ff pp

    
                  

Dr.                 
ff pp

Typed Admir-A for maxas

 11

                
63

          
Alto 1  
f

         
                   
Alto 2 
f
      
Tenor 1 
                                 
f
      
Tenor 1 
                                 
f

              
               
Bari.                 


       

Tpt. 1


Tpt. 2        


Tpt. 3        


Tpt. 4        

         
Tbn. 1 

         
Tbn. 2 

         
Tbn. 3 

         
B. Tbn.  

                F‹7 C7½ F‹7 C7½


J. Gtr.         
 

       

    
mp cresc. ff
   
C7½ F‹7 C7½
                           
F‹7
 
                                      

    
cresc. ff
                         
        
Pno.
                              
    

                F‹7
 
C7½
    F‹7  
C7½
  
           
Bass        
  
  
mp cresc. ff
Cowbell
                             (4)
Perc.        
cresc. Timbales (Time)
       
Solo Fills
                                        
Dr.                             
cresc.
ff

Typed Admir-A for maxas

12
70  
     
Optional: add soloist(s) ad lib. to end

                       
70

         
Alto 1   
 
     
Optional: add soloist(s) ad lib. to end

Alto 2                                 

     
Optional: add soloist(s) ad lib. to end
    
Tenor 1                                                

     
Optional: add soloist(s) ad lib. to end
    
Tenor 1                                                

               
Optional: add soloist(s) ad lib. to end

    

                  

   
Bari.                   
   
 
Optional: add soloist(s) ad lib. to end
    
          
    
 
   
         
Tpt. 1 
f
   
               
 
Optional: add soloist(s)

Tpt. 2  
ad lib. to end
             
  
f
              
       
Optional: add soloist(s)

Tpt. 3  
ad lib. to end
          
    
  
f
             
                   
Optional: add soloist(s)

 
ad lib. to end
       
Tpt. 4
   
Optional: add soloist(s) f   
           
ad lib. to end 
Tbn. 1
   
                     
Optional: add soloist(s) f 
 
  
 
         
ad lib. to end
   
                            
Tbn. 2

              
Optional: add soloist(s) f
ad lib. to end
     
Tbn. 3
   
                

   
Optional: add soloist(s) f
ad lib. to end
            
   
                     
B. Tbn.  
F‹7 f C7½ F‹7 C7½ F‹7 C7½
Optional: add soloist(s)
ad lib. to end

J. Gtr.      

       

       

    

     

F‹7 C7½ F‹7 C7½ F‹7 C7½
   




       
     
     

Pno.

 

    

F‹7

Optional: add soloist(s)
 
    

C7½




F‹7

 
    

C7½





F‹7

 
    

C7½



 
ad lib. to end
               
      
Bass     
    
  
    
  
   

70
     (4)    
Perc.             

Dr.                          

Typed Admir-A for maxas

 13

 
                             
76

       
Alto 1   

   
Alto 2                                      

         
Tenor 1 
                                               

         
Tenor 1 
                                               

                         
                        
Bari.                     
                      
Tpt. 1

        
        
              

Tpt. 2                 

        

Tpt. 3                              

         
                         
Tpt. 4      
  
       
     
      
Tbn. 1                

 

         
     
       
Tbn. 2              

                     
                  
Tbn. 3 
   
                  
B. Tbn.                 

F‹7 C7½ F‹7 C7½ F‹7 C7½


J. Gtr.      

       

       

    

     

F‹7 C7½ F‹7 C7½ F‹7 C7½
   




       
     
     

Pno.

 
    
 
 
    





 
    





 
    



F‹7
 
C7½
    F‹7  
C7½
    F‹7  
C7½
   
      
Bass          
  
    
  
  

 (4)    
Perc.          

Dr.                          

Typed Admir-A for maxas

14
84 
Opt. Open for Solos

              
82
 
           

Alto 1   

 
Opt. Open for Solos

Alto 2                     
      

  
Opt. Open for Solos
   
Tenor 1                     
        
 
     

  
Opt. Open for Solos
   
Tenor 1 
                   
        
 
     

                

                 
 

Bari.
         
   
On Cue
Opt. Open for Solos
             
           
 
Tpt. 1 

On Cue
   Opt. Open for Solos
 
           
Tpt. 2             
On Cue
    Opt. Open for Solos
 
           
Tpt. 3             
On Cue

     
Opt. Open for Solos

       
Tpt. 4   
   
          
   
     
      
Opt. Open for Solos

       On Cue           
Tbn. 1  
 
   
        
Opt. Open for Solos

        
On Cue
Tbn. 2          
        
Opt. Open for Solos
          
On Cue
Tbn. 3            

     Opt. Open for Solos

   
               
On Cue

     
B. Tbn.  

F‹7 C7½ F‹7 C7½


     

J. Gtr.                 
F‹7
 
C7½ F‹7
 
C7½
         
       
 
    

Pno.

 
    
 
 
    




 

 
   




F‹7
 
C7½
    F‹7
 
C7½
   
       
        
Bass           

84 Opt. Open for Solos

 (4)    
Perc.        

84 Opt. Open for Solos

simile
 

Dr.                

Typed Admir-A for maxas

 15
On Cue
Last time
 

    
86 Opt.Vamp

        

Alto 1      
On Cue
 
Last time
    
Opt.Vamp

Alto 2       
       

Last time On Cue
  
    
Opt.Vamp Opt. Solo
       
Tenor 1            
Last time On Cue
     

Opt.Vamp

Tenor 1    
            
     
Last time On Cue

     Opt.Vamp
    
          
  

Bari.
        

On Cue
Last time

                   
     

Tpt. 1 

Last time

On Cue
 
          
Solo
       
Tpt. 2     

Last time On Cue
  

                       
Tpt. 3 
Last time On Cue
  

                       
Tpt. 4  
        
On Cue

Last time
Opt.Vamp
  
               
Tbn. 1 
    
On Cue
 
Last time
Opt.Vamp    
             
Tbn. 2  
On Cue
    
Last time

    

Opt.Vamp
             
Tbn. 3  
Last time On Cue

       Opt.Vamp
      
           
B. Tbn.   
Last time On Cue


F‹7 C7½ Opt.Vamp
  
J. Gtr.       

      

 

F‹7

C7½ On Cue

Last time

       
     
 

  
Pno.

 
    




 

 


 

 
 


Last time On Cue
F‹7
 
C7½
    
           
Bass        
Last time On Cue
      
Perc.

         

Last time On Cue
Opt.Vamp
  

 
Dr.          
 

Typed Admir-A for maxas