Professional Documents
Culture Documents
Week 2 of 4; Plan 6 of 12
PERFORMATIVE (Do)
S1: Students will be able to describe a person’s identity based on the intersection of
his/her multiple group identities
a. Students will be able to identify their group and personal identity.
b. Students will be able to explain their group and personal identity.
c. Students will be able to reflect on their group and personal identity.
d. Students will be able to explore the intersection of their group identities.
e. Students will be able to explain the impact their group identities have on their
perceptions of the world or of others.
S2: Students will be able to analyze group and personal identity
a. Students will know what literary analysis is
b. Students will be able to identify figurative language in a text
c. Students will be able to explain the impact of an identity on a person or text
S3: Students will be able to explain the influences on an identity over time or in various
contexts
9.4 - The student will read, comprehend, and analyze a variety of literary texts including
narratives, narrative nonfiction, poetry, and drama.
9.5 The student will read and analyze a variety of nonfiction texts.
RL 9 – 10.1 - Cite strong and thorough textual evidence to support analysis of what the
text says explicitly as well as inferences drawn from the text.
RL 9 – 10.2 - Determine a theme or central idea of a text and analyze in detail its
development over the course of the text, including how it emerges and is shaped and
refined by specific details; provide an objective summary of the text.
Methods of Assessment:
[How will you know if the intended learning occurred?] List all methods of assessment used in
this lesson or which are related to this lesson and come in a future lesson. After each assessment,
indicate in brackets the number(s) and letter(s) of the unit objective and the related lesson
objectives that the assessment is evaluating.
What have you done (visible in the lesson plan procedures) that differentiates for the a)
readiness, b) interests, and/or c) learning environment for your profile students.
Procedures/Instructional Strategies
Each step should have bolded heading that identifies the activity, and then is followed by the
teacher scripting, student and teacher actions, and a description of the activity.
[Note: Any words that represent what I would say directly to students appear in italics.]
My one thing that I think is unique to me is that I am afraid of birds. Does anyone have that in
common with me?
[I will pause to let students respond. Then, I will turn to the person to my right and say:]
[We will go around the circle until everyone has had a chance to share. Then I will say:]
I need some volunteers who can tell me one thing they learned in class yesterday. Please raise
your hand if you’re willing to share.
[I will pause to give students think time of about 1-2 minutes. This time will depend on how
quickly students indicate they are willing to respond. Student responses should mention
procedural knowledge about how to engage in analyzing a text. This includes but is not limited
to making notes or annotations, looking for patterns, identifying literary techniques, and many
more. After several students have shared, I will say:]
Thanks to all of you who spoke up. From your responses, it is clear that literary analysis is a
complex and multi-step process, but as we discussed in our last class, engaging in literary
analysis can really deepen our understanding of a text. Today, we are going to continue thinking
about analysis by exploring at what happens when we analyze our own or other’s identities. Who
is willing to read our objectives aloud?
[I will have the objectives on a PowerPoint slide for all students to see. I will call on a volunteer
who is willing to read.]
To get us started on analyzing identity, we are going to listen to Sandra Cisneros read her short
story “Eleven” out loud. I am giving you a copy of the text in case you want to make notes or
annotate, but it is not required. You should, however, make sure you are following along as
Cisneros reads aloud. As you listen, think about how you would describe the narrator in this
story. Let’s begin.
[I will play the video of Sandra Cisneros reading “Eleven” aloud. As the video plays, I will
circulate the class to make sure all students are following along with the reading. This will be
evident if students choose to annotate their texts and/or by body language and other behaviors.]
Ok, now let’s talk a little bit about what we just heard.
“Use what you know about analyzing a text to describe how the author creates feelings of
empathy in the audience. Make sure you cite examples from the story to support your
responses.”
I hope you remember what empathy means from our past discussions, but if you need a reminder,
check your Key Terms sheet last week. You have ten minutes to turn and talk to your table
partner about any ideas or observations you can make based on this question. You may begin.
[I will circulate the class as students discuss. I will be listening for students to mention the first-
person narration, the events occurring on Rachel’s birthday, and the evocative similes and
metaphors that serve to foster empathy in the audience.]
I heard a lot of you using your literary analysis skills. That’s great! Who can share what you
talked about with your partner?
[I will pause and call on students who are willing to share. I will record student responses on the
board. After ten minutes, I will say:]
So, we can see all these literary techniques that the author uses to cause us to feel empathy for
Rachel. It’s so important for us to acknowledge how the author makes us relate to Rachel’s
experience through these literary techniques. Now, let’s think about how this story would change
if we weren’t told it from Rachel’s point of view.
Take two minutes to write down your thoughts on a spare piece of paper. You don’t have to turn
this in, it’s just to get you thinking.
[I will pause and give students time to write. When time is up, I will say:]
[I will give students a few minutes to share their thinking. When time is up or when student
responses die down, I will say]
Thank you all for sharing. I agree with many of the thoughts I heard today. I think changing the
point of view of this story could totally change our opinion of Rachel. We might see her as a kid
who disobeys the teacher and then has an outburst in class just over being told to put on her own
sweater. But, because we get to really know Rachel’s thoughts, feelings, and circumstances, we
can relate to her. That’s true in fiction, but is it true in real life as well? You’re going to take
some time to reflect on those ideas in your notebooks. Please get your notebooks and feel free to
move to a comfortable spot in the classroom.
[Once students have gotten settled and have their notebooks, I will say]
[I will have the question projected on the board and I will read it aloud.]
How do our intersecting identities shape our perspectives? As you write, you can mention your
own experiences or the story we read today. You also might want to draw connections to what
you have read so far in The Sun is Also a Star. I will be conferencing with some of you
individually during this time as well. Ok, go ahead and start writing.
[5 mins] Closure:
Ok everyone, please wrap up whatever you are working on right now and move back to your
assigned seats. In our last five minutes, let’s look back at our objectives for today.
Take some time to reflect on these objectives. What do you understand now that you didn’t
before? What do you need more help on? Write down your thoughts on a piece of paper and give
them to me as you leave today.