Professional Documents
Culture Documents
Lauren Fleming
Mr. Phillips
20 May 2018
When Bret Easton Ellis’s book American Psycho was first released it was met with
backlash due to its controversial subject matter. The original publisher dropped the book, The
National Organization of Women tried to organize boycotts and Ellis received death threats
(Grow). Fortunately Mary Harron fought to direct the film adaptation of American Psycho and
was able to clarify the satirical book’s message about the destructive culture of the 80’s. The film
American Psycho is a social commentary on the dangers of toxic masculinity and consumer
capitalism.
At the beginning of the film, Bateman describes his extensive morning routine to the
audience. Bateman is portrayed as self-absorbed and shallow, trying to fit the image of the other
elite Wall Street men (Jhmcpherson). Bateman’s interactions with women and his male
colleagues clearly show his sexism. He criticizes Jean, his receptionist, for what she wears
several times. First telling her to wear a dress or skirt and high heels because he likes them better
and then telling her she should change before she goes out to dinner with him. The majority of
Bateman’s victims are women, which is what sparked protests from many feminists when the
book and then film were first released. Bateman is an outsider, so he uses violence to prove his
masculinity. Around his peers, Bateman feels inferior and ignored but by killing women he can
get the control and pleasure he desires. He hires prostitutes and forces them to listen to his
thoughts on music to get the attention he does not get anywhere else in his life. Bateman attempts
Fleming 2
to imitate masculinity by buying the women, giving them drugged drinks, making them listening
to him, and then killing them (Jhmcpherson). Even though most of his targets are women,
Bateman will not hesitate to kill a man if the said man makes him feel inferior. Bateman uses
violence to get even against Paul Allen, killing Allen allows him to release his anger and
jealousy towards him. The toxic ideals of masculinity surrounding Bateman do not allow men to
freely express their emotions and so Bateman feels like he can only release his emotions through
violence.
Bateman, and the other men around him, see women through a toxic male gaze. When
movie. In a conversation between Bateman and his colleagues they exclaim that “there are no
girls with good personalities.” They see women as sex objects and only care about a woman’s
appearance. American Psycho does not try to make the audience understand or sympathize for
Bateman, the film ridicules him. Christian Bale, who plays Bateman in the film, said “you laugh
at him, not with him (Rose).” By ridiculing Bateman, the fragility of masculinity is also being
made fun of. Patrick and his colleagues try to one up each other throughout the movie by having
the best business card or getting reservations at Dorsia and other trendy restaurants. Bateman’s
masculinity is obviously desperate and hollow and the business card scene parodies alpha-male
posturing (Gilmor). The competition over business cards is comedic because from the audience’s
point of view, the cards are practically the same. Because of this, Bateman’s reaction to Paul
Allen’s business card seems overly dramatic and the ominous music further dramatizes
Bateman’s overreaction. Bateman’s character continues to look foolish as he flexes in the mirror
while having sex and makes awkward jokes in an attempt to fit in. In Bateman’s world
masculinity is linked to financial success and capitalistic values. The men flaunt their designer
Fleming 3
suits and business cards to prove their manhood so of course Bateman does so as well as he
desperately tries “to conform himself to fit the narrow mold of masculinity shaped by corporate
attitudes of yuppies during the 80’s. Bateman and his colleagues are never shown doing work at
Pierce & Pierce. They are instead shown going to clubs, fancy restaurants, and proving their
success through materialistic means such as suits, drugs, business cards, and dinner reservations
(Jhmcpherson). Bateman hates his job but when his fiancé, Evelyn, asks him why he does not
quit he says “because I want to fit in.” Bateman tries to fit in by conversing and joking with his
colleagues but in reality Bateman’s attempts to fit in makes him invisible and he is often
misrecognized for someone else. Everyone conforms to one image and no one bothers to form
relationships with each other. One of Bateman’s first victims in the film is a homeless man.
Bateman tells the homeless man his “negative attitude” is keeping him from getting a job and is
visibly disgusted when the man grabs him. Bateman insults the homeless man and tells him he is
unable to help him because he has nothing in common with him and then stabs the man.
Bateman’s feelings of contempt towards the homeless man are a commentary on how people like
Bateman- wealthy, Wall Street workers- are ignorant to the struggles of poverty and ignore
Bateman’s ability to get away with murder also creates a commentary about his class
position. No one believes Bateman is capable of murder not just because they view him as a
“dork,” but also because they chose to be blind to it. When Bateman outright admits to murder, it
is often ignored. When Bateman says “I like to dissect girls, did you know I’m utterly insane?”
to Paul Allen, Allen responds with “great tan, Marcus” and when Luis sees Bateman suspiciously
Fleming 4
dragging a large bag, Luis only asks “Where did you get that overnight bag?” The blindness of
Bateman’s peers is because of their obsession with wealth and status, their self-absorbedness
Through the character of Patrick Bateman, American Psycho characterizes the dangerous
social trends of the 80’s that in many ways still continue today. While exaggerated, the film
shows how living in a superficial, materialistic society is isolating and destructive to everyone
living in it.
Fleming 5
Works Cited
Gillmor, Alison. "Feminist horror: plotting against patriarchy." Herizons, Summer 2015, p. 20+.
http://link.galegroup.com/apps/doc/A427758278/PPGB?u=rale84535&sid=PPGB&xid=b
Grow, Kory. “’American Psycho’ at 25: Bret Easton Ellis on Patrick Bateman’s Legacy.”
https://charlierose.com/videos/1102.