Professional Documents
Culture Documents
Introduction
The method of mixing is a crucial step in the production of
medicines, foods or cosmetics. Use of harsh blades during the
mixing process can overheat and damage the ingredients; use
of a simple tumbler technique may not completely mix
particles of different consistencies. Additionally, in both
traditional homeopathy and anthroposophical preparations of
dilutions (potencies) the process of the mixing has always
been regarded as determining, in part, the quality of the
finished product. Classically, the succusion method, an up-
down motion, has been applied in homeopathic circles. The
anthroposophical pharmacists have preferred a figure eight,
lemniscate-like, motion or a vortex circling. It is expected that
the various ingredients will impart their respective qualities to one another, or to the neutral
medium in which they are dissolved, during the mixing process. A very highly repetitive
dilution and mixing process will change the physical and spiritual behavior of the substances in
question. (This principle is gaining acceptance nowadays due to the realization of the vastly
different qualities a material will have when found in a gross versus nano-particle size.) The
idea behind the replacement of the succusion mixing method with a more fluid one considers
that in the mixing process the substances in question (and the medium in which they are
embedded) should be opened, as much as possible, to the cosmic energies and life forces; not
“stomped” into the ground by forceful mechanical motions. While a more organic motion is
generally doable by hand with very small quantities, it becomes a problem when larger scale
preparations have to be handled.
How can a mechanical motion become more representative of the life forces surrounding
us?
Rudolf Steiner was the first to point out, as a result of his spiritual scientific investigations,
that the etheric life forces can be understood as behaving in an “inverted and inside out” manner
in relationship to the physical world (the German word he uses is “Umstuelpung”). As an
example, he frequently talks about a glove that is turned inside out. The physical forces of the
normal glove point inwards. In the etheric life world, the forces of growth would be,
comparatively speaking, behaving as an inverted glove where everything radiates outward.
The engineer Paul Schatz struggled with such questions in the 1930’s. Knowing that the most
representative body of the physical world is the cube, he worked first on the question of how
one could invert the cube. From there he proceeded to the general consideration of inversion of
platonic bodies. His central thematic question was: By what manipulation is it possible to invert
bodies inside out, to discover the motion phenomena of inversion and from there adapt these
motions for technological applications?
Summary
The Inversina Mixer uses inversion kinematics for mixing solids and liquids. This astonishing
three-dimensional motion combines a lemniscate (figure-eight) motion with rotation and
inversion and sets the substances into a rhythmic and pulsating motion. The mixing occurs in a
predictable and efficient, yet gentle, fashion. The substances are maximally exposed to the
etheric life forces operating in the three dimensional space that surrounds us.
For information about the products we make using the Inversina Mixer, contact:
True Botanica 418 Genesee Street, Suite 500, Delafield, WI 53018
Telephone: 800.315.8783 www.truebotanica.com