Robert Ficklscherer

Nocturne op. 41
für Klavier solo / for Piano solo

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 Nocturne
Robert
Ficklscherer

Andante
op.41
   
    

   
     
Klavier

     
 
 
sempre legato

                
   
       
      
3



6
6

   
6

                     
sempre piu rubato 3

   


        
6

          
5

                
 
      
                   
 

         
                                 
  
7

                     
          

© 2009 by copy-us Verlags GmbH, Kleve copy-us 1547 (S. 1) www.copy-us.com | PLEASE COPY!
 
                   
            

9


 
3
3

  
                           


 
        
  
   
11 3

      
6


6

            
decresc.

                   



      
          
13

    


            
6

         
5

    

 


           
   
        
        
15

     
        
5

   
           
     

   
          
    
17


 

                
12


          

rall.

© 2009 by copy-us Verlags GmbH, Kleve copy-us 1547 (S. 2) www.copy-us.com | PLEASE COPY!
      
    
       
Adagio
19



3

   
            
 
      
20       
      
 3

              
  



        
    
              
21



               
cresc.


            
   

                     
6 7


23
       

string.

a tempo

        
    
 
        
 

   
         
               
  
25

 
 
  
3

          
            
    

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  
  
     

                   
               
27

 


6

           
 
6

  
  

 
                     
                    

29

  
  
           
6

           
3 6

        
  
     
 
      

  
  
 
     
             
      
31

   
 
                           
   


          
                   
                
33

  3

                 
string.

          
     

 
       
      
   leggiero
    
Andante
  
  
     
35


 3

6
6

   
                       
rall.

   

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 Adagio

      
     
37 3

       
6

  6 

            
         

          
39

             
 


                      
una corda

  

   
40


   
               
3 3

    


 
   
42

 


       
morendo

   
        
  
 

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