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8/20/2016 The Duchamp Dictionary | AnOther
Text AnOther
’
It s arguable that Duchamp changed the world of art more than anyone else in
’
his lifetime. It s slightly more concrete to say that Duchamp changed the world
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of art in the 20th century. Without Duchamp, urinals would still just be urinals
’
and we d have no idea how great the Mona Lisa would look with a beard. But
outside of the obvious, not a lot is known about this incredible man. In a new
’
through the very letters of the influential artist s name, we get to know the man
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D is for Doubt
and logical philosophy of René Descartes, the artist nevertheless referred to his
his to have brought doubt into the air that surrounds art", the artist Jasper Johns
remarked about Duchamp. In fact, what Johns observed about artistic practice
also holds true for the larger picture, as Duchamp himself made clear: “ If one is
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As well as leaving the Large Glass (1915-23) unfinished, Duchamp left papers
containing a package with many notes that describe unrealized projects –“ take
one cubic centimeter of tobacco smoke and paint the exterior and the interior
paintings and sign then with the name of a known or unknown painter – the
‘ ’
difference between the style and the unexpected name for the experts is the ‘ ’
authentic work of Rrose Selavay (one of Duchamp s pseudonyms) and defies ’
forgeries ; ” “ make large sculptures in which the listener would be a centre – for
example an immense Venus di Milo made of sounds around the listener ; ” “ trace
’
a straight line on Rodin s The Kiss as seen from a sight. ”
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C is for Chocolate
As far as we know, Duchamp loved chocolate. In his New York apartment there
Rouen, Duchamp was fascinated by the ancient chocolate grinder in one of the
life ” and became “a real point of departure ” for his future work.
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H is for Humour
Duchamp said to Katherine Kuh in 1961. “ This may come from my general
philosophy of never taking the world too seriously – for fear of dying of
condition ” within his work and life. It is both sophisticated and subversive in
that the artist consciously implements it to protect his works from the traps of
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A is for An-Artist
“ ‘ ’ ’
I am against the word anti because it s a bit like atheist, as compared to
believer. And the atheist is just as much of a religious man as the believer is, and
’
artist at all. That would be my conception. I don t mind being an an-artist. ”
Duchamps certainly did not mind the homophonic resemblance between an- ‘
‘
artist and anarchist either. ’
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M is for Merde
‘ ’
Merde is the word he scrawled across the painting of a seated nude in 1911,
’ ‘ ’ ‘ ’ ‘
shitte is to shite , or arrhe divided by art = shite divided by shit . ’ ‘ ’”
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P is for Posterity
“Artists who, in their own lifetime, have managed to get people to value their
”
immortality of their work , Duchamp said in a letter to his sister. “ And even
posterity is just a slut that conjures some away and brings others back to life …
retaining the right to change her mind every 50 years or so. ’
The Duchamp Dictionary by Thomas Girst and ilustrated by Luke Front and
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