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More than forty years ago, Harry Nillson coined the phrase
"A point in every direction is the same as no point at all"
and as an axiom it has stood the test of time very well.
However, Adam Berenson topples the adage with his
unlimited imagination and a refined command of weaving
multiple genres and sub-genres into a coherent and
exceptionally engaging program. Having worked with
pianist Paul Bley as a student of the New England
Conservatory of Music, the Philadelphia-area pianist and composer cites influences as
diverse as Frank Zappa, Beethoven, the Beatles and Ornette Coleman. Berenson's
inspirations are couched by a personal resolve that owes little to any individual and on
Lumen he creates a moving work of art that is stunning in scope and unique in
creativity.
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A gong, bells, chimes and other percussion usher in the spellbinding duo performance
on "Transpersonal." The piece sets up the first of four sonic explorations in the
non-sequential versions of "Jnana" which—along with "Spooky Action at a Distance"
—represent the most experimental of the pieces on Lumen. Employing prepared piano
and electronics, Berenson explores a range of tones, sonorities and genres from noise
to neo-classical. His solo piano pieces, such as "Stars 1" and "Yasujiro Ozu" offer
respite from the more intense and unorthodox pieces but still encompass a tension
between structure and invention.
The jazz trio utilizes an irregular approach resulting in multifaceted sound, by turns
forceful and—only occasionally—melodious, propelled by Barnum and Moses (or
Marconi) and Berenson's impressive range of expressive character. The avant-garde
"Emotional Idiot," "Ricercar (For Sven Nykvist)" and "Very Soon Mankind Will No
Longer Be a Useless Passion (Broadway Melody of 1996)" present a variety of textures
and modulating tempos within complex pieces. More melodic are the third-stream like
"Rainer Maria Rilke," the appropriately childlike "A Little Boy Opened a Window" and
the bluesy "Ingrid Thulin." Each of the two discs concludes with a string quartet, the
first "String Quartet #3" featuring the JACK Quartet is every bit as unorthodox as the
most experimental pieces performed by the jazz group. At more than fifteen minutes
in length, it is sometimes as quiet as a whisper and at others, agitated and noisy. The
five movement "String Quartet #1"—performed live and recorded in 1997—closes the
second disc and is more traditional, often beautiful in comparison to the adventurous
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Track Listing: Disc 1: Transpersonal; Jnana, Pt. 10; Late 20th Century Stomp;
Emotional Idiot; Prose Surrealism;Very Soon Mankind Will No Longer Be a Useless
Passion (Broadway Melody of 1996); Jnana, Pt. 13; Rainer Maria Rilke; Ricercar (For
Sven Nykvist); ... Was Near the Black Plague..; A Little Boy Opened a Window 3; ...
Searching... Everywhere..; Dithyramb; Jnana, Pt. 8; Treaty of Dancing Rabbit Creek;
String Quartet #3. Disc 2: "I"; Respectable People; Stars 1; The Adytum; Tickled to
Death; Jnana, Pt. 18; Ingrid Thulin; Through This Stillness; Yasujiro Ozu; Spooky
Action at a Distance; String Quartet #1: Pt. I; String Quartet #1: Pt. II; String
Quartet #1: Pt. III; String Quartet #1:Pt. IV; String Quartet #1: Pt. V.
Year Released: 2014 | Record Label: Dream Play Records | Style: Fringes of Jazz
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CD/LP/Track Review
Penumbra by Karl Ackermann
Lumen by Karl Ackermann
A Codex of Silent Voices by Dan McClenaghan
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T h e D re a m e r I s T h e D re a m
B y C h r i s Po t t e r
S t o r y O f Th e D ay *
I met Yuri Turchyn, jazz violinist shortly before his gig at the Red Bank Jazz
and Blues Festival. He closed the late afternoon program with his band, Yuri
Turchyn+GRUPO YURI, with the final song, an original composition titled A
Heart of a Woman Part II
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Small Town
Bill Frisell
ECM Records, 2017
Tres Testosterones
HANG EM HIGH
Gig Ant / Boomslang Records, 2017
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