Professional Documents
Culture Documents
Compiler
Sahitya Lekhan Vibhag, SMVS
Transliteration
Translation Department, SMVS
Publisher
Satsang Sahitya Department
Swaminarayan Dham, Gandhinagar - 382009
B C
Preface :
Daily Recitals (English Edition) Kirtan-bhakti is considered as one of the best medium to
concentrate our conscience upon the Murti of God. Shriji
Maharaj also asked the paramhansas to do kirtan-bhakti in His
Presenter : Swaminarayan Mandir Vasna Sanstha presence which is noticed at the inception of many
(SMVS) Vachanamruts. In Shikshapatri, Shriji Maharaj has commanded
Publisher : Satsang Sahitya Department, each devotee to chant the name of Maharaj and also to get
Swaminarayan Dham, involved in kirtan-bhakti every eve. Thus, kirtan-bhakti is one
Gandhinagar - 382009. of the best spiritual endeavours to please Shriji Maharaj. As
Inspirer : HDH Anadimukta Sadguru everyone can please Maharaj by singing this devotional kirtans,
Shri Devnandandasji Swamishri many Nand Santos have formed kirtans of Maharaj’s murti,
(HDH Bapji) leela and occasions in all genres. This legacy is preserved today
Edition : First, December 2012 in day to day worships in the Sampraday.
Copies : 500 Swaminarayan Mandir Vasna Sanstha has published many
Concessional editions of Kirtan Sarita, in Gujarati, encompassing devotional
Rate : kirtans from Nand Santos to contemporary devotees. On the
Courtesy : Vrajeshbhai Patel (Canada) Silver Jubilee Occasion, SMVS is publishing the first English
Kantaben Bhimjibhai Savani (U.K.) transliterated smaller version of the larger Kirtan Sarita for non-
Note : © Satsang Sahitya Department (SMVS) Gujarati devotees in India and abroad.
To publish any part of this book in any form
We pray Bhagwan Swaminarayan, Bapashri and HH Bapji to
written permission of the Publisher is man
shower blessings upon the one who tries to concentrate upon
datory. the murti of Maharaj using kirtan-bhakti and this booklet as a
medium.
Diacritics Guide :
With an aim to keep the reading of kirtans as simple as possible
one diacritic is used for the frequently repeated syllable of
‘aa’. Wherever you find ‘â’ please read it as the ‘a’ of car and
dark.
D 1
Jeevan Mantra Index
Chapter - 1 NityaNiyam
Swãminãrãyan Bhagwãn mãrã ishtadev chhe.
1. Godi Pad 02
à satsang mãru ghar chhe.
Mahãrãj ni murti j mãro dhyey chhe.
2. Aãrti 04
Chhate dehe hu murti dhãm mã j chhu. 3. Astak 05
Mahãrãj mãte j mãro janma chhe. 4. Thãl 08
Temnã thai ne j sadãy jivavu chhe. 5. Niyam Chesta 10
Bhagwãn ane sant ni sevã ej mãru sukh chhe. Chapter - 2 Prarthana
Emni ãgnã ane anuvrutti mã j sadãy rahish.
1. Mere to tum ek 53
Satsangi mãtra nã sukh dukh mã sadãy bhãgidãr thaish.
2. Mere To Tum Ek 53
3. Tãri ichchhã vinã 54
Principles of Karan Satsang 4. Ãpanã te ãbha mã 55
5. Hartã Fartã 56
6. Ho prãn pyãrã Shriji 57
7. Ho Shriji tamãru 58
• My name is Anadi mukta. Chapter - 3 Kirtan
• My father is Bhagwan Swaminarayan. 8. Ghanshyãm murti tãri 59
• HDH Bapji, HH Swamishri and saints are at the place of my 9. Mithi madhuri 60
mother. 10. Ãj sakhi ãnand ni 61
• All the saints and devotees are my relatives. 11. Bãpã ãp sadãy 62
• My home is Murti. 12. Ame to Bãpã nã santãn 63
• My Bhagwan Swaminarayan is the supreme God and 13. Ãj mãre orde 64
controller of all the Gods-Goddesses. 14. Bolyã shri Hari re 66
• My Sanstha SMVS is the best of all.
15. Sadhu em olkhay 68
• Our principle is “to cultivate the upasana of supreme Lord
16. Anãdi mukt ni sevã 69
Swaminarayan and attain the status of Anadimukta’
• Bapashri is my lifeline. 17. Jiv nu jivan mãrã vhãlã 70
• My Guru HDH Bapji is the best. 18. Ame rahenãrã re 71
19. Shriji arthe amãru jivan 72
20. Ame to Shriji nã kishor 74
21. Jay divya murti Ghanshyãm 76
Chapter - 4 Slok 78
2 NityaNiyam 3
No.2
NityaNiyam
(Rãg : Poorav)
No.1 Sant param hitkãri, jagat mãhi Sant param hitkãri,
(Rãg : Poorav) jagat mãhi sant param hitkãri.
Sant samãgam kije, Prabhu pad pragat karãvat preeti,
ho nishadin sant samãgam kije bharam mitãvat bhãri ... Jagat 1
(ht„ : ¼ihðe)
{uhu ‚tu yuf ‚w{ ne ytÄtht, ™tð fu ft„ fe „r‚ ¼E {uhe;
sntk Œu ¾ k w ‚ntk s÷r™rÄ ¾tht...1
hrËf rþhtu{rý ‚w{ ƒe™ {tufwk;
÷„‚ nu s„Ëw ¾ sh‚ yk „ tht 1 ...2
‚w{ {tufwk r{r÷Þtu ‚tu yt™kŒ yr‚þu;
rƒËh‚ ˃ Œw : ¾ ðthk ð tht...3
{wõ‚t™kŒ fnu yk‚hò{e;
fntk Ë{òðw k {u h u «e‚{ ÃÞtht...4
• 1. ƒ¤‚t ftu÷Ët
54 Daily Recitals Prarthana 55
No.32 No.33
(Rãg :hari dãsanã te dukhadã kãpajo) Ãpanã te ãbh mã hu nãnu pãrevadu, ãpanã ishãre udi jãvu;
Ãpanã vachan mãrã jivan no rãh chhe, ãpani ruchi mã jivi jãvu.
Tãri ichha vinã to kãi thãy nahi, vinã maraji thi trun todãy nahi;
Ãpani ichhã mã ãyakhu ogãlavu, ãp chãho em mãre rahevu;
Tame kartã bano re Ghanshyãmji, to j thãye mãri puri hãmaji...Tame
Dãs tano dãs thai ãpamã homãi jãvu, divya jivan ãp mãthi levu;
Chhel chhogãlã bhelã bhalo to, lumakh keri nu padi jãshe; Re, mãre ãpanã ... 01
Dinbandhu tame dayã karo to, kãm turat sufal thãshe; Venu banvu chhe mãre ãpnã adhar tani, ãpanã j sur hun relãvu;
Shriji tãri krupã par vãt chhe, mune malyã prabhu sãkshãt chhe...Tame 01 Murti mã ras bas rãkho mãrã swãmi, mahimã vichãre dubi jãu;
O mãrã swãmi lau chhu dhanushya bãn, ãp sankalpe sahãy karajo; Re, mãre ãpanã … 02
Dãsãnudãs nã pyãrã Ghanshyãmji, dãs gani bedo pãr karajo; Din bãlak hu ãpano gulãm bani, rãjipo ãpano kamãvu;
Bhale sabhã ne e samajãi jãy, aham bhãve to kãi na kãm thãy...Tame 02 Mãrag pan ãp mãri manzil pan ãp chho,mãre ãp vade ãpamã samãvu,
Re, mãre ãpanã … 03
(ht„ : nrh ŒtË™tk ‚u Œw:¾ztk ft…òu)
yt…™t ‚u yt¼{tk nw k ™t™w k …thu ð zw k , yt…™t Rþthu Qze òðw k ;
‚the RåAt rð™t ‚tu ftkE ÚttÞ ™rn, rð™t {hSÚte ‚]ý ‚tuztÞ ™rn;
yt…™tk ð[™ {tht Sð™™tu htn Au, yt…™e hwr[{tk Sðe òðwk...xuf
‚{u f‚to ƒ™tu hu ½™~Þt{S, ‚tu s ÚttÞu {the …qhe nt{ S..‚{u xu f
yt…™e RåAt{tk ytÞ¾wk ytu„t¤ðwk, yt… [tntu yu{ {thu hnuðkw;
Au ÷ Atu „ t¤t ¼u ¤ t ¼¤tu ‚tu , ÷q { ¾ fu h e™w k …ze òþu ;
ŒtË ‚ýtu ŒtË ÚtE yt…{tk ntu{tE sðkw, rŒÔÞ Sð™ yt…{tkÚte ÷uðwk,
Œe™ƒk Ä w ‚{u ŒÞt fhtu ‚tu , ft{ ‚w h ‚ Ëw V ¤ Úttþu , hu, {thu yt…™t...01
©eS ‚the f]…t …h ðt‚ Au, {w™u {éÞt «¼w Ëtûtt‚T Au..‚{u 01
ðuýw ƒ™ðkw Au {thu yt…™t yÄh‚ýe, yt…™t s Ëqh nwk hu÷tðwk;
ytu {tht Mðt{e ÷ô Aw k Ä™w » Þƒtý, yt… Ëk f Õ…u ËntÞ fhòu ; {q Š ‚{tk hËƒË ht¾tu {tht Mðt{e, {rn{t rð[thu zq ƒ e òô,
ŒtËt™w Œ tË™t ÃÞtht ½™~Þt{S, ŒtË „ýe ƒu z tu …th fhòu , hu, {thu yt…™t...02
¼÷u ˼t™u yu Ë{òE òÞ, ynk¼tðu ‚tu ftkE ™ ft{ ÚttÞ..‚{u 02
Œe™ ƒt¤f nw k yt…™tu „w ÷ t{ ƒ™e, htS…tu yt…™tu f{tWk ,
{th„ …ý yt… {the {krÍ÷ …ý yt… Atu, {thu yt… ðzu yt…{tk Ë{tðw,k
hu, {thu yt…™t...03
56 Daily Recitals Prarthana 57
No.34 No.35
Haratã faratã karatã kãm, tamane na bhuliye bhagvãn; Ho prãnpyãra Shriji, ã sankalp mã bal ãpjo.
Evu bal do Shriji ãj, mãgiye ame jodi hath. Lãvyã chho tava sankalpe to, sankalp ma j samãvajo;
Dãs tamãrã chhiye ame, gãndã ghela ã same; Samay, shakti, buddhi, ãvadat, tava arthe vaparãvajo;
Mãtpitã ne sagã tame, sadã tamãru sukh game… 01 Tava arthe vaparãvajo, bas divyajivan karãvajo … 1
Doshmãtra ne tãli dai, prem diyo tame rãji thayi; Dikarã-dikari ghar nã sabhyo, Anãdi mukta manãvajo;
Tava drashti amrut bhari, aho dayãlu dayã kari … 02 Mãrã chhe e bhãv bhuline, tava arthe jivãdajo,
Tame amãrã, ame tamãrã, jivan prãn chho prãn thi pyãrã; Nokari-dhandhã dravyãdik sau, trustipade bhogavãvjo;
Trustipade bhogavãvjo, samaye saheje chhodãvajo … 2
Avaguna gunhã visãri ne, ahonish rãkho sambhãri ne…03
Ãpane arthe janam amãro, samajan dradha karãvajo;
Pritam tamne su kahiye, jevã tevã bãl chhiye;
Deh nahi hun mukta anãdi, akhand manan rakhãvajo;
Mãgiye bhelã mali ne ãj, rãkho bhelã mukta samãj... 04
Rasbas karine murti mã rakhya, ‘Maharaj’ j thasãvajo;
‘Maharaj’ j thasãvajo; bas tav sukh mã dubãdajo … 3
nh‚tk - Vh‚tk fh‚tk ft{, ‚{™u ™ ¼q ÷ eyu ¼„ðt™;
ntu «týÃÞtht ©eS, yt Ëk f Õ…{tk ƒ¤ yt…òu . ..xu f
yu ð w k ƒ¤ Œtu ©eS yts, {t„eyu y{u òu z e ntÚt...xu f
÷tÔÞt Atu ‚ð Ëk f Õ…u ‚tu , Ëk f Õ…{tk s Ë{tðòu ;
ŒtË ‚{tht Aeyu y{u , „tk z t ½u ÷ t yt Ë{u ;
Ë{Þ, þÂõ‚, ƒw  Ø, ytðz‚, ‚ð yÚtu o ð…htðòu ,
{t‚r…‚t ™u Ë„tk ‚{u, ËŒt ‚{thwk Ëw¾ „{u... nh‚tk 01 ‚ð yÚtu o ð…htðòu , ƒË rŒÔÞSð™ fhtðòu . ..01
Œtu » t{tºt™u xt¤e ŒE, «u { rŒÞtu ‚{u htS ÚtE; Œefht-Œefhe ½h™tk ËÇÞtu , y™trŒ{w õ ‚ {™tðòu ;
‚ð áÂü y{]‚ ¼he, yntu ŒÞt¤w ŒÞt fhe... nh‚tk 02 {tht Au yu ¼tð ¼q ÷ e™u , ‚ð yÚtu o rsðtzòu ,
‚{u y{tht, y{u ‚{tht, Sð™«tý Atu «týÚte ÃÞtht; ™tu f he-Äk Ä t ÿÔÞtrŒf Ëti , xÙ M xe…Œu ¼tu „ ðtðòu ;
yð„wý „wLnt rðËthe™u, yntur™þ ht¾tu Ëk¼the™u... nh‚tk 03 xÙ M xe…Œu ¼tu „ ðtðòu , Ë{Þu Mnu s u Atu z tðòu . ..0h
«e‚{ ‚{™u þw k fneyu , su ð t ‚u ð t ƒt¤ AEyu ; yt…™u yÚtu o s™{ y{thtu , Ë{sý áZ fhtðòu ;
{t„eyu ¼u¤t {¤e™u yts, ht¾tu ¼u¤t {wõ‚ Ë{ts... nh‚tk 04 Œu n ™rn nw k {w õ ‚ y™trŒ, y¾k z {™™ h¾tðòu ,
hËƒË fhe™u {q Š ‚{tk htÏÞt, ‘{nthts’ s XËtðòu ;
‘{nthts’ s XËtðòu ; ƒË ‚ð Ëw ¾ {tk zw ƒ tzòu . ..03
58 Daily Recitals 59
No.36 Kirtan
Ho Shriji tamãru pragatpanu, antaryãmi pãnu akhand raho;
Ho Shriji sadãy tame rãji raho, evu divya jivan mãre jivavu chhe No.37
Mãri sarve kriyã ne tame juvo chho, sarve sankalpo ne tame jãno chho;
Ghanshyãm murti tãri re o vhãli lãge chhe (2);
Divya drashti rupi tav camero, sadãy am par dhãro chho;
Ghanshyãm murti tãri re, ek nimakh na melu nyãri re
Ãgnyã viruddh kashu thãy nahi, evu pragatpanu rakhãvajo … 1
Rahetã hoiye tamãri pãse, ane jevi maryãdã rahe; Sundarvar ati shobho chho sãrã, ur par hãr hajãri re … 01
Jaiye dur ke rahiye ekãnte, to pan tevi maryãdã rahe; Pãpan upar shobhi rahi chhe, pãghaladi ghani sãri re … 02
Sadãy rãji kari shakiye, evu jãnpanu rakhãvajo … 2 Chhel chhabilã tãrã chhoglã joine,nene nirakhi vãri re …03
Jetalu amane pragatpanu, antarayãmipanu dradh hase;
Premsakhi kahe nãthaji tamane, rãkhun hrudiyã mã dhãri re04
Tetalo jay amãro thãse, nahi to sadã parãjay thase,
Evã antar nã shatruo thi, sadã jay amãro karãvajo … 3
½™~Þt{ {q Š ‚ ‚the hu ytu Ônt÷e ÷t„u Au ( 2);
ntu ©eS ‚{thw k «„x…ýw k , yk ‚ Þto { e…ýw k y¾k z hntu ;
½™~Þt{ {q Š ‚ ‚the hu , yu f r™{¾ ™ {u ÷ w k LÞthe hu . ..xu f
ntu ©eS ËŒtÞ ‚{u htS hntu, yuðwk rŒÔÞSð™ {thu Sððwk Au...xuf
ËwkŒhðh yr‚ þtu¼tu Atu Ëtht, Wh …h nth nòhe hu...ytu Ônt÷e 01
{the Ëðuo r¢Þt™u ‚{u swytu Atu, Ëðuo ËkfÕ…tu™u ‚{u òýtu Atu;
rŒÔÞ árüY…e ‚ð fu { u h tu , ËŒtÞ y{ …h Äthtu Atu , …tk…ý W…h þtu¼e hne Au, …t½÷ze ½ýe Ëthe hu...ytu Ônt÷e 02
yt¿tt rðhw Ø fþw k ÚttÞ ™rn, yu ð w k «„x…ýw k h¾tðòu . ..01 Au÷ Aƒe÷t ‚thtk Atu„÷tk òuE™u, ™uýu ™eh¾e ðthe hu...ytu Ônt÷e 03
hnu ‚ t ntu E yu ‚{the …tËu , y™u su ð e {Þto Œ t hnu ; «u{˾e fnu ™tÚtS ‚{™u, ht¾wk nwrŒÞt{tk Äthe hu...ytu Ônt÷e 04
sEyu Œq h fu hneyu yu f tk ‚ u , ‚tu … ý ‚u ð e {Þto Œ t hnu ,
ËŒtÞ htS fhe þfeyu , yu ð w k òý…ýw k h¾tðòu . ..02
su x ÷w k y{™u «„x…ýw k , yk ‚ Þto { e…ýw k áZ nþu ;
‚u x ÷tu sÞ y{thtu Útþu , ™rn ‚tu ËŒt …htsÞ Útþu ,
yuðt yk‚h™t þºtwytuÚte, ËŒt sÞ y{thtu fhtðòu...03
60 Daily Recitals Kirtan 61
No.38 No.39
(Rãg :Meetha Lãgya Chhe Mune Aãjna) (Rãg: Dhol)
Shloko
No.51
Nijãshreetãnãm sakalãrtihantã
Sadharma bhakti ravanam vidhãtã;
Dãtã sukhãnã manasepsitãnãm
Tanotu Ghanshyãm akhilmangalam nah:
r™òr©‚t™tk Ëf÷tŠ‚nk‚t, ËÄ{o ¼Âõ‚ hð™k rðÄt‚t;
Œt‚t Ëw¾t™tk {™ËuÂÃË‚t™tk, ‚™tu‚w ½™~Þt{ yr¾÷{k„÷k ™: