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ABYSS RECORDS 8063 S. MADISON AVE. #360 INDIANAPOLIS, IN 46227 (317) 887-2302INTRODUCTION
FROM VENOM TO HELLHAMMER:
BLACK METAL'S EARLY DAYS EXPLORED
BLACK METAL ETHICS AND IDEOLOGIES
NORSE MYTHOLOGY:
THE RISE OF THE SECOND WAVE
BLACK METALS WAXWORKS
A.GUIDE TO COLLECTING VINYL :
SCANDAL AND SENSATION: "
BLACK METAS BAD BOYS
EMPEROR: EXCLUSIVE INTERVIEW
[ART AND AESTHETICS ANALYSED
SCALING THE SUMMIT:
BLACK METAL IN-THE MAINSTREAM
THE NEW WAVE OF BLACK METAL SUBS TAN
POST BLACK METAL
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ae LE el .
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The Secret Histories Of.
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THE GENESIS OF BLACK METAL IS OFTEN DEBATED, AND FREQUENTLY OVERLAPS WITH BOTH THE
DAWN OF DEATH METAL AND THRASH, WITH EARLY PROGENITORS VENOM AND HELLHAMMER,
Renn P UNIS tee te ilar tan eT RIN a WN Io DLO E VND RPC C ate Nis
GUY STRACHAN TRACES THE PRIMITIVE RUMBLINGS OF THE FIRST WAVE OF BLACK METAL, FROM,
A TRIO FROM NEWCASTLE THROUGH SWITZERLAND, SWEDEN, SOUTH AMERICA AND RECALLS ITS
EVENTUAL ARRIVAL INTO NORWAY'S INNER CIRCLE.
—
06VENOM: TOO LC
THE CRC
hile both the second and third waves of black
metal fr the most part cared animage and
ideology that provided cles ines throughout
the geographical londscape the beginnings
ofthe geore were far more haphszard and
‘vided there were certainly bands springiog
‘pacrss the globe, but there were amilion
tiles between the fractured nature of the
fst wave and the cohesive ntamationalim
ofthe later incarnation ofthe genre. indeed,
‘the album that bequeathed its tle tothe
movement might have ben leased in
November 3982, btit would take nigh ona
decade forts name, contents and prt to tly
becrafted into specif gene, nfacy apart
‘rom Venom being the frst there isle eee
that iscohesive enough tomapoutaclear and
ec patho the second wave
Sure bands such as Venom and Helharymeri
Getic Frost may hove been italy infer
‘ona certain eve the former giving Mayhem
thelr name from Mayhem Without Mercy
{oundion the Geocde wes debut), the latter
being a massive influence an Darkthrone.
‘And although Bathor's Quorthon would be
repeated offered up ascheinfvence Fora
‘umber of Scandinavian black metal pioneers,
iRwouldn't be admitted unt several yearsnto
the second wave and, Euranymaus aside, the
second wave nally adopted something of
year Zero approach ts inflvences.
From theirravcous bith and early demos up
Until the erga ine-up split in the mio,
‘the creators ofthe album Black Metal were,
‘even fthey themselves wer just having
‘laugh, perceived a nothing more than a
Jeni joke Forming in 2979 ia Neweastle
‘and debsting with thei 3980 Demon’ demo
beforethe ‘in League With Satan’7* and
“Welcome o Hall LP, Conrad Cronos Lant Jeff
‘Mantas Dunn and Tony Abaddon’ Bray had
taken the ‘anyone can do spirit of punk, got
{drunk tured tpt eleven and prorsply
lid waste to eardrums and sensbities ike
Ostensibly part ofthe NIVOBHM movement
that was infusing atthe time, Venom
were se ae something fan ilegtimate
‘offspring the member ofthe family that
‘should nether be seen nr heard, o preferably
buriedina deep hole. Yetby virweof being
the most extreme band out there inthe metal
‘wordt hat time the eat thrash bands
‘ich az Metalica and Stayer copped venoms
no-holds-barred, fuck-you attitude, added
tighter musicianship and tool the sound to
another level Sayer themselves wee the fst
band folowing Venom to openly havea ack’
image (ich ed tothem beng dismissed
{ae ‘sataniervbish’ circa thei debut album)
‘ram theives to their artwork and image
{theiceye make-op onthe sleve of Show No
Mercy, which has continued to thi day with
the artwork to 2006 "Chist lui’ causing
‘worldwide offence toa number of God-fearing
‘countries Oddly enough, whe Metalica hag
to problems wth name-checking Venom (see
Kerles badge onthe rear sieve of im Al),
‘thebands that re now perceived as propery
fallowing inthe footsteps canna be accused
‘of folowing the same in; indeed they were
practically tipping over themselves deny
any infence (or even knowledge ofthe band)
whatsoever even ther music gave the game
duvay Certainly there was nove lst betweea,
the statesmen andthe newcomers; Venom
would frequently castigatesuch groups as
being nething move than weakimitation (to
uti politely) whenever atape record was
uckinfiont of them.
While theirevercreeping infuence over the
years is undeniable, Venom themselves were
notin the most enviable of postions athe
wake of lack Meta Far from being all
toarms,the band were believed to have ita
musi peakand were not exact receiving
the major sucess treatment Relesing two
furtheralouns (1s excellent At
With Stan and he sgl less excellent
Possessd’ ing) to an ever increasing
trial panning, it as the 2984 Seven Gates
(OF He tour (wth Metalic as support) and
appearances at key European festivals th
Sealed their reputation and legend with an
(OTT Ive show that was closerto make-up-ea
ise with ash bombs and ry ce aplenty.
Despite those shows ncessing the band's
profile the refusal to play anywhere without
their flstage show ony served to fuel the
‘ccusations of eon-musclanship especially
when the buk of 2985 UK tur was canceled
for that reason and wore, the cost of taking
that show to America broke them fnancialy
and wth Possessed belng seen as amalor
dlzappointment atthe time, the original ine-up
broke apart afte problem afficted US tour
JAMMER » £
Banewan
-Adsritting nis sutobiography tocessanthy
Playing In LeagueWwith Satan’ at rpm for
the exraheaviness achieved, Tom Warrior's
Helharme rom Suitzerand wee, 9 musical
‘terms, close toa stripped-down version ofthe
Geordie; eating anunely aural massacre
by delivering more tyesdbare sound and
Unleashing tupon te unsuspecting Playing
‘pa Satanic angle and with similar ine
inchaotc tle, thei Trrmph OF Death
and Stare Rites demos wer infamously
fiicled by Metal Forces magazine andthe
Kindest words sid about the subsequent
"Apocalyptic Raids EP in anything butthe
mostundergroundof nes inode the words
"pul and’execrableninterviews atthe time
{and nto the early Celtic Frost years), Warrior
flay denied any ink to Venom and pointed out
that at east track on. Rais had an at
stan ial slant. Foalithethash and bach
‘nd chs, Warorhad a unique sling point;
guitar sound that could cut vough glass
at go paces. Forsaking the warm distortion of
valves forthe bite andinberent nastiness of
transistor distortion, that sound hasbeen often
imitated but never equaled. Themorphing of
Hellhamnme int Cette Frost aptalized on the
slowfst but ultimately heavy oxtaposiion
‘nd alowed them to experiment but a the
jame ime showed the ondelying Melhor
formula was winner
CConcurent withthe goings on invarious
bunkers in Switzelong overin Sweden
(Quorthon was asked to record ful-length
TERRORIZER'S SECRET HISTORY 07ea LLL
Bathory album folowing an avalanche of
fan all that deluged the ofices ofall
Stoctholn label Tyfon Gramofen. Having
hada couple of Bathory tracks aded othe
3983 Scandinavian Metal Attack’ almost as
anaterthough, such asthe enthusiasm or
Bathory that the mon behind the bad Found
rime than eager record company and 3
alt folwing but lacking aban, as theine-yp
that had recorded the songs Sacrifice and
“The Return Of Darkness And Evi had already
fallen apart Getting back together purely to
record the abr, the end result was aah
‘and batl album that ha its ratsin punk and
(itust as mucha meta the elongated wind
fand:ain tro and the overly satanic imagery
‘coupled with the buldezer musi approsch
‘ouldhave screamed Venom but no, denying
being Forni with themin contemporary
interviews, Quorhon was later to hi
influence Black Sabbath, Motorhead and
(GBH, something which the debut album
demonstrated infu
‘The dak and fereboding atmosphere of
fallow The Return’ andthe more grandiose
textures of Under The Sign OF The Black Mark
{he two albums that competed Bathory 30:
called black riogy'are often held up as being
the defining influence from the os upon the
MESO
second wave although the subeequent Viking
‘logy, particulary 2990's Hammesheac
would soto goon to demenstratea major
impact once cetain Scandinavian bands
‘moved away rom Satonism towards amore
pagan facing direction,
TEUTONIC FORCE
Someuiiere between Halhammer and
Bathory came a Teutonic explosion courtesy
of Destruction and Sodom While both Wartior
andQvorthon had attempted to creates
beskamblence that surounded the chaos,
the Germans pretty much frsook any kind of
atmosphere and simply and effectively went
forthe trast Destruction fest two outings,
‘sentence Of Deat and‘inferal Overkil
replete with more ether, bullets nd verted
‘ruefies than anyone ese, were the musical
‘equivalent of salvatngrotweiler whe
Sodonsutre-chaos was a barely controlled
raping of the instruments, While Destretion
dubbed their musi"back speed meta,
‘would be Sodom ntl outings tat were the
‘ost iflventa fathering the neler and
war’ genres, twosub-genresthat actually do
have diecttines from the past to the present
Hethammer
Let’ not forget thelr infuence on Euronymous
with im naming his Deathike Silence
Productions imprint afte tackfrom the
German's 398 album ‘Obsessed By Cuety.
omever, by 39878, both bands alongside,
Kreator had dropped the Sata rant for
‘a more considered ocal-commentating
approach backed up by afar mere professional
und that in Sodom’ case brought them
svecess but wasto ultimately spl, wel,
destretion for Destruction kai Buldozer
‘were also described 9s total clones’ of Venom
for thei The Day Of Wrath’ and despite the
band’s denials their sound ve vp to ther
moniter, although future albums saw increased
xperioentation with he formula
SOUTH OF H
(nce helo‘ ite-chaoe’ outeess of evi had
‘emigrated and reaches Southern Areva,
Inspited a slew ofbands who weretoeach pay
thei par asen inuence toa greater orlesser
‘enter, Talon the sound andimage as faras
humanely possible, Sarcofagd's NRF, Muttor
“inmeral Force’ and lean’ Sly
Vengeance’ pissed on sbtety oma great
heght but tok the eilangle to new height.
Sacofag’sinflvence on Mayhem slegerdand
the artwork to Bloody Vengeance'i perhaps one
of the timate black metal stoves fal tim.
Farbeter known fr their mre istenerfrancly
‘utp, Sepultura’ ey days were tere wth
‘tanicreferences and Becuttin drums; both
Bestia Devastation and Morb Visions retain
thei viiousesstothisvery doy.
Meanahile ont the border, Pssesed
became synonymous ith 2 bood and verted
crucificinage Over the yeas Seven Churches
hasbeen vtedothetop of more than afew
polls of moetnfigntial hash, buck and indeed
eth metal albums note the eponymous track
te onthe som), yet atthe time te band
‘qucy sew such alia slantas possible
hindrance and beganto point out that uch
Imagery was ony vedas itmatched thelr mus
Thatsald wile the inverted cross that adorned
thei loge was droppe rom Beyend The Gates!
ond this actly had Fr more todo with
pressure rom the Tipper Gore led Faents
Music Resource Centre PMIRC) ands potential
refsat stock Beyond. in hain stores than
{ny concious move totene ting down on the
ands pa Possessets trate guitar work
set them apart fom te rest ofthe pack, as did
Slayer whotorned around inl ral abuse
vith Ye Anat!|Quorthorn (Bathory)
MERCYFUL FATE AND THE
PRINCE OF HELL
Cee
In arnongst the European thrash-bach
rath and the more considered but lest clement of thrash, the term susedto describe _cxtiealwrathif they dared so muchas breathe
brtalAmerican approae, one band that ‘he'nastie end ofthe genre, definedinthis_thenamesof those wha had come before. Thi
arquabiy a» nombe of foundation stones instance as Sodom and Bathory King Diamond was tobe furthered by the rse of death metal,
butarefeqventy forgotten are Denmark's was egendarly slaughtered nKerang!for with only Possessed and Celtic Fost recaving
Mercyful Fate Forming ta simlartimeto his phiosophies which mightexplan why<0 any soreof odes,
Venom, the Fate took ron Maide's melodies fe bands were prepared to admit to anything
and aggression, closked tin darkness and ‘more than apassinginterestin the black arts In terms of sty, the crucial dference
toppedit off with King Diamendsegendory atthe time betneen the bonds of the frst wave an their
interchanging faletolgvtral vocals Known Inter counterparts was having a serious
‘tobe one ofmetas few confessing practng approach towards Satanism is dscarded)
Satan, King Diamond eta striking image speed While those ery bands were fastfor
swith his face paint which dropped the bt SPEED KILLS theirtime(Bathory’s debut had been released
wings after being sued by Gen Simmons) shortly ater Slayers Haunting The Chape
dre late Founda wider audience for his Slo Lastit alo be forgotten that a the time EP; Chemical Warfare’ wae a that point the
Atbums once he dropped the purely satanic ‘hat the second wave was beginning to fastest songintrath and thus the description
oncepts tor gothiehorror, kindle thrash hd already been a deeply incor shop adverts for Bathory’ was imply
‘nfashionsble phenomenon foragood few ‘beyond Slayer! tothe pont hat some band
Going back overarignalintervews and reviews {year tothe point where those early dayshad__-membershadaifcult keeping pace check
ofthe time, what immediately strking sthat beer subjectedto anything fom glos-over | Sadom'sWitchunteron‘inThe Sign OF Ei and
the phrase‘black metas abut absent Sure, tooutrghtrevsionim.Withthe advent of Mike Suson'Seven Churches, for example,
‘there ware othe terms sed satanic thrash’ theestemely techacallyproficentandthe they were nothing ike the latest felled
isthe mostebviow and ubautovs, but ‘deat “socal aware; thelikesofTestament and blazes of velocity that would come frthin the
made ts presence fel notabyin reference ‘Sacred Reich were incredibly poplar an, carly os. butt would take a good decade for
to Celtic Frost and Possseed.TomGWarioe wth thelepolehed productions, made theie ustogetthere.
described Celtic Frost's sound as being death predecessors seem asifthey were oma
heawybutonthe rare occasions invoked, black bygone age Such waste dtaste for satanic
meta was derogatory put down. The most Iyies an leather‘ splkes that bands risked
hotablereferance fom a Kreator interview
Conducted in 3987 wher, in eying to distance
‘themselves from some ofthe less subtle eas
TERRORIZER'S SECRET HISTORY 09ARGUABLY THE MOST ESSENTIAL BAND IN THE BLACK METAL UNIVERSE, THE ONE THAT ALMOST NO
OTHER BLACK METAL BAND WOULD EVEN EXIST WITHOUT. BATHORY WERE MASTERMINDED BY THE
EVER-ELUSIVE AND M)
BERG, AKA QUORTHO
FINAL CHAPTER WHEN FORSBERG PASSED AWAY IN 2004. JOSE CARLOS SANTOS VENTURES INTO THE
HEART OF BLACK METAL ITSELF.
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