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‘BRO NS CA IEE 2 Ao AL OE EB RoC» HCA RE = SCE A Me «EASA Ce ee ee = AS ACTA SE BF SeNGMT AMO "85" | Seelentegungen ) "+E RNR HRE eS ATO FES 6 ni LA” UE I + AC HE — RT =56—SLO OE» SA EL BRE + Hn A ARIES «RRL 5 AE HR BRT A Se» TE Na — tet | ESCA + BEAR REA aE AZ COR A MR ETRE A a DBE + {RD FRAO + ik 25M NUT = BRL A PERS «Se TCI — WA Ht = AR EON AA PELHAM HEMEL” ( schneidende Scharfe, Sharpness ) A #FHE (=e A 9 AI A 9 AL — tA A — TR — FE OAT OA BR SAA + TL + Se eC LH em I Rc © | abet + ER A RIE RR 2 AEA A IZ «AN ZR + DRG — ATO GBT HEME + AH OE, AEF AE «HERE EE NE ALE — 2 MMAR + SM) «A — I eR ABAD 9 4 ZT A” = SR Tk — Sem nO PL RL AL © ee ZI bE + BS HERAHUMMU LEMS - HAMS TOMER BARE SOME + RRR SMTA T « BEAM ASE A a +e CLA «AL MAS EA + EJ — A Fi + BELIEF” EAU” (Lautform, sound-form ) #94864 © ut, P+ BER 4 AU Laucorm Bt AACE 4540 6% BF 1 9sound shape FT AAT AY 2 = 0 SCE A LN ~ E = ALPS REE 92 FA I PAD A" RE + HE Myon ae” = WL + BEAR a BE Io TLL Mei REI SUNN 6 EO A = BIER Ae AIRE BEI RT — RAE A DL TY Za DA AGL Ma" {HU (Gewohnheiten ) » 6AM BRE ( phylogenetic ) OEUMAT + ey — fi FB 0 REAR IA R09 Ii + AAI GEIE ( ontogenetic ) 9A + SERRE” RIM” A AERA» A BTA a Oe A ea a a A 8 SL GE © IE + A Be AR A AOE EAR UPL See 7 AALS) RT BOS SE SL@ naa IE « —s-AE EZ AOA «AL OT AR a OO EE A BLAM o TAG A CTSA ESM = HRCA RE ATER SLT BL» BEA ESE Gof» SR a PMR LAE HA SOLES» ECA FERC) — aire + eae ee T= ALR Am A 20 + BREE = BSC A) BS ME GH OH Cunmiccelbar nachahmende ) sf A £9 (malende ) #36 + B) Ma ME Gy AY ( mictelbar nachahmende ) at @ @ #9 ( symbolische ) #836 + C) BLEED ( analogische ) #it © © Be A AISLE SAD — PP = HE RAGS + BO AR tA AE» (ELA Be DS a a AGL AE A CTEM «EMEA LA + REN A EA A OR OE AEA + (ELE % MG BAT CLS LC RR ee 9} A PURGE + SES «BAEC — WR 7 aM EIT A Be” © DUP SRI UO ERE = A - AUREL S mL wane HEAR at i AM CARAS MOR Z HRM a ASE A 0 SG AA» A A RTH aD Bae A te AR OO + Lt RI A = AE LSE A a — Oy 17 I PR (Oa 6 MRM RA AE RDBeoT TRIM SLAIN «HAY BBA) BA RABE FT AIS «ANY AA Le FOO TARE: HAE RES MAO 2 «AO IC Sef Jay «| COS EMMA LAURE ADU AONE + BR THERA AR AH SAE» EME BS SCAB AT 9 TE SG TAR Nh + a a OA A A 3 = FEDL Rm am SRAM aS SCREEN IF MR Be SC A EAE «Eh EC ET A a tea AC A) — A me ts RRRA-BSRERN MOR IRE + (5-2 SAS + Ath ARLE COR AH aS BT —s8—RSA Re me» MENTE (REG OIA BAR LE cb + REIETAMLonomaropoesie eR AHEM ESCA Da” ELAR "Oa Hae” CEST + 3 SOL ET 9 Wa = TE AAT A & ( visual ) 6) —T— A + A SUAS ET DL TOR HF RB ER ME HE He BE ‘Hf ELAR ATK ( audi) £9 —iRh © FAL” Had” SECA oA FORO © BB BUM REY PUA Te CRA) = SRT 00 AERC MR EK «HOP LE TAT AE PAB OT DLL AONE Be 9 oA oT A ‘ouaoua (= bow-bow ( 38] > wauwau (6) ab” DOK” a B"H Me BL he ftticrtak ( tick-tock }, glou-glow (glug-glug ) + 2€% fupigeon ( AF ) a + eR BLM Ta 8 pipio » FIDL Et 8 A «ERB — A EAE RENE © SEP BLA STs ALARA REIT BE ME + te ESI AB AE Gan ( aRaua ) ~ haha © AA SELB ATH AE IS BONER: « EERE RIA A HEAR HO + Coty BAAN + HI Rie MERA S KA MRAZ OF + (ART + RRA SL» DL, + RB ACHR TAAL PI — Me = LAY Ne NR Eo TA COR i: Cea A ah AE RM AC ATT LSP PAC arclulierter Laut ) AOE RAT OY © BRATZ + AR AE ASL CBE FO + 2 ne 09 A ERS AR AR (LS ARE A) BSE ARAB RE «ALATA ” ARAMA” ( unartikuliester Laut ) © IB GL AEM + 98> AL 5D AE «FB ASB ONT © te ART 0 EA ht HH wate ER AE 6 AE ODL FRAPS PT DLR HE MEE = ALR A ASE HP Wy Is Oy Be SE + a i a A SLAF ASAE TL ( AMBSLTEE (sound clusters) ~ HAH ~ FAY < SRR BIE NFL) « SEER B70 CAN 0 ere ah La EIS BERN)” Cindeterminare ) @) + AEGEAN — A200 mT M8 He ak THE + UATE AR + AEE A EEN ETAL A «AL CAT ET ALG MRO AR FET AT RS” SE + a —39-BARI + UPZ «REZ BALI A OPI «BE AAC OOO RE » SALI SE TL OO LTE AN EAE «SF SPCR RTL + oh A Be RE MBE «UL «RP fe HEE eG ARH AAP YE "AT Ze HEL ZI FA" (Sie muss daher von endlichen Mitteln einen unendlichen Gebrauch machen ) + 814-468 8 0 NEME HE © JUNIE ALA SD Hs ARAN EM Lh — A Ae” Ha OER + A A RE AR — AH” A" ( onoma, word ) © » EEA MBAR NICH SLANE» ICR REE Fe HB T BRAG ATH T = A NAST IE TO aE TE + AR EL A MAE EET = IBID EBA Ta Eh ORE + WE A A ey eI = CSA AT RF + {EA — SRI 2 9 BAMA PTO « ET EA + ARM OFT SI He AH Cverteilen ) MEA LOT A.C 2 HII RE FERRE AT HA SLAY ET ER BE MLAS A HR A + ER TA A ST SE + SCA AR A tO + A” BL" GER my” — A A SE Mae: 1)” FUSES ae Se) ASE LR» ASR BT SRSA A MRR T - i + (OO ek Ae (EN ce a ee GR + GE A ER E15 HS — AAT AAR OR «SIC AA ‘AEB BEA) = 1 EBS AE EO A kc fC HA A A UEC = EMRE DS RIL AEA Ae ~ CLR — A (sul generis ) O98 ONAL AR LAT TINE PEAS LAS OSA 5 TH A AIRE ELAR NE HLH CGA = SEL) RO HEARS» RTA oT HE MOE A 9 LH A A AT IML = I> BERR FAS — BHA ( Lautsymbolik, sound symbolism.) 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REN AR 6 FEA ARDS AH Me — A (HELA BIA HAR OO MRR MNO OR ) + LR OMe DENA OR, 2 RSE + FRAT CAR Sea A + RR AR A Lb CBZ BR) FOR FRAN TEA ts (ZB) te AE ee OLIVE BABII OL REP PARLE Ge RAEN © EE Se + BRIM AG A EN A A MER A HS So EAT LA Cee ear BEAN Fo DARA GE SL AB A AC 8) A ES tS eH ~1-(synesthesia) + Eiht SEAR » HE 7548 DLA Ra (a ) AE 2 IMA >t BO Me TBR = SR — "A OE ACR ND BRAN” BERET AL” wR” HABA” ( phonesthemes ) © « AME AE TLIC AMA ON AN + se A iA BETO KT ( Edward Sapir ) > ROMP (J. RFiech ) AEA TEE A » MEF RA FE” EAB ATR HE HE OY ( consonancal ) LAT EH HEM (vocalic ) + HFT FERRIC eb FUN EFAS + LA RRA ( con- sonant clusters } #8) © SAAB A + Re A AEA A A 9 Ee Fe Hires: Siaice, bie, kid, pin RABAT) — ATE A «EP SE SAAT" Saih” ORCA » OI5 7 REMI LAY TE AR RE + ABW ( Sapir ) #64 — CRONE + (0, FTE A HR A ‘emal Rel ABT + eI I — ALT: + REBT NS RE + RM RE IE — BW AME RIE BE» OR Se IO 0 FL EAE + mal Ba ACSF A RAR Ls SCF AMALEE © (INR OSB RAAT EADS AER emal FEA Fo Mal itil 2559 SERS TE © eT Te AO MZ (i A A I RE » ACH 9 LR AS HM A + SESE 00 A Te BEA ER «ELL BD Ac NOT OR RI ACE RF a i Catt) © ( fit met ) ae (ft hat } a (flak ) vu (881 meon ) © (til hole ) TALS OF WAS + Gk UA Te RE UH AE CORE LAE « @ HME AM» A RAR BIT OT RMA Mo REE HO LT OLAS JE EEE 8) © EN ATBN Crany ls ay RA 4 ny EC | CB ew RC TD A EH OR WAV OUREHE IE © ty D/O! /O/ > HY CSIR ATE ETM AE TH yO = HD OM = 8 PARI 6 cE + 1 CHE oe2 = Cig RA NACA EAE ( Leibnie ) AFM — AP ea — NE I BH CRUST MUTE ARMOR NE A MONET SRE EER > AURA ° ALG F + A EEAE ( consonanc clusters ) {OFA EE 5 Ei GM + SMR + PL CUUKSEA LE AIR AE RAR ch + LAL BE RAPT CE AN ABA OAT (30 wer | wea a isc} [BRIBT < REE ~ TH stone, steady, sation, stable, stand, Boe state, statue, stain, sf, say, stil ‘avy [Mra HEMGAB-— [slog slip, slic, slim, slide, slap, slut, slime, slope, slash, slang, slur, sleep. ieee) | RR PB ~ WE [serong, strive, strain, stress, strict, ms strangle, stringent, strenuous, struggle. iopk/ | 2-E ~ WBE ~ Tee [eplic, splash, splay, splendid, splurge, Feevee splosh, splendour. opr’ | RHE 1815 ~ [spring, spray, spread, sprinkle, sprout, th sprue, sprawl, spree, sprint, sprik ey | 84H BH ~ BE ]fy, low, Mip, flare, lame, ash, Mux, @ flick, flag, flame, flee, fing, ush.. Tol? | WHE + tR~--~ [plate, plough, plant, platform, plastic, placinum, play, plunder. pe? [#ERL~ wi Me~ We [pride, proud, prince, priest, prink, | am prude, prowness, pretty, prudency, pI prudery el = MER shake, shiver, shock, shimmer, shift shudder... wer’ | ARRAN: |screw, scroll, serunch, scrape, scramble, scratch, scutiny. aon? [~~ HE [amall, smile, smeary, smooth, smu, [st melt, smash, smuggle,we | RAE Ca ‘ned | BER F ~ HB ~ AE | snacch, sniff, snl, snort, snivel, snout, witht sniffle, snuffle, snake. owe] [BR~ E> HE ~ AF [owim, swing, sweep, swap, switch, wate swindle, swift, sway, swirl. Zae/— |APSL + HLA ~ BH | drain, drench, drip, drive, drill, draft a, dag, dragele, draw, drawl Peglel | HiT strugale, wigsle, gogsle, gigsle, cogsle, smuggle, wriggle, waggle, niga Liem Hem | WRIT Ca fe) [RR RHC. HH [Stein, stehen, Stan, seif, Stab, Stade, een Stand, standfest, stindig, stark, stets ae) | Hh - HEE [Schleppen, schlagen, schlafen, Schleim, Schlange, schlau,_schleichen, schleifes se [FER PUB WE [Scrafe, Suapaze, Steik, —streben, * streichen strciten, atreng, Stress, strémen, SeBmug. ey [88H ~ HLA - BE | legen, Fliege, Flame, lessen, Flu B Be flink, lote,Fligel, Fluche ‘ch/ | ~ Schalke, schaudern, _schavern, schunkeln, schurren, —_schallen, schalten, schiitel. ‘schm-/ [9K ~ 2 ~ 7EHE | schminken, schmacken, schmeicheln, tote schmiegen schmuggeln, schmunzeln, schmutzig schmal ‘nechn-d [AEA ~ #2 AK [achneuzen, schnauze, schnauben, wren schrarchen, schnabel, sehndffsin, schnoxien, schnsel ‘ehwet | AR HE HEP chwan,_ schweben, wife schwach, _schwirren, schwingen, _schwenken eeOORT ROR MAHA ee (stops ) > eH (fricatives ) + AB (lacerals ) > MUA (crills ) Bi - OORT HO TEAR + ART JRE MS hy fo LE BRE © eZ + ONE EE AO AE RT I 1 SA = RS PAB ZAIRE = WA 25 AM — AN A (a HY * MA EE aS A» ST NC eT RM AA EH x) = m9 (EEK of ELS A a SEB SATE» 7 A SS BE A A a U.G. 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ASCE 5 tt — im Fk RS ADCO «EL 2 PELL Te + EBLE He AE 2 69(RE 0» 5 8) A 25 a SELON © Voce, ak -/9SAS SEA RA e E AEA + BK Wh of 4 fe HE BFS den + con >—s > ~ness + —ment + able ( 38 ) > n= > con > tion > -ment > naire ( # ) > ve HB (ke) eit + bar ( 46) SR HEHE 00m BEAR » TELE MT RR TLR Fe GA Me AIR O « ‘Pe HA PRY LAR EH + en, con, Bk —ment J) I fe cack 2 A A 7 TAL» PAMTABHEDA ” BAT” (syllables ) ATE SCRE ARE : eC LE + EAM ARTE AT REL” WAL” a” ARIEL” ( pre— and suffices ) BYTE + a a Fh HE ART «ESO AT HAS ALS = 15 FE MSMR RE + — tH enable, en- danger, enrich, encourage, enslave #54} O8/en-/AP AT * f=" HO BE + con-1Z 4” SRE * ONG + fanci-/ ZAPAT ” BEAK” OE Mee /Z PAE” FEO” ORNL» AE RT: RACH MO Ae HEADY DAI Ma — Hes WU: «Mea a IR — Seay He Oh ACH ARTA ITT» CREE + — (0 IE RE 7 SH ZIM BR 5 Dy» SE TA ON BY A — Sen” (synchronic ) AO RHEE + OTERO OR — RR” EArt Sb fs — WEE Ed BA + 8 — EO + Ar RAL ALAN SE” OR IR FP A A a A As — Ao WRT CE ELSE Ty IU EZ) + AUTO AT on ERE eA” 09 HE — A PA 9 WR I A oA Jos 68 oP RBAPAT © Go AR” 9 AL «FE AA A 2 BA i AZ YFG DE MR 6 CA eA HRA OF TTA + LAU OO MH 1 eH Aa RL” SAO © — ROT SRA TR 93808 —FL AYR ( convention ) + MAME ALA 08 ” eae” LUNE ae ART ay» SOU + AACR EUR LE + EAL Ce ICI BOO eMC 9 = a A «AE HL 9 A Te ROE Ae EAB A AA > ATE, PE FUDERZ Le ATURE | GA OAR AP AE 10SESE + SUNCOM «OT TE AES © GK + RA BERR OS Me HA we a AE YT — A i UL AE — Be RO = IS -/ MH/SLANIY + ZEDAGA BU ME ARE BEF + EA ACB — AS ECE WS ADR) AR RPE «tn + SLUR lh RE A SOIT + RAE IC MY BA 7G LTE AE By — Be AEA CYR” HO” EMME T HR—ee HE ST ( meaning-neveral ) 7S + EMUILAO HF + CHIE, BRA ERA EM RAMA HORE UE” + FOBT AAE Ee eR + ARATE «FLA 9 A CE BAETES « eR OG AK + SEA L/S A AB A 8 + a/R Aes RAC TE" NRE A RU eC AR — UMAR: "= EL A BS + (De SCR TE — = i SA 07 tk A — Nha HT ea a CE) YE + IO OI = ARO «ANTAL ELIAS * SAG” Ze REACH A Soy C mals )~/ > /super-f > fsub-/ * Psse-1 > Ipost=1 > Mis-1 > ous! > /wisel > less! + est! > (ones! © ised = ist > (istic! $2 RES? APE It AISLE = HR RET, Ro EBL ABTA ORE ENT RETESET + Se AH AME SZ AT A | eA A ON « WAR ACO a HL EA + — AR Hi MAE — EO RO RR» AE ALL Bh GS MO A AE OL So RCN OY HLL A a RAL BR TAC I NO WRG « BRAEMAR MR: ( ARAN IER re ir Ce: HRA) + PTAA TRL SE SFC A) a A AES DNS NM eS « ER MAR OO ARE ET ALEK IIE ( Ideenerzeugung ) A sete © Je b> ia: PERTTI RN HT AS 25 = A COS ML «AYO a =nSIMON « ee ARMOIRE ME ASO RS ROR TSS + LMR MI A + ARON Ree T SOAS MBO HAY: RO” eee” RUE AL” MONEE oy So TMT + AUR ROO mA IM ALAS MSR” + AIRE I + he * LAT OO CE) + He CLEC Coie)” = BA eR EA aA 0 5 9 RL +H aT a — Be” SPE” ( Verteilung, distribution ) HSA EZ 69 MA © ee SOB” SHE” + SCR RLM RCO A + TERRE 1 — RS SC) = AL RAS te = SU: RRM” a De” NEE RSME A = MATZ «SB AFM eh AO A a Fe ~ MIRAE «EONAR + 7 — Ae BE REE ~ SEL SHIG OS FASE RAL + A REM EA NTE A Ee ai « FESR SER RZ HAIL ROT AR + BRASS PTL NN : — + ASO 8 AR AR EAR — We MS AOR RH 2 — 25 — MMO I EO + IBM ER SE 2 A RAE AR AA = (2 IT Bg)» TB A A A A A + + RAO HET POH RO + LAH TST MEE OSH = Ses» LMM MERE 1 © SELB LH 09 AI LE Crary EAR MP LCR © TERR SHS BLP + CranylusfiHermogenes = A 8030-2 38 MEL IR BUS? i ee LR a Se” PUI = AEM AA” SP 2” RENE CHC CBT DLA” EUR” eZ FSR PORTER AR OY EH” BOR OTS” MYA” AE © an + Be HES RA ME + FR TA LC SETA an” sis LR 2 cl a ARIE « a A BS AR) A ASL CE) a FR a 0) = APY EI OB A) IRL T= AA ER RS * =nes ARATE ts «BEA A BE SE a IE fs — HE © SR Et RE RTT MY RIE” (FEY) = AB OLS + 2 75 A LS AO Re + A A AS «I BS WREATH O : IAA NS (AR TG A) + IC ZEAL = EH RE + HN HATS PT AE SC + CL Ze A = LR AME IRR HE SME A + He A EI) + se RT BE IT a * mage = 9B HR MA A I WSR ARAL « OFT,» HSM ATRE NBME ( onomatopoeia ) HFA AVUAAR RAE» BSATRE 18 72MIN HE « it RET A BY LT HT A ERC — ASOD cypus ) AS + RR EHC A AR Te HEAT RRA «EON + BT eS oh an A EK Cinterjections ) » Sea — Seam (Mn ) PAAR RE ATO HIE RE AY © OR ie + NAR MENA + eA i A eI LA + AAR AR AE = EL +E a 598 09 FO A A «EO Rw — Hw AEPERC Met » Catia — MN - ARE — AE RR: [AE RHERR I REMERE Th — Se Mee SLI asc A” ROT” A REL STE «RE — SRR NY = AE TT AA A MERI Me + HGH (iconicity ) BHT MERE MOREY MAA RMN Ie Ak CEN) PH J Vinee WL + AS C1 A RE ET — 88 SOME A Me «(ILO ICR + ANSI A AR «MO HS 0 Oe PRG = kA AM 2B 2250 + 3 A eA A BE IE A FR MBL TARO 7 BES RE A — a EY RT ES + Fe RB BE AA EE a 2 ERR ELA BF EF CARA ML «TR a CMM ei a LO SEF PA RP So Ke A © 2 5 — RE anTF + US BOR AL a a 8 — Re A = FR (ADH LG Z UNE + HDD MERE EME) SOTERA BOCES» SUAVZEME SEN + HOR AD IAT, © OAT Me + Ag AO A eH A (he RB 7 9s EB HI RE A em «BI + OVE ATE ZB” SEE” HT ATO? AE AES A LE Ta — I HT PORE A + AEA HL AHR ( MUI HEME ATK ) OE HEA TRE iA AR ER ~ OR A EAL I» ATO Ee HT AMOS ARIES ALO — OT AOS HE OR «RANT + EE ATG FH AM ESE AE A ASSL FT A I AE RA TAL © IT AL ROTA Z MODE + 8 SBT 5 NA aT RIE ZETEC + Tem + 9 ML A TAL SNL GAB 7 + A a AE 2 Sea Rt CAESAR LITA) UL CART am Re MH = LL, EAE SE TR” LIE LF TN LE SOBRE T ASSL AR Ho BUA + A BO ~ A HES: HTN T AOU NETS ET AEC + we A ‘eh bao 47 AS O° SABE SEL FEE BLO TALL EA — OIE: JUSTE WHERE FEZ» Dr OR 5} Jp FEM: ASLO -L° Ar REE OA BE EL} —Iy SAR A BA = ANAL EE 2 HE LR A Ba” HE 1 et TT A AE SORE LOREEN + CER IAL: « RARRL ER 6 | @ TL REAR NO 2 ATS RUBIO AEE © EAL EO game + 5 Ae i EL Ie ARAL AT EI MOD «LG a ESO” «SCBA» BRT SE AAC BI A + 1 A EE A BM ince tional acts ) © ASH BAB Bb BFS AS Tad CY» AEG E00 = CA EO =O» RE EE MSIE Ea AY» OPLLN EAS AME 1 RAE RIE ATR BEF Z IA = RR RE ASL CAS Ta a BEECH —14—AOE» UM el + SUS LB ARK A HE NR = SOLE + ASLO Z aE a ie 2k — 9 2 aR AY 8 CR ” RIB BRAY AA ew TAT A IC OC a TE HEOOAER » 7S + BRSETE TS ALC He sR EAS He MA + 2h EARL A TESTE T AIC BEY A EN fe ANNE AR PATE IT A EA ALL ROLES « SORA AT | $886: wwhwan@cubkchk = ~*~ BO71767@vax.ese.cuhk-bk an DR TAL AE OY AE + BCA A + i 7 8 AF 9 -F + OT HSL: Huston Smith, Condemned to Meaning (New York: Harper & Row, 1965) « OH. P. Grice 20a. iM Om HL ML SF + $8 S2"Ucerers Meaning, Sen- tence-Meaning, and Word-Meaning’, in: Studies in the Way of Words (Cambridge: Harvard University Press, 1989), Pp.117 + @ Wilhelm von Humboldt, Uber die Verschiedenbeit des menschlichen ‘Sprachbaves und ihren Eilluss auf die geistige Entwicklung des Menschengeschleches. 2988 — A= TUF « 9 9) —= 184 MOE EMER (Kowi ) C0) —ARRAE «AEB MILESTONE «Pam Me BLE & AB NUR A HEAT Andreas Piener Klaus Gil 9809 Wilhelm von Humboldt. Werke im Fun Banden, Band 3, Schrifen. sur ‘Sprachpblosophie. (Darmstade: Wisenschafiiche Buchgesllechaf, 1979) » [XE ARGS AIR READ URL» AAG MN «SH iN ZC HARA © MSZ, FOMG ISLS NC + @# K Ems Caster, “Die Kanviachen Elemente in Wilhelm von umbulds ‘Sprachphilsophie" n: Festshri fir Paul Hensel, rag. won Julius Binder, (Gre Ve 1923), PplOS-!27 + ASCH ACIEH RRC OSCAR A P18 34.8 ACBST RE Heymann Seeithal %, Die Sprachwissenschafi Wiel v. Humboluts und die Hegel sche Philosophie (1848). (ildesheisn: Ole, 1971) + (© BF me a SMT AM THA HOM ICM + TLL AO Ha LL a a + Copleston, A History of Palosophy, Val2, p65, © PLFA WIPE EES OLD» RO TE ICT AB LE BE AGT — < Ems Bloch, Zwscheawelton in der Phimophiegeschichte. (PankfurdM: Subkam W977); =~ Kor Flsch, Das plulosophiche Denken im Micelalter. Von 15Augustin 24 Machiavelli (Seatgar: Reclam, 1986), Ch.19. © SE Kure Fasch + (LE + Pp.216-217 « © # LN. Trubetskoy, Principles of Phonology. (Trans) Christine A. Baltaxe, (Berkeley: University of Cafornia Press, 1969). 9.5. AMEX MEH Grundeige dee Phonologe * —.= JE ME USA HE = @ dxtphonology~ UWS ES Le RTE TAR REESE REI CAE, AFA RRHEO « BOTA GFIEAF 8 phonemics + @ 8 “Roman Jakobson and Moris Halle, Fundamentals of Language. (The Hague: Mouton, 1956) ORS Ia OO THO OR ee EE FO EZ RAR ERE A ERT EZ MOYBEER « $ SUTrubeckoy op. cic pll « @ B RWilliam SY. Wang FEM : CHAR HAMEED « MCCA « SW + (AERC: RUREEDANMT «198 ) + p. 78K © BRPoercia A Keaung ERAGE! CAMARA A ARASH > » CMOS AR) IVE aM: 953-57 + @ # WFerdinand de Saussure, Cours de lingusique générale. (Pas: Pay, 1982) = AR STC ARB = ACA «EA 2 ON AE ARC AOS: OBEN + 1982)» 157 + OME» piss PROG | CSUR IND + p28 + OFAT- SIN” + ME ABAngemessenbeit des Lautes 2u der Operationen des Geistes." RARE | CAI AT RIND pp 428-429 « @ #AHortmann and Stocks = ACRE < AAALAC RAI EE (6 EMER NERL + — FLO) 8 ARR + OF ‘William Allen Smalley, Manual of Arsculetry Phonetics + (South Pasadena William Carey Library, 1973) © @# $Roman Jokokson and Linda Waugh, The Sound Shape of Language. (righton: Harvester Press, 1979). p63 © RSM © CRSA ARAL ED 33 6 EON + aH A = stimmliche Verlutborung f0Artikulavion2 3 © 9 S29 A8H8 7% © CCEA BEBEMND = Martin Heidegger, Sein und Zeit 12. unwerinderteAvflage, (Tubingen: Niemeyer, 1972), pp. 32-33, 161-164 + @ AMAA | CHE AEH Z HE FED + Kant, Kriik der reinen Vermunfe: A833/ BBGI © DRAM: CHER ARR «p31 © © SEM: EBA TAMNAD «1158 BELAY < CARMBEATRIARD + p48 « aBRN © CARMI TEAR ARD + ppt © © BEB AY © CARTIER EIRD + pp 456 « (© OWLS A A HO HE. 9 pF MTabreenne, slcren se abwondern © 58.» CHOATHEEEZALRID + AZ2/BI6 « @ BREE © CARES REOND + pp 440-441 © © AM — 45 9 a ARC NN = REE JC TMT RHO ASABE OED + $ Claude Lévi- Servs, Preface to Roman Jakobion, Six Lectures on Sound and Meaning. (Cambridge: MIT Pres, 1978). Pp.icnavi« MG » USE — SUA SEMA CAS ARAB) ( Struc tural Anthropology ) — 84 BAA A FSS « @ BARNA ( Charles F. Hocker) H+ TRIE BAI) DELI SA: ERE RARISERD «(HR MDERC HARE «87 ) + Pp 12 © NE WAL ON IR ( Schele, wrting ) RALAAC T MEAD, 1% + $ SElmar Helenstein, “Doppelte Articulation in der Schaf n: Zetachrlt fie Semvoik. Vo.2, (1980), pp. 319-333 » SLE PURI ALAS = 01a i 5 LI es EE ROLE « iA ELIA HE) BE» HER AAR AR I TTS RG = REALONE = RAPALA PARR ST RA BEER O RAMU SEO RATS HE A EO MUM AAR” ) HTL «MRAZ + PIT RERERE FOF AEM LG RA GZ MAL CIEE OA « A (AOE ME ALON LAR ( somoephism ) HI HE ER "MASA RUNES + RUFC BA I «TE 2 STDLIEPY BING A ( Mendeleev ) SEL" IG MAMA Ae" oA #05 (Democntan) SER AF CME RSMO | @ Elmar Holerstein, BLE © @ © SLouis Hictmole, “Eset dune hore dee morphémes". Exit lingitique (1989), 4158 Eugenio Cosein/Hors: Geckeler, Tecids in Structural Semantics. (Tubingen: Gunter Nar, 1981), p33 + Be EF BE RAH LT AE» I RE «HERES — CEB LAB» BARRE HAART T © REA © CALAN TRE IRD + yp.930-432 « @ # BAndsé Marines, Flenenes of General Linguistics Translated ty Elisabeth Paimer, (London: Faber and Faber, 1964). pp 22-28 « 45 HAs T sid — 1 098 BH +H SBBere Peeters, Dichronie, Phono, et Lneistigue Fonctomnelle, In ibliotheque des Cahiers do Hnsticut de Ineuitiqne de Louvain, net —n-(Louvaie-laNewve: esters, 1992. HH BAER -H = @ AA: CHEER REMMI RL) «CURE MEICORMAED » GE SEWER» —JUILE) + HST7-640 + MBA: KAMAE EEIRD + p26 « BREE © CA RLRE TT EEARD + 9426 + PREY | AIT EID «p44 © GD BEERS © CARRE TT SRIMD « p73 © \6- 17+ : PRE | OETA «427 © GEE: CAMIEETTRLIRY + 9.425, 4570 © © WH MIE RLinda Waugh 4% The Sound Shape of Language BE + SRREID © © BING © CARLENE EEIMY « p46 « REE = AIRTEL + pp 4526 « PRR | IRE THEY + 9.452 + RSM CREED «105 © (RRA © IR RHIM + 9452 « PRA: CUNTREE AED «47 « BREE & 61» aR CS + Aes 3" Ba” + $8 SINoam Chomsky, "Goals of Linguistic Theor’, in: (Current lsues in Linguistic Theory (The Hague: Moston, 1970), 17° (2 BLT L ME AER BEREAN oncmatopoisiet HD « SLIM 409.6. AERA A ( Karl Baler ) GEBNEREAA Wore-malerei + MAE [Laura — 8 45 2 9 9 — «2 Ka Buhler, Sprachsheovie. Die Darstellungfunkricn der Sprache. (Stops Fcher/UTB, 1982), P.198 © © © MJakobson and Waugh, op. cit 178 » HALES HBF AMeymbol a — ARCA HR. {RRIEAG oyod «MRF A WRIA 4p i dex + 75 CEP Hides TLRS" HC — HEMEL” » $ SBChares § Pence, "Logic as Semiotc: The Theory of Signs, in Phiboophical Writings of Peiee. Ete by Justus Bucher, (London: RKP, 1972), p 102 BRAN | OSES SEIN + A520 CECE RHE? RCP + ABET SOT MD SSH FR LEA ERR 2 MONS = "> LALA > AD + A1B8/B177 « © iM HEAR ARAL © 8G. Herder, Abandlune dber den Urspruny der Sprache: (Stuttgart: Reclam, 1979) «p32 «36 SLAB AE: CAML ERS my na27 60 MEME + HEA 4 HE FPN Wf motor image Rlacomnie image + HERoman, nsJskobion, Six Lectures on Sound and Meaning: Pp37 = © @ RJakobson and Waugh + op. cit. p 188; BAK + H.R. Firth, The Tongues of ‘Men and Speech, (Landon: Oxford University ress, 1966), Pp. 180-188 + @ B Slows Hjelmslev, Language. An Introduction. (Madison: U. of Wisconsin Press, 1970), p43 © @ & SeEdward Sapir, “The Status of Linguistics as a Science", in: Language, Vol. (1929), pp.207-214, quoted fom Peter Farb, Woed Play. What Happens When People Talk: (New York: Bantam, 1974), pp.130. @ Fath, Word Ply i, pp. 131 © 85 Plato, Crarlus A22C, 426A + @ B LPlace, Crys, ODAC, AAC» H— WM + BM AHN RE D MMR (TP) Rm RCM | 6 BMT - BF SUERTE ! $82 Aristotle, Petice, 4570 © MAH ELAN MEASLY BTA + HT SLLebnin, New Esoys om Human Understanding, Transl by Remnant and Bennett, (Cambridge: Cambridge U.P. 1981), Pp278Hf; St 9 SELeibnis, Unvorgrefiche Gedanken, betseflend die ‘Ausubung und Verbesserung der deutschen Sprache. (Seutgat: Reclam, 1983)» 24 09= FFE 4 Sigrid von der Schulenburg, Libnt als Sprachforscher (FeankforM: Klestermann, 1973) © OEM © CHEM DEdward Sapie, Language. PST « ORM RIAA LE DP ICR RAEEIMAS + © OEM : CHAD «Pst + OBMAN AGN LM) ANAL SER MAM Om AM 28 8 MASS LD IL ERT CALAN > —O HJ. Herder, Sprachphilosophische Schrifen. (ed) by Erich Heit (Hamburg: Felix Meine, 1975), Pp.107F« {© MJuggen Trabant, Traditionen Humboldt. F 1990). P79. @# Weide. Unvogretiche Gedanken, betrefiénd die Ausibung und Verbesserung der deurchen Sprache. (Stuttgart: Reclam, 1983), P8 © 4 «PATER + Thomas de Vio SEF» STI RE SETTAB FO *.L.09MM © $ S2Thomas de Vio Cardinal Caetan), The Analogy of Names nud the Concept of Being (tans!) Edward, A. Bushinsk. (Putsbuegh: Duquesne 1959) © Go PRR < CARR EAMD + pas © (EM (150 ABR Fymorphoneme < FEAL AAAS F BAC (moneme) + SE Pike) BEAN HEF”) © ‘furtM: Suhrkamp, —19-(© # Heymann Steinthal (hr), Die sprachphilosophschen Werke Wilhelm’s von Humboldt (Bern: Dimless 1884). Pp. 315-316 AM AMSAT A OIA ZI BPE P36 8 RSE © CHAE ARACHDD +p 241-282 « CB REE: CAE ABACEDD + p.229 © RRA: CHAE ABELALD «p25 + © 3 OOH AY ATR TH 1 RES A SLI «BET A AR A 5+ OE HB IE RON + HMA MK ota RotematS MER synthesis Rlsynthema 2 #9 EG DH 8 BEE — 2 Ekstemo— MES = $52 A | GEOL 99 AT AB MHD + Marcin Heidegeer, Mecaphysische Antangserinde der Logik im Ausgang von Letbis, (Frankfort: Klostermann, 1978), 7269 + SRE: CREAR ABER «1293 SR: CARR TTABREA «241+ RRA © CARER AMY = 501 AR NUL OE EZ 9 (OIA 1H SURRRRER Ao «A a RL A » CHAS SHAE - ps) « @ RSM LIGA EMA Mellet, Vendeyes SS © QURAN SEL MLM RECT RR « RAMEN {© KLE fiJespersen, Grammont, Damourette, Bolinger, Benveniste? = #7005 i 18} ER, Jokobson, “Quest for the Essence of Language", i: Selected Welings I (The Hague: Mouton, 1971), Pp. 345-359 © @ ODuceoc BUT. Tosoron “LEIA ct + FEAR MAIC AAA 2 2 fF © lkEnevclopie Dictionary of the Sciences of Language, (Baltimore: Johns Hopkins UP, 1979), p43 © RAEI CARED TARRLEED 104 © SMT Z I TSAR COREL ACS ML Fa CAFES MDA = 19098 CL) 6 AE» CAA 2 TARA” Ana LAR AMO ARENA ZF RR + AEE + SEM LIN SRA ABHLOT AC Lakofl ) FOE ( Johnson.) AE EAS REIS COME I EAs + ARLE A A» REC 2) BEALE ARE ANAEMIA (image schemata} BILE © HLGoorse Lael, Women, tre. and dangers things: What eateries reveal alsa the minh (Chissss Caisenity af Chicags Presi, 1987); Matk Jshnson, The Boy she Mind. The Baile Ba of Meaning, Imagination, and‘Reason. (Chicago: U. of Chicago Press, 1987) © @ LBA Roman jkoton, "Language in Relation co Other Communication Systems’, sy: Selected Wr I, (The Hague: Mouton, 1971).P-700 » Oe eee Pes IRIE IE OEE ERO AT: Kar Sopper and John Eeeles, The Self and Its Bain + (Berlin: Springer, 1977) © Roman Jakebson: Brain and Language, Cerebral Hemispheres and Linguie Structure in Murua Light, (CelumbiasOhio: Slovica Pub, Inc. 1960}; Walter A. Kuch » Evolutionary Culearal Semiotics, (Bochum: Beockmeyer, 1986 ) = JUS + BTR Retr ( REE -Ar HER A ME BORA ZYME > + GER BUR ARERR) «CE RFE Fi +1989) + FISI-153 + BB Sms : CHUATIBEEZ HEPID + A70NBTIO~ ~si-