50 Brilliant Science Fiction Movies That Everyone Should See at Least Once

50 Brilliant Science Fiction Movies That Everyone Should See At Least Once
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50 Brilliant Science Fiction Movies

That Everyone Should See At Least
Once
Charlie Jane Anders
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Science fiction has rocked cinemas for a century, and the genre has
produced many undisputed classics during that time. But which
movies are essential viewing for anyone interested in the genre?
We broke down the 50 must-watch science fiction films.
Methodology: We looked at a few different criteria, including overall

cinematic excellence. We wanted to include films that were
important to the development of the genre, and which had helped to
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raise the overall level of awesomeness in science fiction films. We

also wanted to represent as many different types of films as
possible. And we looked for films that had an original concept, or
which were the first of their kind in some way.
But most of all, we looked for films that would represent science
fiction well to a new audience and totally rock a neophyte’s brain.
Obviously, a list like this can never be 100 percent definitive, and
we may have left your favorite movie of all time out. And there’s
clearly a bias here towards more recent movies that are fresher in
our minds. Anyway, feel free to disagree and post your own lists in
comments!
1) Metropolis (1927, dir. Fritz Lang)
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This film is one of the most formative works of science fiction of all
time, and its imagery remains potent nearly 80 years later. And now
that there’s a fully restored version finally hitting cinemas — for the
first time ever, outside of Germany — you can finally appreciate
Fritz Lang’s vision in its entirety. With its uniquely weird storyline
involving a worker’s uprising and a woman’s robot duplicate,
Metropolis remains a source of fascination — but it’s also the
source of much of the work that comes after it.
2) Frankenstein (1931, dir. James Whale)
This wasn’t the first movie adaptation of Mary Shelley’s classic

novel about a scientist who dabbles in the forces of nature, but it’s
still the most iconic. Boris Karloff’s version of Frankenstein’s
monster will always be the definitive version to most people, and
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this movie gave birth to much of the imagery that we still associate
with “mad scientists” to this day. And it’s a work of strange beauty
and alienation, that still has the power to shock our hearts to life
today.
3) The Day The Earth Stood Still (1951, dir. Robert Wise)
The 1950s were the era of sensational movies about aliens and
monsters threatening our way of life — but only The Day The Earth
Stood Still dares to use that framework to make us question that
way of life. Klaatu’s visit to us, and the warning he delivers, still
resonate today. With its thought-provoking premise, this film won
praise from such luminaries as Arthur C. Clarke, who put it on his
own list of the best science fiction films.
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4) The Man in the White Suit (1951, dir. Alexander Mackendrick)
One of the classic “Ealing Comedies” starring Alec Guinness, this is

a very different sort of “mad scientist” film than Frankenstein.
Guinness plays a man who’s determined to invent a fabric that can
never rip or get dirty, so he can free millions of people from
drudgery. But his invention will also put a lot of people out of work,
because eliminating drudgery means eliminating jobs. This is
science fiction at its most thought-provoking—and it’s funny as hell,
too.
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5) Godzilla (1954, dir. Ishiro Honda)
60 years later, the archetypal giant monster is still wreaking

destruction. But the first Godzilla movie is still a total classic, in
which the trauma of nuclear weapons is literalized in the form of a
destructive behemoth. A lot of the best science fiction is about
grappling with our fears of technology and the unknown, but seldom
has it been as visceral and thrilling as it is here. Skip the Raymond
Burr-bastardized American release and go straight for the original
Japanese version.
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6) Forbidden Planet (1956, dir. Fred M. Wilcox
A formative classic of space opera, this is said to be the first movie

to take place on another planet, in deep space. It’s often described
as a retelling of Shakespeare’s The Tempest, but Forbidden Planet
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also manages to do something unique, with a monster that comes

from within and its secret relationship to the mysterious scourge
that wiped out the super-advanced Krell race, 200,000 years ago.
Like TDTES, this film examines our own tendency towards
self-destruction, but it delves into the psychology of human
self-destructiveness more.
7) Doctor Strangelove (1964, dir. Stanley Kubrick)
There were a number of great apocalyptic movies during the height

of the Cold War, including 1959’s On The Beach. What makes
Doctor Strangelove a science fiction classic is first of all, that it
invests so much energy into inventing strange new ideas like the
doomsday device that forces global annihilation in the event of an
attack. And the network of underground survival tunnels, where
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important men and a large number of women will wait out the
nuclear winter. But most of all, writer Terry Southern’s satirical gem
gives us amazing insight into the psychology of apocalypse,
showing us just what sort of men would doom the entire world on
purpose.
8) Planet Of The Apes (1968, dir. Franklin J. Schaffner)
And here’s a very different version of humanity’s encounter with the

“other” — Charleton Heston is the indignant everyman, thrust into a
world where humans are little better than beasts and apes are
ascendant. With their stinking paws. This film launched a whole
genre of films in which a lone human (sometimes Heston again)
copes with an inhuman who have inherited our planet and
transformed it in their own image. But this film is still arguably the
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best. (And we almost included the recent prequel, Rise of the

Planet of the Apes, which is a classic in its own right.)
9) 2001: A Space Odyssey (1968, dir. Stanley Kubrick)
A total departure from everything that came before, this film

benefited immensely from Kubrick’s unique eye as well as Arthur C.
Clarke’s mixture of hard science fiction and interest in
transcendance. It’s almost hard to list everything this film did first,
and better than anybody else since: A compelling, realistic
description of life in space? A depiction of an artificial intelligence
going mad? A huge mystery that spans from the dawn of humanity
into our far future? Those are just the building blocks for a film
that’s as mind-blowing and rewarding of close attention today as it
was in 1968. It’s also given us some of the genre’s most quotable
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dialogue.
10) Solaris (1972, dir. Andrei Tarkovsky)
The decade following 2001 saw a handful of slow, meditative

science fiction movies, which dramatize the loneliness and
madness of the vast cosmos. But arguably the most memorable
and intense of these is Tarkovsky’s masterpiece in which a
cosmonaut orbiting a planet covered by a psychic ocean is
confronted with a reconstruction of his dead wife. Based on a story
by Stanislaw Lem, this movie leaves you questioning the very being
of its characters and the nature of love itself, as Roger Ebert
explains.
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11) Close Encounters of the Third Kind (1977, dir. Steven

Spielberg)
There are a lot of great movies about making first contact with
aliens—we almost included Contact on this list as well—but this
one really captures the mystery and wonder of encountering beings
with such a different view of reality that we barely share a language.
The concept of communicating with aliens through musical notes is
such a powerful one, it feeds into the general sense of awe and
strangeness that turns this movie into a powerful experience. For
years, this movie shaped how people imagined meeting more
advanced extraterrestrial beings.
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12) Alien (1979, dir. Ridley Scott)
This film didn’t just launch Scott and star Sigourney Weaver — it
also launched a whole genre of movies about our terrifying
encounters with creatures beyond our own imagination. Scott
merged space opera, Westerns and horror in a way that pretty
much nobody had done before, and the result remains vivid today.
With a sharp script by Dan O’Bannon and note-perfect direction by
Scott, this is a master class on how to do creepiness and a
compelling story in the sterility of deep space. And you really have
to see the sequel, directed by James Cameron, which is a defining
moment in the history of military science fiction and space opera.
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GIF
13) Star Wars: The Empire Strikes Back (1980, dir. Irvin
Kerschner).
This is the first of three sequels that came out in the early 1980s
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that were better than the films they followed, but which also
innovated in a way that their precursors didn’t. Not that the original
Star Wars wasn’t innovative — it was, in many ways, including its
breathtaking effects, its fresh take on Western and Samurai
themes, and its exhilerating approach to space opera. But Empire
Strikes Back took all of the formal brilliance of Star Wars and
married it to a story that feels truly epic. Luke Skywalker’s journey
in the film, from near-death on Hoth to confronting his own
darkness on Dagobah to learning the truth on Bespin — this is a
real voyage of discovery. You couldn’t skip any of those steps and
have it still work. All our other heroes struggle with tragedy and
adversity — especially Han Solo — and it makes them deeper and
more magnetic as characters. This isn’t just the best Star Wars
movie, it’s one of the most essential movies, in any genre.
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14) The Lathe of Heaven (1980, dir. David Loxton and Fred
Barzyk)
Based on the novel by Ursula K. Le Guin, this made-for-TV movie

is a rock solid piece of science fiction as well as an unsettling
psychological drama. Despite the PBS production values, this story
of a man whose dreams start coming true in the real world
manages to pack in a lot of strangeness and wild visions. Plus it
asks the kinds of huge questions about the nature of reality, and
how our perceptions shape the world, that science fiction often asks
at its best.
15) Mad Max 2: The Road Warrior (1981, dir. George Miller)
The first Mad Max film is brutal and awesome, and well worth
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watching again, especially if you’ve only seen the crappy dubbed

version. But where Mad Max shows the breakdown of Max and the
civilization he lives in, this sequel shows the aftermath, and
becomes an indelible classic of post-apocalyptic films in the
process. The final huge convoy scene, with its demolition derby
feeling, has influenced everything that came after. And with “peak
oil” once again being a hot topic, this film’s story of barbarians
struggling over the last oil supplies has a new resonance. And yes,
you absolutely must see the recent Mad Max: Fury Road as well.
16) Star Trek II: The Wrath Of Khan (1982, dir. Nicholas Meyer)
Like Empire Strikes Back, this film rises above its status as just
another installment in a big, commercial saga. You could show this
movie to someone who had never seen any Trek, and it would still
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resonate on a hundred different levels. James Kirk is the ultimate

neophile, who always wants to go forward and rediscover new
worlds, but he’s been doing it too long and now his past is chasing
him everywhere he goes. He’s got a son and an arch-enemy that
he didn’t know he had, and the twist — that the ultimate weapon is
also a source of renewal that can literally create life where none
existed before — sets up one of the most bittersweet endings in
movie history. And then there are the space battles, which are
totally different than Star Wars and yet indelibly awesome in their
own right.
17) Blade Runner (1982, dir. Ridley Scott)
Blade Runner is still just as visually unique now as it was when it

came out, and it defined the look and feel of cyberpunk as well as
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urban dystopia. And you can’t even talk about science fiction noir
without delving into Blade Runner. And like many of the other films
on this list, Blade Runner looks at what it means to be human by
examining our interactions with the “other” — but the line gets so
blurry, and the Replicants so fascinating, that the end result is
something you have to chew over in the hours after watching.
18) E.T. (1982, dir. Steven Spielberg)
A lot of people may hate on this film, but it changed the way we see
first contact with aliens as much as Close Encounters of the Third
Kind did. And E.T. was one of the first really compelling aliens ever
to appear on the big screen. E.T. takes the sense of wonder from
Close Encounters and makes it more intimate and personal. This is
also the movie in which Spielberg’s obessions with fatherhood,
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children and discovery resonate the best. But also, from a technical
standpoint, it’s an amazing achievement — rewatch it sometime,
and look at how everything is presented from a child’s eye-level,
and the mom is the only adult whose face we see in the first two
acts. Spielberg uses lighting, camera angles and dialog to make a
film that’s not just about childhood, but told from a child’s point of
view.
19) Tron (1982, dir. Steven Lisberger)
It’s hard to understate how much this film changed the genre of
science fiction — it’s arguably the first movie to use computer
generated effects, as Lisberger hung out at MIT and learned from
the techies there — but it’s also still one of the most thrilling
depictions of virtual worlds on the big screen. (Compare Tron to
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Lawnmower Man to see how much more exciting and believable

the earlier film is.) With the theme of fighting against the fascistic
Master Control Program, Lisberger manages to update science
fiction’s longstanding interest in social change, but makes it fun and
exciting rather than dreary and preachy.
20) Back To The Future (1985, dir. Robert Zemeckis)
It’s shocking how few truly great science fiction comedy films there
are, but BTTF would still tower above the rest even if there were
tons. It’s clever and yet never stops being about Marty McFly and
his family. It manages to come up with a coherent theory of time
travel, in which you can rewrite the past and the effects are seen
nearly instantaneously (luckily, Marty is only missing like an arm
and a leg before the timestream rights itself) and never becomes
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inconsistent. And it’s surprisingly daring, jumping feet first into the
tricky waters of time-traveling incest. Plus it’s one of those science
fiction movies that everybody, even genre-hating snobs, will admit
to loving.
21) Brazil (1985, dir. Terry Gilliam)
And another classic from 1985’s is also a comedy... well, sort of. It’s
possibly the darkest, bleakest, most horrifying comedy you’ll ever
see, with freakish plastic surgery, a man being condemned to death
because of a typographical error, a lecture on ducting and a
vigilante plumber. This is my favorite movie of all time, and probably
the best thing to come out of Monty Python after the television
series. This film probably couldn’t get made today, and it definitely
wouldn’t get made in Hollywood, which tried to neuter it in U.S.
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cinemas. A subversive masterpiece, this film changed what a lot of

people thought was possible in dark comedy as well as dystopian
film-making.
22) Enemy Mine (1985, dir. Wolfgang Petersen)
We love tortured movies about encountering the other—and they

don’t get much more tender and beautiful than this tale of a human
(Dennis Quaid) who gets crash-landed on a planet with an alien
(Louis Gossett Jr.). The two of them have to learn to work together
to survive, and ultimately become a kind of family. It’s a parable of
overcoming xenophobia, but also of learning to see the beauty in
the other—and the ugliness in your own people.
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23) RoboCop (1987, dir. Paul Verhoeven)
Another totally subversive science fiction movie from the 1980s,

this film picks up Tron’s obsessions with corporate fascism and
runs in a different direction, with the evil OCP trying to take over
Detroit’s police force and remake the struggling city as Delta City.
RoboCop himself is a great example of science fiction’s struggle
with the ways technology changes or negates our humanity, and 20
years before The Dark Knight, this film manages to delve into
similar questions about how far we’ll go to keep society safe from
crime. A surreal blend of cyberpunk, Frankenstein and action
movie, this film remains Verhoeven’s greatest statement.
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24) Predator (1987, dir. John McTiernan)
This is one of the greatest science fiction action movies of all time,
as a total badass commando (played by Arnold Schwarzenegger,
who else?) is faced with an alien creature that’s way more badass
than he is. The Predator can see in infrared and turn invisible, and
seems unbeatable. And it’s come to Earth for one reason only: To
hunt us for sport. The process of taking this alpha killer down is one
of pure deduction and brute savagery, and it’s amazing to watch.
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25) They Live (1988, dir. John Carpenter)
We almost included Carpenter’s remake of The Thing on this list as

well, along with Escape from New York, but ended up leaving this
as the only example of Carpenter’s amazing ouevre on this list.
Because it’s arguably the most subversive and insane of
Carpenter’s 1980s gems. “Rowdy” Roddy Piper gets hold of some
special sunglasses that allow him to see that we’re all ruled over by
evil skull-faced aliens. Their ugly faces are everywhere, and their
propaganda is ubiquitous. Good thing Piper is out of bubble gum.
26) Akira (1988, dir. Katsuhiro Otomo)
This anime classic is still utterly unique, all these decades later. In
2019, Tokyo is an apocalyptic wasteland in the aftermath of World
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War III, and a biker gang led by Kaneda tries to prevent the
devastation from happening again. Unfortunately, one of the bikers,
Tetsuo, has the same kind of psychic powers as Akira, the man
who caused the destruction of Tokyo in the first place. They keep
trying to remake this movie in live-action with American actors, and
let’s hope they keep failing.
27) Terminator 2: Judgment Day (1991, dir. James Cameron)
Speaking of dark action movies that confront us with questions

about what it means to be human — this film would deserve a spot
on the list just for the scene in which John Connor opens up the
Terminator’s head and changes his brain from read-only to
read/write, so the Terminator can begin to learn from his
experiences instead of just following commands. But it’s also a
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brilliant action movie, in which every action sequence is inventive

and uses special effects in a clever way. Every big-budget,
CG-heavy action film aspires to be Terminator 2 deep in its chrome
heart.
28) Jurassic Park (1993, dir. Steven Spielberg)
And here’s another Spielberg movie! This one’s about humans

creating awe-inspiring creatures, rather than encountering them.
Michael Crichton took the story of his beloved film Westworld and
replaced robot cowboys with cloned dinosaurs, and the result is a
thrillride in which a shirtless Jeff Goldblum asks the big questions
about whether we should tamper with the forces of nature, just
because we can. As much as Tron and Terminator 2, this film
utterly transformed how movies use digital effects.
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29) Ghost In The Shell (1995, dir. Mamoru Oshii)
Like Akira, this is one of the first anime films to hit the U.S. and
make a big impact, and impress on U.S. fans how powerful anime
film-making was becoming. It’s spawned a huge franchise, which
for the most part hasn’t diluted the awesomeness of the concept at
all — Stand Alone Complex is considered one of the greatest
science fiction anime shows, and it wouldn’t exist without this film.
With its theme of possibly false memories and cyber-weirdness, it
had a huge influence on both cyberpunks and memory-altering
works like Dark City and Dollhouse, but it turns into an amazing
examination of the theme of sentience and the definition of life.
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30) Twelve Monkeys (1995, dir. Terry Gilliam)
Gilliam is one of the few directors to be represented on this list

more than once—we almost included his Time Bandits too, but
that’s arguably more fantasy than science fiction. This film, based
on the French time-travel story La Jetee, is one of the most perfect
works of fatalism ever. A man goes back in time from the plague-
ridden future, only to find that he’s already part of the apocalyptic
events that he remembers from his childhood. What makes this
movie even more compelling is the way it combines the closed-loop
time travel with a vision of madness, as embodied by Brad Pitt.
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31) Gattaca (1997, dir. Andrew Niccol)
Niccol has sort of made a career out of filming wonderfully heavy-

handed dystopias, but this is his most beloved and successful
(other than The Truman Show, which he wrote but did not direct.)
Ethan Hawke is a man who wants to join the space program even
though he was not genetically enhanced, in a future where only
people with upgraded genes get to do certain things. It’s a thought-
provoking look at the implications of gene-splicing that’s even more
relevant today.
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32) The Fifth Element (1997, dir. Luc Besson)
In a strange, dirty, glamorous future, the young Leeloo (Milla

Jovovich) is our only hope for escaping total destruction at the
hands of a Great Evil—but she’s faced with an army of alien thugs
and their vicious leader, Zorg (Gary Oldman). This is a joyously silly
and bizarre space opera that’s full of beautiful set pieces and
incredible production design. But it’s also one of the few movies to
capture the unique feel of French bandes dessinees in live-action,
especially the artwork of Jean Giraud, aka Moebius.
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33) The Matrix (1999, dir. the Wachowskis)
Forget the colossal letdown of the sequels — viewed as a

standalone film, this is a brilliant action movie that spawned a
million imitators, but it also put an end to an entire sub-genre. There
were a slew of dark cyberpunk movies in the late 1990s that mixed
weirdness and clever intrigue, with a sense that nothing was real —
and The Matrix basically ended that subgenre by being so good,
the others paled by comparison. (Have you even heard of
Cyberwars? The 13th Floor?) And this film asked philosophical
questions about the nature of reality, while feeding us our messianic
candy in a way that didn’t leave us sick to our stomachs afterwards.
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34) Galaxy Quest (1999, dir. Dean Parisot)
Also known as “the Star Trek spoof that became one of the best
Star Trek movies.” This is such a brilliant concept: A group of
washed-up actors from a space opera TV show get recruited by
aliens who believe the show is a documentary, and have to learn to
become the characters they played on TV. What makes things even
better is that Galaxy Quest goes beyond just poking fun at all of the
tropes of old-school television science fiction, and actually becomes
a terrific space adventure in its own right.
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35) Primer (2004, dir. Shane Carruth)
Primer is famous as a film that you need to watch a few times

before you fully grasp what’s going on, and there’s never been a
movie that was less eager to explain itself to its audience. The
opening, in which a couple of nerds tinkering in their garage
randomly hit on an amazing discovery, is one of the great iconic
nerd scenes of all time, and then the movie just gets crazier and
crazier, with our heroes going back in time a few times too often
until they descend into a kind of insanity. Worth watching just for the
Walkman scene. This film is what Lost was trying to do with its own
time travel stories.
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36) The Incredibles (2004, dir. Brad Bird)
It took immense self-control not to load this list up with a ton of films
from the Pixar guys. But The Incredibles is arguably the best Pixar
film, and the best superhero film, of all. This film takes the mythos
of the Fantastic Four and mashes it up with a bit of Watchmen, and
the result manages to be just as fun as the former and almost as
dark and thought-provoking as the latter. And The Incredibles does
something few other standalone superhero films have pulled off: it
feels like a fully realized superhero universe, in which there are
superhero costume makers, and tons of larger-than-life challenges
all the time, including big robots and supervillains. This film paved
the way for the Marvel Cinematic Universe and so much else.
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37) Eternal Sunshine Of The Spotless Mind (2004, dir. Michel

Gondry).
This film works on so many levels. It’s a metaphor for the ways in
which you try to erase someone from your memories and your life,
after a breakup, in order to reinvent yourself as a single person.
And yet, the film manages to suggest, that process is a form of
suicide — you have to destroy a piece of your life in order to excise
your former lover from it. And since that process is also the reverse
of falling in love, maybe it leads you to realize why you fell for the
other person in the first place. But Eternal Sunshine is also an
incredibly clever science fiction movie that introduces a bizarre new
technology in a way that’s both surreal and believable.
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38) Serenity (2006, dir. Joss Whedon)
This film is beloved because it provides a fitting (if heart-breaking)

conclusion to the perfect one-season TV series Firefly. But you
don’t even have to have seen Firefly to appreciate Serenity as a
great science fiction movie in its own right—despite what the critics
told people when this film was released. Serenity is the story of a
group of smugglers and crooks, who fought on the wrong side of a
space war, and their discovery of a terrible secret about the people
who were on the winning side. There’s a fantastically complex
metaphor at the heart of this movie about free will, and what it
means to “be bad guys.” This film also benefits immensely from
having Chiwetel Ejiofor as its villain.
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39) Children Of Men (2006, dir. Alfonso Cuarón)
On the surface, this film is about a dystopian future in which

humans can no longer procreate, and society falls into madness.
But it quickly turns into a metaphor for immigration and xenophobia,
as the United Kingdom tries to shut out the rest of the world. No film
has depicted sheer chaos as kinetically and memorably as this one
has, especially in its epic final single-take action sequence.
Unpredictable, dazzling and well-made, Children Of Men sets the
standard for gritty science fiction action movies.
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40) The Host (2006, dir. Bong Joon-ho)
Bong has become more well known recently for directing the
post-apocalyptic thriller Snowpiercer—but this story of a mutant
creature terrorizing Korea is like a new Godzilla for the 21st century.
Instead of being unleashed by atomic bomb tests, this monster is
created by chemical spills and American imperialism, and the
political satire is pretty intense. But this is also one of the all-time
great monster movies, in which the fight against the creature is a
thing of beauty and terror.
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41) Wall-E (2008, dir. Andrew Stanton)
American cinema has pumped out post-apocalyptic stories like a

doom factory over the past decade or so. But few of them manage
to be as hopeful, or as sweet, as this story of a robot who’s left
alone on an abandoned Earth, turning all our garbage into cubes
and studying the remnants of our culture. This movie turns into a
love story, as the stranded Wall-E encounters another robot, and
that in turn becomes the story of how human beings can find
redemption through our own creations.
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42) Moon (2009, dir. Duncan Jones)
As much as it’s true that we’re drowning in a sea of derivative

garbage, as Hollywood tries to churn out as many cookie-cutter
films and sequels as possible, some really original and clever films
have sneaked through. Moon is both a throwback to old-school
film-making (mostly practical effects, a single massive set that was
built in its entirety and sealed up during filming) and a huge step
forward in terms of using special effects in a clever, inobtrusive way.
(The central trick, of having two Sam Rockwells, could not have
been done without CG effects, and the DVD gives some insight into
just how hard it was to pull off.) This movie manages to make the
theme of corporate evil and the nature of selfhood, that pops up in
so many films on this list, and make it totally fresh by throwing in a
horrifying twist, in which Rockwell’s character turns out to be
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disposable in the most literal sense.
43) District 9 (2009, dir. Neill Blomkamp).
The other great indie film of 2009, this quasi-documentary feels like
an old-school Doctor Who story about a human turning into
something unrecognizeable, wrapped around a totally savage
message film. There’s seldom been a less sympathetic protagonist
than Wikus, who’s a pusillanimous cog in a brutal machine — the
scene where he casually slaughters alien children and jokes about
the popping sound still makes me ill — but we wind up identifying
with him and his plight as he’s cast out of society anyway. That
makes a more powerful statement than if Wikus were a noble
champion of the downtrodden from the beginning. And while Wikus
finally sort of redeems himself, it’s shocking how late it comes. Plus,
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this is another great action movie that actually uses action

sequences in an inventive way. Despite its crude stereotypes of
Nigerians, this remains an important, influential film.
44) Inception (2010, dir. Christopher Nolan).
Like Eternal Sunshine, this film examines the nature of

consciousness in a clever way that still makes sense in the end.
And like Wrath Of Khan, it’s about a man who’s being swallowed up
by his past, except that in this case Dom Cobb is actually haunted
by a literal ghost, and he’s in constant danger of being pulled so
deep into a kind of netherworld that he’ll never escape. But as a
clever caper that revolves around a brilliantly inventive new
technology and keeps reinventing itself every few minutes,
Inception does what only the truly great science fiction films pull off:
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it makes science fiction a nexus of different genres, in which every

genre is enriched by its contact with the speculative.
45) Looper (2012, dir. Rian Johnson)
Here’s another great time-travel movie, in which a man is at war

with himself in a kind of echo of Twelve Monkeys. Once again,
Bruce Willis goes back in time—but in this universe, you can
actually change the future through your actions in the past. (As
proved by a horrific mutilation scene early on in the film.) Willis
wants to fix his mistakes by rewriting history, but finds out that it’s
not that simple. The transition from the citified first half to the
countrified second half is beautiful and marks a shift in our
understanding of the film’s story as a whole.
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46) Her (2013, Spike Jonze)
We dithered about whether to include this film, because it’s sort of a

flawed gem. But it’s also a hugely important film about our
relationship with technology and how our devices are changing us
and making us both smarter and more dependent. In a future where
your smartphone really is smarter than you are, what does it mean
to fall in love with your technology? And can that technology really
love us back, the way we want it to?
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47) Predestination (2014, dir. Michael Spierig and Peter Spierig)
And here’s a sort of companion piece to Looper and Twelve

Monkeys—the Spierig Brothers took Robert A. Heinlein’s classic,
definining story of time travel and transformation, and actually
managed to turn it into a powerful, satisfying movie. What makes
this film more than just the clever closed-loop time travel scenario
its title implies is the intense performance from Sarah Snook as the
“Unwed Mother.”
48) Guardians of the Galaxy (2014, dir. James Gunn)
Like Galaxy Quest, this is a space comedy that manages to be a

great space movie in its own right. The “group of misfits have to
band together to stop a cosmic threat” storyline has seldom been
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captured in such a thrilling, and heart-breaking fashion. This movie

somehow makes an assortment of weird creatures, including a
raccoon and a tree, feel more vivid and personally relevant than
most movies manage to make flesh-and-blood humans.
49) Ex Machina (2015, dir. Alex Garland)
Like Her, this is a vital film about our relationship with technology,
and it asks the key questions that we’re all struggling with in our
Twitterpated era. In this case, instead of a smartphone in love, it’s
an android who’s irresistibly beautiful and vulnerable. A man goes
to a secret A.I. lab in the middle of nowhere to meet a machine that
can think for itself—not realizing that he, not she, is the experiment.
49 of 51 08/06/2016 05:08
50) The Martian (2015, dir. Ridley Scott)
And finally, we just saw a brand new science fiction masterpiece.

Like Gravity (which we almost included on this list as well) this is a
brutal, immersive film about surviving away from Earth. But it’s also
a wonderful celebration of the ingenuity and cleverness of a man
who’s stranded alone on Mars and has to figure out how to survive
by his wits alone. The humor and desperation make this movie a
rollercoaster ride, as much as its thrilling visuals.
Additional reporting by Mary Ratliff. Thanks also to Alasdair Wilkins, Meredith

Woerner, Wes Siler, Jamie Condliffe, Jennifer Ouellette, George Dvorsky,
Andrew Liptak, Darren Orf, Germain Lussier, Matt Novak, Carlos Rebato, Kaila
Hale-Stern, Cheryl Eddy, Brent Rose, Maddie Stone, Carlos Zahumensky, Diane
Kelly, Attila Nagy and Mario Aguilar for the suggestions!
50 of 51 08/06/2016 05:08
A version of this list first appeared in 2010.
51 of 51 08/06/2016 05:08

50 Brilliant Science Fiction Movies That Everyone Should See at Least Once

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50 Brilliant Science Fiction Movies That Everyone Should See at Least Once

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50 Brilliant Science Fiction Movies That Everyone Should See At Least Once

50 Brilliant Science Fiction Movies

Methodology: We looked at a few different criteria, including overall

raise the overall level of awesomeness in science fiction films. We

1) Metropolis (1927, dir. Fritz Lang)

2) Frankenstein (1931, dir. James Whale)

This wasn’t the first movie adaptation of Mary Shelley’s classic

4) The Man in the White Suit (1951, dir. Alexander Mackendrick)

One of the classic “Ealing Comedies” starring Alec Guinness, this is

5) Godzilla (1954, dir. Ishiro Honda)

60 years later, the archetypal giant monster is still wreaking

6) Forbidden Planet (1956, dir. Fred M. Wilcox

A formative classic of space opera, this is said to be the first movie

also manages to do something unique, with a monster that comes

7) Doctor Strangelove (1964, dir. Stanley Kubrick)

There were a number of great apocalyptic movies during the height

8) Planet Of The Apes (1968, dir. Franklin J. Schaffner)

And here’s a very different version of humanity’s encounter with the

best. (And we almost included the recent prequel, Rise of the

9) 2001: A Space Odyssey (1968, dir. Stanley Kubrick)

A total departure from everything that came before, this film

10) Solaris (1972, dir. Andrei Tarkovsky)

The decade following 2001 saw a handful of slow, meditative

11) Close Encounters of the Third Kind (1977, dir. Steven

12) Alien (1979, dir. Ridley Scott)

Based on the novel by Ursula K. Le Guin, this made-for-TV movie

watching again, especially if you’ve only seen the crappy dubbed

resonate on a hundred different levels. James Kirk is the ultimate

17) Blade Runner (1982, dir. Ridley Scott)

Blade Runner is still just as visually unique now as it was when it

18) E.T. (1982, dir. Steven Spielberg)

19) Tron (1982, dir. Steven Lisberger)

Lawnmower Man to see how much more exciting and believable

20) Back To The Future (1985, dir. Robert Zemeckis)

21) Brazil (1985, dir. Terry Gilliam)

cinemas. A subversive masterpiece, this film changed what a lot of

22) Enemy Mine (1985, dir. Wolfgang Petersen)

We love tortured movies about encountering the other—and they

23) RoboCop (1987, dir. Paul Verhoeven)

Another totally subversive science fiction movie from the 1980s,

24) Predator (1987, dir. John McTiernan)

25) They Live (1988, dir. John Carpenter)

We almost included Carpenter’s remake of The Thing on this list as

26) Akira (1988, dir. Katsuhiro Otomo)

27) Terminator 2: Judgment Day (1991, dir. James Cameron)

Speaking of dark action movies that confront us with questions

brilliant action movie, in which every action sequence is inventive

28) Jurassic Park (1993, dir. Steven Spielberg)

And here’s another Spielberg movie! This one’s about humans

29) Ghost In The Shell (1995, dir. Mamoru Oshii)

30) Twelve Monkeys (1995, dir. Terry Gilliam)

Gilliam is one of the few directors to be represented on this list

31) Gattaca (1997, dir. Andrew Niccol)

Niccol has sort of made a career out of filming wonderfully heavy-

32) The Fifth Element (1997, dir. Luc Besson)

In a strange, dirty, glamorous future, the young Leeloo (Milla

33) The Matrix (1999, dir. the Wachowskis)

Forget the colossal letdown of the sequels — viewed as a

34) Galaxy Quest (1999, dir. Dean Parisot)

35) Primer (2004, dir. Shane Carruth)

Primer is famous as a film that you need to watch a few times

36) The Incredibles (2004, dir. Brad Bird)

37) Eternal Sunshine Of The Spotless Mind (2004, dir. Michel

38) Serenity (2006, dir. Joss Whedon)