Mariage

D'amour
Music by Paul de SENNEVILLE and Olivier TOUSSAINT

 

  
A

            
Cm


Moderato ( = 70)


    
Gm ( = )

       
   
 sempre legato

             
 

1 2 1 2
1 2 1 2 1 3 1 4 5 2
1 2 1 2
5 2 5 2

 

 

                        
D7 
B♭


   
( = ) F7 ( = )


        
        

1
1 3 1 2
1 2 5
5 2



                               
Cm7


F7


B Gm

       
B♭

        
     
 


      
1 2 1 2
  1
  
4 1 1
2 1 2 2 5 2
1 1 5 5
5 2 5 2
  


                          
Cm7 F
Gm B♭

 

 
  

        
      
    

        
  

-1-
       
Gm Gm

              
F

      
Cm (b5)

 
B♭7 D Am7

  
     


             
           
4 1 4 3
1 1
   4
   5
 

           B♭                Gm
     
Cm Cm7


F F


Gm Gm

  

         
       


           
 
     
 

Gm

              To Coda      

Cm7 F B♭ Gm Cm7 F Gm

   
 


                                         


          
    


            
     
 

                               
Cm7


F7


C Gm

       
B♭

        
     



    
   1 2 1 2
  2 1
  
4 1 1
1 2 1 2 1 5 2 5
2 2 5
5 5  


-2-
                  
Cm7 F

     
Gm B♭


  
  


       

       
         
    
  


           B♭                Gm
     
Cm Cm7


F F


Gm Gm

  

         
       


           
 
     
 


Gm

                              
Cm7 F B♭ Gm Cm7 F Gm




                                         


          
    


           
      D.S. al Coda
 

Gm

                    
Cm7 F Gm

                  
Cm7 F
D 

             
B♭

        

        
     


      


     
     
 
-3-
                Gm             
Cm7 F B♭
Cm7


F

                      
Gm 

         

       

     
            
 
     
 


Gm Cm7 F Gm

                 



                    

   
  
       
rit. -------------------------------------------------


  

Transcribed by Łukasz Jachimczak, last modification; 15 November 2017

-4-