Professional Documents
Culture Documents
Contents
1 The dance
2 Tradition
3 See also
4 References
5 Sources
6 External links
The dance
Tradition
The name Tsamiko literally means from Chameria or dance of the Chams.[1][2] Swiss musicologist
Samuel Baud-Bovy noted that the Greek Tsamiko was not danced among Cham Albanians.[3] It's
alternative name Kleftikos literally means dance of the Klephts, because it was associated with
the klephts who fought during the Greek War of Independence (1821-1830).[4] Tsamiko is
danced almost exclusively by men. Today Tsamiko is a popular dance in festivals and weddings,
especially in the rural areas of Central Greece, Peloponnese, Thessaly as well as Epirus, where a
slower version is performed.[5] Sometimes the dancers dress in the traditional Greek fustanella.
This dance is usually performed to celebrate national events like in the anniversary of the
declaration of the start of Greek War of Independence in 1821.
The Tsamiko of Central Greece (Roumeli) is regarded as the standard version of this dancing genre
and is popular throughout Greece.[6] In Central Greece Tsamiko is the most popular folk dance.
[7] The version of the Tsamiko danced in Central Greece (Roumeli) is accompanied by vocal and
instrumental melodic lines and also the Peloponnese where it is known by the names Klephtikos
horos (dance of the Klephts), Pidhiktos (leaping dance) or as the Arvanitikos horos (Arvanitic
dance) and all terms are synonymous with Tsamiko.[8] In Peloponnese Tsamiko is one of the most
popular folk genres together with Syrtos.[7]
In Epirus Tsamiko is especially popular in the regions of Ioannina and Thesprotia.[9] In general the
Tsamiko of Epirus retains a slower tempo compared to the Tsamiko of Central Greece.[10] The
Epirote dances Kleftes and Perdikomata have been sometimes regarded as variants of Tsamiko,
[11] although this isn't universally accepted since they have been also classified as distinct
genres.[12] A general classification of the dancing genres in Zagori region of Epirus can classify
Osmanatakas and Berati as variations of Tsamiko too.[13]
Although one of the main dancing genres in Epirus, Tsamiko is not the most popular folk genre in
local discography.[14]
The definition of "true" Tsamiko is obscure due to the many regional, choreographic, musical
variations, versions and names of the dance.[8]