Professional Documents
Culture Documents
Key information
Instructor: Damian Radcliffe, Carolyn S. Chambers Professor in Journalism
Office: 201 Allen Hall
Office hours: 1pm-2pm Monday, 2pm-3pm on Thursday. Other times by appointment.
Email: damianr@uoregon.edu
Telephone: 541-346-7643 (voicemail). SMS/Text 541-972-5531 from 9am-9pm.
You can also email or DM me on Twitter @damianradcliffe
Class Time: 18.00 – 20.50, Monday 137 Allen Hall
CRN: 16975
Course Background
This class will look at the rapidly changing media landscape, with an emphasis on mass communication
platforms and mediums, examining how the transformations unleashed by the digital age are impacting
traditional media business models and mainstream media behaviors.
We will explore market trends (including market and consumer data from the United States and
elsewhere), as well as how media companies and policy makers are responding to changes in business
and advertising/funding models, alongside changes in content consumption and creation.
In doing this, students will be exposed to some of the recurring issues and themes which will underpin
their wider graduate study in journalism and communication.
You can find out more about this in the detailed class schedule outlined on the following pages.
Course objectives
• To deepen your awareness of important media issues and the intellectual traditions behind
them.
• To heighten your understanding of the role of media in democratic societies, and their influence
on public opinion, policy and belief.
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Learning outcomes
Whatever your specialism (Journalism, Advertising, Media Studies etc.) this class will equip you with a
richer understanding of the wider contemporary media and business world, and what this means in
terms of changes to mass communication and its impact on society.
In class and our assigned reading, we will deliberately go wide – and shallow – on a lot of different
topics, exposing you to a wide range of ideas and developments which you can explore in more detail
in a) your group project and b) further studies at UO. You will have lots of opportunities, through your
own reading, to go deeper on the topics and subject areas which you know already interest you.
Through this approach, by the end of term, students will be able to:
1. Understand and describe some of the major strategic challenges being faced by news and
other media outlets, particularly related to: business and revenue models, audience behaviours,
as well as distribution and content innovation.
2. Demonstrate examples of your own written research and analysis in this space.
4. Have a working knowledge of current industry, research and policy “hot” topics – as they are
developing in the United States and in other societies and markets around the world - which
can inform your future research and class work.
Learning Methods
These will include:
Assignments to be completed outside of class will include: reading, preparation of in-class presentation
materials and papers, keeping a journal to track your learning and analysis from the class, as well as an
end of term assignment; reflecting on a major mass communication and society issue of interest to you.
Some of this work will run concurrent with other tasks, so you will need to manage your time accordingly
to balance competing workloads from this class and others.
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Graduate Courses
Graduate students are expected to perform work of higher quality and quantity than undergraduates,
typically with forty hours of student engagement for each student credit hour. Therefore, a 4-credit
graduate course would typically engage students c. 160 hours.
For graduate students, with 30 hours of class time (10 weeks at 3 hours per week), readings and
assignments account for another c.100 hours of your time this term.
1. Students will work in groups of four to undertake a project exploring an emerging issue/topic in
this space. They will share the findings from their research and analysis with the whole class.
Where possible, you will work in groups based on shared interests and academic programs.
2. You will each present conclusions from your industry and wider academic reading to the group
(twice in the term).
3. Students will support each other by sharing their written reflections with one another, each
week, based on our class discussions and reading.
Each student will work with a partner, once in the term, to lead our discussion on the previous
weeks reading and in-class lecture.
Hour One Reflections on reading homework (this week) and discussion in class (last week)
- In Weeks 2-9 inclusive, this will be led by two students from the class
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Weekly task schedule
Task Deadline Who Frequency
Weekly journal: reflections 5.59PM, Sunday Everyone. Once a week (Weeks 2-9)
from class and reading.
Individual entry for “What You 11.59PM, Sunday Groups of 4 Twice during term, ahead of
Need To Know” Google Doc. presentation and discussion
(1 x Weeks 2-5 + in class the next day.
1 x Weeks 6-9)
Attendance
Attendance of classes, and completion of assignments - on time - is essential. Miss the first and/or
second class of the term, and you will be asked to withdraw.
Non-attendance and/or failure to complete work on time, will result in an F for that task.
Please notify me, in writing and with as much prior notice as possible, if you must miss a class or if work
will be delivered late.
If you miss a class and you haven’t notified me beforehand, then I expect you to get in contact with me
ASAP to explain your absence and to agree the best way to catch-up on what you missed.
You should treat attendance in class like you would a job – you wouldn’t miss a shift in the newsroom,
or a day in the office, without telling your supervisor. Please treat this class – and your classmates –
with the same level of respect.
This means:
• If you are sick, let me know as early as possible. Not after class. Or an hour before.
• No, you don’t get class off if it’s your birthday. Or your roommates birthday etc.
Office Hours
My office hours each week are 1pm-2pm Monday, 2pm-3pm on Thursday. We can always meet at other
times by appointment.
Do use those times to drop by to talk to me about assignments, ideas for improving the class, feedback
on the things you like, or anything else you want to discuss.
The class may well challenge some of your assumptions and ideas about what you want to study, and
how this shapes your future career plans, so by all means come and talk these through with me.
Outside of my regular office hours, I’m happy to schedule additional meetings with students.
Email me, or pop by my office, so that we can arrange a time to chat.
Participation
Our classroom is an active learning space. It is an arena for the exchange of ideas and knowledge.
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This means that you need to be comfortable pitching ideas, sharing your growing expertise, receiving –
and giving – feedback, and treating everyone in the room with due respect.
Active participation is vital and expected. It is worth 15% (25% with attendance) of your grade.
More details on these elements can be seen in the assignments section of this syllabus.
Assignments
You’ll be given a brief for each assignment with clear directions of what’s expected and by when. Please
see the assignments section on Canvas for this.
Personal Blog: Each week (Weeks 1-9) you will write a reflection on what you have learned that week.
Your journal is a key way to keep track of your learning this term, therefore it is worth
45% of your grade for the term. Each entry is worth 5% of your grade.
They will be graded as Complete/Incomplete – meaning all students get full marks if an
entry is submitted.
However, if entries are substandard (i.e. if you’re not really bothering), I will talk to you
about this and reserve the right to mark you down.
Note that entries will also be shared with other students, as a way to share your
perspectives and inspire one another. This is another reason to make them good!
▪ Looking Back: Your takeaways from our conversations in class that week.
▪ Looking Ahead: Thoughts on our assigned reading.
▪ Latest News/Research: Lessons from your own reading that week (with links).
To do this, you will need to set up a blog on WordPress, Tumblr, Medium or another
publishing platform of your choosing. If you’ve never done this before, here’s some tips:
https://www.wikihow.com/Use-WordPress
https://www.wikihow.com/Create-a-Tumblr-Account
https://blog.hubspot.com/marketing/how-to-use-medium
https://www.techradar.com/news/the-best-free-blogging-sites
https://makeawebsitehub.com/choose-right-blogging-platform/
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You will submit the URL for each entry twice:
Pro Tips:
• Make your online journal engaging to look at. Use images, sub-headings and other
visual cues to break up the text and make it interesting to read/look at. How many
websites do you read that are just plain text? Exactly.
• Always hyperlink to the research, developments and articles you are sharing. In the
digital age, hyperlinking should be standard. If you’ve shared – or summarized –
something interesting, make it easy for the reader to go to the original source. The best
way to do that, is by linking to it.
• Make sure your blog has a title. Even if it’s just your name and this class.
End reflection: At the end of term, you will publish an extended reflection (1,200-1,500 words)
expanding on a topic, theme or idea that we discussed during term.
This may be an idea you’ve not previously written about, or one that you have – but
which you add to, showing how your thinking and reading has helped your thinking to
evolve further. You will also publish this to your blog.
Your reflection can focus solely on your own opinions and insights.
You are welcome - and encouraged - to include a new interview/s (with subject matter
experts) as part of this submission; as this may make it richer.
Where possible, I’ll try and get your best pieces from this class published, too.
Group Project
Forecasting: A key focus of this class is looking back at where we have come from, and what is
happening now. The group project aims to build on this by:
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2) Breaking out of our North America bubble to look at issues in other markets and/or
to look at the potential global impact of emerging media and technologies.
• Write a 10-15 page briefing document on the topic you have agreed with the
class. This will capture, what’s happening now, what might happen in the short-
medium term and the potential long-term (10+ years out) impact.
You will be assigned your groups in Week 4. Where possible, you will work in groups
based on shared interests and academic programs.
In Week 5, each group will pitch two topics that you want to explore.
As a class we will select one, and together we will workshop your approach and the
questions you will address.
This is worth 10% of your grade for the class. Each student in the group will be
assigned the same grade.
(However, you will be asked to assess the contribution of each group member – only I
will see this assessment – and if this highlights that a member, or members of the team,
have not been pulling their weight, you can expect to be marked down.)
“Info-Share” A key feature of the class will be our regular “Info-share” sessions, where students will
share a key story/developments with the group that they have come across through
their own reading.
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You will each present, and lead a short discussion on your reading, twice in the term.
Each student will select – and share with me – the names of two different industry
sources which they will commit to reading throughout the term.
Through this exercise you will be responsible for helping your peers to improve their
knowledge of the latest industry developments. It is also important to get into the habit
of reading and keeping across these types of sources.
I recommend selecting one source which is in your existing wheelhouse and another
which is outside of your comfort / knowledge zone, so that it introduces you to
something new.
You’re welcome to add additional sources to this list, such as specific academic journals
or other websites that you wish to study/monitor instead. Just agree them with me first!
In the last hour of class each week (Weeks 2-9) four of you will share something
interesting you’ve read/learned in the past week. This will be in the form of a
roundtable discussion, and you’re welcome to pull up slides/videos, and other content
to help illustrate the learning you wish to share.
To aid the discussion – and to keep a record of what we have discussed/learned – prior
to class, each student presenting that week will write a paragraph in a shared Google
Doc – with links to the development you are going to discuss.
You need to complete your entry by 11.59PM the night before class.
Note: I’m a stickler for formatting. I’ll create default sizes for headlines, body text, links
etc. Please stick to this so that the document is uniform.
Blog/Journal You won’t just share findings from your industry / research reading twice a term when
it’s your turn to be part of the “What you need to know this week / Info-Share” session.
Each week you’ll also include two takeaways from your own reading as part of your
journal reflections.
When/when I can, I’ll also be tweeting out your recommended reading during the week,
so make the suggestions + takeaways good!
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Grading Tasks/Weighting (subject to revision/changes)
Writing, 1. Personal blog reflections (Weekly x9, submitted Weeks 2- 45% 450
Analysis and 10, based on what you learned in Weeks 1-9. )
Critical
Thinking (Worth 5% each, score 0 for any missing entries)
As you can see from the above, a key focus of this class is based on your analysis of the assigned
reading, and your active participation in discussions related to this.
Overall Grades
This course is graded for all students. The following chart applies to graded assignments and the final
grade. Note that grades will be posted to Canvas.
A A- B+ B B- C+ C C- D+ D D- F
≥93% 90 87 83 80 77 73 70 67 63 60 59-0
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How Grades For Written Work + Class Presentations Will Be Determined
Category A B C D F
Clear and Clear and concise Basically clear Thorough Writing style is Unintelligible.
concise writing. and concise. editing inappropriate
writing. Appropriate needed to for a news
writing style (i.e., meet story.
Appropriate short paragraphs, standards.
writing and/or descriptive detail,
analytical active verbs, no
style. first-person).
Factually Mechanically 1-2 minor 1 major error 2 major errors Fatal flaws:
accurate. sound, no errors. errors. Style such as a and multiple Factual errors,
Correct inconsistent. fragment, minor issues. misspelling of
grammar, run-on, proper names,
spelling and comma splice, multiple
punctuation. or more than grammar,
two minor spelling errors.
errors.
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Course Schedule and Assignments
This schedule is draft and is subject to amendment. Please keep an eye on Canvas for the latest version.
Note, this is a fast moving space. New policy developments, industry announcements and initiatives, as
well as research, emerging every week.
Because of this, readings will be confirmed in each class for the week ahead. The reading homework
identified here should be seen as indicative only. It will be added to – and refined – as required.
Reading contains a mixture of sources including: articles from the popular and trade press, more
industry focused – yet rigorous - research (e.g. from Pew, Reuters Institute, The Conversation etc.)
We also have one book – I will provide copies – to be read through the term. It’s very accessible and
topical, bringing together many of the themes from this course. Technically Wrong: Sexist Apps, Biased
Algorithms, and Other Threats of Toxic Tech (2017), is written by SOJC alum Sara Wachter-Boettcher.
To accommodate different learning styles, where possible, most weeks, I’ve also tried to include one
video/podcast too.
Homework:
In the next week, pick a typical 4-6 hour period (one where you are not sleeping)
and keep a record – you’ll need a notebook – of what media you consume and
when. This includes every time you check your social feeds, notifications etc.
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Observe from this, how much time you spend on your phone, Facebook,
Instagram, Twitter, etc.? How does this compare with “old media” i.e. reading
books, magazines, newspapers? What about watching TV shows, Netflix?
Listening to the radio, or Spotify? Did you watch a movie at the cinema or
streamed? Where did you consume this content? Do your best to log all of it.
Now, for the next 4-6 hours, do your best to avoid accessing any media. That
means no social media, television, books, or music. Turn your notification off.
Note: You may need to tell parents, partners etc. you’re doing this, in case they
try to reach you and wonder why you are not responding. And obviously do
respond to emergencies!
NB: To help with this assignment, you can also try some of these phone usage
tracker apps, but I personally find them a bit hit and miss:
https://blogs.systweak.com/2017/11/best-phone-usage-tracker-apps-2017/
Reading (NB: most of these pieces, except the Predictions report are quite short)
• Watch it while it lasts: our golden age of television, by Ian Leslie, Financial
Times Magazine (August 2017)
• Are the New ‘Golden Age’ TV Shows the New Novels?, by Adam
Kirsch and Mohsin Hamid, New York Times (February 2014)
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• What constitutes the Golden Age of Television, and is this it?, by Jeff Ford
(Fox Networks), MIP blog (October 2017)
• ‘Mad Men’ at 10: The Last Great Drama of TV’s Golden Age, by Sonia Sraiya,
Variety online (July 2017)
Homework:
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Individual entry/paragraph for “What You Need To Know” discussion.
Deadline: 11.59PM, Sun Who: 4 students each week.
Reading
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• How Duterte Used Facebook To Fuel the Philippine Drug War, by Davey
Alba, BuzzFeed News (September 2018)
Watch/Listen
• Social Media use in the Arabian Gulf, SOJC Demystifying Media series,
with Sarah Vieweg, User Experience Researcher at Facebook (5 min
video + short written Q&A, podcast 18:35 mins, 2017.)
- How old media companies have adapted (or not); strategies, economics
+ content.
Homework:
Reading
• 'Forever old? Why TV news is losing younger viewers, and what can be done
about it', by Ben Tobias, Reuters Institute for the Study of Journalism
(September 2018)
• Overview and Key Findings of the 2018 Report, Reuters Institute for the
Study of Journalism, Oxford University, by Nic Newman (lead author, Digital
News Report 2018.) Read my Tl;DR take for What’s New in Publishing.
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• The problem with real news — and what we can do about it, by Rob
Wijnverg, Founder of The Correspondent, Medium (September 2018)
• The Outline and the curse of media venture capital, by Matthew Ingram,
Columbia Journalism Review (September 2018)
• Vice Media was built on a bluff. What happens when it gets called?, by
Reeves Wiedman, NY Mag, June 2018 (See also: The cult of Vice by Chris Ip
for CJR in July/August 2015)
• Listen: Pick a podcast from the Media Voices archive, to hear how an
old/new media company is addressing digital disruption, or a discussion
of wider issues such as advertising, diversity or another topic that
interests you. Includes US, UK, European and international companies.
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Assignment of groups for group project + distribution of rubric
Homework:
Reading
• Advertising is obsolete – here’s why it’s time to end it, by Ramsi Woodcock,
University of Kentucky, The Conversation (August 2018)
• Project Feels: How USA Today, ESPN and The New York Times are targeting
ads to mood, by Lucia Moses, Digiday (September 2018)
• Old media giants turn to VC for their next act, by Eric Peckham, TechCrunch
(September 2018)
• Lessons From The Early Pitch Decks Of Airbnb, BuzzFeed, And YouTube, by
Lydia Dishman, Fast Company (November 2015) NB: try and read the
original post, not just the PDF, as this includes links/embeds to the decks.
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• Watch: Pick 3 x video case studies featuring different publishers and media
organizations from around the world in this series from Reuters.
Each video is only a few minutes long, most of them focus on revenue, but
there’s also videos on experiments with audio, developing talent and more.
Homework:
Reading
This week, apart from the above, select your own reading and research based on
your agreed Group Project.
• Societal Impact
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“What You Need To Know” (group “Info-Share” x 4 students)
Homework:
Reading
• When local papers close, costs rise for local governments, by Dermot
Murphy, Columbia Journalism Review (June 2018)
• How search engines are failing suicidal users, by Lucas Chae, Fast
Company (September 2018)
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miserable?, by Alex Hern, the Guardian (September 2018)
• Many Facebook users don’t understand how the site’s news feed
works, by Aaron Smith, Pew Research Center (September 2018)
Watch: How NGOs blur the line between PR, Journalism and Advocacy,
SOJC Demystifying Media series, with Dr. Matthew Powers, Assistant
Professor in the Department of Communication, University of
Washington (November 2016). Running time: 55 mins.
Emerging Issues
- Emerging Markets - lessons from China, South Korea, Japan and Africa.
- Media Literacy
Reading
• Here’s what Americans say it will take to rebuild their trust in the media, by
Chrstine Schmidt. Nieman Lab (September 2018)
• Why don’t people trust the news and social media? A new report lets them
explain in their own words, by Ricardo Bilton, Nieman Lab (November 2017)
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• Threats to Journalists in India: Journalism in the Age of Intolerance and
Rising Nationalism, by Furquan Siddiqui, Reuters Institute for the Study of
Journalism (2017)
• On the frontline of India's WhatsApp fake news war, by Soutik Biswas, BBC
(August 2018)
• Alex Jones Said Bans Would Strengthen Him. He Was Wrong, by Jack Nicas,
New York Times (September 2018)
• A Short Guide to the History of ‘Fake News’ and Disinformation: A New ICFJ
Learning Module, (PDF) by: Julie Posetti and Alice Matthews for ICJF /
International Center for Journalists (July 2018)
• Listen: How Journalists Can Rebuild Trust, SOJC Demystifying Media series,
with Joy Mayer, Trusting News Project (June 2018) Running time 25 mins.
• Listen: Stories by, through, and about algorithms, SOJC Demystifying Media
series, with James T Hamilton, Stanford University and SOJC’s Seth Lewis,
(January 2018) Running time 22 mins.
Homework:
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Reading
• How artificial intelligence can detect – and create – fake news, The
Conversation, by Anjana Susarla, Michigan State University (May 2018)
• From search to smart speakers: Why voice is too big for media companies to
ignore, by Damian Radcliffe, Digital Content Next (June 2018)
Homework:
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- Group 4: Topic TBD.
Reading
• Stop Being Loudspeakers for Liars, by Dan Gillmor, Medium (June 2018)
• It’s Time for the Press to Stop Complaining—And to Start Fighting Back, by
Chuck Todd, The Atlantic, September 2018
• Presentation: Ten Year Futures (slides + video, runs for 24 mins), from
Benedict Evans (December 2017)
Homework:
What’s next? Looking ahead and reflecting on lessons from the term
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- What’s already here: bots, drones, voice, augmented and virtual reality.
- The revolutionary stuff: machine learning, robots, big data and the
future of work.
- The next 5-10 years. What can we expect? And what does this mean?
Reading
• 2019 Journalism, Media and Tech Trends Report, Future Today Institute,
(September 2018) Read the summary; skim per your interests.
+ Select your own reading and research based on your end of term reflection.
Homework:
Course policies
Attendance
As outlined above, in line with UO and SOJC policy, this is mandatory for this class. I don’t expect to have
to chase you up about any absences. Be proactive. Treat me, and this class, as you would do a job.
You are expected to be in class, be on time, and stay through the end of class.
Attendance will be taken promptly at the beginning of each class session.
We’re meeting from 6-9pm, which is dinner time for many of you. So, you’re welcome to bring food to
class, just be respectful of other when eating!
Because there are so few class periods, any unexcused absence will result in a one-letter-grade
deduction (per such absence) from your overall course grade.
If you have an emergency or a University-approved reason for missing class, please notify the professor
in advance and provide documentation; otherwise, absences are assumed to be unexcused.
Accessibility
The University of Oregon seeks to create inclusive learning environments. If aspects of this course result
in barriers to your participation, please notify me as soon as possible. You are also welcome to contact
Disability Services in 164 Oregon Hall at 346- 1155 or disabsrv@uoregon.edu.
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Basic needs
Any student who has difficulty affording groceries or accessing sufficient food to eat every day, or who
lacks a safe and stable place to live, and believes this may affect their performance in the course, is
urged to contact the Dean of Students Office (346-3216, 164 Oregon Hall) for support. Furthermore, if
you are comfortable doing so, please let me know about your situation so I can help point you in the
right direction for assistance.
Crisis Center
The University of Oregon Counseling Center provides students with confidential telephone crisis
intervention 24/7. The number is 541-346-3227.
Diversity
Open inquiry, freedom of expression, and respect for differences are fundamental to a comprehensive
and dynamic education. SOJC is committed to upholding these ideals by encouraging the exploration,
engagement, and expression of divergent perspectives and diverse identities.
Discrimination of any kind, disrespect for others, and inequity in educational opportunity are not
acceptable. Students, faculty, and staff are expected at all times to maintain the School of Journalism
and Communication’s high standards of ethical and compassionate conduct.
Academic integrity
The U of O policy on academic dishonesty will be observed throughout this course.
For the two extended papers, your group project, and end of term reflection, papers should also be
uploaded so that they can be reviewed and graded through the “Track Changes” function in Microsoft
Word. (I’ll download these, add comments and then repost to Canvas.)
With a few exceptions (see below), electronic devices, including laptops, cell phones, and tablets, are
not permitted. This may seem harsh, but it’s for the good of the learning environment.
Numerous studies have found that technology’s benefits are often outweighed by the distractions they
create (for you and people around you).
Similarly, multiple studies have also shown the value of making written notes. I encourage you to keep a
written notebook for this class.
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Exceptions to this ICT policy include in-class activities that require devices to look things up—which may
happen occasionally – and the group presentations. But you should feel no obligation to bring a device
to class for that reason; you’ll always be OK without one. (You can email group presentations to me, for
example, in advance, and you can run them from my laptop.)
If you have any questions or concerns about this policy, please let me know.
Questions
If you want to know more about anything mentioned here, or anything which you think is missing, then
please do not hesitate to email me! damianr@uoregon.edu (or pop by Allen Hall 201) at any time.
According to the Accrediting Council on Education in Journalism and Mass Communication (AEJMC), all
graduates, irrespective of their particular specialization, should be able to:
1. Understand and apply the principles and laws of freedom of speech and press, for the country in
which the institution that invites ACEJMC is located, as well as receive instruction in and
understand the range of systems of freedom of expression around the world, including the right
to dissent, to monitor and criticize power, and to assemble and petition for redress of
grievances;
4. Demonstrate an understanding of the diversity of peoples and cultures and of the significance
and impact of mass communications in a global society;
5. Understand concepts and apply theories in the use and presentation of images and information;
9. Write correctly and clearly in forms and styles appropriate for the communications professions,
audiences and purposes they serve;
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10. Critically evaluate their own work and that of others for accuracy and fairness, clarity,
appropriate style and grammatical correctness;
Damian Radcliffe is the Carolyn S. Chambers Professor in Journalism at the University of Oregon, a fellow
of the Tow Center for Digital Journalism at Columbia University, an honorary research fellow at Cardiff
University’s School of Journalism, Media and Culture Studies, and a fellow of the Royal Society for the
Encouragement of Arts, Manufactures and Commerce (RSA).
He is an experienced digital analyst, consultant, journalist, and researcher who has worked in editorial,
research, teaching, and policy positions for the past two decades in the UK, Middle East, and USA.
Damian writes a monthly column for CBS Interactive (ZDNet), and What’s New in Publishing, and is a
semi-regular contributor to the BBC Academy and Huffington Post. He previously wrote regular columns
for Digital Content Next, MediaShift, and TheMediaBriefing (the last two are publications which have
now closed) and IJNet. His journalistic writing and analysis focuses on digital trends, social media,
technology, the business of media, and the evolution of journalism.
His experience encompasses roles at The Local Radio Company, BBC, the NGO Volunteering Matters,
Ofcom (the UK communications regulator), and Qatar’s Ministry of Information and Communications
Technology (ictQATAR). He has worked across all media sectors (commercial, public, government,
regulatory, academic, and nonprofit/civil society) and platforms, from print and digital to TV and
radio broadcasting.
Radcliffe has written, spoken to, or provided consulting services for a wide range of industry and
academic organizations, including:
Abramis Academic Publishing, ASDA’A Burson-Marsteller, BBC Academy, BBC Media Action, BBC
Monitoring, BBC World Service, Carnegie UK Trust, Cass Business School, Centre for Research on
Communities and Culture, City University London, Cognizant, Columbia Journalism Review (CJR), The
Conversation, Digital Content Next, Eyewitness Media Hub, FJUM (forum journalism and media,
Vienna), The Guardian, The Huffington Post, IBC Content Everywhere, IJNET,
journalism.co.uk, JustHere, Media Development Investment Fund, MediaShift, Middle East Broadcast
Network, NESTA, Nieman Lab, Northwestern University in Qatar, nuviun, Online Journalism Blog,
Qatar Today, Street Fight, TEDx Reset (Turkey), TheMediaBriefing, The Reuters Institute for the Study
of Journalism at Oxford University, Routledge, What’s New in Publishing and Your Middle East.
He has chaired sessions, provided training and spoken, at events around the world including: in the USA
(New York, Portland, Philadelphia, Colorado Springs, Chicago and Washington D.C.), the UK (London,
Edinburgh, Oxford, Cardiff, Belfast, Bristol), Europe (Paris, Strasbourg, Vienna, Barcelona, Istanbul,
Amsterdam, multiple cities in Germany) and the Middle East (Doha and Dubai).
Find out more about him on his website. Follow him on Twitter @damianradcliffe
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