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Although science fiction (sf) had been published before the 1920s, it did not begin

to coalesce into a separately marketed genre until the appearance in 1926 of


Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the
1930s the field was booming.[1] One of Gernsback's employees, Louis Silberkleit,
became a publisher in his own right in 1934 when he founded the Winford Publishing
Company.[2] Towards the end of the 1930s Silberkleit decided to launch an sf pulp
magazine under his Blue Ribbon Magazines imprint; the title he chose was Science
Fiction.[3] Gernsback recommended Charles Hornig to Silberkleit for the post of
editor; Hornig had previously edited Wonder Stories for Gernsback from 1933 to
1936. Silberkleit took the recommendation and Hornig was hired in October 1938.[4]
[5][6] Hornig had no office; he worked from home, coming into the office as needed
to drop off manuscripts and dummy materials, and pick up typeset materials to
proof.[6] He was given broad freedom to select what he wanted to publish; he
reported to Silberkleit's chief editor, Abner J. Sundell, but Sundell knew little
about sf and did not get involved with running the magazine.[6][7] The first issue
was dated March 1939. The schedule was intended to be bimonthly, but it began to
slip immediately, with the second issue dated June 1939.[3]

Future Fiction
and
Future Fiction combined with Science Fiction
Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
1939 1/1
1940 1/2 1/3 1/4
1941 1/5 1/6 2/1 2/2
1942 2/3 2/4 2/5 2/6 3/1 3/1
1943 3/3 3/4 3/5
Issues of Future Fiction from 1939 to 1943, showing volume/issue number,
and indicating editors: Hornig (blue, 1939 � November 1940), and Lowndes
(yellow, April 1941 � July 1943). Note that the last two issues were actually
titled Science Fiction Stories.
In order to spread his costs over more magazines, Silberkleit soon decided to
launch two additional titles.[8] When he had worked for Gernsback, Silberkleit had
suggested "Future Fiction" as a possible title for the magazine Gernsback was
planning to launch. Gernsback eventually chose "Amazing Stories" instead, and
Silberkleit now decided to use his original suggestion for one of the new
magazines.[9] In November 1939 the first issue of Future Fiction appeared; it was
followed in July 1940 by Science Fiction Quarterly. Hornig was editor for all three
magazines. In October 1940, Hornig received his military draft notice; he was a
pacifist, and decided to move to California and register as a conscientious
objector. He continued to edit the magazines from the west coast, but Silberkleit
was unhappy with the arrangement. Silberkleit allowed Hornig to retain his post as
editor of Science Fiction, and offered the editorship of the other two titles to
Sam Moskowitz.[2][3][8] Moskowitz declined, saying afterwards "I would never strike
at a man's job",[10][notes 1] but Donald Wollheim heard of the offer and prompted
Robert W. Lowndes to write to Silberkleit. Lowndes later recalled Wollheim's idea:
"In the letter, I'd suggest that it might be a good idea to add a science fiction
title to the list, offering my services as editor at a slightly lower price than
Hornig was being paid, and also find fault with all the other sf titles presently
out, but particularly with Hornig's".[8][11] Lowndes relates that Silberkleit took
the bait and hired him in November 1940; Hornig recalls the separation as being by
mutual consent because of his move to California. Lowndes subsequently agreed that
this was likely to be the real reason Silberkleit replaced Hornig.[12][13] The
first issues Lowndes was responsible for were the Spring 1941 issue of Science
Fiction Quarterly and the April 1941 issue of Future Fiction.[3][14] He completed
the preparations for the last issue of Science Fiction, dated September 1941, but
he used material that Hornig had already selected for the article, with minor
exceptions. The changes included the replacement of Fantasy Times, a fan department
by James Taurasi, with Futurian Times, a similar department from a rival group of
fans, the Futurians, to which Lowndes belonged.[15][notes 2] Initially Silberkleit
kept tighter control on Lowndes' editorial selections than he had on Hornig's,
vetoing five of the seven stories Lowndes proposed for the April 1941 Future, but
by the August 1941 issue, Lowndes later recalled, Silberkleit "was satisfied that I
knew what I was doing, and ... didn't need to oversee any story I had accepted".
[16]

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