Professional Documents
Culture Documents
Index,
OBJECTS: regarding these questions. I was furthermore
interested in determining the most suitable meth-
Nos. 115-120 INTERACTIVES IN ods for measuring such clues and thus provide
evaluators at other natural history museums with
Page 18 OBJECT-BASED a helpful framework.
Plastics
NATURAL HISTORY As a part of the University of Helsinki, LUOMUS
A PUBLICATION OF INFORMAL LEARNING EXPERIENCES, INC. COPYRIGHT 2013 INFORMAL LEARNING EXPERIENCES, INC.
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Hip-Hop,” continued from front cover more than ten thousand people. I have versity (now retired). Instead of assigning
also toured it to Australia, Hong Kong, her students to simply give a presentation
development, and has helped to re- Europe, and around the UK, including on Sir Gawaine and the Green Knight or
frame our understanding of the disease many shows for high school and college Beowulf or Edmund Spenser’s epic poem
through a Darwinian lens. Cancer cells students, some in the American South. The Faerie Queene, Sheila would have
“cheat” the rules imposed by the body us adapt the stories into a modern con-
and instead compete and reproduce text and perform them as a piece of
relentlessly, returning to the behavior drama. Acted out by my fellow students
pattern of their (and our) single-celled and me, Spenser’s Redcrosse Knight be-
ancestors. Athena and I worked together came James Bond, surrounded by seduc-
to devise a peer-reviewed rap song – ers and villains, and the characters, Una,
“Revenge of the Somatic” – which tells Duessa, Sans Foy, etc, still clearly inhabit
the story of a tumor from the perspective my memory.
of a “rebel cell.” 1
For the “modernizing” assignment in my
I used to be a slave myself; I felt senes- Canterbury Tales course, I set about re-
cence hastening writing Chaucer’s Knight’s Tale into a rap
Before my carcinogenic awakening style, which a group of us performed for
A couple hundred thousand puffs of to- the rest of the class. Chaucer’s language
bacco smoke and is rich with metaphor and wordplay, per-
I just wasn’t as open to apoptosis fect for the rap idiom. Later I revised and
That’s a bad prognosis, I was hit with memorized the twenty-minute piece and
every tumor suppressant At a high school performance in Tennes- set it to music, performing it at talent
Mechanism in the human immune sys- see one of the questions from the student shows and open mics and family gather-
tem audience was: “If Jesus comes and blows ings, and in October, 2000, on a trip to
But I mutated with it; I was super- up the world, what will you think of evolu- England some graduate students helped
persistent tion then?” Another question (from a fif- me arrange a performance at the New
Every daughter cell was suitably different teen year old girl) was: “So, are you saying College Antechapel in Oxford. Enthusias-
– therapeutic resistance we should have sex, or we shouldn’t have tic audiences encouraged me to keep
Came to me like a beautiful vision sex?” My answer was simple: “Evolution performing and writing. The general
I really thought I was doomed, but evolu- can’t help you decide whether you should feedback was: “It’s cool because I under-
tion assisted or shouldn’t have sex, but it can help ex- stand the story now.”
With the chemotherapy, so clever and plain why you’ll REALLY want to.”
devious! A few years later, Cambridge University
But I was already genetically heterogene- Last summer I had the honor of sharing sponsored me to do a tour of British high
ous a stage with Stephen Hawking at the Se- schools, performing The Rap Canterbury
You just deaded the weakest, now com- attle Science Festival. With Hawking Tales for more than 1600 students in 30
petitive release is watching from the side of the stage I de- schools as a literary outreach initiative. In
Inevitable, now witness as my fitness in- vised an improvised freestyle rap, joking: addition to retelling the 600-year-old
creases “Stephen Hawking’s watching me, and it stories in a way that revitalized them, I
Entering untapped niches, I gather the feels like a credit check / ‘Cause I bought carried a passionate message: rap and
benefits his book years ago, but I haven’t read it poetry are essentially the same. Chaucer
I’m relentless; I get fed from angiogene- yet.” One of the stage hands told me may seem old and “establishment” and
sis afterwards that he cracked a smile at that rap may seem new and “edgy” but that’s
Duckin’ T-Cell predators, I keep it anony- line. (Scratch that off my bucket list: just an illusion created by the winnowing
mous “Made Stephen Hawking laugh – perspective of history. Seen from a wider
So I can exploit the body’s weakness and check.”) I haven’t yet had the honor of vantage, Chaucer was the rhyming story-
tolerance opening for Jay-Z, but then again, Jay-Z teller of his time, and Jay-Z and Kanye
I’m a smooth criminal, so I never get hasn’t had the honor of opening for the West are the rhyming storytellers of this
caught world’s smartest man either. time. The elements of the craft that ap-
I just pimp the system like credit card peal to live listening audiences haven’t
fraud I first caught on to the teaching potential changed a bit: humor, wit, vivid storytel-
of rap as an undergraduate student of ling, sharp metaphors, relatable charac-
The Rap Guide to Evolution remains my comparative literature in 1999. The as- ters, clever wordplay, and attention to the
flagship “proof of concept” for the poten- signment was to re-tell one of Chaucer’s details of human conflict, love, family,
tial impact of science communication via Canterbury Tales in a “modern voice,” a betrayal, jealousy, morality, greed, de-
rap. The show premiered off-Broadway brilliant informal learning technique em- sire, etc.
in New York in 2011 and ran for five ployed by professor Sheila Roberts, the
months, six shows per week, reaching resident medievalist at Simon Fraser Uni-
2
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
After four years of spreading this “rap is characters and dramatic monologues ‘Cause that’s where my mama got her
poetry” message while touring The Rap from scratch, and have them communi- mitochondria
Canterbury Tales to festivals, schools, cate the science. You can try to fight if you wanna, but it’s
theaters, and comedy clubs around the not gonna change me
UK, I received an email from Dr. Mark With a little research, however, I discov- ‘Cause it’s plain to see, Africans are my
Pallen, a professor of bacterial genomics ered there were ready-made Darwinian people
at the University of Birmingham. Mark stories as well. They had been staring me If it’s not plain to see, then you’re eyes
asked me: “Could you do for Darwin in the face my whole life but I had never deceive you
what you did for Chaucer?” I was no recognized them for what they were. I’m I’m talkin’ primeval! The DNA in my
Darwin expert but I was interested in evo- talking about rap songs. I read Geoffrey veins
lution, so I accepted the challenge and Miller’s book “The Mating Mind” in which Tells a story that reasonable people find
began working on The Rap Guide to Miller writes: “All of the significant evolu- believable
Evolution. tion in our species occurred in popula- But it might even blow your transistors
tions with brown and black skins living in Africa is the home of our most recent
Africa… Afrocentrism is an appropriate common ancestors
attitude to take when we are thinking Which means human beings are all
about human evolution.”2 In that striking brothers and sisters
passage, Miller had already made the So check the massive evidence of Homo
link to hip-hop culture, all I had to do erectus
was take the next step. “Afrocentric” rap And Australopithecus afarensis in the
music by groups like Dead Prez, X-Clan, fossil record
and Brand Nubian routinely proclaimed: And then try to tell me that we’re not all
Baba at work “If you’re Black, then you’re African,” as connected
a statement of Black Nationalism. Evolu- The fossil record has gaps, but no con-
Communicating Darwin with rap was tionary theorists had a similar message, tradictions
trickier than communicating Chaucer but with a pan-humanist twist: “If you’re And it complements the evidence in your
with rap, because Chaucer’s stories, Homo sapiens, then you’re African.” I chromosomes
characters and dramatic monologues are adapted the Dead Prez song “I’m A Afri- So I came to let you know about your
ready-made. They are already funny and can” into a multi-racial anthem proclaim- ancestral home!
insightful and highly accessible (except ing the unity of common descent of all
for the Middle English language barrier). living humans. The original Dead Prez song “I’m A Afri-
So with Chaucer all I had to do was re- can” wasn’t written to appeal to freckled
tell the stories from The Canterbury Tales No I wasn’t born in Ghana, but Africa is Canadian caucasians like myself, but
in my own words. With Darwin, it my mama
seemed I would have to invent stories, “Hip-Hop,” continued on following page
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T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Hip-Hop,” continued from previous page Further links between Darwin and hip- Anecdotally, many audience members,
hop culture emerged when I included reviewers, students and educators have
through the evolutionary lens it spoke evolutionary psychology and the roots of attested to the usefulness of The Rap
directly to me. The chorus of the song is human behavior. Martin Daly and Guide to Evolution in helping novices to
more challenging in performance, be- Margo Wilson’s Homicide research cata- appreciate and understand biology.
cause it requires a precise call and re- logues murder rates in various regions, However, testimonials and anecdotes are
sponse and most audiences need to seeking the environmental triggers that not data, so the next challenge is to sub-
prompted (some white people feel un- universally predispose us to violent be- ject my audiences to before-and-after
comfortable loudly proclaiming their Afri- havior. Their findings show that the main impact assessment. One preliminary
can roots in public places). triggers for violence are high levels of study conducted by a Masters student in
income inequality and low male life ex- Anthropology found my audience’s abil-
Through trial and error, I found I could get pectancy, which create high stakes win- ity to answer fact-based multiple-choice
the audience on board with an opening ner-takes-all competitions among young questions (ie “According to the fossil re-
preamble. After carefully presenting the men striving for wealth and status and cord, where did the modern human
overwhelming evidence that yes, all seven ultimately for mating opportunities.3 originate?”) increased by an average of
billion living humans share a common These behaviors and the environmental 11% during the show, but the study had
ancestor in Africa only a few hundred triggers that precede them can be found methodological flaws and a small sam-
millennia ago, and yes, Africa is the only in all racial and cultural groups, but the ple size (N = 80) and needs to be re-
place on the planet to which all living hu- psychology is never more clearly articu- peated and refined. 4
mans can trace their ancestry, the crowd lated than in gangster rap music.
would get right into it. Ironically, Dead In the meantime, more rap artists and
Prez were attempting to write a politically The other mating strategy found ubiqui- educators have been catching on to the
and racially exclusive rap song, but they tously in rap looks less like the elephant teaching potential of hip-hop with in-
unintentionally wrote the most inclusive seal and more like the peacock: ostenta- creasing enthusiasm. A recent project in
song ever written in history. Once the au- tious wealth displays. The obvious paral- New York entitled Science Genius
dience has savored this irony, regardless lel between a peacock’s tail and “bling” B.A.T.T.L.E.S. (Bringing Attention to
of race, they get enthusiastic, and there is barely needs pointing out, but no one Transforming Teaching, Learning and
no joy like witnessing hundreds of people, had explored the biological parallels in Engagement in Science) had high school
white, black, asian, arab, latino, etc, all an actual rap song until The Rap Guide students compete to create the most co-
shouting in unison: “I’m A African, and I to Evolution. gent and stylistically impressive rap songs
know what’s happenin’!” about science.5 Students who had never
Finally, if we can agree that a world with taken an interest in science before were
Other latent connections emerged as I more people mating like peacocks and newly inspired to look up facts on their
mined hip-hop culture for evolutionary fewer people mating like elephant seals own time in an effort to improve their
insight. When Pras from the Fugees raps would be a better, less violent, more lyrics. The project was run with input from
“Too many MCs, not enough mics / I exit amusing place to live, then perhaps Dar- Wu Tang Clan’s GZA and Columbia
your show like I exit the turnpike” he is win can help us get there. Most attempts University Professor of Education Christo-
expressing one of the fundamental in- to meddle with human genes are rightly pher Emdin, as well as the rap lyric an-
sights that inspired Darwin’s theory: The condemned along with the gruesome notation website RapGenius.com. The
Doctrine of Malthus. Thomas Malthus’ eugenics of the past, but there is one GZA’s forthcoming album, Dark Matter,
essay On Population made an essentially form of intervention I think we can all was written with input from scientists at
mathematical argument: reproduction agree is safe: mate choice. As long as we Harvard and MIT.6
causes geometric increases that quickly are free to choose our sex partners and
outstrip resources, if not for differential spouses, we are free to use those choices In the end, informal learning will only
survival. If every creature that was born to align the good of our own families integrate hip-hop through the active par-
survived, we would be neck-deep in or- with the good of the species. That’s why ticipation of hip-hop practitioners. The art
ganisms. Nature’s limited resources logi- The Rap Guide to Evolution concludes forms associated with hip-hop culture are
cally produce what Darwin called a with an anthemic call to arms entitled: difficult to master but easy to imitate
“struggle for existence” that is one of the “Don’t Sleep With Mean People.” badly, and both fans and artists remain
main drivers of natural selection. “Too vigilant against disrespectful appropria-
many MCs, not enough mics” expresses tion. The potential for hip-hop to reach
that same fundamental insight in the rap vast audiences with good ideas gleaned
ecosystem. Not everyone who wants to be from science and literature and other
a famous rapper will succeed, because scholarly fields is mostly untapped thus
audiences are a limiting resource. Hence, far, but the artists with the ability to
rappers experience a struggle for attention bridge this gap are not idle. They are
that parallels the struggle for existence in honing their attention-getting skills by
nature, and that struggle drives the performing live shows and writing catchy
(cultural) evolution of the genre. songs, making their mark on popular
An enthusiastic theater audience
4
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
culture with little regard for the latent “Objects,” continued from front cover
“informal learning potential” their work
also carries. Rappers and educators have
a great deal to learn from each other, if
they can follow Christopher Emdin and
the GZA in recognizing the mutual bene-
fit these exchanges have to offer.
5
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Objects,” continued from previous page Implementation person’s individual way through the exhi-
bition including his or her personal pri-
how intensively each single interactive To begin with, I determined the exact orities.
exhibit was used, the qualitative data positions and number of interactive ele-
helped to interpret the findings and went ments in the exhibition and subdivided Each questionnaire/observation/interview
below the surface of merely observable them into different categories which I session lasted an average of 70 minutes.
and countable behavior. marked on the map (figure 4). Four participants went through the exhi-
bition by themselves; the other ten came
Fourteen people of different ages from I had decided to evaluate subjects’ inter- in pairs. An assistant supported me so
25 to 76 (median age 40) and various action with a ‘mark’ from 0 to 3 with ‘0’ that both participants could be observed
educational backgrounds and interests being no interaction at all and ‘3’ being at the same time. To eliminate variables,
took part in the study. There was an even very intensive and persistent interaction. I carried out all interviews myself and
number of females and males, as well as The visitors would know they were being with each person individually. Thus, even
immigrants and Finnish mother tongue watched but would be unaware that I people who visited the exhibition with
speakers. The sampling was, however, focus on how they engage with the inter- somebody else were still forced to report
non-representative with regard to statisti- actives. I had identified those points in their individual memories, interests and
cal relevance. All exhibition texts were the gallery from where I would be able to opinions and could not be influenced by
exclusively in Finnish and Swedish, the observe the participants without interfer- their partners. I had decided to prompt
two official languages of Finland. Non- ing too much. To enhance reliability, I memories of and opinions about the
Finnish or Swedish speakers were pro- would ask each one to walk through the interactives only at the end of the inter-
vided with an English-language brochure exhibition as they saw fit, which also al- view. My intention was to find out
which did not exactly follow the display lowed sparing those exhibits he or she whether the participants themselves
structure. was not interested in. A live sketch on the started talking about them when reflect-
exhibition map would help me track each ing on their exhibition experiences. In this
way I sought to get a glimpse of how
important people really considered the
interactives and I could avoid comments
that were just made for the sake of pleas-
ing me.
Findings
“Objects,” continued from front cover only one interactive exhibit. It also has to age mark of 2.50 out of 3.00. Also the
be emphasized that the numbers for low most successful touchable rocks turned
language proficiency and mother tongue out to be those situated in the first part of
However, my data indicates that gender speakers are unequal (five versus eight). the exhibition (numbers 1 and 2, see
might play a role. Figure 5 shows a slight A comparison is therefore difficult but it map), whereas comparable touchable
discrepancy between the average usage might be enough to merit a potential rocks (numbers 4 and 8, see map) seem-
intensity of men (1.19 out of 3.00 for all ingly lost their attraction due to awkward
17 interactives plus the 16 white boxes placement. Surprisingly, in sixth place is
and 0.74 out of 3.00 for the interactives the relatively conventional book on the
without white boxes) and women (0.90 comparison of animal and human skele-
out of 3.00 for all 17 interactives plus the tons with an average usage intensity of
16 white boxes and 0.52 out of 3.00 for 1.23 out of 3.00. Peephole box P1,
the interactives without white boxes). which is situated within easy view at the
beginning of the exhibition, was appar-
Also, there is a weak indication that ently more successful than the peephole
mother tongue speakers, those who were wall which hides the peepholes within a
able to read the exhibition labels, used Figure 8: Most intensively used interactive: big animal painting. The white boxes
the interactives a little more intensively rock exploration table (position 16 on graph) proved to be
(average mark 1.18) than people with a Photo: Jani Järvi/LUOMUS rather unpopular exhibits (with an aver-
low Finnish language proficiency age usage intensity of 0.21 out of 3.00).
(average mark 1.00) who had to rely on research question for a follow-up study. Many participants were observed to not
the English-language brochure that was open any of them; others used only one
difficult to handle as it did not exactly The data enabled me to evaluate the or two. The interviews confirmed that
follow the display structure. This is illus- average usage intensity for each exhibit people had assumed the boxes to be
trated by figure 6 which lists all marks for (sum of individual marks divided by either storage boxes or toys for children.
people with low language proficiency number of participants). It is rather diffi- This certainly emphasizes the importance
(number 1) in comparison to native cult to compare the six categories of in- of instruction labels. In consideration of
speakers (number 3). Average marks are teractives because they exist in varying the fact that the boxes were actually just
indicated with a black bar. I decided to numbers. Consequently, I decided to hidden displays and stood separately
neglect the mark for the only intermedi- illustrate a usage intensity ranking for all from the rest of the exhibition I decided to
ate speaker, participant five (f, 29). She single 17 interactive items (plus the white exclude them from the following usage
showed an exceptional behavior by using boxes as one item). intensity calculations.
Figure 7 indicates
that the opportunity How popular were the interactives
for exploring rocks among all available elements in the exhi-
with a magnifying bition? As I explained before, I did not do
glass (figure 8) at the same detailed assessment for other
the beginning of elements (e.g. specimen, models) as I did
the exhibition was for the interactives. However, I drew a
used most inten- map of each visitor’s way through the
sively with an aver- exhibition in which I also marked each
Figure 7: usage intensity ranking for all single 17 interactive items (plus
“Objects” continued on following page
white boxes as one item)
7
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Objects,” continued from previous page for exploring rocks with a magnifying conventional of all interactives, which
glass, ranks fourth with 13 ‘attention made her reflect on the relationship be-
person’s foci (‘attention moments’), those moments’. It is closely followed by the tween human and animal skeletons.
points where someone stopped in order touch stations 1 and 2 with 11 ‘attention
to look, touch or read. Figure 9 lists the moments’ each. However, the touchable Figure 12 shows the elements that people
24 most popular elements in the exhibi- rocks shared their degree of popularity rated as most important for their learning
tion referring to the number of ‘attention with three showcases and were outrun (multiple answers were permitted). It
moments’ that I totaled for each exhibit. by a fish model and a model of an Car- clearly illustrates that rather conventional
boniferous forest (figure 11) with 12 learning methods such as looking at ob-
Among these 24 exhibition elements are ‘focus moments’ each. jects (12) and reading texts (10) were con-
only six interactives. This is not much, sidered most important. Interestingly,
taking into consideration that there were How much is this observation data sup- “touch” ranks in third place with six men-
33 interactives altogether. Mounted ani- ported by the qualitative data from the tions, followed by “sound” and other
mals and bones of extinct species proved interviews? People were asked to name kinds of interactives that were only men-
to be outstandingly successful in the His- the most memorable and impressive ele- tioned three times. It is rather important to
tory of Life exhibition, with the diorama ments in the exhibition. Participants mostly notice that these three people considered
of a Saber-toothed tiger (figure 10) and mentioned themes and main issues the interactives as a sensible complement
a bison family ranking first. As the num- (altogether ten references) that were basi- to texts and objects, not as stand-alones.
ber shows, there are even more cally supported by texts and illustrations, Only for one person, participant two (f,
‘attention moments’ for these elements as for instance “early life formation,” 26), were the interactives more important
than study participants, meaning that “development of the Baltic region” or “the than any other learning method.
some people went back there once vast history of life.” They also named con-
again after looking at something else. crete models (11 references) such as “the In the questionnaire, participants were
The most successful interactive, the one sabre tooth tiger,” “the bug fossil,” “the asked what they would generally like to
dinosaur head” and issues that were con- learn from Natural History Museum exhi-
cretely related to the models and skeletons bitions. Three major topics could be ex-
like “I learned how big those animals ac- tracted: 1) conventional themes such as
tually were.” All in all, there were only four ‘life of extinct species’, ‘physiology’,
mentions relating to the learning content ‘bones’, ‘curiosities’, ‘animals’, ‘unusual
of the interactives like the book, the peep- nature’, ‘rocks’ and ‘interesting objects’,
hole wall and the white boxes. Also, par- 2) the ‘bringing-objects-to-life’ theme
ticipant 12 (f, 53), mentioned that “the such as ‘animal behavior’, ‘life’ and
exhibition engaged all senses.” ‘animals in motion’ and 3) contextual or
environmental themes such as
Figure 10: Saber-toothed tiger diorama In how much did people think the interac- ‘environmental issues and sustainability’,
Photo: Jani Järvi/LUOMUS tives supported their learning? Among all ‘regional issues’ and ‘how living environ-
statements, there was only one concrete ments determined animals’.
reference to the educational contents of
the interactives: participant four (f, 28) Asked about preferred learning methods,
mentioned the book, interestingly the most conventional ways of learning again
found their way
into the question-
naires such as
"more facts, not
only visual experi-
ence" and "see and
learn". However,
there is a notice-
able demand for
more physical ac-
tivity and involve-
ment of the senses
stressed by such
statements as
"learning by walk-
ing around,"
“more video,"
"more audio," and
Figure 11: Carboniferous forest model Figure 12: Elements most important for participants’ learning
"more immersion
photo: Claudia Gorr (multiple answers permitted)
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T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
and interactivity." People also saw a defi- tionnaire, observation, and interview could Cakir 2008), Preston 2007, Kirschner et
nite need to be able to make interpreta- be applied again in a follow-up study. al. 2006) and Hein 1998 state about
tions from the objects. They asked for pure exploratory and hands-on learning
"exhibitions on defined themes" and As for quantitative results, I had to base being ineffective if not used purposefully.
“exhibitions for everyone.” my evaluation on a small (N=14) non-
probability sample for feasibility reasons. Interactives, especially those opportunities
Discussion In a possible follow-up-study probability for touching original rocks, were never-
sampling (e.g. simple random sampling) theless found to play a certain role in
Regarding my methods, the interviews and would be needed for calculating statisti- people’s learning processes as suggested
the observation proved to be very powerful cally relevant correlations, which would by all three research methods. These
tools. The map, the table-structured obser- have more explanatory power with re- findings are supported by Cox-Petersen
vation sheet, and the four assessment gard to relationships between usage in- et al. 2003, Hein 1998 and Davidson
categories made the observation process tensity, gender, and language ability. 1991 who found that multisensory items
clear and relatively easy to handle. The supported the intellectual and physical
marks enabled me to express a person’s Despite its potential for improvement, my accessibility of exhibition objects. Once
usage intensity and make meaningful cal- pre-study work was able to identify a few again, we conclude that interactive exhib-
culations. For another study I would sug- important indications in reference to the its in natural history exhibitions are not in
gest two observers evaluating one visitor at research questions. and of themselves successful without
the same time. The mean of both evalua- bearing certain qualities.
tors’ ‘marks’ could then be calculated, Nearly all participants were observed to
which would enhance reliability. use the interactive learning opportunities, Conclusions
with a slight indication that male visitors
The interviews produced rich data and and native speakers used them more in- My findings allow the following conclu-
allowed for deeper insights into the par- tensively. Nevertheless, conventional ele- sions:
ticipants’ individual experiences. I con- ments such as models and texts proved to
sider them as absolutely necessary for be most important for learning. This leads 1. As for design aspects, interactives
both supporting the quantitative data and to the assumption that experiences with should harmoniously integrate in an ex-
their adequate interpretation. Without the real specimens and models are as crucial hibition on natural history while the em-
interviews I could not have investigated as ever for natural history museums. The phasis can be on objects, texts, and gen-
visitors’ motives for not using certain ex- interviews and questionnaires disclosed a eral scenography.
hibits and I would not have understood rather physical and emotional experience
that a high usage intensity does not nec- with the artifacts. People talked about 2. Regarding content-related aspects,
essarily mean people are fully satisfied “feeling the atmosphere,” “feeling the interactives should sensibly support the
with an exhibit. For instance, most of the power of things,” “being intrigued,” and exhibition theme and not just be there
participants complained that the interac- “experiencing big animals up close.” The ‘for the sake of interaction’ (comment by
tive with the highest usage intensity, ex- fascination and power of real artifacts in study participant six, m, 30). As Cakir
ploring rocks with a magnifying glass, natural history museums has also been (2008: 202) puts it, “a trendy emphasis
was lacking sufficient light. described by other researchers such as on ‘hands on’ will not, by itself, increase
Cox-Peterson et al., 2003, Xanthoudaki, students’ understanding of science.”
To my disappointment, the questionnaires 2003, and Shuh, 1982.
brought about relatively unspecific data. 3. Interactives should be placed strategi-
They would need revision, especially in However, my findings also provide evi- cally, should be easily visible, and should
that ways need to be found to evaluate dence that users need to derive meaning give clear instructions how and why to
science interest and general museum in- from objects and put the objects into rele- use them.
terest in a way that makes it possible to vant contexts. Visitors with understanding
plot these properties against the individual difficulties did not engage more but less 4. The emphasis should be on engaging
usage intensity. Another drawback was with the interactives than Finnish speak- the senses (hearing, seeing, touching,
that some participants were not motivated ers. This obviously led to an overall smelling), which may better support
to complete the questionnaires. In another poorer experience. On a scale from 1.00 learning through emotions. Interactives
study this could be improved through an (worst) to 5.00 (best), non-speakers rated should help people ‘immerse’ into an-
interview-based questionnaire. Also, the the exhibition 3.0 on average, whereas cient life rather than just being passive
MLA learning style test demands improve- native speakers rated it 3.7 on average. observers (Hooper-Greenhill 2007).
ment or needs to be substituted (e.g. Objects simply could not be put into
Honey and Mumford 2000) as it lacks meaningful contexts – neither with the 5. Original materials, e.g. rocks, feath-
reliability and validity. The major problem help of texts nor by using the interactives. ers, fur, scent, authentic sounds should
was that each learning type was evaluated This reinforces demands of museum re- be involved.
by only two questions, which surely is too searchers (e.g. Ravelli 1996, Hein 1998
few. However, in order to enhance the according to whom museum objects
overall validity and reliability of the data should be interpreted and contextualized “Objects” continued on following page
the three different measuring tools ques- by means of text. It also recalls what
9
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Objects,” continued from previous page be the keyword for learning processes in -the-most-important-science-process-
future natural history museums. skill.html (as of 01/03/2012).
6. Exhibitions may make use of a range
of virtual tools (e.g. 3-D animation) in Claudia Gorr works for the science com- Preston C.R. 2013. “Fighting nature-
order to let extinct animals become ‘alive’ munication department of the University of deficit disorder: The role of natural his-
and illustrate their behavior and interac- Helsinki, She recently completed a MSc at tory museums in the 21st century”. The
tions with their natural surroundings. the University of Leicester, School of Mu- Informal Learning Review, no 119, 7-11
seum Studies, in “Learning and Visitor
7. Considering the feedback from the Studies in Museums.” She may be reached Ravelli L.J, 1996. “Making language
interviews, I see a potential for the inter- at claudia.gorr@googlemail.com. accessible: successful text writing for mu-
actives in raising questions and posing seum visitors”. Linguistics and Education
challenges. For example, some partici- Cakir M, 2008. “Constructivist ap- 8 no. 4, 367-387.
pants were disappointed with the ‘rock proaches to learning in science and their
investigation’ table as one could not do implications for science pedagogy: A lit- Silverman D. 1993. Interpreting qualita-
much more than look at stones through erature review”. International Journal of tive data: Methods for analysing talk, text
a magnifying glass. Environmental & Science Education 3 no. and interaction, California: Sage.PP448.
4, 193-206.
Surprisingly, my data suggests that view- Shuh J.H, 1982. “Teaching yourself to
ing objects and texts are still most impor- Cox-Petersen et al, 2003. “Investigation teach with objects”. Journal of Education
tant for learning in exhibitions on natural of guided school tours, student learning, 7, no. 4, 8-15.
history. It would be advisable to support and science reform recommendations at
this finding by detailed quantitative ob- a museum of natural history.” Journal of Xanthoudaki 2003, “Ein Ort zum Ent-
servations. Data on how long and how Research in Science Teaching 40 no. 2. decken: Vermittlung naturwissen-
intensively people engage with texts and 200–218. schaftlicher und technischer Inhalte im
objects should be measured and juxta- Museum, School-museum cooperation
posed with the data I gained from ob- Davidson B. et al, 1991. “Increased ex- for the improvement of the teaching and
serving people’s ‘attention moments.’ My hibit accessibility through multisensory learning of sciences (SMEC)”.
findings also lead to the assumption that interaction.” The educational role of the www.museoscienza.it/smec (as of
interactive exhibits need to be put into a museum, 223-238. 24/2/2012).
meaningful context rather than providing
this context for other objects. These out- Hein G. 1998, Learning in the museum,
comes constitute a fruitful ground for Oxon: Routledge. 216. Pp 203. SAWICKI’S SERMON
further discussion and research as they,
for instance, challenge opponents of ex- Honey P. and Mumford A, 2000. The A minister was completing a temperance
hibition labels (e.g. Leyland 2011). learning styles helper's guide. Maiden- sermon.
head: Peter Honey Publications Ltd. Pp 9.
All in all, my study seems to be a confir- With great emphasis he said, ‘If I had all
mation of what Metzenberg (2000) ar- Hooper-Greenhill E. 2007, Museums the beer in the world, I’d take it and pour
gues: "Hands-on investigative activities and education. Purpose, pedagogy, per- it into the river.’
ought to be sprinkled into a science pro- formance, London: Routledge. Pp 256
gram like a 'spice'; they cannot substitute With even greater emphasis he said,
for a 'main dish'." However, my findings Kirschner P.A. et al. 2006, “Why minimal ‘And if I had all the wine in the world, I’d
also provide reason to believe that it de- guidance during instruction does not take it and pour it into the river.’
pends very much on the quality of the work: an analysis of the failure of con-
interactives as to how important they be- structivist, discovery, problem-based, ex- And then finally, shaking his fist in the air,
come for learning. periential, and inquiry-based teaching”. he said, ‘And if I had all the whiskey in
Educational Psychologist 41 no. 2, 75- the world, I’d take it and pour it into the
One theme recurred throughout my 86. river.’
study: the need for visitors to immerse in
ancient life on earth and to experience Leyland E, 2011. “Do visitors still read Sermon complete, he sat down…
how extinct species came to life. In order interpretive text panels?” http://
to make this possible, tools such as wall museum3.org/forum/topics/do-visitors- The song leader stood very cautiously
projections, sound installations, theatrical still-read-interpretive-text-panels and announced with a smile, nearly
lighting and animations need to be ap- (as of 1/3/2012). laughing, ‘For our closing song, let us
plied and improved, as it has happened sing Hymn #365, ‘Shall We Gather at
for instance at the Draper Museum of Metzenberg S, 2000. “Reading: The most the River.’
Natural History or in the Desert Night important science process skill”. Educa-
room at the Finnish Museum of Natural tionNews.org: http://
History. Along with interpretive texts and www.educationnews.org/articles/reading
original artifacts, I consider immersion to
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T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
ANCIENT ORIGINS a prominent physician and translator. traordinary automatons and mechanized
But, from our point of view, the most in- stage sets five centuries before Leonardo
OF INTERACTIVE teresting scholars were the three Banu da Vinci and others. His robotic lions,
DISPLAYS AND Musa bin Shakir brothers, engineers, camels and horses adorned public parks
mathematicians and inventors, and also, at the time, where they both amused and
SCIENCE SHOWS apparently, practical jokers!They pub- educated the public about mechanical
lished 20 books on engineering including mechanisms. He also published a re-
Mike Bruton
one, ‘The Book of Ingenious Devices’, in markable book with the intriguing title of
Graham Walker’s comprehensive review which they described one hundred of ‘The Book of Secrets in the Results of
of the history of science shows (Informal their ‘trick devices’. Thoughts’, in which he described 31 in-
Learning Review issue 116, September/ teractive models and how to use them for
October 2012) makes interesting read- teaching. His spectacular ‘Castle and
ing, although Michael Faraday is Gazelle Clock’ used water wheels, si-
wrongly attributed to the Royal Society of phons and pipes as well as gear systems
London; he was employed by the Royal that were lubricated with mercury.
Institution in London. But the main prob-
But the most amazing ancient inventor of
lem with this and other reviews of the
interactive devices was al-Jazari, who
subjectis that they ignore the very inter-
was most active in Turkey from 1176
esting contributions made by early Mus-
until his death in 1206 while he was in
lim scholars to informal science educa-
the service of the Kings of Diyarbakr. He
tion, using both interactive displays and
designed and made programmable me-
science shows. These contributions were
chanical and hydraulic robots on a
made in their Houses of Wisdom, re-
grand scale that not only showcased the
search laboratories, astronomical obser-
advanced state of engineering in the Is-
vatories, teaching hospitals and early
lamic world at that time but also pro-
universities during the Golden Age of
vided valuable teaching opportunities.
Islam (ca 800-1400).
Most importantly, he described his inven-
The first and most famous House of Wis-
tions in such intimate detail in his ‘Book
dom was established by Caliph al-
of Knowledge of Ingenious Mechanical
Ma’munin Baghdad in the early 9th cen-
Devices’ that we have been able to build
tury and attracted a coterie of interdisci-
them today. Several of his inventions,
plinary scholars who dominated the intel-
Modern reconstruction by MTE Studios of the and those of the Banu Musa brothers,
lectual scene for nearly 500 years. They
Banu Musa brothers’ “Wudhu Machine” are included in MTE Studios’ traveling
were not only concerned with translating
which used siphons to deliver water at regu- exhibition, ‘Sultans of Science’.
ancient knowledge into Arabic, and mak-
lar intervals.
ing novel theoretical contributions to sci- Al-Jazari’s most famous works include giant
ence, but also with the application of water clocks, robotic slaves and fountains
their knowledge and the design and Their innovative devices are, in my
opinion,the precursors of modern inter- that dispensed water. His ‘Elephant Water
manufacture of useful technologies. Clock’ not only told the time (within half an
active displays, and they used them to
demonstrate the principles of mechan- hour) using a ball run and water flotation
Furthermore, as required by the Islamic
ics, hydraulics and pneumatics to other mechanism but also celebrated the univer-
faith, they placed a high priority on re-
scholars and to the public.They would sality of Islam by including elements from
cording their knowledge and passing it
not be out of place in a modern science Persia (carpet), Greece (hydraulics), India
on to future generations. It was appar-
center today. (elephant, mahout and ghati water mecha-
ently common, in these early places of
nism), Arabia (falcon and scribe), Egypt
teaching and learning, for scholars to sit
Their devices were playful, interactive and (phoenix), and China (dragon). His ‘Castle
on the ground with members of the pub-
noisy, and typically made use of water and Clock’ had an orchestra playing musical
lic, including children, to discuss ad-
air pressure, intricate pipes, chambers, instruments, as did the ‘Musical Boat’. His
vances in science and technology and to
floats, valves, plugs, animal models and ‘Scribe Clock’ was the first portable clock,
demonstrate their points using interactive
sounds. For instance, their ‘Drinking Bull’ and his ‘Robotic Boy’ and ‘Fountain of the
devices and scientific apparatus.
robot has a bull drinking water and then Peacock’ provided useful services to the
The glitterati in the first House of Wisdom making a sound of contentment, whereas, King and his court while also demonstrating
included the philosopher, mathemati- in the ‘Magical Flask’, red water poured mechanical principles. His ‘Perpetual Flute’
cian, musician and astronomer, al-Kindi, into one side of a flask emerges as green used reduced air pressure to make a whis-
inventor of decryption and musical the- water on the other side. tling noise.
ory, the mathematician, astronomer and
geographer, al-Khwarizmi,‘father’ of In the 10th century another Muslim me-
chanical engineer, al-Muradi, made ex- “Ancient,” continued on following page
algebra, and Hunaynibn Ishaq al-‘Ibadi,
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“Ancient,” continued from previous page LEARNING BY Interactivity and hands-on experiences
optimize the learning process and
ACCIDENT, learning retention.
EDUCATING BY PLAN! People learn in a variety of ways, hav-
ing a preferred learning style which
Helen Horner optimizes their learning.
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lish a career or life path. Nevertheless, tinuously look for ways to provide learn- the skills of their craft. Observing and
there is a conscious intention to partici- ing opportunities on all levels and for all talking with these people can offer visitors
pate in a learning situation. people. Carefully planned ‘accidental’ unique experiences to learn about the
experiences need to be developed to craft and skill required, maybe develop-
Accidental learning on the other hand, is attract and engage all sectors of the ing a life-long interest, or just becoming
the learning that occurs when there is no community. The learning may occur more aware of what is involved behind
conscious intent or deliberate plan to ‘accidentally’ but the facilitating needs to some of the things they may meet in their
learn. It can occur in formal situations be carefully planned to be effective and everyday lives. If this is able to be offered
and informal situations and has no less valid. By offering a range of well-planned over a prolonged period, it affords the
intrinsic value than other learning. In- experiences throughout our museums return visitor the opportunity to see a
deed; it is how much of our life skills, and science centers for visitors to fortui- product or outcome develop through its
behaviors and attitudes are learnt. tously ‘come across’, we optimize the various stages toward completion.
accidental learning that can occur in our
Museums and science centers fit neatly organizations. Explorer Backpacks are a way in which
into the category as places of informal we encourage our younger visitors to
learning. We assume that the majority of So, how can we do that? The ‘sky is the explore the Museum and science center
our visitors arrive at our institutions with limit’ to planning and providing opportu- with focus and direction. These discovery
an understanding that they will be ex- nities for ‘accidental learning’ in our or- packs, housed in snazzy backpacks for
posed to learning experiences and have ganizations, but I have included just a ease of carrying, have been produced to
a semi-conscious intention to depart few ways that we accomplish this at the be multi-level. They can be used inde-
wiser in some way! How much effort they Otago Museum and our science center pendently by a child with a reading age
are willing to invest in this learning op- Discovery World to act as stimulants for of around 8+, or by younger children
portunity will vary greatly from person to your own ideas. with adult guidance and involvement – a
person and from visit to visit. Accordingly, Whether the experience fits into the infor- great family-focused learning experience.
we offer levels of learning experiences to mal or the accidental learning category, Each backpack has a different area of
suit the intent, from static displays to in- all learning experiences at the Otago exploration and is based around a gal-
formation labels, interactive exhibits to Museum are developed using a purpose- lery, a set of galleries or a theme. They
demonstrations, shows and workshops. built planning format which incorporates contain a selection of maps, instructions,
And our visitors participate at the level learning criteria and guidelines. Distinct props, books, puppets, experiments, ac-
and for the duration that they choose. and measurable learning outcomes and tivities and information trails and, once
development pathways are outlined. again they have been planned deliber-
But how well do we provide for acciden- Themes are selected as contexts for the ately and carefully to lead the user to
tal learning, capturing the less intentional learning based on their potential to en- explore, discover and learn. These back-
learner, the visitor who shows no en- gage and stimulate curiosity. packsare located throughout the Mu-
gagement or intention to be caught up in seum or science center for children to
the learning situation? And, should we We consistently review our visitors’ ex- ‘come across’ in their museum wander-
intervene, or should we leave their learn- periences in our galleries throughout the ings, or offered to them by Communica-
ing to ‘accident’, a fortuitous circum- Museum. We watch, listen and talk with tors who spy a directionless wanderer!
stance which occurs unexpectedly without our visitors while they are meandering
a deliberate plan or cause? through our galleries, to discover their Discovery Trails are used in a similar
interests, their thoughts, their understand- manner, as a family-orientated activity to
I contend that the role of museums and ings. Then, we plan for them to ‘come focus and direct visits and provide learn-
science centers is to optimize the range across’ things that will turn their ‘just be- ing opportunities. Predominantly made
and extent of quality learning opportuni- ing there, wondering’ into ‘experiencing up of questions and challenges based
ties available for our visitors, that we and discovering’. We produce Capture around a central theme, these trails re-
have a responsibility to provide and plan the Moment packs based around differ- quire engagement and persistence, lead-
for as much learning within our institu- ent objects, exhibits and themes which ing the participant on a journey around
tions as possible, even for those visitors our Communicators bring out when they the Museum and/or science centre to
who do not visit with any conscious learn- spy a predisposed visitor with whom they search out the answers and solve the
ing intention. Whether the learning is can share. clues. With titles such as Nauseating Na-
assimilated will ultimately be the choice ture, The Great Face Farce Detective Trail
of the learner. But, if accidental learning Additionally, Living Culture experiences and Pretty Gross, these have proved ex-
is the method through which humans (having expert practitioners working in tremely successful in engaging both chil-
learn a great deal of the skills, behaviors the galleries relevant to their skill, for the dren and adults in the learning journey
and attitudes necessary to function effec- day, the week or longer), offer a great and thus we now have plans to develop
tively in society, shouldn’t we plan to opportunity for visitors to discover and adult level versions.
maximize this learning? inadvertently learn something new. This
may be a taxidermist, a potter, a drum-
Therefore, as museum and science cen- maker, an articulator, a costume maker “Plsn,” continued on following page
ter educators it is important that we con- or a fossil extractor who can demonstrate
13
T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
“Plan,” continued from previous page PUBLIC ENGAGEMENT change the relationship humans have
with nature.
Wrapping learning in an obscure yet WITH SYNTHETIC
appealing context is a guaranteed way BIOLOGY The tough questions raised by synthetic
of ensuring people will indulge in learn- biology has led scientists/researchers to
ing, whether they intend to or not! Want Natalie Kuldell consider and discuss their work broadly.
to help children to learn and understand Many of the discussions of practice are
the life and extinction of the moa (a Synthetic biology is an emerging disci- internal, held among the practitioners
large native New Zealand bird which pline that aspires to program living cells themselves. The questions of responsible
became extinct around 1600)? Wrap it to address some of our planet’s most innovation have been routinely considered
in a chocolate ‘poo’ context! Learn persistent challenges. Even in its earliest in meetings of synthetic biologists (2). The
about the habitat, food sources and ad- stages, synthetic biology is transforming decision to embark on any synthetic biol-
aptations of this great bird by exploring our relationship to science, technology ogy project must factor in the odds of
its fossilized poo (coprolite). Bring out and the world around us. As such, it de- success, the opportunity costs and the
some real coprolites from the collection mands constructive and effective ways for resources required to do a good job.
for children to carefully observe and dis- the public to intersect with the field. Some Personal priorities and technical impedi-
cuss with experts how the examination of ideas for such engagement are detailed ments are commonly considered in such
moa coprolites has allowed us to learn here. academic meetings, as are the public
about the food preferences of this amaz- impacts of any project—should it succeed
ing, extinct bird. Provide the opportunity Introduction and should it fail. These somewhat pri-
for the children to make their own moa vate conversations are valuable to the
coprolites from chocolate with different Biological solutions may be our best academics themselves and to the sensi-
colored and shaped lollipops to repre- hope for addressing the challenges that ble development of synthetic biology as a
sent the different plants the moa ate. our planet is facing in the 21st century. In discipline.
What child will not remember that learn- order to robustly engineer these living
ing for the rest of their lives, wrapped up solutions, we’ll need new tools for pro- The tough questions are also raised out-
so well in a gross but tasty experience? gramming cells. The tools will undoubt- side purely academic circles. Even in its
edly build upon the successes in molecu- earliest days, the field’s efforts to build
Life is short – we hear that adage lar and genomic biology as well as les- genetic circuits that reliably program cells
throughout our lives and it is so true. So sons from other engineering disciplines. drew attention in academic journals like
shouldn’t we provide maximum opportu- This tool-building effort, for better or Nature (3) and non-academic magazines
nities for our people to grow and de- worse, has been given the name like Wired (4). The field also has a hearty
velop, and enrich our communities with “synthetic biology.” Synthetic biology is share of detractors, skeptics and protes-
more informed and stimulated mem- an emerging engineering discipline that tors including Greenpeace, Friends of the
bers? By turning learning opportunities attracts biologists, computer program- Earth, and ETC Group. Concerns about
into unexpected, fun or ‘edutainment’ mers, chemical engineers and social sci- the progress and future of synthetic biol-
experiences, we also set the basis for a entists with its intent to redesign the living ogy are expressed by these groups in
passion for life-long learning, something world through standardized biological public arenas, through protests at scien-
our formal learning institutions often fail parts and automated processes. With its tific meetings (5) and in digital spaces (6).
to do. And all it takes is some careful stated goal of reliably constructing or- As the scope of synthetic biology has
planning and a few fortuitous ganisms that possess novel or enhanced grown, so have the broader discussions
‘accidents’! characteristics, synthetic biology has the of the work.
potential to address many of the most
Helen Horner is Director - Visitor stubborn environmental and health chal- Consider one of the more recent ideas
Interaction and Programmes, Otago lenges. Potential outcomes include widely linked to the field, the idea of
Museum, Dunedin, New Zealand. available clean water, sustainable fuel, “unextinction.” Anyone with an even
She may be reached at and inexpensive medicines, applications passing knowledge of Hollywood movies
Helen.Horner@otagomuseum.govt.nz. that could make synthetic biology the knows how the Jurassic Park story goes:
cornerstone of a robust “bioeconomy” (1) . an island of living dinosaurs is made
Other potential outcomes, however, in- possible by scientific advances but goes
clude “bioerrors,” unintended conse- terribly wrong when internal corruption
quences or changes to a living technol- and a poorly planned security system
ogy, and “bio-terror” if we presume even unleash the dinosaurs on the island’s
some small number of malicious actors. visitors. Though the Jurassic Park book
No matter if you believe the utopian or and movie predate synthetic biology and
the dystopian view of synthetic biology, are now 20+ years old, the movie’s tag-
they are united in the belief that even line, “life finds a way,” still serves as a
marginal success in the field is likely to warning bell to some and a challenge to
others. A noted paleontologist, Jack
Horner of Montana State University, has
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T H E I N F O R M A L L E A R N I N G R E V I E W , J u l . – A u g . 2 0 1 3
taken up the unextinction challenge and mindful of society’s concerns and per- nology Policy Fellow with the American
written a book with the subtitle, spectives. There are at least four areas Association for the Advancement of Sci-
“Extinction Doesn’t Have to be For- for public engagement with synthetic bi- ence (10) . In her article, “Building Better
ever” (7) – appreciating that the vestiges of ology, places where informal learning Bacteria,” she made an easy-to-
prehistoric dinosaurs live in the DNA of environments would be key. These four understand analogy for the parts-based
today’s birds. Synthetic biologist, George areas are active now, but they should be approach to engineering biology. She
Church of Harvard Medical School, also more significantly supported and devel- asked the reader to think of each biologi-
recently took up the “regenesis” idea with oped to overcome the amplifier of Holly- cal part as a word in an instructional sen-
a book of that title (8). The social network- wood misconceptions and the social me- tence such as "First, open the box." Sim-
ing and media outlets lit up when Dr. dia hubbub. ple substitutions give rise to sentences
Church, in discussing aspects of this with different meanings such as “First,
book, seemed to suggest that a surrogate Area 1: That was(n’t) easy! open the door” or “First, close the box.”
mother was sought to carry and birth a This would be analogous to swapping in
Neanderthal baby. Hollywood visions of Despite intense interest in the field of syn- a simple biological part to build a system
the scientific efforts and media kerfuffles thetic biology, there are few introductory with new functions. The struggle begins
loom large in the public perception of explanations that do not presume a con- when the context of the substitution is
synthetic biology, even though it’s widely siderable amount of prior knowledge. It’s considered. Modifiers can give slightly
agreed that current science cannot re- frustratingly difficult to find images that different meanings to sentences (“First,
animate DNA traces that might turn effectively elucidate to a newcomer the slowly open the box” and “First open the
“chicken little” into T. rex. Similarly, prac- parts-based bioengineering approach. box slowly”) just as cell to cell variation
titioners of synthetic biology often discuss Popular images that explain synthetic can change the way genetic programs
tools for engineering biology, tools that biology include images of people assem- are run. Another complication in building
could be used to enhance biodiversity by bling Lego parts to look like a person, genetic programs is the end-to-end con-
making physical copies of DNA from images of wires and circuit boards to run nection that building DNA requires. DNA
extinct species, but there is no research cells, and images of gears and motors parts are strung without spaces to sepa-
push to do so (9) . moving through the grooves of the DNA rate them, leading to emergent proper-
double helix. These images are evocative ties, like the word “stop” that appears
and understandable, adding up to some- when the words of the first simple sen-
thing like “snap together electronics for tence are strung together,
the construction of living machines.” They “Firstopenthebox”.
do not, however, reflect what’s state of
the art in the field. Lego kits and Arduino This short description both describes the
programming can be built more easily efforts in the field of synthetic biology as
than DNA circuits, and the notion that well as the current struggles. It can be
living cells are machines is dehumanizing used to initiate a productive conversation,
to some and far from truth for all. one that does not rely on what’s been
done or what it promises.
Other explanations of synthetic biology
rely on recent milestones and achieve- Area 2: Separating fact from fiction
ments in the field. The ability to produce
an inexpensive anti-malarial drug, the It’s uncomfortable for anyone to re-
chemical synthesis of a genome from imagine what is familiar. Narratives that
scratch and the rewriting of a word in the do so can be powerful and lasting. For
genetic code are often-cited poster chil- example, ask people what comes to
dren for the field. They all reflect enor- mind when they hear the phrase
mous technical and creative break- “biological engineering,” and often you’ll
throughs. This “explanation by demon- find them describing the image of an ear
stration” approach, though, is not a con- “growing” on the back of a mouse, de-
versation starter. There are fascinating spite the many years since the time when
Public engagement is keenly needed technical discussions that can follow, but the Vacanti mouse was described (11) .
around synthetic biology. Recognizing they are not openings for public engage- Similarly, ask people what they think
that “responsible innovation” is a laud- ment with the field. about when they hear “reliable genetic
able goal with many alternative realiza- programming” and you’ll find it’s science
tions, what can be done to encourage An approach that seems more produc- fiction dystopian visions such as the
more productive dialog? Engagement tive, though little used, is to discuss nei- eugenic inequity of the movie
activities, if planned and executed well, ther the promises nor the successes of “GATTACA.” Thus when synthetic biology
would not only inform the public about synthetic biology but rather to discuss its is caught in a media frenzy about Nean-
the active areas of synthetic biology re- struggles. A wonderful example of this
search but they would also help practitio- was recently written by Dr. Valerie “Biology,” continued on following page
ners prioritize efforts in a way that is Thompson, who is a Science and Tech-
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“Biology,” continued from previous page Area 3: When did I vote for that? Area 4: Don’t fence me in
derthal clones, the comments quickly go With support from the Sloan Foundation, An undergraduate student studying syn-
to the fanciful (“I want wings” and “grow the Woodrow Wilson Center for Interna- thetic biology for the first time wrote that
me a tail”). tional Scholars has recently undertaken a the approach “did not really make much
study of synthetic biology and they’ve sense to me until I was working through it
Of course what’s currently possible in the posted their work on a publically avail- on my own with my own project. Now
field is worlds away from what’s shown in able website (13) . The website reports that I fully understand it, I can easily see
the movies, and far more modest. Thus, trends in the field such as the number of why this method is used in living systems
a productive approach to engagement researchers involved and the crowd design” (20). The experience for this stu-
could be what Sydney Brenner has called source funding of particular projects. The dent is hardly unusual yet there are few
“think small then talk big.” If the public’s Wilson Center has also conducted polls physical spaces and opportunities for
engagement with synthetic biology could to gauge awareness and thinking about interested individuals to gain first-hand
begin with what’s currently possible synthetic biology. In a recent study (14), experience with synthetic biology.
rather than with some futuristic vision, they report that there is little change in
then the expectations and perceptions for the number of people who have heard of Citizen science opportunities in commu-
the field are likely to be more realistic. synthetic biology since 2010, the last time nity labs are rare but do exist. For exam-
Easy picking seems to be engagement their poll was conducted. They also found ple Genspace in Brooklyn, NY is a Bio-
activities around the charismatic and fun that the terms associated with the field safety Level 1 facility where they ask,
examples of synthetic biology that are continue to be words like, “unnatural” “remember when science was fun?” and
driven by a summer competition called “artificial” and “reproducing life.” People encourage hands-on participation in the
iGEM. The international Genetically Engi- they questioned in follow-up interviews new technologies of synthetic biology
neered Machines competition draws col- expressed concerns like, “what stops that and personal genomics (21). Their facility
lege teams from around the world who organism?” and “who is running this?” works much like a health club in that
compete to build a living machine from interested individuals can buy a member-
standard biological parts. Participation in Public concerns such as these might be ship that gains them access to lab equip-
the competition has grown quickly and addressed with reliable open forums for ment and to scientific experts to help
the sophistication of the projects that re- asking questions of experts. The Wilson them learn to use it. Members can take a
sult is impressive. Yet many projects each Center has worked with the “do it your- class, or work on a project of their own in
summer are reasonably straightforward self biology” community to launch a site the lab.
and could be explored as activities with called “ask a biosafety expert” (15), which
newcomers to the discussion. In a guided provides free professional biosafety ad- Extending this hands-on approach to
fashion, individuals can think through vice. In-person models for working with formal education settings, BioBuilder is a
that the building of a novel living system. experts such as the ECAST activities program that provides current research
As described by a high school student around nanotechnology and biodiversity topics in synthetic biology to teachers and
who was tasked with explaining synthetic are great working models for engage- students (22). The lessons begin with
biology to the school committee of his ment that directly addresses public con- online animations that set up the class-
town (12) , it’s possible to start with a sec- cerns (16) . Similarly, the Science Café room or laboratory challenge for the
tion of DNA that allows a cell to sense model has worked well with a great students and teachers to carry out. Once
carbon monoxide and another piece that number of scientific issues that raise the experiments have been performed or
makes a cell glow green and then put the questions and concerns among the pub- the topics considered, there is an online
strings of DNA together to make the cell lic. Indeed so many science cafes have forum for teachers to share best practices
glow when it senses carbon monoxide. been carried out around the topic of syn- and students to share data. Supported by
By beginning conversations this way, it’s thetic biology, including one in Washing- a non-profit organization (23), the three-
possible to illustrate how the unnatural ton DC, another in Seattle WA, and five part approach (animations to set-up the
and artificial products of synthetic biology in Canada, that there is a peer-reviewed work, hands-on activities to carry out,
are still understandable and how they publication that draws out the lessons then community forums to share findings)
can interact with the natural world in a learned from this particular approach (17). has been focused on synthetic biology
healthy way. It’s also worth noting that there are efforts but could be sensibly applied to other
within the community of practicing syn- science fields in the near future. Impor-
thetic biologists to make their work more tantly, the content is all freely available
transparent. For example within the online, though the laboratory reagents
workflow-design tool developed by Prof. and the teacher-training programs have
Doug Densmore at Boston University some fees associated with them.
there is a freely available “app” for ac-
cessing repositories of biological data (18),
and from SynBERC, the NSF-sponsored
synthetic biology research center, there is
a “biosecurity learning trail” that is near-
ing completion (19).
16
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5
Smolker, Rachel, 2013, “Genetically 17
Navid, Erin and Edna Einseidel,
Engineered Trees and Growing Synthetic 2012. “Synthetic Biology in the Science
Plants? No Thanks”, Huffington Post, Café: what have we learned about pub-
GREEN, The Blog (Published lic engagement?” Journal of Science
5/24/2013), http:// Communication., 11, no. 4. http://
Conclusion www.huffingtonpost.com/rachel- jcom.sissa.it/archive/11/04/
smolker/no-thanks_b_3326165.html Jcom1104%282012%29A02
This article has suggested four areas in
6
ETC Group, Collaborations. 18
Clotho App Website. http://
which the public can productively engage “Kickstopper! Putting a Stop to Synthetic www.clothocad.org/index.php/
in the discussions about synthetic biology, Biology Pollution” http:// app_store
and through which the practitioners of www.etcgroup.org/kickstopper 19
Synberc Website. http://synberc.org/
the field can benefit. While this two-way
7
Horner, Jack and James Gorman, content/safety-security 20. 2020
street is not unique to synthetic biology, 2009. How to Build a Dinosaur: Extinc- Blog. https://2020blog.21classes.com/
the opportunities are current and so par- tion Doesn’t Have to Be Forever. Lon- 21
Genspace: New York City’s Commu-
ticularly attractive. In the same way that don: Dutton. http://www.amazon.com/ nity Biolab. http://genspace.org/
the emergence of MOOCs (Massive How-Build-Dinosaur-Extinction-Forever/ 22
Biobuilder: Current research in
Open Online Courses) has led to a re- dp/B002IKLO0A teachable form. Resource for hands on
examination of teaching and a rediscov-
8
http://www.amazon.com/Regenesis- activities and informative animations on
ery of what has always worked “best” (24), Synthetic-Biology-Reinvent-Ourselves/ synthetic biology. http://
so can the emergence of synthetic biol- dp/0465021751 www.biobuilder.org/
ogy lead to broad discussions of effective
9
Church, George and Ed Regis, 2012. 23
Biobuilder: Current research in
approaches. If successful, the discussions Regenesis: How Synthetic Biology will teachable form. Resource for hands on
can engender complicated, sophisti- Reinvent Nature and Ourselves. New activities and informative animations on
cated, nuanced and highly informed York: Basis E-Books. synthetic biology. http://
views. Making sense of this new field,
10
Thompson, Valarie, 2013. biobuildereducationalfoundation.org/
described as “transformative technolo- LiveScience website, contributing article. 24
MIT Task Force website. http://
gies” (25) by some and as “franken- http://www.livescience.com/26797- web.mit.edu/committees/sll/tf.html
microbes” (26) by others, requires we all synthetic-biology-repurpose-bacteria-nsf 25
“Synthetic Biology: Influencing Devel-
be clear about what it is and what may -bts.html opment. Lloyds Emerging Risks Team
happen. And because the new material
11
Wikipedia article on the Vacanti Report” 2009.http://www.lloyds.com/
has not yet been codified to textbooks, an Mouse. http://en.wikipedia.org/wiki/ ~/media/Lloyds/Reports/Emerging%
effective approach to engagement will Vacanti_mouse 20Risk%20Reports/SyntheticBiology_
remind us all that science is a “practice”
12
Tyngsborough High School iGEM InfluenceTheDebate_ July2009_V1.pdf
rather than a collection of findings and Tiger Squad website referencing the an- 26
Reed, Genna, 2013. “Monsanto’s
facts. And wouldn’t it be ironic and won- nual IGEM competition. http:// Love Affair with Synthetic Biology: A
derful if the “synthetic” ends up recon- thsigem.weebly.com/index.html Match Made in Agricultural Hell”. Food
necting us to our “natural” approach for 13. Synthetic Biology Project website. and Water Watch. Blog post (February
understanding and improving the world? http://www.synbioproject.org/ 1, 2013), http://
14
DIY Bio webpage: a resource for do- www.foodandwaterwatch. org/blogs/
References it-yourself biologists. http:// monsantos-love-affair-with-synthetic-
ask.diybio.org/ biology-a-match-made-in-agricultural-
1
Carlson, Robert, 2007. “Laying the
15
“Tracking the Growth of Synthetic hell/
foundations for a bio-economy”, Sys- Biology : 2013 Findings”. From the
tems and Synthetic Biology. 2007 Au- Wilson Center. http:// Natalie Kuldell is Instructor of Biological
gust; 1(3): 109–117, online publication, www.synbioproject.org/process/assets/ Engineering at the Massachusetts Insti-
http://www.ncbi.nlm.nih.gov/pmc/ files/6302/_draft/findings_2013.pdf tute of Technology, Cambridge, MA.
articles/PMC2398717/
16
Worthington, Richard, Darlene Cava- She may be reached at
2
Biobricks Foundation SB 6.0, the 6th lier, Mahmud Farooque, Gretchen nkuldell@mit.edu.
International meeting on Synthetic Biol- Gano, Henry Geddes, Steven Sander,
ogy, 2012 conference program, http:// David Sittenfeld, David Tomblin, 2012.
sb6.biobricks.org/program/sessions/ “Technology Assessment and Public Par-
3
MIT Library website search, http:// ticipation from TA to pTA”. Expert and
www.nature.com.libproxy.mit.edu/ Citizen Assessment of Science and Tech-
nature/focus/syntheticsytemsbiology/ nology. (December, 2012) http://
4
Oliver Morton, 2005. “Life, Rein- ecastnetwork.wordpress.com/
vented”. Wired Magazine, issue 13.01, 2013/01/29/ecast-from-ta-to-pta-
http://www.wired.com/wired/ report-available-online/
archive/13.01/mit.html
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“Review,” continued from previous page was crushed and recycled into aspects of constructed with big gaps between the
the garden structure and walkways. vertical rocks. Already various plants have
Otis Booth Pavilion penetrated the wall and make very inter-
Nature Gardens esting patterns. The museum hopes these
The building itself has evolved, with a new cavities will become home for lizards, but
The 3.5 acres of the Nature Gardens used none have yet been seen.
entrance located on the opposite side of
to be parking, asphalt, and generally un-
the building from the former one. The six-
natural. There are several distinctive ar- Nature Lab
story, all-glass, Otis Booth Pavilion—
eas. One area attempts to show the vari-
located on a former parking lot, is now
ous historic vegetation patterns, while Nature Lab is on the lower, literally
the primary museum entrance and is ac-
throughout the gardens (the pond, the ground, level of the museum with easy
cessible from both surface parking and
“get dirty zone”, the edible garden and access to the outdoor Nature Gardens. It
convenient light rail stops. An elegant
the living wall), plantings have been se- is highly interactive and very engaging to
bridge reveals the entrance and the dra-
lected to be attractive to indigenous wild- a broad audience. The primary message
matically suspended 63 foot fin whale
life, especially birds and insects. Through of the gallery is to stress and demonstrate
skeleton hanging inside. The fin whale
careful and continuous observation in- the great natural diversity of the city of Los
specimen was previously in a horizontal
digenous wildlife are being documented Angeles. It claims to be the naturally most
position in an inside exhibit hall. The
and incorporated into the list of Exposition diverse city in the United States. There is a
ground level of the pavilion connects the
Park taxa. The edible garden contains facilitated and independent examination
Nature Garden directly with the Nature
various fruits and vegetables. The “get of numerous organisms, both animal and
Lab. This installation replaced 153,000
dirty zone” focuses on soil science and is plant. The examples include native spe-
square feet of asphalt parking lot. In the
more accessible to younger visitors be- cies, those introduced relatively recently by
process, 102,000 cubic feet of concrete
cause of the interactivity. The Living Wall is humans (both intentionally and inadver-
tently), endangered species and those with
reduced ranges and populations, fascinat-
ing behaviors, and numerous habitats
(including homes and yards). The presen-
tations point out everyday creatures – ro-
dents, ants, songbirds, etc. that can be
seen in many places. There is mention of
the history of changing environments as
the city grew and all manner of materials
and organisms were brought in to equip
the metropolitan area. This parallels Be-
coming Los Angeles in interesting ways
without mentioning it. Live animals on
display include snakes, rats, turtles, ants
and spiders. Exhibits are grouped under
topics including Life on the Edge, Surviv-
ing and Thriving, Respect the Rat, New in
Town, LA is a Biodiversity Hotspot, and
Aerial view before modifications LA’s Nature in Real Time.
LLOLA – Los Lizards of LA – investigate gathering economy. Then Mexican settlers Hall/Age of Mammals’ yang. And these
why there aren’t any lizards living in arrived, who formalized the city in 1781. very different presentations styles and
Exposition Park; The first change, well documented with contents are next door neighbors!
artifacts, was the impact of the Spanish
mission system which brought with it Euro- Finale
Los Angeles Butterfly Survey – a partner-
pean style farming with domesticated ani-
ship with Butterflies and Moths of North There is one area still to open. The reno-
mals and plants. This conscious manipu-
America (BAMONA) to share data and lation of the land for farming was very vated traveling exhibition galleries are
learn more about LA butterflies and different from hunting and gathering. due to be available in late December
moths. Mexican independence from Spain 2012, and will feature the only North
brought expanded trade; cattle now were American presentation of the Traveling
An example of the museum working in raised for trade to the outside for various the Silk Road: Ancient Pathway to the
collaboration with another organization is goods. This clearly changed land use and Modern World exhibition from the Ameri-
California Roadkill Observation System pressure on the native vegetation. By the can Museum of Natural History.
(CROS) through UC Davis Road Ecology time of the Gold Rush of the 1850s and
Observations
Center. This citizen science project re- 60s the cattle markets had expanded,
cords roadkills, the species, locations, and herds were larger and overgrazing was Dr. Jane Pisano and her staff, board, and
possible environmental situations. extensive. A header announces “Cows supporters have done a remarkable job
changed everything.” The late 19th century of evolving the Natural History Museum
The citizen science initiatives are readily saw rapid population increase: from of Los Angeles County. It now offers its
accessible on the museum’s website at 1,610 in 1850 to 50,395 in 1890 to guests an array of experiences in the gal-
http://www.nhm.org/nature. 576,637 in 1920 in the city alone. The oil leries (and this brief commentary does not
boom of the 1890s forced out the farms get into the numerous public programs
Becoming Los Angeles and created new forms of pollution. The presented on a regular basis). The various
exhibition details numerous interesting elements of NHM Next make this mu-
Becoming Los Angeles is a 14,000 square
examples of societal changes – mixed seum a much more interesting and pro-
foot exhibit, the largest in the museum. In
races, segregation, ostracism, etc., with gressive place. With these advances and
a very interesting way it merges human
fascinating photographs and portraits. In innovations in place, we now can look
and natural history with a clearly local
the 20th century, in addition to the ar- ahead to see what will be next in the
central story. The basic theme is how hu-
chtypical movie industry (local weather natural history museum universe.
mans enter and then reshape their envi-
was good for filming and the area offered
ronment, with the Los Angeles area being
diverse interesting backgrounds), power The changes at the NHMLAC have been
the environment under consideration. It
from nearby Hoover Dam supported a well documented, appraised, and com-
pronounces that it examines the
local aviation industry. mented upon by the media. As is to be
“relationship between nature and culture,
between human activity and the land.” expected, there are some differing opin-
Becoming Los Angeles is either history ions, particularly with regard to the style
“The Los Angeles environment has en- with a natural history twist, or indication
couraged human development, while its and storyline of Becoming Los Angeles.
that human history is inevitably affected Two very recent posts, one a television
natural events and transformations have and/or directed by natural history. Differ-
challenged human achieve- video and the other a New York Times
ent reviews have treated this gallery very review by a prominent museum critic, are
ment.” (graphic panel). differently. While I was occasionally per- well worth tending to: Voice of America,
plexed by the selection of artifacts and Los Angeles Natural History Museum Re-
The exhibition takes advantage of the
specimens, I enjoyed the intercalation of defined, August 9, 2003: http://
museum’s unusual collections; it started as
two usually separate approaches to the www.voanews.com/content/los-angeles-
the Los Angeles County Historical and Art
evolution of our modern world. natural-history-museum-redefined/
Museum, a name still embedded on the
side (original entrance into the Rotunda) 1726924.html and Rothstein, Edward,
Becoming Los Angeles is a fascinating
façade of the original building. Beyond Dioramas: Nature’s New Story,
contrast with both the traditional diorama
NY Times, August 2, 2013 http://
galleries - African and North American
It starts with Native Americans and their www.nytimes.com/2013/08/03/arts/
mammals – and the more progressive
use of natural resources via a hunting and design/the-remaking-of-a-los-angeles-
paleontology halls. The dioramas, literally
museum.html?pagewanted= all&_r=0.
next door, are still elegant and engaging
because of the taxidermy and settings but Robert Mac West is the editor and pub-
so lacking in the ability to a) represent the lisher of The Informal Learning Review.
actual diversity and interactions of the He may be reached at
organisms and various environments and ileinc@informallearning.com.
b) address visitor questions regarding the
animals’ behavior, anatomy, etc. These
are the ying to the Nature Lab/Dinosaur
Original entrance with original name
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Becoming Los Angeles artifacts exhibits Los Angeles residents over time.
The animal that impacted Los Angeles history Machinery from the oil boom days
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Technology developed during, and in sup- tured. They range from specimens of which visitors use plastic debris to create
port of, World War II was revolutionary in animals entangled in plastics to the stom- art, much of which hangs from the ceil-
its creative use of hydrocarbons to form a ach contents made up largely of plastic ing of the gallery. This is a real transition
variety of durable, light, and flexible mate- debris and fragments. The display of from STEM to STEAM (Science, Technol-
rials – plastics. This literally caused an ex- debris that was collected locally in the ogy, Engineering, Art and Mathematics),
plosion in the production of both exotics Puget Sound coastal area by University of as is occurring with increasing frequency
and everyday items. The contrasts that are Washington staff in collaboration with in various museums’ programming. This
provided between “original” and local organizations specifically for the area appears to be most attractive to
“advanced” things are really dramatic. exhibit, is a large and diverse pile. Waste youngsters and teens as well as Univer-
The differences in prosthetic limbs are ex- from many western countries is sent for sity of Washington students.
hibited in very helpful fashion. This part of recycling in third world countries, where
the exhibit also features some fascinating the people doing the recycling are ex-
videos of commercials from the 40s and posed to devastatingly toxic environments
50s. They are a wonderful celebration of – which thus do not have to exist in the
creativity and industry that not only feature developed world. A very graphic video
the products of their times but also happily illustrates this. Yet another example is
anticipate a plastic-dominated future filled plastic bags collected from local bins of
with disposable items. used and discarded materials.
In this section, no thought was given to Rethink Plastic artwork hanging from the Imagi-
issues of debris accumulation or environ- nation ceiling.
mental hazards such as ingestion by ani- A wall toward the end of the exhibit is filled
mals or chemical pollution. Of particular with suggestions/recommendations for Observations
interest is an example of the plastics prob- how we can rethink our behavior and per-
lem-solving accompanied by proliferation sonal uses and disposals of plastics in ways The initial evaluations – conduced in the
is a case that includes all the plastic used that will reduce the problem in the future. university environment – are generally
in a medical procedure on a museum This can be regarded as directive and pre- positive and supportive. The campus
staff member. Yes, the medical condition scriptive or, as is hoped, a very logical pro- evaluator looks forward to responses
was resolved, but the amount of debris gression from the dramatic representations and assessments from other museums
that resulted is really quite remarkable. of the environmental and economic chal- and their particular communities and
lenges produced by the modern plastic- environments.
dominated society. These suggestions in-
volve more attention to recycling, use of This is a significant exhibition, which I
recycled products, reduced plastic packag- hope will travel well and broadly, be-
ing, more use of compostable materials, cause of its creative and intense interdis-
elimination of plastic water bottles and ciplinary approach to a topic that some
disposable plastic bags (as an increasing will regard as too controversial to present
number of communities are mandating in a natural history museum. The Burke
through surcharges), and general aware- clearly doesn’t shy away from forcibly
Medical procedure debris and graphically demonstrating the very
ness of the composition of things we buy
and use every day. They are presented in a substantial and largely negative environ-
Reality – and Waste low-key fashion, quite different from the mental impacts of the proliferation of
dramatic and frequently challenging pres- plastic products as well as public behav-
And then, in the second major part of the entations in more dogmatic formats. ior with the disposal of those materials
exhibit, reality sets in. There are very real- when they are deemed used and excess.
istic representations of the sheer volume Imagination But it also places plastic as a very useful
and diversity of modern plastic use – and and flexible material into multiple cultural
virtually uncontrolled disposal and dis- The final area (and quite unexpected, and applications contexts, many of which
card of plastic bottles, bags, electronics, given the intensity of the main parts) of have and continue to make modern life
and so forth. The exhibits are set up to be the exhibit is one of artistic creativity in productive and affordable. The last area,
scaled so that visitors can see the volume where plastic waste is converted into ab-
of plastic disposal per person, per unit of stract and representational art, is a clever
time, etc. By connecting volume of dis- way of encouraging both creativity and
posal with personal behavior and com- recycling.
munity activities in comprehensible time
frames, the magnitude of the environ- Robert Mac West is editor and publisher
mental issue is made very clear. of The Informal Learning Review. He may
be reached at
Specific aspects of plastic waste and the ileinc@informallearning.com.
environmental consequences are fea- The wall of modern options for coping with
excessive plastic.
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Pre- and post-plastic prosthetic limbs and feet Digital age plastic-based junk – accumulates at 170 pounds per second
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