Professional Documents
Culture Documents
jazzguitar.be/blog/melodic-minor-modes/
The melodic minor scale is one of the most useful scales in jazz. In this lesson, you will
learn what the melodic minor modes are, how they look on the guitar and how you can use
them in your solos.
All the modes on this page have the A root, so you can hear the difference between the
scales. There is a sample lick included at the end of each mode description and fingering
so that you can hear and play these modes in a musical situation.
If this is the first time you hear about guitar modes or you are not surehow to use modes
in jazz, learn the modes of the major scale first.
If you need an introduction to the melodic minor scale and want to know when to use the
melodic minor scale, check out our How to Use the Melodic Minor Scale lesson.
Formula 1 2 b3 4 5 6 7
1/7
This melodic minor scale lick is based on a Wes Montgomery idea that brings to mind the
classic solos of this legendary player.
2. A Dorian b2 Scale
Other Names: Phrygian #6
Use On: b9sus4 chords
A Dorian b2 Scale A Bb C D E F# G
Formula 1 b2 b3 4 5 6 b7
2/7
Here, you will play a line that uses an extended Bb note (the b9) to emphasize that color
tone over the underlying chord. When applying lesser-used modes such as this one, it’s
always a good idea to emphasize the characteristic note to make it sound intentional and
not like a mistake in your lines.
A Lydian #5 Scale A B C# D# E# F# G#
Formula 1 2 3 #4 #5 6 7
Here you will use a triplet rhythm, as well as start the line on the #5 of the underlying chord,
both common ways to apply this scale to a soloing situation.
3/7
4. A Lydian Dominant Scale
Other Names: Lydian b7, Overtone scale
Use On: dominant 7(#11) chords (also see Tritone Chord Substitution)
Formula 1 2 3 #4 5 6 b7
Here is a lick inspired by the playing of pianist McCoy Tyner, and uses a few leaps and
an enclosure of the C# note to add color to the phrase.
5. A Mixolydian b6 Scale
Other Names: Mixolydian b13 scale, Hindu scale
Use On: dominant 7b13 chords
4/7
A Mixolydian b6 Scale A B C# D E F G
Formula 1 2 3 4 5 b6 b7
In this lick, you’ll use a rhythm pattern to work your way through the scale. Sometimes
something as simple as a rhythmic motive can create a good level of interest in your soloing
lines.
6. A Aeolian b5
Other Names: Locrian ♮2 scale, half diminished scale
Use On: m7b5 chords
A Aeolian b5 Scale A B C D Eb F G
Formula 1 2 b3 4 b5 b6 b7
5/7
In this Aeolian b5 lick you will focus on the Am9b5 arpeggio as you climb up and down that
shape to create this line.
7. A Altered Scale
Other Names: Super Locrian scale, Locrian b4 scale, Diminished Wholetone
Use On: dominant chords with altered tensions, also see The Altered Scale
A Altered Scale A Bb C Db Eb F G
Formula 1 b2 b3 b4 b5 b6 b7
6/7
The final lick in this lesson is based on the playing of jazz guitar master Pat Martino, and
focuses on the BbmMaj7 arpeggio that is diatonic to the scale.
 
Modes Of The Melodic Minor Scale For Guitar was last modified: June 8th, 2018 by Matt
Warnock & Dirk Laukens
7/7