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Much of our most pleasurable reading occurs with narrative texts. Typical
of this class are literary texts, by which I mean narratives that are richly
symbolic and include both an interpretable surface meaning and one or more
coherent subtexts (i.e., implicit thematic interpretations that run parallel to
the explicit surface-level meaning of the text). Examples include folk and
fairy tales, children’s stories, and many short stories and novels.
This study has three goals. The first is to examine what qualities of a highly
interpretative literary text are related to postreading situational interest. I
predict that multiple text characteristics such as coherence and informational
completeness will be related to situational interest. This prediction is consis-
tent with Schraw, Bruning, and Svoboda (1995) who reported that each of
these characteristics were related to situational interest in an expository text.
The second goal is to examine whether interest is related to different measures
of text understanding and personal response. I predict that interest will be
related to personal responses and to the sophistication of one’s interpretation,
but not to recognition test performance of main ideas. This prediction is
consistent with the assumption that interest is related to increased affective
responses and engagement with a text (Iran-Nejad, 1987; Schiefele, 1992).
The third goal is to extend previous research by examining whether compre-
hension of main ideas is related to a holistic interpretation of a text. I predict
that there will not be a relationship between these variables.
These questions contribute to the interest literature in several ways. One
is to examine which characteristics of a literary text are related to situational
The author thanks Ulrich Schiefele for his helpful comments on an earlier version of this paper.
436
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point scale described in the Method section. I expected higher levels of interest
to be related positively to more sophisticated interpretations. Although there
have been no studies examining the relationship between situational interest
and the construction of holistic interpretations, a number of theorists have
postulated that such a relationship exists (Graesser et al., 1994; Hidi, 1990;
Schiefele, 1992). Schiefele (1992), for example, proposed that higher interest
increases elaborative processing which, in turn, leads to the construction of
richer situation models (i.e., a mental model of the story’s events). However,
in an experiment with high school seniors, Schiefele (1996) found that per-
sonal interest was related to propositional representation, but not situational
representation.
The third research question concerns the relationship between the compre-
hension of main ideas and personal responses and holistic interpretations. I
predict that multiple choice recognition performance will not be related to
personal responses or the sophistication of one’s holistic interpretation. This
suggests that one can understand what van Dijk and Kintsch (1983) refer to
as the textbase without necessarily understanding the text at a more interpreta-
tive level, or responding to it in a more personalized manner. The assumption
that textbase comprehension and holistic interpretation may be unrelated is
consistent with a number of previous empirical findings (Graesser, Singer, &
Trabasso, 1994; Morrow, Bower, & Greenspan, 1990; van Dijk & Kintsch,
1983; Zwann, 1994).
In summary, this study extends the work of Schraw et al. (1995) using a
narrative text that is open to a variety of interpretations. I expected multiple
text characteristics to be related to situational interest. In addition, I expected
situational interest to be related positively to personal responses and the
construction of a holistic interpretations, but to be unrelated to performance
on a multiple choice test of main ideas. Comprehension of main ideas was not
expected to be related to either personal responses or holistic interpretations,
suggesting these two types of text processing are relatively independent.
METHOD
Participants. One hundred eighty-one undergraduates from a large midwestern university
participated as part of their regular course assignment. All of the participants currently were
enrolled in sections of an introductory educational psychology class.
Materials. The target materials consisted of (a) the sources of interest questionnaire (SIQ),
(b) the perceived interest questionnaire (PIQ), (c) an 870-word story entitled The Book of Sand,
(d) a 20-item multiple choice recognition test covering main ideas included in the story, and (e)
a response booklet in which each participant wrote a two-page reaction to the text. The SIQ
consisted of a 40-item questionnaire modeled after Schraw et al. (1995) in which individuals
indicated on a 5-point Likert scale the degree to which they agreed or disagreed with each
statement about the text (see Appendix A). The purpose of this instrument was to identify text
characteristics such as coherence and complexity that could be used in further analyses. The
hypothesized coherence dimension included statements pertaining to the text’s organization and
clarity (e.g., Events in the story flowed smoothly). The information completeness dimension
addressed whether the story provided the reader with enough information to fully understand
the text (e.g., The story presented all the important information the reader need to reach a
conclusion). The topic familiarity dimension measured the degree to which the reader was familiar
with the story’s content prior to reading (e.g., The story discussed a topic I have read about
before). The suspense dimension measured the degree to which the text was suspenseful and
captivating (e.g., The story was suspenseful). The thematic complexity dimension assessed
whether the text contained multiple meanings and interpretations (e.g., The story had several
possible interpretations). The vividness dimension addressed the degree to which the text con-
tained exciting and vivid details (e.g., The story described people, objects, and events in a highly
memorable way).
The PIQ contained 10 statements (e.g., I thought the story was very interesting, I would read
this story again if I had the chance) that were expected to yield a single interest factor. Ratings
were made on the same 5-point Likert scale used for the SIQ. The PIQ differed from the SIQ
in that the former focused exclusively on the reader’s assessment of his or her own feelings of
interest, whereas the latter focused exclusively on assessments of the text’s content and structure.
The text consisted of an 870-word narrative story entitled The book of sand by Jorge Luis
Borges (1977). While the story contained an easy to follow surface plot, it also contained a
number of richly symbolic interpretations beyond its explicit storyline (see Appendix C). This
story was selected because it was brief yet compelling, invited a number of parallel interpretations
beyond its surface meaning, contained a great deal of imagery, and evoked a feeling of mystery
and moral ambiguity that was likely to elicit a wide variety of interpretative responses.
The recognition test included 20 four-option multiple choice questions addressing both factual
and inferential main ideas from the story. The 20 items used on this test were selected from a
pool of 35 items that were normed with 15 additional participants. All final test items were
answered correctly by no more than 90 percent or less than 50% of test takers. The overall
success rate on the test was roughly 75%. Coefficient a for the test was .83.
Written responses were completed after the recognition test. Individuals were given brief
instructions asking them to describe what they thought the story meant and what kind of personal
thoughts and feelings it evoked in them (see Appendix D). Responses were grouped into two
main categories—interpretations and personal responses. Nine subcategories (four under interpre-
tations, five under personal responses) were identified based in part on a content analysis of
randomly selected protocols (Weber, 1985) and similar categories proposed by Many and Wise-
man (1992). The interpretations category included retellings, elaborations, interpretation of sym-
bols, and thematic inferences. The personal responses category included statements pertaining
to reader engagement, affective responses, thought provoking aspects of the text, empathy with
text characters and events, and relating experiences described in the text to one’s own life.
Appendix E provides a description of each of these subcategories.
Each written protocol was scored by the author and a trained graduate assistant. These protocols
served several different purposes. One purpose of the written protocols was to tabulate the
number of interpretative statements made about the text. These were summarized into four
categories that included text retellings, elaborations, interpretation of symbols, and thematic
inferences (see Appendix E). Initial agreement between the author and trained graduate assistant
was approximately 96 percent. All disputes were settled in conference. Approximately one percent
of statements were eliminated during scoring due to lack of agreement between the judges.
A second purpose of the written protocols was to tabulate the number of personal responses
made to the text. These were summarized into five categories that included statements pertaining
to reader engagement, affective responses, thought provoking aspects of the text, empathy with
text events and characters, and relating experiences described in the text to one’s own life (see
Appendix E). Initial agreement between the author and trained graduate assistant was 93%. All
disputes were settled in conference. Approximately 1% of statements were eliminated during
scoring due to lack of agreement between the judges.
A third purpose of the protocols was to measure the degree to which readers spontaneously
constructed a holistic interpretation of the text. Each protocol was assigned to one of six levels
of increasing sophistication. Level 1 consisted of protocols that included noninterpretive personal
reactions without clarification of symbols or main themes. A typical statement included in such
protocols was ‘‘I don’t think the author has one certain idea or concept he is trying to convey.’’
Level 2 included an explicit interpretation of prominent symbols without mention of interpretive
themes (e.g., ‘‘It seemed to me that the book represented life’’). Level 3 included isolated
thematic interpretations of events or episodes without interrelating them into a coherent thematic
model (e.g., ‘‘I suppose the author is saying we’re better off when we don’t know what we’re
missing’’). Level 4 included a holistic interpretation that integrated two or more main themes
(e.g., ‘‘The story portrayed the idea of greed and power to keep something unique. It’s really a
story about spiritual gluttony. It’s about the seventh deadly sin. It warns us against our own base
natures’’). Level 5 consisted of either a comprehensive interpretation of the text or comparison
of multiple interpretations (e.g., ‘‘I think the book provides a parallel to life. It is like life because
it’s confusing and haunting, but I believe it is more. Like God, the book neither begins or ends.
But it could also represent death which also is eternal. Like death, the book engulfs those it
comes into contact with’’). Level 6 consisted of an elaborated interpretation that was related to
the respondent’s personal experiences or other texts (e.g., ‘‘The book is a symbol of eternity,
and the story is about the man’s temptation. It made me think how once we lose something, we
can’t get it back. The story made me feel incomplete and very small because I have been in this
situation. Though the book will live forever, each of us will die. The moral of the story is to
treasure what we have without being possessed by it. We can overcome temptation if we try’’).
Holistic interpretations received a score from one to six using the definitions provided above
and several illustrative examples. Judges agreed on 85% of protocols during the initial phase of
scoring. All disputes were settled in conference. The proportion of protocols falling into each
of the six levels was as follows: Level 1 Å 55%; Level 2 Å 16%; Level 3 Å 19%; Level 4 Å
4%; Level 5 Å 3%; and Level 6 Å 3%. As these figures indicate, only 10% of the sample
spontaneously generated a well articulated interpretation. I attribute this to the fact that many
students are not accustomed to reading highly symbolic literary texts that require a high degree
of interpretation. Having additional time to reflect on the story, or to discuss it with others, no
doubt would increase the proportion of higher-level interpretations.
Procedure. Individuals participated in groups of 10 to 25 and received identical instructions.
All sessions were conducted by a trained graduate student. There were no time limits on any of
the experimental tasks.
Participants were told they would be reading a text in order to evaluate various aspects of its
organization and structure. Each individual received a typed, double-spaced copy of the story
and was asked to read it as carefully as possible. Individuals also were informed they could
reread the text and mark or underline their copy if they chose to. There were no time limits
during this phase. The approximate completion time of this stage was 10 min.
Following this phase, individuals were given the SIQ and asked to complete it as carefully as
possible. Instructions for completing the SIQ were included on its front cover. Next, individuals
completed the PIQ. There were no time limits on either of these tasks. The approximate comple-
tion time for both instruments was 10 min.
Individuals were asked next to complete the 20-item recognition tests without looking back
at the story. The average completion time was approximately 10 min. This test was followed by
the written response. Each response booklet contained cover instructions (see Appendix D) and
two sheaves of lined paper. The average completion time for this phase of the study was
approximately 30 min. Following this phase, all participants were debriefed.
All participants completed the experimental tasks in the same order. Materials were not
counterbalanced owing to the logical order in which tasks needed to be completed. For example,
the SIQ was given immediately after reading to identify salient text characteristics before readers
rated their own situational interest using the PIQ. The multiple choice test was completed next
for two reasons. One was that completing the essay may give participants a chance to rehearse
and elaborate text information. Second, by administering the multiple choice test first, participants
were allowed to refer back to the text when completing their essays, without confounding multiple
choice test results. Because all participants completed the multiple choice test under the same
conditions, there is no reason to believe it differentially affected essay performance.
RESULTS
Five separate analyses were performed. The first examined the factor struc-
ture and internal consistency of the SIQ and PIQ. The second investigated
the relationship between these two instruments using hierarchical multiple
regression. The third considered the relationship between the PIQ and recogni-
tion test performance. The fourth examined the relationship between the PIQ
and holistic interpretations. The final analysis examined the relationship be-
tween the PIQ and written responses. All correlations were tested using two-
tailed tests.
Factor Analyses of the SIQ and PIQ
The SIQ was analyzed using principal factor analysis with a varimax rota-
tion. Six factors were extracted, which accounted for 70% of the sample
variation in the instrument. The factors in order of variance explained were:
text coherence (eigenvalue Å 2.68, variance explained Å 15%), vividness
(2.35, 13%), thematic complexity (2.31, 13%), topic familiarity (1.76, 10%),
informational completeness (1.72, 10%), and suspense (1.64, 9%). Factor
loadings for individual variables are given in Appendix A. The internal consis-
tencies of each of the factors using Cronbach’s as were .81, .71, .78, .72,
.66, and .69, respectively.
The text coherence factor was characterized by statements addressing the
clarity, flow, and organization of the story’s contents. The vividness factor
included statements pertaining to the inclusion of imageable and memorable
descriptions. Thematic complexity assessed the degree to which the story
contained multiple interpretations, but especially those judged to be below
the surface text. The topic familiarity factor assessed the degree to which
reader were familiar with the story’s topic or had read similar stories. Informa-
tional completeness measured whether the story’s informational content was
sufficient. The suspense factor addressed the extent to which the story was
suspenseful and evoked a feeling of mystery. These factors were consistent
with the six factors reported by Schraw et al. (1995) with two exceptions;
Schraw et al.’s ease of comprehension and emotiveness factors were replaced
with the thematic complexity and suspense factors described above. These
differences can be attributed to changes made in the SIQ to meet the specific
goals of the present study.
Table 1 shows the correlations among each of these factors. Several of
these correlations exceed the traditional cutoff value of .30, indicating that
ab07$$0944
CORRELATIONS AMONG VARIABLES USED IN THE EXPERIMENT
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
1. Coherence —
2. Vividness .33 —
3. Thematic complexity .24 .34 —
4. Topic familiarity .11 .06 .24 —
5. Info. completeness .44 .42 .33 .33 —
09-29-97 14:25:43
6. Suspense .40 .32 .30 0.15 .07 —
7. Situational interest .58 .40 .46 .05 .31 .58 —
8. Recognition test 0.09 0.10 0.04 .06 0.12 .06 0.04 —
cepa
9. Holistic interpretation .21 .12 .29 .02 .22 .18 .33 .04 —
10. Retellings .00 0.04 .03 0.06 0.08 0.05 .02 0.26 .16 —
11. Elaborations .20 .14 .09 .13 .15 .21 .19 0.16 .35 .17 —
12. Symbols .16 .19 .18 .05 .13 .16 .32 0.08 .58 .06 .28 —
SITUATIONAL INTEREST
13. Thematic inferences .26 .13 .30 .03 .27 .19 .30 0.13 .88 .10 .28 .51 —
AP: CEP
14. Engagement .18 .11 .01 0.04 0.09 .28 .25 .10 0.14 .08 .05 0.16 0.17 —
15. Affective responses .12 .04 .11 .06 0.13 .12 .27 .17 .04 .01 .13 .10 0.05 .13 —
16. Thought provoking 0.02 .00 .09 0.07 0.19 .11 .17 .03 .06 0.04 0.04 .10 .04 .15 .31 —
17. Empathy .00 .02 0.05 0.02 .04 .09 .11 .04 .15 .05 .11 0.03 .08 .08 .17 .00 —
18. Personal experiences .18 .18 .23 .03 .13 .17 .25 .00 .36 .02 .11 .01 .26 .12 .22 .10 .26 —
Note. Correlations greater than .15 in absolute value are significant at the p õ .05 level. Correlations greater than .19 are significant at the p õ .01
level. N Å 181.
443
444 GREGORY SCHRAW
TABLE 2
MEANS AND STANDARD DEVIATIONS FOR ALL VARIABLES
Mean SD
Text characteristics
Coherence 26.70 3.44
Vividness 10.28 2.36
Thematic complexity 17.97 3.09
Prior knowledge 8.90 2.76
Informational completeness 9.16 2.47
Suspense 10.90 2.09
Situational interest 33.51 7.25
Recognition test 15.21 2.66
Holistic interpretation 2.01 1.14
Interpretive statements
Retellings .44 1.02
Elaborations 2.29 1.99
Symbols .52 .98
Thematic inferences 1.02 1.50
Personal responses
Engagement 1.28 1.17
Affective responses 1.15 1.16
Thought provoking .71 .89
Empathy .45 .75
Personal experiences .83 1.14
Note. N Å 181.
est. The finding that both the coherence and thematic complexity variables
explained additional variance replicated Schraw et al. (1995) who reported
that coherence and ease of comprehension explained roughly 40% of the
variation in interest after reading a technical expository text. However, Schraw
et al. (1995) did not include a suspense factor in their analysis, which may
have increased the relative contribution of coherence and ease of comprehen-
sion in their study.
In contrast, the topic familiarity, vividness, and informational completeness
factors did not explain any variation in situational interest even though they
explained a meaningful proportion of variance in the SIQ. The fact that
vividness and informational completeness failed to explain unique variation
can be explained by the fact that they covary with significant predictors
already in the regression equation. This was not the case with the topic
familiarity factor, which was uncorrelated with either suspense or coherence.
Thus, it appears that topic familiarity played little role in situational interest
in this particular story. This finding replicated Schraw et al. (1995) who found
that topic familiarity was unrelated to interest in an expository text. It is
important to note, however, that the present study used a story that did not
require a specific body of prior knowledge, or familiarity with the main topic
of the story. It is entirely possible that topic familiarity may play an important
role in interest using different texts (Schiefele, 1996).
TABLE 3
MEANS AND STANDARD DEVIATIONS FOR PERSONAL RESPONSE SCORES
Situational interest
literary text. Table 1 reveals that a number of the critical and personal
response variables shown in Appendix E are related to holistic interpreta-
tions. Though exploratory, these findings reveal the need for future re-
search that more carefully explores these relationships, especially the
degree to which personal responses may facilitate the construction of
holistic interpretations.
The present findings should be interpreted cautiously for two reasons.
One is that correlations suggest relationships among variables without
specifying the underlying causal nature of those relationships. For exam-
ple, the present study does not resolve whether text characteristics cause
interest, or the reverse. Nevertheless, they do indicate that some meaning-
ful relationship exists. A second reason is the use of a short text. Using
a longer text might lead to a different outcome between interest and
measures of response and interpretation. Indeed, one might expect a
longer, more complicated text to be more sensitive to the effects of inter-
est. For example, a longer text that places greater demands on memory
may reveal differences on the recognition test that did not occur here.
APPENDIX A
Items Included in the Sources of Interest Questionnaire
Coherence
Events in the story flowed smoothly (.71)
The story was well written (.71)
The information in the story was organized clearly (.65)
The story had a polished style (.45)
The story was easy to concentrate on (.41)
The story was easy to comprehend (.33)
The story was easy to read (.31)
Vividness
The story described people, objects, and events in a highly memorable way (.83)
The story contained a lot of descriptive imagery (.75)
The story contained vivid details (.69)
Thematic Complexity
The story had several possible interpretations (.75)
This story was thought provoking (.60)
The story had a deeper meaning that went beyond the surface words (.49)
The story made the reader do the thinking (.47)
The story made an important point (.45)
Topic Familiarity
The story discussed a topic I had read about before (.83)
The story covered a topic I knew a lot about (.63)
The story contained information I already knew (.36)
The story was like others I have read (.35)
APPENDIX A—Continued
Informational Completeness
The story presented all the important information the reader needed to reach a conclusion (.77)
The story felt complete (.58)
The story made a lot of sense overall (.54)
Suspense
The story was suspenseful (.83)
The story was mysterious and haunting (.57)
The story grabbed by attention (.35)
APPENDIX B
Items Included in the Perceived Interest Questionnaire
APPENDIX C
The Book of Sand
I live alone in a fourth-floor apartment on Belgano Street in Buenos Aires.
One day, what seems like an eternity ago, I heard a knock at my door. I
opened it and a stranger stood there. He was a tall, gloomy man with nonde-
script features. He was dressed in gray and carried a gray suitcase. I saw at
once that he was a foreigner. During the course of our conversation, I found
out he was from the Orkneys.
I invited him in, pointing to a chair. He paused awhile before speaking.
‘‘I sell Bibles,’’ he said.
Pointing to my bookcases, which included a number of Bibles, I said, ‘‘As
you can see, I don’t need any more Bibles.’’
After a few moments of silence, he said, ‘‘I don’t only sell Bibles. I can
show you a holy book I acquired in India. It may interest you.’’
He opened his suitcase and laid the book on the table. It was an old book
bound in cloth. There was no doubt it had passed through many hands.
Examining it, I was surprised by its great weight, as if something heavy was
hidden inside.
‘‘Nineteenth century probably,’’ I remarked, while inspecting the cover.
‘‘I don’t know,’’ he said. ‘‘I never found out.’’
I opened the book at random. The script was strange to me. The pages
were laid out in double columns like a Bible. In the upper corners of the
pages were Arabic numbers. The left page in front of me was numbered
40,514 and the right page 999. I turned the leaf; it was numbered 84,385,129.
It also bore a small illustration of an anchor.
It was at this point that the stranger said, ‘‘Look at the illustration closely.
You will never see it again.’’
I noted my place and closed the book. At once, I reopened it. Page after
page, I looked in vain for the illustration, but could not find it.
Then, as if confiding a secret, the stranger leaned toward me and said, ‘‘I
acquired the book for a handful of rupees and a Bible. Its owner did not
know how to read. He told me his book was called the Book of Sand, because
neither the book nor the sand has any beginning or end.’’
The stranger asked me to find the first page. I opened the book, but it was
useless. Each time I tried, a number of pages came between the cover and
my thumb.
‘‘Now find the last page.’’
Again, I tried, but failed. In a voice that was barely mine, I said, ‘‘This
simply cannot be.’’
Still speaking in a low voice, the stranger said, ‘‘It can’t be, but it is. The
number of pages is infinite, with no beginning and no end. Perhaps that is
why the pages are numbered randomly.’’
He continued to speak while I examined the book. Then, with feigned
indifference, I asked, ‘‘Do you intend to offer this curiosity to one of the
museums?’’
‘‘No,’’ he said, ‘‘I’m offering it to you.’’ He stipulated a very high price.
In exchange, I offered him my monthly pension check and a Wyclif Bible,
knowing I could not approach his sum.
‘‘It’s a deal,’’ he said.
It amazed me that he didn’t haggle. Only later did I realize that he had
entered my house with his mind made up to sell the book.
We talked about India and the Orkney Islands for awhile. It was night
before he left. I have not seen him again, nor do I know his name.
I concealed the Book of Sand among my other books as carefully as I
could. I went to bed but could not sleep that night. At three or four in the
morning, I turned on the light. I got down the impossible book and leafed
through it. On one of its pages, I saw an engraved mask, which I never saw
again.
I showed my treasure to no one. To the luck of owning it was added the
great fear of losing it, and the misgiving that it was not infinite. These twin
preoccupations intensified my regular bad temper. I had only a few friends
left and now I stopped seeing them. A prisoner of the book, I almost never
went out. I spent all my hours searching the book. Never once was an illustra-
tion or a page repeated. At night, in the meager intervals my insomnia granted,
I dreamed of the book.
Summer came and went, then autumn, until I realized the book was mon-
strous. I felt the book was a nightmarish object, an obscene thing that mocked
reality. I knew I had to destroy it before it consumed me.
I thought of fire, but feared that burning an infinite book might suffocate
the planet with smoke. Somewhere I remember reading that the best place to
hide a leaf is in the forest. Before retirement, I worked at the Argentine
National Library, which contains over five million volumes. I knew of an
obscure place in the basement hidden by a staircase where maps and periodi-
cals are kept. One day I went there and, certain that I was alone, lost the
Book of Sand on one of the basement’s musty shelves.
APPENDIX D
APPENDIX E
Interpretations
Personal Responses
5. Engagement: Statements pertaining to interest, liking, or curiosity about
information in the text.
6. Affective responses: Emotional responses to information included in the
text.
7. Thought provoking: Statements pertaining to the text’s ability to evoke
thought, speculation, or analysis.
8. Empathy and perspective taking: Statements indicating the reader has
adopted or understands the author’s or character’s perspective.
9. Relate to personal experiences: Statements relating events or themes in
the text to personal life experiences.
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