The Potbelly Hill

for violin, cello, bass clarinet in Bb and prepared piano

Onur Dülger
2017

© 2017 by ONUR DÜLGER

All rights reserved
2 How to Play the Multiphonics
PERFORMANCE NOTES
PIANO
This symbol is used to show the location of the hand
movement inside the piano.
Staffs: 4 or 5 staffs are used where the top staf stands for
voice of the player. Each hand has two ordinary staff
and one additional staf for the actions inside the
piano. Most of the time the extra stuff for the left
hand is not there since the left hand usually plays on
the keyboard.
Visualisation: There are three different kind of
visualisations on the score, which are action,
location and results.
Auxiliary Objects
1) A light and small object (a node-obstacle) such as a plectrum is put on a mono- chord
string, to rest on a slot of the copper winding. (kept in the right hand)
Book A4 size
2) The corresponding key is hit quite loudly and held pressed. (left hand)
Bike Tube
3) The plectrum is soon released upwards away from the string (right hand)
Glass Bottle
4) The key is released at latest after the sound has faded completely, or earlier (left hand).
Also, the pedal can used, in which case the decay can be regulated more.
Super Ball
Plectrum
For more information about playing the multiphonics
on the piano visit the following page to download the
thesis regarding the multiphonics:
Book dampened:

Multiphonics: A Book (on the top staff) with the size of A4 http://ethesis.siba.fi/files/vesikkala_thesis_2016_fulltext.pdf
The right hand finger touches the node paper is placed on the given strings (middle
which lies at the given procent of the staff). Then a clusters or notes are played on the
string(top staff), then lifts after playing keyboard (bottom staff) with cross note-heads.
the given note in the left hand(bottom
staff) so that overtones occurs(middle
staff).This technique should be
perfomered like a gutiar harmonic
playing technique.

Superball Rubing:
A superball (top staff) is played on
Pluck on the string: the given strings (bottom staff).
The right hand holds the plectrum and plucks
the string (top staff) on the given string (middle
staff). At the bottom staff the note is an
orninary note which s played on the keyboard.
Cluster:
A chromatic cluster is played on the
keyboard.

Plectrum granulation:
The right hand holds the plectrum
and makes a horizontal glissando Horizontal Glissando
(top staff) on the given string All chromatic tones should be played
(bottom staff) which causes between the given notes with a
granulation (bottom staff). plectrum inside the piano towards the
given direction.

Tube Rubing:
Rub the given strings (bottom staff)
inside the piano (top bottom).

List of piano multiphonics

Plectrum granulation:
The right hand holds the plectrum
and makes a glissando (top staff) on
the treble bridge string.

Glass glissando & dampened:

A glass or a glass bottle, which should be
so long to cover a tritone intervall, which
should be placed on the given strings
(bottom staff). The glass should be moved
then horizontally. Occationally the glass
can be moved also vertically as it can be
seen on the left ( bottom staff). While
right hand is acting inside the piano, the
left hand playes the given notes (bottom
staff) with cross note-heads.
 http://www.cellomap.com/index/the-string/multiphonics-and-other-multiple-sounds/further-examples-of-multiphonics.html
3
STRINGS
Bowing Directions and Pressure
Pizzicato Multiphonics
Quarter tones The open string is much more present in the sound The bow moves vertially on the string and in this
than for bowed multiphonics. The mid-high particular left hand makes also large glissando while
one quarter tone higher one quarter tone lower
harmonics are weak; harmonics above the 10th partially over pressure to full over pressure of the
semi tone higher semi tone lower
seem to be inaudible. The multiphonic effect is bow is applied. There should be rattling sound.
three quarter tone higher three quarter tone lower
notably more pronounced on the lower strings.
Cello Positions Violin Positions
tp : tail piece mst : molto sul tasto
ws : wrapped strings st : sul tasto
bb : behind the bridge Artificial Multiphonics Pizzicato on Two Strings
ord : ordinario
msp: molto sul ponticello sp : sul ponticello These function in a same way as pure Pizzicati are applied on the given strings by using two
sp : sul ponticello msp: molto sul ponticello multiphonics but they are produced as stop fingers, one finger or each string while making a
ord : ordinario bb : behind the bridge multiphonics. The principe is the same. glissando.
st : sul tasto ws : wrapped strings Chewing the Bow Hair
mst : molto sul tasto tp : tail piece
Turn the backside of the instrument. Bow the back
Bow pressure levels plate of the instrument and pressing down on the
hair of the bow, making rotation motions. If the
Artificial Multiphonic Glissando
: under pressure middle part of the bow is used, the sound quality
: ordinary pressure The same artificial multiphonics are played with will be bright. If the frog part used, the sound will
: partially over pressure, halfway between "ordinary" and "over pressure" glissandi. It is difficult to sustain a consistent be darker.
: over pressure multiphonic effect, but reliability improves with
practice. Trill with growing interval
: noise symbol for over pressure
Trilling finger goes further away from the lower
List of cello multiphonics used in this piece Pure Multiphonics
finger while the overalls glissando.
In general, to perform a multiphonic, I play
with light left-hand finger pressure and a Double Stopped Multiphonics Seagul effect
medium-slow, fairly heavy bow stroke, In general, it is quite problematic to play The effect is performed so that the left hand
further from the bridge than for normal multiphonics simultaneously on two strings. This is interval should be kept fix between the stopped and
harmonic playing. These conditions are because the bow position and speed are very specific harmonic fingers while making the glisssando. As a
relative to the ‘usual’ playing technique for in the case of multiphonics; slight alterations cause result broken upwards glissandi are heard.
the highest harmonic that contributes to the them to ‘break up’ into single harmonics. The most
multiphonic, so they vary from multiphonic reliable way of double stopping multiphonics is to Double stop harmonics
to multiphonic: the bow stroke will be chose two multiphonics that are in parallel positions Two different harmonics on the neighbour strings
lighter, faster and closer to the bridge if the on two strings. The sound is distorted and difficult are played simultanously.
multiphonic contains high components to sustain consistently.
(e.g., 12th, 13th harmonics) than for
multiphonics with only mid-range Sub Harmonics
Double stop glissado
harmonics. Undertones (or subharmonics) are pitches below the Two different harmonics on the neighbour strings
fundamental frequency of a string.  The pitch is
http://www.cellomap.com/index/the-string/multiphonics-and-other-multiple-sounds.html make glissando simultanously.
usually a minor seventh below the fundamental but
Controling Loudness and Overtone Content can vary. Several different pitches might be possible. 
Undertones require high bow pressure and a very
The scope for varying bow pressure, bow speed and point of contact in multiphonics is limited
consistent bow speed at the lower end of ‘normal’
compared to normal playing, and even compared to performing harmonics. In general, these
playing.  In general they are easier to produce when
factors control the loudness and noisiness of a multiphonic. However, they also influence Double stop trill
the point of contact is not very close to the bridge. 
which harmonics take part in a multiphonic and can block high/low components. Therefore, Two different harmonics on the neighbour strings
when trying to change the loudness or colour of a multiphonic, it is very easy to ‘break up’ the are played simultanously, but one of them make trill
multiphonic and find yourself playing a single harmonic. A balance between flexibility of with another harmonic of the same string.
colour/loudness and reliability of multiphonics is difficult to achieve. In summary:
Winding Granulation
-Increasing bow pressure increases loudness and encourages a distortion-like sound. High It is played with the winding metal (top staff) of Double stop tremolo
bow pressure favours the lower harmonics, making them loudest in the mix of harmonic the bow on the given (bottom staff) open string. It Two different harmonics are played on different
components. It also encourages the open string (‘first harmonic’) to contribute to the sound causes rattling sound. strings one after another with the given bow change.
and can restrict high harmonics.

-Decreasing bow pressure makes a multiphonic sound quieter and ‘purer’. Low bow pressure
can restrict the lower harmonics in a multiphonic.

-Increasing bow speed increases loudness and encourages higher harmonics, eventually cutting
out lower harmonic components.
Wrapped Strings' Sound For more information about playing techniques for
-Decreasing bow speed decreases loudness and encourages lower harmonics, eventually It is played on the wrapped part of strings visit the following page:
cutting our higher harmonic components. the string behind the bridge. If you
move the bow vertically towards the http://www.cellomap.com
-Contact points quite close to the bridge encourage noisiness and favour low components, fine tuning screws, the sound gets
sometimes restricting high harmonics and allowing the open string to sound. higher and brighter.

-Contact points very close to the bridge produce a ‘purer’ sound and favour high components,
sometimes restricting low harmonics.
4
BASS CLARINET
VOICE
Carton Preparation Closed Mouth
This preparation is a sheet of card. It's fixed to the bass clarinet's The given note should be sang while mouth is closed by
bell opening with a bulldog clip (the bass clarinet can be protected saying "hmm". Black circle on the top of the note indicates
by gluing felt to the metal edges of the clip or by using bluetack). that mouth should be closed.
It’s actually not so easy to find the right balance of the carton, so
having a few different thicknesses to try is probably not a bad idea. Mouth Closed to Open
When you make a crescendo on the lowest note "C" at some point The given note should be sang while mouth is closed the
it begins to make a clattering noise. These can be combined with on the given beat it begins to open. When it becomes fully
singing, flutter tongue and overblown spectral multiphonics. For open, a vowel is indicated. Black circle on the top of the
more information and how to produce them visit: note goes yo open circle means it gets open.
https://heatherroche.net/2014/03/24/
on-bass-clarinet-preparations/
List of clarinet multiphonics Airly Whistle
Please find these multiphonics on the Harry Don't be too loud and be carefull not dominate the other
Sparnaay's book called the bass clarinet with the sounds. The quality of the whistle should be airy. It can be
number below them!!! combined with glissando or trill.

88 Beginning with the page of PDF is 104 Whistle Trill

02 41 13 08
06 06 Don't be too loud and be carefull not dominate the other
86 87
sounds. The quality of the whistle should be airy. The
interval of the trill is an minor 2nd.

Changing Vowels
03 06 08 The vowels are changing rapidly when the moth becomes
30 40 66 open.
65 79
List of clarinet dyads
Vocal Fry Granulation
Please find these dyads on the Heather Roche's
webpage with the numbers below them!!! Vocal Fry is the lowest vocal register and is produced
through a loose glottal closure which will permit air to
https://heatherroche.net/2014/08/08/on-close- bubble through slowly with a popping or rattling sound of
112 280 108 110 a very low frequency.
110 108 dyad-multiphonics-for-bass-clarinet/
113 112 112 111
Overblown Spectral Multiphonics For more information about the techniques please see the
These sounds are produced on the book called "The Techniques of Singing" by Nicholas
lowest register of the instrument. Isherwood.
Theses are basically the overtone
series of the instrument. These effect
can be combined with other effects If you have question, please do not hesitate to write me. My
like singing, flutter tongue, etc. For e-mail adres is
more information and how to
produce them visit: dulger@bu.edu
https://heatherroche.net/2016/09/26/
spectral-multiphonics-bb-and-
bass/
Slap tongue & Multiphonic
The slap tongue sounds emanates from a vacuum created between the reed and the
mouthpiece. We create and release this vacuum by pressing the tongue to the read,
creating a suction, moving the reed back from the mouthpiece facing and then releasing
our tongue. This snapping back to the mouthpiece creates that fantastic slap sound. if
you slap tongue on a multiphonic fingering, you get a chord. For more information and
how to produce them and also see the video of it, visit:
https://heatherroche.net/2014/04/04/ https://heatherroche.net/2014/08/25/
on-clarinet-articulation/ how-to-slap-tongue/

Reed Tapping Granulation

This technique involves flicking or tapping the reed with the
right hand while holding down different keys with the left
hand, producing short articulated pizz-style sounds. For more
information and how to produce them and also see the video
of it, visit:
https://heatherroche.net/2017/01/08/
reed-tapping-articulation/
For more information about playing techniques for strings visit
the following page:

https://heatherroche.net
 The Potbelly Hill
CREED for violin, cello, bass clarinet in Bb and prepared piano
0" 1" 4" 9" 14" 21" 28" 33"
Onur Dülger
q=52 ppp 6
mf
1 2 3 4 5 s 7 2017
° 3 Œ ∑ 4 ∑ 5 ∑ 6 ∑ Ó™ 4 ‰™ Ó™ ∑
Voice & 4 4 4 4 œ 4
hm
o
[e7, f7] ee
EEE E eee
ã ã ã ã ã ã ã ã ã ã ã ã 4 ã ™ EE EEE
3 #O 3 5 6 ‰™ Œ ∑ 4 G≈
4 G≈ ‰ Ó G ‰ ™ Ó™
&4 Œ II #B œ 1
6 ≈
Violin 6 & III #Oœ 2 4 4 4 6 e
1
E E E
granulation: very slow bow

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ slow bow on wrapped strings

3 ~~~~~~~~~~~~4~~~~~~ ‰ ™ Ó 5 6 ‰™ Œ ∑ 4 ‰ ™ Ó™
4 Π4 4 4 4
™
¢ ppp ppp mf
mf ppp mf p f
ppp mf
° s
3 Œ ∑ 4 ∑ 5 ∑ 6 ∑ Œ 4 ‰™ Ó™ ∑
Voice & 4 4 4 4 œ 4
hm

winding granulation

3 4 5 6 ‰™ Œ ∑ Œ 4 ‰™ Ó™
4 Œ 4 ‰ ™ Ó™ 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4
ppp mf pp mf
ppp mf ppp

Violoncello
“µ”e #µB eee B ee
[5+9+13+4]
[6+11+5]
n ee [7+10+13+3] ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã n ee
?3 4 ‰ ™ Ó™ 5 ne 6 ‰™ Œ ∑ 6 4
¢ 4 Œ BO 4 &4 B O 4 Œ 4 ≈ ‰™ Ó™ ?
G M
µ O IV (sul C) E§ +55¢
M III (sul G) Bb +47¢
M I (sul A) Eb +37¢

° 3 Œ ∑ 4 ∑ 5 ∑ 6 ∑ Ó™ ‰ 4 ‰™ Ó™
Voice & 4 4 4 4 4 œ œ
nœ ppp
pp mf
Œ æ æ æ ææ ææ ææ ææ ææ
# œæ æ æ
Bass Clarinet
in Bb flutter
™ ≈ µœ clattering noise
ã ã ã ã ã ã ã ã
3 4 ææœ ææ ææ ææ 5
4 ææ ææ ææ ææ æ ™ 46 #e ‰™ Ó ‰ µœœ 4 ‰™ Ó™
¢& 4 Œ
∑ 4 4
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pp mp pp mf pp mf prepared
pp mp \
with carton
p
q=52 ppp mf
s
° 3 Œ ∑ 4 ∑ 5 ∑ 6 ∑ œ 4 ‰™ Ó™ ∑
Voice & 4 4 4 4 4
hm

(action) touch the node pluck touch the node pluck granulation with a plectrum
> > ~~~~~~~~~~~~~~~~~~~~~~~~~~~
3
4 ‰ ® ™ Ó 4 ‰
4 - Ó ‰ ™™ 5
4 ‰™ ∑ 6
4 Œ ∑ Œ - Œ ‰ - Ó 4
4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~ Ó
%18,8 %30,8 %23,1 %23,1
p f ppp
Piano
R.H.
[6+11+5]
[10+13+3] [9+13+4]

B>e. b>6 ã ã ã ã ã ã ã ã ã ã ã ã ã B>ee. [9+13+4] ee

(sound) ã ã ã
‰ ™™ #µee 45
3 4 ‰ 6 Ó ‰™ ∑ 6 e >6 ?4 6
& 4 ‰ ® µee Ó 4 4 e Œ ∑ Œ Œ ‰ Ó 4 e Ó & 66
e mp mp ◊Ÿ
>. >. >. > e
>. >
M Bb +47¢ M Eb +37¢ M M E§ +55¢
(action) >œ >
6 F# +55 ¢

4 ˜Oœ Œ Ó™
? 43 ‰ ® BO ‰ ™™ œ 44 œ ‰ ™™ B œO 45 ‰™ Ó 4 .µOœ Ó™
&‰ ™™
Piano Œ Ó ? Ó œ. œ Ó Ó ∑ ?
L.H. ¢ œ. . . > & 4
mf “‘> >> >. > p> . > mf . > > f◊Ÿ
mp “‘ > mf
° ° ° ° ° ° °
© 2017 by ONUR DÜLGER
All rights reserved
2 38" 42" 46" 51" 56" 59" 1'01" 1'08" 1'12"
s Gs , 15
airy whistling
°8 9 o 10 o b˙œo 11 o
#œo œo #œo
12 o 13 14 pppp f 16
3 nœ 5 #œ 4 œ 3 œ 3 6 7 4 5
Voice & ∑ 4 4 4 4 ‰™ Ó 8 ∑ 4 #œ 8 œ ‰™ Ó ‰ 4 ∑ 4
pppp hm i

[g#6, a6]
#n ee ™™ # %% ™™ n# ee [a#6, b6]
[g#6, a6]
3 5 4 3 ‰™ Ó 3 ∑ 6 7 ‰™ 4 5
Vln. œ 4 & nœO ™™ 3 4 4 4 8 4 ~ ™™ 3 8 µnn OœO Ó ‰ 4 ∑ 4
µb œO ™™
1
2 µb ww
1
~ ™™ 2 nœ
1 1
e

sub harmonic: slow bow

3 ™ 5 4 3 3 6 7 4 5
4 4 4 4 ‰™ Ó 8 ∑ 4 8 ‰™ Ó ‰ 4 ∑ 4
¢ ff
p f pppp ppp

s Gs ,
pppp f
° 3 5 #œo 4 3 3 6 7 4 5
Voice & ∑ 4 ∑ 4 Ó 4 4 ‰™ Ó 8 ∑ 4 œ 8 #œ ‰™ Ó ‰ 4 ∑ 4
pppp hm e

slow bow on wrapped strings

sub harmonic: slow bow
™ ‰™
3 5 4 3 3 6 7 4 5
4 >. >. >. > ™ 4 4 4 >. ‰ ™ Ó 8 ∑ 4 8 4 4
Œ ‰
f ppp ff ppp fff pp
mp
EEE
EEE III (sul G)
? 3 5 4 3 ‰™ Ó 3 ∑ 6 7 G≈ 6 4 G ≈ ‰™ Œ ‰ 5
Vc.
¢ 4 4 4 4 8 4 6 8 E
4 œ 4
Ϫ E
e™
s
pppp
° 3 5 4 3 3 6 flutter ææ ææ ææ ææ 7 4 æ
flutter
ææ ææ ææ 5
Voice & 4 œ ‰™ Ó 4 ∑ 4 #œ 4 ‰™ Ó 8 ∑ 4 œ
ææ 8 æ ‰™ Ó ‰ 4 œæ 4
œ œ œ œ æ œ
f hm p
ppp fff

ã ãããã ã ãã ãã ãã ã ã ã ã ã reed tapping granulation: imitate the violin

clattering noise
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ‰™ œ ã ãããã
B. Cl.
¢&
3
4 ‰™ Ó 5
4Ó e 4
4 #e e #e e 43 Ó 3
8 ∑ 6 µe
4 œ
7
8 ‰™ Ó ‰ 4 æ æ ã æã ã æ 45
4
pppp ææ ææ ææ ææ ææ ææ æ prepared
æ æ æ æ
ppp with carton \
f fff p
s Gs ,
° o airy whistling
3 #œ œo œo 5 œo #œo œo œo œo o
4 #œ œo œo œo œo œo œo œo o
3 #œ 3 6 pppp
7 f
4 5
Voice & ∑ 4 4 4 4 ‰™ Ó 8 ∑ 4 œ 8 ‰™ Ó ‰ 4 ∑ 4
pppp hm a
hold both plectrum
plectrum granulation on the treble bridge and bike tube in
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã granulation touch the node the hand!
‰ 3
4 ÍÍÍÍÍÍ Ó 5
4Ó ÍÍÍÍ Ó
4
4
3
4 ‰™ Ó 3
8Œ ≈
6
4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7
~~~~~~~~~~~~~~~~~~~8~~~~~~~~~~~~~
‰™ Ó ≈ 4
4 Ó™ 5
4
%23,1 %18,8

f pppp ppp fff

Pno.
“”>. > B>ee. >. ã ããã ã ããã ãã ããã ã ã
L.H.
n 66. [9+13+4] [6+11+5]
∏∏∏

ãã ã ã ãã ãã ã
3 66 ã
∏∏∏

(location)
& ‰ 4 Ó 5
4Ó Ó 4
4 ∑ 3
4 ∑ ?3 Œ ≈ e 6
8 4 b6
7
8 G≈ ‰™ Ó & ≈ µee
4
4 Ó™ ? 5
4
ff p ◊Ÿ n e.
>6. > >
M E§ +55¢ 666
#>œ. 4 #>œ ? Œ ≈ µ>
M B>O. Bb +47¢> ™
Pno. ? Ó™ ‰™ 66 43 ‰™ Ó 5
4∑ ‰ ™™ 4 Ó™ 3
4 ∑ 3
8 Oœ. >. 46 > Œ ∑ 7
8
666 ‰ Ó ≈ œ 44 Ó 5
4
R.H. ¢ .. . & 6
ff >
◊Ÿ> > mp
mp ◊Ÿ
fff p
° ° °
 1'17" 1'23" 1'29" 1'34" 1'39" 1'43" 1'48" 1'53" 1'55" 2'00"
s 3
17 18 ppp 19 20 21 22 23 24 25 26
° 5 ∑ 6 Ó™ œ 4 œ #œ œ œ #œ 2 œ 9 3 ‰™ Ó 5
Voice & 4 4 4 4 8 4 8
hm

o
5 œ 6 4 ‰ ™ Ó™ ∑
#e 2 ‰™ Œ 9 ∑ 3 ã ãããã ããã ã ããã 5
Vc. 4 œ 4 œ œ 4 & 4 8 4 6 8
e e e e ## œO
bow speed: increase decrease
sub harmonic: slow bow granulation: very slow bow

~~~~~~~~~~~~
5 6 4 ‰ ™ Ó™ 2 ‰™ Œ 9 3 ~~~~~ ~~~~~~~~~ 5
4 4 4 ∑ 4 8 ∑ 4 8
¢ ppp ppp p
mp f mp f mf ff

s
ppp
° 5 ∑ 6 ∑ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 2 9 3 ‰™ Ó 5
Voice & 4 4 4 4 #œ 8 4 8
hm

5 6 4 ‰ ™ Ó™ 2 9 3 5
4 4 4 ∑ 4 8 ∑ 4 8
™ ‰™ Œ
f ™ ppp pp mp
mp f
mp f mf ff
ãã ã ãã ã ã ã # 㜠eo B[5+9+13+4]
ee
ã ã ã ã bœ ã ããã IV (sul C) ã b㜠ã ã ã ã ã ã ã II (sul D)
ã ã ã ã
Vc.
?5 6 㜠™ œ 4 ‰ ™ Ó™ ∑ B Oœ 2 ‰™ Œ 9 ∑ 3 #ee 5
¢ 4 4
œ™ œ
4 4 8 &4 8
M ˜ O II (sul D) F# +55 ¢

° 5 æ ææ ææ æ ææ 6 ææ ææ æ ææ 4 æ ‰ ™ Ó™ 2 9 3 5
Voice & 4 œæ œæ 4 æ
#œæ œæ æ
#Ͼ
4 œ ∑ ∑ ∑ ∑ 4 ∑ 8 ∑ 4 ∑ 8
f mp f mp ff

ã ã ã
ã ã ã ã ã ããã ã ã ãã ã ã ã ããã ã ã ã ã ã ã ã ã ã ãã ã ã ãã ã ã ã ãã ããã
ã
Œ œ
‰™ µœ
5
B. Cl. & 4 æ
¢ ææ æ ææ
6
4 æ æ ææ ææ
4 æ ‰ ™ Ó™
4 ∑ ∑ ∑ ∑ 2 œ
4
9
8
3
4 Œ #eœ 5
8
æ æ æ æ
ppp
pp
f mp f mp ff
s
ppp
° 5 ∑ 6 Ó Ó ˙ ˙ 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ 2 9 3 ‰™ Ó 5
Voice & 4 4 4 4 8 4 8
3 3 3 3 3 3
hm

granulation touch the node

~~~~~~~~~~~~~~~~6
5
4 Œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~ ~~ ~~~~~~~~~~ ~~~~~~ 4
4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~ ‰ ™ Ó™ ∑ ∑ 2
4 ‰™ Œ 9∑
8 ® ™ 3
4 Ó 5
8
~~~ %23,1
mp f mp f mf ff ppp p ppp p ppp

ã ããã ã ã ããã ã ã ãã ã e e [9+13+4]

ã ãã ã ã ã ããã ã ã ãã ã ã ããã
ã ã ã ã ã ã ã B>ee. >. >. >.
Pno. ? 45 Œ n6 nb66 6 ã
#n66
ã
nb66 4 G ≈ ‰ ™ Ó™ ∑ ∑ 6 6 2 ‰™ Œ 9∑ ® 3 Ó 5
4 4 & 4 8 e 4 8
L.H.
◊Ÿ
>.
>. 666 6 ™™™™ >>
#™nœœ. . > ™ # œœœ 2 >
666 >66. ™™ ‰ ™™ 66666 44 66 ‰ Ó™
F# +55¢
Pno.
R.H.
?5 ™
¢ 4 Ó ‰ ™™ 666 666 6
4 Œ ‰ ™™ 666 >. ‰ ‰
™™ Ó™ &‰ Ó ∑ Ó™ ‰ ™™ 4 Œ 9∑
8 ?® ˜œ
O
. . .
3
4 . Ó 5
8
◊Ÿ >. >. 6. >. 666 “p‘ > > > >
° “‘ >66. > . pp
mp
M
°
mf ff >
° ° °
 2'04" 2'06" 2'11" 2'16" 2'23" 2'27" 2'32" 2'36"
4 s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ppp # œo
°27 5 ∑
28
4 œ
29 30
6 ‰™ Œ ∑
31
4
32 33
7 ‰™ Ó
34

‰ 43 ∑ 6
Voice & 8 4 4 4 8 4
ppp mp
hm

ee eee eee
eee eee eee
ã ã ã ã ã ã ã ã ã ã 4 ã ã ã ã ã ã ã ã ã6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã EEE eee eee eee e eee eee eee
5 6 6 G ã≈ 46 6 6 7 ≈ ‰ 43 6
Vln. &8 4 6 6 6 4 6 4 e e
6 e e
8 G ‰™ Ó ∑ & 4
E e e e e e e e e

increase

~~
5 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~6~~~~~~~~~ 4 7 ‰™ Ó ‰ 43 6
8 4 4 4 8 ∑ 4
™
¢ ppp p ppp p mp p f

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
œ
° 5 ∑ 4 #œ 6 ™ ‰ Œ ∑ 4 7 ‰™ Ó ‰ 43 ∑ 6
Voice & 8 4 4 4 8 4
pp p pp p pp ppp mp

5 4 6 ‰ Œ 4 7 3 ‰ Ó 6
8 ‰ Œ™ 4 ∑ ∑ 4 4 ∑ ∑ 8 4 4
pp p mf p mp f mp
“”µ[6+11+5] B ee
e
e [5+9+13+4] n ee
Vc.
5 ‰ Œ™ 4 ∑ ∑ ? 6 en
‰ Œ 4 ∑ ∑ 7 3 ‰ Ó 6
¢& 8 4 4 BO 4 8 4 4
M III (sul G) Bb +47¢ M
µ O
IV (sul C) E§ +55¢

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s
œ ppp
° 5 ∑ 4 Œ 6 ‰™ Œ ∑ 4 Œ bœ 7 ‰ ™ ‰ #œ 3 6
Voice & 8 4 4 4 8 4 4
pp p pp p pp hm p mf

flutter
# œe œ
5 4 ‰ Ó™ 6 µee 4 7 ‰ µe 3 6
B. Cl. & 8
¢ 4 ∑ 4 Ó™ 4 ‰ Ó™ ∑ 8 Œ œ 4 4
œ ææ
mp pp ææ ææ ææ mp f
p mf p

s s
ppp ppp
° 5 ∑ 4 bœ 6 ‰™ Œ ∑ 4 œ 7 ‰™ Ó ‰ 43 ∑ 6
Voice & 8 4 4 4 8 4
hm hm

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
5
8
4
4 ‰™ ‰™ Ó ‰™ 6
4 Π4
4 ‰™ Ó™ Ó™ ‰ ™™ 87 Ó ‰ 43 6
4
%18,8 %23,1
ppp p ppp pp mp pp mp pp mp pp p
plectrum granulation

ee eee on the treble bridge [9+13+4]

>. eee
[6+11+5] B>ee.
Pno. 5
& 8 n66
4
4 ‰ ™ bb666 ‰™ Ó ‰ ™ µe 46 ∑ Œ 4
4 ∑ Ó Œ? ‰ ™™ e 87 Ó & ‰ 43 #b666 6
4
L.H.
n ee. .
>> >.
b œ>œ. >. b œ>œœ.
b >œ. b >œ. >œ™ M Bb +47¢
œœ #œ>œ. nbœ>œ. #œ>œ. M E§ +55¢
? 58 4 Ó™ Ó™ ‰ ™ BœO 46 ‰™ 4 ‰ ™™ 87 ‰ 43 Ó 6
& ‰™
Pno. Ó ? ?
R.H. ¢ &≈ 4 ∑ & 4 Œ Ó Ó Œ Ó 4
. >.
mp > >. mf œ
µ O
p mp pp . . mf
°
“‘ °“>‘ >
 2'39" 2'46" 2'51" 2'55" 3'01"
SACRAMENT 3'08" 3'12"
Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Gs , 5
35 œ 36 37 38 39 pppp 41 f
° 6 4 5 ‰™ ∑ 6 40
3 bœ 5 3
œ ‰™ ∑
œ œ œ
Voice & 4 4 4 4 #œ 4 nœ 4 4
p f hm e
[f7,gb7] [f7,gb7]
o
nn ee bn eeo [d#7, e7]
o
#n ee
o
ee o
nn ee nbeeo [g7, ab7]
[g#6, a6]
[d7, eb7]
bn ee ™™
[c7, db7]
bn ee ™™ nn ee [e7, f7]
[e7, f7] #n %% ™™
#O # Oœ 3
6 #B#OœO 3
#µnOœO nB# OœO 4 #B#OœO 5 3

‰™ ∑ 6 3 ™ 5 #O 3
Vln. &4 #œ 2
1
µnœœO nœ 4 #œ 4 nBOœ
1
2
1 4 ~ ™™ 3
4 n˜#nœOœO ™™™ # O™
µnœœO ™™™ 4 #B#œOœ ‰ ™ ∑ 4
II 1
#œ II µb ww
1
~ ™™ 2
III III 1

6 4 5 ‰™ ∑ 6 3 5 ‰™ ∑ 3
4 4 4 4 4 4 4
¢ p f ppp f

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Gs ,
œ pppp
3
f
° 6 4 5 ‰™ ∑ 6 3 3 3
bœJ 5 3
nœ ‰ ™ ∑
œ #œ #œ nœ œ
Voice & 4 4 4 4 4 #œ 4 4
p f hm a

slow bow on wrapped strings

‰™
6 4 5 ‰™ ∑ 6 3 5 3
4 ∑ 4 Œ 4 4 4 4 ∑ 4
p f ppp f
#µB eee eee e eee
[7+10+13+3] eee eee eee ee eee
Vc.
? 46 4 ne 5 6 3 5 ≈ 3
¢ ∑ &4 Œ B O 4 ‰™ ∑ 4 6 6 4 e
6
e
4 G ‰™ ∑ 4
M I (sul A) Eb +37¢ e e e e e

flutter flutter 3
ææ æ
° æ æ æ bœæ nœæ œæ œ 3œ œ
3
6 4 ææ ææ ææ ææ 5 6 æ ææ ææ ææ ææ ææ 3 5 3
Voice & 4 ‰ Œ ∑ 4 œ 4 œ ‰™ ∑ 4 #œæ 4 œ œ œ æ æ æ 4 œ ‰™ ∑ 4
p p f ppp f

æ
æ ææ æ ææ æ
# æœ œæ # æœ ‰ ™
æ ææ œæ b œæ
flutter overblow
Ͼ
6 µ˜eœe 4 5 6
Œ
3 5 3
B. Cl. & 4
¢ ‰ Œ µœ 4 4 æ ‰™ ∑ 4 4 4 ∑ 4
ææ ææ ææ ææ æ ‰™
œ
mp p f ææ ææ ææ ææ ææ ææ ææ ææ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
# œo s Gs ,
° 6 4 5 ‰™ ∑ 6 pppp
œ œ 3 #œ #œ 5 f
nœ ‰ ™ ∑ 3
Voice & 4 4 4 4 œ 4 4 4
2 2
p f hm i

granulation granulation
6 ‰™ Œ ∑ 4 ~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰™ 5 Ó™ 6 3 ~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ 5
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4 ‰™ Œ ™ 3
4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~ 4 Π4 ~~~~~~~~~~ ~~~~~~~~
~~ ~~~~~~
~~
~~4~~~~~~~
~~~~~~
j 4
%30,8
mf p ff place the glass ppp f
[10+13+3] between given
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
µ>ee. (location) ã ã ã ã ã ã ã ã ã ã ã ã ã≈ strings!
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã 6 ã #6
6 ‰™ Œ ?4
#
G ‰™ 5 Œ œœ Ó™ ?6 3 5 ã 3
Pno.
L.H. &4 ∑ 4 6 &4 4 b6 n6 4 #6 4 G ≈ ‰™ Œ ™ &œ
œ 4
e ◊Ÿ >6. ◊Ÿ
666 >.
b œ>œœ 6 666 >6. >6. >. >6.
66 66 666 666
6 Œ ? 6666 ‰ Ó™ 4 M Eb +37¢Ó™ Ó™ 5 6666 ‰ Ó™ >6. >. 6 >. 666 ‰ ™ 3 666 5 666 ‰ ™ Œ ™ 3
&‰ ™
Pno. ? ‰™ 666 4 ‰™ Ó™ ‰ ™™ Ó ‰ ™™ ¿¿
R.H. ¢& 4 4 4 6 4 64 666 & 4
. BO 66
“‘ > mp œ
. f ff
◊Ÿ
mf f
>.
pp mf
p
° > f ° “‘ °
°
 3'17" 3'21" 3'27" 3'34" 3'40" 3'44"
6
°42 3 ∑
43
5 ∑
44
6 ∑
45

∑
46
3 ∑
47
4 ∑ 6
Voice & 4 4 4 4 4 4

ã ã ã ã ã ã ã #µ eeo
pizz.
arco III (sul G)
ã ã ã ã œ ã ã ã IV (sul C)
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã
II (sul D)
#œ ™
3 5 6 bœ 3 ‰ Œ # # BOOœ 44 6
Vln. &4 Bbœ 4 #œ ‰ ™ Ó™ nœ 4 œ ™ œ 4 2
1
4
#œ œ œ™ œ # œ 4
1
mp mf mp mf
p

™
™
3 5 ‰™ Ó™ 6 3 ‰™ Ó 4 ∑ 6
4 4 4 4 4 4
¢
mp f mp f mp f mf ff

° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6
Voice & 4 4 4 4 4 4

sub harmonic: slow bow

3 5 6 3 4 6
4 4 4 4 ‰™ 4 ‰™ Œ 4
Ó ∑
mp f mp f mf ff p

“” [5+9+13+4]
B ee
pizz. µe nB ee [5+9+13+4]
[6+11+5]
e n ee
Vc.
3
? ne 5 e
n 6 œ œ 3 ‰™ 4 ‰™ Œ 6
¢ 4 µ eO
Ó 4 BO ∑ 4 œ œ œ 4 4 4
III (sul G) Bb +47¢
e e e e µ OIV (sul C) E§ +55
M IV (sul C) E§ +55
f
¢ f M e M ¢

° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6
Voice & 4 4 4 4 4 4

overblow
>œ.
B
Bnn œµ œœœœ
#˜n˙EE ˜œ
œ
# œe
n# ˙E
3 Ó œ 5 6 Œ 3 # n ee 4 ‰™ Ó ‰ ™™ 6
B. Cl. & 4 4 4 4 µœ 4 4
¢ œ n˙ µ˙
ppp
ææ ææ ææ ææ ææ
mp
p ff p f \

° 3 ∑ 5 ∑ 6 ∑ ∑ 3 ∑ 4 ∑ 6
Voice & 4 4 4 4 4 4

granulation
~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~
3
4 GÓ
5
4 G∑ 6
4 Ó™ ~~~~~~~~~~~~~~~~ ™™
~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ™™
~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~
~~
3
~~~~~~~~~~~~4~~~~~~~~ ‰™ Ó 4
4 ∑ 6
4
~
pp mf p f mp ff
place the book ã ã ã ã ã
between given ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
G‰ strings! ã ã ã ã ã ã ã ã ã ã ã ã ã ã
3 ?5 œ 6 ã ã 3 ã 4 6
Pno.
L.H. &4 œœ œœ 4 œ G∑ 4 Ó™ b6 n6 6 4 G≈ ‰™ Ó 4 ∑ &4
◊Ÿ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >¿. 3 >¿.
3 n¿ 5 6 4 Ó™ 6
Pno.
R.H. ¢& 4 ¿ n¿ #¿ # ¿ 4 ¿¿ ‰ ™ Ó & ‰ ™™ ¿¿¿ ‰ ™ 4 ‰™ Œ ? ¿ b¿ #¿ n¿ n¿ n¿ n¿ #¿
b¿ ¿ ™™ ¿¿¿ 4 ¿¿¿ ‰ Ó 4 ≈ ™‹#œœ ∫œ
#nœœœ nœœœœ bœœœœœ œœœœœ 4
n¿ ¿.
mf pp mf > >. >. >. > ◊Ÿ pp
° mf ff mp f mp f mp f mf ff °
° ° ° ° °
 3'49" 3'55" 4'02" 4'06" 4'13" 4'17"
, ,
G mf s Gs , 7
p mp f
48 49 50 51 52 53
° 6 bœ 3 œ 6 4 7
nœ ‰ ™ Œ ∑
œ œ œ œ ∑ ∑
Voice & 4 nœ #œ œ œ 4 #œ 4 4 8
e hm e

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
[d7, eb7]
[e#7, f#7] [g#7, a7]
n# ee n# ee[f#7, g7] bn eŸe G be
[a7, bb7]
[a#6, b6]
nb %% ™™ G be ## ee . nb ee
.. bO ™
™ O #O n O n O ## œO G n.O pizz. b O ™™
bµnœœO
3

& 4 B#n~w bB bœœO

6 3 6 4 7
~w ™™™ G µn nœœO µ n œO 4 B#nOœOœ ‰ ™ Ó nO
4
Vln. 1
2
1
4 µœ Œ 4 ∑ œ8
#œ µœ
2 2 p mf
mp

6 3 6 ‰™ Ó 4 7
4 4 4 Œ 4 ∑ 8
¢ p f mp f
s Gs , G, s
p f p
3
° 6 nœ #œ #œ nœ
3
nœ bœ
3
bœ bœ 3
3 6 œ ‰™ Œ ∑ 4 ∑ ∑ 7
Voice & 4 nœ nœ 4 4 4 8
hm a hm

slow bow on wrapped strings

™
6 3 6 4 7
4 4 4 ‰™ Ó ® ™™
4 ∑ 8
p mp p mp p f mp f

eee e eee eee eee eee eee eee

eee II (sul D) B ee #µB eee [7+10+13+3]
eee eee e
eee ee eee ee eee eee I (sul A)
nœ #œ eee œ pizz. n O ™™
Vc.
6 6 6 3 6 6 ™ #ee [5+9+13+4]
? ® µœ b O ™™ 4 ne ˜œ 7
¢ 4 6 6 & 4 & 4 ‰ Ó & œ O ™™ 4 ∑ & B O
?®
µœ 8
e e e e e e e e e e œ e e e e e e œ #O ™™ I (sul A) Eb +37
¢
e M ˜O
M mp
p mf f
flutter
mp
3 3
° 6 œ œ bœ bœæ nœæ nœæ œæ œæ æ œ œ œ # œ ææ ææ ææ ææ ææ æ ™ 3 6 4 7
Voice & 4 æ æ æ #œ æ æ æ ææ æ nœ ‰ 4 ∑ 4 ∑ 4 ∑ ∑ 8
3 3 p
mf

ææ ææ ææ
œ ææ ææ ææ
BBµ œœœœœ ææ ææ
æ ‰™ ˙
Ó™ µ ˙ # ˙˙ #˙ #˙
6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã 3 ∑ 6 4 ˙# ˙
n 7
B. Cl. & 4 4 4 4 8
¢
pp mp pp mp
\ ™
ææ ææ ææ ææ ææ ææ ææ ææ æ‰ Ó
f p
, G, s
f p
° 6 œ œ bœ ‰ ™ Œ ∑ 3 ∑ 6 ∑ 4 ∑ ∑ 7
Voice & 4 œ 4 4 4 8
2
i hm
pluck
> ∑ 4 > Ó™
6
4 ‰™ Œ ∑ 3
4 ∑ 6
4 Œ - 4 - ∑ 7
8
b œ>œ. œ>œ. # œ>œ. nb œ>œ. >œ.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >6 >6 4 >6 ™ #œ
6 ‰™ Œ 3 6 Ó™ ‰ ™™ 7
&‰ ™
Pno. ∑ ∑
L.H. & 4 G œ. ¿ # ¿ ¿ ¿ # ¿ 4 4 Œ 4 Ó Ó 8
G œ f¿ ¿ # ¿ # ¿ mp
mf mp
mp

Ÿ~~~~~~~~~~~~~~~~~~~~
Pno. ? 6 ‰ ™ Ó™ 3 6 4 666 7
b ∫#∫œœœœœœ &‰ ™™ œ. ‰ ™™
∑ ?
R.H. ¢ 4 ‹œ. 4 Ó 4 œ Ó
#œ
‰ Ó 4 ∑ ‰ Ó 68
> n¿ #¿ n¿ n¿ >
mf
>
mp
#œ >.
f “‘ mp ° ° mf °
° °
 4'22" 4'26" 4'33" 4'40" 4'47" 4'54" 5'01"
8 s Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
s
pp
Gs ,
mp p Gs ,
mp
°54 7 ∑
55
6
ppp
56
pp
‰™ Œ ∑
57

Ó™
58
œ
59
60

bœ œ 7
Voice & 8 4 bœ œ #œ œ #œ 8
hm hm a hm uouoaii a uouoai

≥ ≤ ≥ ≤ e≥ ≤≤ ≤ ≤ # e≥ n e≤ ≤ ≤ ≤ n e≥ # e≤ ≥ ≤
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~# e
n% n e≥ ≤ ≥ ≤ # e≤ ≥ ≤ ≥ ≥ ≥ ≥ e b e≥ ≥ # e≥ # e ≥ b e
e # e G ne e #e e e e e Ge e n e≥ n e≥
e e b% e be
arco
be e . e e e e . # OOœ b O nb Oœ
#O nO n OOœ ##Oœ ## Oœ bb OOœ n O #n Oœ
7 6 bOOœœ bOOœœ n OOœ bOOœœ bn~w 3
nn Oœœ # bœO 3
nnOœ œ bœ # O b œ 7
& 8 µœ ‰™ Ó ‰ 4 bbbOœOœ #OOœ #n OœO n OOœ nœ
3 3
3 œ #œ
#~w
1 1 1
Vln. 1
4
1
1
œ G BO
4
1 2
4
1 œ œ œ
4
1 G BO
2
#œ 4
1
8
II- III II I
f

7 ‰™ 6 7
8 Ó‰ 4 8
¢
ppp p pp mp p mf p mf p mf mp f mf ff f

s Ÿ, ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
pp p Gs mp p Gs ,
mf mp
° 7 6 Ó™ 7
Voice & 8 ∑ 4 ∑ bœ œ #œ ‰ ™ Ó™ Ó™ œ nœ bœ #œ 8
hm a hm uouoaii a uouoai
≥ ≤ ≥ ≤ ≥ ≤ ≥
7 6 7
8 ‰™ Ó ‰ 4 ™ ™ ‰™ ∑ Œ ‰™ Œ
8
ppp p pp mf mp f mf

B ee [5+9+13+4]
B ee ™™ nµ ee ™™ “”[6+11+5] e
[7+10+13+3] µe
n µ ee nµ ee
# ee ™™ e
Vc.
arco
# ee # ee ™™ ee # ee M ˜ e # e
? 7 nœ ™
¢ 8 ‰ Ó‰
6
4 ˜O ˜Oœ ™™ ‰™ ∑ Œ #µ Oœ nµ Oœ ‰ ™ Œ µ#eO µ# Oœ 7
8
œ ˜Oœ ™™ IV(sul C) # œ same on
f M same on IV III (sul G) B +47¢
IV (sul C) F# +55¢ III III M G +37¢ IIIth string
IIIth string IV III III III
IV IV IV IV
s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ flutter
pp mp mp
° 7 6 æ ææ ææ æ 7
Voice & 8 ∑ 4 Ó bœ #œ ‰ ™ Ó ∑ #œ ‰ ™ œæ bœ œæ nœ 8
hm
œ œ
pp mf
æ æ
æ æ
overblow ææ œææ B œææ
ææ
œ B œæ œæ
#œ
#˜nœee n œe
œ œ œ #˜œe #œe nœ Œ µœ
7 œ
6 œ œ œ œ
µee bBœee œe
e ‰™ #œ
ã ã ã 87
B. Cl. & 8 ‰™ Ó ‰ 4 ‰™ ∑ Ó Œ œ œ ‰™ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
¢ µœ nœ nœ
ppp p œ bœ œ p f
œ
pp mp ææ ææ ææ ææ ææ
mf
s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
,
° pp mp p mp Gs
7 ∑ 6 ‰™ ∑ ∑ œ œ 7
Voice & 8 4 bœ œ #œ œ bœ #œ #œ 8
hm hm a uouoai

8 Ó™ Ó™
7 ‰ 6 ™ ® ™ ® ‰ ∑ ∑ ∑ 7
4 L.H.
8
ppp mp
ee eee eeee eeeee
>.
# œœ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Pno. 7 ‰ ™ Ó ‰ & 46 ‹#œœ bœ bœ ‰ ∑ ∑ ∑ Ó™ R.H. œœ ¿ #¿ n¿ #¿ ¿ #¿ ¿ #¿ n¿ #¿ n¿ #¿ 87
L.H. &8 nœ .
œ
GG œ ¿ ¿ # ¿ ¿ # ¿ ¿ G G
f mp
…
7
8 ∑ 6
4 ∑ Œ ™™ ™™ ™™ ‰ ™ Ó™ ∑ Ó ‰ 7
8
pp mp
666 ‰ Ó ≈ ™ ¿¿¿ 6 ¿¿¿ ‰ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7
Pno. ? 7 Ó™ ∑ Ó ‰ ¿ b¿ n¿ b¿ n¿ n¿ b¿ 8
R.H. ¢ 8 6 ¿. 4 ¿ nœ nœœ œœ œœ nœœ L.H.
>. ◊ Ÿ > >. ° ° ° ° ◊Ÿ
f p° mf
°
 SACRIFICE
5'08" 5'12" 5'15" 5'22"
<Ÿ>~~~~~~~~~~~ 9
f 62 63 64
°61 7 #œ ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6
Voice & 8 4 4 4 4
# e≤
b e≥
™
bµ œœ ™
#n Oœ pizz.
O µbœœ . . .
7 nœ ‰ Ó ‰ 43 ∑ 6 bœ ™ ‰™ Bœ. Bœ 4 bœ. ‰™ Œ µœ. . . . . . . . . 46
&8 4œ µœ. . . . . . . . . . . . . . . . . œ. . . . . . µœ. 4 nnœœ
Vln.
. . . . . . . .. . n œ. ™ II-III
µœ. . . .
IV II-III
p mf p mf mp
. p

7 ‰™ Ó ‰ 43 6 ‰™ 4 ‰™ Œ 6
8 ∑ 4 4 4
¢
fff
<Ÿ>~~~~~~~~~~~~~~~~~
° 7 ffœ ‰ ™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6
Voice & 8 4 4 4 4

7 3 6 4 6
8 ™ ™ 4 4 ‰™ ‰ ® ™ 4 ‰™ Ó 4
fff p

#Bµ eee ™™™

™™
nBµ eee ™
ne ™ ™ .
Vc. ne
? 87 B O BnOœ ™™ ™™ 3 6
pizz. µœ
#œœ ‰ œ. . . . . . . . . . µœ. . . . . . . µœ. 4 µ n œœ µœ. . . . . . . . 6
4 4 ‰™ œ. . . . . . ® nœ ˜œ. 4#˜œœ ‰ ™ Ó ˜œ 4
¢ nœ IV . . . . . . . . n œ. II-III
p mf II-III mp
mf p mf
ff
° 7 #œ ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6
Voice & 8 4 4 4 4

slap bœ
>. >.
µ™ ˜eœe 6 µ˜eœe ™™™
˜# ee
7 ã ‰™ Ó ‰ 43 Ó ‰ µœ 4 ‰™ Œ ≈ µœ ™ ≈ ˜œ 4 Ó 6
B. Cl.
¢& 8 4 ‰™ 4
™ ‰™ sfz sfz p mf p mf
fff p
<Ÿ>~~~~~~~~~~~~~
° 7 œ
ff
‰™ Ó ‰ 3 ∑ 6 ∑ 4 ∑ 6
Voice & 8 4 4 4 4

7
8 ‰™ Ó ‰ 43 ∑ 6
4- Ó ÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍ Ó
4 Œ
4
6
4

<Ÿ>~~~~~~~~~~~~ “” b 666
∏∏∏
∏∏∏

7 66 b66
Pno.
L.H. & 8 n¿ ‰ ™ Ó ‰ 43 ∑ 4 Ó Ó 4 Œ
4 ® ¿#¿n¿b¿ n¿#¿ ¿ ¿n¿ n¿#¿ ¿b¿n¿b¿n¿ #¿ ¿b¿ n¿ b¿ ¿ ¿ 46
fff mp p
mf f

…
7
8 ‰™ Ó ‰ 43 ∑ 6
4 ∑ 4
4
6
4

Pno. ? 87<Ÿ>~~~~~~~¿¿¿ ‰™ Ó ‰ 43 ∑ 6
4 ∑ 4
4 ¿#¿ ¿ ¿#¿#¿ ¿n¿#¿ ¿#¿ ¿n¿#¿ n¿#¿ ¿ ¿#¿ ® ‰ ‰ ® n¿#¿ n¿ 46
R.H. ¢ ¿
p
:◊; ° ◊Ÿ mf mp
fff ° ° ° °
10 5'27" 5'34" 5'38" 5'43" 5'50" 5'57"

°65 6 ∑
66
4 ∑
67
9 ∑
68
6 ∑
69

∑
70

∑ 3
Voice & 4 4 8 4 4
µ>O ™ >
B>O Bb OO µ>OO
. . µœ. µ . #OO ™™ nO b
Vln.
6
&4 . . µœ. ≈ ‰ µœ 4 œ
. . . . . 4 ˜œ. n O ™ Œ ‰ n O nOO ‰ 98 bnOO ‰ Ó™™ 6
4 ∑ ∑ ∑ 3
4
.µœ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . #O
III-IV
f
. p f fff

™ ≈‰ ‰ Ó™™
6 4 Œ ‰ ‰ 98 6 3
4 4 4 ∑ ∑ ∑ 4
¢
° 6 ∑ 4 ∑ 9 ∑ 6 ∑ ∑ ∑ 3
Voice & 4 4 8 4 4

6 4 9 ™™ 6 3
4 ‰™ Œ 4 ‰ ™™ 8 ‰Ó 4
‰ ‰™ Œ ∑ 4
p f p p f
B ee #µB eee
B O bB OO
arco

Vc. . . . . . . . . . . . . .˜ œ. . . . µœ. n#OO ™™ n OO 9 n OO ™™ n ee

? 46 . . . µœ ‰ ™ Œ 4 6 ‰ & B neO ‰™ Œ ∑ 3
¢ Bœ. . . . . . . . 4 . . . . . . . . . . . µœ. # O ‰ 8˜ O ‰ Ó
. . . 4
µ O
4
III-IV µ œ. . . . . . . . . . . . µO IV (sul C) E§ +55¢ M
I (sul A) Eb +37¢
f p fff

° 6 4 9 œ‰ ™ Ó™™ 6 æ æ æ æ æ ææ ææ ææ æ ææ æ ‰ ™ 3
Voice & 4 œ #œ ‰™ Œ 4 nœ 8 4 ∑ ≈ nœ ™ æ æ æ æ ˜œ Œ 4
pp mf mf pp
pp mf

æ ææ ææ ææ ææ æ æ
overblow æ æ
ææ ææ B œææ œæ B œ ™ æ æ ææ æ æ æ
#Bn#eœee µ˜ œe ˜œ æ
Œ µ œæ œ B œ
œ B### œœœœ ™™™™ æ 扙 Œ
6 Bœ ‰™ 4 µœ µ e 9 6 3
B. Cl. & 4 Œ 4 œ 8 ‰ ™ Ó™™ 4 ããã ã ããã ã ãã ã ãã ã ã 4
¢ æ æ æ æ ææ
p mf œ #æœ ™
p f ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ
p f

° 6 ∑ 4 ∑ 9 ∑ 6 ∑ ∑ ∑ 3
Voice & 4 4 8 4 4

6
4 ‰™ Œ 4
4 ‰ Ó™ 9 ∑
8 ≈ 6
4 Œ ∑ Œ ∑ ∑ 3
4
%30,8
%23,1

Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ B>ee. >. >. [10+13+3]

>.
6 #µ ee
Pno.
L.H. & 4 n¿ ‰ ™ Œ ®n¿#¿¿#¿ ¿ ®n¿#¿n¿#¿ ¿™ ¿ ®n¿#¿n¿b¿ n¿b¿ 44 b¿ ‰ Ó™ 9 ∑
8 ?≈ e 6
4 Œ ∑ Œ ∑ ∑ 3
4
fff
e
f mf

™™ ™™
6
4
4
4 ‰™ Ó™ 9
8 ∑ 6
4 ∑ Ó™ 3
4
M
pp mp p mf mp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Pno. ? 6 #¿¿n¿#¿ ¿ ¿ ¿ ‰™ b¿ ¿b¿ n¿ ¿b¿n¿b¿ Ÿ~~~~~~~~~~~~~~~~~~~~ 4 ¿¿¿ >E§>+55¢> M Eb +37¢

R.H. ¢ 4 ‰™ n¿¿b¿ 4 ¿ ‰™ Ó™ 9 ∑
8 ≈ µOœ. . 46 . Œ ∑ Ó 3
4
:◊; f mp
B œO nœ nn œœ nb œœ
ff mf fff ◊Ÿ >. ° °
° ° ° ° ° °
 6'04" 6'08" 6'12" 6'18" 6'23" 6'27" 6'32" 6'39" 6'46" 11
75 s s s s ,
s 73 s s , 77 pp mp p mf mp f
71 72 74 mf pp 76 p mf 78 79
° 3 ∑ 4 pp
œ 5 mp
‰™ ∑ 4 ≈ 6 ‰™ Œ ∑ œ ™ œ ® #œ ™ #œ ® nœ ™ œ®
Voice & 4 4 4 4 4
œ ™ #œ œ hmm hmm hmm a
hmm hmm
arco
3 4 5 bœ œ Bb œ #œ œ 4 µœ ‰ ™ Ó ™ 6 ™ œ ® #œ
Vln. &4 ∑ 4 ∑ 4 4 ∑ bœ 4 œ ‰™ Œ ∑ œ ™ œ® nœ ™ bœ ®

3
4 ∑
4
4 ∑
5
4
4
4 ‰ ™ Ó™ ∑
6
4 ‰™ Œ ∑ ™ ® ™ ® ™ ®
¢ pp pp
mf p mf mp p mf mp f
s s s s s , s ,
s s , pp mp p mf mp f p
mf pp p mf
° 3 4 pp
5 mp
‰™ ∑ 4 6
Voice & 4 ∑ 4 bœ 4 4 œ ™ ≈ œ 4 #œ ‰ ™ Ó Œ œ ™ #œ ® nœ ™ œ® #œ ™ #œ ® nœ
hmm hmm hmm hmm hmm a hmm a

3 4 5 4 6 ™ ® ™ ® ™ ®
4 ∑ 4 ∑ 4 4 ‰ ™ Ó™ ∑ 4 ‰™ Ó Œ
pp mf p mf pp mp p mf mp f p

œ ™ œ bœ
Vc.
3 4 5arco µœ nœ #œ 4 µœ ‰ ™ Ó ™ 6 œ œ ™ œ ® #œ ™#œ ® nœ
¢& 4 ∑ 4 ∑ 4 nœ bœ 4 ? ∑ 4 ‰™ Ó Œ ®

s s pp
mf
° 3 4 pp
5 mp
‰™ ∑ 4 6
Voice & 4 ∑ 4 œ 4 4 œ ™
≈ œ 4 nœ ‰ ™ Œ œ ™ œ® #œ ™ #œ ® œ ™ #œ ® #œ ™ #œ ® œ
hmm hmm p mf mp
pp mp p mf f p f p

bœ ™œ nœ ™# œ œ ™ œ #œ ™œ œ
3 4 5 4 œ 6
B. Cl. & 4
¢
∑ 4 ∑ 4 ∑ 4 ∑ ∑ 4 #œ ‰ ™ Œ ® ® ® ®
p mf
™ pp mp mp p p
æ‰ Ó
p mf f f

p s s
s s s , s , s ,
s pp mp p mf mp f p f p f
pp mp mf pp
° 3 ∑ 4 5 ‰™ ∑ 4 bœ ™ ≈ ∑ 6 ™™ ® #œ ™™ ® œ ™™ ® #œ ™™ ® œ ™™ ®
Voice & 4 4 #œ 4 4 4 œ
hmm hmm hmm hmm hmm a hmm a hmm a

3 4 ™ 5 4 ™ 6 ™ ™ ® ™ ® ™ ®
4 ∑ 4 ~~~~~ Ó 4 ~~~~~
∑ 4 ~~~~~ Œ Ó ∑
~~~ Ó 4 ® ™ ®
pp mp p mf mp f p f p f

>66
f
e ee eee eeee eeeee
∏∏∏∏

> 66
4mp > 5mf b666 4p b 6
∏∏∏∏

? 43 6
& 4 b66 Ó™ Ó™ 666 Ó™
Pno. f bœ
∏∏

∑ 4 ∑ 4 ∑ 4 ‹œ nœ bœ
∏∏∏∏

L.H. #œ
p p
p>
™
3
4
4
4 ‰ ™ Ó™ 5
4 ∑ 4
4 ∑ ∑ ∑ 6
4 ∑ ™ ® ® ™ ® ™ ®
f p f p f p f p f p

Pno. ?3 4 ≈ ‰ ™ Ó™ 5 ∑ 4 ∑ ∑ Ó™ ‰ ™™666 6 ™ Œ ∑
R.H. ¢ 4 4 G 4 4 6. 4 666 ‰ nb œœ #n œœ œœ
f > 6 #œ œœ
“‘ >. ° ° ° °
°
12 6'53" 6'59" 7'06" 7'11" 7'17"
, 81
s ,
mp ff mf fff
°80 82
4
83
5
84
3
Voice & #œ ™ #œ ® nœ nœ ‰ ™ Œ ∑ 4 ∑ 4 ∑ ∑ 4
hmm a uouoaii #e ™™
arco
arco #n ee e ™™
[g#6, a6]
4 5 # OOœ ™™™™
Vln. & nœ ™ œ® bœ bœ ‰ ™ Œ Ó & n Oœ 1
3 4 4 ‰™ Ó™ œ 3
1
4
™™™™ ® 43
µb œO 2
1
II- III
1

™ ® ‰™ Œ Ó 4 5 ‰™ Ó™ ™™ ® 43
4 4
¢ mp mp mf p mf
ff mf fff
s , ,
f mf fff
° ®
mp
œ #œ
ff
™ #œ ® nœ œ ‰™ Œ ∑ 4 ∑ 5 ∑ ∑ 3
Voice & ™ 4 4 4
hmm a uouoaii

™ ® 4 5 3
™ ® ‰™ Œ ∑ 4 ∑ 4 ‰™ ∑ 4
f mp ff mf fff p mf
“µ”e
™# œ ® n œ œ e
Vc.
? ™ œ ® nœ ‰™ Œ ∑ 4 ∑ 5 ne ‰™ ∑ ? 3
¢ 4 4BO 4
M III (sul G) Bb +47¢

° 4 5 3
Voice & ™ #œ ® #œ ™ œ® œ #œ ‰ ™ Œ ∑ 4 ∑ 4 ∑ ∑ 4
f mp ff mf fff
slap
™ œ #œ ™œ œ œ # œe >œ.
‰™ 4 5 µee ‰ ™ e 43
µ
B. Cl.
¢&
® ® Œ ∑ 4 ∑ 4 Ó™ ‰™
œ
œ
f mp ff mf fff
p mf sfz
s ,
p f
° œ œ ‰™ Ó™ ∑ 4 ∑ 5 ∑ ∑ 3
Voice & 4 4 4
hmm a

‰™ Ó™ ∑ 4
4 ∑ 5
4 ∑ ∑ 3
4
p f

eeeee “” >. >. >. >.

>œ. b œ>œ. #n œ>œ. b œ>œ. #n œ>œ. b œ>œ. #n œ>œ. n œœ œ>œ. œœ œ>œ. œœ œ>œ. œœ œ>œ.
>.
œœ
e >
. >
. >
. >
. >.
b œn œ œn
>. >. >. >. >. b >œ. n >œ. œœ b œœ #n œœ œ # œ
Pno. ∫œ ‰™ Ó ≈ nnœœ bœœ bnœœ bœœ #nœœ œ # œ 4 ‰ ™ Ó™ 5 ∑ ∑ 3
L.H. & 4 4 & 4
mp ff plectrum granulation on the treble bridge
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
‰™ Œ ∑ ∑ 4
4 ∑ 5
4
3
4
p mp p mp p
f
b œ>œ. n œ>œ. # œ>œ. nb œ>œ. >œ. b >œ. >. >. >.
“” nœ bœnœ bœnœ bœ œ
# œ œ œœ #œœ nbœœ #œ>œ. nbœ>œ. >œ. b >œ. >. nœ bœnœnœ bœnœ nœnœ bœnœ bœ œ nœ
#œ n œ nœœ 4 ‰™ Œ Ó 5 3
Pno.
R.H. ¢
? ‰™ Ó Œ &‰ ™ ‰™ ® ®Œ ® ®® 4 4 ∑ ∑ ?
4
mp f
° ff
 7'23" 7'26" 7'29" 7'35" 7'39" 13
vocal fry granulation: imitate the violin

°85 3 ∑
86

∑
87
5 ∑
88
3 ∑
89

Ó
ã ã ã ã 4
Voice & 4 4 4 4
e
pp

3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 5 ã ã ã ã ã ã ã ã ã ã ã ã ã6 ã ã ã ã ã ã ã 3 ã ã6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4
Vln. &4 6 6 4 6 4 ≈ ‰™ Œ 4
granulation: very slow bow
G
winding granulation
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~5~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~43~~~ ‰ ™
4 4 Π~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44
¢ p mf fff mp p
vocal fry granulation: imitate the violin

° 3 ã ã ã ã ã ã ã ã 5 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4
Voice & 4 ∑ Œ 4 4 4
e
mp p mp p mp p

winding granulation

3 5 3 4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4
4 ∑ ∑ 4 ∑ 4 ∑

“”B e [5+9+13+4] #µB eee mp p

pizz.
e
µe [6+11+5] nB ee arco
Vc.
? 43 nnee n ee [5+9+13+4]
#ee 5
[7+10+13+3]
ne 3 ã6 ã ã ã ã ã ã ã ã ã ã ã 4
¢ Ó BO Œ ‰ & 4 ‰™ Ó™ ‰ ™™ BO 4 Ó & 4
µ O M IV (sul C) E§ +55 ¢ M III (sul G) Bb +47¢
® ˜O II (sul D)F# +55¢
f M fff M I (sul A) Eb +37¢

f ff
° 3 ∑ ∑ 5 ∑ 3 ∑ ∑ 4
Voice & 4 4 4 4

slap
>. >. >. >. reed tapping granulation: imitate the violin

3 µœe # œe 5 ã ã ã ã ã ã ã ã 3 nãE ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4
B. Cl. & 4
¢ ‰™ Œ ≈ nœ ‰ 4 ‰™ Ó & bE 4 #e nE 4
œ
ææ ææ ææ æ p mp p mp
3 3
p mf f ff

° 3 ∑ ∑ 5 ∑ 3 ∑ ∑ 4
Voice & 4 4 4 4

plectrum granulation on the treble bridge

ã ã ã ã ã ã ã ã
3
4
5
4
3
4 ‰™ Ó Œ 4
4
ppp mf fff p

eeee eee
Pno. 3 b666 5 3 e ™ Ó ∑ 4
L.H. &4 4 4 66 ‰ 4
6
ã
3
4 ‰™ Ó ≈ ™ ÍÍÍÍ Ó 5
4 ‰ ∑
ÍÍÍÍÍÍÍÍ
3
4 ∑ ∑ 4
4
mp
” “”66
#b“6666 ™™™
∏∏∏∏

∏∏∏∏

5 b ‹6666
#
?3 4 ‰ n 6 Ó™ ? ‰™ 3 4
Pno.
R.H. ¢ 4 ∑ & ≈ Ó bnbœœ. œ . 4 . ‰ ™ Ó Ó ‰ ‹œ. #œ. œ œœœ œœœœ 4
ff fff ◊>Ÿ> > ◊Ÿ > > >. >.
f ° °
 7'42" 7'47" 7'51" 7'56"
14 91 92 93
90
° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
Voice & 4 4
mp p mf p mf p mf p

4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
Vln. &4 4

4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2
4 4
¢ mp p mp p mp p mp p

° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
Voice & 4 4
mp p mp p mp p mp p

4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2
4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4

mp p mp p mp p mp p

Vc.
4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
¢& 4 4

vocal fry granulation: imitate the violin

° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
Voice & 4 e
4
p mp p mp p mp p mp

4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
B. Cl.
¢ 4 #E
& nE E bE E bE ˙ ˙
4
p mp p mp p mp p mp

vocal fry granulation: imitate the violin

° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2
Voice & 4 Π4
e p p p
mp mp mp

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
4 2
4 4
mp p mp p mp p mp p

Pno. ?4 ™ 2
R.H. ¢ 4 #‹bœœœ.œœ ‰ Œ Ó ∑ ∑ ∑ 4
:◊; >
 COVENANT
8'01" 8'03" 8'06" 8'10" 8'13" 8'17" 8'20" 8'24" 8'31" 8'35" 15
95 96 97 s Gs ,
94 98 99 100 101 pppp 102 f 103
° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã 6 4 4
Voice & 4 4 4 ‰™ Ó ∑ ∑ ∑ 4 #œ 4 œ ‰ ™ Ó™ ∑ 4
hm i
mf p mf p mp
[g#6, a6]
# %% ™™ n# ee [a#6, b6]

2 ã 3 3 ã ããããããããããã ã 6 4 n O ‰ ™ Ó™ 4
Vln. & 4 G ≈ ‰™ Œ 4 ∑ ∑ 4 ∑ 6 G ≈ ‰™ Ó ∑ 4 ~ ™™
µb ww
1
~ ™™
3 4 µn œO
nœ
∑ 4
2
1

granulation: very slow bow

~~~~~~~~~~~~~~~~~~~~~~
2 3 3 ~~~~~~~~~~~~~~~~ ‰ ™ Ó 6 4 4
4~~~~~~~~ ‰ ™ Œ 4 ∑ ∑ 4 ∑ ∑ 4 4 ‰ ™ Ó™ ∑ 4
¢ ppp ff
mp mf ppp

s Gs ,
pppp f
° 2 ã ã ã ã ã ã ã ã 3 ã ‰™ 3 6 4 4
Voice & 4 4 Ó ∑ 4 ∑ ∑ ∑ ∑ 4 œ 4 #œ ‰ ™ Ó™ ∑ 4
hm e
mp p

slow bow on wrapped strings

2 3 Ó 3 ‰™ Ó 6 4 ‰ ™ Ó™ 4
4 4 ‰™ 4 ∑ ∑ 4 4 ∑ 4
ppp mf ppp fff
mp p mp

“µ”e
[6+11+5]
n ee EEE
Vc.
2 ã ãã ããããã 3 ãããã ã ããããããã ã
™ 3 ? ‰™ Ó 6 4 G ≈ ‰ ™ Ó™ 4
¢ & 4 4 G≈ ‰ Ó 4 ∑ BO ∑ 4 6 4 ∑ 4
M III (sul G) Bb +47¢ E

° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã ‰™ 6 flutter ææ ææ ææ ææ 4 æ æ æ 4
Ó ∑ ∑ ∑ œ æ æ æ æ æ nœæ æ #œæ #œæ
Voice & 4 4 4 4 æ ææ 4 œ œæ™ æ æ æ #œæ 4
p mp p mp p ppp fff p mf

flutter
Œ ææ ææ ææ ææ ææ
‰™ #œ ™™ ® œ æ ææ
ãããã ã ãããã ãããã ããããããã
2 ã ãã ããããã 3 ã Ó ∑ 3 ∑ ∑ ææ ææ ææ ææ ææ æ ™™
œ 6 #e 4 4
B. Cl. & 4 4 4 4 œ 4 ææ ææ ææ ææ ææ ææ ææ 4
¢ b˙ ææ ææ ææ ææ ææ ææ
pp mf
p mp pp fff Ϫ
p mf
s Gs ,
° 2 ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã 6 pppp
4 f
4
Voice & 4 4 4 ‰™ Ó ∑ ∑ ∑ 4 œ 4 ‰ ™ Ó™ ∑ 4
mp p mp p mp hm a

ã ãã ããããã ã ããã ã ããããããã ã ãã ããããããããã ã pluck granulation

~~~~~~~~~~~~~~~~~~~~~~~~
2 3 3 ‰™ Œ ‰ ® Ó ‰ -Ó Ó ‰™ 6 ~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ‰ ™ Ó™ Ó™ ‰ ™™ 4
4 4 4 ™ 4 ~~~~~~~~4
~~~~~~~~~~~~~~
4
%18,8 %23,1 %18,8

mp p mp p mp ppp fff

[6+11+5] B>ee. >. ã ãããããããããããããã [6+11+5]

(location) ããããããããã ã
Pno. 2
&4 ∑ 3
4 ∑ ∑ 3
4Ó ‰ ® µe Ó ‰ 6Ó Ó ? ‰ ™ e 46 n6 4
4 G ≈ ‰ ™ Ó™ Ó™ & ‰ ™™ µe 44
L.H. ee Ÿ n ee.
>. >. >. > mp ◊ >
Bb +47¢
M E§ +55¢ M Bb +47¢

Pno. ? 2 3 3 6 4 666
R.H. ¢ 4 ∑ 4 ∑ ∑ 4Ó ‰ ® BœO Œ & ‰ ™™ œ. >œ Ó Ó ? ‰™ 4 Œ ∑ 4 666 ‰ Ó™ Ó™ ‰ ™™ BœO 44
M mf ‘> . .. > > µ œO 66 p >.
“ >> mp
mf .. > fff
>. “‘
° ° “‘ > >
° °
16 8'40" 8'44" 8'49" 8'54" 8'58" 9'03" 9'08" 9'12" 9'19"

110
108 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
°104 4 ∑
105

∑
106

∑
107

∑
s 109

bœ œ ™ œ ‰™ Ó™
111
6 ∑
112
2 ∑
Voice & 4 œ 4 4
p mf p mf
#µ eeo
arco seagull effect O
4 ‰ ™ Ó™ 6 2
Vln. &4 ∑ ### BOOœœ 2
1
4
∑ ∑ ∑
##œO 4 4 œ ‰™ Œ
1
press & rotate bow hair

mid bright

4 ‰™ back 6 2 ‰™ Œ
4 ∑ plate ‰™ 4 4
¢ mp p
frog dark
p p
f p mf ff

Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
° 4 ∑ ∑ ∑ ∑ ‰™ Ó™ 6 ∑ 2 ∑
Voice & 4 œ œ œ™ œ 4 4
p mf p mf
press & rotate bow hair
mid bright

4 ‰™ 6 2
4 back
4 4 ‰™ Œ
‰ ™ Ó™ plate
frog dark
mp pp p f p mf p ff
[6+11+5]
“” µ e
e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~nœB e
Vc.
? 44 Bn eO ‰ ™ Ó™ ∑ ∑ ∑ ∑ .
6
4 4 ‰.™ Œ
2
¢
M III (sul G)Bb +47¢ µœB e

flutter 3 3
° 4 æ æ ææ œ œ bœ bœænœænœæ œæ œæ#œæ œ œ œ #œ ææ
Voice & 4 œ ‰ ™ Ó™ ∑ ≈ œæ™ ææ ææ œ ‰™ œ bœ œ nœ nœ ‰ ™ Œ 6
4
2
4 #œ ‰ ™ Œ
p
æ æ æ æ æ æ ææ æ p mf
œ
p f
3 3
p mf p mp

µ˜ œe ˜ œ
ã µ#eœe ããããããã ã ãã ãããã ãããã ããããã ã ã ã ãããããã ãããã µ e #˜œe #œe #˜œe n œe nœ
#œ
4 ™ ™ ne 6 2
B. Cl. & 4 æ ‰ Ó
¢ µœ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ ‰ ™ µœ œ ‰™
œ œ µœ nœ 4 4 nœ
‰™ Œ
p p f
mf
p 朙p f mp mf
p mf
Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
° 4 6 2
Voice & 4 ∑ ∑ ∑ ∑ bœ œ œ™ œ ‰™ Ó™ 4 ∑ 4 ∑
p mf p mf

ã ãã ãããã ãããã ããããã ã ã ã ãããããã ãããã ããã ã

™
4
4 ‰™ Ó ‰ ™™ ‰™ Ó ‰ ™™ ‰ ™ Ó™ ‰ ™ Ó™ ™ ® 6
4 ® ™ ® 2
4 ‰™ Œ
%30,8 %23,1

p mp p p
B>ee. >.
[10+13+3]
mf f p f p f p f
[9+13+4]
Pno. 4
&4 ‰™ Ó ‰ ™™ #µee ‰ ™ Ó ? ‰ ™™ ne ‰ ™ Ó™ ∑ ∑ ∑ 6
4
2
4 G ≈ ‰™ Œ
L.H.
#œ œœ nb œœ #n œœ
> e
>. >. ~~~~~~granulation
~~~~~~~~~~~~~~~~~~~~~~~~ Brutally, but slowly and equally
4
4 ∑ ∑ ∑ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
‰ ™ Ó™ Ó™ 6
4 ∑ 2
4 ∑
ÍÍÍÍÍÍÍÍÍÍÍÍÍ
p mp p mf
M Eb +37¢
M
ã ãããããããããããããã
E§ +55¢
(location) ã ã ã ã ãããããã ãããã ããã ã 6))66
G ≈ ‰ ™ Ó™
∏∏∏∏∏∏∏∏

Pno. ? 4  6 2
R.H. ¢ 4 ‰™ Ó ‰ ™™ B œO ‰™ Ó ‰ ™™ ‰ ™ Ó™ b6 ))))6666 Ó™ 4 ∑ 4 ∑
:“; > mp >. >. mf µ œO ◊Ÿ 6))6
)6
>. >. f ff
° ° ° ° °