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Piano

POP CAMILA arreglo. Misael Pacheco Sánchez

(Todo cambio, Alejate de mi amor, Besame, Mientes)

       
q. = 58
   
F F^
B¨ B¨m


         
 


(piano) (guit dist) (piano)
F7  
             
3 F
           B¨
  B¨m F F7

  (only piano)

 (toodo cambio)
(guit dist)

                                   
6 B¨ B¨m Gm7 Am7 B¨^ Am7 Gm7 B¨/C
  

PLAY

                        
   
B¨ F F7 B¨ B¨m Gm7 Am7

       
10
(fill frums and guit)

                                
14 B¨^ Am7 Gm7 F/A
     C B¨

                
17 B¨ C/B¨ F F7 B¨ C/B¨ F F7 B¨

  

  
                  
21 Gm7 F/A
  B¨  C
B¨ C/B¨

B¨ C/B¨ B¨

   
  

     (only
q = 73

   


24 F/B¨ C/B¨ C©m7 B Aadd2 C©m7 B Aadd2
  piano)        
        

PLAY

 
                           
1. 2.
29 C©m7 B/C© Aadd2/C© B C©m7 B/C© Aadd2 B Aadd2

  
(alejate de mi...) V.S.
2 Piano


G©m7 C©m7 A C©m7 G©m7 C©m7

          


34
   
 
(simile...)

         

A B A B E B/D© C©m7 B

           
40


1. 2.
         
  
A B A B C©m7 B/C© G©m7 A

     
45

 

            
q. = 59

          
49 D^ F©m7 D^ F©m7

     
(piano) (guitar)

    
            
 (only
53 D^ F©m7 D^ F©m7
piano simile)

(besame)
(tutti)

                       
D^ F©m7 D^ F©

                      
57

Bm7 C©m7

       
            
61 F©m7 E Bm7 C©m7

      
   

        
    
   
F©m7 E Bm7 C©m7 F©m7 E B/D©

D^


64

   
(strings)
         
D^ F©m7 E/G© A/C© D^ F©


68


2 2 2 2
Bm7 C©m7

                        
F©m7 F© Bm7 C©m7 F©m7 E

            
72

     
Piano 3

                            
Bm7 C©7 F©m7 E B/D©

        
76



        A¨ 
q. = 57

         
B¨m7 E¨/G

     

78
   
G¨ A¨
 G¨

   
2 2

1. 2.

     
  (simile..)
                  
84 A¨ G¨ A¨ G¨ A¨ G¨ G¨



(tu llegaste a mi vida...)
(tutti)

                                      
93
           D¨ B¨m7 G¨


(strings) B¨m7

                            

A¨ A¨ G¨

     
101


(solo guit)

G¨m7
     
         (fill drums)         
B¨m7 G¨ A¨

    
109


 
(strings)

G¨ B¨m (tutti)
118 G¨ A¨/G¨ G¨ A¨/G¨
          
(only piano) 2 2 2 2 2 2

           
2 2